The Sixties And The Negro Revolution

Part 3a

Terraplaning Through The Ozone

by

R.E. Prindle

 

Always keep in mind 1954’s Supreme Court decision of Brown vs. The Board Of Education of Topeka as the basis of our interpretation of the Negro revolution. There are other things to consider. In that era before the internet, indeed, even as television networks were only developing, magazines were a key element in forming public opinion. Liberalism, even Communism, was the lens through which events were viewed. This was usually disguised as tongue in cheek conservative criticism.

The most important purveyors of this sort of public opinion were Time, Newsweek and Life. The first and last formed the Time-Life group of magazines all of which were very influential while disguising their Liberal bias very well. Life was the first to bite the dust probably being replaced by T-L’s People Magazine that more or less covered the same ground in a more contemporary fashion. Far back but vying with these was the William F. Buckley fronted National Review. Buckley was the most pernicious of all posing as the consummate Conservative while guarding the Liberal agenda from Conservative inroads.

These were New York based magazines so that it is not surprising perhaps that they were staffed mainly by Jews, including the National Review, hence Left Wing although disguised as right wing or objective, and heavily pro-Israel, Negro and definitely Jewish. It might seem odd that all pushed a Jewish agenda but then as New York City was 25% Jewish let’s just say they had a foot in the door.

Until Time-Life was absorbed by the Jews in the TL-Warner Bros. merger the Luces, Henry and Claire Booth who founded the empire ran a fairly useful organization. I read Time religiously and believed in the veracity of the magazine until I learned in their account of Howard Hughes departure from Las Vegas that they fabricated the story completely. Pure fiction and that this was done routinely.

Nevertheless as publishers of outstanding illustrated history books in extended series and phonograph record collections of very high quality they did their best to educate Americans of their past.

I finally chucked Time Life in after buying their mail order library, The Time-Life Reading Program. This was a series of 108 titles sent four volumes bi-monthly. They became progressively Red oriented, that is propagandistic. I read the first eighty or so titles then stopped although I have the full set of 108 less the replacement title of one volume.

As they were located in New York City they were enablers of the various revolutions giving national prominence to what were local situations. Andy Warhol would have remained a relative unknown except for Time while a relative nobody like Edie Sedgwick went nationwide with Life’s picture essay of her. Even Ed Sanders of the Fugs made the cover of Life as T-L constantly hyped the Greenwich Village Bohemian culture, enabling that culture to conquer America.

Newsweek was a Time wannabe that didn’t have what it took. One picked it up when Time wasn’t around which was rarely. Newsweek has gone defunct while pursuing a far left Jewish agenda. The signs are that Time sabotaged by the Jews through their merger will probably soon follow under Jewish editorship.

As commentary magazines there were Harpers, Atlantic, The Reporter and a host of others but they were minor in distribution compared to the giants Time, Life and Newsweek.

Time is of the essence of the period.

Movies and TV

Just as one’s dreams form a parallel reality alongside one’s waking life so movies and TV play a key role in the formation of one’s public life somewhere between dreams and waking reality. Contrary to claims made by the industry movies were not about entertainment but were purely propaganda disguised as entertainment. No serious history or study of movies exists to my knowledge although specific movies are being injected into articles as alternate reality. While movies may not be actually real they nevertheless create real memories and very influential memories that do affect your actions. And memory is the basis of consciousness. The memories are so powerful that one may adjust one’s personality to reflect what is on the screen. Thus when M.A.S.H. was on TV any number of Hawkeyes stalked the land assuming that persona. The Hawkeyes then cast the people around them in the various roles behaving as if those roles were real in fact. What a curse that was.

There was a changing of the guard that occurred in 1962. Within a few days of each other two movies were released the one being The Man Who Shot Liberty Valance and the other Ian Fleming’ Dr. No. The former was the swan song of the old American mores while the latter established the new Freudian/Reichian pornographic image of the New America.

Liberty Valance featured the two aging stars of the thirties and forties John Wayne and Jimmy Stewart while being directed by the old warhorse, John Ford. Dr. No introduced Wayne’s successor Sean Connery. It was like Zeus replacing Cronus in the Age change from Taurus to Aries.

The two female leads also heralded the change. Vera Miles as the beautiful Hallie Stoddard Aryan model of Chivalry of virgin sensibilities exited stage right while like Aphrodite of old the new model woman Ursula Andress rose nearly nude from the sea as the pornographer’s delight. Indeed, soon an area legal for pornography would be created within a twenty mile radius of the Hollywood studios ensuring that pornography would triumph in America’s theatres.

Thus violence was personated in the form of James Bond (Sean Connery) and pornography in various forms of Bond heroines who might all have been named Pussy Galore were united. The future was cast. Out with the chaste and demure Vera Miles and in with the lusty, busty, big-assed Bond heroines chasing the Big Dick. I knew something had happened but I was left scratching my head.

Nineteen sixty-two also produced the morally relativist masterpiece Mondo Cane. The movie had tremendous impact as it demonstrated that nothing is good or bad but thinking makes it so. Sixty years later its images flash through my mind

Thus the Jews through Freudian/Reichian psychoanalysis triumphed over and displaced Aryan European Chivalric mores.

Now, Freud and Reich were motivated by Freud’s total misunderstanding of the Unconscious. Freud looked inside himself and extrapolated his malaise as the normal for mankind irrespective of race or religion. If Freud was the Jesus of psychoanalysis then his disciple Wilhelm Reich was its St. Paul.   While Freud was rejected by Aryans Reich was able to translate sex and violence into something palatable for them.

While most people know Freud, at least by name, many fewer have heard of Wilhelm Reich. Reich was a disciple of Freud. While Freud dressed his discovery of the psycho-analytic method in a lot of mumbo-jumbo he essentially deified his own subconscious desires for sex and violence and passed them off as universal. He didn’t take those desires to their logical conclusion however while Reich did. Reich’s vision was pure sado-masochistic sex and violence and by sex I mean merely fucking.

While this had been what Freud meant, when Reich held up his mirror for Freud to see Freud was revolted by himself and cast Reich from his organization. At that time his group was all Jewish as it was realized that psycho-analysis was a Jewish affair.

Reich continued on and wed Communist violence to his psycho-sexual political creation. Where he would have gone from there having been discredited by the psycho-analysts isn’t clear but that scourge who destroyed America without lifting a finger, Adolf Hitler, came to power in Germany. The German States were the center of the psycho-sexual scum.

As Hitler was antagonistic to Jews in general, when he came to power in 1933 all this intellectual treyfe with the exception of Freud, and he was to plague England, fled to the United States settling in its two culture forming centers, New York City and Los Angeles. Reich, the King of Scurf, was one of these figures. Hitler’s revenge on the United States.   He remained on the East Coast peddling his sex and violence.

If Freud had rejected Reich US authorities followed suit in spades. They were so repelled by Reichian theories that, this is truly remarkable, they not only arrested him as a criminal lunatic throwing him into prison but actually collected his books and burned them. This was in anything goes America too.

The only thing other than Reich that the US was intolerant of was Jewish comic books that were also banned. The Jewish Horror comics such as William Gaines Tales From The Crypt were sado-masochistic, violent and pornographic while possible inspired by Reich’s approach to psycho-analysis.

I was an avid reader from eight to twelve of all the Gaines comics which I considered outre and even as I read them thought to myself that they shouldn’t allow them for little kids like myself. But, I read them eagerly. Still I didn’t know that what I was reading was sado-pornographic stuff. Didn’t know either term at the time. Apparently our parents did. These were vivid, vivid stories. Great pictures. Many of the images linger on. Perhaps I was revolted because I have always rejected pornography as a mental malaise. Not that that does me or anyone else any good because every Hollywood movie has a pornographic base while many for general distribution are worse than anything Gaines published. His line was named, humorously I hope, EC- Educational Comics. Believe it or not.

At any rate not all Reich’s books were burned as they were revived in the Sixties forming the basis of Bohemian sex and politics notions. So a new synthesis began to form, began to jell in the Sixties. The adoption of a new set of mores. It was realized that movies were an unrivalled propagandistic tool.

Dusan Makajevic, a Yugoslavian film maker made a perfect visualization of Freudian/Reichian sexual politics in his movie of 1971: WR: Mysteries Of The Organism. The modern world in a nut shell, no pun intended I don’t recommend it as without proper education its sexual presentation will certainly be misunderstood as pure pornography. Of course it is, but only as a visualization of the Freudian/Reichian unconscious and its consequences. E. Michael Jones gives an extended literary version in his Libido Dominandi that I do recommend. Perhaps read it first.

So, now, we have the perfect propagandistic tool that functions through both the conscious and unconscious minds in hands of Jews indoctrinated in Freudian/Reichian psychology. After WWII and the discovery of Hitler’s death camps the Jews became absolutely hysterical. Even though American Jews had never been in any danger, not even remotely, they now saw White Americans as potential if not actual Fascists intent on destroying them. This was serious.

William Paley of CBS, himself a Jew, believed American death camps were so imminent that he capitalized the careers of prominent Jewish performers- actors, comedians and such- and sold shares in their future incomes to gentiles. By this ploy he believed that when the round up came these few Jews would be spared for economic reasons. This is serious, indeed.

In any event the path to survival in their mental state was to divide and discombobulate. The Negro as a tool was at hand. While the Judaeo-Communists of the twenties and thirties had always used the Negro to sow discord and confusion, in the post-war US their effort was stepped up. The movies were the perfect vehicle to divide and control America. Hence we had all those horrid Sidney Poitier movies shaming Whites and glorifying Negroes. By 1960 this was nearly in full spate.   Miscegenation was a popular device so there were numerous Negro male/White female pairings. Remember the movies are a third reality somewhere between waking and dreaming providing both conscious and unconscious very real memories from faked reality. What was seen wasn’t true but was accepted as such by suggestion. This is serious business while presented as entertainment, it was actually behavior changing propaganda.   New mores for the masses.

The dialogue, then, was controlled and directed through films, the third reality.

And then there was Brown vs the BOE. The greatest divisive decision ever made and taken full advantage of by the Jews. Here was a way to protect themselves from a nation, they thought, of Hitlers thirsting for Jewish blood. After the great preliminary battles of the Fifties came the Sixties and the wedge that split the nation- the Civil Rights Battle.

 

 

Edgar Rice Burroughs On Mars

A Review

Thuvia, Maid Of Mars

Part II

by

R.E. Prindle

 

     Apparently at this time in his life ERB’s mind was focused on hypnotism.  The raison d’ etre of the novel seems to be his explanation of hypnotism and some of its effects.  He certainly makes a fascinating story of the phenomenon.  In fact the whole story concerns hypnotism with a few embellishments to get Carthoris and Thuvia to Lothar and once he’d exhausted the possibilities of his hypnotic theme he ended the story and even then he ends on a wild hypnotic note.

     Thuvia was his fourth Mars novel and his first without John Carter.  The hero is Carthoris the son of John Carter and Dejah Thoris.  ERB’s father, George T. had died about a year previous to the writing.  This novel was written shortly after The Lad And The Lion.  As it includes a scene of psychological rebirth it may be a declaration of independence from his father, severing the relationship more denfinitely than did Lad. 

     On entering the land of the Lotharians Carthoris passes through a cave quite similar to the birth canal.  There are Banths, Martian lions, before and one huge one behind him.  Those before seem to vanish while the one large Banth remained behind him; that would be the memory of his father and the past.  Carthoris placed himself in a posture of defense in the dark but the charging Banth passed to his side missing him much as a ghost from the past might do.  Thus ERB seems to dispense with the Old Looney aboard ship in The Lad And The Lion who did represent ERB’s dad.

     Thuvia had been kidnapped by a disappointed suitor who had her taken to Aanthor, one of the innumerable dead cities lining the shores of the vanished seas.  There she was captured by the Green Men who fled through the cave to Lothar.  There Carthoris and Thuvia are delivered to the scene of the action by ERB.

     Carthoris then finds Thuvia in the possession of the Green Men who are waging a gigantic battle against the Phantom Bowmen of Lothar, themselves aided by large prides of both phantom and real Banths.

     Piles of Green Men killed by little arrows lie about amongst legions of Bowmen who have been cut down, and still they stream through the city gates.  Carthoris who has gotten to the side of Thuvia and she marvel at the carnage.  They turn to watch the defeated Green Men flee.  When they look back they are astonished to see that the dead Bowmen have all disappeared while the dead Green Men no longer have phantom arrows sticking in them.  The pair are at a loss for an explanation.  The Banths however were real and were now gorging themselves on the remains of the Greenies.

     As a nice touch ERB has Thuvia essentially hypnotize the Banths.  Rather than fear them as Carthoris does she merely makes a low melodic warbling sound that so charms the Banths that they come fawning before her.

     This may seem improbable or even impossible and yet I have seen it done but with house cats.  What can be done with one size cat I’m sure can be done with all sizes.  The effect was quite astonishing with the woman I saw do it but the result was exactly as ERB describes it.  Apparently he’d seen it done too.  ERB thus establishes the ability of Thuvia that will be even more important soon.

     Thus they gain access to the city of Lothar by passing through the Banths with safety.  As a nice touch ERB gives Lothar an exotic round gate that rolls back into a slot.  Perhaps he had seen a house with such a door somewhere.  Once inside they meet the Lotharian Jav who begins to unfold the story while unfolding the hypnotic power of the mind.

     If ERB had read H. Rider Haggard’s Cleopatra that deals quite extensively with hypnotism in a scenario somewhat similar to this one Haggard may have been another source for Thuvia.  Quite possibly ERB had ingested and digested his earlier reading so that he wasn’t aware of how close he was to the originals.  After all, anyone who could learn of Numa, the Roman King, from his Jr. High studies and think he had invented the name Numa for the king of beasts twenty years later, which he says is what happened, probably could think he was inventing his details himself.

     Many strange phenomena appear to the pair on their way to the palace of the despot who was named Tario.  They see marching files of Bowmen who appear and disappear.  But the Bowmen are not real they are a projection of the mind of Tario who has hypnotized the pair into seeing what isn’t there.

     While it is clear that ERB is quite familiar with Homer’s Odyssey it isn’t quite so clear what he knows of Homer’s Iliad or Greek mythology in general.  One hesitates to give him too much knowledge and yet elements from the Iliad and Greek mythology seem to materialize before one’s eyes like the Phantom Bowmen of Lothar.

     One can’t know whether ERB read the Iliad more than once and whether that once was in the seventh or eighth grade.  How much he understood of an early reading like that would be questionable.  I first read the Iliad in the seventh grade but got nothing but impressions of the action from it.  The gods, goddesses and humans were very confusing.   Lot of boy and girl stuff that was well beyond my experience.  I have read the book seven times in various translations since.  It was only in the fifth, sixth and seventh readings that I began to develop what I would consider any real understanding of Homer’s message.

     One of the things I understand is that the Iliad is a story about the power of mind and its limitations.  Zeus, of course had the mind of ultimate power that gave him the advantage over mortals and the other gods.  Tario in Thuvia has the most powerful mind in Lothar which keeps him in authority over the few permanent emanations in Lothar.  But, these are all figments of his or someone’s imagination.

     It seems that long generations before the women had all died out leaving only the men who over a period of time would also have died out but they survived by being able to imagine themselves.  Here we have a possible reference to Poe’s  The Facts In The Case Of M. Valdemar.  In that story Valdemar was a dying man who was first hypnotized and then expired.  Being under hypnosis while alive he could not actually die as he was hypnotized alive.  This is somewhat the condition of the Lotharians.

     Taking hypnosis a step further ERB posits that there are phantom ‘realists’ who believe they can wish themselves into a permanent corporeal existence of which Jav is one.  Opposed to them are the phantom ‘etherealists’ represented by Tario who believe they must remain imaginary.

     Getting back to Greek mythology in which we do know that ERB was read the ‘realists’ believe that they have to eat so they conjure up ‘ephemeral fruits’ on which to gorge themselves.

      Ephemeral fruits make their appearance in the myth of Typhon and Zeus.  So there is a possibility that Jav and Tario is a version of that myth.  Hera in her squabbles for supremacy with Zeus conjures up the monster Typhon to take on Zeus.  Typhon makes mincemeat of Zeus removing his sinews and bones and placing them in a leather bag in a cave in Caria.   Sad plight for the Big Fella with the all powerful mind and no sinews.  Worse yet, as a god he is immortal so there he and his all powerful mind are in his sack perhaps for all eternity.

     While Apollo and Hermes come to the Big Guy’s aid by putting the dry bones back together and reattaching the sinews the nymphs feed Typhon ‘ephemeral fruit’ that looks like the real thing but lacks nourishment.  Thus when Zeus is reassembled and ready for action he faces an enfeebled Typhon who this time he easily defeats.  Great story when you think about it.  So there you have two stories reflected that ERB may or may not have read  but having read them probably didn’t consciously remember them as he was writing.  I can’t guarantee ERB read those stories but I can state with assurance that ERB just didn’t make this stuff up.  He never does; it all has been suggested  from someplace.  It is not impossible that he heard similar stuff from Baum and the Theosophists in California.  ERB does have a retentive memory that provides him with a lot of material.

     Thuvia and its successor Martian novel- The Chessmen Of Mars- are an examination of mind and matter.  The later Mastermind of Mars and the Synthetic Men Of Mars are examinations of the application of mind to matter.  In the Chessmen the mind and body were separate entities.  It will be remembered that the Kaldanes were also skilled hypnotists.

     Here ERB is interested in a projected reality, in itself a form on insanity in an unbalanced mind.  PP 66-67, Ace paperback:

     Jav speaking: “(The Banths) that remained about the field were real.  Those we loosed as scavengers to devour the bodies of the dead Torquasians.  This thing is demanded by the realists among us.  I am a realist.  Tario is an etherealist.

     “The etherealists maintain there is no such thing as matter- that all is mind.  They say that none of us exists, except in the imagination of his fellows, other than as an intangible, invisible mentality.

     “According to Tario, it is but necessary that we all unite in imagining that there are no dead Torquasians beneath our walls, and there will be none, nor any need for the fierce scavenging banths.”

     ‘You, then do not hold to Tario’s beliefs?”  asked Carthoris.

     “In part only,” replied the Lotharian.  “I believe, in fact I know, that there are some truly ethereal creatures.  Tario is one, I am convinced.  He has no existence except in the imaginations of his people.

     “Of course, it is the contention of all us realists that all etherealists are but figments of the imagination.  They contend that no food is necessary nor do they eat, but anyone of the most rudimentary intelligence must realize that food is a necessity to creatures having actual existence.”

     “Yes,” agreed Carthoris,  “not having eaten today I can readily agree with you.”

     “Ah, pardon me,”  exclaimed Jav.  “Pray be seated and satisfy your hunger,” and with a wave of his hand he indicated a beautifully laden table that had not been there an instant before he spoke….”It is well,”  continued Jav, “that you did not fall into the hands of an etherealist, then indeed, you would have gone hungry.”

     An interesting passage laden with humor and a joke or two.  On the one hand this is a takeoff on Bishop Berkeley and those who believe that nothing is real but only a figment of our imaginations.  They do believe that when you close your eyes the world ceases to exist.  I could never follow the argument, and on the other hand the ideas can be construed as a variation on the Theosophical belief that the gods were first ethereal becoming more materialistic as existence descended to man who is most material.  Thus Tario is visible air, as it were, as an ethereality while Jav is condensed into, as he believes, permanent air/matter while Carthoris and Thuria are solid matter as humans.

     The food Jav produces is ephemeral food.  It looks real but having no real substance has no nourishment.  As he smirkingly says:  It is well that you did not fall into the hands of an etherealist.  Then, indeed, you would have gone hungry.”  A funny joke.  But Jav has hypnotized the pair into seeing the food even though Carthoris is not so hypnotized as to not realize it is not real food.  He eats it anyway.

     Once in this land where nothing is real but the Banths, one wonders that we don’t have a situation that was replicated later in the movie The Manchurian Candidate.   In that movie the hypnotized soldiers imagine they are at a ladies social and actually see American women where Korean people are.

     Perhaps Carthoris and Thuvia are standing in an empty field talking to themselves.  Perhaps the Lotharians exist only in their own imaginations but have conjured Carthoris and Thuvia out of thin air.  Pretty spacy stuff.

     As Carthoris is hypnotized he is easily persuaded to do things he wouldn’t ordinarily do such as letting Thuvia be led away alone to Tario.  He does and Thuvia meets Tario alone mystyfied that Carthoris would let her out of his sight.    Seeing Thuvia the etherealist’s phantom cojones  are aroused and he makes an all out assault on Thuvia.  As he doesn’t exist, of course, the assault can only have force in Thuvia’s imagination.  Just as those little arrows the Torquasians believed were real killed them one wonders what effect a phantom penetration  would have on Thuvia.  Would she have a little phantom child after a phantom pregnancy?

     We’ll never know because she pulls out her thin blade stabbing Tario to his phantom heart.  He falls apparently dead seemingly oozing out his lifeblood.  But, as we know he is an etherealist hence only a figure of someone’s imagination we know he must be feigning death with phantom blood.

     Hearing Thuvia’s screams Carthoris races to the rescue followed by Jav.  Jav, who should have known better, is overjoyed confessing his desire to replace Tario.  It was almost like a plan.  Tario leaps up explaining he always thought Jav did and now he is going to execute him.

     Here ERB evades the issue taking a cheap but effective way out.  These two guys are actually magicians and should be made to match powers in efforts to do the other in.  ERB isn’t up to it so he has Jav cave just awaiting his fate that he could always evade with his hypnotic powers.  Now, we’ve all been advised not to trust our senses so whether any of this happened is open to question.  Nevertheless a hole opens in the floor, the floor dishes so that all falls into the memory hole.  The three are ostensibly history.

     They are precipitated into the chamber of the Lotharian god.  One might expect this god to be pure essence but instead he is pure matter.  As so often is the case a Burroughsian god turns out to be a lion or the Martian Banth.  Why Jav should be concerned isn’t clear as he has no real substance and can’t be eaten while with his hypnotic powers he could make the Banth believe it was a mouse.

     Carthoris draws his sword but this one’s a piece of cake for Thuvia.  Using her own particular hypnotic talents she charms the Banthian god and all four walk out through the Banth’s quarters as chums. 

     At this point Jav calls into existence old Lothar for us all to see. 

     Outside the gates of Lothar Jav conceives a desire for Thuvia.  Using considerable hypnotic talent he persuades Carthoris that he and Thuvia are heading for the woods.  Carthoris walks off alone convinced he is leading Thuvia by the hand.   He is soon disillusioned.  Returning he finds the realist Jav really mauled by the Banth and dying.  Thuvia and the Banth have headed back to Aanthor.  Carthoris has no choice but to follow.

B.

     Now, what’s been going in addition to this hypnosis stuff is ERB’s ongoing attempt to reconcile his Anima and Animus.  He has followed the usual Pyche and Eros storyline of Apuleius’ Golden Ass of Greek mythology.  The Anima and Animus get together, circumstances separate them, then during the rest of the novel they try to get together amid difficulties, finally succeeding.

     In Lad And The Lion ERB introduced the lion as his totem.  Even though a male lion it is associated with his  female Anima.  At the risk of repeating myself, just in case anybody has been reading this stuff for the last four or five years the cause and evolution of his dilemma progress thusly:

     In 1883 or 1884 ERB was terroized on a street corner by a young thug he identifies only as John.  Possibly Emma was with him and kept walking abandoning him to his fate.   Thus it was suggested to his subconscious that his Anima had abandoned him.  John being the terrorist filled the vacancy.  Thus ERB had the seemingly impossible anomaly of a male representing his female Anima.

     We know this was the result because ERB writes incessantly about it.  In the Outlaw of Torn the king’s fencing master, De Vac lures young Prince Norman/Burroughs outside the gate.  Norman’s nurse Maud representing his Anima noticing too late rushes to the scene to be struck down dead by De Vac.  Thus ERB’s Anima is murdered.  How does ERB handle this?  In his dream image ERB has De Vac take Norman to London where they live in the attic of a house over the Thames River.  The house is a symbol for self, the attic being the mind.  Water is a symbol of the female.  The house extending out over the water but separated from it indicated the separation from the Anima.  To compensate for the impossible situation of a male on the Anima, De Vac improbably dresses as a woman for the three years they live together in their attic.  At the end of the novel Norman/Burroughs kills De Vac.

     In the succeeding novel The Mucker he associates himself with the Irish thug Billy Byrne.  Byrne being paired up with the socialite Barbara Harding  is also an impossible match.  It would seem probable that ERB’s father and John were two of the components clothing ERB’s Animus.  Thus ERB has this very strong feeling about having a dual personality that he talks about constantly.

     In Lad And The Lion we have the improbable situation of a powerless ship, representing the self,  drifting up and down the Atlantic endlessly, manned by the deaf and dumb Old Looney, the Lad, and a Lion in a cage on deck.  That the Old Looney who represents ERB’s father was deaf and dumb probably indicates he wouldn’t listen to ERB and had nothing to say that the Lad/ERB wanted to hear.  So, the Lad was brutally abused the whole of his childhood.  That’s how ERB saw the Bad Father.  It would seem that John Carter represents the Good Father as ERB would have liked him to have been.

     With De Vac and John dead the Lion begins to take his place as the male aspect of ERB’s Anima which has now been reoccupied by a female reprsentative.   The male lion becomes a permanent aspect of the Anima in 1922s Tarzan And The Golden Lion as Jad-Bal-Ja.  In Lad he and the Lion go ashore after the death of the Old Looney, or, in other words, his father, where the lion is loosely associated with the Arab princess Nakhla.  Lad was written a short two months before Thuvia.

     Now Thuvia wows Carthoris/ERB by charming the raging Banths/lions of the battlefield and the Lotharian God.  Thuvia and the god become as one as she walks by his side her fingers twisted in his mane.  So the traditional goddess of the male Anima is united with a male god to form ERB’s Anima.  The female Anima who moved closer to reassuming her place in Lad now definitely becomes part of ERB’s psyche.

     They pass through the tunnel before Carthoris.  As ERB exits the tunnel he encounters his doppelganger Kar Komak.  This is great stuff actually.  Komak is literally a new man.  He was the first successful materialization of an hypnotic imaginary man of the Lotharians.  That’s likely enough, isn’t it?

     He comes running through the scarlet furze, naked, to greet Carthoris.  Well, picture that.  Nakedness is something else appearing regularly in ERB”s works most notably in Tarzan And The City Of Gold.  (See my review.)

     The duo then continue on to Aanthor where as they arrive they are met by Torquasians who upset the plans of the men of Dusar who had come back to pick up Thuvia.  We know that Carthoris for sure represents ERB because he takes a sword swipe to the forehead that lays him out.  Thus the novel has the obligatory bash to the head recalling ERB’s adventure in Toronto.

     When the sleeper wakes he finds the dead carcass of Thuvia’s lion lying half across his body.  Probably his left half that derives from the ovum.  Must have been uncomfortable to say the least.  Thus the male half of his Anima is now dead and the female half in possession of the Dusarians.  ERB gets her back and as in Psyche and Eros the Anima and Animus we may assume are permanently reunited.

     Not quite but that will take us too far afield to discuss it this moment.  I deal with the future development of the problem in my reviews of Out There Somewhere (The Return Of The Mucker), Bridge And The Oskaloosa Kid (The Oakdale Affair) and Marcia Of The Doorstep.

     A Part 3 will follow that attempts to deal with the bigotry charges against Burroughs.  If there is such a thing as guilt concerning the issue, ERB is not guilty, of course.

 

A Contribution To The Edgar Rice Burroughs

Library Project.

A Review

The Sheik

by

E.M. Hull

by R.E. Prindle

The Novel

     The Sheik by E.M. Hull is found in ERB’s library.  The novel published at the beginning of 1921 was a runaway bestseller going through thirty-0ne printings by October.  My copy is of the thirty-first printing.  How many more it may have gone through I am not aware.

     The book was quickly made into the movie of the same name starring Rudolph Valentino and released on November 20th of the same year.  Thus the impact would have been redoubled on ERB reading the book and seeing the movie.

Having troubles in his relations with Emma, he was somewhat bedeviled by what she wanted as Freud was by what women wanted.  The Sheik presented one woman’s solution to the problem of what women want. The Englishwoman E.M. Hull examined the problem in some detail.  Her solution would find expression in ERB’s Tarzan And The Ant Men of 1923 in the story of the Alalus women.

2.

     While Mrs. Hull’s novel is invariably reviewed as a soft core porn novel it is actually quite a serious attempt to explore what women want.  Not a potboiler, the story is well thought out and carefully constructed.

     The story falls into the category of the desert nomad thriller.

     The scene is somewhere between Biskra and Oran in Algeria.  Biskra is the southernmost point on the railroad from the coast to the Sahara in the East of Algeria.  It is an oasis area and was a winter resort for Europeans.  This area was also the scene of Robert Hitchen’s The Garden Of Allah and the Sahara scenes from Edgar Rice Burroughs’ The Return Of Tarzan.

The Author

     As with Hitchens’ the desert serves as a symbol for self-realization and redemption.  The story was written as the career of the rebel Abd El Krim was reaching its apex in the Rif.  Krim’s story was terrifically romantic for women of the era.  I had a high school history teacher in the fifties who was still capable of gushing about Krim thinking him the most manly and desirable of men.

     As with Hitchens the story revolves around a man and a woman.  The woman an Englishwoman and the man a Krim like sheik of the desert.

3.

     The woman is appropriately named Diana.  Diana was the virgin huntress of Greek mythology who spurned all relations with men thus putting her in enmity with Aphrodite.  She is somehow related to the Lady Of The Lake of ancient Lacedaemon which name means Lady Of The Lake and in a line of progression to the Northern European archetype of the second half of the Piscean Age.  This is a rather strange female archetype to represent the Northern European psyche.  She is a cold unloving symbol that may have something to do with the European character.

     Whether Mrs. Hull knew these things or not she represents them perfectly in her story.  This is quite extraordinary.

     Thus her Diana was raised by her brother as a boy.  She is represented throughout the story as an ambiguous girl-boy, nearly a hermaphrodite.  She is herself a skilled huntress who has no use for men.  As the story opens she has yet to be kissed.  Mrs. Hull skillfully represents the respect that Northern European men have for their women which in itself may be conditioned by the Diana image.  They are easily put off.  When one man asks Diana for a kiss he accepts his rejection with equanimity asking only if they can at least be pals.

     The Sheik as the wild man of the desert knowing no law but his will offers quite a contrast.  By the time of Mrs. Hull’s novel ERB had already explored the same literary territory in the Return Of Tarzan and The Lad And The Lion as well as The Cave Girl.  I would hesitate to say Mrs. Hull had read Burroughs but the Sheik is portrayed as a Tarzan like superman in a decidedly pulp manner.

     The Sheik does not observe any civilized niceties.  At one point Mrs. Hull refers to his civilization being less than skin deep.  As the Sheik, Ahmed, says, if he wants something he takes it.  Having seen Diana in the marketplace of Biskra he sets out to kidnap and rape her.  There are no other words for it and Mrs. Hull does not mince them.

     His plan worked out so that he buys off Diana’s desert guide to deliver her to him on the first night out of Biskra.  Prior to that he surreptitiously serenaded her on the night before even entering her room in the dark while she is there to replace the bullets in her pistol with blanks to prevent her from shooting him in the desert which she did attempt to do.

4.

     Now, Mrs. Hull is presenting an allegory so the novel is filled with symbols.  The key symbol is the horse.  The horse is, of course, a symbol of the female associated with the Greek god Poseidon.  In ancient times the symbol of the bull was associated with the missing y chromosome of the female being replaced in Patriarchal times with the horse.  Thus the Patriarchal goddess Athene is sometimes represented as horse headed.

     When the guide brings Diana a horse to ride it is a magnificent creature much better than she might have expected from a commercial enterprise.  The horse has actually been provided by Ahmed the Sheik so as Diana leaves Biskra she is already mounted on the Sheik’s horse- a powerful sexual symbol.  The horse is trained to respond to signals from The Sheik.

     The story is filled with horses and horse races between she and the Sheik.  In one race the Sheik gives her a minute to stop or he will shoot her horse dead which he does.  He then places Diana in front of him on his horse (these horses are all magnificent and beyond magnificent) at which point she realizes that she is not only in love with the Sheik but has been for some time.

     Previous to this time she had noted in the camp

     …but it was the horses that struck Diana principally.  They were everywhere, some tethered, some wandering loose, some excercising in the hands of grooms.

     So everywhere is the symbol of the female.  At this stage Diana has been sexually subordinated to the Sheik but she is intellectually resisting.  The Sheik puts on a demonstration of how useless her resistance is as he fully intends to break her.

     A man eater is brought out who has killed a man earlier that morning.  The horse obviously represents Diana.  Some two or three men attempt to break the horse but they all fail.  Then the Sheik mounts.  The result is a thoroughly exhausted and beaten horse.  She stops fighting with her legs splayed while the Sheik jumps off.  Then the horse rolls over left with no will of its own.

     This is exactly Diana’s situation.  Earlier she had boasted to her brother:  I will do what I choose, and I will never obey any will but my own.

     That is now proven an empty boast as the Diana riding in front of the Sheik chooses to obey the Sheik’s will.

     Perhaps Mrs. Hull has prophesied the submission of England’s will of today to the desert Sheiks.  As of now the Moslems have all but assumed religious control of England.  Thus England as Diana has submitted its sexuality to the sons of the Sheiks.

     However Diana’s Sheik still has to prove himself as the dominant male of his society to retain her allegiance.  One hesitates to say that she perversely tests him nevertheless having been cautioned to take care on her desert rides she insists on going too far afield.  Naturally she and her seven man escort are ambushed by the fat swarthy greasy rival sheik’s men.  Six of the seven escorts die joyously defending their sheik’s property.  The seventh, the sheik’s European manservant gets the classic bullet crease alongside the head.  Diana disappears into the fat greasy sheik’s tent.  This guy is everything an Arab sheik should have been in contemporary European eyes.  Fat, greasy, swarthy, unbelievably smelly, uncouth to the nth degree.  There’s no doubt there’s the fate worse than death for the boyish, sylphlike, slender, lithe Diana.  Yes, it seems pretty certain, unless…

     Here comes the Sheik with a small but loyal and dedicated band of followers eager to die for their leader.  Just as the greasy, swarthy sheik  has got it out and ready in crashes Ahmed  in the nick of time.  Rather than shooting the bastard and getting it over with he wants to dispatch El Greaso by hand.  As we all know strangling a a struggling strong man takes a little time.  Enough time for El Greaso’s vile Ebon followers to burst into the tent.  Right behind them come Ahmed’s men.  Shades of Tarzan!  Ahmed takes a severe blow to the head and a couple long blades in the back.

     Will he live?  After muttering a couple pages similar to the last words of Dutch Schultz the matter is in the hands of Allah and the European surgeon.  As much as I like having god on my side, in certain situations a good surgeon is even better.

      Nevertheless if Ahmed lives he has proven himself to be the right man for Diana.  Interestingly the virgin huntress has submitted to the law of Aphrodite.  The European archetype has accepted the dominance of the Moslem Arab.

     Well, almost.  In the first place the tribe of Ahmed is very interesting according to his French friend who arrived in time for the big battle.  It seems that Ahmed’s tribe is different from the rest of the desert greasers.  It is inferred that his tribe is one of the legendary White tribes supposed to be living in the Sahara.  Undoubtedly a surviving remnant of Atlantis that moved South when the Mediterranean flooded.

Why, in addition, it turns out that Ahmed isn’t even an Arab.  It seems that he’s actually English.  Well, an English Spanish blend.  His English father when in his cups did some unspeakable thing to Ahmed’s mother when she was pregnant with him and she was found by Ahmed Sr. Ahmed Jr.’s adopted father wandering dazed and confused beneath the broiling desert sun.

     Taken in she dropped Ahmed Jr. and died.  The baby was raised as the successor to Ahmed Sr.  But he developed an uncontrollable hatred for England, its people and all things English.  That’s why he captured and raped Diana over and over.  But it’s OK, they both realize they love each other now.

     The lesson seems to be that that’s what woman wants:  a man who can earn her repect by dominating and controlling her while at the same time being the dominant male in his society, being able to provide all her wants and desires while being able to defend her from the El Greasos of the world.  So all the necessary elements come together here and we have a marriage if not made in heaven perfect for terrestrial travails.

     If nothing else ERB learned where he had failed Emma in the beginning but who now wondered in his own role of sheik where the rewards from Emma were.

     I’m going to speculate that ERB read the story in 1921.  He might have enjoyed Valentino in the movie but I think it improbable that the silent film came near capturing the nuances of the novel.  I’m sure the signficance of Diana as female European archetype didn’t come through on celluloid.

     Was it even in Mrs. Hull’s mind one may perhaps ask.  Is it possible I’m projecting my beliefs on Mrs. Hull’s story?  It is possible but consider this passage in The Sheik:

     He was so young, so strong, so made to live.  He had so much to live for.  He was essential to his people.  They needed him.  If she could only die for him.  In the days when the world was young the gods were kind, they listened to the prayers of hapless lovers and accepted the life they were offered in the place of the beloved whose life was claimed.  If God would but listen to her now.

     So we know that Mrs. Hull was read in Greek mythology.  It would seem inevitable that she was familiar with the stories of King Arthur to some degree.  Certainly she knew the story of Merlin and Vivian.  She was a writer.  Knowing little about Mrs. Hull it is impossible for me to know for certain exactly what she read or understood.  And yet, there it is in the pages of her novel if one has eyes to see.  The Sheik is as much a work of mythology as is that of Burroughs’ Tarzan.  It is possible that neither was conscious of what they were saying but the information taken into their minds was transformed subconsciously, at least, into the form in which it issued forth from their pens.  It works that way for writers.  I am often astonished at the subliminal message of what I write.  Did I intend it?  Must have.  There it is.  Still, I do put myself into a mild trance when I’m writing so that I concentrate on words rather than ideas.  So the words are more conscious while the content is more subliminal.  We know ERB wrote from a trancelike state and Mrs. Hull’s story has that quality.  I think we have enough evidence to know that she had read the mythological material so that whether she had consciously formulated her ideas they come out in her writing.  In short, I don’t think I’m projecting much if anything.  Tra la.

     There is no doubt that The Sheik made a big impression on ERB.  The question is how did he understand it.  His first reaction appeared in 1923’s Tarzan And The Ant Men in the weird parody of the Alalus people in which he reverses the male-female roles with the women being stronger and dominant.  As Ahmed figures the women brutally dominate the men.  Using them for sexual pleasure then discarding them.  ERB’s story seems to be tongue in cheek but without a reference point the ridiculous story is hard to follow.  With E.M. Hull’s The Sheik I believe we have the reference point.

     It seems clear that Mrs. Hull was influenced by Robert Hitchens’ The Garden Of Allah.  What is not clear is whether she was influenced by Edgar Rice Burroughs and if so by what novels.  The Sheik follows a pulp format.  So, if Mrs. Hull read the pulps on a regular basis there is no reason to believe that she was not familiar with some of his work as Burroughs certainly by 1920 when she probably began the novel was already the premier pulp writer.

     If that was the case it seems likely that she might have read The Return Of Tarzan and The Lad And The Lion, perhaps The Cave Girl.  If she read Lad then she reversed the roles of the chief male and female characters making the Woman English and the man Arab.

     I haven’t read the magazine version of The Lad And The Lion so I am not sure of the specific changes ERB made between the 1913 version and the 1938 rewrite for book publication.  The rewrite shows clear evidence of influence from The Sheik unless of course Mrs. Hull was reflecting the influence of the Lad on herself.  In any event the two books reflect an influence from one to the other.

     So, as with Trader Horn and Burroughs it is possible that Hull was influenced by Burroughs and with both of these authors Burroughs reading of them was reflected in his subsequent writing.

     Our list of reciprocal influences is growing when one adds that of H.G. Wells.  What once seemed simple grows more complex.

Postscript:  I have since learned that Mrs. Hull was a student of mythology.

Something Of Value I

October 1, 2007

Something Of Value I

by

R.E. Prindle

If a man does away

With his traditional way of living

And throws away his good customs,

He had better first make certain

That he has something of value to replace them.

–Basuto proverb as quoted by Robert Ruark

Dedicated to

Greil Marcus

 

Part One

One Hundred Years In The Sewers Of Paris

With Jean Valjean.

Edgar Rice Burroughs, Sigmund Freud

And The Myth Of The Twentieth Century

1.

The Concepts Of The Unconscious And Emasculation

 

     It has been truly said that man does not live by bread alone.  He also requires a mythic foundation on which to base his actions.  In the neolithic era his mythology was governed by a Matriarchal vision of reality.  In the subsequent Egypto-Greco-Mesopotamian mythology the Matriarchal series went through a revision being replaced by an advanced Patriarchal mythological consciousness.  This system was followed by the Judaeo-Christian mythological system which endured as the basis of mythological belief until the seventeenth and eighteenth centuries when the belief system was subverted by the emergence of the Scientific Consciousness.

     Unlike the mythopoeic consciousness which preceded it the Scientific Consciousness left no place for supernatural explanations; all had to be explained within a rational scientific framework.  This placed a great strain on a significant portion of the population which did not have the intellectual equipment to evolve.  Thus the basis of psychological comfort provided by religion was destroyed.  The code of behavior seemingly sent down from the sky had lost its validity.

     In place of an apparent unified consciousness it now became noticeable that EuroAmerican man had an unconscious or subconscious mind as well as a conscious mind.  Thus another evolutionary degree of differentiation unfolded that separated the advanced Scientific Consciousness  from the anterior Religious Conciousness.  A struggle has ensued in which advanced people are compelled to reintegrate their conscious and subconscious minds while the Religious Consciousness divided into the two camps of the Devout and the Reds resist.

     The discovery of what was known as the Unconscious began with the emergence from the Religious Consciousness during and  after the Enlightenment.  Anton Mesmer with his discovery of Animal Magnetism or hypnotism may have been the first stage.  Goethe and others carried the discussion forward until the Englishman FWH Myers isolated or identified the subconscious by the name of the unconscius in 1886.

     The notion of the unconscious as known during the twentieth century was formulated by Sigmund Freud during the twentieth century’s first decade.  Both Myers and Freud misconceived the nature of the sub or unconscious.  Myers’ conception was more generous than Freud’s and more in accordance with proto-scientific Patriarchal Greek mythological conceptions which were also mistaken but visionary.

     In Myers’ vision of the unconscious it had two aspects: the destructive aspect which he gave the Greek name of Ate and the constructive aspect he termed Menos.  Thus he recognized that the unconcious could be good or bad.

     Myers’ vision may have been based in Greek mythology.  It will be remembered that the creative god, Hephaestus, was married to the emotional goddess, Aphrodite.  Hephaestus and Aphrodite had their digs at the bottom of the sea which is to say the symbol of the unconscious which corresponds to the seeming location of the unconscious at the bottom of the mind or, in other words, the brain stem.

     Thus it is said that Aphrodite, the goddess of love, which is to say irrationality, emerged from the sea on the half shell.

     So, I suppose, love, being never rational is a subconscious decision which is one sided or a half shell.  Love may be either constructive or destructive.

     Thus also good ideas, a la Hephaestus, seem to rise unbidden from the subconscious or the depths.

     Hephaestus and Aphrodite were ancient gods dating back to the Matriarchy.  The incoming Patriarchal god, Zeus, had no part in their creation; they were solely a part of Hera the great goddess of the Matriarchy.  She was much older than Zeus but the youthful Zeus united with her in the form of a cuckoo bird who as she clutched it to her breast slipped down her dress and ravaged her.  So the Patriachy subsumed the Matriarchy.

     When Hephaestus later sided with his mother against Zeus, the great Olympian threw him from heaven laming him.  Then Aphrodite was given to him to wife.  Unbridled lust combined with creative activity, Ate and Menos.

     Aphrodite was not happy with the lamed god.  While Hephaestus was on trips to Olympus she dallied with another Matriarchal god, Ares, the symbol of uncontrollable desire or rage.  Hephaestus having been informed of Aphrodite’s infidelity set a trap for her and Ares.  He constructed a finely meshed net of gold which he suspended over his bed.

     Aphrodite, unbridled lust, and Ares, uncontrollable rage, were literally caught in the act being unable to disengage.  Thus we have two aspects of Ate, lust and rage, caught by the efforts of creativity in the depths of the sea or the unconscious

     Hephaestus called the other gods to witness.  Athene, a new Patriarchal goddess who was the counterpart and antithesis of Ares and Aphrodite turned away in disgust.  Apollo, another new Patriarchal god and the antithesis of Hermes just laughed.  Hermes, the patron god of thieves, a Matriarchal god, said he would change places with Ares in a second.  Thus, lust, rage and dishonesty are combined in one figure of Ate in the subconscious.

     The image of Ate and Menos is what Myers meant by his idea of the unconscious.  Freud, on the other hand, understood the unconscious as pure Ate.

     Both the Greeks and Myers attempted scientific explanations while Freud gave the unconscious a religious and supernatural twist.  He seemed to believe that the unconscious has an independent existence outside the mind of man which is beyond man’s control while being wholly evil.

     Opposed to morality, Freud then wished to unleash this conception of the unconscious on the world.  He was uniquely prepared to do so.  All he had to do was manipulate the symbols of psychoanalysis of which he had full control.  The question then is did Freud have deeper understandings that he concealed in order to bring about his desired ends?

     Such is the case with his conceptions of sexuality.  There is no need for him to have had deeper understanding, after all he was a pioneer opening a new field of inquiry.  On the other hand…

     Defining the unconscious was done by many men preceding Freud so that his is only one of many understandings, not necessarily the best, although today in  common belief he invented the concept of the unconscious.

     Next he chose to define the concepts of sex.  He was equally successful in this field as far as the public was concerned, although I differ in understanding the matter as I do with the unconscious.

     In analyses with patients Freud discovered that there was a fear of castration out of all proportion to actual incidents of sexual mutilation.  It follows then that castration symbolizes something other than the removal of the genitals.  I contend that it was impossible for Freud to have missed the signficance of castration as a symbol.

     Castration as a symbol represents the broader concept of Emasculation, in this case psychological emasculation.  This does occur in everyone’s life in many different manifestations while being something to really fear or avoid.  Unless I am mistaken all neuroses and psychoses depend from it.

     Understanding Emasculation is as much a ‘royal road to the unconscious’ as dreams.

     I do not accept Freud’s map of the mind but we both agree that the Ego or Animus is the key to identity.  Freud fully understood the significance of the Ego.  Thus when the Ego is challenged with an affront or insult to which it is either unable or doesn’t know how to respond to successfully emascualtion to some degree takes place.  There is no unconscious, just as there are no instincts so that a fixation is suppressed in the subconscious as a result of the affront.  These fixations produce effects, which can be grouped in categories such as hysteria, paranoia, obsessive-compulsiveness and the whole panoply of general affects.  The affects then find expression physically and psychologically, or in another word, psychosomatically.  The mind and the body is one unit.  These affects answer to what Freud called neuroses and psychoses.

     When the Ego or Animus is denied its right to assertion the denial is frequently espressed in a hysterically sexual manner corresponding to the the insult.  If the victim feels he has been taken from behind he will undoubtedly resort to anal intercourse as one type of underhanded response in an attempt to get back his own as in the case with homosexuality.  Homosexuality is Emasculation par excellence.

     The human mind is very limited in its inventiveness so all these affects can be catalogued and matched with the insult so that, absent resistance under analysis, they can easily be addressed and exorcised.  The problem is not as complicated as it has been made out.

     Freud understood so much more than he was willing to tell the goys but then he was not a scientist but a Jewish prophet.  In his Group Psychology And The Analysis Of The Ego to which we will return he gave the game away.

     The individual can and does submerge his own ego into a, or at various times, many group egos.  Prominent among these group egos are ethnic, national and religious group egos.

     Just as the individual can be emascualted so can ethnic, national or religious groups be emasculated which the individual will share.  I mention the Jews only as the most obvious case although Negroes, American Indians or any defeated people suffer emasculation to one degree or another.

     Thus I will discuss the unconscious from a general point of view with Freud’s concept prominent while the concept of Emascultion will be discussed by my understanding based on the studies of Freud on the castration complex and group psychology.

     Bear in mind that I think Freud criminally distorted scientific knowledge for ethnic, national and religious ends.

2.

Quo Vadis?

     Born with an integrated mind, circumstances soon disintegrate the personality so that the mind must be reintegrated  to return to a state of psychic wholeness.  A sort of personal mythology is created by one’s early disintegrative experiences which form one’s dreamscape in an attempt to deal with an overwhelming reality.  However, when a person gains some control over external reality when the personality is integrated and the initial  dreamscape based on early memories is eliminated  a sort of distressing vacuum ensues that exists until a new dreamscape is formed which, while sufficient to ease the discomfort lacks the depth and substance of the fully mythologized dreamscape of childhood.  One had reached a scientific consciousness.  It may not be as satisfying but it fills the space while not controlling one’s behavior.

     Western man, Euroamerican man, as the only segment of mankind so differentiated had then to begin to work out a new mythology based on rational scientific ideas.  In other words he had to create a comfortable basis from which to understand and interpret the world.

     Thus after a couple proto-mythographies in the early nineteenth century a cluster of writers or neo-mythographers began to create a mythology for the Scientific Consciousness.

     The destruction of the Religious Consciousness began to become obvious after the eighteenth century Industrial Revolution in  England.  With the advent of steam the problem began to become acute.

     The proto-mythologers may be Walter Scott, Byron, Peacock and the Shelleys.  There is a departure in feel and style with these writers.  Mary Shelley’s Frankenstein posits the scientific problem laying a foundation for the new mythology but does not itself deal with the psychological effects.

     The first mythographer to make an attempt to explain the split consciousness from my own researches was the American, Edgar Allan Poe, 1801-49.

     Poe began his writing career as a psychologically troubled man ending it insane.  Along the way he wrestled with the problem of the void in the subconscious created by the elimination of the supernatural.  His message was received by the later group of mythographers who read him without exception all being influenced by his work.

     Poe caught the great intellectual change as it emerged.  The period from 1830-1880 was the period of the great initial scientific advances that would change the world.  From Poe’s death in 1849 to the emergence of the new breed of mythographers beginning in the 1880s was a period of literary quiescence.

     Poe began his influential masterpiece The Murders In The Rue Morgue with the paragraph:

     Quote:

      As the strong man exhibits his physical ability, delighting in such excercises as call his muscles into action, so glories the analyst in the moral activity which disentangles.  He derives pleasure from even the most trivial occupations bringing his intellect into play.  He is fond of enigmas, conundrums, hieroglyphics; exhibiting in his solutions of each a degree of acumen which appears to the ordinary apprehension as praeternatural.  His results brought about by the very soul and essence of method, have in truth the whole air of intuition.

     Unquote.

     By analysis Poe didn’t mean the sort of educated guesswork that had passed for analysis in the pre-scientific consciousness.  No, this was scientific analysis that disassembled a problem into the component parts revealing the secret than reassembling the problem to its original state.

     In doing so Poe revealed himself as a master mythographer as well as a scientist.  In C. August Dupin, the initials spell cad, Poe created the archetype of the eccentric madman who would be the here of countless novels.  As a projection of Poe’s own mentality Dupin and his unnamed alter ego live in a dilapidated house.  The house is the psychological symbol for self which Poe used almost to exhaustion.  As the Fall of the House of Usher prefigured Poe’s own descent into insanity as to a number of alter egos representing his sane side figure in the House of Usher, William Wilson, Rue Morgue and most notably in the System of Dr. Tarr And Professor Fether in which his sane alter ego drops his other half off at the door of an insane asylum.

     The two Dupins live in a darkened house during the day, creaking not unlike the House Of Usher, going out only into the depressed asylum of the night.

     Poe thus presents the separation of the conscious and subconscious modern man in the riddle of the murders in the Rue Morgue.  In the Rue Morgue the subconscious is represented by the Orang u tang or animal side of human nature while the conscious is represented by the sailor owner.  From Poe to at least Freud the subconscious was popularly considered a dangerous wild side of man.

     In Dupin and his alter ego versus the sailor and the Orang, Poe may have perceived the emergence of a new species much as H.G. Wells was to do at the end of the century.  Thus both men perceived that the antecedent consciousness and the Scientific Consciousness were not just matters of learning but a genetic difference although they didn’t put it that way that couldn’t be bridged.

     Both aspects were brought out brilliantly by Robert Louis Stevenson (1850-94) in his 1880 novel: The Strange Case Of Dr. Jekyll And Mr. Hyde.  This book may properly be said to be the first true represention of the scientific myth.

     In this case the good Dr. Jekyll is the disciplined, self-controlled scientist committed to doing good in the world.  Beneath his intelligent exterior he feels the primitive wild man lurking.  The primitive of what is in fact a predecessor Homo Sapiens is very very appealing to him.  Unable to bring this aspect of his psychology to the surface by conventional means he resorts to drugs.

     Having once freed his wild side, who he names Mr. Hyde, he is unable to put Hyde back into the bottle or syringe, whichever the case may be.  Hyde assumes control of the personality which leads both aspects of the personality to destruction.  This is not unlike Freud’s notion of the unconscious.

     Thus Stevenson brilliantly prefigured the twentieth century future in which the scientist is dragged back to the level of the predecessor species through a psychological inability to take the great leap forward and turn his back on his past.

     The same sense of the alienation from a predecessor existence was evidenced in the work of a great transitional figure, H. Rider Haggard (1856-1925).  Let me say that Haggard is a much neglected literary figure.  As his topics concerned Esoterica and Africa, the former which is scorned and the latter ignored, his literary reputation has been allowed to virtually disappear.  Having read a large part of his work in the pursuit of these studies I would rank Haggard very highly, certainly among the top ten authors, possibly as high as number five.  one and two are Walter Scott and Balzac, while Dumas holds down third and possibly Trollope in the fourth spot.  Haggard is a writer of genius.

     He spent his late teens and early twenties in the South African provinces of Natal and Zululand where he acquired a vision of the difference between the first Homo Sapiens, the Negro, and the current scientific man.  As the saying goes, there’s something to be lost and something gained when you move up the ladder.

     Haggard never made it to scientific man himself being stuck in the Religious Consciousness.  He belonged to the Esoteric side rather than the Christian.  In the third novel of his great African trilogy, Allan Quatermain, Haggard examined the difference between the African and European in this manner.

     Quote:

     Ah! this civilization what does it all come to?  Full forty years and more I spent among savages, and studied them and their ways; and now for several years I have lived here in England, and in my own stupid manner have done my best to learn the ways of the children of light; and what do I find?  A great gulf fixed?  No, only a very little one, that a plain man’s thought may spring across.  I say that as the savage is, so is the white man, only the latter is more inventive, and possesses a faculty of combination…but in all essential the savage and child of civilization are identical.

     Unquote.

      In the same book Haggard also put the problem more poetically:

…he dreams of the sight

of Zulu impis

breaking on the foe

like surf upon the rocks

and his heart rises in rebellion

against the strict limits

of the civilized life.

      Here Haggard states the central thesis of Stevenson’s Jekyll and Hyde.  In the evolution of the species there is always a small gulf between two adjacent species: nature does not take great leaps, it moves in small increments.  Thus it may be a small leap between the two, expecially when the next transition creates not only a new variety but a new species, but the leap is backwards as in Jekyll’s case while it is impossible for Hyde to make the leap forward, nor is he capable of adjusting to the new strict limits.  Wasn’t Stevenson precocious?

     Haggard who was not of the Scientific Consciousness was left behind while his work formed the basis of the greatest of the scientific mythographers.

     Before moving on let us here consider the patron saint of the future Red/Liberal aspect of the Religious Consciousness, the Frenchman, Victor Hugo (1802-85).

Paris Is A Leaky Basket

Paris has another Paris under herself; a Paris of sewers; which has its streets, its crossings, its squares, its blind alleys, its arteries and its circulation, which is slime minus its human form.

~Victor Hugo- Les Miserables

     As Haggard was a transitional figure for the mythographers one might say that Victor Hugo created the literary foundation for the Red/Liberal faction of the Religious Consciousness.  His Les Miserables with its tragi-comic format forms the bedrock of Revolutionary beliefs.  Hugo was himself a Revolutionary.  His novel Les Miserables is the account, so he says, of the apotheosis of Jean Valjean from bestiality to salvation.  Along the way to his apotheosis Valjean makes a detour through the sewers of Paris.

     Hugo was a poet; his account of the sewers of paris is, shall we say, poetic.  In fact a scatalogical masterpiece worthy of our own Lenny Bruce.  If Lenny had studied Vic a little he would have been able to say everything he wanted to say while staying out of jail at the same time.

     One wonders whether Freud read Hugo.  There are certain similarities in style.  Certainly they both seem to have had the same notion of the unconscious.  Valjean’s trip through the sewers of Paris, he with the bleeding Marius on his back must have been intended as a representation of the unconscious.  And a very funny one at that.

     Freud would certainly have agreed with Hugo when the latter wrote:  The history of men is the history of cloacae.  From Hugo’s description of the sewers of Paris it is clear that Paris was not anal retentive.

     Freud was no less scatological in his approach to psychology than this astonishing  section of Hugo’s book.  Who wouldn’t be miserable down in a sewer; miserable enough if only your mind was in the sewer.  In Hugo one gets the same macabre, morbid sense of humor Freud exhibits in his own work.  Oh yes, read properly Freud tells a lot of jokes.  Didn’t he write a book titled: Jokes And Their Relation To The Unconscious?  Sure he did.  Knew what he was talking about too.

     The first chapter of the section of Hugo’s book, The Intestines Of Leviathan is a series of morbid one liners which are as funny as anything Lenny Bruce came up with.  Double entendre?  To say Paris is a leaky basket!  In the underworld homosexual argot of Jean Genet the term basket refers to a man’s crotch and penis.  Undoubtedly the same argot was current in Hugo’s time.  He was a student of criminal argot.  So Paris being a leaky basket is equivalent to saying Paris was incontinent, pissing all over itself.  Don’t you think that’s funny?

     And then: “The sewer is the conscience of the city.” Hm?  ‘This can be said for the garbage dump, that it is no liar.”  I ask you, does Victor Hugo know how to get down and boogie?  Let us follow Jean Valjean into the “Conscience of Paris” “which is no liar” from which Hugo says Villon talks to Rabelais.  Fabulous funny images, morbid but fabulous and funny.

     To be sure, psychology in 1862 when Les Miserables was published, had not been developed, yet notice how closely Hugo’s tongue-in-cheek, laughing in his sleeve, description of Jean Valjean’s journey through the pitch black maze of this subterranean worker’s paradise into which from time to time faint glimmerings of light enter answers to the images of Freudian Depth Psychology.  Depth psychology?  Was that a pun or play on words?

     Just imagine Jean Valjean as he enters the sewer.  Take time to construct concrete images in your mind.  After this, shall we say, harrowing of hell not unlike that of Theseus and Peirithous, from which Perithous never returned, Valjean receives his apotheosis not unlike Hercules.  One might also compare this scene with the temptation of Christ.

     Valjean is carrying the bleeding Marius on his back who might or might not be dead.  Hugo doesn’t let us know.  This might be compared to one’s old self before or during the integration of the personality.  In fact Valjean sheds Marius after emerging from the sewer from which the gatekeeper of Hell, Thenardier, allows him to emerge after being paid his obol.

     The sewer is certainly a symbol of the unconscious for the scatological Freud who seems to revel in such fecal images.  Amidst a chatty history of the sewers of Paris which Hugo keeps up as Valjean plods through the darkness always intuitively heading in the right direction, down.  He evades the thought police who are searching for him or someone just like him in the sewers.  A shot sent blindly down his gallery grazes his cheek.  Jesus!  Isn’t a man safe from harassment in the depths of his own mind?  If you think Paris is dangerous, try the sewers.

     Valjean is exhausted from his long walk carrying Marius on his back, poor suffering humanity, the sign of the cross, nevertheless with the heart of a lion he plods on.  He moves forward through deepening fluids as his bare feet sink into fecal matter “which does not lie” while Hugo carries on a charming separate conversation with we readers about little known facts of the Paris sewers.  No, the fecal matter, as well as Hugo, tells the truth however hard that may be to decipher from the material at hand as well as underfoot.

      As the fluid (also however that may be composed as Hugo is writing scatologically) rises, his feet sink up to his knees into “the conscience of the city.”  Get this!  Valjean is one of the great strongmen, he lifts the dead weight of Marius above his head on his extended arms still sucking his feet from the muck.  Hugo does not reveal whether Valjean lost his shoes during this ordeal or not but surely a while back.  Perhaps of all the details Hugo records this particular item which consumes my interest had none for him.

     Nevertheless, heedless of the the danger to her shoes, Valjean plods on.  Plod, plod.

     Now, here’s a detail of interest Hugo does record.  Feet and legs deep in the conscience of paris, Marius held above his head visualize this, the fecal fluid had risen above Valjean’s mouth and nose so that he has to tip his head back, I’m not sure this would have been effective, until only a mask can be seen rising eerily above the surface, as well as two arms and Marius.  He ain’t heavy, he’s my other self.  Seen in Stygian darkness that is.

     If we’re all in the same sewer here imagine particles of the conscience of Paris, scatologically know as turds, bumping up against the mask probably trailing behind Our Man Of The Sewer in a wake of fetid glory.

     Even in the pitch black Thenardier is watching this spectacle.  Fortunately the psychic crisis is past.  Valjean leaves the conscience of Paris which does not lie, you can say that about it, behind striking solid, er, ground.

     A striking vision of Freud’s and the Revolution’s reality.  Had Valjean been given the name Spartacus the Revolutionary vision would have been complete.  The Red/Liberals had spent a hundred years or more in the sewers of Paris before they turned this primary text of theirs into the Broadway musical of Les Miserables.  Next time you see it put it into this context of the sewers of Paris.  The songs will take on new meaning.

Part II of Something Of Value I follows.

A Mother’s Eyes

April 27, 2007

A Mother’s Eyes

by

R.E. Prindle

Part I: The Remarkable Case Of Aldous Huxley’s Eyes 30 pages

Part II:  The Baby Marie: 10 pages

Part III: Cow Eyed Hera And Edgar Allan Poe: 21 pages

Part IV: The Hand That Rocks The Cradle: 9 pages

Part I

The Remarkable Case Of Aldous Huxley’s Eyes

     This essay will deal with certain unconscious relationships between the Indo-European male and the Mother Archetype.  This essay is retricted to the Indo-European sub-species because the author is not convinced that all Homo Sapiens sub-species are identical in intellectual makeup nor are they subjected to the same cultural influences which would produce a uniform effect across all sub-species of mankind.  What Jung calls the Collective Unconscious of Man does not use the same symbolism in every period of time, every place and with all sub-species.  While the Horse will be a central focus of the Indo-European after minus 2000, for instance, prior to its introduction to the Middle East the beast could not have figured in the Collective Unconscious of either the Indo-Europeans or Semitic Mesopotamians.  Thus the Black, Semitic and Mongolid sub-species may be subject to the same relationship with the Mother Archetype but may express the same issue in different symbolism.

page 1.

     The female of the Indo-European or other sub-species is structurally different from the male hence subject to different responses to the same issue in different symbolism.  I will touch on that briefly in Part IV.

     Further, one ought not to confuse the role of female with the role of mother.  The female is a different person until she becomes a mother.  Once a mother her response to the role will depend on female societal desires which will control her attitude to motherhood.  The intelligence and intellectuality of the female person is in conflict with the Structural Psychology of the Mother.  Not all females are intellectually adapted to become mothers although most do become mothers.

     The topic will be approached from the point of view of Depth Psychology based more on the approach of Carl G. Jung than that of Sigmund Freud.  Freud’s approach was based on the personal psychology of the upper brain while Jung approached the subject more from a Special angle hence his notion of the Collective Unconscious with a universal heritable symbolism regardless of education or sub-species.

     Because he was dealing with a more homogeneous population unlike the heterogeneous population of the United States he was able to believe that all people are subjected to identical influences even though he had the obvious sub-special differences of the Jewish Semitics before him.

page 2.

     There can of course be no such thing as a collective mind hence no Collective Unconscious.  Neither can this Collective Unconscious be inherited.  There can only be a shared sub-special understanding of phenomena.  This shared understanding will express itself in certain common symbols induced by a universal field of education depending on one’s level of consciousness.

     Specifically I wish to examine the relationship between the mother and the eyes of the Indo-European male as well as the mother’s identification with the Horse by the male.  All three are intimately related. 

     The difference between Jung’s Collective Unconscious and the individual unconscious or, rather, sub-conscious, is that Jung without having actually differentiated the two was referring to Structural Psychology by his notion of the Collective Unconscious.

      Before the human organism can be subject to personal psychology there must first be an organism.  The construction of that organism will then determine its psychological potential.

     Thus while all the higher vertebrates share the same Structural Psychology the addition of the upper brain separates man from the beasts while causing a conflict between the Structural Psychology and Personal or Intellectual Pyschology.

     While a human entity appears to be an organic whole it is actually a construction of component parts.  The nature of those parts determine the psychological potential of the completed construction.

page 3.

     Not enough attention has been paid to how a human is constructed or the signficance of that construction.  The basic organism seems to be taken for granted.

     The human is a combination of two different components which are then integrated.  On the one hand there is the passive ovum which is provided by the female of the species; on the other hand is the active sperm provided by the male.  Passivity and activity are important and should not be passed over lightly.  The ovum provides one half of the structural elements as well as all the mitochondrial DNA.  These are significant facts and not merely incidental.

     The ovum is always female or an X chromosome.  Thus the male always has this female X chromosome component which Jung and Freud using the imperfect data of their time referred to as a man’s ‘feminine side.’  Jung called it the Anima in the male, the corresponding role in the female the Animus.

     The presence of an X chromosome in the male in no way affects his sexual identity as a male.  It is not a cause of homosexuality or effeminacy.  Using the imperfect data of his time Jung acted on the notion that sexuality was caused by a ‘preponderance’ of male or female genes.  This would of course distort his vision of sexuality creating non-existent possibilities.

     An unfertilized ovum is, of course, of no value.  The male provides the fertilizing element in the form of the sperm.  The sperm contains the other half of the structure which when joined with the ovum completes the structure.

page 4.

     The sperm can be either X or y.  There must be a difference in nature between the ovate and spermatic X chromosomes.  If X the completed structure is a female.  But the spermatic X contributes the gene pool of the mother of the male which is part of the Anima so that the female has two female components.  Without the X chromosome the male could not provide X sperm.

     It must also be true that the spermatic side of the female provides a set of genes received from the father while the ovate side provides a set of genes from the mother, so that not all of the female’s ovum are the same.

     In the case of either an X or y sperm the ovate or female mitochondrial DNA is always and solely the source of mitochondrial DNA in the resulting construction whether male or female.  The Spermatic mitochondrial DNA is always expelled from the united ovum.

     Thus the Mother Archetype establishes itself in a much more intimate connection with the male than the Father Archetype.  This is a physiological fact with real consequences and not a matter for sexual pride.

     When the ovate and spermatic parts combine the ovate X chromosome assumes the left side of the structure while the spermatic X or y forms the right.

     Many organs which can function independently are therefore duplicated such as kidneys, lungs, gonads or ovaries.  Those which can only function as a unit are formed of two separate lobes which are seamed such as the heart, liver, penis or clitoris.

     Now, this may be controversial but the gonads or ovaries, the spinal cords and brain from an integrated unit like the power train of the automobile.  All three are parts of consciousness.

page 5.

     The ends of the spinal cords, it follows that one each must be provided by the ovum and sperm, anchored in the gonads or ovaries intertwine up the spine until they cross over at the brain stem so that the passive ovate left side of the body becomes the passive right side of the brain while the active spermatic right side of the body crosses over to become the active left side of the brain.

     The two cords, spermatic and ovate anchored in the gonads or ovaries pass up the spine to emerge from the brain stem as ‘loose wires.’  To give them a name we will use Jung’s terminology but assert that male and female have both an Animus and Anima rather than as Jung has it, the male an Anima and the female an Animus.

     Now, as man evolved he began with what is referred to as the serpent’s brain or the brain stem followed by mid- brain, parietal lobes, upper brain and pre-frontal lobe.

     Thus structurally to the point of the brain stem all vertebrates function more or less identically.  By which I mean to say that to that point the psychology of say, sub-species five of the lion is identical to man.  If this isn’t true than evolution is bunk.

     Of necessity the optical nerves are associated with this very primitive organ of the brain stem.  This fact must have some relation to the association of the Mother with the eyes.

     Such a psychological association must operate independently of personal psychology as Structural Psychology or, as Jung would have it, the Collective Unconscious.

page 6.

     There are then tree levels of consciousness: the autonomic system, the brain stem and the upper brain.

     In fact the as the brain stem is not intellectual as in personal psychology, it may function independently of the upper brain and require a different technique for therapy.

     At any rate the symbolism Jung discusses is related to Structural Psychology and not the neuroses and psychoses of personal psychology.

     When the male Indo-European experiences rejection or abandonment by the mother this rejection may be evidenced by eye problems associated with a horse symbolism.

     Having laid the frame for my discussion I wish to begin with the case of Aldous Huxley, his relationship to his mother and his celebrated eye problems.  Aldous Huxley is, of course, the important literary figure who wrote ‘Brave New World’, ‘Eyeless In Gaza’, ‘Point Counter Point’ and other intriguing and important novels.

     All his adult life from the age of sixteen on Huxley endured terrible problems with his eyes.  He was frequently able to improve his vision remarkably only to suffer setbacks.  He first suffered maternal rejection when his mother opened a girl’s school relegating Huxley to an inferior status in both his and her eyes to her female students.  This alone had a permanent effect on his character and his adult relationship with women.  Then, when Huxley was fourteen his mother died abandoning him completely as it were.

page 7.

     No matter how natural or unavoidable death may be, those affected are under no obligation to react rationally.  While on a conscious or even sub-conscious level Huxley seemed to handle his mother’s death well he was devastated on the structural level.  First rejected and then abandoned by his mother, Huxley, at the age of sixteen was attacked in his eyes.  Actually the reaction could have been predicted although how and when would have had to await manifestation.

     Huxley developed an inflammation of the cornea called Keratitis Punctata.  Thus his reaction to his mother’s rejection and abandonment was of the most serious sort.  In the days before modern medicine he would have successfully blinded himself in both eyes.  Given the medicine of the day he might have been cured with minimal or no loss of vision.  As it was he was misdiagnosed allowing the disease to take almost full course.  By the time he was treated he had lost his vision in his right  or ovate eye while being as good as blind in his left  or spermatic eye.

     The nature of Keratitis Punctata is such that it damages or scars the surface of the cornea while the internal functions of the eye remain intact.  The effect of the scar tissue allowed his vision to fluctuate.

     I think that if a survey were taken it would be found that the right or ovate eye is always affected the worst.  This would strengthen my contention that certain eye problems are due to relationships with the mother or ovate side.

     It may be argued that Keratitis Punctata is a physical problem and not subject to psycho-somatic influence.  It is my contention that Huxley’s psyche in search of a satisfactory ailment subconsciously sought the affliction out.

page 8.

     Over the years Huxley was able by an act of will to improve his vision dramatically but he always suffered relapses as his structural need for the infirmity overcame his conscious will.  While had he been diagnosed and treated promptly he would not have lost his vision still his Structural need was such that he would have had a continuing series of eye problems over his lifetime.

     Medical science poses problems to psychotic needs by being able to overcome psych-somatic reactions; the sub-conscious must search for new ways to gratify its need for affliction.

     I too suffered abandonment by my mother beginning when I was five and ending when I was ten when she remarried.  I was first put into two foster homes and then placed in an orphanage.  The orphanage was critical.  While I had very acute vision until I was forty a variety of eye problems have plagued me since.

     While all the problems were quite natural therefore seeming to be of a strictly physical nature yet I had been plagued  by fears of going blind since I was ten when my mother remarried.  I therefore left myself open to attack in the appropriate time and place.  Finally at sixty-four I had a cataract operation on my right or ovate eye followed by one on the left.  I realized the psycho-somaic source of the problem while I was reading Sybille Bedford’s biography of Aldous Huxley.

page 9.

     Prompted by the reading I had a dream of a horse.  This is the only horse dream I can remember ever having.

     The horse clearly represented my mother staring at me with large guilty eyes not unlike the description of the Greek goddess Hera who was styled ‘cow-eyed.’

     Sometime in the near past, two or more years ago, I had seen a TV show about a horse trainer who I can remember only by the name of the Horse Whisperer.  He had developed a new technique of gentling a horse rather than breaking it.  In my dream I was using his technique to gentle a mare.  She seemed to want to be affectionate to me but I kept pushing her away or she shied away in my attempt to gentle her.

     By that time I had already developed my ideas of Structural Psychology.  I had also integrated my personality clearing all fixations from my subconscious.  As I expressed it then, all the way down to my brain stem.  Now I realized I was dealing with the brain stem itself having spoken more truly than I knew.

     While I had made progress in rectifying my Animus I cannot say for certain that the process was complete.  In all probability I have reconciled my Anima and Animus.  I have never had trouble with my Anima although my Animus was seriously blunted as a child affecting my ability to express my manhood.

     However, contrary to Depth Pschology, having recognized and spoken this apparent fixation caused by my mother’s abandonment the fixation did not respond by immediately being exorcised as had my fixations of the upper brain.  Thus the problem of Structural traumas obviously requires a different technique for treatment.

page 10.

     The appearance of a horse figure in my dream was startling to me.  I have never liked horses.  All my life I have had an irrational hatred of them even to the point of verbally abusing them at sight.

     Aldous Huxley, characteristically of the trauma, expressed his own reaction through horse imagery.  Huxley wrote his first novel ‘Crome Yellow’ in 1921 followed by ‘Antic Hay’ in 1923 and ‘Those Barren Leaves’ in 1925.  Those three novels lead up to 1928’s  ‘Point Counter Point’ in which his problem with his mother finds expression in varied symbolism.  In this last novel Huxley portrays himself in the character of Philip Quarles.  He has a wife, Elinor, as a mother substitute and a son called signficantly, Little Phil, in other words a doppelganger.

     In the novel Quarles has a limp rather than bad eyes.  Huxley, through Quarles, expresses his mother’s abandonment and his attack of Kertitis Punctata this way:

     Quote:

     ‘…Philip…was remembering that immense black horse kicking, plunging, TEETH bared and ears laid back; and how it suddenly leaped forward, dragging the carter along with it: and the rumble of the wheels; and ‘Aie!’ his own screams; and how he shrank back against the steep bank, how he tried to climb, slipped, fell; and the appalling rush and trampling of the giant; and ‘Aie, aie!’ the huge shape between him and the sun, the great hoofs and suddenly an annihilating pain.’

page 11.

     Note expecially the teeth which will appear more prominently in Part III.

     This very vivid picture is done so well that one might actually believe such an event really occurred.  It didn’t.  Here Huxley transforms his mother into a huge black horse.  The steep bank I interpret as the brain stem which appeared in my own imagery as a deep dry well.  There was a huge shape between Huxley/Quarles and the sun which must represent both the loss of his mother, when the sun went out of his life, and the onset of Kerititis Punctata.

     In the novel Quarles had his leg crushed by the cart but in this version it is not clear where he received the injury while it was definitely caused by the huge black horse.  There was only the annihilating pain.  One assumes that the pain was the loss of Huxley’s mother.

     Huxley gives his hurt a full scale treatment here.  Quarles and his wife live in a mews in London.  A mews is a converted stable.  Horses had formerly been kept there.  Now the ‘huge machines’ or cars of a hundred horse power or more are kept there.  The arch at the end of the mews through which the horses were led stands as a constant reminder to Huxley/Quarles of his tragedy.

     Not content to retell his own pain, Huxley then goes on to punish his mother in his imagination as he feels she punished him by dying.  Remember a man in Huxley’s situation uses a woman as a surrogate to avenge himself on his mother who is beyond retaliation.  In ‘Point Counter Point’ Quarles’ mother is still alive.  It is she who has care of Little Phil when he is stricken with meningitis so the guilt remains with her.

page 13.

     On the eve of the meningitis attack Elinor Quarles, Little Phil’s mother, was about to commence a dalliance with another man.  Quarles’ mother’s telegram reached Elinor in time to prevent her beginning the affair.  Elinor believes that Little Phil’s meningitis was caused by her intended infidelity and suffers accordingly.

     Elinor’s intended infidelity corresponds with Huxley’s mother’s betrayal of her love for him by relegating him to a secondary role while she lavished attention on her girl students.

     Huxley’s descriptions of Little Phil’s suffering are quite gruesome.

     Quote:

     ‘…she found the child already awake.  One eyeball was wide open and the eye, all pupil, was looking straight up at the ceiling; the other was half shut in a permanent wink that imparted to the thin and shrunken little face an expression of ghastly facetiousness.

     ‘He can’t open it,’ the nurse explained.  ‘It’s paralyzed.”

     Unquote.

     Thus the crux of Point Counter Point is the punishment of Elinor Quarles qua Huxley’s mother for the crime of rejecting him in favor of her female students and later dying.  Huxley quite rightly associates eye disease with his mother through his wifely surrogate and the symbol of the giant black horse with giant hooves and teeth bared rearing in the brain stem.  He obviously had no clear idea of what this imagery meant to him personally.  No doors of perception were opened for him there.

page 13.

     While this horse imagery is clear in ‘Point Counter Point’ Bedford also quotes Huxley as noting emphatically the remarkable deeds of horses in Homer’s Iliad.  I think the horse symbol is replaced in a man’s active life by his relationship with women.

     I now intend to devote a few pages to the relationship of mothers and women to horses and eyes in Greek mythology leading back to the present time.

     My two lines of argument will concentrate on the nature of the God of Waters, Poseidon and the relationship of that greatest of all mama’s boys, Achilles, with his mother, the sea nymph, Thetis.

     I follow the Jungian concept of attempting to penetrate the symbolism by this narrative of action.

     In the divine dispensation of spoils in Greek mythology the preeminent god, Zeus, was awarded the sky, Poseidon preeminence in the oceans and rivers, Hades possession of the underworld.  Obviously Hades got skunked  which made him a sour sort of guy.

     The surface of Mother Earth was common to all three.

     The significant fact here is that the three gods are male while the Earth named Ge, Gaia or Demeter was female.  Thus you have three men with equal claims to the same woman, Mother Earth.

     In ancient Greek sourcs as well as in Biblical story Man realized that there was a time before consciousness.  Thus the story of the creation of the universe is less a story of creation than one of the crystallization of consciousness.

page 14.

     In the creation myth all objective reality is confused; all is seen as one.  In other words, there was only an animal consciousness.  Then a divine wind blows across the plane of consciousness separating the upper and lower spheres; the conscious and subconscious.  Thus the upper sphere of consciousness became heaven  and was allotted to the mind of infinite power, Zeus.  The subconscious was given to the Father of Waters, Poseidon while the underworld of the brain stem went to Hades.  The plane of consciousness was shared by mankind and the gods.  This is as it should be.

     Poseidon’s dominion is the seas, oceans and rivers.  The waters of oblivion are associated with the subconscious and irrational  which is to say the female or matriarchal consciousness.  The subconscious and irrational are therefore equated with the matriarchal order.  Thus Poseidon, who must actually predate Zeus as a carryover from the Matriarchal consciousness has relations with a number of domineering women who are very hard on men.

     The question of why Poseidon is also closely related to horses is very difficult to answer, especially as Poseidon was early on the scene while horses arrived later.  I offer only a working hypothesis.

     It has been suggested that the rollers of the sea are reminiscent of horses’ heads.  It has also been suggested that rivers as they dash down mountain slopes and race to the sea are quite similar to the flight of the horse.  There may be truth in both suggestions as when the horse arrived it had to be associated with some god; in association with Poseidon that may possibly explain how horses came to be associated with the Mother Archetype.  Their association with the Mother can only have begun after the Indo-Europeans brought horses to the Aegean world which was after the year minus 2000.

page 15.

     Of the mean flesh eating mares or mothers with whom Poseidon is associated it is only necessary to give two examples.  The most important of the two by far is the Medusa and her Gorgon sisters, the other is the enchantress, Circe.

     The Medusa is a very important study.  She apparently dates back to an early period of the Matriarchate.  While in the Patriarchic myth of Perseus and the Gorgon she is a hideous evil witch whose mere glance can turn a man to stone there is evidence to point to a time before the rise of the Patriarchate when she was a belle ideal; a tower of strength.  Shields with the Medusa head continued to be used in classical times as a magical charm to repel the enemy.  The snakes which form her hair were once a symbol of her authority rather than hideous emblems of hatred.  She was then one of Poseidon’s wives or , more probably, he was her consort.

     When the Patriarchate displaced the Matriarchate Perseus was chosen to destroy the Medusa or, in other words, the symbol of the Matriarchate.  This he did by decapitation.  Decapitation or the separation of the head from the body is a powerful symbol in itself which should have destroyed the Medusa’s power to lithicize men with her EYES.  Even in death, which is to say after the power of the Matriarchate was broken, the mere sight of her now dead eyes continued to turn men to stone.

page 16.

     The myth of Perseus is a keystone story that tells of the birth of the new order of the Patriarchate.  When the old order of the Matriachate was beheaded a remarkable thing happened; two beings that correspond to the male Anima and Animus emerged from her neck or, shall we say, brain stem.

     The Animus of the liberated Patriarchate was represented by the Golden Knight named Chrysaor.  As the Animus he had no concrete identity.  He represented the mind of infinite power and rationality possessed by Zeus and shared by men but not by women.  He consequently fades from view.

     The Anima that sprang from Medusa’s severed brain stem was the great winged horse or mare, Pegasus.  The great mare allowed man’s imagination to soar as though godlike, above the earth’s plane that was the dominion of the Matriarchate.

     Further having now passed through the dawn of consciousness as represented by the creation myth the male had now reached the level of consciousness where he could begin to attack and destroy his subconscious demons.  Thus Perseus finds the maiden Andromeda chained to a rock awaiting destruction by the monster of the sea depths of the subconscious.

     Soaring above the Leviathan on his Anima, Pegasus, in the conscious sphere, Perseus is able to destroy the monster of the subconscious and liberate Andromeda, or the female, from destruction by the subconscious.  In his arms, under his protection Andromeda, or the female, was freed from animalism.  She too was released to find her full potential under men’s guidance and protection.

page 17.

     As decapitation wasn’t totally effective there was more than one way to handle the attempted suppression of the Matriarchate.  It has been truly said that you can kill men but you can’t kill ideas.  Perhaps because of the Iliad with its gathering of the tribes at Troy one thinks of Greek mythology as an indissoluble whole.  This is not the case.  There are many strands and traditions to Greek mythology.

     It is highly probable that when the Greeks invaded the Peninsula that their route bypassed Athens which was shielded from above by the Boeotian Semites.  Thus the Greeks were shunted West where they fell on the Pelopponesus bypassing Attica.

     While the Athenians avoided military invasion they were yet unable to resist the Patriarchal tide.

     The myth of Perseus and the Gorgon which belongs to the Argive or Pelopponesian cycle gives only one view of the suppression of the Matriarchate.  That was how it happened West of Attica.  In Athens itself the transition from the Matriarchate to the Patriarchate was more evolutionary.  This would be the result of being bypassed by the Greek invasion.

     Perseus on his way back to Argos from Palestine gave the Medusa’s head to Athene who then wore it as an emblem on her bosom.  This would be another way of saying that Perseus influenced the Athenians to convert to Patriarchalism.

page 18.

     I would suggest that, even though the Iliad lists a contingent of Athenian ships present at Troy, there were no Athenians there.  As the Greek heroes for the most part are from the Pelopponese or other Greek locations and the quarrel is between them and Troy while none of the Greek heroes was Athenian.  I would suggest that the Athenian contingent is an interpolation.  Agamemnon and the Argives as invaders would have had no influence over  non-Greek Athens such as they had over Odysseus in Ithaca.

     The Athenians always claimed to be an autocthonous people, that is that they sprang from the soil or, in other words, were there before the Greek invasion.  Of necessity that would mean that they were not Greek per se.

     Their early heroes are half snake, half human, which I understand to mean that on the one hand as snakes emerge from the soil the Athenians were autocthonous; on the other hand that they were half Matriarchal and half Patriarchal.  In other words, there was an evolutionary transition.  This idea is borne out by subsequent Athenian mythology.

     If this is true then it must follow that the gods of Athens had formerly been Medusa and Poseidon- the Queen and her consort.

     Imagine Perseus handing the head of Medusa to Athene.  Athene must have neutralized the power of Medusa because as of the handing of the head to Athene it was still capable of turning men to stone at a glance.  As Athene’s emblem displayed on her breast where all men must see it, it could no longer do so.

     As the Athenians told the story of the suppression of the Matriarchate, Zeus swallowed a matriarchal goddess known as Metis.  This is a normal method of disposing of one’s enemies.  As the Africans down to the present day say when they intend to destroy an enemy- We will eat you up.

page 19.

     When you eat someone up you obtain their qualities.  Metis was the goddess of Wisdom.  Whether she was one of the Gorgons I don’t believe is recorded but I suspect so.  Perseus and the more primitive Argives believed that destruction was simply a matter of cutting off a head, the Gordian knot approach.  The Athenians thought differently.

     Having eaten up the Matriarchy Zeus found that it gave him a serious case of indigestion.  His eyes were bigger than his stomach.  The Matriarchy would not stay suppressed.

     As it was necessary that some other expedient be employed the Matriarchy was allowed to exist but only as subordinate to the Patriarchy.  While not abolished, the Patriarchy attempted to reform it in an acceptable way.  The attempt was made to replace the uncontrollable Matriarchal figures as represented by Ares and Aphrodite with a more rational goddess embracing both.

     Thus the indigestion of Zeus gave him a headache.  In other words, he had to give the problem some serious thought.  He had an idea, as why wouldn’t the mind of infinite power have an idea.  He transformed the old wild undisciplined Matriarchal god and goddess into the superbly rational and controlled Athene.  Her idea formed in the Patriarchal brain then sprang fully formed and armed from Zeus’ forehead.  Actually she didn’t spring but was chiseled out by Hermes and Hephaestus who are both gods of resource.

     Thus when Perseus handed the head of Medusa to Athene he was passing the torch for the application of Patriarchy in Athens.  The destruction of Poseidon’s consort in Athens left that god without a female counterpart and that’s the way he stays throughout the Patriarchate.  Athene was a chaste virgin who would have nothing to do with men.  As a goddess with a technological sideline she came into conflict with the Matriarchal technological god Hephaestus.  He attempted to rape her or in other words reimpose an aspect of the matriarchy on her which she successfully resisted.  Instead he spurted on her leg in a pre-mature ejaculation which she, as the goddess of weaving, wiped off with a piece of wool.

page 20.

     Unable to seduce Athene and reestablish his supremacy in Athens on his part, Poseidon then had a contest with Athene to see who should be the tutelary deity of Athens.  In other words, should Athens be Patriarchally or Matriarchally inclined.  Should it be named Athens or Poseidonia?

     Poseidon peformed the seemingly impossible task of making water spring from the rocky high crown of the Acropolis.  Athene countered by making an olive tree grow on Rocky Top.

     The Athenians opted for the olive tree but it was not a clean cut victory for the modified Patriarchy.  The Athenians ever after nurtured several snakes on the Acropolis along with both the olive tree and Poseidon’s spring.  Thus the Matriarchal past was not forgotten.

     Further Athene retained some attributes of the Matriarchy.  She was sometimes theriomorphically represented with a horse’s head while her attribute of the owl is represented in statuary and she is referred to as owl eyed, undoubtedly a reference to the wise Metis.  A snake was also shown coiled on the ground in the shelter of Athene’s shield as she leaned on it.

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     In point of fact all Greek heroes were symbolically horse headed by virtue of the horse hair crests on their helmets.  They were always under the protection of the Mother Archetype while sharing in the qualities of her symbol the horse.

     The wearing of lion and leopard skins is also an aspect of theriomorphism.  Obviously one hopes to share in the prowess of the lion or leopard by wearing its skin.  Thus Heracles armored himself in the skin of the Nemean Lion which, in itself, was a symbol of the Matriarchy.

     I hope this exposition established the nature of the relationship between the Mother, horse, eyes and the brain stem to the Son in ancient Greek thought.  These are not irrelevant details of myths but important symbols when understood in the Jungian sense.  The Ancients were not just amusing themselves with strange tales.  The message for the initiate is different for that of the hoi polloi.

     The myth of Circe explains what happened under the Matriarchate when men allowed themselves to be dominated by their carnal desires.  It is only when one controls one’s sexual needs that one escapes domination by the female to dominate the female.  In that way one rises from the level of the beast to that of a man.  Nor is this ‘repression’ in the Freudian sense.

     Before attacking the issue of Achilles and Thetis let me point out the significance of Oedipus.  Oedipus was abandoned as an infant by his mother Queen Jocasta of Thebes.  On his way to Thebes as a young man he was jostled out of the road by a chariot and a team of horses.  Enraged he killed the driver who he later learned was his father.  By killing this man, who was king of Thebes, he made the widowed queen his wife.  He then learned that she was his mother.  Horrified at the thought of having married his mother he gouged his EYES out using the clasp of a woman’s dress.  Thus one has son, mother’s abandonment, horses and eyes.

     Achilles, on the contrary, had an excellent relationship with his mother, too good.  He remained tied to her apron strings all his short life.

     His mother, Thetis, is one of the more interesting mythological characters.  Zeus had it mind to make Thetis his own but backed away when he learned that she would bear a son who would be greater than his father.  No god would then touch her so she was married to the mortal, Peleus, to whom she bore Achilles.

     Thetis and Peleus lived apart.  As she was a Nereid or sea nymph, closely related to Poseidon or the subconscious, she lived at the bottom of the sea whence she always made sure that Achilles had a superior team of horses, fabulous armor and an incredible shield.  Thus while Achilles was a formidable warrior his success depended as much on his doting mother as it did his own prowess.

     It was fated that Achilles could have a short life if sought glory on the field of battle or a long life as sort of an effeminate mama’s boy.  You see, the relationship to the mother.  This was his and his mother’s dilemma in the Iliad.

     To protect her boy as long as she could Thetis had him reared among the girls in the girl’s quarters in girl’s clothes.  He was so good at female impersonation that when the Greeks sought him out to serve in the war it was impossible to identify this giant amongst men among the girls.

     Think about this.

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     Still it was reputed that he was a mighty warrior who was destined to defeat the Trojans.  He should have had such a physique that he stood out head and shoulders above the girls.

     When the Trojan War began his mother desperately wanted to keep him out of harm’s way among the girls.  Odysseus, surnamed the Wily, smoked him out by raising an alarm.  While the girls ran screaming Achilles true to his heroic nature seized his arms to meet the threat thus betraying his identity.  Abandoning his transvestism Achilles is conscripted into Agamemnon’s Folly.

     Quite frankly the Greeks have been coerced into a war for the sole benefit of the Brothers Atrides.  What did Achilles care if Paris abducted Menelaus’ wife.  She went with him willingly anyway.  Menelaus behaved like a fool in leaving the guest Paris in his house with Helen while he left on a business trip.  Would you do that?  I wouldn’t.

     Nevertheless Agamemnon was the sole representative of Zeus on Earth; he ruled by divine right.  Zeus had given him the nod to assure victory.  In point of fact he couldn’t lose.  One wonders what would have happened if he had refused to help himself.  How would Zeus have affected victory as the gods help only those who help themselves?

     Homer in his brilliance depicts a very detailed picture of this society.  Agamemnon is especially suited to command although he is not the greatest of the heroes nor a totally admirable man.  In fact, his pettiness injures Achilles to the point where the latter must make a retort.

page 24.

     Achilles’ first thought is to take arms against the slings and arrows of outrageous Agamemnon but Athene counsels him to suffer that particular sea of troubles in his mind.  Achilles heeds her advice and goes into a pout befitting this greatest of mama’s boys.  He self-centeredly withdraws himself and his troops from the war.

     This act is very serious as he is the greatest of all Greek warriors while it is a known fact that the Greek’s can’t win without him.  Now, Achilles has some serious mental problems.  After his alter ego, Patroclus, is killed Achilles opines:

…O Zeus and Athena and Apollo

If only death would take every Trojan

And all the Achaeans except for us two,

So we alone might win that Sacred City…

     That’s a prayer he hopes will be anwered.  In his anger and spite he even wants his own side to be defeated and destroyed so long as he and his friend alone find salvation in that Sacred City.  The City Of God?

     After being robbed of his prize by Agamemnon he goes to the seashore to summon his mom from the deeps.  Arising from the sea of the subconscious she comes to him.  The result of this interview between a doting mother and a spoiled rotten son defies all concepts of morality both in Achilles’ request and his mother’s response.

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     Achilles asks his mother to intervene for him with Zeus to cause the slaughter of the Greeks until they are fighting the Trojans among their ships in the camp.  There is nothing that Thetis won’t do for her boy no matter how criminal.  She is willing that the Greeks be destroyed if that is what her son wants.  Thetis and Ma Barker would have gotten along just fine.

     Not only did Zeus have a soft spot for Thetis but in a past time when the gods rebelled and had overpowered Zeus in an attempt to depose him Thetis had come to his rescue.  Zeus owed her one.

     Zeus and the gods are away in Ethiopia for twelve days but she promises her son to visit him him as soon as he returns.  On his return she implored Zeus by grasping his knees with her left arm, Homer is explicit, thereby immobilizing him with her feminine side, with her right hand she grasps his chin arresting his attention.  She implores him to smite the Greeks unto death to appease her son’s sense of affront.

     Understand the enormity of Achilles’ request to his mother.  She does not reprove him in the least instead she rushes off to Zeus for his complicity which Zeus in his profundity of mind grants.

     Nor is this an easy thing to fit into his schedule.  He has already given the nod to Agamemnon which must be fulfulled while he can refuse nothing to his Grecophile daughter Athene and also while he is being badgered by his wife Hera to favor the Greeks.

     In the face of all these conflicting demands even though he has given the nod of victory to Agamemnon and once his nod has been given his decision cannot be altered he agrees to at least hurt the Greeks for the benefit of Thetis’ son with no possible reward for himself from Thetis as her sexual favors would cost him Olympus.  Now you know what a mind of infinite power is capable of.

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     Zeus then unleashes Hector and his Trojans until they breach the Greek walls firing a number of ships.

     Still unrelenting, Achilles refuses  to help but does allow his faggot, Patroclus, to don his armor frightening the Trojans into thinking Achilles has entered the fray.  Patroclus exceeds his authority being killed by Hector who appropriates the splendid armor of Achilles as well as those great horses.

     Now horseless, armorless, shieldless and friendless, in other words completely defenseless and emasculated, Achilles runs once again to mom.  Mama is always there for her boy.  Now, for those of us whose moms have not always been there for us this is a cause of deep envy and anguish.  She promises to have the technological god, Hephaestus, make him a new shield and armor to be ready the NEXT DAY.  Even Hephaestus is not too busy for this paragon of mothers; he sets aside all else and gets down to it.  You see what a good relationship between mother and son is worth.

     Aldous Huxley thought about such matters deeply.  He never consciously associated his mother with his eyes although his attachment was such that he said that if you wanted to know how polite educated people of his mother’s time spoke his speech was a living example.  In other words he thought that he emulated his mother down to her speech patterns.  In essence he had become his mother.

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     He had been unable to penetrate his ‘unconscious’ but he had studied the subject carefully.  Sybille Bedford quotes his thoughts on the unconscious in which Huxley says that, obviously, Freud did not invent psychology or even the ‘unconscious.’  Huxley discusses a book by one F.W.H. Myers who laid out a theory of the unconscious in a book titled ‘Human Personality’ in 1886.

     Myers dealth with the Homeric concepts of the unconscious qualities of Ate and Menos.  Ate was the destructive or dark side or the unconscious while Menos was the creative or positive side.

     Freud appropriated the concept of the unconscious but only the dark or destructive aspect appealed to him so he went no further than that.

     Obviously Huxley realized subconsciously that with his mother’s eyes he was in a constant struggle between Ate and Menos, darkness and light.

     It has always troubled me as to why Hephaestus, or Menos, was married to Aphrodite, or Ate and why the goddess of love and god of technology should live at the bottom of the sea.

     If you remember Aphrodite arose from the sea as a sea foam riding on the half shell.  Obviously love has all the substance of foam while seeing only one half of the truth.  This is a form of Ate.

     She and her husband live at the bottom of the sea because they represent Ate and Menos which reside in the subconscious.

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     Aphrodite as Ate is so thoughtless and self-indulgent that she causes pain to everyone in her willfulness.  Hephaestus was not too pleased to be awarded Aphrodite as his wife by the council of the gods.  No sooner were the two married than, while Hephaestus was off on business, Aphrodite invited her natural complementary aspect of the subconscious Ate, Ares, to bed.

     Aphrodite and Ares  are the two parts of destructive Ate.  When they are caught by Hephaestus in union they form the ‘beast with two backs’ or, in other words, they hatched from the same egg.  As unreasoning hatred and love they are Ate in its complete form or aspect of the subconscious that Freud chose to exploit with much less subtlety.

     Hephaestos is Menos, the god of invention and technology, also seems to send his good ideas up from the subconscious.  Ideas just seem to occur to us.  Hephaestus as Menos therefore resides at the bottom of the sea where he is in close contact with the Mother Archetype in the brain stem in union with Aphrodite and Ares as Ate.

     It should be remembered that the mother of Hephaestus is Hera who give birth to him parthenogenously.  Hephaestus has no connection with the Father Archetype.  In fact, he was thrown out of heaven by Zeus.  Thus Achilles’ mother is able to obtain from him whatever she wishes at a moment’s  notice.

     Being in close contact with the Father of Waters, Poseidon, Thetis is able to procure the finest horses for her boy.  Achilles has a team that is the envy of both Greece and Troy.  It goes without saying that he has no trouble with his eyes.

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     The imagery of mother, horse and eyes has persisted in the Indo-European male down to the present.  Let us give two examples here with more to follow in Parts III and IV.  Bear in mind that the imagery is subconscious so that it is not necessary for an author to knowingly select his imagery.

     In Rudyard Kipling’s novel ‘The Light That Failed; the hero, Dick, was an orphan who was placed in a foster home with an orphan girl, Maisie.  There were very close as children, one might say that she became Dick’s mother surrogate, but they became separated going about their careers apart.

     They met again as adults in London where Dick has his attachment to Maisie renewed although in an irrational manner while she only reluctantly acknowledges him ultimately rejecting his attentions at which point Dick loses his sight.

     Kipling doesn’t make the connection between mother’s abandonment, Maisie’s rejection and Dick’s eyes but it must be there in his subconscious.

     Dick, a war correspondent, returns to a war in the Sudan as a blind newspaper correspondent.  Traveling through hostile territory, just as he reaches the safety of the British camp he is shot dead off, not a horse, but a camel.

     The second example is the play and movie Equus by Peter Shaffer.  I saw only the movie.  The plot centers around the psycho-analysis of the male figure.  The story concerns a stable boy who blinds the mares under his care by slicing their eyes.  Whether based on a true analysis or not Shaffer has a very confused presentation of his ideas which he probaby does not understand.

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     As the protagonist is a stable boy it follows that he was drawn subconsciously to the job to be around horses indicating a weak mother relationship.  That he sought a job in a stable to be around horses is a subconscious indication of his pain.  We have seen what a doting mother, Thetis did for her boy Achilles and conversely what happened to Oedipus.

     The mother substitute appears in a girl who seduces him in full sight of the horses.  Unable to perform sexually in full sight of the horses, or Mother Archetype, he revenges himself on his mother by blinding the horses.

     It is only speculation but I infer that the stable boy had been rejected, abandoned psychologically or both by his mother causing a deep abiding anger.  It is forbidden to retaliate one’s rage on the mother so he vented his anger on both a young woman and the mother symbol, the horse.  He disappointed the girl while putting out the horse’s eyes.

     The flesh eating mares of Greek mythology is a difficult image to understand but perhaps they represent filiophagus mothers who victimize their sons knowingly or unknowingly.  The opposite of Thetis.

      The subsequent relationship of the rejected or abandoned son to women is important.  In the stable boy’s case he was impotent with women.  Dick needed to affirm his relationship to a childhood mother surrogate to avoid the consequences of abandonment.  In Huxley’s case he was very fortunate in recognizing a woman who would serve him as he felt his mother should have served him and in finding a woman who realized the exact need for unconditional love of a man in her own makeup.

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     One hesitates to say that Huxley created conditions by which his wife would predecease him but she did.  After a marriage of nearly forty years Huxley quickly married a self-sufficient woman while apprearing to be relieved at the loss of his mother surrogate.

     I hope I have made the connection between mothers, horses and eyes clearly.  As the problem is not in the upper brain but the brain stem the fixation cannot be voided by the normal means of identification and expression.

     In my own case in attempting to resolve the matter I have taken the approach of trying to reconcile my mother’s actions with my feelings about it but I haven’t been too successful.

     Obviously the primitive brain stem presents different obstacles than the mid-, upper and pre-frontal brain.

End of Part I.  Go to Part II, The Baby Marie.