From the minutes of the Century Society:

With a tip of the hat to the late great historian, Arnold Toynbee

The current problem in world affairs stems from the political and religious conditions of the conquest by the Roman Empire of the myriad populations surrounding the Mediterranean Sea. By consolidating the littoral and surrounding people the Romans unintentionally created a universal State.  Roman mores extended over this ancient world.

Each of these various nations  had their own chief god and other gods.  Thus, as examples,  Zeus and Yahwey; the former Greek and the latter Judaic.  The two gods were equal along with the Phoenician Baal, and the Egyptian Isis and Osiris among others. 

The political unification of the Mediterranean thus demanded an accompanying universal religion.  The people having the most qualified god to offer as this universal god were the Judaics.  They leaped to fill the void.  While other gods represented only their respective people, the Jews had fashioned their god as a universal god above all other gods.

The Jews themselves, seeking to impose their god on humanity, made the attempt by reproducing themselves at a fantastic rate.  ‘Go ye forth and multiply.’ their god told them.  Asymmetric warfare. With the admonition to bring all the other peoples to him alone.  Having followed their god’s desire the Jews had multiplied sending colonies out to all the cities of Rome including Rome itself.

Therefore by the year 0, Julian calendar, and at the cusp of the Age of Pisces according to the Zodiacal calendar the Jews having thoroughly infiltrated the Empire declared war on Rome much as they would do in Germany in the twentieth century.  It was their intent that the colonies in Roman cities would rise with them thus keeping Roman troops so dispersed that an easy conquest would ensue.  The colonies did not rise and the Roman legion smashed Jerusalem and Israel in 70 AD.  Jewish military hopes were shown to be impracticable. 

Realizing the futility of military means the Jews adopt a bore from within strategy by religious means.  Thus Paul began the process of converting the Jewish followers of Jesus of Nazareth to a universal god while admitting the goyim.  The goyim were unimpressed with circumcision and the peculiar dietary laws so that these were dropped as a condition of admittance.  At the same time the Greek avatar of the emerging Piscean Age, Dionysus was joined to Jesus under the title Jesus the Christ, or the anointed one.  Hence Christianity.  Then Christianity escaped them after the religion had been organized by them in Rome.  By another change of name Christianity became the Catholic or Universal Church.

From that point on the history of Europe evolved into the situation of today in which the Jews are claiming spiritual and temporal domination.

Dated this day: 3/15/2023.  Sec’y of the Century Society, R.E. Prindle

The Ancient Evil:

Diana And The Goddess Tradition

by

R.E. Prindle

A problem that has been perplexing me for some time is the role of the Goddess Diana as the female archetype for the last half of the Age of Pisces.  The adoption of the goddess Diana or Artemis as she was known in Greece signifies a resurgence of the Matriarchy.  This is a rather remarkable comeback as the Matriarchy was virtually unknown in the nineteenth century, all but forgotten.

I’m sure the interpretation of Diana’s history and her relationship to Astrology will be met with some dismay as these subjects are not properly understood.  Essentially the problem is one of memory; in this case historical and racial memory.  Memory on one level is a desire to retain and understand the past whether on a personal or historical level.  From the past the future may be predicted.  What has gone before will likely happen again.  It was this knowledge that made the calendar a necessity.  If one has a starting point, such as the shortest day of the year the return of flora and fauna may be roughly known.  To make the year more manageable it was divided into seasons and months to mark more easily the passage of the days of the year.  This knowledge led to a whole cycle of gods, goddesses and myths.  Thus a terrestrial zodiac was derived denoted by symbols appropriate to the seasons.  As it was assumed that what happened on earth was a reflection of what happened in the skies the terrestrial zodiac was translated to the stars and thus we have the Astrological Zodiac in which the twelve signs reflect the weather pattern on earth.

Just as there are twelve months in the year so the skies were divided into twelve portions called Ages.  The length of the Ages was determined by the Great Year that was of some twenty-five thousand years plus duration.  The Great year was determined by the rotation of the earth on its axis as evidenced by the stars of the North Pole.

The Great Year

Each Age has it male and female archetypes.  In Greece the Arien Age was presided over by Zeus and Hera.  Thus each set of archetypes has a lifetime of two thousand plus years and then they make the long slide to Far Tartary and back again.

The Piscean Age which has become universal began with the male archetype of Jesus of Nazareth while in mid-Age the archetypes where transferred to the female side- Diana in the North of Europe and Mary, the mother of Jesus, in the South of Europe.

While the mechanism used to achieve this is fairly clear the exact process can only be surmised.

While it may be difficult to believe the Astrological Zodiac must have begun development about a hundred thousand years ago being in the fourth cycle at the time of the dawn of the Age of Pisces.  Thus as a method of timekeeping the Zodiac has a long history.

One may question the hundred thousand years and yet the Mesopotamian myths mention a past of at least that long.  One usually doesn’t credit the ancients with actual knowledge but I think it is time to take them more seriously.

For much of that hundred thousand years during the long Ice Age the level of the Mediterranean was much lower probably being a long valley with a succession of large lakes fed by the Nile and the Propontis while the outflow was at the Pillars of Hercules.  As the Med Valley was habitable it must have been inhabited.  Undoubtedly a civilization developed that was fairly sophisticated.  One needn’t look for extraterrestrials for human development.

Thus when the Ice Age ended returning the accumulated waters to the oceans the waters rose forcing the Valley’s inhabitants to seek higher ground until the sea level became static.  While denizens fled to all sides of the Med the civilization bearers occupied Lower Egypt, the emerging Nile Delta.  A second area in which civilization  in some form must have survived was the island of Crete.

Nile Delta. 10,000 years ago the Delta would have been smaller as the silting would not have progressed so far.

It was on this island that the religious formula that became a basis of Europe was formed.  The basis was provided by the Hellenic Greek tribes that began their invasion of the Greek peninsula c. -1700.

The Greek penisula was occupied by an ancient people called Pelasgians.  They like the Cretans were descendants  of the Med Valley peoples as were the Cretans and Lower Egypt.  The Pelasgian religion closely resembled that of the Cretans.  The conquering Hellenes imposed their Greek language on them while setting about solving the religious differences into one unifed religion.  This was done following a usual pattern.

Crete, The Aegean Islands and the Greek Mainland, The Core Of The Thalassocracy

The Hellenes followed an Aryan Patriarchal model while the Pelasgians and Cretans followed a Matriarchal type.

How much religious development took place between 8000 BC when the waters rose and 2000 BC when things had settled must have been very large.  An important thing to remember is that the human mind is continually handling information.  Problems of memory have been continually remedied with new storage technologies.  They have been continually developed to today’s immense ability to be able to very nearly store entire reality.  Every phone call in the world 24/7 can be stored and retrieved at will so that totally inconsequential information is on record but will never be read.

The time lapse between improvements in storage and retrieval were immense in the early days increasing rapidly to the present.  The earliest known city, the remains of which date not coincidentally to c. 8000 BC is located at Catal Huyuk in Anatolia which would have been a rural backwater to the Med civilization, but a high degree of communal organization is evident.  One imagines the Cretan civilization was similar but more highly developed.  There is every evidence that the Great Mother religion was fairly highly developed at the time the waters rose.

The Cretans certainly brought the religion to a degree of perfection.  Obviously there is no agreement as to the degree while the substance of religion can be only guessed at.

The Goddess Angry

Presently the Goddess advocates picture the Matriarchy as some kind of golden age of

The Loving Goddess

peace love and happiness.  This is not the case.  The Matriarchates lived in a period of very primitive mentality.  Nor is the female of the species any less bloody minded than the male.  The memory of the matriarchate was still strong enough for later males to dismiss the matriarchate as a period that was not too kind to men.  Indeed, if one bears in mind that the sacrificial bulls were substitutes for men and that bulls were often sacrificed in holocausts which means a hundred bulls or more then it follows that at one time a hundred men or more were sacrificed to the Great Mother.  Obviously this would leave rueful memories in the minds of men.

This memory may have been played out in the tale of Iphigenia At Aulis.

Shall we examine the participants in this drama, Agamemnon, Clytmnestra, Iphigenia and Diana?

Zeus in the apparition of a swan had intercourse with Leda who then lay two eggs.  Both bore twins.  From one egg Castor and Pollux emerged.  These two represent the soltices, Castor, winter and Pollux summer.  From the other egg Helen and Clytemnestra emerged.  These two represent the equinoxes, Helen the Spring, Clytemnestra the Fall.  One might compare Helen to the Cretan Loving Goddess with the erect snakes held hip high and Clytemnestra to the Angry Goddess brandishing the two writhing snakes.  Thus the two goddesses are representatives of Diana.

Zeus Impregnating Leda

Now Agamemnon was punished by Diana for killing a deer and then boasting that he was a better hunter than she.  Agamemnon and the Greeks were assembled at Aulis but unable to sail for lack of wind.  A sacrifice was deemed necessary to allay the winds.  Ordinarily a male would have been the sacrifice to Diana.  Instead Agamemnon sacrificed his and Clytemnestra’s daughter probably in vengeance for his punishment by Diana and the slaughter of all those males during the Matriarchy.

Clytemnestra herself was a representative of the Matriarchy so the story is involved.

While my interpretation might be controversial I think it clear that the Cretan goddess became Artemis/Diana.  At any rate it was the Argive (from Argos) mainland goddess Hera who would be chosen as the wife of Zeus.  Therefore the Cretan goddess would have lost her consort and been a loose cannon.

Zeus himself was of Cretan origin probably intended to be the annual consort of the Goddess.  As religion evolved the characters of the Gods and Goddesses changed so that while there is continuity the attributes and characters change enough so that the religious figures have to be located in time and place.

When the Hellenes, or Greeks, began to arrive the Cretans had already created a political organization known as a thalossocracy, a sea based empire.  The islands and at least the coasts from Aegean to Italy were under Cretan rule.  The Greeks then challenged the power of the Cretans as well as seeking to impose the Patriarchal religion on the Matriarchy.

This method of taking control was the same as that of all religions replacing another.  As in such situations the overcome religion submits to greater power but continues a more or less clandestine existence.  Thus the Aryan Greeks converted religious sites such as Delphi to Patriarchal shrines.  Where the necessisity existed in Matriarchal strongholds, they apparently attempted to exterminate the Matriarchates.  Persecute them out of existence, perhaps, as happened to the Lollards of England.

In this case, Perseus’ assault on the Gorgon Medusa could have signified an all out assault on the Matriarchal stronghold as was the story of the Iliad in which the Patriarchal Greeks waged a ten year war to exterminate Matriarchal Troy.  Whether factual or not it is true that when the post-Troy dark age ended the Greeks were in possession of the Anatolian littoral.

Of course the preferred method was by stealth and intermarriage.  Intermarriage may have required the extermination of the males to acquire the women which was commonly done.  Thus, Zeus’ frequent rapes of women may commemorate such takeovers.

As the assimilated gods appear to have been indigenous the Greeks must have taken over the pre-existing gods while changing them to Patriarchal from Matriarchal.  Thus, while Zeus is clearly a Cretan god, probable annual consort of the Great Mother, he was transported to mainland Argos where as a woodpecker he raped the Argive goddess Hera becoming her lord and master, or her husband.

The consort of Hera was Heracles, a sun god.  When Zeus took Hera from him as his wife this left Heracles at loose ends without a purpose.  The Greeks gave him a new lineage and the role of the champion of the Patriarchy and punisher of the Matriarchy.

In this case Zeus seduces Alcmene in the disguise of her husband Amphitryon impregnating her with Hercules.  Just as Heracles was a loose cannon after the marriage of Zeus and Hera the Cretan Great Goddess was without a consort when Zeus left Crete.  The problem is what identity was she assigned?  When Heracles was born two snakes were sent by the Matriarchy to kill him.  The baby Heracles strangled both, one in each hand.  Symbolically then the Cretan religion was imagined to be destroyed and possibly its Great Mother murdered.

A great problem however that remains hidden from me is the origin of the Peloponnesian Lady Of The Lake.  As the Cretan Great Mother was also a Mistress Of The Animals it is quite possible that she was taken to the mainland from Crete where she became an Artemis and possibly the Lady Of The Lake.

At some later time the Cretan priesthood would be carried from Crete and installed as the priesthood of Apollo at the premier Greek shrine of Delphi.  So, how much of the Greek religion was of Aryan origin and how much of the ancient Med Valley religion through its Cretan development isn’t clear but the two must have been extensively intermingled making the Cretan Great Mother a probable Artemis/Diana and the Lady Of The Lake.

I have found no references in Greek mythology to the Lady Of The Lake but the Lady as Vivian turns up in the Arthurian epics of +1000-1300 when they were formulated.  In those she is referred back to ancient Peloponnesian times.  I haven’t found the sources of the medieval writers but they must have been in possession of some mythological sources that no longer exist.

I would now like to examine the transition from the male archetype of Jesus in mid-Piscean Age to Diana in Northern Europe and Mary, the Mother of God in the South.

Before leaving the Ancients however let me say that having organized a pantheon the Greeks then removed the various gods from their home locales  and established their residence on Mt. Olympus deep in the more densely Aryan populations of the North of Greece.

II.

The religion of no one Age is secure because the transition to the next Age is always looming.  Just as Zeus had replaced Cronus of the Taurean Age so the Greek male archetype of the Piscean Age, Dionysus, was maturing as Zeus’ replacement.

However, in the long war between Europe and Asia the balance of power was to shift toward the Asians.  Dionysus was discarded to be replaced by the Semitic Jew, Jesus of Nazareth.  The Jews had quietly been infiltrating Western society while actually contending for pre-eminence in the East and Egypt.  This would erupt into the Roman-Jewish wars of the first two centuries AD.

As the early Christians were a purely Jewish sect it is no wonder that when Paul of Tarsus turned the Jewish cult into a universal religion that that religion reflected Judaism to a large extent.  Judaism being an intolerant religion that intolerance was replicated in both  the Roman Catholic and the Greek Orthodox Churches.  The result was that any competing religious views were viciously suppressed.  After the fourth century the old Creco-Cretan religion was anathematized on the pain of death.

As would happen in the fifteenth century when the Ottoman Moslems conquered Constantinople and the Greek scholars fled East to India and West to the Roman successor States numbers of the Olympian priesthood undoubtedly fled into the German lands to the North.  Just as the Arian priests fled North to escape Catholic oppression where they converted the German tribes  so the Olympian priests sowed their beliefs among the Germans.  That’s one reason so many Olympian beliefs are found in German folk tales as collected by the Grimms.

As the Lady Of The Lake is a Matriarchal myth it follows that the Cretan priesthood of Delphi sowed Matriarchal ideas among the Germans.  It can be little wonder that Vivian, The Lady Of The Lake, appeared in the French chivalric myths created from the eleventh though fourteenth centuries.

Not only that but Vivian represents the Matriarchal resurgence against Catholic Patriarchalism.  Vivian of course was none other than Artemis/Diana.  It was thus that Diana became the female archetype of Northern Europe in the second half of the Piscean Age.

It would be a mistake to suppose that the Olympian gods died quiet deaths or deaths at all.  It is one thing to outlaw a belief system and another to erase it from the memories of those who had used that belief system for two thousand years.  The Christians were at best a conquering horde no different from the Patriarchal Greeks who attempted to destroy the Cretan religion.  The Catholic Church was no more able to contain the Olympians than the Greeks were able to contain Cretan religion.  Just as the Greeks had had to accommodate the Cretans by installing them at Delphi so the Catholic Church had to accommodate Olympians while the struggle never ceased.

Just as the Iliad was part of an immense mythological cycle detailing the struggle between the Matriarchy and the Patriarchy so the Arthurian epics detailing the Matriarchal, Patriarchal and Church as Aryans sects was even more immense and sprawling.  The huge corpus of the Vulgate-Lancelot may just be the largest literary work in the world while being only part of the story.

So Arthur being installed at Camelot as the wise and benevolent Patriarchal monarch, Vivian had her home beneath a northern French lake.  The problem for her was how to subvert Camelot and restore the Matriarchy.  After all the court of Arthur was guided by and protected by the magic of the great magician Merlin.    So long as Merlin was on the job Arthur was invulnerable.  Vivian’s first task was to eliminate Merlin.

Bear in mind that an ages old system that these participants can have had no knowledge of is being satisfactorily worked out according to the principles of that system.  One can understand how active minds could penetrate this arcane system but the miracle is that naïve minds could understand what was intended and how to further it.  But then I am participating here in furthering events into the Aquarian Age and am no member of any priesthood; I was just a guy standing on the corner watching the girls go by while reading the odd volume.  Do I know what I say I know?  I can’t even guess but at the same time I can’t keep from writing as though I do.  Blame it on the muse.

Vivian was a cute girl; Merlin was a half daft old man susceptible to a young beauty’s charms even though he knew better.  Vivian smiled at him and the wisest dope in the world fell for it.  But, isn’t that the way the sisterhood always works.  If you’ve got a job to do, keep it zipped up.

Enamored of Vivian Merlin took her into his confidence.  He was reluctant to share his magic with her but she coaxed and he caved.  Once the wiliest of womanhood had obtained the old wizard’s knowledge she turned on him entombing him in the matriarchal symbol, Mother Earth, where he remains today muttering useless spells in an effort to remove the stone.

Vivian Enchants Merlin

Part one of her effort was now achieved.  Arthur was unprotected and vulnerable.  It was only necessary to find the means and the agent.  Vivian already knew the means.  Arthur would marry the beautiful but flighty Guenivere.  Arthur was old sobersides as he had a kingdom to rule so Guenivere was on the lookout for the dark romantic lead.  It just so happened that Vivian had a boy in training who was now about to emerge into lusty young manhood.  He was the most perfect knight in the world save one, who was yet unborn and to be his son.

When this lad was a young boy Vivian had lured him down to the lake from whose shores she abducted him taking him to her submarine palace for training. Lancelot became a fairy prince.  Now, this is important: Vivian although a virgin was an alpha mother .  All those bundles of genes out there who yell and stomp thinking that makes them alpha males aren’t. It’s not in the genes its in the mothering.  Look for the alpha female.  So, Lancelot was the alphaest of all living males.

As an emblem of her authority Vivian dressed Lancelot as well as  the horse he rode out on in shining white velvet.  Guenivere’s prince had come.

This Dandy, Lancelot, then went to Camelot and was deputized by Arthur to fetch his bride from her father and thus began a liaison with the Queen that would disrupt the famous Round Table resulting in a war between Patriarchal Arthur and Matriarchal Lancelot that brought the kingdom to its knees.

Arthur’s original sword drawn from the stone had been stolen and replaced by Excalibur a sword given to him by Vivian.  Thus Arthur originally armed by the Patriarchy was now defended by the power of the Matriarchy or Diana.  When Arthur died the sword was returned to the Lady Of The Lake and Arthur was taken to her bourne, Avalon to be tended by the fairie maidens.  Symbolically England had passed from the Patriarchy to the Matriarchy; what began two thousand years earlier between the Cretans and the Greeks was now resolved in England in favor of the Matriarchy.

In the South of Europe the female archetype of the Piscean Age was Mary who delivered Jesus to the world in Virgin birth somewhat like Vivian giving virgin birth to Lancelot.  At the same time that Diana assumed authority in the North Mary began to be worshipped in a form known as Mariolatry in the South and assumed pre-eminence over Jesus, the male.  The contest then shifted to one between the Dianites of the North and the Marionites of the South.

If one assumes that the sexual battle was over by 1300, then the battle of the female archetypes began. That began to resolve itself when Henry VIII separated England from the Papacy rejecting Mary, the Mother of God.  Luther did the same for the Germans.  This conflict resulted in the horrific Thirty Years War that nearly destroyed the German people.  At war’s end Protestants, that is the Dianites, were in control of the North while the Marionites held the South.

Dissension in the North and South was still rife until the Enlightenment broke the power of the Church releasing all kinds of repressed religious views of which the religion of Diana  was merely one.  One wonders how much of the women’s movement of the nineteenth and twentieth centuries was influenced by the concept of Diana  The movement today is heavily influenced by a goddess cult, not Mary, but Diana and probably the Egyptian Isis.  One imagines that there must be some continuity.

The interest in both Greek mythology and the Arthurian epics did not wane during the nineteenth century, if anything increasing.  Tennyson’s Idylls of  the King was a major retelling of the story while the quest for the Holy Grail is an ongoing theme.

The Matriarchy was all but forgotten in the conscious memory of Europe that had become patriarchal on the surface.  In mid-century against stiff resistance the Swiss mythologist, J. J. Bachofen uncovered the Matriarchy reintroducing it into intellectual history.  The concept was stoutly resisted but a reevaluation of the evidence over the succeeding hundred years has reestablished the knowledge of its existence.

On the popular level the great English novelist H. Rider Haggard toyed with the idea in several significant, even great, novels that have been slighted through a lack of understanding.  The most significant of that set of novels, the She saga, has become one of the world’s great classics.

She, or Ayesha, her actual name, means Life  was definitely not a mother goddess, as far as we know she had been chaste for two thousand years.  Life might be interpreted in the sense of Mistress Of The Animals, so it wouldn’t be unfair to associate Ayesha with Diana.  Haggard was no mean mythologist.

He associated with the well known mythologist Andrew Lang with whom he also collaborated on The World’s Desire.  He was very well read in mythology, Greek, Egyptian and Israelite.  The year after Haggard wrote She in 1888 he followed up with Cleopatra, a very good Egyptian novel.  He followed that with the astonishing interpretation of the Helen myth in The World’s Desire of 1890.  Within the compass of these three novels he unraveled the meaning of the Hermes/Mercury staff- the Caduceus.

The Caduceus Of Mercury/Hermes

In She Ayesha wore a golden belt composed of two snakes whose heads opposed each other at her waist.  They represented the combat between good and evil in Ayesha’s mind.  Both natures of the Cretan goddess were united in Ayesha.

By the time Haggard wrote The World’s Desire two years later he had separated the two impulses into two persons.  The evil aspect of the goddess was the ruling aspect of the Egyptian princess Meriamun while the pure loving aspect of the goddess belonged to the spirit of Helen whose character was the world’s desire.

Thus the rod of Mercury’s staff represents the spine while the two snakes entwining the rod represent the good and evil impulses who facing each other are at war with each other.  In modern psychological terms it could be said the snakes represent the Anima and Animus- the left and right halves of the brain or, in other words, the ovate strand of DNA and the  spermatic strand.  The wings mean that the whole apparatus is sheltered under the wings of the goddess.  It is also quite probable that the points of the chakras are intended by the twining.  See my full explication here:  https://idynamo.wordpress.com/2009/12/04/a-review-part-iv-she-by-h-rider-haggard/

Hermes/Mercury was one of the old Matriarchal gods who was reborn as a Patriarchal god so that the Patriarchal Mercury bears the Matriarchal emblem of the Caduceus before him thus representing both religious outlooks.

Haggard was the rock on which his near disciple, Edgar Rice Burroughs, built his church.  Without saying that Burroughs was an expert Greco-Roman mythologist he began reading mythology at a very early age while his Junior High years were spent at the Harvard Latin school of Chicago where he was placed under a heavy classical regimen.  He also continued to read Greek mythology throughout his life while also being interested in anthropology.  Thus, while he might not have had the scholarly background of Haggard he must have known enough to follow Haggard’s argument, if not consciously at least in his subconscious memory.

When Burroughs created his fantasy lost city of Opar its goddess, or high priestess, was even named  La which is French for She.  Whether he was aware he was working with a vision of Diana isn’t relevant as the notion of She/Diana was engraved in what Jung would call the collective unconscious and hence his own.

Ever the Patriarch, Burroughs turned the tables on the Diana/Vivian Merlin story and made La submissive to Tarzan while Tarzan was unmoved by either her beauty or her love.

A sort of version was also told by the very good but now nearly forgotten novelist Robert Hichens in his novel of 1905, The Garden Of Allah.  This story in turn influenced Burroughs as well as the much more conscious mythologist Edith Maude Hull who wrote The Sheik in 1921.  Today Mrs. Hull’s reputation, such as it is, rests on The Sheik and The Sheik’s reputation on the movie represention of Rudolph Valentino.  In point of fact Mrs. Hull’s novel was a study of Diana, the name of her heroine, that follows to some extent the version of Burroughs. (See my full review of The Sheik here https://idynamo.wordpress.com/2007/10/12/a-review-1921s-the-sheik-by-em-hull/)

1920s English Devotee Of Diana

That Mrs. Hull was a part od some sort of Diana cultish interest is evidenced by this 1920s photo of woman posing as Diana.  The collective memory and/or unconscious has kept the vision of Diana/Great Mother alive for a minimum of three thousand years.  The Ancient Evil had been transmuted into Freudian psychology.

Today the worship of the Goddess has been revived in the Feminist Movement and is thriving.  Indeed, a Matriarchal Revolution has been in progress since perhaps the 1850s and now seems to be rapidly approaching fruition, at least among the Aryans of Europe and America.

Time will tell whither the Ancient Evil will triumph.

Edgar Rice Burroughs As A Feral Child

by

R.E. Prindle

Cronus:

Cronus married his sister Rhea, to whom the oak is sacred, But it was prophesized by Mother Earth and by his dying father Uranus, that one of his own sons would dethrone him.  Every year, therefore, he swallowed the children whom Rhea bore him, first Hestia, then Demeter and Hera, then Hades, then Poseidon~ Robert Graves, The Greek Myths

I. The Father As A Cannibal Figure

     Following Poseidon came Zeus.  In place of Zeus Cronus was given a stone which he swallowed instead.  When Zeus grew up he then castrated Cronus, replacing him.

     While on the one hand an astrological myth denoting the precession of the equinoxes from one Astrological Age to another, on a psychological level the myth relates the fear of the Father that as the strength of his sons waxes his own wanes resulting in an eclipse.

     Different human fathers react in different ways.  Some nurture, some castrate or cannibalize their young.  This is a serious problem for the son.  For instance, what Tom Brokaw, a thoroughly castrated son, is pleased to call The Greatest Generation who were so enamored of their success in WW II, that they chose to emasculate a whole generation rather than surrender or even share power.

     I correspond with David Adams from time to time while doing my writing from whom I sometimes receive valuable input.  I had come to the conclusion that ERB’s father, George T, was a problem for ERB, especially as represented by ‘God’ in Tarzan And The Lion Man.  The new year opened with Hillman publishing Dodds’ feral child collection which clicked in my mind.  The week before ERBzine published my Part III, Two Peas And A Pod of the Tarzan Triumphant review.  David Adams commented favorably on my comments about the Jungian Old Man archetype.  He said in an email to me:

     I agree with your interpretation that “characters like Tarzan and John Carter serve in the capacity of Old Man/Jekyll figures while the actual Old Man figures who are betrayers serve perhaps as Hydelike figures as represented by the father.” (David quoting me.) Those old man figures, early and late, are also cannibals who are hell-bent on eating him up while then spreading the bones across some desert for the hyenas to chew.  Who was that old cannibal with the cancerous face followed by a pair of African wolves? (Jungle Tales of Kipling)

     As can be seen I picked up on the Father figure but adding the cannibal detail adds the needed dimension for full comprehension.

     George T. had been bothering me for some time.  The love-hate relationship ERB had with him is quite obvious, but then it occurred to me that the other sons had the same relationship to their father while George T. appeared to program them all for failure- that is they not surpass him in their lifetime somewhat like Cronus of Greek mythology.  He made them all dependent on him.  The supplicating tone of the letters from college of sons George and Harry is all too obvious.  George T. sending the boys to Yale without the means to support a position would have had the effect of emasculating them relative to their fellow students thus subordinating them.

     Then on graduation he took them into his battery business.  As a businessman in Chicago it wouldn’t be unreasonable to believe that George T. had some relatively influential contacts in town who might have been able to place Yale graduates advantageously but he chose to keep the boys with him and subordinate to him.

     The battery factory proved dangerous for his son Harry who developed respiratory problems from the battery chemicals plus perhaps in psychological reaction to suppression by his father.  He went West to join fellow Yalie, Lew Sweetser, in Idaho.  Son George, who had had enough of working for his father, also fled to Idaho to join Harry and Sweetser.

     None of the three knew enough about the cattle business to survive so that by 1913 when George T. had his basket pulled up all the sons were back in Chicago in various degrees of failure or, at least, lack of success.  As of that date it would appear that like Cronus George T. had swallowed or cannibalized his sons.

     There was a Zeus figure in the bunch who didn’t want to be swallowed and that Zeus figure was ERB.  Like Zeus ERB was the youngest son.  ERB developed independently of his brothers who were approximately ten years older than he.  Thus when they were at Yale ERB was attending grade school.

     As I pointed out in my Books, Burroughs and Religion George T. was especially rigorous in the attempt to emasculate his youngest son.  His effort culminated when he sent ERB to military school.  This was a form of dislocation and rejection that ERB could not bear.  He tried to escape but his father sternly returned him to the Michigan Military Academy.

     The effects of this were that ERB was declassed as he considered the MMA a rich kid’s reform school.  Thus to some extent he was criminalized in his own mind.  His reaction was also seminal in the formation of his two principal characters John Carter and Tarzan.

     His hurt was so strong, his separation from his parents and home so complete that he became psychologically orphaned.  His parents died to him the day he was returned to the MMA.  He adopted the drunken Commandant, Charles King, as his mentor or surrogate father.  While betrayed by his father ERB apparently thought he found a friend in King.  In that capacity King became the model for Lt. Paul D’Arnot of the French Navy.  D’Arnot was the man who tamed the feral boy that was Tarzan introducing him to civilization much as King taught Burroughs how to survive and prosper at MMA.  Or Burroughs remembered it in that manner.  There may also be a literary connection to D’Artagnan of Dumas’ Three Musketeers.

     This makes the period between the arrival of Jane and her party and the arrival of D’Arnot in Tarzan Of The Apes of special interest.  I’m not sure what the period represents in Burroughs’ own life.

     As his creation Tarzan is a feral child it follows that ERB considered himself alone and on his own as a feral child himself.  A romantic notion but one no less real to him.  Thus just as Tarzan’s parent’s died with the baby becoming a member of an ape tribe so Burroughs began a wild and difficult period as his parents died for him.

     These events occurred just as Rider Haggard was becoming famous for his great African trilogy of King Solomon’s Mines, She and Allan Quatermain which ERB undoubtedly read at this time.  Conan Doyle began his Sherlock Holmes mysteries and H.M. Stanley disappeared into an unknown Congo in pursuit of Emin Pasha.  The West to East transit of the Congo impressed ERB greatly as his own heroes later crossed Africa in the same direction.

     Being a complex individual ERB no longer wished to even acknowledge that he had ever had parents; thus his first creation- John Carter.  As Carter only came into existence when ERB was 36 the writer had plenty of time to knock around learning the odd legend here and there.  John Carter then is a version of the Great Historical Bum- the hundred thousand year old man of folklore.

     John Carter could not remember his parents.  In his memory he had always been the same age he was.  In the words of one of my famorite songs, Stewball, he didn’t say he was born at all, just blew down in a storm.  Certainly Burroughs had heard of the Comte de St. Germain who flourished at the time of the French Revolution.  As esoterical cult figure today, St. Germain’s  legend would have been more prominent from 1875 to 1911 than today.  Like Carter St. Germain claimed to have been alive forever.  In Revolutionary Europe he got away with it.  Calgiostro was another Revolutionary charlatan claiming mysterious antecedents who would have intrigued ERB’s imagination.  It seems certain the two would have been topics of conversation in the time before radio, TV and movies so it wouldn’t have been necessary  for ERB to have read anything.

     I doubt if he had read any of the books on Dodds’ list although one never knows but the list goes to show that the feral child would have been a popular topic of conversation.  In my opinion then ERB’s literary future was cast when his cannibal father returned him to MMA.

     He graduated from the MMA in ’95 but either couldn’t or wouldn’t return home staying on as an instructor.  In ’96, just before the summer break which might have necessitated a return home he joined the Army being sent directly to Arizona without passing through Chicago.  Was he avoiding returning home?  One can’t say as in ’97 having found Army life not to his liking he received an early discharge.  He could have kept going, of course, as many of us in his boots did, to LA, San Francisco or wherever but he chose at that time to return to Chicago.  Of course, Emma was calling.

     From ’97 to ’03 or so he worked for his father which he found as difficult as his brothers had.  Fleeing Chicago to Idaho in 1903, when he came back a year and a few months later to do anything (that word anything has some meaning in this context)  rather  than work with his father.  He became one of the poet Robert Service’s ‘men who don’t fit in.’  He had a very difficult few years from 1905 to 1913 bumping along the bottom.

     But then in 1911 he began his rise via his intellect.  He began to write becoming an immediate literary success of sorts.  By 1913 when he was about to become a financial success through his intellectual efforts thus escaping his father’s curse, his father died.  The young Zeus thus never got to castrate his father Cronus.

     One can’t know what would have happened to his psychology had ERB been able to present his father with evidence of his success.  I’m reasonably certain George T. would have belittled  or rejected his success as like Cronus his youngest would have replaced him.  He wouldn’t have liked that.

II.  A Hand From The Grave

     Had that happened and ERB been able to prove himself a greater than his father it is interesting to speculate as to what effect that might have had on ERB’s psychological development.  As it was, a few months after his father’s death he packed up family and belongings and got out of town as far as he could go to San Diego, California and stayed away nine months.  Time enough to be reborn.

     There are numerous examples of betrayers who are cannibals in his corpus, in fact there is so much betraying and cannibalism in Burroughs’ work I find it slightly offensive.  Rather than work up a list, which for the time being I leave to David, I’d rather concentrate on the most spectacular cannibalistic betrayer of the oeuvre, God of Lion Man.

     I know I just wrote about Lion Man but with David’s interpretation of cannibalism I can present a much more cogent image.  David’s much more into Jungian synchronicity than I am but the scene with God presents a remarkable occurrence of synchronicity.  The scene is very complex.

     George T. was born in 1833 so the book was written on his 100th birthday.  Chicago was incorporated in 1833 while it was celebrating its Century Of Progress forty years after the Columbian Expo at the same time.  Both events occurred just at the time that Burroughs realized he had lost control of his ‘meal ticket’ to MGM.

     MGM was undoubtedly a component of God, the Father, being combined with the Chicago that fathered him and George T., his actual father, in his mind.  From these components ERB then creates the magnificent apparition of God as man and beast.  God has the mind of divine power such as had Zeus but is still a Cronus, is, in fact, the ultimate cannibal.

     Tarzan and Rhonda  represent Burroughs’ Anima and Animus so that God has the whole man in his power in its component parts- the X and y chromosomes.  God tells the pair that he is going to use them to rejuvenate himself by cannibalizing them.  The Father’s desire and the Son’s fear.

     If God represents George T. on one side, MGM on another and organized religion on a third then even though ERB thought he escaped his father in 1913 by his intellectual efforts the father reaches up from the grave on his 100th anniversay to claim his son again.

     At this time Burroughs also wrote Pirates Of Venus and Pirate Blood.  Both would refer to the idea that MGM pirated his creation from him while the very despondent Pirate Blood is almost terrifying in its manic depression as the balloon rises and sinks being almost submerged in the ocean or the waters of oblivion, the subconscious mind, insanity, that I believe we can see it as the insanity of despair.  At the end of that story the hero pairs up with a desperate woman who I believe we can read as Florence.  All very transparent really.

     So there Tarzan/Rhonda/Burroughs is trapped in a prison.  He attempts his earlier escape of rising through his intellectual powers, that is, he ascends through a shaft in the roof.  Unlike the first time when he surprised and astonished the world with John Carter and Tarzan, God, the Father, is waiting for him preventing his use of his intellect.  In point of fact Tarzan And The Lion Man was a dismal sales failure thought by Burroughs to be caused by MGM.

     If his previous four previous Tarzans under the Burroughs imprint had been successes it seems strange that the truly excellent Tarzan And The Lion Man should have failed.  Failing proof of sabotage on the part of, say, MGM, one can only say the public taste is fickle or perhaps the innovative dust jacket didn’t look like the usual Tarzan dust jacket and fans just passed it by.  It is also true that the book was a put down of MGM.

     Tarzan/Burroughs sallies forth from his hiding place against superior forces.  He is knocked unconscious.  A sure sign that Burroughs is under supreme stress.  Meanwhile God’s castle, in other words the literary structure of the last twenty years is going up in flames.  The MGM pirates have lifted ERB’s life work.

     He has to finish the story so he turns the tables on God taking him captive and making him do his bidding.  Tarzan helps God recapture his City then abandons him disappearing down the hole of the subconscious to a lower level from when he emerges to be claimed by the Wild Thing- Balza, the Golden Girl, or Florence.

     In a thinly disguised scene Tarzan, unwittingly it seems, wins Balza from her former husband much as Burroughs took Florence from Ashton Dearholt.  The important thing here is that a transition has been effected from one world to another.  The intellectual City of God has been abandoned in favor of a world of the senses.

     It is at this point ERB abandons his own feral boy persona of horses, puttees and other symbols to become a sort of effeminate Dandy.  He now affects tightly fitted fashionable suits almost effeminate in appearance.  He turn into a party animal and if he had been a moderate drinker during his teens, twenties and early thirthies he now becomes almost a lush.

     So, in the end, ERB was probably devoured by the Father in Cronus fashion.  In the Myth Zeus forced Cronus to vomit up his brothers and sisters and he castrated him.  In real life ERB was castrated and swallowed down.

     He put up one heck of a fight that arouses the warmest admiration of him.  One wonders, that if when all is said and done anyone can escape the imprint of those formative years.  Is one’s whole horoscope cast in the womb and those few short months after birth?  Sure hope not.

Who Is The Mysterious John Carter?

by

R.E. Prindle

 

Edgar Rice Burroughs- The Man With The Plan

http://www.coolfrenchcomics.com/wnu1.htm#ARTICLES

 

There are nine wise men who control the destiny of the world and I am on a first name basis with each of them.  Sworn to secrecy I cannot reveal the names of these Unknown Masters.  No Wiki-leaks here.  Due to the upcoming movie concerning doings under the moons of Mars first revealed by the adept Edgar Rice Burroughs beginning in 1912 I have been advised that it is thought expedient to reveal who John Carter really is.

Elipsis being the favored mode of action of the Nine rather than just give the info straight out I have been given a list of web sites, articles and books from which Carter’s identity may be deduced leaving some room for error on my part from which Carter’s identity may be deduced.  Given the nature of the material, much of which I had already read that I have always thought rather fanciful I can’t guarantee that I have succeeded in determining J.C.’s true identity.  If I have failed in this great trust placed in me by the Nine I lay the blame at their feet for having made an erroneus choice but it is possible that, as a result of such a possible failure, I may not be heard from again.

Burroughs, who seems to have known the true identity of Carter, whose books were part of the package given to me, as if I hadn’t already read them many times, gives us a clue in that Carter was at least one thousand years old and had enjoyed many identities over the centuries.  Actually with a little invention I may be able to whiff this past the Nine.

Amongst the papers entrusted to me was the web address of the French Wold Newton Universe which I abbreviate FWNU.  As this site intelligently summarizes a thousand years of history I found it an invaluable resource but just because I’m relying on the FWNU doesn’t mean I’m lazy; I’ve already read the other stuff:  the Greek myths, Homer, Grave’s White Goddess, the Bible, De Santillana, Eco and a host of others, besides which I have to use the sources the Nine supplied.

It will be necessary to begin our search with the Knights Templar and the Crusades.  It is quite possible that J.C. by whatever identity he may have been known is co-existent with the First Hominid Predecessor.  For all we know he was present at the creation, among the artists  who painted the caves at Lascaux or he may even have had an intimate acquaintance with the Via Dolorosa; but, that might merely be relying on the coincidence of initials.  We have no reliable or even quasi-reliable records that far back.

We will have to content ourselves with beginning at the Crusades.  The historical figure who claims an ancient pedigree is the Count de St. Germain.  He makes his appearance under that name in revolutionary France.  As the name he uses then is demonstrably French we have to assume that over the centuries he has been known under many, many names, many guises, many roles as the concept French is of fairly recent origin.  He was perhaps one of the nine who formed the Knights Templar, a very secretive group.  The Crusades changed the course of European society just as the Templars were the first catalysts of that change.  While Templar history is in the hands of those sympathetic to them who find them wholly admirable I who should be among those sympathsizers have a lurking suspicion that the Order was wholly sinister.  Who else, I ask you, would recruit in taverns haunted by criminals and excommunicants?  What building material was this?

The Templars ostensible purpose, good reason as opposed to real reason, for existence was that they were to protect pilgrims to the so-called Holy Land but, once created, they lost interest in such a worthy cause.  Perhaps they were created for a much more subversive and less worthy purpose.  The Templars are frequently linked with another band of ‘holy’ soldiers, the Assassins of Alamut in Persia.  Who were the Assassins?  The FWNU:  Will There Be Light Tomorrow, Part I:

The word “assassins” is usually linked to hashish, and the name of the group is sometimes spelled “hashishins,” because of their alleged use of the drug to keep their fearsome warriors properly motivated…What is not widely known is that, in fact, the name “Assassins” derives from the word “Assass,” meaning “Guardians,” or “Protectors,” for the Assassins were in reality the Islamic Soldier Monks in charge of the protection of the Holy Land.  “Assassins” in Arabic signifies “quardians,” and some commentators have considered this the true origin of the word: “Guardians of the secrets'” – Arkan Daraul, Secret Societies.

If the Assassins had secrets to protect and/or disseminate then they might easily have swayed the minds of a group of simple unsophisticated Nordic warriors.  Once swayed then their role would have been to form a fifth column in Europe in alliance with the Assassins to subvert the Church and State which is exactly what the Templars were doing.  Thus though the Moslems had been defeated and thrust back by Charles Martel the Templars would be internal allies to achieve the Moslem conquest not unlike the Liberal undermining in favor of the Moslems in the West today.    Wheels within wheels, plans within plans.  There undoubtedly was constant communication between the two groups for well over a hundred years until the Mongols of Ghengis Khan stormed Alamut putting an end to the Assassins c. +1260.  An unforseen event.  It was then only a few decades later that Philip Lebel of France terminated the career of the Templars launching Europe on the period of confusion that terminated with the murder of Louis XVI and Marie Antoinette.

From the wreckage of the Templars, for they were only wrecked not destroyed, came great criminal organizations such as the Commora, the Carbonara and the Mafia.  All these elements combined to create the revolution in France during which the Compte de St. Germain  and the extra sinister Caligliostro, who might have been the same,  appeared and who in all possiblility emigrated to America to become…John Carter.

Names and dates in this underworld milieu can never be taken as certain.  As the FWNU points out it is clear that Cagliostro left for America after 1795 or at about the same time Edgar Allan Poe was handed the mysterious manuscript detailing the adventures of Arthur Gordon Pym.  We’re slipping into the realm of pure fiction here but suppose that Poe did get the story from someone and suppose that someone was merely posing as Cagliostro or St. Germain, probably the same person in two identities.  Still fantistic but not impossible.

However contrary to Man’s desire nobody lives forever so at some point Cagliostro has to die but before he does he finds the Virginian John Carter and instructs him in this pious fraud to keep the tradition going.  Now, it is clear that whether or not someone gave Burroughs a manuscript which he at least claimed happened in the case of John Clayton he writes of John Carter in the tradition of the Great Conspiracy that had its roots in the Crusades.

Burroughs may very well have been self-indoctrinated in the Traditions as many of us are, however Burroughs was learned in several matters not least of which was psychology by his brothers’ partner, Lew Sweetser.

Sweetser along with the Burroughs Boys was graduated from Yale University which we know is the home of the prominent occult organization the Skull and Bones Club.  The Skull and Bones takes its emblem from the pirates of the Caribbean.  Their banner was a corruption of the black and white Beauceant banner of the Templars.  It is generally thought that the excaping French Templars, or a portion of them, fled to Scotland.  After 1492 when the Spanish gold fleets of his Most Catholic Majesty, the Defender of the Faith, the King of Spain began their runs, the Templars set sail for the New World to prey on the treasure fleets to avenge themselves on Church and Throne.

I have seen no record that Lew Sweetser was in the Skull and Bones but if he was or aspired to, if the Skull and Bones have any secrets which they obviously do, Sweetser may have become privy to some and whether intentionally or inadvertantly he probably imparted some to young Burroughs.  At the very least, in educating young Burroughs as he obviously did he would have given him his outlook or point of view.  Young Burroughs was at an impressionable age.

 

This point of view was reinforced by all of Burroughs’ reading.  That reading was more heavily occult and revolutionary than is usually supposed.  By 1912 when he began writing ERB was fully versed in the underground French literature in translation of the day.  There doesn’t seem to be a reference to Balzac although he must have read something but maybe not.  He did read Eugene Sue, one of the early nineteenth century writers, a veritable mad man.  Sue’s The Mysteries Of Paris was in his library while I’m relatively certain he read Sue’s Wandering Jew also.  Between

A Boy Named Sue

those two books his mind would have been ripped apart and reassembled as was mine for instance.  He read Dumas, Three Musketeers and Count Of Monte Cristo for sure and probably The Man In The Iron Mask.  He plowed through Victor Hugo’s sewer epic, Les Miserables.  He devoured whatever was translated of Jules Verne.  Verne’s works were firmly implanted in his mind: From Earth To The Moon and Mysterious Island absolutely filled his mind.  Paul Feval and

E.A. Poe, obviously under mental stress

Emile Gaboriau weren’t translated as yet so these very important crime/revolutionary writers missed him.  They write much more directly at what Sue, Dumas, Hugo and Verne imply.  But, all four of those guys are powerful writers dealing with life in a very direct way.  Edgar Allan Poe, another prime influence of Burroughs, 1808-1849 seems to have been influenced by the early bunch of French writers, probably Balzac and some writers less well known but earlier than Feval and the rest.  Poe may be the most astounding writer of all in the French school although its hard to top Sue.  I shudder while I write his name.    And then it is impossible to know what magazine and newspaer articles about such topics Burroughs may have read.  His age was a magazine and newspaper age.

 

Cagliostro

And, of course, Burroughs read a full slate of English and American writers not least the detective stories of Conan Doyle and many others.  One should not overlook George W.M. Reynolds incredible ten volume novel The Mysteries Of The Court Of London which is found in ERB’s library.  An amazing 5000 page novel.

All of this reading seemed to come together in the John Carter Martian Trilogy.  Burroughs never again wrote anything quite like it.  One could remember that one doesn’t have to be fully conscious of what one is writing.  One is caught up in the sweep of intellectual currents developing themes whose antecedents began long before so that one is merely developing the themes.

Thus Burroughs was part of the breaking up of the Semito-Aryan mythology of say -2000 to +1000 which was accentuated by the first of the three major blows to Man’s self-confidence picked out by Freud- the place of the Earth in the Universe.  Once it was understood that Earth was merely one lone planet spinning in a Universe that if not thought boundless in his time was understood to be more extensive than mythological heaven.  The old mythology crubled to the ground, the old gods of the Semitic religions had their teeth pulled, their knees crushed, in other words, they lost their power to command.

Jules Verne

Now, it is often asserted that there is no mythology to replace the old mythology, that science has destroyed the concept.  This is not true.  The Templars began a new mythology, while Galileo, Copernicus and Kepler forwarded it when they discovered or revealed  that the Earth was a point in a surrounding universe.   Thus, if the Earth is not the center of the universe with God in his heaven above it then Man can penetrate this boundless space.  This is where John Carter enters the mythology of the Scientific Era.

The idea of traveling in space according to the FWNU was almost immediately written in a story by Kepler himself.  While this is a sort of change of venue travel in the upper spheres has a long history predating Kepler.  To cite only two examples there is Jacob’s Ladder on which Jacob was said to ascend to the heavens or, in other words, space.  Mohammed is said to have mounted his horse and risen to the Seventh Heaven, way up there in the ideas of the time,  where he conversed face to face with God, or in Moslem terms,  Allah.  So, now that space became open it isn’t unusual that Kepler immediately translated the old mythology into scientific terms.  So while a magic carpet may have served Gullivar Jones if fails as science.

Thus from Kepler to Burroughs the tales of space travel and the complexity of methods increases.

Camille Flammarion

With the development of astronomy, that is space, the concept of Time developed apace.  The Earthly year had already been adequately measured so now the conquest of the Earth day, hour, minute and seconds- eventually nanoseconds- began.  Thus Time and Space became one word, timeandspace.  Along with rocketry came the fantasy of the Time Machine, the time traveler.  As we know Burroughs was an expert on both, having some very well developed ideas about Time.  Rather than being a merely frivolous romanticist then it can be seen that Burroughs was trying to work out the central problems of his times.  to a very large extent, he did.  In a literary sense, then, Burroughs is the equal of Freud and Einstein.  Hence his writing style is odd.  He is trying to convey ideas he is struggling to understand, not unlike Freud and Einstein.  While Freud is considered a literary stylist I find him barely comprehensible, not at all clear.

As the FWNU points out, while John Carter takes his place in space travel in the 1860s his amanuensis, Burroughs, only published Carter’s exploits from 1912 to 1914.

Burroughs himself completely distorts the facts as he claims he himself was born c. 1855 in the Trilogy while we know he was actually born twenty years later in 1875.  He could not possibly have known Carter as a child and been his ‘favorite nephew.’  Why he would tell such a transparent falsehood isn’t clear.  Even when Carter made his second vanishing in 1888 Burroughs would have been entering his teen years while being in Illinois rather than living on the Hudson in the State of New York.  Does he think we’re stupid?  Perhaps he is concealing his real sources.

Even though the issue is somewhat clouded because of the lapse of time between the historical events and Burroughs’ publication of them only in 1912, one thing is clear, John Carter is the Lord Of Time And Space.  As Burroughs recounts Carter’s words claimed to be to him in the prologue to the Gods Of Mars:

I have learned the secret, nephew, and I may traverse the trackless void at my will, coming and going between the countless planets as I list…

Carter’s achievement is of great import because it means that he has become one with the gods.  he has joined the heavenly pantheon with the added advantage that he can move equally freely between the spiritual and the temporal.  Not even the Great Gods can do that.  Although he has the secret he doesn’t choose to divulge it to his ‘favorite nephew’ who we know did not possess this occult secret.

It is interesting in light of Carter’s achievement to pay some attention to the Urania Book that was received by another Chicagoan.  Why Chicago was selected to be the center of revelation at this time isn’t known.  The book of Urania is a massive volume giving the details of the celestial organization of the gods dispersed throughout the universe of which Carter must have been familiar although he didn’t impart that knowledge to his nephew.  Fortunately that vast organization was related by the Uranians.

As Burroughs was left more or less on his own on that score by Carter it is evident that Burroughs must have fleshed out Carter’s bare announcement of having discovered the ‘secret’ of traversing interstellar space by hints from the famed French explorer of space Camille Flammarion.  That author discusses outer space in several profound works chief of which are The Plurality Of Inhabited Worlds, The Inhabitants Of Other Worlds, Imaginary And Real Worlds and Lands In The Sky.  It is to be noted also that rather than taking his information on the nature of Mars from the American Percival Lowell Burroughs took it from the Frenchman, Camille Flammarion.  Lowell and Flammarion were in close communication so it is probable that Lowell’s inspiration was taken from Flammarion.  Burroughs speaks of Flammarion many times even going so far as to say he formed his early ideas on him but he never mentions Lowell.  Unfortunately Flammarion’s information on Mars turned out to be more inspired than factual.  Let us hope his ideas on interplanetary space are more sound.  But then he is a pioneer and the lay of the land always looks different to the first comers than the settlers who become familiar with it.  Cartographers so to speak.  Geographers, that sort of thing.

At any rate the transition from the old astrology to the new astronomy, from myth to science, was achieved through the medium of Edgar Rice Burroughs.  There should a BB and AB, before and after Burroughs.  Thus with the publication of A Princess of Mars in 1912 world history entered a new phase.  The centuries after Keplers’ space epic culminated with Burroughs in 1912 when he more or less perfected the new mythology as far as the heavens were concerned.

Nor was Burroughs finished when Carter using the ‘secret’ transported himself to Mars the second time.  One is inclined to believe that Carter stumbled on the secret before the cave in Arizona or else was selected by the Celestial Organization to receive it.  The latter would have been impossible for a naive earthling like Burroughs to understand so Carter probably chose to say he discovered the secret.

Burroughs himself who was undoubtedly chosen as the conduit to the New Mythology was immediately recognized as the avatar of the New Mythology as nearly all other mythographers began to develop the ideas in Burroughs framework.  His knowledge which was itself almost miraculous seems as though it must have been divinely imparted.  Perhaps the two concusssions he received before 1900 rearranged his synapses so that he could intellectually go where no man had gone before.  He celebrates the memory of these two concussions by beating a steady tattoo on the skull of Tarzan.

Having organized the way in which inter-stellar planetary travel was to be perceived Burroughs set out to create the man-god of the New Age on earth, the second aspect of the trinity, John Clayton otherwise known as Tarzan Of The Apes.  Burroughs retained the JC initials linking Jesus Christ, John Carter and John Clayton as so many have noted although those three are not the Trinity in question- the three in one, one in three.  One must beware of the so-called revolutionaries who with their inability to understand common sense deride the triple aspect of mankind as faulty arithmetic.  In the course of evolution it would seem that  they failed to acquire the advanced intelligence gene.

Three of Burroughs’ most formative years were spent at Harvard Latin School in Chicago where he developed his classical knowledge and fell in love with classical mythology.

Thus, as the mythological god of heaven was Zeus to whom John Carter corresponds, John Clayton, or Tarzan corresponds to the terrestrial god, Poseidon or, perhaps more accurately to the son of Zeus, the great man-god Heracles.  Burroughs often refers to Tarzan as the Heracles of the jungle so perhaps he shoved Poseidon aside in favor of the son of Zeus.  This leaves only the realm of the underworld ruled by Pluto or Hades in Classical Mythology which Burroughs renamed Pelucidar and placed at the center of the Earth.  He doesn’t seem to have felt the need for a ruler of that particular realm.  Thus while the three realms exist in his mythology the trinity seems to be curiously truncated by one but perhaps I’m missing something.

Thus Burroughs updated the Trinity.  It might be coincidence or maybe it was destiny but Burroughs was chosen to transit the bases of the New Mythology at the first glimmer of the dawning of the Age of Aquarius.  Was he conscious of his role as the Man of Destiny?  While he could never be sure he undoubtedly hoped the Light was shining on him.

Although obscure this move shows a very astute religious understanding.  If one wishes to supplant a religion the wise idea is to appropriate the forms of symbols, shrines and ideas and replace their content with your own.  Catholicism did this with Greek and German sites and Jewish and Moslem religions are attempting the same with Christian and or Western sites, symbols and ideas now.  There is an eternal religious war.  For instance Jews have instituted the new Jewish holiday Hannukah in opposition to the Western Christmas which in itself contains the superposition of the Christian religion on pagan sites.  While shining the light on their Hannukah they make vicious attacks on Christmas trying to have it outlawed.  Christmas celebrants are thus being nudged to embrace Hannukah at which time they will be left in peace to celebrate their Christmas under the guise of Hannukah.  In the time honored manner Christianity will have been superseded, in this case by a lesser religious faith.  Undoubtedly they will be happy with an eight day celebration rather than a one.   A little bribery works well.

Thus Burroughs makes John Carter the Master of Time and Space in place of Jahweh or Allah.  When the scientific British conquered India and scoffed at the Hindu notion that the world rested on the back of the elephant as an impossibility the Hindu priests withdrew, worked it over in their minds and countered:  OK.  The world rests on the back of the tortoise.  The Hindus could not accept the negation of their religious beliefs.

So science made clear to Christians, Jews and and Moslems that there was no god and that instead of the earth nestling in an egg of seven heavens with god in the seventh and highest balanced by seven layers of hell beneath the flat earth and that space was in fact boundless and the earth occupied an infinitessimally small space in the universe, the Christians, Jews and Moslems retired to consider the problem then each gave a new solution based on God in heaven much as the Hindus switched from an elephant to a tortoise.  It is impossible to just switch the human mind from one system to another.  As Voltaire said:  No one ever willed himself an athiest.

Science is abstract while religion is visceral. so even those working in science retain their religious views.  The Christians said:  Alright then, if God didn’t create mankind what happened is that a comet brought life to Earth.  You see, Evolution or Creation must come from outside.  It is more comfortable to think that.  Thus nothing changed, life came from ‘above.’  As the space idea developed one had the spectacular Uranian religion develop where the entire universe becomes one huge revival camp while ‘visitors’ from outer space landed handing knowledge to dumb ox earthlings.   Knowledge wasn’t acquired bit by bit by humble earthlings but was given by superior aliens, i.e. God.  The Aliens then began to hover over Earth in flying saucers to monitor our activities until we were ‘ready’ to enter the congress of planets in a peaceful manner.  Like God they don’t interfere in our affairs.

Thus John Carter the man-god can replace both God in his heaven and space aliens and God will still be in his heaven and all right with the world.  Only the symbols will change which is as it must be.  As above, so below.  Following that religious formula Burroughs placed the avatar of primitiveness and sophistication, Tarzan, as overlord of Africa.  Tarzan remains a savage but is sometimes dressed in a tuxedo, even in the jungle.

How aware is this?  Currently certain groups are going into the very heart of darkness to haul Negroes out of the jungle, put them on airplanes which they may only have seen flying high above them and transporting them to the United States where these groups expect these primitives to get a job, eat frozen food, and flush the toilet none of which the primitives have any knowledge.  As is well known feral humans are incapable of transiting to human society.  The brain can only absorb so much and at such a rate.  This inability cannot be accelerated or changed.   Even well educated, supposedly sophisticated humans can’t make the transition from a magical religious mindset to a rational scientific one so what is to become of primitives?  Scientific thought has had no part in Chinese or Asian thought until very recently so how can these peoples be expected to abandon their essentially mythopoeic thought processes for a scientific  one?

So, while Burroughs was attempting to lead the way to an Aquarian scientific conception of the coming New Age he was wisely attempting to do the impossibhle:  Putting new wine in old bottles without bursting the bottles.  It may be impossible yet it has to be done.   The issue has now been complicated, probably irreparably, by the introduction of hundreds of millions of people into Western society for which the transition is a complete impossibility.  The enlightened Westerner will be swamped by those incapable of understanding whether it be their natural limitations or not.

In this global society the Aquarian religion must displace several antiquated thought systems.  The truth is obvious.  A palatable religion has to be packaged for the masses that will make them psychologically comfortable and an elite and priesthood who hopefully understand the issues who can keep society moving forward on an even keel.  Is this possible?  Even Burroughs could solve the problem only by continuing the institution of slavery.  Slavery permeates his entire work.

In our situation it is important to keep the religious warfare confined to the warring elites and away from the masses.

That means of course that the egalitarian character of the last two hundred years has come to an end.  Of course, the Semites put a period to that on 9/11.

The question then is who will wear the crown?  Burroughsian religious ideas must triumph.  The Carter-Clayton ideas must be put into action driving the three Semitic religions off the field as well as conquering the minds of the Asians and Africans.

Not as difficult as it may seem but it takes a steely determination so far shown only by the Jews and Moslems.  You have to know who you are, what you want and be prepared to deal with any obstacles as these two groups obviously are an do.  Know who you are and the superiority of your beliefs.  There is no longer any room for tolerance as with them.  Everything else out there is inferior, nothing can successfully slander our beliefs unless we permit it.

 

Beam Me Up, Scotty

 

 

 

 

 

 

 

 

A Review
Themes And Variations
The Tarzan Novels Of Edgar Rice Burroughs
#23 Tarzan And The Mad Man
Part III
That Old Time Religion

The Aquarian Archetype

Burroughs’ stories are always concerned with religion in one respect or another.  He never stopped investigating religion or religions.  When Swami Prahavananda brought Vedanta to LA from Portland, Oregon of all places Burroughs if not the first in line was not that far back.  It’s no surprise that the novels of the first half of the thirties all reflect Vedanta or Hindu religion to some extent.
The Tarzan series was virtually founded on the avatar of sun worship, La of Opar.  She appeared sporadically until 1930 when she was entombed in Opar and abandoned by Tarzan and Burroughs.  Here she appears again in the form of the mundane normal rich girl, Sandra Pickerall, the Scottish beer heiress.  A common place White Goddess.
One should always bear in mind the original White Goddess, She, of Rider Haggard.  Thus one always compares Burroughs’ White Goddesses to the original.  Apart from Greek mythology’s White Goddess, represented as the moon, I think the White Goddess reigning in a Black or off-tone population, was actually a Haggard original.  Of course, La was a carbon of She.  An aside- I’m discoverying that I’m using some outdated terms incomprehensible to younger people.  Carbon copy is one of these.  You get the blankest of stares.  For any readers not familiar with carbon paper, in the days before printers turned out endless perfect copies of documents if one wanted a copy of a typed letter, typed in a typewriter, one inserted a piece of carbon paper between the original and the desired copy.  One side was coated with carbon so that the stroke imprinted on the clean sheet.  Those were the days, children, when we walked three miles to school through eight foot snow drifts.  Life wasn’t so easy back then.
So, La was a carbon of She.  Not quite; She was actually two thousand years old.   Burroughs couldn’t figure out how to do that without being a carbon copy of Haggard so he made the priestess of the Flaming God part of a multi-thousand year tradition. Sandra was a one off with short duration.  There was no mystique there; this is the common woman triumphant.  Rand himself was a phony Tarzan who was also a phony rather ditso god.
While there was no real historical basis for She but a tenuous connection to Egypt’s influence on Sub-Saharan Africa that Haggard repeatedly invokes there was a historical basis for the Portuguese colony of Alemtejo in Ethiopia.  A fairly remarkable one and one that Burroughs knew of.  Possibly the story was gleaned from the pages of the National Geographic also bu there is a basis for it in Burroughs library
.
Let’s tackle the groundwork for Haggard’s White Goddess first.  Obviously with Haggard and Burroughs we are dealing with men and writers of stupendous imagination.  These men are able to build cities and civilizations from the merest scraps of evidence.  And then in Haggard’s case, from his sojourn in South Africa he was familiar waith legends and archaeological evidences unknown except to the specialist and possibly not to them.  Burroughs read many books of African history including J.W. Buel’s Heroes Of The Dark Continent.  The book mentions legends and stories that Haggard heard but so fleetingly one wonders what impression they could have made on the forming mind of ERB.  Buel himself took his early history from a fabulous Arab work called The Travels Of Ibn Batuta, sort of the Richard Burton of his culture.

The Renowned Arab Traveler- Mohammed Ibn Batuta

Writing in the fourteenth century Ibn Batuta had visited the East African coast trodding the soil of Kilwa Island on the southern border of Tanganyika, now Tanzania.  Zanzibar replaced Kilwa as the Moslem trading entropot on the East Coast.  Haggard apparently had done the same as he mentions ruins that dated back to before the tenth century.  So, we have established commercial activity in Southern Africa before the arrival of the Shona people in Zimbabwe.

The ruins of Zimbabwe are, of course, famous but the builders are undetermined although the relics are claimed by the Shona which is impossible.  There are additional stone ruins further South than the Shona ever penetrated.  Therefore it follows that others than the Shona built them.  The ruins and Zimbabwae turn up frequently in Haggard’s novels also.
I have always believed the ruins were Malagasy which is also Trader Horn’s position.  I wasn’t clear on the arrival of the Malagasy but then ERB’s novel Jungle Girl showed me the way.  Jungle Girl is concerned with the Khmer people and the ruins of Cambodia and Thailand.  Few of us, I believe, have any idea of the history of this area and its connection to India.
According to some somewhat limited research on my partI find that  the Balinese were a major naval power in the archipelago and the adjacent mainland.  When the Khmer king threatened the Balinese king the King of Bali mounted a thousand ship expedition to the Mekong to punish the Khmer king.  This would be a substantial flotilla if true and not legendary.  If each ship transported twenty to fifty soldiers that would be an army of twenty to fifty thousand men.  Logistically a superior achievement, especially just to punish one guy.
Bali today is 90% Hindu in religion so that the Hindus or Indians had made a religious conquest of Bali by the ninth century.  One assumes that contact was continuous from, say, 800 to 1500 AD so that Balinese regularly sailed to India.  The Balinese also have fabulous ruins such as the magnificent manmade mountain, Borobudur that date from the earlier period.
Now, the Malagasy of Madagascar are genetically linked to a Bornean people opposite Bali on inland sea.  It is highly doubtful that the Borneans made any voyages to India.  Let us assume however that those people of Borneo were troublesome to the Balinese, harassing their shipping and possibly raiding Bali.  Now, there doesn’t appear to be continuous migration to Africa; the migration seems to have been a one time affair.
Let us suppose then that the Balinese knew of Africa from their excursions to India.  After all, the Chinese admiral, Zheng He touched on Africa if not claiming it for his Emperor in the fifteenth century.  There are Africans with Chinese DNA from sailors shipwrecked from that expedition.  Kilwa was active from at least the ninth century when Persians established a colony leaving ruins behind.  Pottery sherds found on Kilwa come from the whole of the East including China.
In an effort to solve their Bornean problem, then, let us assume the Balinese organized a flotilla and shipped the entire troublesome Bornean population to Africa in one shot.  It could easily have been done by revictualing and rewatering at several points on the way to India or Ceylon at which point the monsoon could be used to aim for the African coast.  Whether Madagascar was known or not the flotilla could easily have blundered on it.  It was uninhabited at the time.  The Bantus had not yet penetrated that far.  Their presence was probably insignificant on the mainland- Mozambique and Zimbabwe.  That was it- a people transported from Borneo in one consignment.
Finding the malarial coast uninhabited but unhealthy the Malagasy’s then moved up on the plateau where the air was more salubrious.  The Shona may or may not have already been there.  In any event the population would have been small.  It is possible they began to filter in some time thereafter settling North of actual Zimbabwe.  The ruins then were built by the Malagasies either as protection from wild beasts or as defensive forts.  As the additional ruins are further South the Malagasies either prospered and expanded or unable to maintain themselves against the Bantu Shona kept retreating further South as did the Bushmen.  On the other hand the kingdom of Monomotapa that existed in this area at approximately this period must have been founded by the Malagasies.  That it was stamped flat by the Bantus would indicate that it was a culture alien to theirs much as the White culture now being exterminated by the Bantus.  With the Whites gone and the ruins of the cities dotting the plains the Bantus could then claim their ancestors built them.  An exact duplicate situation.  Shoot, even Mugabe could claim he built Salisbury.
Now, there are a variety of complexions in Zimbabwe tending toward a red.  That could only come about by the mixing of the Black Shona and the copper Malagasy.  So, obviously the Malagasy were either killed or bred out of existence on the mainland although still existing on Madagascar.
The Shona having no use for the stone forts which were unfamiliar to them ignored them for their traditional grass hut villages.
The Malagasies mined for gold probably trading with Kilwa Island although that is some distance and there seems to be little refuse in Zimbabwe to suggest a trading period.  Nevertheless the gold was mined and it isn’t there now.
Using whatever knowledge he had of the legends or history of Zimbabwe Haggard created his own magnificent legends of King Solomon’s Mines and the superb She.  She was was placed somewhere on the coast between Zimbabwe and Kilwa Island.
For his shadow of the story of She Burroughs then moves the location of She up to Ethiopia also incorporating the story of the Portuguese expedition of the fifteenth century to that formerly mythical and fabulous country thought to be the home of the equally mythical and fabulous Prester John.
ERB combines two threads of history.  On the one hand Vasco da Gama the explorer did send his brother Cristoforo da Gama on a military expediton to Ethiopia to aid the Queen of Ethiopia. Initially successful Cristoforo was untimately defeated although the Portuguese left the country rather than building ERB’s castle on the Mutia Escarpment.  On the other hand the Galla people subsequently invaded Ethiopia where they existed against the Ethiopians in the sort of standoff that ERB depicts.
The faux Tarzan, Rand, then parachutes into the midst of the Portuguese castle of Alemtejo.  In his descent the wind slams him against a turret causing the inevitable amnesia.  Tarzan’s loss of memory that recurs periodically means that ERB is severely stressed.  Tarzan’s losses of memory always occur at periods of extreme stress for ERB when he is facing difficult problems.
Rand had embarked on his expedition to prove he could rough it a la Tarzan for thirty days so his mind occupied by this illusion he believes he is Tarzan.  As he descended from the sky the Portuguese, now a cholcolate brown, believe he must be God, not a god but the God.  Even though God Rand takes orders pretty well.  Da Gama orders him to find a goddess as God must have a goddess.  After having had his Black candidates rejected Rand goes back to find a White Goddess.
At this point Rand, the faux Tarzan, finds the beer heiress Sandra Pickerall.  Thus God and goddess are in reality ordinary folk, the common people.  The descent has been from the immortal She to the mortal but still divine, La, who was the high priestess, to an ordinary girl dressed in ordinary clothes who knows nothing of the goddess mystique.  ERB’s hopes had deflated quite considerably.
This was on the eve of ERB and Florence’s departure into exile from LA to Honolulu so there is a bewildered sadness to the story.  It’s as though ERB were asking:  Where did the dream go wrong?
There is a faint echo of The City Of God story from Tarzan And The Lion Man.  In this case Tarzan/Rand/ERB is God and Sandra/Florence is his goddess but no longer the vision of his dreams he imagined in 1926.  He’s pretty disappointed.
The religious scene is quite astounding, presenting aspects of the whole history of religion.  ERBs’ life study of religion is here condensed into a few paragraphs and scatterings throughout the text.
Ruiz stood behind a low, stone altar which appeared to have been painted a rusty brown red.
For a long time Ruiz the high priest held the center of the stage.  The rites where evidently of a religious nature that went on interminably.  Three times Ruiz burned powder upon the altar.  From the awful stench Sandra judged the powder must have consisted mostly of hair.  The assemblage intoned a chant to the weird accompaniment of heathenish tom toms.  The high priest occasionally made the sign of the cross, but it seemed obvious to Sandra that she had become the goddess of a bastard religion which bore no relationship to Christianity beyond the symbolism of the cross, which was evidently quite meaningless to the high priest and his followers.
She heard mentioned several times Kibuka, the war god; and Walumbe the god of death, was often supplicated, while Mizimo departed spirits, held a prominent place in the chant and the progress.  It was evidently a very primitive form of heathenish worship from which voodooism is derived.
What reading, what study went into this religious scene isn’t clear but it is clear that ERB’s reading here led back to the religious practices of the Yoruba people of Nigeria, or perhaps it might better be said the lower Niger River.  In what they call the Yoruba diaspora the people as slaves were dispersed throughout the Americas, South and North and the Caribbean.
Apparently deeply religious the Yoruba took their religion with them grafting it unto a semblance of Catholicism, bastard religion here in Burroughs.  Perhaps that is what ERB means when he says the Alemtejos took the cross as a symbol but it had no meaning to them.  The Yoruba religion took different names and forms from Brazil to New York.  As ERB points out here the Yoruban religion in Haiti developed into Voodoo while in Cuba it became known as Santeria by which name it passes into the US.  Chief centers are Atlanta and New York City.
While Burroughs merely says that Voodoo was derived from some ancient form implying lost in the mists of time he may very well have known that these new world religious impressions were derived from the Yoruba of Africa.
And then a little further on, Ballantine, p. 55, ERB goes on to describe a different religious ritual:
Looking up, she saw a dozen naked dancing girls enter the apartment, and behind them two soldiers dragging a screaming Negro girl of about thirteen.  Now the audience was alert, necks craned and every eye centered upon the child.  The tom-toms beat out a wild cadence.  The dancers, leaping, bending, whirling, approached the altar; and while they danced the soldiers lifted the still screaming girl and held her face up, upon its stained brown surface.
The high priest made passes with his hands above the victim, the while he intoned some senseless gibberish.  The child’s screams had been reduced to moaning sobs, as Ruiz drew a knife from beneath his robe.  Sandra leaned forward in her throne-chair, clutching the arms, her wide eyes straining at the horrid sight below her.
A deathly stillness fell upon the room broken only by the choking sobs of the girl.  Ruiz’s knife flashed for an instant above his victim; and then the point was punged into her heart.  Quickly he cut the throat and dabbing his hands in the spurting blood sprinkled it upon the audience, which surged forward to receive it…
To consider this scene from several angles:  I hope no one will be offended but put into current Hollywood cinematic terms this is the very purest of pornography.  It there was a battle at this time to get James Joyce’s Ulysses through customs, Joyce is smirkingly smutty compared to Burroughs here.
I mean, a dozen naked dancing girls leading the procession, a child snuff scene;  the dwelling on the flash of the knife, its point entering the body, the spurting blood from the child’s cut throat then the sprinkling of the surging, screaming crowd with the blood, truly they were washed in the blood of the lamb.
If the Voodoo harked back to an early period it was before this intermediate sacrificial period.  On the one hand La of Opar seemed to flash back to to Aztec ceremonies in ERB’s mind.  In that gory society the victims were indeed laid out face up beneath the Flaming God as the priest no only stabbed them but cut the heart out holding the still beating vessel aloft for the sun’s acceptance.
Here ERB seems to combine the Aztec practices with the Semitic practices of child murder from which the term ‘blood of the lamb’ must be derived.  Blood purifications were common in the various Classical religious consensuses.  With Mithraic worshippers of the bull god Mithras communicants were lowered into a pit while a bull was slaughtered on a slatted platform above them, the blood dripping down on the initiate then washed the communicant in the blood of the bull, or in another word, Mithras.
Among the Semites, Carthaginians of North Africa and the Jews of Palestine child murder was the chief offering to placate the gods or God.  The Carthaginians had a huge statue of Baal with oustretched arms on which the child was placed to roll down into a flaming pit.
The Valley of Hinnon was the site of the Jewish sacrifice of the first born.  While the practice was suspended in the story of Abraham and Isaac when the sheep or lamb was allowed to be substituted for the first born.  While the practice was suspended in the story of Abraham and Isaac when the sheep was allowed to be substituted for the born the idea lived on in the imagination of the Jews.
Then commenced the eternal round of sacrificing in the temple when the priests stood before a large basin called the brazen ocean and sacrificed sheep from sun up to sun down.  The blood collected in the brazen ocean was used for its special purposes.  Think washed in the blood of the lamb and compare it with the Mithraic rite.
Even then before the Jews left Egypt they smeared their lintels with the blood of the lamb or first born to save themselves from God’s slaughter of the first born of Egypt.  Thus the Jews were symbolically washed in the blood of the lamb.  The slaughter of the innocents in Herod’s time will also come to mind.  Jesus as the first born would have been sacrificed as the lamb  if the slaughter had been successful.
Certainly if read properly it is easy to understand why Sandra fainted.  Perhaps in 1940 ERB found his psychological situation unbearable reacting by creating this bit of sado-masochistic pornography.
Having completed this part of his survey of religious evolution ERB moves on to what might be described as the late Classical to Medieval phase, Ballantine p. 67:
“Well, what of it?’  demanded da Gama.  “I am king.  Do I not sit on a level with God and his goddess?  I am as holy as they.  I am a god as well as a king; and the gods can do no wrong.”
“Rubbish!” exclaime the high priest.  “You know a well as I do that the man is not a god, and the woman no goddess.  Fate sent the man down from the skies- I don’t know how; but I’m sure he’s as mortal as you or I; then you get the idea that by controlling him you could control the country.  You were jealous of me that’s all; then you get the idea that by controlling him you could control the church, for you know that who controls the church controls the country.  You were jealous of me that’s all; then you conceived the idea of having a goddess, too, which you thought might double your power.  Well, you have them; but they’re going to be just as useful to me as they are to you.  Already, the people believe in them, and if I should go to them and say that you had harmed the god, they would tear you to pieces…”
Here we have the cynical conception of priest craft that was still current when I was a kid.  Religion as the opiate of the people.  Priests and kings who are totally insincere in their beliefs, the divine right of kings, a potent belief in its time ridiculed in another.
This could be the stuff of a stand up comedy routine by Bob Newhart in 1960 or the Smothers Brothers with some modifications of the struggle between the English Tudors with the Catholic Church.
“…you don’t stand any too well with the people, Chris, anyway; and there are plenty of them who think da Serra would make a better king.”
“Sh-h-h,” cautioned da Gama.  “Don’t talk so loud.  Somebody may overhear you.  But let’s not quarrel, Pedro.  Our interests are identical.  If Osorio da Serra becomes king of Alemtejo, Pedro Ruiz will die mysteriously; and Quesada the priest will become high priest.  He might become high priest while I am king.”
That would have gotten a knowing laugh from ERB’s readers who would have felt they had been let in on a cosmic truth.  And with the proper inflection and delivery you have some stand up.
Of course the spectre of Christianity is running through this.  ERB then tosses in a Moslem bit to bring things up to time; Sandra has bneen captured by Rateng the hunter, a Moslem Galla, Ballantine, p. 132:
“What do you want of me?”  she asked.  “What are you going to do with me?”
“You should know,” he said.  “You are a woman.”
“I am not a mortal woman.  I am a goddess.”  She grasped at a straw.
Rateng laughed at her.  “There is no god but Allah.”
“If you harm me you will die.”  she threatened.
“You are an infidel,” said Rateng, “and for every infidel I kill, I shall have greater honor in heaven.”
Thus we have the last testament of Edgar Rice Burroughs on religion.  Having delivered this he got on the plane for Honolulu leaving LA.  His epic struggle to free himself from 1911 to 1940 ended in defeat.  Ironically he was on a salary of 250.00 a month in Honolulu which had been his salary at Sears, Roebuck before he began writing.  Life is funny sometimes.
Recapitulation and Conclusion.
Thus ended the confrontation between Edgar Rice Burrughs and the Judaeo-Communists.  Little did ERB realize that in 1919 when he excercized what he thought was his American Constitutional rights by opposing Communism that he was engaging in a life and death struggle for supremacy.  Nor did he realize that when that survey sent to him by the American Jewish Committee that was fatally forwarded to in Hollywood from Chicago by the post office was coded so that he would indicate his acceptance or rejection of subservience to the Jews.   Had he known he would still probably have rejected the yoke but he at least then would have known that he was in open warfare for supremacy.
The America he had been raised in and on which his thoughts had been centered had been slipping away with each boatload of immigrants that arrived.  From a population of a few hundred thousand in 1890 the Jewish population had grown to several million.  They now had the strength of numbers as well as an implacable will to recreate the new glittering Promised Land in their own image.
There was a short reaction led by Henry Ford before any resistance was scattered.  In that brief period to 1924 ERB had aligned himself with Ford as my analysis of Marcia Of The Doorstep shows.
So in that brief period between 1919 and 1924 ERB’s fate was sealed.  In Marcia he was making desperate efforts to placate the hollywood Jews who after all had control over much of his ability to earn income.  His hostility to the Communists continued unabated.  They weren’t protected by a charge of anti-Semitism as were the Jews.   In 1926 he published his anti-Communist trilogy The Moon Maid.  His defence was countered by the direction of no less than Josef Stalin himself and through his agent H.G. Wells.  ERB’s resistance to both the Communists and the Jews in my estimation produced the sequence of his greatest Tarzan novels and in his other works.
Given his own shortcomings, which were fatal, he hadn’t the skill, although he may have had the resources, to resist the evil so that by 1934 and Tarzan And The Lion Man the war was all but over.  The end came in 1940 when, I presume, it was politely suggested that he retire from LA.  The stage of his youth had been replaced by the aeroplane so that ERB’s mode of departure was by plane and not on the stagecoach.
MGM disdainfully made another movie, Tarzan In New York, in which Tarzan as it were is led to New York with a rope around his neck.  There in New York he is symbolically forced to submit to the Law .  While in an American court it seems fairly clear that the Law is Talmudic Law rather than, to use the term loosely, American justice.
With the release of Tarzan In New York MGM essentially threw the character away giving Tarzan over to Sol Lesser to do as he pleased.
Apart from a spate of stories in 1940 and the war novel, Tarzan And The Foreign Legion, the voice that had thrilled a nation for nearly thirty years was silenced.
ERB’s dissidence was crushed.  Nor was he the only author.  While the pre-1919 publishers seem to have been all Liberals and Communist fellow travelers the authors were anti-Communist or, at least, apolitical in that sense, to a man.  They all seem to have fared no better than ERB.  Certainly, in my life experience the period from 1914 through the fifties is a virual literary block.  The non-Communists writers of pre-1919 had their reputations obscured while after 1919 no writers but Communists were nurtured and allowed into print.  Thus all the social realist third rate Communist garbage of the period has disappeared from genuine lack of interest.  There are attempts to buck up the reputations of John Steinbeck and Ernest Hemingway with some success while there are also attempts to create some interest in failed Jewish writers of the period but that seems to be of no avail.  They, like Philip Roth, are too culturally specific to hold the general interest.
One wonders why Burroughs didn’t publish Tarzan And The Mad Man.  He locked the book in his safe and forgot about it.  Certainly the novel is as good as any he wrote.  Perhaps the admission of defeat it contains would have been too gratifying to his enemies or too painful to admit.  I don’t know.
Perhaps the challenges life gave ERB were too strong.  First his early childhood centered around high expectations was countered by John The Bully and ERB’s ceaseless movement from school to school orchestrated by his father who seemed to have a love-hate relationship with him; then the cruel bludgeon of fate that fell on him in Toronto which literally addled his brains for a decade if not for life perpetrated by a rival for the hand of Emma whose enmity never ceased and who plagued him in Chicago through 1919 and then the war with the Jews and Communists through the twenties and thirties.
Ah well, we all have to play the hand we’re dealt.

 

H.G. Wells, Sigmund Freud, Edgar Rice Burroughs

And The Development Of Contemporary Sexual Attitudes

Part IV

by

R.E. Prindle

Edgar Rice Burroughs’ Contribution

The Artist Fidus, 1893 Illustration

 

     That Edgar Rice Burroughs is one of the, if not the most, influential  writers, America has produced goes without saying.  The only question is in how many different ways did he do it and was an attitude toward sexual mores one of them.  I think it can be shown that that is true.  Was Burroughs an ideologue in sexual matters.  At this point I can’t say yes or no although his attitudes seem consistent throughout his career.

     A first hurdle we have to get over is whether Burroughs was some sort of idiot savant who just had the knack for writing adventure stories  or was he an auto-didact who educated himself in exemplary fashion.  The consensus is more along the idiot savant line which I hope I have shown in my by now voluminous writings that ERB was very well read, had a sound if not spectacular education while being an intelligent man with at least a 120-130 IQ.  

 

Greeks At Play

    I think I have shown that he was a full participant in the intellectual culture of 1875-1920 which influenced the first phase of his writing career.  We know he was well read because he references  hundreds of books that he read in his own pages.  He tells us he read Gibbon’s  Decline And Fall Of The Roman Empire which is an essential for a liberal education.  He tells us he read and reread Plutarch’s Parallel Lives which also is no mean achievement.  Those may be isolated instances or, as I think, they are the tip of the iceberg.  He was near expert on Evolution while being deeply read in esoteric and exoteric religion.  The guy was a virtual marvel.  His learning shows up in his writings although in a fantastic manner for enterainment purposes.

  

Apollo

   For our purposes here we can begin when his father placed him in the Harvard Latin School of Chicago.  He was to spend what we would call his Junior High years there.  It was there he learned Latin and possibly some Greek.  He was to complain later that he learned Latin before he learned to write in English which he thought affected his style and it may have as some of his writing reads like he was translating from Latin.  While he may not have qualified as a Latin scholar I’m sure that for the rest of his life he could find his way through an extensive Latin quotation.  When I was in school that was considered an achievement of a high order.  So ERB had a pretty decent founding in the Classics.

     Now, there has been a pretty fair controvercy on ERBzine recently over how nude Martians were.  I don’t think there is any question but that both men and women hang out, that is ventral and dorsal nudity.  One might therefore infer that in Burroughs’ vision of an utopia the style was to be au naturel.

     Was this original or did ERB, as usual, borrow from the culture, have his sources?

     Let’s start at Harvard Latin School.  At the time the Patriarchy was in full control of the culture.  There were grumblings from both the Matriarchy and the Hetaerarchy but those were in the beginning stages of the revolt.  As late as the 1960s when I was an Ancient History major you would have been thrown out of school for challenging the Patriarchal version of Ancient History, that is to say Greek and Roman.  ERB then couldn’t have been given less than a 110% Patriarchal education.

     Any illustrations of Greek statues he would have seen showed the genitals fully exposed unless a fig leaf had been placed over them.  The Greek vases he may have seen would have shown Greek men at play or leisure with fully exposed genitals, any weapons belted on would look exactly like his Martians.  They might have a wrap thrown over the shoulder for protection from inclement weather.

     The phallicism, the pride in manhood, runs all through Greek art and literature.  At the time men were liberating themselves from the Matriarchy with its cruel attitude toward the males.  It had been discovered that the male inseminated the female so men claimed the child as theirs while the women were mere incubators or storehouses rather than the fecund goddesses of creation.  Man was the creator.  That was the answer the riddle posed by the Theban sphinx to Oedipus was, Man.  So the psychological reaction must have been if you’ve got one, show it.  Meanwhile as the man was the progenitor of a woman’s offspring, a man’s wife had to be secluded so that another man couldn’t impregnate her.  Whereas in the past women were more or less commonly available to the certified they now became the exclusive possession of one man, except for prostitutes or hetaerists.   The children were his.

     How much, if any, of this ERB understood he at least saw a society where the men went fully nude.  As the Martian children were hatched from eggs incubated in the Martian sun it sounds as though he had read Plato where Socrates expatiated on the old days when men and women were hatched from eggs.  Indeed, Leda impregnated by Zeus in the form of a swan hatched two eggs that produced Castor and Pollux and Helen and Clytemnestra as two sets of twins.  It’s not too far from there to Mars, don’t you think?

     Around the turn of the century the Nudist movement took form in German.  We tend to think of these earlier times as staid when in reality the modern world was in its birth throes.  The nudity thing since the French Revolution had been slowly growing.  For the Medieval Free Spirits and Anabatists nudity was a key point as it was for the Libertines and as it was adopted by the Communist offshoots of the Revolution.  Men want to look at the female nude.

Early Nudists

     In Germany at the turn of the century the nudity movement jelled, an actual movement taking shape in conjunction with the Wandervogel movement.  This is turn led to the development of the Nature movement resulting in the incredible Nature Boy scene in the US of the thirties and forties which in turn evolved into the Beat/Hippie phenomenon of the fifties, sixties and seventies and into today.

 

Eden Ahbez- Writer of Nature Boy

     Burroughs would have been aware of this whole phenomenon up to 1950 endorsing it enthusiastically.  Tarzan was the ultimate Nature Boy and Burroughs developed the character with that in mind.  The ideal.  I have no douts that Burroughs intended him as the exemplar of this growing movement.  Hence the development of the Nature movement was aided, abetted and intentionally forwarded by ERB clearly linking him to the scene in Bohemian NY of the sixties and the whole Beat/Hippie scene.

     So Burroughs’ writings actually promote nudism and the Nature movement throughout his career.  John Carter arrives, born again, nude on Mars where he would have been unnoticeable on that account, completely blending in.  Indeed, the only difference was that he was white instead of red which was a curiosity.  Thus, as soon as he leaves Earth he become a nudist in what was a sort of utopian society to Burroughs.

     Tarzan necessarily practiced nudity for his first twenty years, only donning his ‘fig leaf’ or G-string  when he came in contact with civilization.

      Burroughs always refers to Tarzan’s ‘adornment’ as a G-string in the early novels.  A G-string only cover the genitals with a flap and not the rear so Tarzan was essentially nude in the jungle.  He was a Nature Boy and that is the way most of his readers have perceived him.

  

Maxmillian- Star Nature Boy c. 1948

    The MGM Tarzan is the exemplar of the Nature Boy living on fruit and nuts.  The MGM movies regularly show bowls of fruits and nuts while Tarzan, unless memory fails, is never shown squatting over a haunch eating the flesh raw as in Burroughs’ novels.  As with Burroughs and the Nature Boys Tarzan rejects all the appurtenances  of civilization except for some mechanical engineering at which Tarzan was apparently a genius.  Might even have been a Nuclear Physicist even though he could barely grunt in the MGM movies.

     It seems clear that there was vitually no one who hadn’t heard of Tarzan or Burroughs.  Nearly everyone was influenced by the two.  It therefore seems probable that the Nature Boys, the nudists took Tarzan as an avatar.

     Certainly John Derek directed his movie, Tarzan, The Ape Man of the 1980s, concentrating on the sexual and nature aspects of the image.  No argument there, I hope.

     Now, the Bohemian scene in NYC was among other things a return to the primitive.  The crowd surrounding Andy Warhol in his Factory was a bunch of savages stripped of all but the rudiments of civilization.  They were the Tarzans of the asphalt jungle.  The more affluent savages, the Haute Boheme lived a life of sexual abandon that Burroughs, Wells and Freud could only have dreamed of, and they did dream of it.

     Once the attitude was institutionalized at Studio 54 the world Burroughs, Wells and Freud longed for was realized.  It was Hetaerism and Matriarchialism on wheels, a complete overthrow of Patriarchalism.  Our three musketeers would have gained easy admitance and found each in his own particular utopia.  From 1880 to 1980 was only a hundred years.  A short time indeed to overturn civilization.

     Burroughs was a leading figure in this revolution.

 

 

Four Crucial Years

In The Life Of Edgar Rice Burroughs, Pt. I

by

R.E. Prindle

Every artist writes his own autobiography. 

Even Shakespeare’s works contain a life of himself for those who know how to read it.

–Havelock Ellis as quoted by Robert W. Fenton

The Great One

     Eighteen ninety-six found Edgar Rice Burroughs confronting the first great crisis of his adult life.  The weight of his childhood experiences pressed on his mind as he turned twenty.  His subconscious mind was directing his actions while his conscious intelligence futilely struggled against it.  He had no plans; nor could he form any.  He was in a state of emotional turmoil.  He obviously did not think out his moves nor weigh the effects of his actions on others.  He was to burn many bridges as he flayed about like the proverbial bull in the china shop trying to find his way out.

     Having graduated from the Michigan Military Academy he had been serving in the capacity of instructor for the previous year.  All his heroes were military men.  He fancied a military career as an Army officer even though he had failed the West Point exam the year before.  Still, he was in a fine position to realize his objective.  Men who could help him were nearby friends.  Captain, soon to be General, Charles King, who had befriended him as a cadet, and the Commandant of the MMA, Colonel Rogers.  All he had to do was to be patient and those men of some influence would surely have obtained an appointment for him.

     They had given a mere boy a position of great trust and responsibility in making him an instructor.  They were military men who judged others in the military manner.  Then in the Spring of 1896 Burroughs did one of the most inexplicable things in a career  of the inexplicable; he abandoned his post.  Without notice to those career officers who were depending on him he resigned his post and on May 13th of 1896 he joined the Army as an enlisted man, a common soldier, a grunt.  Within days he was on his way to his asignment.

     As he was to say of so many of his later fictional heroes: ‘for me to think is to act.’  He oughtn’t have been so precipitate.  He should have thought twice.  He shouldn’t have had to think about it at all.

     If he seriously wanted a military career as an officer he should have known that it is virtually impossible for an enlisted man to rise through the ranks.  Even in the rare cases when this occurs, the enlisted man is always an odd duck between the officer caste and the enlisted men.

     In this case he had not only forteited caste but as far as Rogers and King were concerned he had deserted, the worst crime that a military man can commit.  Both men wrote him off at that time.  Strangely he never understood that his precipitate act would be held against him by those he disappointed.

     Apparently joining in a fit of despair- for me to think is to act- as the date of the 13th would indicate he requested the worst duty the Army had ensuring his desire to fail.  On one level it is almost as though he did have his next move worked out.  Not normally too receptive to the desires or needs of its grunts in this case the Army was only too glad to accommodate him.  Burroughs was sent into Apacheria to a place called Fort Grant in what was then the territory of Arizona.  Neither Arizona nor New Mexico became States until after the turn of the century so Burroughs had actually ‘lit out for the territories’ as Huck Finn would have put it.  There was still some Apache resistance going on, thus ERB was a part of the Wild West.

     According to Philip R. Burger, writing in the Winter 1999 issue of the Burroughs Bulletin, the standard term of enlistment at the time was three years but, as there would be no reason to join the Army except to make it a career, the reasonable assumption for those left behind in Chicago without a word of goodbye would have been that Burroughs was out of their lives.  He was a dead man.

     For those of you who have never joined the services, once you leave you’re out of the lives of those left behind.  Your traditions have been broken.  Even when you come back for leave you are only tolerated as a visitor who will leave, the sooner the better, so you don’t disrupt their lives any longer than necessary.

     Burroughs didn’t even have traditions in Chicago except with a few people.  From the sixth grade on he had a record of broken attendance at a number of schools, from the girl’s school to Harvard School and then back East, to Idaho and on to the MMA.  He would have known but few people well, intimate with none except the lovely Emma Hulbert.

     He could have seen her but rarely over the last years which included high school.  He really had no ties in Chicago.  His relationshlip to Emma dated back to Brown grade school.  At sometime before he began his peripatetic education he began to propose to her.  As he was gone from Chicago all this time it is very difficult to believe that Emma sat home pining.  She must have been dating other boys, however, at the same time she must have been waiting for Burroughs since, at 24, when she married him she was only a couple years from spinsterhood.  She must have been giving her parents some cause for alarm.

     Thus when Burroughs appeared to walk out of her life in 1896 without a word about his intentions one wonders what her response was.  Certainly it was about this time that Frank Martin began to pay his court.  We will learn more of Frank Martin a little later.

     For Burroughs, like so many of us once we were inducted, ERB speedily learned his mistake.  For the men who don’t fit in ‘each fresh move is a fresh mistake.’  He regretted his decision immediately.  For him to think was to act, so from his arrival at Fort Grant he began a petition for discharge.

     As he had been under twenty-one when he joined, he had had to ask his father for his consent.  He now asked him to use his influence to get him out.

     Perhaps we do not have enough information on why he now so desperately wanted out.  In later life this short ten month period of his life would be fraught with great significance in his mind.  Just before he divorced his lovely wife Emma in 1933 ERB took a solo vacation to return to this scene of his young manhood.  That would indicate that Emma and Fort Grant were linked in his mind.

     Two of his Martian novels are associated with the Fort Grant experience.  In his first novel, A Princess Of Mars, John Carter serves in the Army in Arizona, is discharged, then returns as a prospector.  Under attack by Apaches he seeks refuge in a mountain cave in which he leaves his body while his astral projection goes to Mars.  Viewed from one point that’s as neat a description of going insane as I’ve ever come across.

      During his 1933 visit to Arizona, Carter returns to visit a trembling fearful Burroughs in his mountain cabin.  One gets the impression that Burroughs felt like a whipped dog.

     The Apaches made a terrific impression on the young man.  So much so that he could see himself joining them as a Brave as is evidenced by his two Apache novels, The War Chief and Apache Devil.  Then too his two cowboy novels are placed in Arizona rather than in Idaho where one would expect them.

     In his Return Of Tarzan the trip to the Sahara is an obvious reference to Apacheria.  The French government sends Tarzan into the desert rather than the US government sending ERB to Arizona.   In the deseart Tarzan develops a strong liking for the Arabs, much as ERB did for the Apaches.  Tarzan considered becoming a Son Of The Desert just as ERB thought he might become Apache.

     A large part of ERB’s fascination for the military life was based on his respect for Capt. Charles King under whom he had served briefly at the MMA.  King was, I would imagine, a boy’s dream of a dashing Calvalry Officer.  In this wildly romantic period of the Indian Wars, not to mention the proximity of the Civil War, a man who had served at the same time and the same place General Custer must have been held in some awe.  King had also served with and knew Buffalo Bill,  a nonpareil hero of the time and one ERB may have met at the 1893 Columbian Expo.

     Burroughs names two of his characters after Custer.

     On top of all this King was a successful writer of military novels.  He wote an excellent analysis of Custer’s defeat, which is available on ERBzine, as well as a first hand account of the resultant campaign to quell the uprising, Campaigning With Crook.  the latter is a superb recreation of a time and place we’ll never see again.  In just a few words King is able to recreate a Deadwood, South Dakota for which the movies have filmed endless miles of photographs with less result.  His single reference to barbaric cowboys wearing their guns on their hips says more than dozens of Hollywood films.  ERB was also able to capture some of this feeling in his two excellent Western novels as well as his two Apache novels.

     King was prolific writing nearly seventy books in his long career.  I have read only a few, which I find of only of journeyman quality.  King has an emascualted precious style which is reflected in his photographs.  Burroughs enthusiastically said he wrote the best Army novels ever, which may be true, I haven’t come across any other novels of Army life.  among his many novels of Army life are three that deal with the Pullman strike when the Seventh was stationed at Fort Sheridan.  One, An Apache Princess written in 1903 might possibly have been an influence on A Princess Of Mars.

     At any rate King glorifies the officer’s life.  He fooled a young green ERB.  In any event ERB failed to notice the haughty distinctions King drew between the relative status of the officers and the enlisted men.  King had all the prejudices of the officer class seeing the enlisted man as a subhuman species.  Knowing this, as Burroughs should have, I am baffled by his enlisting.

     Perhaps as at the MMA he thought that one entered as a buck private working up to officer rapidly as he had at the MMA.  If so he must have had a very rude awakening.  It couldn’t have taken him long to realize that advancing through the ranks was rare while at the same time a long process for such an impatient lad as he.

     While he was cleaning those stalls he must have had plenty of time to think out his dilemma.  As he thought back over his past actions it must have occurred to him that perhaps he erred in walking out on Colonel Rogers the previous May.  Accordingly on December 2 of 1896 he sent a letter back to Rogers of which the reply is extant.  We don’t know what ERB said but I imagine he was feeling Rogers out to see if he couldn’t get him an officer’s appointment.  Rogers reply was, of course, polite but cool and distant firmly placing Burroughs as oneof the rest of Rogers’ students.  Yuh.  ERB should have thought twice about abandoning his post.

     The many, many references to this period of his life point to a great regret later in life that he had left it.  He associated this regret with Emma.  Perhaps the visit of the officer, John Carter, to him in his lonely cabin in the White Mountains of Arizona represents his lost career as an Army officer but was one of the reasons for his wanting to get back to Chicago that he hadn’t dealt with his relationship with Emma?  Did he now learn that in his absence someone else was playing his old love song to Emma?  Someone who Papa Alvin Hulbert much preferred to ERB?

     It would be interesting to  know what Emma thought when her beau just up and removed himself to Arizona.  Perhaps perplexed but still hopeful she sent him her picture on his birthday in September.  Remember me, perhaps?

     Unhappy with his life at ‘the worst post in the Army’, how one’s attitude changes when one’s dreams are realized, he petitioned his father to use his influence to return him to civilian life.

     Surprisingly his father was easily able to do this.  By March of 1897 ERB had his discharge papers in his hand.  He was a free man again.  How many tens of thousands of us would have appreciated such an easy resolution to the problem.

2.

     Our Man still didn’t have a plan.  What we he going to do with his life?  Apparently Colonel Rogers’ reply to his letter didn’t apprise him of the facts of life.  Nor did he seem to realize that once you reject the military the Army has no use for you.  At the time, the US Army was very small, perhaps seventy-five thousand men.  The officer corps was about ten per cent or seventy-five hundred men.  This is virtually a club.  The officers would have known each other personally, by name or by reputation. The same was more or less true of the enlisted men.

     Thus Porges records a letter ERB received in 1936 from one W.L. Burroughs of Charlotte, N.C. who probes:

     This morning an old army sergeant whom I soldiered with back in the nineties dropped in my office and our conversation started at Fort Sheridan, ILl. when the 7th US Cavalry and the 15th U.W. Infantry left that post for Arizona and New Mexico.  He asked me if I remembered Edgar Rice Burroughs of  Troop ‘B’ Seventh Cavalry, said he was discharged during the summer of 1896 at Fort Grant, Arizona account of a ‘Tobacca heart’…will be delighted to know for certain that we soldiered with so distinguished a person back in the nineties.

     Whether true or not these men remembered ERB as a malingerer who obtained a fraudulent discharge.  I interpet ‘Tobacco heart’  to be a feigned ailment which would make ‘so distinguished a person’ a sarcastic and insulting remark.  If W.L. Burroughs is correct then ERB got himself out by reasonable discreditable means rather than through the efforts of his father.   Thus forty years on an Army reputation followed ERB.

     Burroughs replied cooly a few days later ‘…seldom have been in touch with any of the men I soldiered with since I left Fort Grant.’  ERB didn’t say ‘AND GOODBYE.’ but I think that is implied.

     So having committed blunder after blunder it would have been wise for Our Man to reevaluate his position.  Strangely he didn’t do this, hoping against hope, as I imagine to pull that particualr rabbit out of the hat over the next few years.  Good luck, Edgar Rice Burroughs.

3.

     For now he could only think of returning to Chicago.  As we know the Burroughs Boys were ranching up in Idaho.  ERB always wanted to prove that he was a businessman.  Why, I don’t know.  The fact of the matter seems to be that the Burroughs family was particularly inept at business.  Papa George T. had been burned out of his distillery while his battery business was steadily running down, due for extermination about a decade later.

     The Boys would turn to dredging for gold after failing at ranching.  Perhaps one of the reasons they failed at ranching was just this operation coming up.  They had bought a Mexican herd, apparently sight unseen.  They were then in Nogales to receive and transship the herd to KC.  I suspect they lost their shirt.  In less than two years they would be gold dredging.

     The world is full of sharpers.  Out West so many salted gold mines were sold to greenhorns that it doesn’t bear telling.  Frank Harris, the British magazine editor in his autobiography has a great story about how he and his outfit lifted a Mexican herd driving it back across the Rio Grande.  I have no doubt that some Mexican sharpers took advantage of the Burroughs Boys.  They would later buy a salted gold claim.

     The herd ERB put on board the train he describes as no bigger than jackrabbits while probably being less well fed.  The death rate of the cows on the trip back to KC was horrendous, while the survivors became starved and dehydrated.  I don’t think the Burroughs Boys did well on that transaction.  You gotta watch your back or, hopefully, see ’em coming.

4.

     Edgar Rice Burroughs came home.  Perhaps he had now reached childhood’s end.  At twenty-one perhaps he now realized that he had a life to lead.  Perhaps.  If so, it was slow dawning.  But then ERB’s was not an ordinary mind, a normal bean as he would have put it.  No, his was a slow ripening melon.  But then, why should everyone develop at the same pace?  If up to this point I seem to have been overly critical of Our Young Man it’s because there has been much to be critical of;  just as there will be more, but he hasn’t done anything really reprehensible.  Your record may not be much better; mine certainly wasn’t.  He’s a good sort of guy; just a little on the goofy side.  Slow to learn.  He doesn’t seem to catch on.

     However he’s watching.  He’s observing.  He’s ingesting and there out of sight he’s digesting all the information coming in.  Plus, he will give it a brilliant interpretation when he egests it.

     These four years would be of great use to him in his writing career.  Always a subtle psychologist ERB was also a skillful employer of the Freudian concepts of condensation, displacement and sublimation and this before he could have read Freud.  An attentive reading of any of his novels always reveals layers of hidden meaning.  Simply put Edgar Rice Burroughs is the most poetic of novelists.

     His poetic tastes weren’t always elevated.  He did have a copy or two of Eddie Guest in his library.  Edgar A. Guest.  Perhaps forgotten today Guest was a people’s poet.  In the 1950s when I spread out the Detroit Free Press on the floor one of the first things I read was the daily poem of Edgar Guest.  Of course, I thought he had written each one the night before.  I marveled at his facility.  Nice homey thoughts though.

     Burroughs tastes ran to the likes of Rudyard Kipling, H.H. Knibbs, Robert W. Service and others of the jingly-jangly people’s school.  Although he did know enough about a high brow like Robert Browning to consider him a bore.  Rightly from my point of view.  He liked Tennyson, who was considered a high brow, also I suspect Walter Scott, Shelley and Byron.  He frequently hints at Longfellow’s ‘Wreck Of The Hesperus’ while he probably had to read Hiawatha in school

     He knows all the popular stuff of the day like ‘Over The Hill To The Poor House’ too while he had probably read that anthem of doomed labor,  Edward Markham’s Man With The Hoe, too.  If that one didn’t gag him he’s not the man I think he was.

     Song lyrics were big with him too.  On his cross country auto tour he mentions three records by name that his family wore out- of course a battery operated portable played in a field with the plows they called styluses (well, cultured people called them styluses or styli, us near illiterates called them needles) in those days they might have worn out a record in two or three plays.  One song was ‘Are You From Dixie?’, another was ‘Do What Your Mother Did; and the last ‘Hello- Hawaii, How Are Ya?’ I guess he liked songs that asked questions.  I’ll examine the lurics a little farther on down the road but when we’re considering the literary influences don’t forget the poetry.  After all ERB wrote a whole book around the lyrics of H.H. Knibbs ‘Out There Somewhere.’

     Just before he returned to Chicago one of the great newspaper literary lights and poets of Chicago Eugene Field had died- 1895.  Burroughs had a collection of Field’s writings in his library while Field, when alive, hung out at the McClurg’s book store.  Perhaps there were sentimental reasons for Burroughs pursuing McClurg’s so ardently as well as practical ones.

     Another Chicago writer among ERB’s collection of books who was reaching an apex at this time was George Ade.  While these Chicago stalwarts are mostly forgotten now they were considered immortal at the time.  Ade especially is a very clever writer with a real skill at turning a phrase.  His  ‘Fables In Slang’ would have knocked ERB flat.  ERB’s own interest in the colloquial, which is very pronounced, may have been influenced by Ade’s style.

     Another columnist of the period, Peter Finley Dunne, with his Irish dialect stuff written around his character Mr. Dooley doesn’t seem to have made much of an impression on ERB.

     Thus while involved in his attempts to correct his mistake of enlisting he was very attentive and observant of the life going on around him in whatever milieu.

     As I mentioned earlier, when you leave for the military your friends edit you out of their lives.  Returning is not so easy.  Even when I returned on leave, actually almost ten months after I left, people demanded almost belligerently, ‘What are you doing here? I thought you joined the Navy.’  After explaining I was on leave, nearly asking permission to hang around for a couple weeks, I was grudgingly given permission but let it be known that if I wasn’t gone I would have some explaining to do.

     ERB has left a record of his reception by his friends in Chicago.   He had sixteen years to let it run around his mind before he wrote it down.  It came out in Return Of Tarzan which, I imagine might be read as the Return Of Edgar Rice Burroughs.  Actually as Havelock Ellis hints in the opening quote, both Tarzan Of The Apes and The Return Of Tarzan can be read as autobiographical sketches from birth to the marriage with Emma in 1900.

     Burroughs describes his reception in Chapter 23 of the The Return.  The jungle is a Burroughsian symbol for society as in ‘It’s a jungle out there.’  Tarzan in the jungle can be read as ERB in Chicago.  Tarzan is resting in the crotch of a great limb of a jungle giant when he hears a troop of apes approaching the clearing beneath the tree.  The tree is a symbol of security or getting out of or above the tumult.  Trees probably correspond to his imagination.

     Tarzan recognized the troop as his old band of which he is still nominally king.  Having been gone for two years he rightly thinks the dull brutes will have trouble remembering him: 

      ‘From the talk which he overheard he learned that they had come to choose a new king- their late chief (the successor of Terkoz?) had fallen a hundred feet beneath a broken limb to an untimely end.

     Tarzan walked to the end of an overhanging limb in plain view of them.  The quick  eyes of a female (Emma?) caught sight ofhim first.  With a barking guttural she called the attention of the others.  Several fhuge bulls stood erect to get a better view of the intruder.  With bared fangs and bristling necks they advanced slowly toward him, with deep ominous growls.

     ‘Karnath, I am Tarzan Of The Apes,’ said the ape-man in the nernacular of the tribe.  ‘You remember me.  Together we teased Numa when we were still little apes, throwing sticks and nuts at him form the saftey of high branches.’

     ‘And Magor,’ continued Tarzan, addressing another, ‘do you not recall your former king- he who slew the mighty Kerchak?  Look at me! Am I not the same Tarzan- mighty hunter- invincible fighter- that you knew for many seasons?’

     The apes all crowded orward now, but more in curiosity than threatening.  They muttered among themselves for a few moments.

     ‘What do you want among us now?’  Asked Karnath.

     ‘Only peace.’  answered the ape-man.

     Again the apes conferred.  At leangth Karnath spoke again.

     ‘Come in peace, then, Tarzan Of The Apes.’  He said.

     So Tarzan and ERB returned to the fold.  However there were two young bulls who were not ready to receive Tarzan back.  We will find that two young men resented Burroughs’ return.  The resentment of the principal young man would nearly cost Burroughs his life while forcing him to commit to a marriage against his will.

     Thus Burroughs was received back into Chicago.

5.

     He would spend about ten months before he uprooted himself once again to make his second visit to his brothers in Idaho.  I should think that this period in Chicago was perhaps the most idyllic of his life.  He found gainful employment with his father at the Battery Company.  However at fifteen dollars a week it was much less than his allowance had been at the MMA.  However he was living and eating at home so one imagines it was all pocket cash which afforded a certain limited affluence.  He could afford to take Emma out.

     Emma appears to have preferred him but he was no favorite of Papa Alvin and the Mrs.  If Frank Martin had begun to pay his court he was much the preferred suitor.  The son of Col. A.N. Martin who was a millionaire railroad man he was to be much preferred to a penniless Ed Burroughs whose father had apostacized to William Jennings Bryan in the election of 1896.  No, Martin should be given the inside track.  Burroughs was forbidden the house in an attempt to disrupt his relationship with Emma.

     The Hulberts looked askance at Burroughs patchy history.  He was less than promising.  While his father had gotten him released from his enlistment, people are wont to say there’s more to that story than meets the eye.  Plenty of room for rumor, if you know what I mean.  ERB probably had to explain a lot.

     So while he could date Emma he couldn’t go hang around all evening every evening as lovers are wont to do.

     So what did ERB do with his spare time.  He obviously read.  H.Rider Haggard was popping them out two or three a year at the time which is clear from the evidence ERB read.  Jules Verne was alive and producing although much of his production remained untranslated.

     There weren’t any movies or television, however there was the Levee, Chicago’s Sin City.  In later novels ERB would show what appears to be first hand rather detailed knowledge of this area of brothels, saloons and gambling joints.  Burroughs was certainly no stranger to drinking and gambling, whether he frequented brothels may not be known but, if you’re in the area….

      In a city of a million six there were only about forty thousand library cards issued but it is probable that one of them was in the wallet of our investigator of curious and unusual phenomena.  He sure knew a lot of odd details.  One of the big intellectual questions is whether or not he knew of Theosophy.  A volume of William Q. Judge, a leading  Theosophist who died in 1896, is to be found among Burroughs’ books.  His first story Minidoka 937th Earl of One Mile which is concerned with this period while unpublished until just recently makes mention in the descent to Nevaeh of the Seven Worlds which is a reference to either Theosophy, Dante or both.

      Again, hanging around a library one might come across volumes of Dante and Theosophy.  Shoot, Tarzan spent his afternoons in the Paris library becoming discouraged by the surfeit of knowledge to be covered.

     And all around him floods of changes were rolling over him.  The world was moving with breathtaking rapidity.  If a guy wasn’t half crazy already trying to keep up would get him the rest of the way.  Actually these four years were the intellectual bottom, in the musical sense, of the rest of Burroughs; life.  perhaps sensory overload occured culminating with his bashing in Toronto and subsequent marriage to Emma so that he was no longer open to new experiences afater his marriage.  Everything after 1900 was interpreted in the light of this experience.  the interpretations were inventive enough.

     His situation might be compared to that of Zeus and Metis of Greek mythology.  Ordinarily when the Patriarchy took over a Matriarchal cult the event was comemorated in a myth of sexual union.

     In the case of Metis, a Goddess of wisdom, she went down into the belly of the monster like a plate of oysters perhaps meaning the Patriarchy had attempted to stamp the Metis cult flat or eat it up as the Zulus would say.  If so Zeus and the boys had bitten off more than they could chew or digest, as it were.

     Metis lived on in his belly giving him unwanted advice until I would imagine the Patriarchy came up with a compromise solution.  Thus Metis gave birth to Athene who was born fully formed from the forehead of Zeus, which is to say that the cult of Metis was transformed into the cult of Athene.  Athene retained all the attributres of the goddess of Matriarchy but ‘she was all for the Patriarchy.’

     So now with Burroughs; he ingested all this experience which he gave a ‘definite impression of fictionalizing’ to appear full blown from his forehead +- twenty years later.

     Porges reproduces a political cartoon of Young Burroughs on page 68 of the First Edition in which Uncle Sam and John Bull are watching a scene.  One or the other says:  ‘How would you like to be a Russian?’

     In the cartoon Russian soldiers are shooting and bayonetting obvious Jews while the Jews are bombing the Russians.  The villains of the first four Tarzan novels, ‘The Russian Quartet; are two Russians Nikolas Rokoff and Paulevitch.  Thus, if the cartoon was drawn in this period, twenty years later the Russians show up as villains.

     Now, among all the ‘minor’ events like the depression after 1893, the Pullman Strike, Coxey’s Army, Altgeld’s pardoning of the Haymarket bombers, the Sino-Japanese war and such like trivia was the infamous Dreyfus Affair in France.

     This minor event involving a Judaeo-French spy was magnified into an international cause celebre by accusations of anti-Semitism.  Alfred Dreyfus was a Jewish French army officer who was accused of spying for the Germans or of selling information to them.  Originally convicted and sent to Devil’s Island, a few year later after key evidence was tainted or disappeared and key witnesses had died or been discredited the case was reopened and after a terrific media blitz resulting in Zola’s article with the famous title: J’ Accuse, Dreyfus was acquitted.

     The man convicted in his place, strangely enough, was probably also Jewish, one Walsin Esterhazy.  Supposedly of Hungarian descent, at the instance of the chief Rabbi of Paris he was given financial assistance by the Rothschild family.  It would be very unusual in that case if he weren’t Jewish.

     Burroughs must have followed the Affair Dreyfus closely as it unfolded during the lat nineties.  In 1913’s Return Of Tarzan he chose to fictionalize Esterhazy’s end of the Affair in the character of Gernois.  Burroughs must have studied the Affair because Esterhazy actually served in North Africa where he came in contact with German agents.  Of course, Gernois is compromised by our old friend Nilolas Rokoff, the Russian agent.  Thus ERB combines his dislike of the Russians as eveidenced by his cartoon with sympathy for Dreyfus.

     In real life Esterhazy led a dissipated life which, it is said, led him to be a spy.  In ‘Return’ Gernois is led into syping because Rokoff, the hyper-arch villain had something on him.

     In a sort of editorial comment on Dreyfus ERB has Rokoff tell Gernois:  ‘If you are not agreeable I shall send a note to your commandant tonight that will end in the degradation Dreyfus suffered– the only difference being that he did not deserve it.’

     Thus ERB comes down firmly on the side of Dreyfus.

      For those who will misread racial and ethnic attitudes I believe ERB’s attitude in the Jewish-Russian conflict and the Dreyfus Affair should exonerate him, if the need exists, of any charges of anti-Semitism.  Especially in the light of his portrayal of the worthy Jewish gentleman in ‘The Moon Maid’ trilogy.  It would seem that all of ERB’s later attitudes remain consistent with these brought to fruition between 1896 and 1900. 

Continue on to Part II

 

 

A Review

Woman

by

Alan Clayson

Yoko Ono And The Men Who Influenced Her

Review by R.E. Prindle

Clayson, Alan: Woman: The Incredible Life Of Yoko Ono, Chrome Dreams, 2004.

 

Girlish Yoko- Warhol School by Richard Bernstein

     Yoko Ono involved herself with several of the most influential men in the arts during the sixties, seventies and eighties of the twentieth century.  She drew her inspiration from them patterning her own efforts after them.  At the same time she was one of the leading feminists of the day having her share in shaping and furthering the movement.  The mantra was female liberation, equality between men and women.  In fact women were equal to men in the West but only by acknowledging the biological differences between men and women.  The fact is the differences are real and not social constructs as women would have us believe.  The fact is women are women and men are men.   So, in seeking ‘female liberation’ feminists were seeking much more than ‘equality’ however the term may be defined.

     The fact is that in the Ages old war between the sexes feminists are seeking to restore the Matriarchy and destroy the Patriarchy.  That is why many men favor feminism, they prefer the Matriarchy.  Thus the feminists are atavistic.  Yoko and her cohorts wished, in her words, to restore ‘heart’ as she viewed the Matriarchy and eliminate ‘reason’ as she viewed quite rightly the basis of  Patriarchalism.  Nevermind that bilogical science has invalidated the concepts of Matriarachy and Patriarchy.  This is a post Matriarchy and Patriarchy world.

     Circa -2000 in the West men revolted against the mind stifling Matriarchy and the vaginal swamp of the ‘heart’ seeking to establish

Smilin' Jack Cage

the authority of the infinite power of the mind of Zeus on ethereal Olympus.  This is the story of Homer’s Iliad and Odyssey and the Greek myths in general recording the struggle.

     The Western male was able to impose the ascendency of reason over the heart for 3000 years until the disestablishment of the old order by science about mid-nineteenth century.  The center could not hold during this period of extreme change as W.B. Yeats put it as the rearrangement of the intellectual order moved into the twentieth century.

     Yoko Ono sought with her feminist fellows to return to the biological innocence of 2000 BC.  She herself had no talent.  Filled with audacity she pitted her ‘heart’ against the reason of John Cage, Andy Warhol and John Lennon.  I’m sure she had a mentor for her so-called performance art but I am as yet unaware of who he may be.  Perhaps Maciunas and the Fluxus group.

     Thus her first manifestation as an artist was based on the musical ideas of John Cage while her artistic efforts were at least based in the avant garde ideas of the Fluxus group.  Her first assault on the NYC art world failed so in 1961 she returned in defeat to Japan.  When she returned to NYC in 1964 she found an entirely different art scene.  On the musical side the focus was on Bobby Dylan and the Beatles while on the artistic side Andy Warhol and his Factory had destroyed the Abstract Expressionists and the old avant garde.  Dylan, the Beatles and Warhol had in fact usurped the avant garde which now had little meaning.  From my point of view held at the time the avant garde had ceased to exist.  Of course I didn’t understand exactly why or how.

     From 1964 when Yoko returned to NYC until 1966 when she left for London I’m sure Yoko was at a loss.  She developed her silly

The Bag Yoko And Tony Are In

notion of Bagism at this time even having a black bag on a stand in Max’s Kansas City that some one or ones were supposed to slide into.  This seems to have been thought a lame idea at the time as it seems now.

      At this time while retaining allegiance to John Cage’s musical ideas she was falling under the influence of Andy Warhol’s artistic notions.  Warhol’s intent had been to destroy the idea of ‘fine art’.  In this he pretty well succeeded.  As Yoko expressed it you didn’t need any talent to be an artist.  She seems to demonstrate this notion in her own artistic efforts.  Warhol had also redefined the notion of film with his static studies.  He then sought to combine his film ideas with live music, probably in competition with Bob Dylan who was also attempting to move in that direction.   Warhol adopted Lou Reed and his band the Velvet Underground as the Factory house band while creating a multi-media show called the Exploding Plastic Inevitable, innovative for its time.  Thus a concert at his hall, the Dom, was an ‘experience.’

     While Yoko makes no mention about how this, actually, incredible development affected her there can be no doubt that she was well aware of Dylan, the Beatles and the Warhol Experience and was affected by it.  Indeed, the first manifestation was the making of her Warhol style films such as Bottoms.

     The second manifestation was her removal to London to seduce either Lennon or McCartney of the Beatles, thus in the manner of Warhol’s adoption of the Velvet Underground she sought to co-opt the Beatles, the premier rock group in the world.  Real chutzpah and more than one upping Warhol.  I think it would be nonsense to think she had any other goal in mind.

     She undoubteldy learned that Paul McCartney was actively involved with John Dunbar and his Indica Gallery that opened in 1965. 

Psychedelic Dylan

Some say she first set her sights on McCartney but the more vulnerable Lennon showed up and the Spider Woman spread her web.

     She was still married to her second husband, Tony Cox, but, regardless of what she says she very aggressively pursued, or attacked, Lennon.  Lennon was emotionally under water unable to handle his success while drugging himself out of his mind.  He was unwillingly married to his wife Cynthia.  It appears that he married Cynthia out of duty when she became pregnant.  He doesn’t seem to have been happy in his virtue.  Yoko had no difficulty in capturing his affections.

      Now, just as Warhol had adopted the Velvets and imposed his female singer, Nico, on the band Yoko sought to imp[ose herself on the Beatles through Lennon.  At this time she was still musically completely in thrall to John Cage understanding nothing about Rock music.  She and Lennon had made a ridiculous LP called Two Virgins in 1968.  She combined her cagian screechings while using an avant garde ‘performance’ notion of the couple posing nude on the cover; full frontal on the obverse, full posterior on the reverse.  As no store would carry the cover the couple reverted to Yoko’s idea of Bagism placing the cover inside a plain manila envelope or bag.  While it didn’t sell the record this form of Bagism was actually a successful artistic statement.  The nude cover given an outer garment so to speak.

     Well, the public was prepared to forgive the Beatles anything but the other three Beatles weren’t prepared to forgive Yoko for forcing herself on them thus she broke up the most successful act of the sixties.  Still, she had succeeded according to her wildest dream.  Lennon and his wonderful reputation and fortune were hers.  She had gone from a neglected, nondescript ‘performance’ artist to center stage, not on her own womanly talents but by attaching herself to a talented man.   Yoko’s ‘heart’ was useless without the male intellect.   Yoko was now the most influencial feminist in the world.  She knew what to do with that.

     After several ‘performance’ acts such as the ‘Bed In For Peace’ the couple left England to return to the place Yoko wished to subjugate artistically, New York City.  She had raised herself to a par with Andy Warhol.  She now had to meld her musical and artistic goals through Lennon and Warhol.

     On the musical side she began to develop her rock n’ roll skills under  the tutelage of Lennon.  While not abandoning the avant garde notions of John Cage she now emasculated her husband.  Always semi-delusional or perhaps completely so, she fantasized that she was not only equal to Lennon in skill and popularity but superior to him.   She imagined herself more popular than Lennon.  Thus one has such travesties as the LP Double Fantasy.  It was only after Lennon’s death that she was forced to recognize than Lennon’s fans did not appreciate her efforts.  So she failed as a musician.

     She quickly tired of being Mrs. Lennon.  Thus she and Lennon separated for eighteen months or so during the years 1973-75.  She then realized that her financial well being and musical acceptance depended on Lennon.  In 1975 she called him back resuming their relationship until his death in 1980.  But, things had changed.

     She began to adopt Warhol’s life style on her return to NYC.  While she propagated the notion that she was some sort of business whiz Iam having difficulties discovering any such skills.  It appears that with the enormous income of Lennon she emulated Warhol in

Andy the Demon

spending her way to prosperity.

     She was in a position to not only match Warhol’s spending but exceeding it by many times.  Through the seventies and eighties Warhol came into his own as an artist while reaping a fortune doing portraits.  There appears to have been no effort on his part to invest in income producing vehicles.  Rather he bought stuff.  He purchased buildings in NYC and elsewhere while acquring undeveloped acreage in places like Aspen.  He shopped nearly every day buying antiques from furniture to objets d’ art by the bushel almost as though he were trying to excel the incredible W.R. Hearst.

     He usually didn’t even look at the stuff once he bought it merely filling rooms with his shopping bags.  At his death all this junk was auctioned off for 25 million dollars, a nice appreciation in value.

      Yoko followed the exact pattern buying apartments and houses as well as an extensive dairy farm with a herd of prize cows.  She not only had but has five apartments in her principal dwelling, the Dakota apartment building and many other houses scattered around.

     Like Warhol the Dakota apartments are stuffed with junk.  Valuable, but, you know, stuff.  She bought at good prices.  Her extensive collection of Egyptian antiquities was mostly purchased before a steep rise in value.

     Like the Rothschilds of old Yoko didn’t do all her own shopping but employed agents to search things out.  Chief among these was an associate of Warhol’s, Sam Green, and an Hungarian immigrant by the name of Sam Havadtoy.

Buddies- Yoko, John, Andy

     There should be no surprise then that she now has an extensive collection of  Warhol’s artwork as well as his portraits of Lennon.  The Warhols would have been purchased for form 25 to 50K while now being listed on her assets at tens of millions.  She also has been said to have a good collection of Magrittes as well as one assumes other artists.  So, much of her net worth is tied up in artwork purchased through Sam Green.

     Sam Havadtoy was an antiques dealer as well as an interior designer.  He appears to have been a somewhat shady character.  It is very difficult to find much about him, however there is a sharp portrait available from the notorious A.J. Weberman ( http://www.acid-trip.org/lennon/ )

     …(the Lennons) hired a sleazy Eastern European bisexual to renovate the pad. (Dakota)  I had heard of this dude, whose name escapes me, from an asswipe named BRUCE KIRSH, who worked for him.   KIRSH told me that the dude, who worked for the King of Morocco, would form a dummy renovation company, hire employees like Kirsch who were willing to work under false names, then, when it came time to pay taxes, everyone would disappear.  I learned of him long before he was hired by John and Yoko, and I was taken aback when Yoko took up with him after John’s death.

     I know that Weberman is not particularly well thought of by fandom but this is because of his harassment of Dylan who did, after all, misrepresent himself to the revolutionaries like Weberman.  A.J. himself is an intelligent observer who was wading through it when it was deep.  I do believe he knows what he’s talking about although his interpretations of Dylan’s lyrics seem absurd.

     I would have to question Yoko’s judgment in taking him in.  Both he and Sam Green were candidates as successors to Lennon with

Lennon by Warhol

whom she consorted in front of  Lennon before he died while Yoko chose Havadtoy as his successor the day he died.

     Perhaps she selected Havadtoy over Green because he was more rough trade.  With Lennon while managing to reconcile revolution with peace and love with Havadtoy she discarded peace and love in favor of strong arm methods against her former employee Fred Seaman when it was totally unnecessary.

     Havadtoy was living in a homosexual arrangement with his business partner when Yoko beckoned him to switch to her.  Apparently an able switch hitter he was lured by the money to this much older woman.  The arrangement did last for twenty years before Havadtoy removed to his native Hungary taking a nice cash settlement and several of the Warhols.

     Thus, just as Warhol had his live-in homosexual arrangement so after Lennon’s death Yoko adopted the exact arrrangement.  Today she apparently lives alone, a seventy-eight year old woman.

     After Lennon’s death there was an accession of from 30 million to a possible 100 million dollars as their last album, Double Fantasy, sold into the millions while the rest of Lennon’s catalog and one assumes the Beatles’ catalog was reinvigorated while all things Lennon sold.   This is, of course, no reflection on Yoko but the inevitable result  with intellectual properties when the maker dies.

     Post-Lennon, then, Yoko realized that her recording and art careers were nil.  Heart without intellect is worthless.  She then became the caretaker of the Lennon legacy.  His recordings, of course, continued to sell, but even his artwork eclipsed that of Yoko.  So she suffered the humiliation of being a mere appendage to a man.  The feminine dismal swamp was eclipsed by the Olympian heights of the male intellect.   As in ancient times the God had trumped the Goddess.  And yet as with Hera and Zeus the Goddess gets her way.   Yoko came up with the money and goods while Lennon’s spirit was wafted into the stratosphere.

     As any reader of mythology knows Hera ruled the Lernean swamps of Argolis while Zeus ruled the gods on ethereal Olympus.  Thus one has the symbolism of the biological difference between the male and female.

     In ancient times the female had her share in magic.  She knew herbs and plants, was familiar with poisons and cures as with the arch witch of the ancient world, Medea.  The reputation of the female witch even as a consort of Satan persisted down through medieval and post-medieval times, indeed, even up to the dawn of the scientific enlightenment.  One would have thought that magic and witchery were a thing of the past in the 1960s and yet Yoko embodied the whole female swamp mentality.

     She established something called the Spirit Foundation attributing the direction to Lennon who in fact knew nothing of these matters but followed her lead.  The Spirit Foundation celebrated the ancient art of the Shaman or witch doctor.  Shamanism itself even preceded the Matriarchal swamps of Argolis.  It was a rich repository of magical tradition.  Further the Foundation was feminist in that it was dedicated to preserving the magical traditions of the women of the Pacific islands still living in such archaic societies.  The wealth generated by the male intellect was appropriated by the female vagina or ‘heart.’

     In her own life and that of Lennon’s Yoko was addicted to a variety of magical practices- astrology, numerology, Tarot readings, and indeed she traveled to the Caribbean to sell her soul to Satan through the offices of a female curandera.  Her Tarot reader, John Green, was a priest in the shamanistic, magical, Yoruban African cult of Santeria.

     Her feminism was more a magical effort to restory Matriarchal supremacy over the Patriarchy thus reversing the Patriarchal victory of three thousand years previously.  Indeed, what has been called the movement for female equality is nothing more than a covert campaign to restore the Matriarchy.

      Thus while Yoko o9riginatd nothing she usurped the abilities of the reason of men- Cage, Warhol, Lennon and male magicians such as John Green.  Indeed the Trojan War itself was a war of men in service of  women.

     In her associations with men she preferrred to deal with emasculated types such as homosexuals like Cage, Warhol, Sam Green and Sam Havadtoy.  Lennon claimed to have always been dependent of women for comfort and guidance while Yoko caught him at his most confused and vulnerable. 

     While she received direction from Cage and Warhol she was able to manipulate Lennon out of his talent somewhat as Vivian did that of Merlin of the Arthurian saga.  When Vivian had usurped Merlin’s magical knowledge she buried him deep much as Lennon was put out of the way.  Yoko  then appropriated his wealth and residual income after his death.   It was this constant inflow of cash that allowed her to propagate the notion that she was a financial genius.

      Then as the female of the ‘heart’ or vaginal swamp she managed and appropriated the reason of Olympus through Cage, Warhol and Lennon.  What she got from Havadtoy other than brute strength is not clear to me.

     As such Yoko is Woman.  In her case a seeming reversion to the archetypal Shaman of the most ancient times.

 

 

 

Edgar Rice Burroughs On Mars

A Review

Thuvia, Maid Of Mars

Part II

by

R.E. Prindle

 

     Apparently at this time in his life ERB’s mind was focused on hypnotism.  The raison d’ etre of the novel seems to be his explanation of hypnotism and some of its effects.  He certainly makes a fascinating story of the phenomenon.  In fact the whole story concerns hypnotism with a few embellishments to get Carthoris and Thuvia to Lothar and once he’d exhausted the possibilities of his hypnotic theme he ended the story and even then he ends on a wild hypnotic note.

     Thuvia was his fourth Mars novel and his first without John Carter.  The hero is Carthoris the son of John Carter and Dejah Thoris.  ERB’s father, George T. had died about a year previous to the writing.  This novel was written shortly after The Lad And The Lion.  As it includes a scene of psychological rebirth it may be a declaration of independence from his father, severing the relationship more denfinitely than did Lad. 

     On entering the land of the Lotharians Carthoris passes through a cave quite similar to the birth canal.  There are Banths, Martian lions, before and one huge one behind him.  Those before seem to vanish while the one large Banth remained behind him; that would be the memory of his father and the past.  Carthoris placed himself in a posture of defense in the dark but the charging Banth passed to his side missing him much as a ghost from the past might do.  Thus ERB seems to dispense with the Old Looney aboard ship in The Lad And The Lion who did represent ERB’s dad.

     Thuvia had been kidnapped by a disappointed suitor who had her taken to Aanthor, one of the innumerable dead cities lining the shores of the vanished seas.  There she was captured by the Green Men who fled through the cave to Lothar.  There Carthoris and Thuvia are delivered to the scene of the action by ERB.

     Carthoris then finds Thuvia in the possession of the Green Men who are waging a gigantic battle against the Phantom Bowmen of Lothar, themselves aided by large prides of both phantom and real Banths.

     Piles of Green Men killed by little arrows lie about amongst legions of Bowmen who have been cut down, and still they stream through the city gates.  Carthoris who has gotten to the side of Thuvia and she marvel at the carnage.  They turn to watch the defeated Green Men flee.  When they look back they are astonished to see that the dead Bowmen have all disappeared while the dead Green Men no longer have phantom arrows sticking in them.  The pair are at a loss for an explanation.  The Banths however were real and were now gorging themselves on the remains of the Greenies.

     As a nice touch ERB has Thuvia essentially hypnotize the Banths.  Rather than fear them as Carthoris does she merely makes a low melodic warbling sound that so charms the Banths that they come fawning before her.

     This may seem improbable or even impossible and yet I have seen it done but with house cats.  What can be done with one size cat I’m sure can be done with all sizes.  The effect was quite astonishing with the woman I saw do it but the result was exactly as ERB describes it.  Apparently he’d seen it done too.  ERB thus establishes the ability of Thuvia that will be even more important soon.

     Thus they gain access to the city of Lothar by passing through the Banths with safety.  As a nice touch ERB gives Lothar an exotic round gate that rolls back into a slot.  Perhaps he had seen a house with such a door somewhere.  Once inside they meet the Lotharian Jav who begins to unfold the story while unfolding the hypnotic power of the mind.

     If ERB had read H. Rider Haggard’s Cleopatra that deals quite extensively with hypnotism in a scenario somewhat similar to this one Haggard may have been another source for Thuvia.  Quite possibly ERB had ingested and digested his earlier reading so that he wasn’t aware of how close he was to the originals.  After all, anyone who could learn of Numa, the Roman King, from his Jr. High studies and think he had invented the name Numa for the king of beasts twenty years later, which he says is what happened, probably could think he was inventing his details himself.

     Many strange phenomena appear to the pair on their way to the palace of the despot who was named Tario.  They see marching files of Bowmen who appear and disappear.  But the Bowmen are not real they are a projection of the mind of Tario who has hypnotized the pair into seeing what isn’t there.

     While it is clear that ERB is quite familiar with Homer’s Odyssey it isn’t quite so clear what he knows of Homer’s Iliad or Greek mythology in general.  One hesitates to give him too much knowledge and yet elements from the Iliad and Greek mythology seem to materialize before one’s eyes like the Phantom Bowmen of Lothar.

     One can’t know whether ERB read the Iliad more than once and whether that once was in the seventh or eighth grade.  How much he understood of an early reading like that would be questionable.  I first read the Iliad in the seventh grade but got nothing but impressions of the action from it.  The gods, goddesses and humans were very confusing.   Lot of boy and girl stuff that was well beyond my experience.  I have read the book seven times in various translations since.  It was only in the fifth, sixth and seventh readings that I began to develop what I would consider any real understanding of Homer’s message.

     One of the things I understand is that the Iliad is a story about the power of mind and its limitations.  Zeus, of course had the mind of ultimate power that gave him the advantage over mortals and the other gods.  Tario in Thuvia has the most powerful mind in Lothar which keeps him in authority over the few permanent emanations in Lothar.  But, these are all figments of his or someone’s imagination.

     It seems that long generations before the women had all died out leaving only the men who over a period of time would also have died out but they survived by being able to imagine themselves.  Here we have a possible reference to Poe’s  The Facts In The Case Of M. Valdemar.  In that story Valdemar was a dying man who was first hypnotized and then expired.  Being under hypnosis while alive he could not actually die as he was hypnotized alive.  This is somewhat the condition of the Lotharians.

     Taking hypnosis a step further ERB posits that there are phantom ‘realists’ who believe they can wish themselves into a permanent corporeal existence of which Jav is one.  Opposed to them are the phantom ‘etherealists’ represented by Tario who believe they must remain imaginary.

     Getting back to Greek mythology in which we do know that ERB was read the ‘realists’ believe that they have to eat so they conjure up ‘ephemeral fruits’ on which to gorge themselves.

      Ephemeral fruits make their appearance in the myth of Typhon and Zeus.  So there is a possibility that Jav and Tario is a version of that myth.  Hera in her squabbles for supremacy with Zeus conjures up the monster Typhon to take on Zeus.  Typhon makes mincemeat of Zeus removing his sinews and bones and placing them in a leather bag in a cave in Caria.   Sad plight for the Big Fella with the all powerful mind and no sinews.  Worse yet, as a god he is immortal so there he and his all powerful mind are in his sack perhaps for all eternity.

     While Apollo and Hermes come to the Big Guy’s aid by putting the dry bones back together and reattaching the sinews the nymphs feed Typhon ‘ephemeral fruit’ that looks like the real thing but lacks nourishment.  Thus when Zeus is reassembled and ready for action he faces an enfeebled Typhon who this time he easily defeats.  Great story when you think about it.  So there you have two stories reflected that ERB may or may not have read  but having read them probably didn’t consciously remember them as he was writing.  I can’t guarantee ERB read those stories but I can state with assurance that ERB just didn’t make this stuff up.  He never does; it all has been suggested  from someplace.  It is not impossible that he heard similar stuff from Baum and the Theosophists in California.  ERB does have a retentive memory that provides him with a lot of material.

     Thuvia and its successor Martian novel- The Chessmen Of Mars- are an examination of mind and matter.  The later Mastermind of Mars and the Synthetic Men Of Mars are examinations of the application of mind to matter.  In the Chessmen the mind and body were separate entities.  It will be remembered that the Kaldanes were also skilled hypnotists.

     Here ERB is interested in a projected reality, in itself a form on insanity in an unbalanced mind.  PP 66-67, Ace paperback:

     Jav speaking: “(The Banths) that remained about the field were real.  Those we loosed as scavengers to devour the bodies of the dead Torquasians.  This thing is demanded by the realists among us.  I am a realist.  Tario is an etherealist.

     “The etherealists maintain there is no such thing as matter- that all is mind.  They say that none of us exists, except in the imagination of his fellows, other than as an intangible, invisible mentality.

     “According to Tario, it is but necessary that we all unite in imagining that there are no dead Torquasians beneath our walls, and there will be none, nor any need for the fierce scavenging banths.”

     ‘You, then do not hold to Tario’s beliefs?”  asked Carthoris.

     “In part only,” replied the Lotharian.  “I believe, in fact I know, that there are some truly ethereal creatures.  Tario is one, I am convinced.  He has no existence except in the imaginations of his people.

     “Of course, it is the contention of all us realists that all etherealists are but figments of the imagination.  They contend that no food is necessary nor do they eat, but anyone of the most rudimentary intelligence must realize that food is a necessity to creatures having actual existence.”

     “Yes,” agreed Carthoris,  “not having eaten today I can readily agree with you.”

     “Ah, pardon me,”  exclaimed Jav.  “Pray be seated and satisfy your hunger,” and with a wave of his hand he indicated a beautifully laden table that had not been there an instant before he spoke….”It is well,”  continued Jav, “that you did not fall into the hands of an etherealist, then indeed, you would have gone hungry.”

     An interesting passage laden with humor and a joke or two.  On the one hand this is a takeoff on Bishop Berkeley and those who believe that nothing is real but only a figment of our imaginations.  They do believe that when you close your eyes the world ceases to exist.  I could never follow the argument, and on the other hand the ideas can be construed as a variation on the Theosophical belief that the gods were first ethereal becoming more materialistic as existence descended to man who is most material.  Thus Tario is visible air, as it were, as an ethereality while Jav is condensed into, as he believes, permanent air/matter while Carthoris and Thuria are solid matter as humans.

     The food Jav produces is ephemeral food.  It looks real but having no real substance has no nourishment.  As he smirkingly says:  It is well that you did not fall into the hands of an etherealist.  Then, indeed, you would have gone hungry.”  A funny joke.  But Jav has hypnotized the pair into seeing the food even though Carthoris is not so hypnotized as to not realize it is not real food.  He eats it anyway.

     Once in this land where nothing is real but the Banths, one wonders that we don’t have a situation that was replicated later in the movie The Manchurian Candidate.   In that movie the hypnotized soldiers imagine they are at a ladies social and actually see American women where Korean people are.

     Perhaps Carthoris and Thuvia are standing in an empty field talking to themselves.  Perhaps the Lotharians exist only in their own imaginations but have conjured Carthoris and Thuvia out of thin air.  Pretty spacy stuff.

     As Carthoris is hypnotized he is easily persuaded to do things he wouldn’t ordinarily do such as letting Thuvia be led away alone to Tario.  He does and Thuvia meets Tario alone mystyfied that Carthoris would let her out of his sight.    Seeing Thuvia the etherealist’s phantom cojones  are aroused and he makes an all out assault on Thuvia.  As he doesn’t exist, of course, the assault can only have force in Thuvia’s imagination.  Just as those little arrows the Torquasians believed were real killed them one wonders what effect a phantom penetration  would have on Thuvia.  Would she have a little phantom child after a phantom pregnancy?

     We’ll never know because she pulls out her thin blade stabbing Tario to his phantom heart.  He falls apparently dead seemingly oozing out his lifeblood.  But, as we know he is an etherealist hence only a figure of someone’s imagination we know he must be feigning death with phantom blood.

     Hearing Thuvia’s screams Carthoris races to the rescue followed by Jav.  Jav, who should have known better, is overjoyed confessing his desire to replace Tario.  It was almost like a plan.  Tario leaps up explaining he always thought Jav did and now he is going to execute him.

     Here ERB evades the issue taking a cheap but effective way out.  These two guys are actually magicians and should be made to match powers in efforts to do the other in.  ERB isn’t up to it so he has Jav cave just awaiting his fate that he could always evade with his hypnotic powers.  Now, we’ve all been advised not to trust our senses so whether any of this happened is open to question.  Nevertheless a hole opens in the floor, the floor dishes so that all falls into the memory hole.  The three are ostensibly history.

     They are precipitated into the chamber of the Lotharian god.  One might expect this god to be pure essence but instead he is pure matter.  As so often is the case a Burroughsian god turns out to be a lion or the Martian Banth.  Why Jav should be concerned isn’t clear as he has no real substance and can’t be eaten while with his hypnotic powers he could make the Banth believe it was a mouse.

     Carthoris draws his sword but this one’s a piece of cake for Thuvia.  Using her own particular hypnotic talents she charms the Banthian god and all four walk out through the Banth’s quarters as chums. 

     At this point Jav calls into existence old Lothar for us all to see. 

     Outside the gates of Lothar Jav conceives a desire for Thuvia.  Using considerable hypnotic talent he persuades Carthoris that he and Thuvia are heading for the woods.  Carthoris walks off alone convinced he is leading Thuvia by the hand.   He is soon disillusioned.  Returning he finds the realist Jav really mauled by the Banth and dying.  Thuvia and the Banth have headed back to Aanthor.  Carthoris has no choice but to follow.

B.

     Now, what’s been going in addition to this hypnosis stuff is ERB’s ongoing attempt to reconcile his Anima and Animus.  He has followed the usual Pyche and Eros storyline of Apuleius’ Golden Ass of Greek mythology.  The Anima and Animus get together, circumstances separate them, then during the rest of the novel they try to get together amid difficulties, finally succeeding.

     In Lad And The Lion ERB introduced the lion as his totem.  Even though a male lion it is associated with his  female Anima.  At the risk of repeating myself, just in case anybody has been reading this stuff for the last four or five years the cause and evolution of his dilemma progress thusly:

     In 1883 or 1884 ERB was terroized on a street corner by a young thug he identifies only as John.  Possibly Emma was with him and kept walking abandoning him to his fate.   Thus it was suggested to his subconscious that his Anima had abandoned him.  John being the terrorist filled the vacancy.  Thus ERB had the seemingly impossible anomaly of a male representing his female Anima.

     We know this was the result because ERB writes incessantly about it.  In the Outlaw of Torn the king’s fencing master, De Vac lures young Prince Norman/Burroughs outside the gate.  Norman’s nurse Maud representing his Anima noticing too late rushes to the scene to be struck down dead by De Vac.  Thus ERB’s Anima is murdered.  How does ERB handle this?  In his dream image ERB has De Vac take Norman to London where they live in the attic of a house over the Thames River.  The house is a symbol for self, the attic being the mind.  Water is a symbol of the female.  The house extending out over the water but separated from it indicated the separation from the Anima.  To compensate for the impossible situation of a male on the Anima, De Vac improbably dresses as a woman for the three years they live together in their attic.  At the end of the novel Norman/Burroughs kills De Vac.

     In the succeeding novel The Mucker he associates himself with the Irish thug Billy Byrne.  Byrne being paired up with the socialite Barbara Harding  is also an impossible match.  It would seem probable that ERB’s father and John were two of the components clothing ERB’s Animus.  Thus ERB has this very strong feeling about having a dual personality that he talks about constantly.

     In Lad And The Lion we have the improbable situation of a powerless ship, representing the self,  drifting up and down the Atlantic endlessly, manned by the deaf and dumb Old Looney, the Lad, and a Lion in a cage on deck.  That the Old Looney who represents ERB’s father was deaf and dumb probably indicates he wouldn’t listen to ERB and had nothing to say that the Lad/ERB wanted to hear.  So, the Lad was brutally abused the whole of his childhood.  That’s how ERB saw the Bad Father.  It would seem that John Carter represents the Good Father as ERB would have liked him to have been.

     With De Vac and John dead the Lion begins to take his place as the male aspect of ERB’s Anima which has now been reoccupied by a female reprsentative.   The male lion becomes a permanent aspect of the Anima in 1922s Tarzan And The Golden Lion as Jad-Bal-Ja.  In Lad he and the Lion go ashore after the death of the Old Looney, or, in other words, his father, where the lion is loosely associated with the Arab princess Nakhla.  Lad was written a short two months before Thuvia.

     Now Thuvia wows Carthoris/ERB by charming the raging Banths/lions of the battlefield and the Lotharian God.  Thuvia and the god become as one as she walks by his side her fingers twisted in his mane.  So the traditional goddess of the male Anima is united with a male god to form ERB’s Anima.  The female Anima who moved closer to reassuming her place in Lad now definitely becomes part of ERB’s psyche.

     They pass through the tunnel before Carthoris.  As ERB exits the tunnel he encounters his doppelganger Kar Komak.  This is great stuff actually.  Komak is literally a new man.  He was the first successful materialization of an hypnotic imaginary man of the Lotharians.  That’s likely enough, isn’t it?

     He comes running through the scarlet furze, naked, to greet Carthoris.  Well, picture that.  Nakedness is something else appearing regularly in ERB”s works most notably in Tarzan And The City Of Gold.  (See my review.)

     The duo then continue on to Aanthor where as they arrive they are met by Torquasians who upset the plans of the men of Dusar who had come back to pick up Thuvia.  We know that Carthoris for sure represents ERB because he takes a sword swipe to the forehead that lays him out.  Thus the novel has the obligatory bash to the head recalling ERB’s adventure in Toronto.

     When the sleeper wakes he finds the dead carcass of Thuvia’s lion lying half across his body.  Probably his left half that derives from the ovum.  Must have been uncomfortable to say the least.  Thus the male half of his Anima is now dead and the female half in possession of the Dusarians.  ERB gets her back and as in Psyche and Eros the Anima and Animus we may assume are permanently reunited.

     Not quite but that will take us too far afield to discuss it this moment.  I deal with the future development of the problem in my reviews of Out There Somewhere (The Return Of The Mucker), Bridge And The Oskaloosa Kid (The Oakdale Affair) and Marcia Of The Doorstep.

     A Part 3 will follow that attempts to deal with the bigotry charges against Burroughs.  If there is such a thing as guilt concerning the issue, ERB is not guilty, of course.

 

 

A Review

The Myth Of The Twentieth Century

by

Alfred Rosenberg

Part III

Rosenberg, Alfred, The Myth Of The Twentieth Century, Noontide Press, 1982

https://idynamo.wordpress.com/2007/03/16/hello-world/

https://idynamo.wordpress.com/2008/07/09/men-like-gods-tarzan-pays-homage-to-heracles/

 

     In contrasting the spiritual and intellectual attributes of the Semites and Nordics Rosenberg seems to confuse tenacity with will.  The Semites pursue their goal so tenaciously because they don’t have the intellgence to compare different intellectual and spiritual views.  There is really no intellectual progression of evaluation in the Semitic psyche.

     Contrast for instance the approach taken by the Hebrew predecessors of the jews with the Greeks in this primary problem of the evolution of society and the human psyche;  that of the change from human sacrifice to that of animal and then vegetable sacrifice.   The Semitic Bible tells the story under the title of Cain and Abel.

     At one time we are led to believe the standard approach to appeasing the gods was human sacrifice. If the Cain and Abel story had been written down c. -2000 to -1000 the content would have been about human sacrifice rather than animal sacrifice.  By c. -500 to -400 when the story was written human sacrifice, except under extraordinary circumstances had been abandoned.  Animal sacrifice was still retained by the Abelites while the Cainites had abandoned animal sacrifice for an offering of the fruits of the earth.

     As the Bible tells it the Abelites offered animal sacrifice to the god Shamash,  while the Cainites offered vegetable produce.  As the Abelites are telling the story their god being as conservative as the Abelites preferred the flesh sacrifice to the vegetable rewarding the Abelites and rejecting the Cainites.  The Abelites then lorded it over the Cainites who retaliated by killing the Abelites.

     In the Greek version as recounted by the late nineteenth century A.B. Cook in his magnum opus, Zeus, the story is told quite differently.  It doesn’t appear that Cook understood the Greek story to be their version of Cain and Abel or, in other words, the evolution of sacrifice to the gods.

     Zeus was always known as the god of the sky.  In this story he is called Zeus Lykaios thus seemingly associated with the wolf; as Cook supposes, a wolf god.

     I don’t think this is the case.  I think the tale should be something like Zeus vs. Human Sacrifice or Zeus against the wolfish practice of man eating that might be supposed a habit of wolves.  In the myth a tribesman as scapegoat is singled out, stripped naked, compelled to swim across a body of water then live for ten years in this primitive or wolfish condition.  If he passes the ten years without eating human flesh he is allowed back into the community.  One may assume that during this probationary period the community itself is forbidden human sacrifice thus ending the practice. 

     An offering is then made to the gods of a wheaten wafer.

     One can compare that story to that of the Christ who offers a glass of wine in substituion of his blood and a wafer for his body but is still a human sacrifice on the cross.

     The messages seem quite clear.  Zeus disapproves of human sacrifice and cannibalism of the human sacrifice.  The above way is the Greek way of demonstrating disapproval of the practice while the acceptance of the wafer is an example of what is considered appropriate. Semitic development is halted at animal sacrifice.

     Thus one is able to compare and contrast the psychological attitudes of the Semites and the Aryans.  Ye shall be judged by your acts.  On the one hand the Semitic story is extrememly dogmatic while the Aryan story shows more science and intelligence.

     The two attitudes remain constant down through history.

     Thus the unyielding dogmatic or bigoted approach has the advantage over a more yeilding or understanding attitude.  It is the former attitude to which Rosenberg is actually objecting.

     When developed in the religious sphere the hatred of the opposing point of view is translated into an inquisition in which the holders of the opposing viewpoint are tortured to death or burned at the stake.  Put on the cross.  The temporal authorities are called in as in the cases of the Waldenses, Cathars, and Huguenots to exterminate the entire body of the dissidents.  Whether done by Catholics, Jews or Moslems extermination of unbelievers is the inevitable result whether a single individual, tens of thousands or in the case of the current crusade, a billion of Whites.

     In Rosenberg’s case his scientific Nordics have nothing like the insane Semitic god.  Thus in the religious sphere the Whites have never had an alternative to the Semitic god hence being at a disadvantage.

     A certain type of mind prefers a storming Yahweh figure to an intelligent Zeus.  No intelligent person can accept the notion of a supernatural diety whether Yahweh or Zeus.  Thus, to some extent Hitler himself was ofered a a version of a man-god.  As no flesh and blood man can successfully pose as a god what was and is needed is an idealized man-god not as a supernatural person but as an ideal toward which one can strive.

     Perhaps it is time to create one.  Actually this has already been done.  The American writer Edgar Rice Burroughs of the first half of the twentieth century created the only acceptable version of the ideal man-god, Tarzan Of The Apes.

     Burroughs is seldom taken seriously and yet a careful reading in any  of the novels of the Tarzan series is seen to be drenched with explorations on religious themes.  Not the least important position is the need to abandon supernatural deities for a realistic man-god.

     This is not to say that any living man should be accorded the status of a god but that a god like ideal would replace the supernatural psychological projections.  After all any notion of god is merely an intellectual projection of a given people in their own image.  Thus the Greek pantheon is a reflection of the Greek psyche, Yahweh is the projection of the Jewish psyche and its god.  So with Buddha, he is merely the aspirations of the Indian psyche.

     Tarzan, it follows is a projection of Burroughs’ psyche and one might add satisfactory to millions around the world as a god like projection.  The Tarzan religion is already in place.  It remains only to develop and codify it.  Further as an ideal he is attainable to the dedicated aspirant.  When Burroughs wrote the ability to build bodies of ideal proportions  was in its infancy but has been perfected over the years to such magnificent specimens as Charles Atlas and Arnold Schwarzenegger in their primes. These two men realized the physical perfection of Tarzan.  My essay Men Like Gods looks into this aspect more closely.

     Psychological perfection can be attanined but may be more restricted than physical perfection and take longer to achieve but refined methods may be able to break the crust sooner.  As Burroughs portrays Tarzan he seems to have the essential integrated personality; that is his conscious and subconscious minds are unified.  To achieve this goal one must have an accurate idea of how the subconscious functions in relation to the conscious.  Freud’s notion of the ‘unconscious’ is completely erroneous.  I examine that problem and offer a solution in my essay on Freud a link for which is provided at the head of this essay that for some reason is titled Hello World.

     And finally in the area of intelligence we have the means to prepare the mind with accurate scientific knowledge.  Because of varying intellectual capacities that are unavoidable success in education will depend on the innate intelligence of the individual.

     Yet with the proper guidance and the ideal of the man-god before him the youth will be ale to see that to which he is to strive.  Of course, the physical is the most easily attained by nearly all healthy men; psychology and education will depend on the individual.

     The old gods are dead; they are no longer viable.  Each represented a stage in the psychology of human evolution.  It is now time to evolve into scientific man and leave the religious mind behind.

     If Rosenberg didn’t explcitly state the goal it was implied.  Edgar Rice Burroughs did state the goal and gave an example of the ideal.  The time has come for the man-god.  It remains only to set up the ideal as a beacon to draw people to it.

     In so doing an acceptable and soul satisfying ideal can be supplied to heal and anneal the troubled soul of man that so disturbed Rosenberg, troubled Burroughs and plagues the world.

     The old gods, almost dead, must go.

  Part IV to follow.