Tarzan The Untamed
January 3, 2008
Themes And Variations
The Tarzan Novels Of Edgar Rice Burroughs
#7 Tarzan The Untamed
By
R.E. Prindle
Edgar Rice Burroughs seems to be searching for his sexual identity in Tarzan The Untamed. The untamed may refer to the notion that he may be married but Emma has not domesticated the roaring Lion Man.
On my first reading of the novel I merely picked up the surface story, that, to tell the truth, I don’t find very interesting perhaps even implausible and ridiculous. On the second and third readings however the story behind the story, ERB’s psychological dilemma begins to emerge coloring the story with interest.
The story even begins to assume a certain beauty, a poetic shimmer, that takes form as you stare into it. I began to relate Untamed to other novels and stories, that seemed to me to be related and partake of the same dilemma. I don’t know that I can successfully relate them to Untamed but I’ll give it a shot.
For the last few years shifting around in the back of my mind have been the tales of E.T.A. Hoffman. Just a moment ago as I write this I finished another tale of the German romantics, a charming story that I recommend highly, Undine, by Friedrich de la Motte-Fouque. And finally although this may be difficult to see Fyodor Dostoievsky’s Crime and Punishment.
Untamed begins with the murder of Jane, Burroughs aspect of female sexuality, and Tarzan’s killing of the panther or his emasculated sexuality that manifests itself as a homosexual latency.
One then is led to believe that by killing sexual desire Tarzan or ERB believes that he has eliminated the troubling sexual ambivalence of his character. Yet, just a few pages on they flicker to life again in the character of the putative German spy Bertha Kircher. Tarzan first sees Kircher as a woman in the German camp so grasping at the obvious he assumes that she is a German spy. He doesn’t realize and we won’t be told until the end of the story that she is a double agent. In reality she is an English spy posing as a German spy. There’s a complexity there that eludes me at the moment.
She is thus introduced to Tarzan as a woman. The next time he sees her is as a man disguised as a British agent in the English camp. He doesn’t recognize her although he know he has seen him somewhere before. Thus the old sexual ambivalence resurfaces. In what seems to be your standard adventure story delicate psychological nuances begin to flicker around the action story like St. Elmo’s Fire. No matter what the surface story is about the secondary story is about something else.
La Motte Fouque in his Undine also addresses the problem of a man faced with a sexual dilemma that lies within. The path is clear for the hero, Huldbrand, it is only his own weakness that creates the problem for him. In Huldbrand’s case his decision is between two women amidst elemental forces of nature that contrast with the elemental human nature. Undine is a story of astonishing beauty that I can only slaughter in interpreting . I highly recommend you read it. For those deeply into fantasy you will find Undine as fantastic as anything you have ever read; for those into myth and fairytale it is a masterpiece of the kind. Anyone who reads around in this area will have heard it mentioned. I have known of the title for many years but recently in my researches into H.G. Wells it was mentioned that Undine was a favorite of his. I thought it necessary background so I added this gorgeous story to my memory stacks. I should have waited so long; it is a superb Anima-Animus story.
In the December 14th ERBzine George McWhorter provided a list of a few post-WWII books that ERB read. As ERB titles the list, a few of the books he has read, and the list is astonishingly long from a few one can only guess that ERB’s full list must have a couple hundred or more. As reading was a lifelong habit for him and if he consumed titles at that voracious pace then it is truly difficult to guess how many books he read from, say, 1888 to 1910 just before he began writing. Of course his potential list to select from before 1910 was much shorter than ours is today. Titles as obscure today as Undine were relatively well known then. I may be wrong but I pick up hints of Crime and Punishment in ERB’s corpus from time to time. Certainly by his WWII list he had crime on his mind.
We do know that the stories that disappeared into his capacious mind from the period before 1910 gestated for decades in the back of his mind finally finding expression thirty or forty years later. I’m thinking of George W.M. Reynold’s Mysteries Of The Court Of London that burst forth in the 1938 version of The Lad And The Lion. So while I can’t say for certain that ERB read these three authors there is a certain wistfulness and fairy tale quality to the story of Tarzan, Bertha Kircher and Harold Percy Smith-Oldwick that reminds one of the three authors that I have mixed up with Untamed.
So, a woman named Bertalda sends the knight Huldbrand into the elemental forest to prove his love for her. Thus Huldbrand goes to a destiny he never imagined. In the sense of C.G. Jung’s collective unconscious which as I interpret as a set of symbols common to the Western mind, Burroughs also sends Tarzan and his two sexual identities into the elemental jungles of Africa.
La Motte-Fouque invents the water spirit Kuhleborn to forward the action. The presence of so much water indicates that the action takes place in the subconscious of Huldbrand.
Water plays a very different role in Burroughs’ story. In his tale Tarzan braves a watered land to traverse eight very deep and steep ravines that become progressively drier until in the last he almost dies of thirst. As Burroughs’ story covers the four years in his life from late 1914 until mid-1919 one may assume that he had eight bouts of progressively severe depression the eighth and last occurring as he writes his story.
On the other side of the last canyon the well watered jungle begins again. Thus the main story of Tarzan, Bertha and Smith-Oldwick takes place on the edges of the forest and a meadow.
In La Motte-Fouque’s story the elements had set up the conflict from the beginning. As we are told Kuhleborn stole the baby Bertalda away from her parents in an apparent drowning. He then restored a child to the bereaved parents with the child Undine who was actually a water sprite. Bertalda was left by the side of the road where a noble couple found and adopted her. She is the lost daughter of the now aged couple of Undine’s adoptive parents to which Kuhleborn now leads Huldbrand.
Undine’s parents live on an isolated peninsula. As soon as the storm drives Huldbrand to the peninsula the elemental Kuhleborn in the form of a raging torrent turns the peninsula into an island from which there is no escaping. Huldbrand and Undine are thus thrown together. Elemental spirits have no souls. This notion would certainly have had great appeal for Burroughs for whom men without souls was a preoccupation. Undine can only acquire a soul, which she greatly longs for, from the love of a man who has one. She therefore in effect seduces Huldbrand. Kuhleborn disapproves but as to a point Undine’s magic is stronger than his he is reluctantly forced to accede on certain conditions.
A wandering priest is tossed up on shore by Kuhleborn who ties the knot for Undine and Huldbrand. They return to civilization and Berthalda where the conflict between a human woman with a soul and a water sprite without one puts Huldbrand to the test.
So Tarzan who is first associated with Bertha Kircher is once again presented with his emasculation conflict when Smith-Oldwick appears in the picture. The name Smith occurs in Burroughs’ work with some frequency while Old-wick may have sexual connotations unless I’m being too Freudian.
Before Smith-Oldwick does appear Tarzan has to cross the continent from East to West. His wish is to return to his father’s cabin, build an addition or two to make it more roomy and comfortable then settle in as a sort of gentleman farmer. Ah, to be so world weary. And yet that is what Burroughs is about to do.
In a rather remarkable episode Tarzan is crossing Africa when he comes upon Bertha Kircher out there somewhere. He takes her captive but for some unknown reason doesn’t relieve her of the pistol at her side. Even stranger he walks along in front of his captive. Bertha not slow to grasp an opportunity reaches up and lays the butt of her pistol alongside the back of the Big Fella’s head. There’s one bash in the head so far.
Bertha takes off for the railroad leaving Tarzan lying face down in the trail. As he lies Sheeta the panther comes upon him. This presents a sexual problem difficult of analysis. Does it mean that Tarzan is unaware of his attraction to Bertha or what? Tarzan is all but dead as Sheeta prepares to spring on him when who should appear but the Lion whose will Tarzan broke earlier in the story. Now totally devoted to his oppressor he kills Sheeta. Tarzan regains consciousness to find himself nose to nose with Numa. Reminds you of that horrid joke Hillman told a while back about the elephant. In this case it was the same lion.
So the Lion and Tarzan are united in spirit. Tarzan is not yet known as the Lion Man but he will be. In any event the Lion is a guardian spirit for him. In the second book after this one, perhaps reflecting this lion Tarzan will raise and tame the Golden Lion who will be his helpmate and guardian angel. I suspect that the lions Tarzan kills would have been tigers if someone hadn’t objected to the fact that there are no tigers in Africa. In some ways panthers are substitutes for the tiger.
Relieved to find that this lion is his lion Tarzan gets up giving the lion a pat and then trots off down the trail in search of Bertha. In a sort of hobo flashback Bertha finds the train line and hops a freight a few steps ahead of the White Ape. Tarzan misses the connection so we find him forsaking the middle terraces for a trudge down the tracks into town.
I don’t know how many people find these two sequences funny but I do.
Tarzan loses track of Bertha so he begins the long walk to Gabon. Here he has to traverse the eight deep canyons. These canyons have vertical walls while being very deep so that even for the Ape Man these thing become too difficult. Each crevasse gets drier and drier so Tarzan gets weaker and weaker being deprived of, as it were, the feminine water of life. By the time he hits the eighth canyon he is spent. I mean, he has had it. This may be as close to death as the Great Tarmangani has ever come.
He lays down in a manner that indicates he will never get up. The chapter is titled Blood Will Out. A little double entendre. A vulture descends to wait for his meal to die. Instead Tarzan grabs the vulture by the neck sinking his strong white teeth into it throat. Here’s the joke: Blood Will Out. Tarzan’s inherited greatness appears while the vulture’s blood saves his life. Tarzan sucks the vulture dry gaining liquid refreshment while eating the flesh. He now has just enough strength to climb out. He discovers he has crossed the desert and is now in a watered land.
One may assume then that Burroughs has fought off several bouts of severe depression from 1914 to 1919.
Back up on the surface he discover Bertha Kircher in the possession of a Black German trooper. At the same time Smith-Oldwick is flying on a reconnaissance mission when he develops engine trouble landing in a meadow. He whips out his monkey wrench, fixes the problem but before he can take off he is captured by the locals.
Thus he Tarzan and Bertha are brought together. So Tarzan having thought he had resolved his sexual hang-ups at the beginning of the book now learns he hasn’t. The old ambivalence returns in the persons of Bertha and Percy Smith-Oldwick.
In a series of interesting adventures the three Whites are brought together. Tarzan’s male figure falls in love with Bertha. The plane is relocated. An adventure with Usanga the Black German soldier intervenes that is not germane here. Tarzan’s intention is still to go off alone to his father’s cabin so he sees Smith-Oldwick and Bertha off as they begin the flight back to Kenya. Thus we have a second resolution to Burroughs’ sexual dilemma. He packs his sexual problems in a plane and flies them off higher above him than he is high above his daily cares in the trees. He is seen standing in a tree safely above it all watching the plane disappear into the distance. The plane is soaring very high over the tree tops when it takes a dive back to earth. Thus that dream of Burroughs’ getting rid of his ambivalence crashes.
Even this attempt to resolve his sexual dilemma is doomed to failure. He can’t abandon the two so he starts back into the desert from which he almost met his death. His sexual ambivalence has landed in the eighth and most desolate canyon. Undaunted Tarzan returns to near certain death to resolve his problem. The three are in an impossible situation from which it appears that there is no escape.
There he learns that a very unintelligent vulture had apparently mistaken the plane for a dead something. Descending on it the vulture became entangled in the propeller. Never one to lose a chance to bash someone/anyone on the head Burroughs has the bird break a piece of the propeller loose that bashes Smith-Oldwick in the forehead. The bashing definitely establishes Smith-Oldwick as Burroughs’ sexual alter-ego as he presumably now has the same scar on his forehead that both Burroughs and Tarzan sport.
The vulture is an ancient symbol of the mother. One can’t be too sure how aware Burroughs may have been of this but in the Jungian sense of the collective unconscious the symbol would have or may have suggested itself from the common fund. As a student of Africa Burroughs would certainly have had plenty of time to consider vultures especially as his idol Rider Haggard includes vultures in most of his African novels.
If Burroughs is using the vulture as a symbol for his mother that opens the interesting problem of what exactly his relationship to his mother was. First Tarzan strangles, drinks the blood and eats the flesh of the vulture, with perhaps a very sly joke of blood will out, and then the vulture attacks his sexual identity destroying any chance Burroughs may have had of successfully resolving the issue. I merely raise the point.
Having been bashed but not knocked unconscious Smith-Oldwick recovers in time to ease that airplane down. Tarzan arrives but there seems to be no hope of the three leaving the canyon alive.
At this point the residents of the lost civilization of Xuja capture them. Once again not germane to my point here after a series of very interesting hair raising adventures the trio is rescued by some British troops searching for Smith-Oldwick.
Burroughs and Tarzan still have to resolve the sexual dilemma.
The rescue officer advises Tarzan that Jane is not after all dead. This fact apparently resolves the problem for Tarzan. Bertha and Smith-Oldwick return to get married while Tarzan now psychically reunited with Jane returns to East Africa to begin the search for Pal-Ul-Don rather than returning to his father’s cabin.
We don’t know where this leaves Burroughs in August of 1919, more or less the anniversary of the beginning of the Great War in 1914, when he finished the book. We don’t know what his relations with Emma were except that possibly they had reached an accord psychologically.
The story began in Tarzan’s mythical Africa during the War. In the novel the story must take place in 1914-15 but in real life the war ended in November of 1918. This probably coincides with Tarzan drifting off from East Africa back West to Gabon. At the same time in real life Burroughs left Chicago in January 1919 moving West to Los Angeles.
So the village of Usanga in the middle of Africa must represent Chicago. The lost city of Xuja that is located in a desert valley watered by canals brought from a distance must represent the move to LA. So that Burroughs is recording his sexual dilemma and also the move from Chicago to LA against the background of the Great War. Pretty nifty footwork.
He and Emma must have been together as it is very difficult to believe he would have absented himself from her and Tarzana so that this long separation of Tarzan from Jane must represent a mental estrangement from Emma. Perhaps the strain of the move was more than she could bear.
In the next novel Tarzan The Terrible Tarzan makes the long trek to the lost land of Pal-Ul-Don in search of Jane. While the succeeding novel Tarzan And The Golden Lion opens with Jane, Jack and Tarzan returning from Pal-Ul-Don reunited again. At that time there is a distinct coolness between Tarzan and Jane. Whatever reconciliation took place between Emma and Burroughs it was less than satisfactory on Burroughs’ side.
In Golden Lion the two discover a lion cub on the trail that Tarzan takes home to raise as the Golden Lion. The Lion is always cool toward Jane while seeming to protect Tarzan from her. As soon as the lion is mature and trained Tarzan takes off to visit La at Opar. In this instance he and La come close to being a couple while the Golden Lion becomes a close male companion.
Thus Bertha and Smith-Oldwick have turned into La and the Golden Lion. Still unable to resolve his real life problem Burroughs ends Golden Lion by having Tarzan return to Jane. Burroughs has now resolved his emasculation problem by having the Golden Lion as Tarzan’s male buddy. As a beast he is not threat to Burroughs’ masculine identity. The Golden Lion remains Tarzan’s male pal throughout the remaining novels.
Now I have to return to Tarzan The Untamed. This is a very complex novel and I don’t know if I can do it justice.
Pt. 4 Something Of Value I
October 30, 2007
Something Of Value I
by
R.E. Prindle
Part 4
A minor mythographer who emerged at the same time as Burroughs and his Tarzan was the famous character Dr. Fu Manchu of the Irishman Arthur H.S. Ward writing under the name of Sax Rohmer. While his subject is in disrepute at the present time, Rohmer was aware that the times were one of a world sea change. He sensed, along with a few others, now equally in disrepute, that the EuroAmerican tide had crested; its flow was now out.
Rohmer running counter to Western trends made careful ethnic identities even to the point of identifying Irish and Anglo sub-groups although some of the characteristics he attributed to them seem mistaken to my eye.
Nevertheless he sensed the world was entering a period of Mfecane, to use the African term, or a time of troubles to use the Western term.
The African Mfecane which occured among the Bantu tribes of South Africa during the first half of the nineteenth century, and recorded so ably by Burroughs’ major influence, Rider Haggard, was a time when rapdily expanding population pressed on available resources. This was the time when the Zulu chief Chaka organized the Zulu impis or military battalions so excitingly described by Haggard. They were used, in the Zulu phrase to ‘stamp the ememy flat’ which is to say, exterminate them.
Numerous Bantu tribes were either exterminated or driven out to find new lands which is to say stamp non-Zulu tribes flat or drive them off good lands into the desert. Such is the historical process which operates without respect to race. Now, historically all peoples consider themselves the true men while all others are an emasculated inferior sort. This was and is true of the Semites. We all know the legend of diabolical Jewish cleverness. As is well known the Jews consider themselves the Chosen People of not only their tribal god but they have made of their god a universal god that has been accepted by an astonishingly large number of people. The Chinese peoples, which Dr. Fu Manchu represented, consider themselves of the Celestial Empire or Middle Kingdom to which all must bend the knee. The Arab Semites pray: Praise be to Allah, Lord of Creation…Guide us in the right path, the path of those whom you have favored.
Thus both leading Semitic peoples believe they are Chosen peoples which explains that conflict. In the United States, of course, we believe we have god on our side. We are naturally right being unable to be wrong. Praise the Lord and pass the ammunition.
Strangely enough the contemporary world believes it is living outside the historical process, that evolution has ended leaving all species in stasis whereas nothing could be further from the truth. A mythographer like Sax Rohmer is in possession of the truth. This was made apparent with the success of the Bolshevik Revolution when Mfecane took definite shape.
In this long wave action by the Jewish people that began with the apostasy of Sabbatai Zevi in 1666 it seemed momentarily that the messianic years of 1913-28 would be crowned with success, that the Jews would achieve world domination by 1928. The Bolshevik Revolution created a storm of anti-Jewish reaction.
This period from the Revolution of 1917-24 when Lenin died was one of intense apprehensive literature about worldwide Jewish intentions. Not counting the new Nazi reaction in Germany there was a burst of literature criticizing the Jews. In the United States, usually so placid, a reaction was led by Henry Ford then at the crest of his reputation as an auto maker. He had his reasons.
Ford thought he was dealing with an intellectual problem. He wasn’t aware that he had involved himself in an emascualtion contest, or pissing match as they are vulgarly called. The Jews, of course, never let the problem be examined on its merits but immediately raised the spectre of anti-Semitism. Ford was accordingly branded an anti-Semite. Why he or anyone else shoud favor the manhood of Jews over his own is, or should be, open to conjecture but no one can withstand the charge of anti-Semitism and remain respectable in his community. Ford lost the fight on the grounds of anti-Semitism, not the facts, while the Jews now confess to his accusations.
Disregarding all the benefits Ford conferred on civilization, which are very, very many, his fellows deserted him and he has no reputation today.
Thus, as of 1924, it seemed to the Jews as though the millennium had come but then Lenin died. Stalin seized the reins of Soviet government while Hitler’s star was in the ascendance in Germany.
The pall of Freud’s vision of the unconscious spread over the world. All other interpretations of the unconscious had been suppressed. Men like Jean Genet were coming into their own. Then, a year before the messianic years ended when things didn’t look quite so rosy Freud wrote another book, calling this one the Future Of An Illusion. This is a difficult book to understand. To merely condemn religion in the abstract seems redundant, even puerile. Freud appears to be responding to the defeat of the Jewish revolution in the Soviet Union. This must be the illusion whose future concerns him. While Hitler had not yet crushed the Judaeo-Communist revolution in Germany matters were in hand.
Stalin was neutralizing, if not yet eliminating, the cadre that executed the Revolution. It would be another two years before Freud realized that his instructions in 1917 had been in vain. In fact his releasing of his negative vision of the subconscious was about to backfire on him in the hands of Stalin and Hitler in a spectacular way.
I think that it is also signficant that, in these later years of his life, the Castration Complex became more signficant in his thinking, almost displacing the Oedipus Complex in importance. His concentration on it has the sound of an hysterical shriek as the failure of the millennium would be a type of group castration.
For the mythographers, the Burroughs of 1911-17 had been a plateau. Burroughs had brought all the mythological strands together. Like the arrow shot in the air to land one knew not where now one knew where Burroughs’ writing had been leading. It was his turn to inseminate many minds. Those minds no longer had only books to disseminate their views but they had even more potent forms of communication. The nickelodeon of the eighteen nineties had evolved into movies shown in palaces. Looking back, the early movie theatres were a temporary but spectacular moment. In my hometown the chif theatre was appropriately called: The Temple.
The movie makers seized on the psychological projections of the mythographers which could be interpreted and manipulated quite independently of the intentions of the authors. This brought a number of projections which might have been overlooked into the forefront of world consciousness. The exploration of Bram Stoker’s Dracula began in earnest, soon bearing little relation to Stoker’s book. Another stunning projection that would have gone unnoticed except for the movies was Gaston Le Roux’s Phantom Of The Opera. While not a particularly good book, although arresting, the character was coopted by a Hollywood producer while the book was being serialized in a New York paper. Strangely, the Phantom has become a counterpart of Victor Hugo’s Jean Valjean among the Red/Liberals.
Radio had come along in 1920 to be a force from the thirties on.
Movies and radio appealed directly to the subconscious in the brain stem through the eyes and ears which are connected to the brain stem more or less bypassing the conscious mind. With the movies there is too much content to consciously assimilate while the speed with which it passes leaves no room for consideration. Books on the other hand are read into the brain stem but are immediately evaluated by the conscious mind.
At least until the emergence of video tapes beginning in the 1970s movies were an ephemeral form of entertainment. Memories of movies are extremely unreliable as the subconscious manipulates the material for its own uses. Today one can review this ephemera which had such an influence on you, understanding and correcting any misconceptions.
Even more ephemeral and now lost forever was the radio show. One that left the most indelible impression was influenced by Burrough’s work. That most mortal but penetrating pyschological projection was The Shadow.
Today he can live only in the minds of those who were there although abut 350 pulp novels were written about the Shadow of which 280 were written by one man, if you can believe it. He was Walter Gibson. One believed that the Shadow stepped through the creaking door of the Inner Sanctum.
I have never seen the pulp novels but, as Gibson was in charge of both the show and the novels, the results must be the same. The stories were unimportant, as indeed all stories are, the important thing was and is the attitude, the myth. What mythographers call the truth. Thus if you hear only the literal story you have missed the real story. All good writing is done in keys.
The shows could only have been written post-Freud as well as post-Burroughs. the images do not appeal to the conscious mind.
The Shadow had learned ‘the hypnotic power to cloud men’s minds so that they cannot see him.’ (p. 608 On The Air: The Encyclopedia Of Old Time Radio, John Dunning, Oxford 1998) This may sound like so much hocus pocus, yet if one reads Freud’s Group Psychology carefully one will see that what Freud is proposing is hypnotizing groups to achieve one’s ends unnoticed.
If you watch the movies of Hitler working up a crowd you are watching a master hypnotist at work. Perhaps he also had read Le Bon. He comes quietly to the fore after his introduction, stands quietly watching and listening, his hand drops down to manipulate some items on the table. The audience, in their thousands, sit waiting in anticipation. Hitler begins to speak, quietly, indifferently; then his pace picks up, his intensity increases, passion flows from his voice while he gestures wildly, dramatically bringing his huge audience into a trance which he is able to satisfy completely before terminating the seance in a wild orgy of screaming indignation and wildly flailing gesticulation. It may not look impressive viewing it with cool dispassion on film but he’s good, even an artist.
Watch him. You don’t even have to understand German. He was terrific.
Freud also, merely through the force of his personality and reputation was able, through his writing, to influence large numbers of influential people, through them the masses, just by telling them in abstruse terms what they wanted to hear. To wit: Let your unconscious rule, the more sex you have the better a person you will be, do not allow any fancy you may have to be repressed. It’s bad for you. The unconscious, sex and free expression of the libido are good. You like that don’t you? If you act on it you may as well consider yourself hypnotized.
The Shadow in the Freudian sense and the Burroughsian sense was a man of many identities. One becomes a personality of many facets in the unconscious, one might almost say multiple personalities. Indeed, the Shadow lived in the everyday world under a borrowed identity not even his own. “To two persons only is the Shadow’s true identity known- that of Kent Allard, internationally known aviator- and those persons are Xinca Indians, servants picked up by Allard during a stay among their tribe in Central America. A guise often used by the Shadow is that of Lamont Cranston, world renowned big game hunter and traveler, when Cranston is away on his travels. This is by leave of the real Cranston, a man of deep understanding.” (The Pulps: Fifty Years Of American Pop Culture, compiled by Tony Goodstone, Bonanza 1970, p. 228)
Cranston must indeed have been a man of deep understanding while Kent Allard was freed from responsibility for his acts. Nice situation if you can get it. Like all the psychological projections the Shadow was a man of many identities. Most of the projections were experts of disguise, being able to imitate a vast variety of human conditions perfectly from street sweeper to nuclear scientist. Real Urban Spacemen. In Burroughs’ case he created a number of alter egos including John Carter, John Clayton also known as Tarzan, Lord Passmore and other identities, David Innes and Normal Bean. Unlike Freudian/Liberals they were and are more aligned with a firm grip on morality. Jekyll to the core. As the Shadow said: Crime must go! He gave his mocking laugh and said: ‘Who knows what evil lurks in the hearts of men? The Shadow knows.’ Purge your hearts f0r there is no escaping the Shadow.
There was a lot of evil lurking in the hearts of men during the thirties. A very large part of it was centered in Germany and the Soviet union where the epic struggle between good and evil was taking shape that was to end in that catastrophic war. I know you will think that the evil was represented by Adolf Hitler and the good by Judaeo-Communism.
Hitler has been represented as the nadir of evil. He was certainly one of the bad boys of history but then his Freudian style subconscious had been released. Besides, as I have pointed out he was the antagonist and not the protagonist; in other words he could not have existed without Judaeo-Communism, possibly not without Freud: he was acting in self-defense.
Hitler was not outside history as some would have it. It is time to integrate him into the historical process so the period can be understood. The period from 1913 to 1945 was one in which the great goddess Kali danced merrily around the world while Shiva played the pipes. Death is the eternal dance of life in the deepest mythological sense. Nor do Shiva and Kali care how many or who die. Many go, many more come. Since 1913 mankind, not Hitler, but mankind has murdered its hundreds of millions but Nature has replaced the dead with billions. After the human destruction of seven decades the world population has grown to life stifling levels. If the world population is twelve billion by 2050 as has been predicted, mankind will see Kali dance more wildly than ever before while Shiva plays faster, faster and more madly still. Hitler an arch demon? What? Grow up.
From the point of view of Religious Consciousness and this holds true for Judaism, Christianity and Moslemism anything and everything that happens, is merely the will of god. God works in mysterious way his wonders to perform while his mind is beyond the ken of man. I mean…if you believe this religious stuff then you have to accept all of it or else. This is religious fact! Thus Hitler was merely peforming the will of god as he had no other choice. God had created set and setting. From the Religious point of view Hitler must therefore be blameless while god is accountable for all that transpired.
From the scientific Darwinian evolutionary point of view the great wars were inevitable. The wars were the inevitable consequence of natural selection. I know that the general consensus is that not only do we live outside the historical process but that all the evolutionary rules have been set aside in our case. To those people I say believe as you will. In point of fact the struggle for human special existence goes on today as it did in the thirties and forties. One species will triumph over the others if society as we know it is not ended by natural causes by c. 2050.
The period under consideration was a confllict between Slavs, Germans and Jews. It occurred adjacent to and was partially caused by Jewish millennial ideas. Germans and Slavs had been contending for centuries both along the Slavic German border as well as in Courland which ran around the southern and eastern Baltic and within Russian itself.
During the nineteenth century the Czars encouraged Germans to colonize the Ukraine as farmers. A large German colony was established at the mouth of the Volga River. An alien Semitic people, the Jews, resided in Germany and Russia. While the Jews claim to have been loyal German and Russian subjects this notion is nonsense which will not bear up to historical analysis. They were part of the international Jewish community residing in their respective States. Just as the Germans and Slavs wished them to accept their national identities, as Semites the Jews wished to impose their world view on them. Hence one has a classic example of Natural Selection, varieties and species in conflict. In addition Hitler and the Germans were suffering from Emasculation as a result of the Great War while in the new USSR the State was being administered by Emasculated formerly subject peoples.
While one may say this contributed to the savagery of the period from 1913 to 1945 what we have here is a classic Mfecane or Time of Troubles that is still developing. The only solution was to ‘stamp flat’ or exterminate rival combatants. This was merely a part of the historical and evolutionary process. A harsh reality but true. Kali don’t mind, Krishna plays on.
Had the Jews been powerful enough they would have stamped flat both the Germans and Russians just as they began to do with with the Crimeans and as they would do with the Palestinians if let loose today. As it was, both Hitler and Stalin set about exterminating the Semitic Jews. Stalin would have completed the job in 1954 but Kali beckoned to him first.
The Jews always preferred German culture so that in the nineteenth century when the Russians compelled them to take surnames a great many Jews resident in Russia chose German names. As Judaeo-Communists they moved back and forth between Germany and Russia creating the illusion from 1917 to 1945 of German collaboration with Russia. To have called them Jews would have opened one to the charge of anti-Semitism. Who needs that?
If the Czars had attempted to Russify the subject peoples it was as nothing compared to the effort of the USSR under Stalin. Nationality was outlawed under the Communists. Stalin made the resident Germans a special target. Unable to dent the Volga colony’s nationalism he merely exterminated them after WWII.
You could watch Kali dance and Shiva pipe.
Reverting to the Religious Consciousness what purpose of God’s will did Hitler serve? I’m sure His mind is too deep for me, but if you’re religious this point has to be considered. Well, at the time the Popular Front governments in 1936 that were all Red, Judaeo-Communism seemed on the verge of world conquest from China to the USA. Except for Germany, Italy, Spain and Japan Reds were in the ascendant. Even Germany and Italy had adopted variants of Red socialism.
While it may not appear to be so at first glance Hitler smashed the Red economy. The USSR never truly recovered from the war, limping along until its economic collapse during Reagan’s administration in the US.
The war also gave the democratic forces of the US time to organize their resistance to the Red Menace. Unfocussed and in disarray before the war the Scientific element seized control of the State Department and the armed forces so that with the death of the Popular Front president, Roosevelt, the United States actually assumed the role of Hitler and his Nazis as the bulwark against Communism forcing the Jews in the United States to reconsider their position vis-a-vis Communism. It was really at this point that many Jews became anti-Communist in the United States. Hence the Jews assumed their traditional good cop/bad cop role. The US position against Communism gave rise to Jewish charges of Fascism in their bad cop role.
If from a religious point of view everything that occurs is the will of god then god must have been a Red baiter. Today’s Reds take note.
Nevertheless as the mythographers to a man were opposed to Red totalitarianism they all came under attack from the Red/Liberal forces. Every attempt was made to abort established careers while stifling new ones.
If you remember a while back I described a scene in which Commissars were reading Tarzan to employees of the Worker’s Paradise. That fact made Edgar Rice Burroughs a marked man. A concerted effort was begun to interfere with his career. Unfortunately for the Reds this effort resulted in a dozen of the best novels of Burroughs’ career supplying him with a fresh batch of material.
At the same time publishing became more difficult for him while his editors at the pulps became hypercritical of material they had once begged for. Also at this critical time Burroughs changed secretaries. His new secretary, who became his business manager and de facto head of Edgar Rice Burroughs, Inc. was a man named Ralph Rothmund. Rothmund claimed to be Scotch although I’m sure the sept of Rothmund must have been lacking its own Tartan.
The name translates from the German to Red World. It may be coincidence or it may be a joke. Certainly when an organization is being infiltrated the most sought after post is that of secretary. All information passes through the secretary’s hands. Rasputin, for instance, not surprisingly had a Jewish secretary which led to the charges of his complicity with the Germans. You may be sure that Rasputin was not complicit while you may be equally sure that his secretary was. At least with the German Jews.
There hasn’t been much work done on Rothmund by Burroughsians nor do I have any new information to report but let us examine Rothmund’s record as secretary and business manager. What was the result of his twenty-five years of work? Was Burroughs further ahead or further behind when Rothmund went to his greater reward?
The man nearly brought the business to a halt.
He disrupted all relations with the publishers of Burroughs’ early novels, bringing the flow of royalties to a halt in 1946, they had been miniscule even laughable since 1940. Nor did he actively pursue the publication of titles owned by Edgar Rice Burroughs, Inc. The lucrative radio show was discontinued in 1936. In what some fancy as a coup Rothmund sold the movie rights to Tarzan to MGM for a flat fifty thousand a picture, no residuals. By 1940 Burroughs was so broke, or told he was by his business manager, that Rothmund advised him to leave the country for Hawaii where the great creator of Tarzan lived on the meager $250.00 a month that Rothmund allotted him. What was Rothmund’s salary at this time? How much was the corporation earning?
In addition this supposed business manager allowed Burroughs’ copyrights to lapse, never renewing them. By 1945 the most popular titles of Burroughs were available to whoever wanted to publish them. Amazingly no one did while Burroughs’ long time reprint publishers, who knew the copyrights were lapsed, Grossett and Dunlap, honored argreements they were under no obligation to do.
Burroughs’ bacon was pulled from the fire by an earlier more lucrtive movie deal he had nogotiated with a producer named Sol Lesser. When MGM tired of the Tarzan series they let Lesser assume the rights. The revenues from Lesser’s productions defeated Rothmund’s apparent purpose.
Still, after Burroughs died in 1950 Rothmund made no attempt to keep any Burroughs’ titles in print. From 1950 until 1963 at which later date publishers discovered that the copyrights had never been renewed, nothing was available but a few titles from Grossett and Dunlap.
Even then, Burroughs’ most famous book, Tarzan Of The Apes, had been out of print for twenty years or more. Some business manager.
Thus, as is probably true, as a Red infiltrator Rothmund had destroyed the career of the arch Americanist, Edgar Rice Burroughs. the greatest of the mythographers was almost silenced.
While Rothmund worked to silence the Master, the Freud/Hitler/Stalin confrontation in Europe broke out into the most destructive war the world had ever seen. Unlike the previous wars there were no rational minds seeking to ameliorate the damage. Freud had unleashed the Hyde-like destructive subconscious of the West. Hitler, who had always said if the Jews involved Europe in another disaster like the Great War, they would pay the price, meant it. He was no empty boaster. He had the will, he had the ways and means. In the coldest, most scientific way imaginable he systematically rounded the Jews up deeding them to the flames Wow! Not since the great Roman manhunt of 135. Here was new meaning to the Jewish concept of passing the enemy through the fires. Wow!
Hitler raged East and West but he raged beyond his power. As must have inevitably happened before the first shot was fired, after the initial surprise German forces were driven back on all fronts. Driven into isolation by his enemies there was no possibility for a negotiated terminus to the war. In the struggle between the revolution and counter-revolution the only end could be unconditional surrender. That sick madman in Washington, crippled in body and mind, Franklin Delano Roosevelt, working from his subconscious no less than Hitler, insanely persisted in the demand for unconditional surrender. What a different world it would have been if the West had accepted Germany’s surrender before the Russians entered Poland. Heck, Roosevelt wouldn’t have had to honor any deal he made with the Germans any more than his mentor Wilson did in the Great War. What kind of man was Roosevelt anyway?
So here we have a man emasculated by disease, a seriously emasculated man by circumstance and a politically emasculated man directing the affairs of the three most powerful States in the world. Wow!
In defeat Hitler acted in the self-destructive way of the emasculated. He knew he had to die so he wanted nothing left standing in Europe when he was gone. Stalin, Roosevelt and Churchill were nothing loath to help him.
Hitler ordered Paris wired for total destruction. The city was to be blown off the earth in the face of the advancing allies. Wow! However, with the intellectual superstructure of the City of Light destroyed it would have collapsed into the Sewers of Paris, that would have remained intact. Freud had destroyed Morality as D.H. Lawrence had feared:
Quote:
With dilated hearts we watched Freud disappearing into the cavern of darkness….He was making to the origins. We watched his ideal candle falter and go small. Then we waited as men do wait, always expecting the wonder of wonders. He came back with dreams to sell.
But sweet heaven, what merchandise!….What was there in the case?….Nothing but a huge slimy serpent of sex, and heaps of excrement, and myriad repulsive little horrors spawned between sex and excrement.
Unquote.
Wow!
Double Wow!
Yes, Freud hd destroyed the conscious mind and morality and reaped the Sewers of Paris. As the payback for the expulsion of the Jews from Spain the Jews had stultified Europe. What came out of the sewers as intellectual Paris burned?
Jean Genet!
Of course any right thinking person is appalled by the course of history from 1913 to 1945 (or from year one to the present not excluding what went before) but for every right thinking person there are at least two who aren’t. The Third Reich was a paradise for a significant minority. Jean Genet was one of those. Check out a French movie titled ‘Dr. Petiot’ if you want to see another. (The Varieties of Sexual Experience) Genet enjoyed the period. He was a man come into his own. As he has been quoted previously, he delighted in the union of the criminal mind with authority. Why wouldn’t he?
But just as the French Revolution allowed the Marquis de Sade scope for his personality, Napoleon, when he assumed the reins of government clapped de Sade into the insane asylum at Charenton. So the Post-war Fourth Republic sentenced the petty thief Jean Genet to life imprisonment.
Genet might very well have died in prison but for the fact that he, while lying in his bunk smelling his farts, composed the novel entitled: Our Lady Of The Flowers. (What scents are these?) While respectable non-Communist writers were being hounded out of literature this criminal, homosexual, severely emasculated creep found a publisher. Saint, indeed!
Not only that, he found a friend. Jean Paul Sartre had surfaced in 1936 with his novel: Nausea. From this novel he developed what was known in the post-war world as existentialism. This notion was supposedly philosophy. I have been called an existentialist by people who should know what it is but I have to say that I have never understood what Sartre means by it. I’ve even read his trilogy, Roads to Freedom. Still don’t know what he’s talking about; I deny all charges.
Nevertheless by war’s end he had a tremendous reputation within France and without. For some reason he and other literati felt that any criminal who can write a book shouldn’t be in prison, as though Genet had been sentenced for the crime of never having written a book. So they sprung Genet. He could now steal with impunity. Ain’t life just too funny for words. Sartre later wrote a book of some six hundred odd pages about this petty thief entitled: St. Genet: Thief and Martyr. The two must go together. Sort of Geminis perhaps.
Genet had Sartre’s numbers. He dedicated his autobiography, The Thief’s Journal to Sartre: a Sartre au Castor. To Sartre as Castor. If Sartre was Castor then his twin brother Genet, was Polydeukes. As we all know Castor was the mortal twin while Polydeukes was the immortal. Genet was prescient as well as mocking. Today his myth lives on while Sartre and his existentialism is all but forgotten.
The point is that Genet was instrumental in creating the cult of the homosexual. It was through him that the homosexual was allied to the post-war Red coalition. In this union of Emasculates that seized control of US culture, if not always the government, the criminal mores of the homosexual as taught by Genet formed the basis of Red morality, or immorality, as you would have it. Freud was wrong in thinking men can live without the notion of a moral code.
The great mythographers who had attempted to give mankind a positive approach to morality by a union of the conscious and subconscious minds with consciousness preeminent were driven underground as the Red/Liberals seized control of the media preventing any view but their own being expressed.
Freudian visions seem to have triumphed, still, though Edgar Rice Burroughs died in 1950 his great psychological projection Tarzan lived on. He still lives.
To recapitulate: In the course of evolution a new type of man came into being in mid-nineteenth century who required a new vision of psychology. Society, for our purposes here, was thereby split into two divisions. One of Scientific man and two factions of Religious man. One of the latter was the reaction of Christianity which refused to make any accommodation with the new reality while its fellow the Red/Liberal faction while in as violent a reaction as the Christians adopted pseudo-scientific modes while seeking to subvert the Scientific Consciousness.
On the literary level the cudgel of Science was taken up by a group of neo-mythographers who treated psychology and evolution according to the tenets of science.
The Red/Liberal faction developed a revolutionary program guided by the religious conception of science led on the literary level by Sigmund Freud.
Taking the various concepts of the unconscious developed at the end of the nineteenth and the beginning of the twentieth centuries Freud twisted them to his purposes to envision the unconscious as a bale of evil impulses; he then convinced the West to release their impulses under the rubric of liberating the unconscious. The immediate result was an orgy of hate, sadism and murder that lasted, for our purposes from 1917 until 1945 at which time the old order collapsed.
The mythographers who had been less assertive were eclipsed by the Red/Liberals who now led the post-war era. They continued their campaign to sabotage the Scientific Consciousness by instigating a subtle reign of terror from the released unconscious.
Having now completed a survey of the first hundred years centered on the concepts of psychology I will now consider the same period from the point of view of evolution as reflected in the writing of Edgar Rice Burroughs. In the final part I will entwine both the psychological and evolutionary strands in a survey of society from 1945 to the present.
I dreamed I saw Ed Burroughs
As live as live could be.
‘Ah, but Ed, you’re dead.’ Says I.
‘I never died.’ Says he.
‘I never died.’ Says he.
As he stood smiling at me he had Something Of Value in his hand which he gave to me. It was a copy of Tarzan. I became as a pillar of smoke leading the people through the desert to freedom.
End of Something of Value I
Something Of Value II follows.
Something Of Value I
October 1, 2007
Something Of Value I
by
R.E. Prindle
If a man does away
With his traditional way of living
And throws away his good customs,
He had better first make certain
That he has something of value to replace them.
–Basuto proverb as quoted by Robert Ruark
Dedicated to
Greil Marcus
Part One
One Hundred Years In The Sewers Of Paris
With Jean Valjean.
Edgar Rice Burroughs, Sigmund Freud
And The Myth Of The Twentieth Century
1.
The Concepts Of The Unconscious And Emasculation
It has been truly said that man does not live by bread alone. He also requires a mythic foundation on which to base his actions. In the neolithic era his mythology was governed by a Matriarchal vision of reality. In the subsequent Egypto-Greco-Mesopotamian mythology the Matriarchal series went through a revision being replaced by an advanced Patriarchal mythological consciousness. This system was followed by the Judaeo-Christian mythological system which endured as the basis of mythological belief until the seventeenth and eighteenth centuries when the belief system was subverted by the emergence of the Scientific Consciousness.
Unlike the mythopoeic consciousness which preceded it the Scientific Consciousness left no place for supernatural explanations; all had to be explained within a rational scientific framework. This placed a great strain on a significant portion of the population which did not have the intellectual equipment to evolve. Thus the basis of psychological comfort provided by religion was destroyed. The code of behavior seemingly sent down from the sky had lost its validity.
In place of an apparent unified consciousness it now became noticeable that EuroAmerican man had an unconscious or subconscious mind as well as a conscious mind. Thus another evolutionary degree of differentiation unfolded that separated the advanced Scientific Consciousness from the anterior Religious Conciousness. A struggle has ensued in which advanced people are compelled to reintegrate their conscious and subconscious minds while the Religious Consciousness divided into the two camps of the Devout and the Reds resist.
The discovery of what was known as the Unconscious began with the emergence from the Religious Consciousness during and after the Enlightenment. Anton Mesmer with his discovery of Animal Magnetism or hypnotism may have been the first stage. Goethe and others carried the discussion forward until the Englishman FWH Myers isolated or identified the subconscious by the name of the unconscius in 1886.
The notion of the unconscious as known during the twentieth century was formulated by Sigmund Freud during the twentieth century’s first decade. Both Myers and Freud misconceived the nature of the sub or unconscious. Myers’ conception was more generous than Freud’s and more in accordance with proto-scientific Patriarchal Greek mythological conceptions which were also mistaken but visionary.
In Myers’ vision of the unconscious it had two aspects: the destructive aspect which he gave the Greek name of Ate and the constructive aspect he termed Menos. Thus he recognized that the unconcious could be good or bad.
Myers’ vision may have been based in Greek mythology. It will be remembered that the creative god, Hephaestus, was married to the emotional goddess, Aphrodite. Hephaestus and Aphrodite had their digs at the bottom of the sea which is to say the symbol of the unconscious which corresponds to the seeming location of the unconscious at the bottom of the mind or, in other words, the brain stem.
Thus it is said that Aphrodite, the goddess of love, which is to say irrationality, emerged from the sea on the half shell.
So, I suppose, love, being never rational is a subconscious decision which is one sided or a half shell. Love may be either constructive or destructive.
Thus also good ideas, a la Hephaestus, seem to rise unbidden from the subconscious or the depths.
Hephaestus and Aphrodite were ancient gods dating back to the Matriarchy. The incoming Patriarchal god, Zeus, had no part in their creation; they were solely a part of Hera the great goddess of the Matriarchy. She was much older than Zeus but the youthful Zeus united with her in the form of a cuckoo bird who as she clutched it to her breast slipped down her dress and ravaged her. So the Patriachy subsumed the Matriarchy.
When Hephaestus later sided with his mother against Zeus, the great Olympian threw him from heaven laming him. Then Aphrodite was given to him to wife. Unbridled lust combined with creative activity, Ate and Menos.
Aphrodite was not happy with the lamed god. While Hephaestus was on trips to Olympus she dallied with another Matriarchal god, Ares, the symbol of uncontrollable desire or rage. Hephaestus having been informed of Aphrodite’s infidelity set a trap for her and Ares. He constructed a finely meshed net of gold which he suspended over his bed.
Aphrodite, unbridled lust, and Ares, uncontrollable rage, were literally caught in the act being unable to disengage. Thus we have two aspects of Ate, lust and rage, caught by the efforts of creativity in the depths of the sea or the unconscious
Hephaestus called the other gods to witness. Athene, a new Patriarchal goddess who was the counterpart and antithesis of Ares and Aphrodite turned away in disgust. Apollo, another new Patriarchal god and the antithesis of Hermes just laughed. Hermes, the patron god of thieves, a Matriarchal god, said he would change places with Ares in a second. Thus, lust, rage and dishonesty are combined in one figure of Ate in the subconscious.
The image of Ate and Menos is what Myers meant by his idea of the unconscious. Freud, on the other hand, understood the unconscious as pure Ate.
Both the Greeks and Myers attempted scientific explanations while Freud gave the unconscious a religious and supernatural twist. He seemed to believe that the unconscious has an independent existence outside the mind of man which is beyond man’s control while being wholly evil.
Opposed to morality, Freud then wished to unleash this conception of the unconscious on the world. He was uniquely prepared to do so. All he had to do was manipulate the symbols of psychoanalysis of which he had full control. The question then is did Freud have deeper understandings that he concealed in order to bring about his desired ends?
Such is the case with his conceptions of sexuality. There is no need for him to have had deeper understanding, after all he was a pioneer opening a new field of inquiry. On the other hand…
Defining the unconscious was done by many men preceding Freud so that his is only one of many understandings, not necessarily the best, although today in common belief he invented the concept of the unconscious.
Next he chose to define the concepts of sex. He was equally successful in this field as far as the public was concerned, although I differ in understanding the matter as I do with the unconscious.
In analyses with patients Freud discovered that there was a fear of castration out of all proportion to actual incidents of sexual mutilation. It follows then that castration symbolizes something other than the removal of the genitals. I contend that it was impossible for Freud to have missed the signficance of castration as a symbol.
Castration as a symbol represents the broader concept of Emasculation, in this case psychological emasculation. This does occur in everyone’s life in many different manifestations while being something to really fear or avoid. Unless I am mistaken all neuroses and psychoses depend from it.
Understanding Emasculation is as much a ‘royal road to the unconscious’ as dreams.
I do not accept Freud’s map of the mind but we both agree that the Ego or Animus is the key to identity. Freud fully understood the significance of the Ego. Thus when the Ego is challenged with an affront or insult to which it is either unable or doesn’t know how to respond to successfully emascualtion to some degree takes place. There is no unconscious, just as there are no instincts so that a fixation is suppressed in the subconscious as a result of the affront. These fixations produce effects, which can be grouped in categories such as hysteria, paranoia, obsessive-compulsiveness and the whole panoply of general affects. The affects then find expression physically and psychologically, or in another word, psychosomatically. The mind and the body is one unit. These affects answer to what Freud called neuroses and psychoses.
When the Ego or Animus is denied its right to assertion the denial is frequently espressed in a hysterically sexual manner corresponding to the the insult. If the victim feels he has been taken from behind he will undoubtedly resort to anal intercourse as one type of underhanded response in an attempt to get back his own as in the case with homosexuality. Homosexuality is Emasculation par excellence.
The human mind is very limited in its inventiveness so all these affects can be catalogued and matched with the insult so that, absent resistance under analysis, they can easily be addressed and exorcised. The problem is not as complicated as it has been made out.
Freud understood so much more than he was willing to tell the goys but then he was not a scientist but a Jewish prophet. In his Group Psychology And The Analysis Of The Ego to which we will return he gave the game away.
The individual can and does submerge his own ego into a, or at various times, many group egos. Prominent among these group egos are ethnic, national and religious group egos.
Just as the individual can be emascualted so can ethnic, national or religious groups be emasculated which the individual will share. I mention the Jews only as the most obvious case although Negroes, American Indians or any defeated people suffer emasculation to one degree or another.
Thus I will discuss the unconscious from a general point of view with Freud’s concept prominent while the concept of Emascultion will be discussed by my understanding based on the studies of Freud on the castration complex and group psychology.
Bear in mind that I think Freud criminally distorted scientific knowledge for ethnic, national and religious ends.
2.
Quo Vadis?
Born with an integrated mind, circumstances soon disintegrate the personality so that the mind must be reintegrated to return to a state of psychic wholeness. A sort of personal mythology is created by one’s early disintegrative experiences which form one’s dreamscape in an attempt to deal with an overwhelming reality. However, when a person gains some control over external reality when the personality is integrated and the initial dreamscape based on early memories is eliminated a sort of distressing vacuum ensues that exists until a new dreamscape is formed which, while sufficient to ease the discomfort lacks the depth and substance of the fully mythologized dreamscape of childhood. One had reached a scientific consciousness. It may not be as satisfying but it fills the space while not controlling one’s behavior.
Western man, Euroamerican man, as the only segment of mankind so differentiated had then to begin to work out a new mythology based on rational scientific ideas. In other words he had to create a comfortable basis from which to understand and interpret the world.
Thus after a couple proto-mythographies in the early nineteenth century a cluster of writers or neo-mythographers began to create a mythology for the Scientific Consciousness.
The destruction of the Religious Consciousness began to become obvious after the eighteenth century Industrial Revolution in England. With the advent of steam the problem began to become acute.
The proto-mythologers may be Walter Scott, Byron, Peacock and the Shelleys. There is a departure in feel and style with these writers. Mary Shelley’s Frankenstein posits the scientific problem laying a foundation for the new mythology but does not itself deal with the psychological effects.
The first mythographer to make an attempt to explain the split consciousness from my own researches was the American, Edgar Allan Poe, 1801-49.
Poe began his writing career as a psychologically troubled man ending it insane. Along the way he wrestled with the problem of the void in the subconscious created by the elimination of the supernatural. His message was received by the later group of mythographers who read him without exception all being influenced by his work.
Poe caught the great intellectual change as it emerged. The period from 1830-1880 was the period of the great initial scientific advances that would change the world. From Poe’s death in 1849 to the emergence of the new breed of mythographers beginning in the 1880s was a period of literary quiescence.
Poe began his influential masterpiece The Murders In The Rue Morgue with the paragraph:
Quote:
As the strong man exhibits his physical ability, delighting in such excercises as call his muscles into action, so glories the analyst in the moral activity which disentangles. He derives pleasure from even the most trivial occupations bringing his intellect into play. He is fond of enigmas, conundrums, hieroglyphics; exhibiting in his solutions of each a degree of acumen which appears to the ordinary apprehension as praeternatural. His results brought about by the very soul and essence of method, have in truth the whole air of intuition.
Unquote.
By analysis Poe didn’t mean the sort of educated guesswork that had passed for analysis in the pre-scientific consciousness. No, this was scientific analysis that disassembled a problem into the component parts revealing the secret than reassembling the problem to its original state.
In doing so Poe revealed himself as a master mythographer as well as a scientist. In C. August Dupin, the initials spell cad, Poe created the archetype of the eccentric madman who would be the here of countless novels. As a projection of Poe’s own mentality Dupin and his unnamed alter ego live in a dilapidated house. The house is the psychological symbol for self which Poe used almost to exhaustion. As the Fall of the House of Usher prefigured Poe’s own descent into insanity as to a number of alter egos representing his sane side figure in the House of Usher, William Wilson, Rue Morgue and most notably in the System of Dr. Tarr And Professor Fether in which his sane alter ego drops his other half off at the door of an insane asylum.
The two Dupins live in a darkened house during the day, creaking not unlike the House Of Usher, going out only into the depressed asylum of the night.
Poe thus presents the separation of the conscious and subconscious modern man in the riddle of the murders in the Rue Morgue. In the Rue Morgue the subconscious is represented by the Orang u tang or animal side of human nature while the conscious is represented by the sailor owner. From Poe to at least Freud the subconscious was popularly considered a dangerous wild side of man.
In Dupin and his alter ego versus the sailor and the Orang, Poe may have perceived the emergence of a new species much as H.G. Wells was to do at the end of the century. Thus both men perceived that the antecedent consciousness and the Scientific Consciousness were not just matters of learning but a genetic difference although they didn’t put it that way that couldn’t be bridged.
Both aspects were brought out brilliantly by Robert Louis Stevenson (1850-94) in his 1880 novel: The Strange Case Of Dr. Jekyll And Mr. Hyde. This book may properly be said to be the first true represention of the scientific myth.
In this case the good Dr. Jekyll is the disciplined, self-controlled scientist committed to doing good in the world. Beneath his intelligent exterior he feels the primitive wild man lurking. The primitive of what is in fact a predecessor Homo Sapiens is very very appealing to him. Unable to bring this aspect of his psychology to the surface by conventional means he resorts to drugs.
Having once freed his wild side, who he names Mr. Hyde, he is unable to put Hyde back into the bottle or syringe, whichever the case may be. Hyde assumes control of the personality which leads both aspects of the personality to destruction. This is not unlike Freud’s notion of the unconscious.
Thus Stevenson brilliantly prefigured the twentieth century future in which the scientist is dragged back to the level of the predecessor species through a psychological inability to take the great leap forward and turn his back on his past.
The same sense of the alienation from a predecessor existence was evidenced in the work of a great transitional figure, H. Rider Haggard (1856-1925). Let me say that Haggard is a much neglected literary figure. As his topics concerned Esoterica and Africa, the former which is scorned and the latter ignored, his literary reputation has been allowed to virtually disappear. Having read a large part of his work in the pursuit of these studies I would rank Haggard very highly, certainly among the top ten authors, possibly as high as number five. one and two are Walter Scott and Balzac, while Dumas holds down third and possibly Trollope in the fourth spot. Haggard is a writer of genius.
He spent his late teens and early twenties in the South African provinces of Natal and Zululand where he acquired a vision of the difference between the first Homo Sapiens, the Negro, and the current scientific man. As the saying goes, there’s something to be lost and something gained when you move up the ladder.
Haggard never made it to scientific man himself being stuck in the Religious Consciousness. He belonged to the Esoteric side rather than the Christian. In the third novel of his great African trilogy, Allan Quatermain, Haggard examined the difference between the African and European in this manner.
Quote:
Ah! this civilization what does it all come to? Full forty years and more I spent among savages, and studied them and their ways; and now for several years I have lived here in England, and in my own stupid manner have done my best to learn the ways of the children of light; and what do I find? A great gulf fixed? No, only a very little one, that a plain man’s thought may spring across. I say that as the savage is, so is the white man, only the latter is more inventive, and possesses a faculty of combination…but in all essential the savage and child of civilization are identical.
Unquote.
In the same book Haggard also put the problem more poetically:
…he dreams of the sight
of Zulu impis
breaking on the foe
like surf upon the rocks
and his heart rises in rebellion
against the strict limits
of the civilized life.
Here Haggard states the central thesis of Stevenson’s Jekyll and Hyde. In the evolution of the species there is always a small gulf between two adjacent species: nature does not take great leaps, it moves in small increments. Thus it may be a small leap between the two, expecially when the next transition creates not only a new variety but a new species, but the leap is backwards as in Jekyll’s case while it is impossible for Hyde to make the leap forward, nor is he capable of adjusting to the new strict limits. Wasn’t Stevenson precocious?
Haggard who was not of the Scientific Consciousness was left behind while his work formed the basis of the greatest of the scientific mythographers.
Before moving on let us here consider the patron saint of the future Red/Liberal aspect of the Religious Consciousness, the Frenchman, Victor Hugo (1802-85).
Paris Is A Leaky Basket
Paris has another Paris under herself; a Paris of sewers; which has its streets, its crossings, its squares, its blind alleys, its arteries and its circulation, which is slime minus its human form.
~Victor Hugo- Les Miserables
As Haggard was a transitional figure for the mythographers one might say that Victor Hugo created the literary foundation for the Red/Liberal faction of the Religious Consciousness. His Les Miserables with its tragi-comic format forms the bedrock of Revolutionary beliefs. Hugo was himself a Revolutionary. His novel Les Miserables is the account, so he says, of the apotheosis of Jean Valjean from bestiality to salvation. Along the way to his apotheosis Valjean makes a detour through the sewers of Paris.
Hugo was a poet; his account of the sewers of paris is, shall we say, poetic. In fact a scatalogical masterpiece worthy of our own Lenny Bruce. If Lenny had studied Vic a little he would have been able to say everything he wanted to say while staying out of jail at the same time.
One wonders whether Freud read Hugo. There are certain similarities in style. Certainly they both seem to have had the same notion of the unconscious. Valjean’s trip through the sewers of Paris, he with the bleeding Marius on his back must have been intended as a representation of the unconscious. And a very funny one at that.
Freud would certainly have agreed with Hugo when the latter wrote: The history of men is the history of cloacae. From Hugo’s description of the sewers of Paris it is clear that Paris was not anal retentive.
Freud was no less scatological in his approach to psychology than this astonishing section of Hugo’s book. Who wouldn’t be miserable down in a sewer; miserable enough if only your mind was in the sewer. In Hugo one gets the same macabre, morbid sense of humor Freud exhibits in his own work. Oh yes, read properly Freud tells a lot of jokes. Didn’t he write a book titled: Jokes And Their Relation To The Unconscious? Sure he did. Knew what he was talking about too.
The first chapter of the section of Hugo’s book, The Intestines Of Leviathan is a series of morbid one liners which are as funny as anything Lenny Bruce came up with. Double entendre? To say Paris is a leaky basket! In the underworld homosexual argot of Jean Genet the term basket refers to a man’s crotch and penis. Undoubtedly the same argot was current in Hugo’s time. He was a student of criminal argot. So Paris being a leaky basket is equivalent to saying Paris was incontinent, pissing all over itself. Don’t you think that’s funny?
And then: “The sewer is the conscience of the city.” Hm? ‘This can be said for the garbage dump, that it is no liar.” I ask you, does Victor Hugo know how to get down and boogie? Let us follow Jean Valjean into the “Conscience of Paris” “which is no liar” from which Hugo says Villon talks to Rabelais. Fabulous funny images, morbid but fabulous and funny.
To be sure, psychology in 1862 when Les Miserables was published, had not been developed, yet notice how closely Hugo’s tongue-in-cheek, laughing in his sleeve, description of Jean Valjean’s journey through the pitch black maze of this subterranean worker’s paradise into which from time to time faint glimmerings of light enter answers to the images of Freudian Depth Psychology. Depth psychology? Was that a pun or play on words?
Just imagine Jean Valjean as he enters the sewer. Take time to construct concrete images in your mind. After this, shall we say, harrowing of hell not unlike that of Theseus and Peirithous, from which Perithous never returned, Valjean receives his apotheosis not unlike Hercules. One might also compare this scene with the temptation of Christ.
Valjean is carrying the bleeding Marius on his back who might or might not be dead. Hugo doesn’t let us know. This might be compared to one’s old self before or during the integration of the personality. In fact Valjean sheds Marius after emerging from the sewer from which the gatekeeper of Hell, Thenardier, allows him to emerge after being paid his obol.
The sewer is certainly a symbol of the unconscious for the scatological Freud who seems to revel in such fecal images. Amidst a chatty history of the sewers of Paris which Hugo keeps up as Valjean plods through the darkness always intuitively heading in the right direction, down. He evades the thought police who are searching for him or someone just like him in the sewers. A shot sent blindly down his gallery grazes his cheek. Jesus! Isn’t a man safe from harassment in the depths of his own mind? If you think Paris is dangerous, try the sewers.
Valjean is exhausted from his long walk carrying Marius on his back, poor suffering humanity, the sign of the cross, nevertheless with the heart of a lion he plods on. He moves forward through deepening fluids as his bare feet sink into fecal matter “which does not lie” while Hugo carries on a charming separate conversation with we readers about little known facts of the Paris sewers. No, the fecal matter, as well as Hugo, tells the truth however hard that may be to decipher from the material at hand as well as underfoot.
As the fluid (also however that may be composed as Hugo is writing scatologically) rises, his feet sink up to his knees into “the conscience of the city.” Get this! Valjean is one of the great strongmen, he lifts the dead weight of Marius above his head on his extended arms still sucking his feet from the muck. Hugo does not reveal whether Valjean lost his shoes during this ordeal or not but surely a while back. Perhaps of all the details Hugo records this particular item which consumes my interest had none for him.
Nevertheless, heedless of the the danger to her shoes, Valjean plods on. Plod, plod.
Now, here’s a detail of interest Hugo does record. Feet and legs deep in the conscience of paris, Marius held above his head visualize this, the fecal fluid had risen above Valjean’s mouth and nose so that he has to tip his head back, I’m not sure this would have been effective, until only a mask can be seen rising eerily above the surface, as well as two arms and Marius. He ain’t heavy, he’s my other self. Seen in Stygian darkness that is.
If we’re all in the same sewer here imagine particles of the conscience of Paris, scatologically know as turds, bumping up against the mask probably trailing behind Our Man Of The Sewer in a wake of fetid glory.
Even in the pitch black Thenardier is watching this spectacle. Fortunately the psychic crisis is past. Valjean leaves the conscience of Paris which does not lie, you can say that about it, behind striking solid, er, ground.
A striking vision of Freud’s and the Revolution’s reality. Had Valjean been given the name Spartacus the Revolutionary vision would have been complete. The Red/Liberals had spent a hundred years or more in the sewers of Paris before they turned this primary text of theirs into the Broadway musical of Les Miserables. Next time you see it put it into this context of the sewers of Paris. The songs will take on new meaning.
Part II of Something Of Value I follows.
Pt. 5 Springtime For Edgar Rice Burroughs
August 10, 2007
Springtime For Edgar Rice Burroughs
Part 5
by
R.E. Prindle
In this year of excitement for Burroughs as his success becomes established and he tries to work out his psycho-sexual conflicts it is interesting to follow the development of both.
Three of his stories expecially concerned with his sexual conflicts were followed by sequels relating to their development. The first The Cave Girl finished in March as a sort of sequel was followed by the Mad King of October-November and then in November-December of 1913 by The Eternal Lover. After a fashion these novels may be considered a trilogy.
Writing approximately a year later – 16 months for Cave Girl, a year for Mad King and eight months for The Eternal Lover- the three sequels rapidly followed each other. The Cave Man was writtin in July-August of 1914, Sweetheart Primeval (The Eternal Lover) in August-September and Barney Custer of Beatrice (The Mad King) from September to November. The diptyches were then published as single volumes. They have been disconcertedly packaged as single stories when they should be considered as different stories with different approaches to the same problem. Unless I am mistaken with the sequel to the Mad King Emma is written out of the story.
Following Cave Girl in early 1913 Burroughs wrote The Monster Men in April-May that probably has little to do with his psycho-sexual problems but relates to his long admiration of Frankenstein and probably the more recent H.G. Wells’ novel The Island Of Dr. Moreau. There will be a number of related stories along this line if not sequels.
The Warlord of Mars followed in June and July. John Carter probably relateing to Burroughs’ emasculation concerns thus having little or nothing to do with Emma. August to October’s The Mucker is a very important book, the first of what I consider a quartet exploring Burroughs psycho-sexual needs. In The Mucker a low brow hoodlum from Chicago is thrown together with a New York society girl. The novel brings together the theme of yachts, shipwrecks, cannibalism and the stranding on a South Seas island.
In this case the low brow realizes that he won’t make it in a high brow world so he renounces his claim on the society woman.
The first sequel to the Mucker gestated for three years until 1916’s Out There Somewhere (The Return Of The Mucker). In this novel Burroughs splits his personality into Bily Byrne- the Mucker- and the gentleman hobo, Bridge. Thus by 1916 it apears that Burroughs sees himself as more polished than his Mucker creation. Bridge is a voluntary exile from a wealthy Virginia family so that he unites The Prince And The Pauper in his identity while reversing the order of Little Lord Fauntleroy. It will be noticed however that Bridge combines all three of Burroughs’ most favorite books.
In the denouement Burroughs gives the society girl to the Mucker while Bridge goes off in search of the ideal ‘mate’ who is Out There Somewhere.
The second sequel, Bridge And The Oskaloosa Kid (The Oakdale Affair), of 1917 continues the story of Bridge in, really, a very good story, in which at the end Bridge is revealed as not a bum, assuming his true identity as a Virginia gentleman. The Pauper become the Prince, Fauntlroy comes into his own.
The last of the quartet is 1924’s Marcia Of The Doorstep in which in a wholly fictitious way Burroughs’ Anima and Animus are united in the characters of Chase III and Marcia. This novel appears to conclude this particular exploration that has lasted for eleven years.
The Mucker was followed by October-November’s The Mad King. The Mucker was written in both Chicago and San Diego while the Mad King was written wholly in San Diego.
The Mad King returns to the theme of the Cave Girl of ERB’s relationship to Emma. He even names the lead female Emma. It seems possible that the uprooting from Chicago with all their possessions had an unsettling effect on Emma so that ERB’s difficulties with her probably become more pronounced. Certainly her discomfort is understandable but the Mad King may have determined her fate.
The title The Mad King is probably significant in this context. Once again Burroughs creates doppelgangers so that both characters are split from his own personality. Once again we have The Prince And The Pauper theme of an interchange of roles. At this stage ERB may have felt like a king but realized he was acting in a mad way.
The Mad King is followed immediately in November-December actually a matter of only twenty days by The Eternal Lover- Nu Of The Niocene. The two stories must be closely related in Burroughs’ mind. Indeed the sequel to Nu Of The Niocene, Sweetheart Primeval includes several characters from The Mad King. So one would have to ask how does Barney Custer’s sister Victoria relate to Emma.
I intend to devote a few pages to the The Eternal Lover which I consider perhaps the most imaginative and interesting of Burroughs’ stories. The inspiration for the story can be related to two of Burroughs significant influences, Rider Haggard and Rudyard Kipling. Among others of Haggard’s work She stands out most prominently while Kpling’s very interesting ‘The Finest Story In The World’ bears directly on the theme of reincarnation and close encounters in time.
From further reading that I am doing all the time it is also becoming apparent that Burroughs is part of a very large intellectual and literary background activity. In reading a volume: H.G. Wells’ Literary Criticism I came across this entry: (p. 62, note 2.)
Quote: At the end of (Grant) Allen’s novel, Frida Monteith, now a Liberated Woman, hoping that suicide will enable her to join her lover in the twenty-fifth century, ‘walked on by herself…across the open moor and purple heath, towards black despair and the trout-ponds of Broughton.’
Unquote.
I don’t suggest that ERB read Grant Allen’s novel but as ERB himself said ‘plots are in the air.’ So that ERB is working within an intellectual milieu. His notion of time travel in 1913 is not unreminiscent of Mark Twain’s posthumous 1916 novel Operator 44. While I would not suggest that Twain received any inspiration from Burroughs certainly conceptions of time and time travel were ‘in the air.’ I merely suggest that there is a milieu from which all are drawing inspiration. Burroughs also seems to have in mind H.G. Wells’ When The Sleeper Wakes although he claimed virtually to have never heard of ‘Mr. Wells.’ In Wells’ story his hero had fallen asleep awaking several centuries in the future to find his investments had accrued making him the richest man in the world, the object of a religious cult and an impediment to its continuation.
In The Eternal Lover Nu has been asleep for a hundred thousand years. Burroughs’ title for Chap. III is ‘Nu The Sleeper Awakes.’ No chance of a coincidence. Instead of monetary rewards Nu will find that which makes life worthwhile- the perfect mate he had left behind in the Niocene. Burroughs make an unbelievably subtle comment on Wells. Wells did read Burroughs but whether he caught this is open to conjecture at this time.
In fact, Burroughs setting up Nu’s return to consciousness and his relationship to Victoria, Barney’s sister, is extremely well handled by ERB. I doubt if there is anything in genre literature that surpasses it.
Victoria and Barney have just passed the rock structure within which Nu lies sleeping. The Once And Future King motif is also suggested here as well as possibly Vivien’s enchantment of Merlin.
Speaking of her sensations she says to Barney: p. 14
Quote:
“Barney, there is something about these hills back there that fills me with the strongest sensation of terror imaginable. Today I passed an outcropping of volcanic rock that gave evidence of a frightful convulsion of nature is some bygone age. At sight of it I commenced to tremble from head to foot, a cold perspiration breaking out all over me. But that part is not so strange- you know I have always been subject to these same silly attacks of unreasoning terror at the sight of any evidence of the mighty forces that have wrought changes in the earth’s crust, or the slightest tremor of an earthquake; but today the feeling of unalterable loss which overwhelmed me was almost unbearable- it is though one whom I loved above all others had been taken from me.’
“And yet,” she continued, “through all my inexplicable sorrow there shone a ray of brilliant hope as remarkable as the deeper and depressing emotion which still stirred me.”
Unquote.
That sets the premonition of what is coming as discreetly as anything I’ve read. The psychology of Victoria’s emotions is as succinctly and accurately expressed as possible. It is very difficult to imagine the scene bettered by any writer. Haggard and Kipling who may have recognized their own work as a source of inspiration must have shook their heads in awe.
Barney is sympathetic: p. 16
Quote:
“Oh, Barney.” she cried, “You are such a dear never to have laughed at my silly dreams. I’m sure I should go quite mad did I not have you in whom to confide; but lately I have hesitated to speak of it even to you- he has been coming so often! Every night since we first hunted in the vicinity of the hills I have walked hand in hand with him beneath a great equatorial moon beside a restless sea, and more clearly than ever in the past have I seen his form and features. He is very handsome, Barney, and very tall and strong, and clean limbed- I wish that I might meet such a man in real life. I know it is ridiculous, but I can never love any of the pusillanimous weaklings who are forever falling in love with me- not after having walked hand in hand with such as he and read the love in his clear eyes. And yet, Barney, I am afraid of him. Is it not odd?”
Unquote:
So in a few pages Burroughs has created a mystery of instense interest that will be explained in the next few pages to stunning effect, certainly in 1913 if not today. Since 1913 the topic has been explared in a number of ways not least of which was the very interesting movie Somewhere In Time.
Victoria is afraid of earthquakes. As might be expected a major quake hits. The rock facing of the cave in which Nu has been sleeping for the last hundred thousand years sheers away releasing the gas and allowing fresh air to awaken the sleeper, much as in H.G. Wells excellent story.
Burroughs’ treatment of Nu’s experiencing the new world is exceedingly well done. Through a series of well wrought adventures Nu and Victoria/Nat-Ul are reunited then split asunder again as the Arabs capture Victoria carrying her to the well known fate worse than death in the hands of a Northern Sheik.
Barney and his crew find Nu taking him back to Tarzan’s house. Here Burroughs tells a story before Nu leaves to recover Natu-Ul that seems strange.
The story is told by an unnamed narrator who happens to be a guest of Lord Greystoke at the time.
As the whole scenario is taking place in the mind of Edgar Rice Burroughs we may be forgiven for assuming that the anonymous I is he.
ERB has a strange attitude toward his creation Tarzan here, almost demeaning. When Nu escapes with the wolf hound Greystoke just off handedly asserts that Nu had killed the missing dog. When this proves wrong ERB allows the others to verbally abuse their host. Rather strange, I thought.
It appears that this story that follows Mad King I can be construed as a continuation of that story as when Barney shows up at John Clayton’s ranch, the man formerly known as Tarzan, he is fresh from Lutha and there to forget. As he lost Emma in Lutha one assumes that she is what he’s trying to forget.
An American named Curtiss shows up. Victoria says:
Quote:
“Mr. Curtiss!…and Lieutenant Butzow! Where in the world did you come from?”
“The world left us,” replied the officer, smiling, “and we have followed her to the wilds of Equatorial Africa.”
Unquote.
A charming compliment to Victoria. Indeed, Curtiss is there to propose to her. Curtiss begins very charming then slowly turns vicious. Reminds one of Robert Canler or perhaps Frank Martin in real life. At one point Victoria was about to consent to marry Curtiss (Frank Martin?) but then demurred.
But then she made contact with her dream lover, Nu. the interchange of time sequences is extrememly well handled as Burroughs manages the hundred thousand year gap betwen Nu and Victoria in inventive and satisfying ways. Once again he has mingled prehistory and the present in what is definitely his most virtuoso performance. His depiction of Victoria/Nat-Ul’s blending of dream states and waking states is handled flawlessly and convincingly.
As Curtiss realizes that Nu is his competitor for Victoria/Nat-Ul he derides Nu calling him a ‘white nigger.’ I found the use of the term strange within the context.
When Nu had recovered Victoria from the Arabs Curtiss comes upon the two in the jungle unawares. He is about to shoot Nu in the back (Martin’s arranged bashing of ERB in Toronto?) when the wolf hound who has been protecting Nu and Natu-Ul leaps on him ripping out his throat and chest.
Burroughs seems to gloat over this gruesome death so that one must ask who Curtiss could represent in Burroughs’ real life.
That means, who are Nu and Nat-Ul?
Once again we have to go back to the period 1896-1900 and the subsequent years. It seems likely that Curtiss must represent Frank Martin who courted Emma during those crucial four years in ERB’s life. In ERB/Nu’s absence Curtiss/Martin courted Emma/Victoria/Nat-ul. We may assume that Emma was about to say yes to Martin/Curtiss’ proposal when Burroughs/Nu returned from the Niocene/Idaho thus foiling Curtiss/Martin’s hopes.
Now, when Nu rescued Victoria/Nat-Ul from the lion Curtiss shot him in the dark creasing his skull. This is a theme seldom or never absent from any of Burroughs’ books, therefore it follows that as Martin was responsible for Burroughs’ bashing in Toronto that Martin/Curtiss are the same.
Curtiss becomes abusive of Nu after he recovers from the effects of the near miss revealing his ‘true’ or mean side. So Martin may have, or probably did, become abusive of ERB upon their return from Toronto. It is not to be believed that he just disappeared from the couple’s life without some demonstration of anger. As we know that Martin paid close attention to Burroughs and Emma from 1900 to at least the divorce when he sent his friend Butzow/Patchin to LA to talk to Burroughs it is very likely that he interfered in their marriage through the whole Chicago period. This would explain the gruesomeness of Curtiss/Martins’ killing and ERB’s seeming to revel in it. So the whole Narrator, Barney Custer, Lord Greystoke and Curtiss story is somehow related. The missing piece of the puzzle is Burroughs’ seeming hostility to Tarzan/Greystoke. I haven’t got that yet.
Having rescued Victoria/Nat-Ul from the Arab abductor in one of the most satisfying fight sequences in the corpus Nu tries to claim Nat-ul as his own. He is still confused as to how Victoria can be of two minds as both Victoria and Nat-ul. Before we consider Burroughs’ masterful handling of the fictional situation let us consider the relation of the sequence to Burroughs’ and Emma’s real life situation. This story was written in San Diego not Chicago.
The prehisoric aspect of the story may represent the early days of their marriage before ERB lost Emma’s trust in Idaho. Thus Victoria/Emma remembers the old days but she isn’t necessarily willing as yet to replace her trust in ERB. Nu/ERB having now the two tusks of Oo the saber toothed tiger on him as proof of his devotion, possibly once again representing his John Carter and Tarzan successes, insists that Victoria/Emma return to the past with him. i.e. the early days of the marriage. In other words Burroughs wants to start all over again. The name Nu- New- may mean that ERB thinks himself a new man but the same old guy he used to be.
My hair is still curly,
My eyes are still blue,
Why don’t you love me
Like you used to do.
Hank Williams
As this half of the story ends somewhat in a quandary regarding the relationship, Victoria nevertheless agrees to return to the past with Nu.
As ERB tells the story in the novel he creates a most extraordinary scene.
Quote.
“You do not love me Nat-Ul?” He asked. “Have the strangers turned you against me? What one of them could have fetched you the head of Oo, the man hunter? See!” He tapped the two great tusks that hung from his loin cloth. “Nu slew the mightest of beasts for his Nat-ul- the head is buried in the cave of Oo- yet now I come to take you as my mate I see fear in your eyes and something else which never was there before. What is it Natu-ul- have the strangers stolen your love from Nu?
The man spoke in a tongue so ancient that in all the world there lived no man who spoke or knew a word of it, yet to Victoria Custer it was as intelligible as her own English, nor did it seem strange to her that she answered Nu in his own language.
“My heart tells me that I am yours, Nu,” she said, “but my judgement and training warn me against the step that my heart prompts. I love you; but I could not be happy to wander, half naked through the jungle for the balance of my life, and if I go with you now, even for a day, I may never return to my people. Nor would you be happy in the life that I lead- it would stifle and kill you. I think I see now something of the miracle that has overwhelmed us. To you it has been but a few days since you left your Nat-ul to hunt down the ferocious Oo; but in reality countless ages have rolled by. By some strange freak of fate you have remained unchanged during all these ages until now you step forth from your long sleep an unspoiled cave man of the stone age into the midst of the twentieth century, while I doubtless, have been born and reborn a thousand times, merging form one incarnation to another until in this we are again united. Had you, too, died and been born again during all these weary years no gap of ages would intervene between us now and we should meet again upon a common footing as do other souls, and mate and we to be born again to a new mating and new life with its inevitable death- you have refused to die and now that we meet again at least a hundred thousand years lie between us- an unbridgeable gulf across which I may not return and over which you may not come other than by the same route I have followed- through death and new life thereafter.”
Unquote.
Wow! I don’t know that that can be topped in fantasy or other fiction. And there are people who say that Burroughs has no occult background. The passage fairly drips of Haggard and Kipling. Novels and stories that he’d read perhaps twenty years or more before had been working away in his mind to surface in this magnificent speech and wonderful story.
The unbridgeable gulf clearly refers to Haggard’s Allan Quatermain. The influence of the story of She is unmistakeable while Kipling’s The Finest Story In The World is clear. yet Burroughs has built an entirely new edifice that rises magnificently above the old foundations.
Haggard and Kipling read the story too, I’m sure with their mouths hanging open. It inspired them four years later to collaborate on Haggard’s own Love Eternal. While inspired by his masters Burroughs also inspired them. It’s a pity they didn’t all three sit down to smoke a cigar and have a brandy together.
That this story has gone unrecognized seems incredible. With this half of the story ERB capped his incredible year of 1913.
The tone of the corpus changes after Nu of the Niocene.
—–
As he worked his stories were being published elsewhere. It would not be before mid 1914 that Tarzan Of The Apes would see book form but perhaps more importantly his work was recognized and serialized in the newspapers. We have to thank Bibliophile Robert R. Barrett for collating the newspaper publications that George McWhorter published in the Winter 2005 NS #61 of the BB. My information is gratis Mr. Barrett’s collation.
The New York Evening World kicked off Burroughs career when it serialized Tarzan Of The Apes beginning in January of 1913. The paper also published many subsequent novels. Following the Evening World Tarzan Of The Apes was published by the Los Angeles Record, Chicago Record, the Bowman ND Citizen.
The Return Of Tarzan was syndicated by the Scripp’s Howard papers and The Cave Girl by the NY Evening World. After 1913-14 the number of papers publishing Tarzan Of The Apes increased greatly so by the time the book was published in June of 1914 Tarzan was much more widely disseminated than the mere publication in the All Story Magazine would warrant.
Burroughs’ book publishing history is difficult to understand. the reports of untold millions of copies cannot be substantiated. Indeed it appears that in 1914 fewer than fifteen thousand copies were sold. There is no record that his publishers, McClurg’s even printed the full fifteen thousand copes of the contract. When they leased the reprint rights to A.L.Burt in 1915 there had been no record of sales success. Indeed Burt would only take the title if McClurg’s would indemnify them for the first twenty thousand copies if unsold.
The cheap edition did well well but Burt reported less than seven hundred thousand copies ehen they turned the rights over to Grossett & Dunlap. So Burroughs while having a success never realized the substantial royalties on which he had been counting and would have bought him his yacht.
The springtime of ERB was nearly over. By the time he wrote the sequels to The Mad King, Cave Girl and The Eternal Lover in 1914 he was already entering Summer.
Let us now examine the year 1914.
End Of Part V
Part 4a,b Springtime For Edgar Rice Burroughs
June 21, 2007
Springtime For Edgar Rice Burroughs
3.
In The Beginning:
The Renascent Burroughs
a.
The psychological release Burroughs experienced when he began to realize the potential he had always felt must have been especially gratifying. In all likelihood he believed he was beginning a new life, born again, as it were. It wouldn’t have been unusual in this circumstance that he wished to dissociate himself from his entire past of failure.
For this reason it is possible that California loomed as the destination in which his new life would unfold. Making the change was difficult and would take him six years to consummate. One asks, why California? Why not Florida, for instance. I think the answer may be in his three most favorite novels: Mark Twain’s Prince And The Pauper, Little Lord Fauntleroy and Owen Wister’s The Virginian. Wister posits the West as a place of redemption and fulfillment while Burroughs youthful visit to Idaho may have had that effect on him. Hence Waldo the consumptive lands on an island as primitive as Idaho was to Chicago and becomes a man. So Burroughs may have viewed his visits in the West.
In the Prince And The Pauper a Prince becomes a Pauper and a Pauper becomes a Prince. In Fauntleroy the unknown princeling discovered his true identity thus exchanging the role of Pauper for a Prince while his alter ego the pauper Dick The Shoeshine Boy is transformed as well and through luck and pluck assumes a role of success in California as a rancher at the end of the story.
The Burroughs born a princeling then disinherited to a Pauper reassumed his role as a Prince but he had been inefaceably declassed hence though now a Prince as Fauntleroy he retains the psychology of the declasse as in the character of Dick The Shoeshine Boy. Dick at the end of Fautleroy moves to California where he finds work on a rach eventually becoming a success as a rancher himself.
It seem obvious that burroughs considered Little Lord Fauntleroy a book of destiny. Thus California would appear as his destiny. I believe that the reason for the six year delay in the actual move was necessitated by a need to combine the Fauntleroy and Dick the Shoe Shine Boy or The Prince and the Pauper into one identity. He had to have enough money to support the appearance of the Prince. I haven’t figured out why he wanted to raise hogs as yet but when he moved he anticipated only buying 20-40 acres which was well within his means, but when he arrived there Colonel Otis’ magnificent estate presented an opportunity to realize both identities in a property he couldn’t resist although he may have known he was acting in an unwise manner.
Even then it may have been possible to sustain the property if his economic situation hadn’t come under attack by the Judaeo/Red/Liberal Coalition in the early twenties.
A second very major p;roblem for him was Emma who now definitely became unwanted baggage. But, he also had the three children who were also as definitely wanted baggage. It is possible that for their sake he didn’t abandon Emma until they were grown.
His Anima ideal was foreshadowed in Dejah Thoris while in Tarzan Of The Apes he creates the stodgy but beautiful Jane Porter as a flesh and blood woman but not an Anima ideal.
The actual split begins to occur in The Return Of Tarzan when Burroughs bursting with confidence realizes that he is about to realize his visions of self-worth. At that point the past and all related to it becomes hateful to him. As might be expected he wanted to put all that behind him. Thus in creating a land of his fossilized past in Opar he also creates a vision of the ideal woman he would like to have in La of Opar. In Return the conflict between Jane and La becomes apparent when La is about to sacrifice Jane on the altar of the Flaming God. That she doesn’t means that Burroughs has elected to stay with Emma undoubtedly for the children’s sake.
But he begins to toy with ideal images in resolution of his sexual dilemma. Another woman becomes a possiblity that didn’t exist before. It would seem apparent that as Burroughs fame grew and he became a desirable sex object to women that opportunities for philandering would present themselves. At one time I believed for certain that he didn’t. Now I am less certain but there is nothing to indicate he did.
Nevertheless he does begin to explore other ideal possibilities. Nadara of Cave Girl can be seen as one of those explorations. Having created other possibilities in La of Opar Burroughs begins to develop the idea with the cave girl, Nadara. She is perhaps the most human of all of Burroughs’ Anima ideals. She is the daughter of civilized French aristocrats raised by a caveman to be a primitive woman. Thus she has none of the civilized inhibitions especially toward sex. Burroughs will now begin a series of novels concerning the sexual relationship well in advance of what he may have heard about Freud.
Once Nadara has accepted Waldo as her mate she is ready to cohabit. Burroughs seems to be advocating this as a sociological ideal; a revolt against the strict limits of civilization. However in a clash of cultures Waldo who is subject to the strict limits of civilization finds it impossible to establish sexual relations unless they have married according to civilized rites and customs. As there is no one in this stone age society to perform these rites Waldo keeps putting consummation off until such an opportunity arises, if it ever shall.
Bearing the psycho-sexual situation in mind an interpretation of The Cave Girl is possible on a number of levels. The story is set in motion with a variation of what will become the familiar ship wreck motif. In this case the Prince, Waldo, is washed off the deck of the ship by a huge wave that deposits him on the strand of a large stone age island in the South Seas. Thus Waldo has to begin life without any survival skills, born again as it were as a new born babe. He has become the Pauper.
At this point it might be best to introduce the major sources for the story that I have found. As usual there are several.
And then I received an email a day or so before this writing from Mr. Caz Cazedessus of Pulpdom Magazine. Having read the first couple sections he pointed out that Mr. J.G. Huckenpohler had written an article in the first Pulpdom issue relating Cave Girl to Zane Grey’s Heritage Of The Desert. I haven’t read Huck’s essay but I have read The Heritage Of The Desert which I have just reviewed. I can see a possible line of argument that shows a number of similarities in the plotting of the two novels.
Heritage was published at some point in 1910 while Cave Girl was written in February-March of 1913. That does leave a sufficient window for Burroughs to have read Grey’s book but it seems a little light especially as Grey was a newish author at the time without a definite reputation. However whether or not he may have read the book earlier it is possible that he read the book shortly before writing Cave Girl having elements of his plot suggested to him.
Thus both Waldo and John Hale, the hero of Heritage, are consumptives or ‘lungers’ as they say Out West. Waldo is from Boston, Hare from Connecticut. Hare goes West to Mormon Country to begin his regeneration while Waldo lands on his island. In both cases a woman is involved and two enemies are overcome by their respective heroes. So, as I say, I don’t know Huck’s argument but I’m sure it’s a good one. There are good reasons to believe that the plot line was an influence, an additional influence, on Cave Girl. Thus Heritage would be another influence on Cave Girl. OK, Caz?
As Burroughs was beginning life over there is also a definite influence from the first eleven chapters of Genesis from the Bible which I will make apparent in my essay.
Another very major influence seems to be the King Arthur mythology. I will make this apparent as I go along. While there is no doubt that Burroughs would have been familiar with Genesis it might do to try the root out his possible Arthurian influences.
While we have at least a portion of Burroughs’ library listed here on ERBzine we should never gorget that while growing up ERB would have had access to the libraries of his brothers as well as that of his father. George T.’s library would have gone back to the 1840s and probably earlier not including the then English classics such as Milton’s Paradise Lost, Bunyan’s Pilgrim’s Progress et al.
One imagines that there were Arthurian titles in the collections, at least Mallory’s Arthur. If the young Burroughs didn’t read the volumes through he would at least have handled them, browsed them and looked at the pictures, if any. We know his brothers recommended the related Greek mythology to him.
Certainly the medieval world was more often discussed in papers and magazines then than in our day. And then Burroughs did like Tennyson having his collected poems in his library. Thus ERB was likely familiar with the poet’s Idyls Of The King dealing with Arthurian stories. And those not following Mallory. Perhaps the most important Arthurian influence was Howard Pyle’s four volume retelling that while similar to Mallory’s differs significantly while Pyle adjusts the story to his own perceptions and moral concepts.
The reputation of Pyle would have loomed large to ERB. There is one Pyle title in his library, Stolen Treasure, but Pyle’s reputation as an illustrator would have drawn ERB’s attention to him. Pyle was the most influential illustrator of his time and perhaps in US history. His disciples were legion including Burroughs’ own illustrator, St. John. Pyle founded what is known as the Brandywine school of illustration.
It should be borne in mind that Burroughs had an aborted career as an illustrator before he began his successful career as writer. Burroughs was very proud of the time he spent at the Chicago Art Institute. So it would seem that ERB would have kept up on Pyle, Maxfield Parrish and others.
Pyle began rewriting the Arthurian story in 1903 completing the last volume in 1910 so Burroughs had plenty of time to ingest and digest the work before he began to egest it. Nor would Pyle and Tennyson be his only Arthurian influences.
I didn’t catch this in time to include the idea in my review of The Lad And The Lion but that story seems to be highly influenced by Pyle’s telling of the story of Percival from Pyle’s second volume, The Champions Of The Round Table. Naturally Burroughs borrows elements rather than the complete story.
Percival, I follow Pyle, was an orphan living in the forest with his mother far from the haunts of men. P. 263, prologue to Percival.
Quote:
Nor did he ever see anyone from the outside world, saving only an old man who was a deaf mute.
Unquote.
So Burroughs took the hint of the deaf mute and elaborated the idea.
The Lad’s entry into the world follows that of Percival. So also the Lad’s first sight of the desert horsemen replicates Percival’s first view of the ‘angelic’ knights.
As I did mention in my review there is a similarity between lad’s being named Aziz, translated as Beloved, by Nakhla and Percival’s thinking his name was ‘Darling Boy’ as his mother referred to him. If this last connection is valid then Burroughs also read some other Arthurian story as Pyle doesn’t tell his version in that way.
So, as usual, Burroughs mines the literature of the world to tell his story. Just as I was not aware of the influence of Grey’s Heritage Of The Desert I’m sure there are more I haven’t noticed. I may even find more as my essay unfolds.
Across the strand at no great distance is a forest representing the search for self-discovery and realization. On the mragin of the forest at dusk a figure appears. As we will learn this is the beautiful Nadara but Waldo in his hyper-fear and cowardice imagines the form to be some kind of monster of which he is terrified. The monster stands between him and the food and water he needs. In a metaphoric way then he is between the devil and the deep blue sea. He cannot go back and he is afraid to go forward.
In Burroughs own situation as he is making the fateful decision to quit his day job to devote his life to full time writing the meaning of the metaphor is quite clear.
There is also a way of looking at the tale as retelling of the Biblical Genesis. This opening scene may be represented as the Biblical chaos in which nothing is differentiated with the upper and lower firmaments resting on each other. Then a divine wind arose which separated the upper and lower firmaments.
Waldo is a comic figure while the novel itself is intended to be a comic or satiric novel. Thus Waldo who can stand the tension between the devil and the deep blue sea no more runs howling and screaming into the forest to do or die against the monster.
The shrieking may be seen as a humorous representation of the divine wind. Man having been created first as it seems pursues the phantom who turns out to be a woman. Thus Waldo and Nadara represent Adam and Eve.
Waldo’s charge into the wood can also be seen as a representation of Burroughs’ decision to become a full time writer. This must have been as stressful a decision for him as was Waldo’s charge against the demon. Once through the wood Waldo is presented with a sheer cliff that appears to be inpenetrable. So, another barrier presents itself.
Having traversed the forest that was after all fairly narrow Waldo had seen a woman scrambling up the barrier. Rather than pursue her directly Waldo reenters the wood to pick fruit and refresh himself.
This can be seen as Burroughs’ desperate attempt to become a writer. Another view of the strand and the demon of the forest- between the devil and the deep blue sea- is that Burroughs had to make the desperate attempt to redeem his life by writing. Thus that original difficult decision that might possibly be compared to Waldo’s being washed off deck by the wave while now Burroughs is faced with the even more difficult decision of working at it full time. Thus the charge through the woods might represent his giving up his day job.
It would be interesting to know at what point in the story’s composition his father died. What is even more interesting is that his father’s death did not interrupt his writing schedule. In fact in a year packed with traumatic occurrences nothing did; Burroughs continued to turn out his stories at two month intervals no matter what. It is true that he had several incomplete stories in this year which means he hadn’t thought the stories through so that it is possible that while he averted severe writer’s block when he reached the end of his chain of thought he just stopped, resuming the story when he had thought it out.
A prime example would be The Girl From Farris’s that he began about this time finishing it nearly a year later. The Cave Girl was completed at this point while The Cave Man its other half and sequel was completed the following July and August of 1914. It is possible Burroughs was trying to double his monetary return but I think it more probable that he was writing so fast with such a tight schedule that he didn’t have time to worry over completion so he just terminated his story at a convenient point and moved on to the next one that was also only half thought out.
As all this stuff is based on autobiography I am truly astonished that Burroughs was so undisturbed by the happenings in his life that he had so little reaction. I have read of authors who found writing personal stuff so difficult that they were driven to bed for a week or two at a stretch. I have never faced a long stretch like that but I have sought refuge in bed for a day or two a couple times. So Burroughs writing achievement here over 1913, ’14 and ’15 is fairly remarkable.
At any rate having made the decision to become a full time writer as symbolized by the charge through the wood. Burroughs if faced with an unforeseen barrier so he goes back to pick fruit. This could possibly be seen as having written his intial ideas out, that is John Carter and Tarzan, he had to organize his second crop of stories none of which had the impact of Carter or the Jungle God. Grey’s Heritage may fit in here as Burroughs searching for ideas and plot lines may have the read Grey’s stories at this time or just previously.
Led on by the woman Waldo had mistaken for a demon he now faces the new barrier seeking a way through. He has difficulty finding the path but once on it he discovers the opening through the wall. This is a motif Burroughs will use a number of times most notably in The Land That Time Forgot and Tarzan Triumphant, not to mention the entrance to Opar.
Now, all these openings resemble the birth canal or being born again. In the instance of The Cave Girl the result of the rebirth is self-evident as well as perhaps Tarzan Triumphant when he is about to leave Emma for Florence. The Oparian episodes would have to be examined more closely from that point of view especially as the four episodes occur at critical points in Burroughs’ life while involving sexual conflict between himself and Jane/Emma and another woman represented by his Anima ideal La. Thus, in Golden Lion when Tarzan leaves Opar with La to enter the Valley of Diamonds is it possible that he had a dalliance with another woman? One wonders.
At any rate Waldo squeezed through the opening to come out on a wonderland on the other side. There is never a thought of going back. In fact a cave man places himself between Waldo and the opening driving him forward. This could correspond to the flaming sword protecting the entrance to the Garden of Eden which would continue the biblical motif.
At the same time we have a clear reference to Alice In Wonderland or down the rabbit hole. We know Burroughs was familiar with the two Lewis Carroll stories.
Yet another barrier presents itself. Another cliff is before Waldo this one of cave dwellers another favorite motif of Burroughs especially during this period. Burroughs would have been familiar with actual cliff houses from his sojourn in Arizona with the Army while he would have been fascinated with the replica built for the Columbian Expo of ’93. At this point God created Woman as Waldo pairs up with nadara. Thus Waldo’s fears on the strand when he projected the character of a demon on this beautiful and compliant female were totally unjustified. But if Nadara represents the success that had eluded him for so long then his fears born of hysteria were warranted by his past. This is a comic novel at least at the beginning when Waldo begins his transition from the skinny, consumptive academic bookworm to that of a man of Tarzanic proportions. Thus at this stage of the book Waldo is a bumbling buffoon.
Burroughs is obviously ridiculing the Boston Transcendalist school of Ralph Waldo Emerson as Waldo’s name merely leaves off the Ralph and adds the ridiculous hyphenated Smith-Jones. The latter of course has pretensions to nobility but is compounded of the two most plebeian and common English names. Waldo’s name is as comic as Burroughs could make it. Worth a laugh or two on its own.
He may also be making a snub at his fellow students of Phillips Academy when he went East. It is well known that Easterners of the time, if not still, deprecated Westerners. Burroughs would have had to put up with much jesting and ridicule while there so perhaps he is now ridiculing those who ridiculed him.
Also he may be ridiculing his own former self.
Burroughs is fairly hostile to New England throughout his writing. He is positive on the South having more than one hero from Virginia while he is considerate of the middle states. Thus Waldo beginning as an effete New Englander will turn into something resembling John Carter/Tarzan or the Virginian of Owen Wister’s strange novel. Thus if one views Waldo in light of Burroughs three most favorite novels, The Prince And The Pauper, Little Lord Fauntleroy and The Virginian the basic tenor of all the stories is made apparent.
Waldo being pursued toward the cliff dwellings by the cave men with his legs pumping up to his chin and the stick twirling in his hand resembles a scene from a newspaper comic strip. It would seem that Burroughs was an ardent reader of the newspaper Funnies. David Innes Earth Borer was undoubtedly taken from a newspaper comic strip also. This incessant modeling or borrowing may explain a bit of the contempt for his work by contemporaries. ERB comes real close from time to time.
Having paired up with Nadara she and Waldo hold off the cave men slipping away in the night to Chapter 3, The Little Eden, which is a key chapter.
4b.
It’s A Lover’s Question
This chapter is so compacted I find it difficult to find a starting point. If Burroughs’ marriage with Emma had not run smoothly from 1900 to 1913 their relationship would become even more stressed from 1913 to 1920. The marriage apparently barely survived a major crisis c. 1918-20 finally being terminated in 1934.
The relationship of ERB and Emma is very difficult to comprehend. It seems clear that ERB had no intention of actually marrying her but wished to keep her on a string. This arrangement was doing well until Frank Martin entered the scene in 1897 or ’98. Martin forced Burroughs’ hand who was then compelled to marry Emma in 1900.
Over the years from 1900 on Burroughs developed an intense antipathy to Emma which expressed itself in its most naked form at the time of her death when ERB did everything but desecrate her grave. There must have been some deep psychological cause for this that isn’t apparent from what we know for sure of the relationship.
Perhaps the most critical event in their lives occurred on that streetcorner on the way to Brown School in the fifth grade when ERB was emasculated by John the Bully. Burroughs was then removed to the girl’s school a few months later. I have no evidence that ERB and Emma were walking to school together on that the fateful day but subsequent literary evidence points in that direction.
As a result of his emasculation it would appear that ERB was fixated in such a manner that he was unable to form relationships with women after that date and that Emma was the only female with whom he retained one. But as she reminded him of that fateful day he both rejected her and couldn’t do without her. Thus he refused to marry her yet didn’t want her to marry anyone else. When circumstances forced him to marry her this may have begun his irrational resentment toward her. As there was no other woman possible for him until the beginning of his psychological liberation in 1913 he may have tolerated her, but just.
Success seemed to liberate repressed areas of his personality and we find him dreaming of an ideal mate quite different from Jane/Emma. If one assumes that John Carter is an idealized Edgar Rice Burroughs although Burroughs projects the role of uncle on him while maintaining a dissociation from him until the end then Carter’s affiliation with Dejah Thoris on Mars would be ERB’s first Anima projection. However Dejah Thoris is more closely related to Jane. In La of Opar and Nadara Burroughs’ Anima ideal shifts more toward a wild or nature woman. This aspect of the ideal is realized in Balza, The Golden Girl of 1933 who is also represented by Florence.
So, in Cave Girl an emaciated, consumptive, over intellectualized Waldo Emerson Smith-Jones mates with the primitive Nadara who still retains the imprint of her civilized parents down by the river in the Little Eden. Thus we have Adam and Eve in the Garden before they leave never to return.
The problem of male-female relations is a dominant theme in Burroughs’ writing. Indeed the theme is one that preoccupies all writers of fiction in one degree or another. In this aspect Freud is merely a prominent writer on the sexual condition of men and women. He is perhaps more systematic but not necessarily more profound.
For instance Freud asked in a title to one of his essays What Does Woman Want and gives neither a profound nor very thoughtful answer. If he had read E.M. Hull’s 1921 novel, The Sheik, he would have have had somthing of an answer written by a woman. Burroughs did read the Sheik. He understood what Hull was saying. His answer was the major burlesque of the Alalus people of the Tarzan And The Ant Men of 1922. In this charming story of the The Cave Girl he give his 1913 answer to the question of what woman wants in a credible manner.
The answer in this case is age old. The answer was clear from ancient times to E.M. Hull’s clear story. Mostly it would appear what woman wants is a powerful protector willing to perform her will when a problem exceeds her own powers thus recompensing her for the missing X and more especially the missing y chromosome. The latter what Freud called Penis Envy. One can only conclude that woman wants to be whole, to be chomosomally undivided. Thus as a famed LA procuress once said: A woman is only as powerful as the man beside her.
Now, Nadara projects a character on Waldo as her fierce and powerful protector. As love begins in Waldo’s heart the spectre of sex arises in their little Eden in the form of the Black Panther Nagoola. Is it a coincidence that the first syllable of both names is the smae while both end in a long A? Nadara the sexual temptress.
Prompting Waldo she demands whether he could kill Nagoola. That may have a couple meanings. It may mean could he despatch the animal and it may mean can he conquer or control the sexual urge. In Waldo’s case the anwer will be yes to both questions.
He does kill Nagoola in a comedy of errors in this comic novel. In its sequel The Cave Man he will adorn Nadara with the pelt of Nagoola thus making her the physical incarnation of sexual desire. Who says Burroughs wasn’t subtle.
Too desirous of impressing Nadara as a man of prowess he allows her to think he has already killed several Nagoolas.
Very pleased to hear this she says: ‘Good. When we get to my village I want you to kill Korth and Flatfoot.’ Well now, there was a committment that Waldo had no intention of honoring, at least in his present condition.
Thus, we have a demonstration of the thesis that women are responsible for conflict. Woman proposes, man imposes.
As they can’t stay in their little Eden forever they make the trek to Nadara’s people. Waldo is committed to killing the fearsome Korth and Flatfoot. He is terrified to confront them as well he might be. As they approach the village Waldo sends Nadara ahead then legs it out of there.
Thus we have the flight or fight dilemma that is another major theme of Burroughs. At this point in his career he isn’t ready to articulate his feelings as he will later. The dilemma relates to his confrontation with John the Bully in the fifth grade. At that time as Waldo in this story Burroughs elected to run. Now, you will notice that Waldo is with Nadara which is a pretty sure indication that ERB was with Emma that fateful morning on the way to school.
In point of fact either Korth or Flatfoot would easily have killed Waldo at this stage in his career as John would have cremated the much younger Burroughs. When he would later rationalize it there is no dishonor if fleeing overwhelming force which is surely true but has its consequences.
Thus Waldo like Burroughs was sent into the Wasteland. His problem now will be to figure out how to return to kill Korth and Flatfoot to reclaim Nadara.
4c.
How Waldo Became A Man
Prindle Of The Apes
June 7, 2007
Prindle Of The Apes
by
R.E. Prindle
Intro.
This is a snapshot of the world as it appeared to one man c. 1960. This was all before the technological advances of the late 70s wiped the old world off the map.
If the reader was born after 1955 it may seem that I am describing a foreign country which in many ways I am.
But, as the wise man said, an unexamined life is not worth living. I hope you like my little memoir such as it is.
Prindle Of The Apes
…he dreams of the sight
of Zulu impis
breaking on their foes
like surf upon the rocks
and his heart rises in rebellion
against the strict limits
of the civilized life.
H. Rider Haggard
from Allan Quatermain
It was the Big Bwana.
Tarzan And The Ant Men
The layers of Prindle’s education as he began his adult life were many. As with no other earlier generation his nervous system had to be organized to differentiate many different forms of experience. Primal of course was the living of his own life: what may be called objective reality. Mixing with his real live memories into a subjective reality in a manner in which they had to be compartmentalized were many forms of pseudo-experience. There was radio which in Prindle’s early life in the forties and fifties was composed of real life news and current events, fictional radio dramas by night, soap operas by day and the fantasy world of pop music. After the advent of Top 40 music radio his listening world converted to the psycho-sexual wailings of the psychologically wounded who made pop music.
The fiction of movies, animated films and the real life portrayals of the news reels entered his mind where they had to be stored and differentiated from his real life experiences as well as categorized as truth or fiction or a combination of the two.
Television added another several dimensions of experience to his young mind. For the first time he could watch actual events as they happened in far off locations like New York or Washington and after the introduction of the coaxial cable about 1950 he could watch or listen to real time events on the West Coast a full three times zones away. What was happening in daylight on the West Coast was relayed to the nighttime Eastern Standard Time.
Thus he could watch an LA Rams game live or view the Kefauver organized crime investigations and the demise of the demigod, Joe McCarthy in the Army hearings.
He watched the Bill Paley/Edward R. Murrow character assassination of McCarthy from which Big Joe had no defense or recourse.
And then there was the printed word. Newspapers and magazines poured out an endless stream of matter of which so much seemed of such timeless quality that he swore he would never forget it. He read the daily poem of Edgar A. Guest which entranced him by the seeming facility of composition while he was disgusted by the maudlin content. Yet day after day, month after month, year after year a new poem of creditable quality appeared.
page 2.
There were the comic strips of the papers and the comic books of super heroes that stood in large stacks until his mother threw them away. What did any mother ever know? He didn’t understand why but then how much ephemera can one boy, let alone a family, accumulate.
And then there was that great body of literature called Juvenilia. Some was truly drivel like the beloved Hardy Boys written as mere enterainment for immature minds. Yet much of it was great literature which had been degraded over the decades to be considered suitable for juveniles. Not least of these were Dumas’ Three Musketeers and Scott’s Ivanhoe both among the greatest creations of literature. Not that Prindle understood these complex works except on the action level but he was to return to them more than once in the succeeding years.
He read the pulps regularly, magazines printed on the cheapest pulp paper. He read them all: Westerns, Science Fiction (lots and lots of Science Fiction), Detective and True Romance as well as Argosy and True Magazines. His mind was well stocked with the incredible and fantastic yet he never confused fiction with reality. His intellectual life was a feast. The wonder of it all.
The greatest of all his early reading was the stuff that was the staple of B movies. L. Frank Baum, Conan Doyle’s great detective hero Sherlock Holmes who actually exists in most people’s minds on the cusp between fiction and reality. And of course, the one, the only, the most incredible hero of all times: Tarzan Of The Apes.
page 3.
Around the figure of Tarzan formed the immense and important psychological complex of the Dark Continent. The very heart of darkness, the Africa of both fact and fiction.
He imbibed the mystery of Africa that was no longer believable after the watershed year of 1960 when what was over ended and what would be began. A whole aspect of the education of Prindle became obsolete and slid to the ground like one of the towers of the World Trade Center. There was no better obituary for the European past in Africa than Alan Moorehead’s fine recapitulation issued in that year under the title of ‘The White Nile.’
One associates the history of White rule in Africa as being several hundreds of years in duration so Prindle was astonished to learn that central Africa only came under European dominion between 1860 and 1900. The Scramble For Africa. In fact two life spans of sixty years each bridged the entire era. The whole period could be encompassed by the memories passed down to no more than three generations. In 1960 one man could have remembered the whole history of European discovery and annexation from the Scramble till then.
One of the natives standing in one of those National Geographic photos of 1920 could tell the whole story. At least from his point of view. He would be unable to tell of the impact of Africa on the White Man.
page 4.
The Heart Of Darkness.
The savage primitiveness of Africa and its art made a deep impression on the European psyche ripping asunder several layers of civilized overburden to reveal the primitive origins of its naked self. At the time this was called ‘the thin veneer of civilization.’ The primal call of the wild beckoned to White men with irresistibility.
The bizarre untutored art of African tribes invaded the European subconscious to call forth wondrous responses. The crude wooden images, the strong primal masks, the scrawled designs all roused the subliminal imagination of Europeans.
About 1960 a recording of a mass by Blacks titled: The Missa Luba, performed by the Luba people of the Lower Congo took White Bohemia by storm. The combination of the primitive Luba recitation and the sophistication of the Catholic Mass was a stunning performance that seemed to unite the subconscious mind of Africa with the conscious mind of the White man. The power of the Missa Luba is undeniable. It is as moving today as it was in 1960.
Beginning in 1959 the Nigerian Ibo writer, Chinua Achebe, writing from the African point of view describes the designs drawn on the bodies of women as beautiful. To a Western eye they merely appear as rude but interesting squiggles. Go through some Geographics of the twenties.
The great explorers wrote the books describing the discovery or rediscovery of the source of the White Nile from which Moorehead drew his account. the great books by Burton, Speke and H.M. Stanley had appealed strongly to an earlier generation of writers. At the fount of imaginative novels of the mysteries of the Dark Continent stood the fantastic H. Rider Haggard. Himself a onetime resident of Natal, South Africa for several years, Haggard’s triumverate of African novels, King Solomon’s Mines, She and Allan Quatermain set the trend of an Africa full of undiscovered valleys, deserts and moutain ranges that could only be reached, even if only in your imagination, by the most intrepid or desperate of travelers. Strange places that time forgot still lived according to the ways of some distant epoch often prehistoric.
page 5.
Africa was still mysterious and unknown when Haggard began to write in 1885. Central Africa had not yet been explored. General Gordon was making his last stand at Khartoum. Explorers outfitted themselves for treks into Africa at the then legendary Abercrombie and Fitch store in New York City as they sat around explorer’s clubs just before setting out. After his terms as President ending in 1908 Teddy Roosevelt trekked across Africa shooting at anything that moved, big game or small.
I don’t know whether his trek fired the imagination of the greatest of the novelists of Africa but in 1912 Edgar Rice Burroughs began the series chronicling the adventures of the Big Bwana himself, Tarzan Of The Apes.
Tarzan Of The Apes found a place in the imagination of every American male from the series’ inception to the watershed year of 1960 when he was replaced by the Lord Of The Flies. That was a significant transition from what was to what was to be.
page 6.
Burroughs himself has never had his place in American literature and psychology recognized. From 1912 to his death in 1950 thirty-eight years later Burroughs turned out a total of 22 Tarzan books as well as dozens of other titles.
His creation Tarzan created a life for Burroughs as incredible as the Big Bwana’s. Tarzan’s success in books and movies was such a bonanza for Burroughs that he was able to found a city named after his hero in the San Fernando Valley of California named Tarzana.
In the light of racial events after 1960 the name is ironic, for Tarzan in Burroughs’ invented lingo means White from Tar and skin from from Zan. Must be a joke in Tar meaning White. Tarzan is named White Skin while Tarzana would therefore mean White Skin City. An amusing fact.
Burroughs was very fortunate to begin writing just as the movies came into prominence. Tarzan was a natural for the screen. Many silent movies featuring various Tarzans were made.
The movies incidentally rescued Rider Haggard who had fallen on hard times of destitution.
Burroughs had a marvelous facility for incorporating current developments into his novels. While Rider Haggard relied on time worn themes of Esoterica for his stories Burroughs was very up to date on the latest scientific discoveries. This was sometimes woven into the story completely unawares to the reader such as his answer to the Freudian interpretation of dreams in 1919’s Jungle Tales Of Tarzan. Only after finishing the passage does one realize what one has just read.
This was often done in fantastic juxtapositions. In Tarzan Lord Of The Jungle of 1928 Jim Blake a contemporary New york executive on a photo shoot safari gets lost somewhere North of Victoria Falls where he enters a hidden valley populated by descendants of the Third Crusade of Richard I who became lost ending up in this hidden valley. Finding them dressed in Templar chain mail Blake asks them to lead him to their Director. He has confused an authentic seven hundred year old Knight Templar society with extras from a movie set.
page 7.
Of course by 1928 Burroughs was very familiar with movie sets of Tarzan. With the advent of sound in 1927 the Tarzan that Prindle’s generation knew was about to hit the screen. The great Olympic swimmer Johnny Weissmuller assumed the role as sound came into existence. This truly Tarzanic figure epitomized the great Tarmangani. Mangani- ape in Burroughs’ talk, Tar= White, Tarmangani, white ape. The role was adapted to feature Weissmuller’s swimming acrobatics. Crocodile fights became much more common.
Weissmuller perfected the triumphant victory cry of the Great Bull Ape which every boy tried to emulate and perfect. Even today the icon of victory is that the victor puts his right foot on the body of his dead victim, beats his breasts with both fists and yodels out the cry of the great bull ape. The jungle was relatively quiet until Tarzan arrived.
Many hours were spent in basements and attics as boys practiced the famous yell. Many were the discussions and arguments over who had mastered it and who hadn’t.
Even movie heroes grow old so it became necessary for Weissmuller to retire. The fierce competition for the job went to a guy named Lex Barker who nobody had ever heard of. Most of us turned our backs on Barker. His own successors in the fifties never had a chance. I didn’t even know there were successors at the time. The role is still assumed but it is just not the same.
page 8.
The age of exploration was over; social conditions prevented the notion of the Great White Ape ruling over a Black Africa and living on. Dracula, Frankenstein, the Phantom Of The Opera and Sherlock Holmes had long successful careers before them but the Great White Ape vanished like the legendary Africa of old. (Revived on Broadway since I wrote this essay.)
Still, Edgar Rice Burroughs succeeded in creating a mythic character who could take his place alongside the timeless emanations of the subconscious. Few creations have. Homer hit the groove sharp as a knife in the Iliad. The knights of Arthur’s Round Table fill the need. Conan Doyle’s Sherlock Holmes gratifies the itch in spades. Frankenstein, Dracula, the Wolf Man and The Mummy rank with H.G. Wells’ The Invisible Man. They fill specific but limited areas of the subconscious but Tarzan Of The Apes encapsulates the psychic needs of the nineteenth century and the first half of the twentieth. A new or improved expositor of the faith is needed now.
No matter that so much of Tarzan is implausible not counting finding Crusaders in contemporary Africa. If one looks closely at Tarzan swinging through ‘the middle terraces’ of the trees of the jungle faster than you and I can sprint a hundred one wonders why no branches impede his swings on his trusty grass rope. While monkeys chatter in the ‘upper terraces’ Tarzan swings through the ‘middle terraces’ to escape an arboreal panther.
page 9.
But to examine the problem of ‘the middle terraces’ is to miss the point. It is like searching for the historical Arthur and the locations of his twelve battles or trying to find Sherlock Holmes address at 221B Baker Street.
Perhaps Arthur and his twelve battles did exist but they have no bearing on the story. Prindle has stood across the street from the approximate address of Holmes on Baker Street but the reality bears no relationship to the fiction. Prindle looked at the windows across the street for Dr. Moriarty and his air gun but could find no evidence the arch villain had ever been there.
So Prindle disregarded the difficulties of the middle terrace and all other difficulties. He just allowed Burroughs to amaze him. Prindle only read seven of the earliest novels. Over the years the stories and plot lines faded from his mind. He remembered only a few details of the stories and often those inaccurately.
What did stick with him was a vision of Africa. What affected him although the notions had slipped through his conscious mind into the subconscious were the beliefs and ideals of Burroughs as placed in the Tarzan stories.
Tarzan was a very scrupulous man of high ideals. While others might stoop to skullduggery to achieve their ends Tarzan never did. He faced every problem squarely, solved it and acted on the highest principles.
Prindle ‘remembered’ many maxims which he was able to repeat verbatim although he had no idea not only where he got them but that they weren’t his own original thoughts. There were half a dozen from Sherlock Holmes that were actual guidelines for his life. Chief among them was Holmes dictum that whenever you eliminate the impossible whatever remains must be the truth no matter how improbable. Prindle repeated the dictum constantly as his own not knowing where it came from. In rereading Holmes in later life he was startled to come across these dicta word for word.
page 10.
One of the most astonishing remembrances not from Tarzan but from the movie ‘The Incredible Shrinking Man’ which he saw in 1957 almost shattered him. Prindle had had a dream in which a spectacular image had occurred to him which seemed so original that he was amazed at himself. In the dream the detail was that he was standing before two men holding up a huge Gordian Knot on a large dowel. Standing in front of them Prindle’s only way to cut the knot was to manipulate a huge pair of scissors. The scissors were so large that he could barely raise the handles from the ground let alone open them to cut the knot.
He asked for help from the two men but all they did was hold the knot higher and shake it. Dream Prindle put the scissors under his right arm and leaned on them like a crutch.
This unusual image struck him as something entirely original of which he was very proud. However on reviewing the Incredible Shrinking Man he came across a scene in which The Shrinking Man is battling a spider. The Man is of the size where a needle is an appropriately sized means of defense. On the table beside him is a spool of thread and a pair of small child’s scissors. He drops the needle off the edge dangling from the string. He then tries to use these now huge scissors to cut the string which he cannot do.
page 11.
Thus this image worked away in Trueman’s subconscious to emerge transformed as an impossible solution to his own psychological problem twenty-five years later. Prindle was forced to ask himself; Is anything truly of one’s own making?
page 12.
Tarzan in any size, and in Tarzan And The Ant Men he was shrunk to minature, or situation would have been superior to anyone and ever triumphant. He was always magnanimous. Having experienced the entire range of existence from beast to civilized man he never ill treated the African natives or even the prehistoric men and women he met along the way. The Blacks or Gomangani (Go = Black, Mangani = apes) may have been primitive savages but they were worthy of respect as men in every way. The same attitude was true of Rider Haggard. Neither he himself nor his heroes ever referred to Blacks as Niggers.
Haggard’s hero, Henry Curtis, in King Soloman’s Mines even goes native in battle donning the Black’s headdress and gear to take his place in the Black army’s ranks where of course he proved that with or without the veneer of civilization the Englishman was best of all warriors.
The Blacks may have been almost another species but they were always thought of and treated as men among men. This was quite in contrast to Joseph Conrad’s Heart Of Darkness in which the Blacks were seen as sub-human.
In Burroughs’ fantastic Africa the Black natives were only one of many species of hominids. Burroughs himself was very widely read, educated on the up to the minute scientific theories. He was well versed in evolution. He seemed to intuit that there were many vanished varieties of hominids and he peopled his Africa with them back in those hidden valleys.
In Tarzan The Terrible Burroughs has a cave man riding a Tricertops like Alley Oop of the Funnies plus two varieties of tailed monkey-like hominids that undoubtedly came before the cave man but were more highly developed. Of course there is the crown of creation Tarzan himself. As is habitual with Burroughs he introduces the present into the prehistoric past bringing World War I into it with a struggle between a German officer and Tarzan for Jane. Son Jack and his rifle are also on the way. All this going on in a land that time not only forgot but never imagined.
page 13.
Prindle recalled none of these details but they prepared his mind to deal with scientific realities when it became necessary for him to resolve the issues in his own mind.
The balance tipped in the watershed year of 1960.
Whites and Blacks presented an insoluble problem to any thinking person coming of age in 1960. That there was and had been racial inequality was an undeniable fact. Prior to 1960 however the general consensus was and had been that racial equality was based on fact and not prejudice. Tarzan had, of course, treated all people of good will well regardless of race as deserving of respect. Underlying his feelings as well as those of American society was the notion that White people were the crown of creation while the yellow and Black peoples, poor fellows, were in fact evolutionarily inferior. The Whites were Bwanas to the lower races and Tarzan in Burroughs’ words was the Big Bwana.
Not their fault so no reason to condemn them but rather to pity them. They were, in fact, ‘the White Man’s burden.’
Prindle never took anyone’s word for anything so he neither sided with those who said all men were in fact created equal or those who said White men were created superior. The question was one to be decided at some future time. The two avenues open to him were personal observation and experience and study.
page 14.
Of the Negroes with which he came into contact he saw that they were quick at learning manual skills like football and basketball but when it came to perceiving general principles and applying them there seemed to be something lacking in their minds that prevented them from making connections. Not that Blacks couldn’t take an item and perceive different uses for it than that for which it was intended but they failed to understand the underlying principle.
This was true in all fields of endeavor, they seemed unable to move from the specific to the general on their own initiative.
When, looking at Blacks in their home environment of Africa it was obvious that from the moment Homo Sapiens evolved from the Last Hominid Predecessor to the beginning of the nineteenth century when Africa fell under the White Man’s dominion that Blacks had made no advances from the Stone Age. They had merely matured as Stone Age peoples.
They had never discovered the wheel, they had no writing, they had no metallurgy, no plow had broken the African plain, they had nothing but the most primitive social organization. They were in fact untutored savages.
This fact was somewhat puzzling to Prindle as everwhere else in the world with the exception of the aborigines of Australia and the various tribes in backward areas every people had advanced up the ladder of civilization. In fact the most advanced was the White civilization of Euroamerica; regretable to many but undeniable to all.
Whether White guilt prevented acknowledging the fact or not, it was so. The Peace Corps of 1961 created by Kennedy tacitly observed that truth. White superiority was so in every field of endeavor from art and literature to science and mathematics. There was no other people that competed with the White race most especially they of Africa.
Prindle could offer no explanation in 1960 at the age of twenty-two so we will have to use the year 1960 as a fulcrum balancing the past with the future.
A Nigerian Ibo writer began his literary career in 1959 when he published a book entitled ‘Things Fall Apart.’ Chinua Achebe began to explain the Black point of view of what happened when Black and White culture collided in his part of Africa. He directed his polemics at the West as he was from Southern Christian Nigeria and not the Moslem North.
He is not very explicit as to time, dates and location but it gradually emerges from his corpus that his home was on the coast in Eastern Nigeria. The times he describes seem to be between 1910 and 1930. As was Prindle’s experiences with the American Blacks Achebe doesn’t seem to be able to relate the specific to the general; in other words, he has no science. He has a wealth of carefully selected detail but no penetration.
Insofar as the details he does use they appear to be the same as those noted by White observers but seen from the other side. The photos of Africa taken in the 1920s and 1930s which portray a completely primitive people with bizarre body piercing, strange ornaments and squiggly designs on their bodies, strange scars and tattoos are seen as beautiful and exquisite by Achebe. Truly, beauty is in the eye of the beholder.
page 16.
While reading Achebe late in life Prindle’s ideas
formed in his early life were merely reinforced. He could see no reason to change opinions of Africans so eloquently expressed in Mooerhead’s White Nile. Those opinions were edited out in later editions to conform to subsequent notions. Nevertheless subsequent events in Zimbabwe, South Africa and elsewhere merely reconfirmed Prindle’s earlier opinions.
Nor were contacts with Europeans of the nineteenth century the first outside contacts Africans had made. As Moorehead pointed out a map prepared by the Greek geographer Ptolemy in 150 AD clearly and with very reasonable accuracy depicted sub-Saharan Africa from West Africa to Central and East Africa. The course of the Niger in West Africa was accurately shown minus the effluent which remained a mystery until the nineteenth century when the Niger was related to the Oil Rivers at the Bight of Benin. The true course of the White Nile was also depicted although the strong arrogance of academic European scholars forbade their acknowledging the accuracy of any of the ancient writers.
Ptolemy’s information came from Greek traders who penetrated Central Africa from the area of future Zanzibar so we may assume that ancient intercourse with Central Africa had been going on for centuries. Yet African developed little or technology.
The same is true with West Africa for Herodotus records a Libyan expedition which occurred well before his time of c. 450 BC.
The Romans built roads across the Sahara that were well trafficked.
After the ancients the Arab slave traders made descents on Africa continually for perhaps two thousand years or more. Black slaves are common in the Arabian Nights depicting a time of 700-800 AD. By the time Europeans came into conflict with the Arab slavers in the eighteenth and nineteenth centuries the slavers were all Moslems.
page 18.
This fact gave Trueman matter to wrestle with as American Blacks decried the slave trade as something peculiarly American. In fact slavery had been endemic to Africa from time immemorial. In Chinua Achebe’s story ‘Things Fall Apart’ he makes no mention of Moslem slavers or indigenous slavery dealing only with European slavers.
Yet from c1500 to 1830 African slave raiders abducted untold numbers of Europeans from Mediterranean shores who disappeared into the Dark Continent never to be seen again.
The European slave trade was in existence only a couple hundred years after which shame made them abandon the trade. By the time Europeans came into contact with Moslems in Africa they had abolished the slave trade amongst themselves now taking what must have appeared as a hypocritical stance to Moslems in attempting to force them to desist from slaving.
As inhumane as the European slave trade may have been it was peanuts compared to the inhuman attitude of the Moslems. Anyone who has read The Arabian Nights must be struck by the contemptuous attitude of the Moslems toward Blacks. This was certainly reflected in their methods of capture and transportation.
Moorehead quotes Stanley’s account of the great slave roundup he witnessed after he met Livingstone. The Moslem slavers opened fire on the Blacks like Teddy Roosevelt opening fire on the fauna of Africa slaughtering many while dozens of others who took to the river to escape drowned. Once captured the Blacks were marched yoked together hands tied behind their backs for a thousand miles to the coast.
page 18.
Once there they were packed into decks only eighteen inches apart for the long torrid voyage to Arabia, Persia and India. The torture of being unable to roll over or change your position must have been exquisite not to mention the stench and filth. If it doesn’t kill you as they say it makes you stronger.
There was nothing in the Koran to forbid such practices although there was in the Christian bible. However the very humanity of the New Testament may have placed Christianity at a disadvantage compared to Moslemism.
Moslemism did not call for any changes in social conduct or the organization of society. The introduction of Moslemism left the African social structure intact calling only for a belief in Allah and his prophet Muhammed. Slavery was already endemic to African society so that, strangely, while the Arab slavers annually corralled tens of thousands of Black Africans into slavery or death there was an acceptance rather than a rejection of Arab religion.
Christianity clashed with nearly every tenet of African religion including slavery, polygamy, native medicine men and nearly the whole fabric of African society. Therefore while Moslemism shared most native beliefs the issue of slavery was a man to man thing and not a moral problem.
The European invaders placed themselves in opposition to both. The enslaved Blacks and the enslaving Moslems. While Europeans were successful in eliminating the Moslem slave trade centered from Zanzibar they were never successful in eliminating the slave trade above Victoria Falls. Even today the slavers are active in the Sudan and the Horn of Africa.
page 19.
At the present time several thousand Somalian female slaves and their masters are transported to Portland, Oregon every year as immigrants to the United States. It is indeed a strange world.
Christianity also tended to destroy the social order of African tribes. The tribes were all small organizations located in specific geographical locales. There was no such thing as nations or countries such as Kenya or what was then Tanganyika now Tanzania. These agglomerations were artificial administrative units set up for the convenience of Europeans.
Thus the natives no longer were able to look to their old center for the resolution of their problems but to White men located in an administrative center far from their own tribal boundaries.
As Christianity made no allowance for native customs the established order had no incentive to adopt the religion unlike Moslemism which required no change of conduct. The appeal of Christianity and the White Man’s Power then was to the disenfranchised and outcast classes. As Achebe’s Thing Fall Apart clearly shows the ‘untouchables’ were the first to respond. Christianity in which all men are equal then made the ‘untouchables’ discard the trapping of their class making them visual equals of the ‘big men’ of their tribes.
As the representatives of the White Christians these native outcasts became the political superiors of the former upper classes. That was the meaning of Achebe’s title: Things Fall Apart.
page 20.
While the Moslem areas of Black Africa were relatively complacent a huge antagonistic split existed in the Christian areas. The antagonism did not take long to surface. Within less than sixty years from their actual annexation the Central and West Africans had thrown off their White colonial rulers.
The French and English had no real liking for West Africa with its oppressive heat and humidity but the English were more desirous of holding on to the more equable Central and Southern Africa. While it can’t be said that civilian English settlers moved into West Africa they did in Central and Southern Africa. In these areas the Whites resisted Black independence movements more staunchly.
The Europeans bequeathed a national state to men like Kenya’s Jomo Kenyatta who was himself merely a member of a small tribe. He now posed as a national ruler over both diverse Black tribesmen and a unified civilized English population.
The fearsome Mau Mau, a group of natives straight out of Tarzan erupted on the world consciousness in the early fifties as they terrorized and murdered the English settlers in the most primitive manner.
Alan Moorehead didn’t concentrate on the Mau Mau which he obviously found distasteful but the Mau Mau showed the obvious difference between Europeans and Black Africans.
Fifty or sixty years is a very short time to convert stone age peoples to a level of civilization that took many thousands of years to achieve even if the two peoples had been of equal mental abilities.
page 21.
Edgar Rice Burroughs who was a fairly astute student of evolution seems to have captured the general feel of the evolutionary process. He has his hero Tarzan experience each level of development from animal to Homo Sapiens. Thus Tarzan on one level is a pure beast raised among the great apes of Africa in the tribe of Kerchak by Kala his ape mother. Following Freudian theory Tarzan kills his father Kerchak although he mourns his mother’s death rather than following in his father’s wake.
At the age of twenty he leaves Africa for Europe and America where within the short space of two years he takes on the ‘thin veneer of civilization.’ Well, it was thin, you know.
Returning to the jungle he becomes the chief of a Black African tribe named the Waziri. While for Burroughs the Black Africans are by no means despicable they nevertheless appear to be an evolutionary way station between the pure beasts and the civilized Whites.
Tarzan, of course, inherits the English title Viscount Lord Greystoke so as John Clayton he stands at the apex of civilization as well as evolution as an English gentleman entitled to sit in the House of Lords.
Although the current genetic information wasn’t available to him Burroughs intuited, or accepted, the obvious evolution of the hominid from beast to Homo Sapiens.
While it may be controversial to place the White species at the top of the evolutionary scale there is evidence that such may be actually so. All men may not, in fact, be created equal. Perhaps an unpleasant fact but then nature is not concerned with pleasantness.
page 22.
It is generally assumed by scientists that because 97% of Homo Sapiens genes are shared by the Great Mountain Ape while the Chimpanzee shares 98% that those two species of anthropoids are evolutionary predecessors of Homo Sapiens. In other words that the earliest hominid predecessor of Homo Sapiens mutated from the Chimpanzee. I don’t know what the actual percentage is but I am sure that fifty percent or more of the genes of the fruit fly are shared by Homo Sapiens. All species most likely utilize fifty percent or more of the same genes as why not if evolution is indeed a fact.Are all the product of evolution? You bet. So what are you going to make of that?
One may assume that if evolution is progressing from the less intelligent to the more intelligent that the process need not necessarily stop at the apex of Homo Sapiens. In fact, there are three obvious main species of Homo Sapiens as well as two or more at the upper end of the scale not so obvious and a couple at the lower end of the scale also going unnoticed.
In coventional parlance if race is admitted as a fact those three divisions are known as races although they may be differentiating species. Scientists tell us that there is only four tenths of one percent genetic difference between the races as though a mere four tenths disproves something. Recent genetic discoveries indicate that genetic mutation is still occurring so that differences are accruing rather than remaining static or decreasing.
If we are going to accept and apply scientific evidence this then raises the issue of which race or sub-species in actuality is the most evolved and bears the evolutionarily active gene line.
It is assumed that the first hominid came into existence in Africa somewhere about two million years ago because the earliest traces of hominids yet found have been found there. Many unwarranted assumptions based on this notion have been made for racist reasons. For instance, because only Blacks were found in modern sub-Saharan Africa it is assumed that this early hominid was also Black or Negro as though there were some distinction in being possibly the same color as the Last Hominid predecessor. In fact no one knows what color the Last Hominid Predecessor was nor is there any way of ascertaining the fact.
page 23.
The distance between this early hominid who must have been much more closely related to the Chimpanzee following the logic is unknown. Perhaps it was merely half of one percent genetic difference. Perhaps the visual relationship between this hominid and the Chimp and Ape was approximately that as now exists between the Homo-Sapiens sub-species. No one knows.
Homo Sapiens is said to have appeared in sub-Saharan Africa only one hundred fifty thousand years ago.
So far as I know there are no remains existing of the hominid from which Homo Sapiens evolved. Nor is there much of a record for extinct hominids between the remains found in Olduvai Gorge and the evolution of Homo Sapiens. All earlier forms have disappeared. The various forms of another anthropoid, Homo Erectus, all existed alongside Homo Sapiens. Whether they preceded him is not clear but that they became extinct possibly with the passing of the last ice age.
Everyone agrees that the sub-Saharan Homo Sapiens was in fact Black and that the Whites and Mongolids evolved from this Black predecessor. This may be proven true if it is allowed to examine genetics objectively rather than impose subjective hopes on the facts.
However objectivity may be denied because reason suggests that the first species evolved from the Last Hominid Predecessor is probably the least evolved Homo Sapiens intellectually. It is possible that the first evolved Homo Sapiens is physically superior in the animal sense to subsequent mutations.
page 24.
There may be some physical law that a sub-species once manifested is no longer capable of further evololution. Thus the Great Mountain Ape probably is little different than its two million year old predecessor. The same would apply to the Chimp. Once having attained perfection for its specific limitations a species is as it were fossilized in form. Thus the Black as the earliest Homo Sapiens sub-species is probably as developed intellectually as it was, is and ever will be. Further Homo Sapiens evolution will be carried to conclusion by the Whites. Each step in the evolutionary scale however leaves the others behind as the Chimp left the ape behind and Homo Sapiens left the Chimp behind. Whatever color predecessors may be they must become predecessors and hence less evolved. This is a fact that if you can’t accept then you merely refuse to accept it for ideological reasons and your reasoning is invalid.
One must assume that at some point another evolutionary step will occur creating an entire new species leaving Homo Sapiens behind in the same relation to it as the Chimp is to Homo Sapiens. You must be able to grasp this point.
Politically and socially this conclusion must be unpopular but one either adheres to scientific truth no matter how unpopular or falsehood is allowed to reign.
If one goes from mere appearances it would seem that a hierarchy of intellectual ability leads upwards from the Blacks to the Mongolids to the Whites.
While all scientific achievement may not be attributable to Whites yet all scientific achievment is based on methods introduced by Whites. In an age where all scientific information is shared almost instantaneously Black and Mongolid contributions are miniscule compare to that of Whites. Further no people in the world have made scientific contributions which were not based on White science. Nothing has come from the Orient, nothing has come from the Semitic lands and nothing has come from Africa.
page 25.
While today Joseph Conrad’s Heart Of Darkness is dismissed for racial and political reasons yet the novel has its basis in fact. The contrast between the European invaders and native Blacks throughout Africa was too pronounced to dismiss. Nor was the difference merely quantative but qualitative too.
There is an ancientness to the Africans. There is the sense that they were and are incapable of rising above the stone age mental processes that characterize them. The Africans seem to have developed stone age thinking to a logical and stultifying conclusion by the time the Whites arrived.
The Uganda described by the earliest explorers was organized in such a sophisticated stone age way that terrifying customs abandoned by Europeans over two thousand years before had fossilized into a permanent and unchangeable way of looking at things.
When Moorehead describes the king of Uganda killing thirty people for the entertainment of a visiting dignitary one has to recoil in horror. Yet in one form or another such was the case throughout Africa.
The delicacy of Europeans prevents their acknowledging certain facts primarily because if they did they would have to accept the truth. Cannibalism was a norm nor did the Africans give up such customs. In addition to the Mau Mau Leopard Men in Kenya in the fifties Moorehead reluctantly concedes that medicine men still donned the skins of the great cats to ritually murder infants at the time of his writing in 1960. Chinua Achebe admits that humans were still sacrificed in times of great need in Nigeria in his time.
page 26.
Sekou Toure who was the Prime Minister of Guinea after 1960 famed as a poet in France still kept human flesh in his refrigerator like the American madman Jeffrey Dahmer. He explained that there were certain things White Men couldn’t understand. Well, apparently Dahmer could. With that explanation the ‘poet’ was excused while Jeffrey Dahmer who wrote no poetry was sentenced to life imprisonment.
In general the Black nations of Africa have rejected an uplifting Christianity which would force them to change their ways for a more tolerant Moslemism which makes no such demands on them.
Thus the Africa of Tarzan, the National Geographic and the Explorers Clubs passed away by 1960. Moorehead’s interesting book was the epitaph of the period.
Not all Blacks remained in Africa. The forced diaspora of the seventeenth, eighteenth and nineteenth centuries had spread the species throughout the New World from Brazil through the Caribbean to the United States.
The predominant slave populations of the Caribbean quickly politically dominated their areas reducing the White population to an ancillary status without any real rights. Whites lived apologetically on the islands barely tolerated by the Blacks.
page 27.
There even after extended contact with Whites and White science the Blacks made no advances over their Black brethren in Africa. They remained on the same intellectual level. Anyone who would deny that would deny the Holocaust.
In the United States the story was no different. It is true that from the seventeenth century to emanicipation in 1863 the Blacks were slaves. Still, there were ‘house niggers’ and ‘field niggers’. If the field Black was given no opportunities for education this could not have been true of the household help. Yet by 1960 as Prindle was entering young manhood there was no indication to him that Blacks had made any intellectual advance.
The Black situation was not a small problem to him while as the Black rebellion then in progress developed the problem became of the first magnitude.
The practical effect was a barbarian assault on the institutions of the United States hitorically unparalleled since the incursion of the Roman Empire by the German barbarians which culminated in the fifth century AD.
The result of the invasions in both cases will be the same although the Germans bearing the higher genetic development were able to develop civilization over time. The same will not be true of the Blacks who can only bring civilization down to their stone age level. Sad but true.
Were the Germans capable of intellectual development while Blacks are not? This was a burning question of Prindle’s youth. Were Blacks genetically inferior to Whites or was it merely a question of educational opportunities?
page 28.
At the time the only means of determining racial intellectual abilities was testing. This was in the form of the IQ test. Whites invariably scored higher on the average than Blacks and not just by a point or two either but the gap ws significant enough to raise wonder.
The Blacks countered that the tests were racially weighted in favor of the Whites. It was suggested that if tests were written in Black patois Whites wouldn’t do quite so well.
Perhaps.
But classes were not taught in either Black or White patois but in a good clean English which was the language of the people, land and literature. People from educated families probably had a few points advantage over those from families where intellectual prowess was not quite so demanded but such a fact could not be avoided.
Barring these natural variations in opportunity the playing field was level for all. The Blacks also advanced the notion that more money was spent per White student than for a Black student. While well received and even believed against clearly visible evidence to the contrary by Whites this argument too proved fallacious.
By 1970 every school district in America was fully integrated. Those in the North and West had been for decades. In fact the same amount of money was spent on every student White or Black. While this fact should have been clear yet Whites and Blacks advanced the opposite notion as fact.
page 29.
It was also true that all White schools had a better record than integrated schools where the levels were brought down by the Blacks.
Prindle was an independent thinker. He looked beyond the rhetoric at the true facts of education. Beyond education he drew from his personal experience. He noted that no matter how clever or how adaptive a Black might be his intelligence seemed to stop at the training level. They seemed to lack the ability to associate ideas and take the next step forward. This fact was noted by even such a sympathetic observor as Rider Haggard.
There were many, although out of favor and ostracized, who believed that Blacks inherently lacked intellectual ability. Prindle silently concurred with them yet he thought there was insufficient proof to commit himself one way or the other.
Edgar Rice Burroughs had come to definite conclusions as early as 1919. Burroughs was very well read while being absolutely up to date. Most of what he believed was still being put forth by Time/Life books in their series on prehistory although recent advances have invalidated some of Burroughs’ thought while he would have been eager in updating himself.
As Burroughs named it in 1919 the quality to be sought was ‘imagination.’ As he noted the beasts had none at all. He attributed to Blacks a modicum. He thought that only Whites were capable of imaginative flights and this as he judged it was only one in a hundred thousand. That would have been more or less evolutionarily correct.
Since Burroughs time and especially since 1950 the bounds of human knowledge have been moved forward incredibly in all areas. Most importantly for my argument in the field of genetics. With the discovery of DNA in the forties science has progressed to the point where the ‘human’ genome can be read entirely. All twenty-three chromosomes have been completely mapped or soon will be.
The mechanism of mutation or evolution can be understood. And evolution is going on constantly; a mutation that seems to leading to a species of astounding ‘imagination’ or intelligence.
Genetic findings allowed Prindle to put his mind at rest concerning the relative abilities of the three sub-species. It was clear to him that as the first species of Homo Sapiens to evolve from the Last Hominid Predecessor, the Black species stagnated while the Mongolids and Whites contintued to mutate adding intellectual capabilities to their Homo Sapiens shells.
Whatever the genetic difference between Whites and Blacks that difference was expressed in scientific intelligence in Whites while Blacks remained metally lethargic.
It does no good to say that many Whites are mentally lethargic while some Blacks seem to express scientific aptitude. Even if true on an individual basis that has no effect on the general proposition. As of this writing nearly all scientific advancement is coming from Whites. Contributions by Chinese and Japanese are slight involving mainly improvements to existing models and not leaps forward.
The Black species is notably absent in the ranks of scientists.
End of Essay
Part 2 Springtime For Edgar Rice Burroughs
June 5, 2007
Springtime For Edgar Rice Burroughs
Part II
by
R.E. Prindle
Civilization And Its Discontents.
The period of Burroughs’ life was one of those great pivotal times of civilization. Civilization was in the midst of one of its great metamorphoses, scientific, political and intellectual. Changes which had been building up the last few centuries could no longer be absorbed by the existing religious structure. That structure was no longer viable. Its bursting mode was not only for the new Scientific Consciousness but the increasing scientific examination of the past opened the way for the revival of forgotten forms such as the Matriarchy. Thus along with the inevitable Patriarchal religious reaction the Matriarchy as well as suppressed occult religions forced their way through.
The reaction from contacts between civilizations sent various alien religions and ideologies into the Western leaven.
Confused with these intellectual challenges the agricultural basis of civilization evolved into a technological one. In the mid-teens for the first time in the United States there were more urban residents than there were rural residents.
New demands were placed on consciousness as more precision was required of the human mind. Man had had little difficulty adapting his methods to cycles of the seasons but the adaptation tothe rigors of the assembly line caused him problems.
That there was a backlash from this tremendous succession of changes should take no one by surprise. Adjustments were difficult and critical. In 1930 the founder of psychoanalysis, Sigmund Freud, published what may be his most famous title: Civilization And Its Discontents in response to this challenge. His notion of who the discontents were and of what they were discontented about is vague, indeed undecipherable.
In my estimation he doesn’t deal with the malaise at all.
On the other hand Edgar Rice Burroughs not only dealt with the malaise but offered a reasonable, if difficult to apply, solution to the problem.
page 1.
The malaise found many expressions. On the political front the socialists, Communists and anarchists were the most prominent reactionaries. Their activities reached a fever pitch in the first two decades of the Twentieth Century resulting in the two phases of the Russian Revolution of 1905 and ’17. The institutionalized discontents had their homeland after the latter date.
While Freud’s discussion of Discontents sounds generalized by the way he writes he is actually talkiking about himself and the members of his own Jewish culture and their problems with Western Civilization.
Thus Freud’s notion of Discontents falls somewhere between a general malaise and the discontent of the Communists.
The Religious Conciousness of course faced a problem that could only be resolved by surrender or reaction. There was no middle way. The evolution into Scientific Consciousness completely invalidated the religious approach. All religions are based on a false premise and Science exposed that falsity.
The transition to the Scientific Consciousness must be difficult and demanding as so few attain it. In my opinion this is because of the ongoing evolution of the brain. The Scientific Consciousness can apparently only be grasped by the further evolved. This doesn’t mean that those of a Religious Consciousness can’t work with scientific knowledge which requires only basic intelligence and a scientific environment provided by others but they are unable to envision advances.
Thus they find themselves left behind intellectually. It is the same as the difference between high and low IQ. Nothing can be done about that. However the Religious reaction is to attack those of the Scientific Consciousness to lower them to their own level.
page 2.
The problem was especially acute with Freud and his culture as Science per se invalidated all Semitic religious pretensions. This means all Semites and not just Jews. Neverthless as Jews were embedded in Western Civilization at that time and other Semites weren’t the Jewish culture was ‘discontented’ and was forced to negate science and the Scientific Consciousness.
Led by the Semitic surge of both Judiaism and Moslemism the very serious attempt to bury the Scientific Consciousness through genocide might just succeed.
As I point out in Part VII of The Deconstruction Of Edgar Rice Burroughs’ America the Jewish campaign to ‘abolish the White ‘race’ should be taken very seriously. Just because it sounds preposterous doesn’t mean it’s a joke. A segment of Whites is the bearer of the evolved gene or genes or combination of genes so that if this advance species were destroyed the wild religious reaction would succeed. Sounds just like some science fiction movie doesn’t it? Well, it isn’t.
The Scientific Consciousness created its own malaise in the newly evolving species. As literary and artistic types are always the monitors who pick up these trends first, if they don’t necessarily understand them, we shouldn’t be surprised to find a number of literateurs immersing themselves in the problem. One of the big texts is H.G. Wells important but neglected novel: The Food Of The Gods. In this novel Wells postulates that the emerging scientific Consciousness is a new species of human being. As with the real religious reaction Wells’ predecessor people wish to kill the new species. In earlier times when the world was less populated new or different species of human beings could move away from the old species. Now, the question is what makes Homo Sapiens Homo Sapiens and makes it different from the Last Hominid Predecessor? It is assumed by our scientific community that the Negro is the first Homo Sapiens species having evolved in Africa. This means that the Negro evolved from some sub-human Homo Sapiens predecessor. It’s easy, it has to be. So far no one has been able to produce an example of the Last Hominid Predecessor.
Now, the Negro was not the only, how shall we say, hominid species in Africa. The Negro apparently orginated in West Africa. The rest of Africa was inhabited by other species such as the Bushmen and Hottentots. These peoples are not Negroes and originated in Africa so the question is are they predecessors of the Negroes who we are told are the first Homo Sapiens or are they Homo Sapiens who precede or follow the Negro in evolution. Or, are they a separate non-Homo Sapiens species or are they perhaps the Last Hominid Predecessor. They are not Negroes so a place has to be found for them.
In any event the Negro and Arab combined to produce a new race or sub-species known as the Bantu peoples. The Bantus then invaded the territories of the Bushmen and Hottentots who ranged all of Africa South of the bulge, so we are told, driving the Bushmen before them. As I understand it the Hottentots are now extinct while Bantu pressure on the Bushmen is driving them toward extinction.
At the same time a newer hybrid of Black and Semite is driving the Bantu before it from its base in the Northeast corner of Africa known as the Horn.
So, Wells novelistic problem was that there was no longer a place on Earth for his new species to isolate itself. He was presented with the choice of his new species either displacing or killing off the anterior species or being eliminated itself much as the Hottentots and Bushman have been eliminated by the Bantu and as the Bantu and Negroes are being displaced and elminated by the new Black and Semitic Hybrid.
page 4.
So this was the problem c. 1900. This solution was repulsive to the existing Religious Consciousness that was psychologically unequipped to deal with this impasse.
As can be seen the Semitic special consciousness does not fear the problem In Africa in Darfur and the South of the Sudan they are actively pursuing genocide. In Euroamerica the Jewish Semitic culture is pursuing or advocating the same resolution of their problem with the White Euroamerican population. Following Semitic actions in Africa it should be clear to American Blacks what is in store for them.
So, Wells dealt with the problem in its political aspect. The internal aspect, the split in consciousness between the old and new was ably handled by a number of writers.
For a good introduction to the contrast between the Scientific Consciousness compare Holmes and Watson in Conan Doyle’s stories. In this essay I will concentrate on three others as well as Freud- H. Rider Haggard, Joseph Conrad and Edgar Rice Burroughs. Not coincidentally, I think, all three writers place their most important work in Africa. Haggard as the earlier writer rising to fame in Burroughs’ youth quite naturally had a great influence on the younger man, although I think Burroughs would have written of Tarzan and Africa with or without Haggard’s influence. The appeal of Africa is the contrast between the civilized White and the primitive Black. The two aspects of White consciousness. I hope to tackle this problem in more detail in my next essay, Edgar Rice Burroughs, Sigmund Freud And The Holy Grail.
There was nothing clearer to the English explorers, as well one might note as to the Southern planters of the US, than that there was a gulf between the intellect of the African and that of the White man.
Haggard expressed this difference in his novel Allan Quatermain. I’ve used the quote before but I will include it again here to keep the problem clear before us:
Quote:
All this civilization what does it come to? Full forty years and more I spent among the savages, and studied them and their ways, and now for several years I have lived here in England, and in my own stupid manner have done my best to learn the ways of the children of light, and what do I find? A great gulf fixed? No, only a very little one, that a plain man’s thought may spring across. I say that as the savage is, so is the white man, only the latter is more inventive and possesses a faculty of combination; save and except also the savage as I have known him, is to a large extent free from the greed of moey, which eats like a cancer in the heart of the white man. It is a depressing conclusion, but in all essentials the savage and the child of civilization are identical.
The great Liberal H.G. Wells was also clear on this difference. The nature of the gulf was the Scientific intellect of the White and the non-Scientific intellect of the Black. The question is how large did these nineteenth century men perceived the gap to be. Haggard in his Allan Quaterman, quoted above perceived the gap to be small while if one is to judge by the distance between Tarzan and the Africans Burroughs perceived it be not only large but insurmountable. Haggard thought the gap easily bridged while judging from Tarzan Burroughs thought it unbridgeable.
page 5.
It should be noted that Haggard was of the Old Religious Consciousness while Burroughs was of the advanced Scientific Consciousness. Of the two men Haggard writes from the experience of having viewed Africa or at least South Africa first hand. Everyone talks of Africa as though it were a county in Kansas whereas it is a huge continent of many diverse cultures. But, perhaps as the cultures seem to share the same level of consciousness perhaps that is the justification for speaking of Africa and Africans as a single unit.
Haggard lived in South Africa for several years as a young man while he was an astute historian and anthropologist. As a mythologist he was of the most gifted. His understanding is astonishing. He was quite familiar with all the Black peoples from the Zulus, Swazis and Basutos tothe Hottentots, Bushemen and Griquas. His judgements of the various intellects seems quite reliable. His writing is of most interest for the current rage of Zulu interest. His actual story telling ability is beyond compare.
Now, this is difficult to speak of because of the ideological stance of the Liberals and their Religious Consciousness that take the procrustean stance of trying to fit facts and reality into ideology whether they can be conveniently forced or not. They are currently anti-White and pro-African even going so far as to call for the genocide of the White species as I pointed out in the Deconstruction Of Edgar Rice Burroughs’ America. This is more than evidenced in their support of the genocide being executed in South Africa by the Shona chief robert Mugabe and the Bantu peoples of the Union of South Africa.
page 6.
There’s not much evidence that Haggard was interested or even aware of the theories of evolution which, if I may be so daring, it seems clear that Burroughs either was at the beginning of his career or became so as he aged aware of all the various strands of evolutionary theory. Thus Haggard comes across as more humane while Burroughs is more accurate.
A third opinion on the nature of the situation was provided by Joseph Conrad in his novelette: The Heart Of Darkness. One can’t be sure how much contact Conrad had with the situation he describes, but the influence of the primitive African mentality had the effect of dragging down the White intellect. As the advance in intellect was not so pronounced as Haggard noted the attraction of the primitive was so strong that many Whites retrogressed. Conrad’s hero Kurtz was an ivory buyer in the heart of the Congo. Through fraternization with the African he indeed loses his ‘thin veneer of civilization’ going native. On his death bed in viewing his period in the interior he exclaims ‘The horror, the horror’ and then ‘Exterminate the brutes.’
In point of fact if, as we are told, Homo Sapiens originated in Africa and the Negro is the departure point from the Last Hominid Predecessor which may be the Bushman or Hottentot then if this departure occurred c. 150,000 years ago, at the time the African came into contact with Whites he had made no move toward becoming civilized. Nor was he inclined to when given the example.
When H.M. Stanley interviewed the Uganda chief Mtese, that chief was incapable of visualizing anything other than trading. As he said he noticed that goods traded by the Arabs, who were first in the area, all came from Europe so he assumed that Europeans were more clever than the Arabs however he had no inclination to acquire the knowledge or skills. Nor have Africans attempted it to this day.
page 7.
As unpleasant as it may be to deal with facts or accept the science of the matter it is nevertheless necessary to consider that in the course of evolution the African brain has evolved to a certain level and stopped much as all the Hominid Predecessors did. Although Bruce Lahn of the Howard Hughes Medical Institute has been silenced his researches made it clear that the human brain was still evolving but not in all human species, only one.
It should be clear to even the most prejudiced observor that Robert Mugabe the Shona leader of Zimbabwe is in way over his head while as savage in his methods as any character Joseph Conrad could create. Nor is the reason unclear to certain Africans.
Writing in the Kampala Monitor of February 7, 2007 in an article entitled Uganda: Why Black People Have Remained Backward by Elias Biryabarema the author examines the problem:
Uganda has been fairly stable long enough. The conditions for an economic takeoff have been there for 20 years. Mr. Musevini has enjoyed generous goodwill from nearly all the world’s rich governments. Their largesse has poured in ceaselessly and in hefty amounts.
Uganda should have taken off. We haven’t. We’re stuck. And so is Tanzania, Sudan, Ethiopia, Mali, Burkina Faso, Kenya, Eretria, Malawi, Congo Republic and pretty much all of Black Africa, excluding the regions sole economic power, South Africa. This led me to pose a question to myself: Can Black people build prosperous societies?
Just about every reason- from slavery, colonialism, neo-colonialism to inequitable world trade rules- cited for the backwardness of Black African nations has been so debunked that it has now become necessary to look beyond the realm of such contemporary explanations.’
http://allafrica.com/stories/200702061131.html
Mr. Biryabarema concludes that Africans ‘only rise and touch a low ceiling.’ A disheartening realization but a cruel fact of nature because of the progression of evolution.
page 8.
So Africa came to represent an attractive past to Whites while the psychical split caused by the evolving brain caused them discomfort too. The brain had not evolved far enough to make a clean break with the animal past. What was Man, all species to do? Haggard relapsed into nostalgia. A longing to go back while nevertheless retaining his cranial development. His hero, Allan Quatermain while retaining his intellectual superiority to the Africans attempts to establish his kinship with his ‘Black brothers.’ Thus he takes a ‘Liberal’ attitude toward African/White relations that while seemingly humane has resulted in the atrocities against Whites being perpetrated by the likes of Mugabe and the South African leaders.
One shudders at Conrad’s Kurtz’s exclamation to ‘exterminate the brutes’ and yet the choice has turned out to be exterminate or be exterminated, while Africans have inexplicably opted for the latter. What can one say?
Burroughs on the other hand working from a philosophical point of view came up with a different solution. Nor is it entirely impracticable on the intellectual level. Both he and Freud begin from the same base. Both are reacting to the inhibitions and repressions placed on Man by civilization.
Burroughs seems willing to accept the ‘thin veneer of civilization’ in certain places and under certain conditions but he demands the right to be able to move freely from the primitive to the civilized state. Thus when Tarzan takes off his clothes he also removes the ‘thin veneer of civilization.’
page 9.
The basic problem for Haggard, Conrad, Freud and Burroughs is that they wish to retain the advantages of the intellectual aspects of civilization; none of them wish to opt for the ‘low ceiling’ of the primitive. They all wish to retain their advantages while indulging their primitive ‘natures.’ In some way each has to remain superior to the primitive state.
One can contrast this attitude with Mugabe of Zimbabwe and the ANC of South Africa who seem to be edging in the direction of removing all vestiges of the civilized state. They seem to be opting for a nostalgic return to the their savage past. They must have some understanding of the results of their destructive acts against civilization but choose to ignor them.
Conrad says simply- exterminate the brutes. Haggard adopts an avuncular attitude toward perpetual children. Burroughs assumes the role of…well…a god. Freud wishes to assume the role of plantation owner. The problem is insoluble except by the Shona method of ‘exterminating the arrogant bastards.’
For Burroughs as well as for Freud sex seems to be the key. Burroughs position is difficult to fathom. In all his cultures, societies and civilizations, and he creates a great many, nudity or near nudity is the ideal although as he is writing for popular consumption his characters remain sexually unexited and incredibly chaste under the most provocative conditions. Freud of course had everybody going at it like bunnies.
In Cave Girl Burroughs’ hero, Waldo Emerson Smith-Jones is the example of the over intellectualized man of extreme and enervating culture. Quite the opposite of Burrughs who obviously feels he has reached an ideal balance between the intellectual and the physical.
Waldo is meager then and consumptive when he lands on the island. He is obligatorily cowardly. He will find his Anima ideal in Nadara who is the antithesis of the civilized Jane being both nude and perhaps the most obviously sexually unihibited of any of ERB’s female characters. Burroughs contrasts her natural uninhibited sexuality with the inhibited sexuality of Waldo. There is a nice comparison with Freud possible here. Also with the Burroughs corpus there is room for an analysis of Nadara, La, and Balza.
During the course of his stay on the island , the natural primitive life will flesh Waldo out, build him up, give him conficence and make him courageous as well as curing his TB. Of course he never loses his intellectual attainments while using them to better his opponents and improve his situation. Thus neither Haggard, Conrad, Freud or Burroughs is able to resolve the conflicts of the discontents caused by civilization. As attractive as the primitive is it must remain an intellectual ideal.
Go to Part 3.
In The Beginning.
During the course
