A Review: Tarzan And The City Of Gold Part 2
August 18, 2008
A Review
Themes And Variations
The Tarzan Novels Of Edgar Rice Burroughs
#16 Tarzan And The City Of Gold
Part 2
by
R. E. Prindle
The City Of Gold itself, which is a white and gold city, evokes the image of the red and gold ruin of Opar and the Forbidden City of the same title, as well as The White City of the Columbian Exposition. As Burroughs was writing construction was going on for Chicago’s second great exposition on the fortieth anniversary of the first. Chicago, incorporated in 1833, was about to present its Century Of Progress expo of 1933-34. So Burroughs would have had his mind redirected to the scenes of his childhood.
What I am going to suggest may seem far fetched to many but having gained some idea of the way Burroughs’ mind worked I think the suggestion plausible. Emmett Dedmon tells the following story about the Great Sandow at the ’93 Expo. If anyone doesn’t know Sandow by now he was the first great bodybuilder who also performed at the Expo. As Florenz Zeigfeld was representing Sandow there is a no reason to think of the story as other than a publicity stunt, but I leave the judgment to you. (Emmett Dedmon, Fabulous Chicago, 1953, NY, p. 235)
Amy Leslie, the drama critic for the News, described Sandow as a fascinating mixture of brute force and poetic sentimentality. On a walk through the Wooded Island…Sandow snipped a tiny cup from a stock of snapdragon. “now, when we were little in Germany,” Sandow told the astonished Miss Leslie, “we took these blossoms and pressed them so, and if the flower mouth opened, why that was a sign they were calling us home.” As Amy reported it, “he touched the tinted bud and its rosy lips parted in a perfumed smile.” Just as Sandow finished his sentence, a Columbian guard shouted that he had violated the rule against picking flowers. To emphasize the reprimand the guard seized Sandow by the elbow and attempted to push him away. At this effrontery Sandow lifted the surprised guard off the ground and held him at arm’s length, examining him as though he were a curious discovery. Miss Leslie, more conscious of the dignity of the law, persuaded Sandow to put the guard down, which the strong man did with an ouburst of German expletives and an explanation (in English) to Miss Leslie that he did not think much of humans as guards. “I prefer nice well-bred dogs,” he said.
This made a great story that made the rounds of the fair. The question is did 17 year old Burroughs hear it and did it make an impression on him? Strangely enough we can definitely answer that question in the affirmative. Nearly twenty years later Burroughs borrowed the incident for his first Tarzan novel. Not only that but he has Tarzan play the part of Sandow. So, Sandow, Tarzan; Tarzan, Phobeg.
At the end of Tarzan Of The Apes Burroughs replicates the Sandow scene on the Wooded Island when he terrorizes Robert Canler holding him at arms length with one hand. Thus in this novel Tarzan not only holds Sandow/Phobeg at arm’s length but raises him above his head throwing him into the stands. Burroughs usually has his characters going their models one better as Tarzan does here.
As Sandow was strolling through the Wooded Island with Miss Leslie so Tarzan strolls through town with Gemnon. Instead of picking a flower Tarzan notices a lion eating a human while no one takes any notice. Cosmopolitan Tarzan inquires for an explanation. Gemnon calmly explains the quaint custom just as Sandow so pleasantly explained his snapdragon story. Dragons, lions, all the same thing. Burroughs does a neat parody and makes his joke but the original was such a great story he can’t let it go.
Indeed, Tarzan’s habit of picking men up and tossing them around can probably be traced back to this one arm trick of Sandow’s. Like I said, you’ll probably think it’s a stretcher but I think it both plausible and probable. Can’t be absolutely proven of course, but we can and have proven that the incident left an indelible imprint of ERB’s memory.
That said and moving along to 1920-24 there is also a flavor of H.G. Wells’ utopian novel Men Like Gods to be found here. Once again Burroughs turns Wells’ utopia around a bit but the tour of Cathne with Gemnon seems to be a paraody of a similar tour in Men Like Gods. ERB was still in the thick of his literary duel with Wells at the time.
The plot involving Nemone is slightly more complex and better worked out than is usual for ERB. Tomos, Erot, M’Duze and Nemone reflect other influences. The plot has the feel of French overtones. Of course we know that ERB read Eugene Sue’s The Mysteries Of Paris, Dumas’ Three Musketeers and The Count Of Monte Criisto, while the prisoner behind the golden door points in the direction of The Man In The Iron Mask. We also know that ERB had read Victoy Hugo’s Les Miserables.
All these may have provided some inspiration. However more directly influential I believe are two other books found in ERB’s library as listed on ERBzine. ( www.erbzine.com ) They are Rafael Sabatini’s Scaramouche and Stanley J. Weyman’s Under The Red Robe. Never heard of Stan Weyman? Me neither but, believe it or not, there is a Stanley J. Weyman Society on the internet that you may join if so inclined.
Both books were hugely influential in Hollywood, each being filmed several times with at least one version getting very good reviews. Let’s start with Sabatini. While Weyman, one would believe is all but forgotten, Sabatini enjoyed an excellent reputation down to at least my graduation from high school. Probably not so much lately although my copy of Scaramouche is the Common Reader edition published in 1999 so there must be fans out there.
Sabatini was Burroughs exact contemporary- 1875-1950. Like Burroughs he had to defend himself against charges of plagiarism. His stuff all reads like you’ve read it somewhere before, so in Scaramouche he presents an extended defense of himself.
Nevertheless he writes in a simple direct style that is ‘easy to uderstand’ but cleverly presented. Sabatini was obviously one of the first to understand that stories written like movie scenarios had a better chance of selling to the movies.
Like Burroughs he has his point of view which is admirably presented. Also like Burroughs he was intellectually unsympathetic to Communism. His reaction was less emotional that ERB. Although Scaramouche is about the opening years of the French Revolution Sabatini gives it only a slanting attention as he concentrates on people who are caught up in the flood much against their wishes. In that sense there is very little politics in the novel. The participants are merely caught up in the political events.
Scaramouche is a country lawyer unsympathetic to revolutionary ideology but he becomes a revolutionary fugitive when his Red friend is murdered by a reactionary nobleman. The story is well developed and an exciting one with a lot of swordplay. In fact Scarmouche become the fastest swordsman of France. You can see what drew ERB’s attention to the novel.
Of more importance for ERB and an undeveloped subplot of City Of Gold is one that involves Scaramouche’s ancestry. Bearing in mind that ERB became a voluntary orphan when he was sent to the MMA I think Burroughs found the mystery of Scaramouche’s ancestry compelling. Scaramouch is named after the clown of the Italian Comedia Del Arte which also nests neatly with the clown aspect of ERB’s psychology.
It is thought that Scaramouche was the illigetimate son of a village nobleman. The fact that the boy was well looked after by this man seemed proof. In fact, as we learn later in the book Scaramouche is the bastard son of his foster father’s sister, the noblewoman, Madame de Plougastel. She bore Scaramouche illegimately then trusted him to her brother. Thus on one side Scaramouche was of noble birth. An orphan or pretended orphan’s dream. His father remains a mystery for the moment.
Scaramouche’s friend had been murdered by the nobeman Le Tour d’Azyr. Scaramouche had sworn an eternal enmity to him. At a crucial moment in the story Scaramouche learns that this same La Tour d’Azyr is his father. I should have seen it coming from a long way off but I didn’t. It is possible that ERB was surprised too. Sabatini handles it well. Thus Scaramouche the illegitimate child is a nobleman by birth on both sides but the Revolution invalidates this advantage.
It would have been normal for Burroughs to have concocted a fantasy in which his parents now dead to him were not his real parents but some mysterious others. In fact he did concoct two fantasies: the one of John Carter who has been alive forever but can remember no parents and Tarzan whose parents were killed with the result that he was raised by ape foster parents. Not exactly noble people in the ordinary sense but his deceased parents were. One imagines the impact this really good story had on him although he first read it in the early twenties.
In any event he attempts to weave in a subplot providing mysterious parentage for Nemone and her brother Alextar. The subplot isn’t very well developed. On the one hand we are asked to suspect that Nemone was the child of the old king and a Black M’duze who in her youth was tall and beautiful while on the other hand it is insinuated that Nemone is the child of Tomos and M’duze. The latter through her machinations has placed Nemone on the throne and imprisoned Alextar. So Burroughs throws in some misceganation which has always been the most excing literary topic of America, then as now.
Not convincingly done by ERB he had nevertheless carried the story of Scaramouche around in his head for a decade waiting for the opportunity to employ it.
Another book in ERB’s library which is influential here is Stanley J. Weyman’s Under The Red Robe. Like Scaramouche this story was very well thought of in Hollywood being filmed more than once. It seems a fact that ERB saw the 1923 silent film. He was so impressed that he went out and bought the 1923 Grosset and Dunlap Photoplay Edition. I obtained an identical copy so as to to have read the same text and viewed the same plates.
I think I’ll have to include a few of Burroughs’ experiences at the MMA to bring this all together. It would seem that Sabatini considered himself a psychological orphan also. The man was born in Italy to an Italian father and an English mother. As they were traveling actors, not unlike what Scaramouche becomes at one point in his story, they sent young Rafael back to England to live with relatives. As Sabatini’s stories often concern orphans it follows that his reaction to being put away from his parents was that he considered himself an orphan.
Burroughs was also put away by his father. Three times. He was sent to Idaho, Massachusetts and Michigan. Thus he too was put away by his parents. As his reaction was to play the clown developing an off beat sense of humor we know that he reacted negatively to all this shuffling about. His exile to the Michigan Military Academy was the straw that broke the camel’s back. He rebelled, running away. The incident is treated rather uncomprehendingly by Porges in his biography which of course is my authority.
From ERB’s point of view the MMA was an elite reformatory school where bad rich boys were offloaded by their parents. Thus the boy was declassed and slgihtly criminalized in his own mind. As he treated his own sons and the Gilbert boy the same way it is easy to see how seriously he was affected by the experience. ERB was cast adrift with no direction home which happened so many times to characters in his stories, most notably in the original short version of The Lad And The Lion. ERBzine should publish the magazine version of this novel
Having run away from the MMA he was promptly escorted back by his father becoming in his own mind an orphan as in Tarzan’s case and a motherless child as in John Carter’s. Like the race horse Stewball of musical fame, Carter just blew down in a storm. Another standard orphan’s solution to being forced outside society.
Stanley J. Weyman’s (1855-1929) novel also meshes with this persona. As a result of his mistreatment Burroughs developed a very negative self-conception. He became, in fact, a ne’er-do-well. Much to his father’s satisfaction I might add. This self-conception would explain his eccentric behavior from the time he left the MMA in 1896 through 1903 if not for the rest of his life. The man was conflicted. On the one hand he knew he was very capable and on the other he felt worthless so he sought failure.
A fact easily glided over is his quarterbacking and captaincy of the MMA football team. One’s team members don’t elect one captain unless they have confidence in you. One also cannot be quarterback without their confidence while quarterbacking requires organizational and executive abilities. In fact the Burroughs led team defeated all comers in their class and while yet high schoolers they played the varsity teams of Michigan and Notre Dame. The Burroughs led MMA fought the U of M to a tie.
As a result he was offered a football scholarship to the University. He might well have become a football hero having an entirely different kind of life. ERB inexplicably declined the U of M offer. He offered some lame excuse that both his brothers had attended Yale and it was Yale or nothing for him. Possible but hardly probable. Most likely he felt comforatable leading the juvenile delinquents of MMA while he didn’t feel respectable enought to lead the Wolverines.
Leaving for the Army as an enlisted man instead he and a few other ne’er-do-wells formed a group calling themselves The Might Have Seen Better Days Club. You don’t have to be a Freudian to figure that one out. So I think his history in these years can be explained by his negative orphan self-image.
There is one very crucial event, the shame of which never left him, that figures into the Nemone story. That was when in Idaho he gambled away his and Emma’s last forty dollars. Certainly this was a turning point in his life.
In Weyman’s Under The Red Robe the hero is a ne’er-do-well who has exhausted all his chances but one. Named de Berrault the story opens when he is accused of using marked cards in a French game of the early seventeenth century. “Marked Cards!’ are the opening words of Weyman’s novel.
Indeed it would seem certain that Burroughs felt he had been cheated of his forty dollars. In my experience of card games I’m certain he was. De Berrault insists he didn’t use marked cards but that he used the mirror behind the player. Perhaps Burroughs said to himself when reading this: Yeah. that must have been it. At any rate thirty years later the incident was green in his mind and Why Not?
While The City Of Gold is crtical of Nemone/Emma ERB could never forget that he had done Emma wrong in gambling away those forty dollars. Perhaps as much as anything his shame required a separation. Perhaps he thought Emma was too good for a ne’er-do-well like himself.
And then there is this very interesting passage in Under The Red Robe p. 208:
I stood a moment speechless and disordered; stunned by her words, by my thoughts- so I have seen a man stand when he has lost all, his last at the table. Then I turned to her, and for an instant I thought that my tale was told already. I thought she had pierced my disguise, for her face was aghast, stricken with sudden fear. Then I saw that she was not looking at me but beyond me, and I turned quickly and saw a servant hurrying from the house to us.
Just as I admired ERB’s version of this device of looking past the intermediate person so he admired Weyman’s.
The line ‘I stood there speechless and disordered, stunned by her words, by my thoughts- when I have seen a man stand when he has lost his all, his last, at the table…’ must have resonated with ERB from the time he had experienced the same emotion in 1903 as Emma waited for him upstairs.
It becomes seen how ERB wove his various influences into his writing. At this point I would like to bring up another very long novel that formed a backdrop to ERB’s writing in general. the novel is the ten volume, five thousand page work of George W.M. Reynolds entitledThe Mysteries Of London or alternatively, The Mysteries Of The Court Of London. Modeled after The Mysteries Of Paris Reynolds lacks the lunacy of Eugene Sue but maintains a fantastic level of excitement all the way through. ‘The Master Of Adventure’ may very well have learned his own mastery from the pages of Reynolds.
The further one gets into ERB library the more clear things become but to really understand the man I highly recommend the reading of the Mysteries of Paris and London.
Another almost irrelevant theme ERB takes up in this novel is the theme of the Grand Hunt or the Man Hunt. The idea is no way original to ERB; he seems to be in reaction to it, repelled by it. I can’t pretend to trace the story back to its origins but the theme has been used repeatedly in movies and on television. The story is attributed to Richard Edward Connell who is credited with writing the original short story in 1924 for which he received the O. Henry Prize for that year, entitled The Most Dangerous Game. Perhaps the story was original to him but it doesn’t seem likely.
The story was made into a movie starring Joel McCrea in 1932. Whether this movie was released early enough in the year to influence City Of Gold I don’t know, or, perhaps Burroughs saw an advance screening. At any rate ERB gives the idea an extended treatment and prominent place in his novel, actually using it twice.
If Connell did indeed orginate the story in 1924 which seems unlikely than Buroughs treatment comes as close to plagiarism or, perhaps, appropriation as any story could. That he is in raction to the story condemning its implications is obvious.
In his version Tarzan defeats the aims of the hunters by carrying their intended victim to safety while adding the filup that he too was an intended victim. At the very least the Man Hunt is one of the least disguised influences in the corpus. Extraordinary in that no ruckus was raised by his appropriation of the story. Either ERB was not taken seriously or he led a charmed life.
b.
Should I stay, Or Should I Go?
The crux of the story is Tarzan’s relationship with Nemone or, in other words, ERb’s relationship with Emma. If the oeuvre is a guide ERB had already decided to throw his lot with Florence. That seems clear from Tarzan And The Leopard Men. City Of Gold then is mere procrastination. One imagines that Florence was pestering him to break the news to Emma. He would only muster the courage to do this at the end of 1933. For now he seems torn and indecisive.
The appearance is that Tarzan and Nemone would have gotten together but for two things. The first was M’duze who seemed to exert some sort of hypnotic control over Nemone and the other was her pet lion, Belthar.
M’duze was determined to maintain control over Nemone while Tarzan just left a bad taste in Belthar’s mouth. It were well that Tarzan kept his distance.
In point of fact Tarzan was a prisoner on parole. He could easily have escaped or walked away but for two things: one was his fascination with Nemone and the other was that he was bound by oath to Gemnon to not escape. In those days people had a sense of honor.
ERB had constructed an interesting psychological situation in the female image of Nemone. ERB has been really successful in portraying the Xy male construction of the Anima and Animus throughout the corpus but this is his first attempt as far as I know of constructing the XX of the female.
This is always the qustion of whether he knew what he was doing. This is a difficult question to answer but the enidence in the writing seems to imply he did. The situation seems too perfect to be accidental. As I’ve noted elsewhere when the chromosomal division took place and sexual identities came into existence of the four possibilities, XXX and y, the male received an X and the y with the y making him male. You can’t be male without the y, you can’t be female with it. Boys are boys and girls are girls. Now, this is not an ‘oh wow, isn’t that interesting’ type of fact; the fact has consequences.
For instance the whole burden of child bearing became the female’s portion. I am not interested in all the different possibilites of how young are fertilized, incubated and born, yes, there are myriad possibilities but none of them apply to human beings but this one. The method for human beings is impregnation in the womb, a nine month incubation period and then birth followed by a very long period of helpless development outside the womb.
These simple facts determined the post partum relationship of the role of the male and the female. When paternity was unknown the result was close knit communities held together by the offspring. It was a question of interdependence whether Freud thought so or not.
Physiologically the male required the female for sexual release while the female was attracted by the y chromosome of the male, the penis envy for which Freud was castigated for uttering. He wasn’t always right but he was right on this.
While the female is XX chromosomally still one X is received from the mother which is of the passive ovum; the other X is received from the father’s mother through him in the form of an active X sperm. The two Xes while both X are not identical. If both were passive the female would be virtually immobile.
Thus ERB posits the ovate X as M’duze who dominates Nemone’s Anima, which would be correct, while the male lion Belthar provides the activity of the X of the Animus. Whether Burroughs thought this out or not, it works out. Could be accidental, I suppose.
Lacking the y chromosome which she formerly enjoyed during the sexless period the female has an uncontrollable longing for the male or penis. Thus Nemone and her desire for Tarzan. Now, this is classic, no matter how indifferent or rude Tarzan is to her Nemone continues to have an intense longing, or love, for the Big Guy.
This may or may not reflect Emma’s attitude toward Burroughs but Tarzan’s attitude toward Nemone certainly reflects Burroughs attitude toward Emma. In point of fact, Emma’s fidelity is nothing short of marvelous.
Also in Weyman’s Under The Red Robe which is an influence on City a subplot concerns the relations between a Mademoiselle de Cocheforet and the protagonist, de Berrault. The lady distrusts the gentleman, as well she might as Cardinal Richelieu has suborned de Berrault to surreptitiously arrest her brother as a Huguenot. De Berrault conceals his intentions but is found out when he arrests Mademoiselle’s brother. Construing the arrest as a betrayal of her trust, which it wasn’t de Berrault forfeits the lady’s trust.
Thus the novel combines the fateful card game with the forfeiture of Emma’s trust. Having lost her trust ERB was never able to gain it back even though Emma continued with him loving, one supposes, the man despite his faults. Quite possibly the situation between Tarzan and Nemone portrays the actual relationship between ERB and Emma in which as they were about to unite the past comes between them.
Thus in Tarzan and Nemone’s first encounter Tarzan has fallen under Nemone’s spell being about to succumb when M’duze, or Nemone’s Anima, appears as though from the past, taps the floor with her staff breaking the spell while ordering Nemone from the room. Belthar, Nemone’s Animus, rears up on his chains roaring and clawing the air at Tarzan.
Thus both the Anima as represented by M’duze and the Animus as represented by Belthar interfere in Nemone’s attempt to realize her desire for Tarzan.
The scene is repeated in reverse later in the novel as Nemone is about to succumb to Tarzan’s spell M’duze appears once again to disrupt the relationship. Thus as in real life neither Burroughs nor Emma could get past that fatal card game.
In the end then Tarzan presumes on Nemone’s desire too much. She turns on him in the fury we all saw coming making him the object of the Grand Hunt. One sees the influence of The Most Dangerous Game in ERB’s mind. He is given a head start and then Belthar is released to pursue him. Thus he is about to be destroyed by Nemone’s Animus. ERB probably felt this way about Emma in real life.
We have never seen the resourceful ape-man so defenceless and helpless before but now without his father’s knife to murder virtually defenseless lions Tarzan calmly awaits death after a game attempt to outrun Belthar. He should have played dead; we all know that story by now.
Not to worry. All during the novel a mysterious lion has been tracking the Big Bwana appearing at intervals in the story. Perhaps some people were mystified as to who this lion was but not this writer, no sirree, Bob. I knew it was Jad-Bal-Ja all along. I was just surprised the Golden Lion hadn’t brought Nkima with him.
Now just as Belthar rears to cut the Big Guy down to size Jad-Bal-Ja flashes past Tarzan to destroy Nemone’s lion. As ERB says, Jad-Bal-Ja won because he was bigger. Does that mean that ERB’s ego was bigger than Emma’s?
The oeuvre needs a complete analysis of Tarzan and his relationship to animals for on one hand he is a beast. The lion situation is complicated by the fact that originally there were to have been both lions and tigers in the series. That would have changed the complexion of the stories.
However after the magazine publication of Tarzan Of The Apes the readers created an uproar about the fact that there were no tigers in geographical Africa so Burroughs was forced to change tigers to lions for book publication. I am unaware whether changes were made to the newspaper serialization of the story.
The appearance is that Burroughs intended tigers to be villainous while lions were intended to be noble, as witness Jad-Bal-Ja. In that situation most, if not all, the lions Tarzan killed would have been tigers. Thus while as David Adams points out Tarzan kills a lion to put a seal on a sexual situation the very likely killing would have been a tiger.
So the psychological aspect of the story gets skewed. Just as Burroughs has insisted that Tarzan killed deer while there are no deer in Africa so his readers forced him to change Bara the deer to Bara the antelope by Tarzan The invincible.
The climax of the story returns us again to the problem of lions in Burroughs. As David Adams points our Tarzan kills a lion to put a seal on a sexual situation. In this instance Tarzan is helpless but Jad-Bal-Ja his Anima substitute comes to his rescue which is the same as Tarzan killing Belthar. Thus the killing of Belthar seals off Tarzan’s relationship to Nemone and ERB’s to Emma.
I’m sure David Adams would take exception with me but I see Jad-Bal-Ja as an Anima figure of Tarzan/Burroughs while I see Belthar as the Anumus figure of Emma/Nemone. I know both lions are males but the lion male or female is associatied with the goddess or Anima in Greek mythology. A case can be made that the six gods and six goddesses are generalized archetypes of the character types.
Now, Jad-Bal-Ja came into the oeuvre at a critical time in the lives of ERB and Emma and at a critical juncture. It is known that ERB walked out on Emma several times in the course of their marriage. These instances are not well documented at this time. It would appear that a very serious conflict in the marriage began at the time of Tarzan The Untamed through the period leading up to the writing of Tarzan And The Golden Lion.
As Golden Lion opens Tarzan, Jane and Jack are returning from Pal-Ul-Don from whence Tarzan has retrieved Jane.
As I read the story there seems to be a certain coolness and distance between Tarzan and Jane on Tarzan’s part. At this point the lion cub who will become Jad-Bal-Ja makes his appearance standing in the middle of the trail. David’s sexual seal of the killed lion would be the cub’s mother who was accidentally killed by a Native who stumbled on the lioness and cub. As a defense mechanism against Emme/Jane Tarzan/Burroughs adopts the cub as an Anima surrogate.
In an email to me of 1/23/07 David makes these comments:
Through the first nine Tarzan novels the hero gradually establishes the lion symbol as his own until in Tarzan And The Golden Lion he is completely aligned with his source of power in the merging of lion symbol and self/Jad-Bal-Ja. Even though Jad is described as a glorified dog, this is only his personal devotion to the ape-man being explained in easy terms. Tarzan himself always respects Jad, saying “A lion is always a lion.” he is far from the domesticated ones in Cathne in purpose and spirit.
My thinking is that David is right in that the lion symbol and self are united but not within the ego but separately as the Anima and Animus. So what we have is Anima/Jad-Bal-Ja and Animus/Tarzan. Tarzan is sort of doubly armed with two masculine sides with Jad-Bal-Ja being associated with the goddess and partaking in some way of her femininity.
There wouldn’t be too much of a conflict between the female Anima and the Male Anima figure as ERB’s Anima was subsumed by the male fencing master Jules de Vac of The Outlaw Of Torn. De Vac killed ERB/Norman’s Anima figure Maud and then assuming female attire lived with Norman in the attic of a house over the Thames for a fairly long period of time thus becoming a substitute Anima.
Thus the anomaly of a male lion Anima is easily explained. As a symbol of the goddess Jad-Bal-Ja is, as it were, clothed in female attire as was De Vac. Further Jad-Bal-Ja is always indifferent to Jane/Emma. Jane has no real relationship with the Golden Lion.
David once again:
The mad queen of Cathne, Nemone, is an example of negative Anima, a feminine power corrupt and dangerous. Her lion Belthar is the dark shadow opposite of Tarzan and Jad who are symbols of power and light and sun. Her lion is treated as a dark god and is linked to Nemone’s own dark soul. When Jad kills Belthar, Nemone kills herself because the source of her power is gone. It is an archetypal case of light overcoming darkness. The masculine power of light overcoming a dark feminine anima.
In the general sense I have no problem with David’s analysis although I would argue that Belthar is Nemone’s Animus. Nemone is playing the part of Circe in the myth of Odysseus while that story is the triumph of the male ego in freeing itself from matriarchal sexual thralldom. This whole series of novels is related to the Odyssey. So that, in that sense Tarzan is imprisoned by the charms of Nemone/Circe. He is being emasculated, deprived of his will, by the feminine will by one might say, the maneater, Nemone.
In fact Nemone as ruler of Cathne has emasculated the leonine male power. As David Adams sagely observes:
In Cathne lions are employed as domesticated animals for the purpose of pulling chariots, hunting and racing. This is a reduction of the power of the lion symbol to the mundane, even to the point of being ridiculous. It is a degradation and humiliaton of ERB’s ultimate symbol of power and virility.
Yes, and that would be in keeping with the story of Circe who turned Odysseus’ crew into swine and would have Odysseus except that he had a pocketful of Moly, a charm to set Circe at naught. Likewise the queen of the City of Gold of the Legends Of Charlemagne who enchanted the paladins of that king, except for one who then freed the others.
So, Nemone had Tarzan at her mercy except for the strange situation of the lion of ERB’s Anima defeating the lion of Nemone’s Animus.
Once this was done the charm of Nemone/Circe/Queen of the City of Gold was destroyed with the City of Gold being restored to male supremacy and Alextar restored to his rightful throne. Things were then returned to their rightful order as in the domains of Circe and the Queen. We are led to believe that a Utopian age begins. This may be a slap at Wells and his Men Like Gods.
Conclusion
This review completes this very important series of five novels. Obviously I consider the key novels to be Tarzan The Invincible, Tarzan And The Leopard Men and Tarzan And The Lion Man. These novels are more directly concerned with ERB’s political and religious opinions. A trilogy concerning ERB’s sexual problems could be made up of Tarzan Triumphant, Leopard Men and City Of Gold bracketed by Invincible and Lion Man but Triumphant and City Of Gold appear to me to be more minor key than the other three.
Nevertheless these five novels usually treated as the least significant of the series are the most crucial to the understanding of Burroughs while being very good stories in themselves.
Excluding Tarzan And The Foreign Legion that is outside Burroughs’ psychological development, although a good story, ERB published only another three Tarzan novels in his lifetime and they were all decidedly inferior to that which preceded them, still good stories, but ERB’s concentration had been broken. Tarzan’s Quest is the best of the last three but just as Lion Man ends with Burroughs’ dreams going up in flames so does Quest. Perhaps eccentric best describes Tarzan And The Forbidden City. The title says it all. He was never to find salvation; the doors of the Sacred City remained closed to him. Tarzan The Magnificent while having exciting episodes just doesn’t come together.
Magnificent less Foreign Legion concluded the oeuvre until Castaways and Madman were discovered twenty years later. However Burroughs himself chose not to publish those books so they must be an addendum to the series. The two posthumous novels complete ERB’s psychological development being important in that respect for the student.
Further his psychological development was brought to a head during the writing of these five novels. In this tremendous struggle between ERB, the Communists and the Jews ERB was routed by the time he wrote Tarzan And The Lion Man. He didn’t think his tactics and strategy through to the end.
Thus ERB’s whole life was a prelude to the Gotterdamerung that ended as Tarzan fled the City of God.
ERB’s whole life is a magnificent adventure that in itself would make a tremendous movie with the right and unfettered treatment. It could the grandest of grand opera worhty of Mozart. I’d like to see it; even better i’d like to write it.
Part 6, Tarzan And The Lion Man: A Review
May 19, 2008
A Review
Themes And Variations
The Tarzan Novels Of Edgar Rice Burroughs
#18 Tarzan And The Lion Man
Part 6
by
R.E. Prindle
First published on the ezine, ERBzine
The Center Of The Circle
Burroughs does a remarkable thing in this ring that clearly shows the Greek classical influence per Erling Holtsmark in his Tarzan And Tradition. ERB disolves his story and cast of characters after the last Bansuto attack. The cast is dispersed in several directions but ERB will deliver them all to Omwamwi Falls as he begins the three right hand rings: 3-2-1
In fact this does follow the Homeric tradition. The story of the Trojan Wars was actually a massive story of which only three parts survive, the Iliad, which concerns the central part of the epic and th two Returns, The Odyssey and The Oresteia. All the rest has been lost or survives only in fragments such as ‘The Judgement Of Paris.” Originally the epic was thousands of pages long. There were undoubtedly few scholars who had ever read the story in its entirety and fewer still who understood it.
It seems incredible that a very young ERB could have grasped the structure so completely while seeming to understand it so thoroughly. Holtsmark quotes ERB as saying that he was rereading Plutarch’s Lives in 1923 when he discovered that Numa was the name of a Roman emperor, actually one of the Republican kings, To that point he had believed that he had made up the name.
Thus we learn that ERB did some rereading and his subconscious supplied material. He could have, it is plausible, read the Iliad and Odyssey a number of times over his life. Along with other classical reading the basic method was established in his subconscious which he was able to consciously manipulate.
The Trojan War was the first of the three great sprawling European epics, unmatched in any other literatrue. The second was the Arthurian Saga also huge, sprawling through many thousands of pages and many different variations. The story has its roots in Greek mythology as well as in the Christian ethos. The Lancelot-Grail alone is several thousand pages. Burroughs doesn’t seem to have been much concerned with it. Indeed, most of it would have been untranslated in his time thus being unavailable to him.
The third great cycle was the strange nineteenth century English pursuit of the Grail in the search for the source of the Nile. In my estimation a rather peculiar obsession. This story too occupies several thousands of pages as all the participants recorded their efforts in copious detail. Livingston, Stanley, Burton, Baker and Speke have written magnficent narratives. Speke walking the Nile North after just having discovered the source actually ran into Baker following the Nile South. A remarkable accidental encounter that goes unnoticed. The best overview and history of the quest is Alan Moorehead’s The White Nile of 1960. He provides an adequate background for these modern knights in seach of an unlikely Grail. The Tarzan oeuvre might be indluded as a fourth cycle based on cycles one and three.
The first and third epics then involved ERB intimately. The Tarzan series is based on the Africa of the Nile Quest while framed in the literary construction of the first.
Burroughs then dissolves his story after the Bansuto attack then telling the story of the several participants on the way to Omwamwi Falls in the manner of the Homeric Returns. He then reassembles them less Obroski at the Omwamwi or Murchison Falls on the Nile. Thus the river cascading from the plateau is actually the Nile. What he calls the Thames on the plateau of the City of God must be indeed a substantial stream.
We have already dealt with the fate of Stanley Obroski and Tarzan. After the last Bansuto attack the Arabs agreed to take the midnight to six watch. During the night they folded their tents and silently stole away taking Rhonda, Naomi and the map with them.
Orman decides to go off in pursuit of them alone. Bill West convinces him to take himself along so the two abandon the safari to pursue the girls and Arabs.
Tarzan neutralizes the Bansuto by having them promise to be kind to Whites so the remaining safari members are able to somehow get their trucks and equpment to the Falls unmolested, that leaves the girls, the Arabs and Orman and West.
After leaving Obroski shivering with fright in a tree Tarzan comes upon Orman and West as they are being attacked by a lion. Plummeting from the convenient tree Tarzan dispatches the lion, immediately disappearing back into his tree. This is the first incident of the cast mistaking Tarzan for Obroski. I happen to think Burroughs handles this confusion extremely well. After all, Burroughs has firmly established Obroski’s cowardice with the safari members.
Orman and West’s astonishment at the seeming Obroski feat is very genuine. Later when Tarzan supplies them with a buck while translating Arabic from Atewy their astonishment can’t be more complete. Very effectively handled. Having supplied them with food Tarzan points them in the right direction and gets them started with a swift kick so that leaves the Arabs and the girls to account for. This also begins the comparison of the qualities of Rhonda and Naomi.
The Arabs have the map to the valley of diamonds that they believe is genuine and indeed it is. Unable to read English, the language of the map, they make promises of freedom to gain the cooperation of the girls. Rhonda scoffs at the genuineness of the map believing it a movie prop. However they can locate their position according to the landmarks provided by the map. Astonishingly they are able to locate all the landmarks which lead them to the Omwamwi Falls.
Naomi accepts her captivity while Rhonda plans escape. She effects this by saddling a couple ponies at night while driving the rest of the herd off. This episode is also well handled and quite believable given that this is a fantasy novel. The net result is that Naomi is recaptured while Rhonda makes it to the falls where the story is forwarded by her capture by the Apes of God. Another little joke, I presume.
Following both the map and Rhonda the Arabs and Naomi arrive at the Falls. The action then finishes the parallel story to Tarzan and Obroski of the girls and begins the right second ring story of The City Of God. This is a magnificent story full of many twists and surprises. In our day this stuff has been used over and over so that the imaginative feat is diluted or lost. If one places one’s imagination back in 1933 one can marvel at Burroughs; ingenuity while seeing how disappointed ERB was that the novel fell flat. Such is life.
A Mother’s Eyes
April 27, 2007
A Mother’s Eyes
by
R.E. Prindle
Part I: The Remarkable Case Of Aldous Huxley’s Eyes 30 pages
Part II: The Baby Marie: 10 pages
Part III: Cow Eyed Hera And Edgar Allan Poe: 21 pages
Part IV: The Hand That Rocks The Cradle: 9 pages
Part I
The Remarkable Case Of Aldous Huxley’s Eyes
This essay will deal with certain unconscious relationships between the Indo-European male and the Mother Archetype. This essay is retricted to the Indo-European sub-species because the author is not convinced that all Homo Sapiens sub-species are identical in intellectual makeup nor are they subjected to the same cultural influences which would produce a uniform effect across all sub-species of mankind. What Jung calls the Collective Unconscious of Man does not use the same symbolism in every period of time, every place and with all sub-species. While the Horse will be a central focus of the Indo-European after minus 2000, for instance, prior to its introduction to the Middle East the beast could not have figured in the Collective Unconscious of either the Indo-Europeans or Semitic Mesopotamians. Thus the Black, Semitic and Mongolid sub-species may be subject to the same relationship with the Mother Archetype but may express the same issue in different symbolism.
page 1.
The female of the Indo-European or other sub-species is structurally different from the male hence subject to different responses to the same issue in different symbolism. I will touch on that briefly in Part IV.
Further, one ought not to confuse the role of female with the role of mother. The female is a different person until she becomes a mother. Once a mother her response to the role will depend on female societal desires which will control her attitude to motherhood. The intelligence and intellectuality of the female person is in conflict with the Structural Psychology of the Mother. Not all females are intellectually adapted to become mothers although most do become mothers.
The topic will be approached from the point of view of Depth Psychology based more on the approach of Carl G. Jung than that of Sigmund Freud. Freud’s approach was based on the personal psychology of the upper brain while Jung approached the subject more from a Special angle hence his notion of the Collective Unconscious with a universal heritable symbolism regardless of education or sub-species.
Because he was dealing with a more homogeneous population unlike the heterogeneous population of the United States he was able to believe that all people are subjected to identical influences even though he had the obvious sub-special differences of the Jewish Semitics before him.
page 2.
There can of course be no such thing as a collective mind hence no Collective Unconscious. Neither can this Collective Unconscious be inherited. There can only be a shared sub-special understanding of phenomena. This shared understanding will express itself in certain common symbols induced by a universal field of education depending on one’s level of consciousness.
Specifically I wish to examine the relationship between the mother and the eyes of the Indo-European male as well as the mother’s identification with the Horse by the male. All three are intimately related.
The difference between Jung’s Collective Unconscious and the individual unconscious or, rather, sub-conscious, is that Jung without having actually differentiated the two was referring to Structural Psychology by his notion of the Collective Unconscious.
Before the human organism can be subject to personal psychology there must first be an organism. The construction of that organism will then determine its psychological potential.
Thus while all the higher vertebrates share the same Structural Psychology the addition of the upper brain separates man from the beasts while causing a conflict between the Structural Psychology and Personal or Intellectual Pyschology.
While a human entity appears to be an organic whole it is actually a construction of component parts. The nature of those parts determine the psychological potential of the completed construction.
page 3.
Not enough attention has been paid to how a human is constructed or the signficance of that construction. The basic organism seems to be taken for granted.
The human is a combination of two different components which are then integrated. On the one hand there is the passive ovum which is provided by the female of the species; on the other hand is the active sperm provided by the male. Passivity and activity are important and should not be passed over lightly. The ovum provides one half of the structural elements as well as all the mitochondrial DNA. These are significant facts and not merely incidental.
The ovum is always female or an X chromosome. Thus the male always has this female X chromosome component which Jung and Freud using the imperfect data of their time referred to as a man’s ‘feminine side.’ Jung called it the Anima in the male, the corresponding role in the female the Animus.
The presence of an X chromosome in the male in no way affects his sexual identity as a male. It is not a cause of homosexuality or effeminacy. Using the imperfect data of his time Jung acted on the notion that sexuality was caused by a ‘preponderance’ of male or female genes. This would of course distort his vision of sexuality creating non-existent possibilities.
An unfertilized ovum is, of course, of no value. The male provides the fertilizing element in the form of the sperm. The sperm contains the other half of the structure which when joined with the ovum completes the structure.
page 4.
The sperm can be either X or y. There must be a difference in nature between the ovate and spermatic X chromosomes. If X the completed structure is a female. But the spermatic X contributes the gene pool of the mother of the male which is part of the Anima so that the female has two female components. Without the X chromosome the male could not provide X sperm.
It must also be true that the spermatic side of the female provides a set of genes received from the father while the ovate side provides a set of genes from the mother, so that not all of the female’s ovum are the same.
In the case of either an X or y sperm the ovate or female mitochondrial DNA is always and solely the source of mitochondrial DNA in the resulting construction whether male or female. The Spermatic mitochondrial DNA is always expelled from the united ovum.
Thus the Mother Archetype establishes itself in a much more intimate connection with the male than the Father Archetype. This is a physiological fact with real consequences and not a matter for sexual pride.
When the ovate and spermatic parts combine the ovate X chromosome assumes the left side of the structure while the spermatic X or y forms the right.
Many organs which can function independently are therefore duplicated such as kidneys, lungs, gonads or ovaries. Those which can only function as a unit are formed of two separate lobes which are seamed such as the heart, liver, penis or clitoris.
Now, this may be controversial but the gonads or ovaries, the spinal cords and brain from an integrated unit like the power train of the automobile. All three are parts of consciousness.
page 5.
The ends of the spinal cords, it follows that one each must be provided by the ovum and sperm, anchored in the gonads or ovaries intertwine up the spine until they cross over at the brain stem so that the passive ovate left side of the body becomes the passive right side of the brain while the active spermatic right side of the body crosses over to become the active left side of the brain.
The two cords, spermatic and ovate anchored in the gonads or ovaries pass up the spine to emerge from the brain stem as ‘loose wires.’ To give them a name we will use Jung’s terminology but assert that male and female have both an Animus and Anima rather than as Jung has it, the male an Anima and the female an Animus.
Now, as man evolved he began with what is referred to as the serpent’s brain or the brain stem followed by mid- brain, parietal lobes, upper brain and pre-frontal lobe.
Thus structurally to the point of the brain stem all vertebrates function more or less identically. By which I mean to say that to that point the psychology of say, sub-species five of the lion is identical to man. If this isn’t true than evolution is bunk.
Of necessity the optical nerves are associated with this very primitive organ of the brain stem. This fact must have some relation to the association of the Mother with the eyes.
Such a psychological association must operate independently of personal psychology as Structural Psychology or, as Jung would have it, the Collective Unconscious.
page 6.
There are then tree levels of consciousness: the autonomic system, the brain stem and the upper brain.
In fact the as the brain stem is not intellectual as in personal psychology, it may function independently of the upper brain and require a different technique for therapy.
At any rate the symbolism Jung discusses is related to Structural Psychology and not the neuroses and psychoses of personal psychology.
When the male Indo-European experiences rejection or abandonment by the mother this rejection may be evidenced by eye problems associated with a horse symbolism.
Having laid the frame for my discussion I wish to begin with the case of Aldous Huxley, his relationship to his mother and his celebrated eye problems. Aldous Huxley is, of course, the important literary figure who wrote ‘Brave New World’, ‘Eyeless In Gaza’, ‘Point Counter Point’ and other intriguing and important novels.
All his adult life from the age of sixteen on Huxley endured terrible problems with his eyes. He was frequently able to improve his vision remarkably only to suffer setbacks. He first suffered maternal rejection when his mother opened a girl’s school relegating Huxley to an inferior status in both his and her eyes to her female students. This alone had a permanent effect on his character and his adult relationship with women. Then, when Huxley was fourteen his mother died abandoning him completely as it were.
page 7.
No matter how natural or unavoidable death may be, those affected are under no obligation to react rationally. While on a conscious or even sub-conscious level Huxley seemed to handle his mother’s death well he was devastated on the structural level. First rejected and then abandoned by his mother, Huxley, at the age of sixteen was attacked in his eyes. Actually the reaction could have been predicted although how and when would have had to await manifestation.
Huxley developed an inflammation of the cornea called Keratitis Punctata. Thus his reaction to his mother’s rejection and abandonment was of the most serious sort. In the days before modern medicine he would have successfully blinded himself in both eyes. Given the medicine of the day he might have been cured with minimal or no loss of vision. As it was he was misdiagnosed allowing the disease to take almost full course. By the time he was treated he had lost his vision in his right or ovate eye while being as good as blind in his left or spermatic eye.
The nature of Keratitis Punctata is such that it damages or scars the surface of the cornea while the internal functions of the eye remain intact. The effect of the scar tissue allowed his vision to fluctuate.
I think that if a survey were taken it would be found that the right or ovate eye is always affected the worst. This would strengthen my contention that certain eye problems are due to relationships with the mother or ovate side.
It may be argued that Keratitis Punctata is a physical problem and not subject to psycho-somatic influence. It is my contention that Huxley’s psyche in search of a satisfactory ailment subconsciously sought the affliction out.
page 8.
Over the years Huxley was able by an act of will to improve his vision dramatically but he always suffered relapses as his structural need for the infirmity overcame his conscious will. While had he been diagnosed and treated promptly he would not have lost his vision still his Structural need was such that he would have had a continuing series of eye problems over his lifetime.
Medical science poses problems to psychotic needs by being able to overcome psych-somatic reactions; the sub-conscious must search for new ways to gratify its need for affliction.
I too suffered abandonment by my mother beginning when I was five and ending when I was ten when she remarried. I was first put into two foster homes and then placed in an orphanage. The orphanage was critical. While I had very acute vision until I was forty a variety of eye problems have plagued me since.
While all the problems were quite natural therefore seeming to be of a strictly physical nature yet I had been plagued by fears of going blind since I was ten when my mother remarried. I therefore left myself open to attack in the appropriate time and place. Finally at sixty-four I had a cataract operation on my right or ovate eye followed by one on the left. I realized the psycho-somaic source of the problem while I was reading Sybille Bedford’s biography of Aldous Huxley.
page 9.
Prompted by the reading I had a dream of a horse. This is the only horse dream I can remember ever having.
The horse clearly represented my mother staring at me with large guilty eyes not unlike the description of the Greek goddess Hera who was styled ‘cow-eyed.’
Sometime in the near past, two or more years ago, I had seen a TV show about a horse trainer who I can remember only by the name of the Horse Whisperer. He had developed a new technique of gentling a horse rather than breaking it. In my dream I was using his technique to gentle a mare. She seemed to want to be affectionate to me but I kept pushing her away or she shied away in my attempt to gentle her.
By that time I had already developed my ideas of Structural Psychology. I had also integrated my personality clearing all fixations from my subconscious. As I expressed it then, all the way down to my brain stem. Now I realized I was dealing with the brain stem itself having spoken more truly than I knew.
While I had made progress in rectifying my Animus I cannot say for certain that the process was complete. In all probability I have reconciled my Anima and Animus. I have never had trouble with my Anima although my Animus was seriously blunted as a child affecting my ability to express my manhood.
However, contrary to Depth Pschology, having recognized and spoken this apparent fixation caused by my mother’s abandonment the fixation did not respond by immediately being exorcised as had my fixations of the upper brain. Thus the problem of Structural traumas obviously requires a different technique for treatment.
page 10.
The appearance of a horse figure in my dream was startling to me. I have never liked horses. All my life I have had an irrational hatred of them even to the point of verbally abusing them at sight.
Aldous Huxley, characteristically of the trauma, expressed his own reaction through horse imagery. Huxley wrote his first novel ‘Crome Yellow’ in 1921 followed by ‘Antic Hay’ in 1923 and ‘Those Barren Leaves’ in 1925. Those three novels lead up to 1928’s ‘Point Counter Point’ in which his problem with his mother finds expression in varied symbolism. In this last novel Huxley portrays himself in the character of Philip Quarles. He has a wife, Elinor, as a mother substitute and a son called signficantly, Little Phil, in other words a doppelganger.
In the novel Quarles has a limp rather than bad eyes. Huxley, through Quarles, expresses his mother’s abandonment and his attack of Kertitis Punctata this way:
Quote:
‘…Philip…was remembering that immense black horse kicking, plunging, TEETH bared and ears laid back; and how it suddenly leaped forward, dragging the carter along with it: and the rumble of the wheels; and ‘Aie!’ his own screams; and how he shrank back against the steep bank, how he tried to climb, slipped, fell; and the appalling rush and trampling of the giant; and ‘Aie, aie!’ the huge shape between him and the sun, the great hoofs and suddenly an annihilating pain.’
page 11.
Note expecially the teeth which will appear more prominently in Part III.
This very vivid picture is done so well that one might actually believe such an event really occurred. It didn’t. Here Huxley transforms his mother into a huge black horse. The steep bank I interpret as the brain stem which appeared in my own imagery as a deep dry well. There was a huge shape between Huxley/Quarles and the sun which must represent both the loss of his mother, when the sun went out of his life, and the onset of Kerititis Punctata.
In the novel Quarles had his leg crushed by the cart but in this version it is not clear where he received the injury while it was definitely caused by the huge black horse. There was only the annihilating pain. One assumes that the pain was the loss of Huxley’s mother.
Huxley gives his hurt a full scale treatment here. Quarles and his wife live in a mews in London. A mews is a converted stable. Horses had formerly been kept there. Now the ‘huge machines’ or cars of a hundred horse power or more are kept there. The arch at the end of the mews through which the horses were led stands as a constant reminder to Huxley/Quarles of his tragedy.
Not content to retell his own pain, Huxley then goes on to punish his mother in his imagination as he feels she punished him by dying. Remember a man in Huxley’s situation uses a woman as a surrogate to avenge himself on his mother who is beyond retaliation. In ‘Point Counter Point’ Quarles’ mother is still alive. It is she who has care of Little Phil when he is stricken with meningitis so the guilt remains with her.
page 13.
On the eve of the meningitis attack Elinor Quarles, Little Phil’s mother, was about to commence a dalliance with another man. Quarles’ mother’s telegram reached Elinor in time to prevent her beginning the affair. Elinor believes that Little Phil’s meningitis was caused by her intended infidelity and suffers accordingly.
Elinor’s intended infidelity corresponds with Huxley’s mother’s betrayal of her love for him by relegating him to a secondary role while she lavished attention on her girl students.
Huxley’s descriptions of Little Phil’s suffering are quite gruesome.
Quote:
‘…she found the child already awake. One eyeball was wide open and the eye, all pupil, was looking straight up at the ceiling; the other was half shut in a permanent wink that imparted to the thin and shrunken little face an expression of ghastly facetiousness.
‘He can’t open it,’ the nurse explained. ‘It’s paralyzed.”
Unquote.
Thus the crux of Point Counter Point is the punishment of Elinor Quarles qua Huxley’s mother for the crime of rejecting him in favor of her female students and later dying. Huxley quite rightly associates eye disease with his mother through his wifely surrogate and the symbol of the giant black horse with giant hooves and teeth bared rearing in the brain stem. He obviously had no clear idea of what this imagery meant to him personally. No doors of perception were opened for him there.
page 13.
While this horse imagery is clear in ‘Point Counter Point’ Bedford also quotes Huxley as noting emphatically the remarkable deeds of horses in Homer’s Iliad. I think the horse symbol is replaced in a man’s active life by his relationship with women.
I now intend to devote a few pages to the relationship of mothers and women to horses and eyes in Greek mythology leading back to the present time.
My two lines of argument will concentrate on the nature of the God of Waters, Poseidon and the relationship of that greatest of all mama’s boys, Achilles, with his mother, the sea nymph, Thetis.
I follow the Jungian concept of attempting to penetrate the symbolism by this narrative of action.
In the divine dispensation of spoils in Greek mythology the preeminent god, Zeus, was awarded the sky, Poseidon preeminence in the oceans and rivers, Hades possession of the underworld. Obviously Hades got skunked which made him a sour sort of guy.
The surface of Mother Earth was common to all three.
The significant fact here is that the three gods are male while the Earth named Ge, Gaia or Demeter was female. Thus you have three men with equal claims to the same woman, Mother Earth.
In ancient Greek sourcs as well as in Biblical story Man realized that there was a time before consciousness. Thus the story of the creation of the universe is less a story of creation than one of the crystallization of consciousness.
page 14.
In the creation myth all objective reality is confused; all is seen as one. In other words, there was only an animal consciousness. Then a divine wind blows across the plane of consciousness separating the upper and lower spheres; the conscious and subconscious. Thus the upper sphere of consciousness became heaven and was allotted to the mind of infinite power, Zeus. The subconscious was given to the Father of Waters, Poseidon while the underworld of the brain stem went to Hades. The plane of consciousness was shared by mankind and the gods. This is as it should be.
Poseidon’s dominion is the seas, oceans and rivers. The waters of oblivion are associated with the subconscious and irrational which is to say the female or matriarchal consciousness. The subconscious and irrational are therefore equated with the matriarchal order. Thus Poseidon, who must actually predate Zeus as a carryover from the Matriarchal consciousness has relations with a number of domineering women who are very hard on men.
The question of why Poseidon is also closely related to horses is very difficult to answer, especially as Poseidon was early on the scene while horses arrived later. I offer only a working hypothesis.
It has been suggested that the rollers of the sea are reminiscent of horses’ heads. It has also been suggested that rivers as they dash down mountain slopes and race to the sea are quite similar to the flight of the horse. There may be truth in both suggestions as when the horse arrived it had to be associated with some god; in association with Poseidon that may possibly explain how horses came to be associated with the Mother Archetype. Their association with the Mother can only have begun after the Indo-Europeans brought horses to the Aegean world which was after the year minus 2000.
page 15.
Of the mean flesh eating mares or mothers with whom Poseidon is associated it is only necessary to give two examples. The most important of the two by far is the Medusa and her Gorgon sisters, the other is the enchantress, Circe.
The Medusa is a very important study. She apparently dates back to an early period of the Matriarchate. While in the Patriarchic myth of Perseus and the Gorgon she is a hideous evil witch whose mere glance can turn a man to stone there is evidence to point to a time before the rise of the Patriarchate when she was a belle ideal; a tower of strength. Shields with the Medusa head continued to be used in classical times as a magical charm to repel the enemy. The snakes which form her hair were once a symbol of her authority rather than hideous emblems of hatred. She was then one of Poseidon’s wives or , more probably, he was her consort.
When the Patriarchate displaced the Matriarchate Perseus was chosen to destroy the Medusa or, in other words, the symbol of the Matriarchate. This he did by decapitation. Decapitation or the separation of the head from the body is a powerful symbol in itself which should have destroyed the Medusa’s power to lithicize men with her EYES. Even in death, which is to say after the power of the Matriarchate was broken, the mere sight of her now dead eyes continued to turn men to stone.
page 16.
The myth of Perseus is a keystone story that tells of the birth of the new order of the Patriarchate. When the old order of the Matriachate was beheaded a remarkable thing happened; two beings that correspond to the male Anima and Animus emerged from her neck or, shall we say, brain stem.
The Animus of the liberated Patriarchate was represented by the Golden Knight named Chrysaor. As the Animus he had no concrete identity. He represented the mind of infinite power and rationality possessed by Zeus and shared by men but not by women. He consequently fades from view.
The Anima that sprang from Medusa’s severed brain stem was the great winged horse or mare, Pegasus. The great mare allowed man’s imagination to soar as though godlike, above the earth’s plane that was the dominion of the Matriarchate.
Further having now passed through the dawn of consciousness as represented by the creation myth the male had now reached the level of consciousness where he could begin to attack and destroy his subconscious demons. Thus Perseus finds the maiden Andromeda chained to a rock awaiting destruction by the monster of the sea depths of the subconscious.
Soaring above the Leviathan on his Anima, Pegasus, in the conscious sphere, Perseus is able to destroy the monster of the subconscious and liberate Andromeda, or the female, from destruction by the subconscious. In his arms, under his protection Andromeda, or the female, was freed from animalism. She too was released to find her full potential under men’s guidance and protection.
page 17.
As decapitation wasn’t totally effective there was more than one way to handle the attempted suppression of the Matriarchate. It has been truly said that you can kill men but you can’t kill ideas. Perhaps because of the Iliad with its gathering of the tribes at Troy one thinks of Greek mythology as an indissoluble whole. This is not the case. There are many strands and traditions to Greek mythology.
It is highly probable that when the Greeks invaded the Peninsula that their route bypassed Athens which was shielded from above by the Boeotian Semites. Thus the Greeks were shunted West where they fell on the Pelopponesus bypassing Attica.
While the Athenians avoided military invasion they were yet unable to resist the Patriarchal tide.
The myth of Perseus and the Gorgon which belongs to the Argive or Pelopponesian cycle gives only one view of the suppression of the Matriarchate. That was how it happened West of Attica. In Athens itself the transition from the Matriarchate to the Patriarchate was more evolutionary. This would be the result of being bypassed by the Greek invasion.
Perseus on his way back to Argos from Palestine gave the Medusa’s head to Athene who then wore it as an emblem on her bosom. This would be another way of saying that Perseus influenced the Athenians to convert to Patriarchalism.
page 18.
I would suggest that, even though the Iliad lists a contingent of Athenian ships present at Troy, there were no Athenians there. As the Greek heroes for the most part are from the Pelopponese or other Greek locations and the quarrel is between them and Troy while none of the Greek heroes was Athenian. I would suggest that the Athenian contingent is an interpolation. Agamemnon and the Argives as invaders would have had no influence over non-Greek Athens such as they had over Odysseus in Ithaca.
The Athenians always claimed to be an autocthonous people, that is that they sprang from the soil or, in other words, were there before the Greek invasion. Of necessity that would mean that they were not Greek per se.
Their early heroes are half snake, half human, which I understand to mean that on the one hand as snakes emerge from the soil the Athenians were autocthonous; on the other hand that they were half Matriarchal and half Patriarchal. In other words, there was an evolutionary transition. This idea is borne out by subsequent Athenian mythology.
If this is true then it must follow that the gods of Athens had formerly been Medusa and Poseidon- the Queen and her consort.
Imagine Perseus handing the head of Medusa to Athene. Athene must have neutralized the power of Medusa because as of the handing of the head to Athene it was still capable of turning men to stone at a glance. As Athene’s emblem displayed on her breast where all men must see it, it could no longer do so.
As the Athenians told the story of the suppression of the Matriarchate, Zeus swallowed a matriarchal goddess known as Metis. This is a normal method of disposing of one’s enemies. As the Africans down to the present day say when they intend to destroy an enemy- We will eat you up.
page 19.
When you eat someone up you obtain their qualities. Metis was the goddess of Wisdom. Whether she was one of the Gorgons I don’t believe is recorded but I suspect so. Perseus and the more primitive Argives believed that destruction was simply a matter of cutting off a head, the Gordian knot approach. The Athenians thought differently.
Having eaten up the Matriarchy Zeus found that it gave him a serious case of indigestion. His eyes were bigger than his stomach. The Matriarchy would not stay suppressed.
As it was necessary that some other expedient be employed the Matriarchy was allowed to exist but only as subordinate to the Patriarchy. While not abolished, the Patriarchy attempted to reform it in an acceptable way. The attempt was made to replace the uncontrollable Matriarchal figures as represented by Ares and Aphrodite with a more rational goddess embracing both.
Thus the indigestion of Zeus gave him a headache. In other words, he had to give the problem some serious thought. He had an idea, as why wouldn’t the mind of infinite power have an idea. He transformed the old wild undisciplined Matriarchal god and goddess into the superbly rational and controlled Athene. Her idea formed in the Patriarchal brain then sprang fully formed and armed from Zeus’ forehead. Actually she didn’t spring but was chiseled out by Hermes and Hephaestus who are both gods of resource.
Thus when Perseus handed the head of Medusa to Athene he was passing the torch for the application of Patriarchy in Athens. The destruction of Poseidon’s consort in Athens left that god without a female counterpart and that’s the way he stays throughout the Patriarchate. Athene was a chaste virgin who would have nothing to do with men. As a goddess with a technological sideline she came into conflict with the Matriarchal technological god Hephaestus. He attempted to rape her or in other words reimpose an aspect of the matriarchy on her which she successfully resisted. Instead he spurted on her leg in a pre-mature ejaculation which she, as the goddess of weaving, wiped off with a piece of wool.
page 20.
Unable to seduce Athene and reestablish his supremacy in Athens on his part, Poseidon then had a contest with Athene to see who should be the tutelary deity of Athens. In other words, should Athens be Patriarchally or Matriarchally inclined. Should it be named Athens or Poseidonia?
Poseidon peformed the seemingly impossible task of making water spring from the rocky high crown of the Acropolis. Athene countered by making an olive tree grow on Rocky Top.
The Athenians opted for the olive tree but it was not a clean cut victory for the modified Patriarchy. The Athenians ever after nurtured several snakes on the Acropolis along with both the olive tree and Poseidon’s spring. Thus the Matriarchal past was not forgotten.
Further Athene retained some attributes of the Matriarchy. She was sometimes theriomorphically represented with a horse’s head while her attribute of the owl is represented in statuary and she is referred to as owl eyed, undoubtedly a reference to the wise Metis. A snake was also shown coiled on the ground in the shelter of Athene’s shield as she leaned on it.
page 21.
In point of fact all Greek heroes were symbolically horse headed by virtue of the horse hair crests on their helmets. They were always under the protection of the Mother Archetype while sharing in the qualities of her symbol the horse.
The wearing of lion and leopard skins is also an aspect of theriomorphism. Obviously one hopes to share in the prowess of the lion or leopard by wearing its skin. Thus Heracles armored himself in the skin of the Nemean Lion which, in itself, was a symbol of the Matriarchy.
I hope this exposition established the nature of the relationship between the Mother, horse, eyes and the brain stem to the Son in ancient Greek thought. These are not irrelevant details of myths but important symbols when understood in the Jungian sense. The Ancients were not just amusing themselves with strange tales. The message for the initiate is different for that of the hoi polloi.
The myth of Circe explains what happened under the Matriarchate when men allowed themselves to be dominated by their carnal desires. It is only when one controls one’s sexual needs that one escapes domination by the female to dominate the female. In that way one rises from the level of the beast to that of a man. Nor is this ‘repression’ in the Freudian sense.
Before attacking the issue of Achilles and Thetis let me point out the significance of Oedipus. Oedipus was abandoned as an infant by his mother Queen Jocasta of Thebes. On his way to Thebes as a young man he was jostled out of the road by a chariot and a team of horses. Enraged he killed the driver who he later learned was his father. By killing this man, who was king of Thebes, he made the widowed queen his wife. He then learned that she was his mother. Horrified at the thought of having married his mother he gouged his EYES out using the clasp of a woman’s dress. Thus one has son, mother’s abandonment, horses and eyes.
Achilles, on the contrary, had an excellent relationship with his mother, too good. He remained tied to her apron strings all his short life.
His mother, Thetis, is one of the more interesting mythological characters. Zeus had it mind to make Thetis his own but backed away when he learned that she would bear a son who would be greater than his father. No god would then touch her so she was married to the mortal, Peleus, to whom she bore Achilles.
Thetis and Peleus lived apart. As she was a Nereid or sea nymph, closely related to Poseidon or the subconscious, she lived at the bottom of the sea whence she always made sure that Achilles had a superior team of horses, fabulous armor and an incredible shield. Thus while Achilles was a formidable warrior his success depended as much on his doting mother as it did his own prowess.
It was fated that Achilles could have a short life if sought glory on the field of battle or a long life as sort of an effeminate mama’s boy. You see, the relationship to the mother. This was his and his mother’s dilemma in the Iliad.
To protect her boy as long as she could Thetis had him reared among the girls in the girl’s quarters in girl’s clothes. He was so good at female impersonation that when the Greeks sought him out to serve in the war it was impossible to identify this giant amongst men among the girls.
Think about this.
page 23.
Still it was reputed that he was a mighty warrior who was destined to defeat the Trojans. He should have had such a physique that he stood out head and shoulders above the girls.
When the Trojan War began his mother desperately wanted to keep him out of harm’s way among the girls. Odysseus, surnamed the Wily, smoked him out by raising an alarm. While the girls ran screaming Achilles true to his heroic nature seized his arms to meet the threat thus betraying his identity. Abandoning his transvestism Achilles is conscripted into Agamemnon’s Folly.
Quite frankly the Greeks have been coerced into a war for the sole benefit of the Brothers Atrides. What did Achilles care if Paris abducted Menelaus’ wife. She went with him willingly anyway. Menelaus behaved like a fool in leaving the guest Paris in his house with Helen while he left on a business trip. Would you do that? I wouldn’t.
Nevertheless Agamemnon was the sole representative of Zeus on Earth; he ruled by divine right. Zeus had given him the nod to assure victory. In point of fact he couldn’t lose. One wonders what would have happened if he had refused to help himself. How would Zeus have affected victory as the gods help only those who help themselves?
Homer in his brilliance depicts a very detailed picture of this society. Agamemnon is especially suited to command although he is not the greatest of the heroes nor a totally admirable man. In fact, his pettiness injures Achilles to the point where the latter must make a retort.
page 24.
Achilles’ first thought is to take arms against the slings and arrows of outrageous Agamemnon but Athene counsels him to suffer that particular sea of troubles in his mind. Achilles heeds her advice and goes into a pout befitting this greatest of mama’s boys. He self-centeredly withdraws himself and his troops from the war.
This act is very serious as he is the greatest of all Greek warriors while it is a known fact that the Greek’s can’t win without him. Now, Achilles has some serious mental problems. After his alter ego, Patroclus, is killed Achilles opines:
…O Zeus and Athena and Apollo
If only death would take every Trojan
And all the Achaeans except for us two,
So we alone might win that Sacred City…
That’s a prayer he hopes will be anwered. In his anger and spite he even wants his own side to be defeated and destroyed so long as he and his friend alone find salvation in that Sacred City. The City Of God?
After being robbed of his prize by Agamemnon he goes to the seashore to summon his mom from the deeps. Arising from the sea of the subconscious she comes to him. The result of this interview between a doting mother and a spoiled rotten son defies all concepts of morality both in Achilles’ request and his mother’s response.
page 25.
Achilles asks his mother to intervene for him with Zeus to cause the slaughter of the Greeks until they are fighting the Trojans among their ships in the camp. There is nothing that Thetis won’t do for her boy no matter how criminal. She is willing that the Greeks be destroyed if that is what her son wants. Thetis and Ma Barker would have gotten along just fine.
Not only did Zeus have a soft spot for Thetis but in a past time when the gods rebelled and had overpowered Zeus in an attempt to depose him Thetis had come to his rescue. Zeus owed her one.
Zeus and the gods are away in Ethiopia for twelve days but she promises her son to visit him him as soon as he returns. On his return she implored Zeus by grasping his knees with her left arm, Homer is explicit, thereby immobilizing him with her feminine side, with her right hand she grasps his chin arresting his attention. She implores him to smite the Greeks unto death to appease her son’s sense of affront.
Understand the enormity of Achilles’ request to his mother. She does not reprove him in the least instead she rushes off to Zeus for his complicity which Zeus in his profundity of mind grants.
Nor is this an easy thing to fit into his schedule. He has already given the nod to Agamemnon which must be fulfulled while he can refuse nothing to his Grecophile daughter Athene and also while he is being badgered by his wife Hera to favor the Greeks.
In the face of all these conflicting demands even though he has given the nod of victory to Agamemnon and once his nod has been given his decision cannot be altered he agrees to at least hurt the Greeks for the benefit of Thetis’ son with no possible reward for himself from Thetis as her sexual favors would cost him Olympus. Now you know what a mind of infinite power is capable of.
page 26.
Zeus then unleashes Hector and his Trojans until they breach the Greek walls firing a number of ships.
Still unrelenting, Achilles refuses to help but does allow his faggot, Patroclus, to don his armor frightening the Trojans into thinking Achilles has entered the fray. Patroclus exceeds his authority being killed by Hector who appropriates the splendid armor of Achilles as well as those great horses.
Now horseless, armorless, shieldless and friendless, in other words completely defenseless and emasculated, Achilles runs once again to mom. Mama is always there for her boy. Now, for those of us whose moms have not always been there for us this is a cause of deep envy and anguish. She promises to have the technological god, Hephaestus, make him a new shield and armor to be ready the NEXT DAY. Even Hephaestus is not too busy for this paragon of mothers; he sets aside all else and gets down to it. You see what a good relationship between mother and son is worth.
Aldous Huxley thought about such matters deeply. He never consciously associated his mother with his eyes although his attachment was such that he said that if you wanted to know how polite educated people of his mother’s time spoke his speech was a living example. In other words he thought that he emulated his mother down to her speech patterns. In essence he had become his mother.
page 27.
He had been unable to penetrate his ‘unconscious’ but he had studied the subject carefully. Sybille Bedford quotes his thoughts on the unconscious in which Huxley says that, obviously, Freud did not invent psychology or even the ‘unconscious.’ Huxley discusses a book by one F.W.H. Myers who laid out a theory of the unconscious in a book titled ‘Human Personality’ in 1886.
Myers dealth with the Homeric concepts of the unconscious qualities of Ate and Menos. Ate was the destructive or dark side or the unconscious while Menos was the creative or positive side.
Freud appropriated the concept of the unconscious but only the dark or destructive aspect appealed to him so he went no further than that.
Obviously Huxley realized subconsciously that with his mother’s eyes he was in a constant struggle between Ate and Menos, darkness and light.
It has always troubled me as to why Hephaestus, or Menos, was married to Aphrodite, or Ate and why the goddess of love and god of technology should live at the bottom of the sea.
If you remember Aphrodite arose from the sea as a sea foam riding on the half shell. Obviously love has all the substance of foam while seeing only one half of the truth. This is a form of Ate.
She and her husband live at the bottom of the sea because they represent Ate and Menos which reside in the subconscious.
page 28.
Aphrodite as Ate is so thoughtless and self-indulgent that she causes pain to everyone in her willfulness. Hephaestus was not too pleased to be awarded Aphrodite as his wife by the council of the gods. No sooner were the two married than, while Hephaestus was off on business, Aphrodite invited her natural complementary aspect of the subconscious Ate, Ares, to bed.
Aphrodite and Ares are the two parts of destructive Ate. When they are caught by Hephaestus in union they form the ‘beast with two backs’ or, in other words, they hatched from the same egg. As unreasoning hatred and love they are Ate in its complete form or aspect of the subconscious that Freud chose to exploit with much less subtlety.
Hephaestos is Menos, the god of invention and technology, also seems to send his good ideas up from the subconscious. Ideas just seem to occur to us. Hephaestus as Menos therefore resides at the bottom of the sea where he is in close contact with the Mother Archetype in the brain stem in union with Aphrodite and Ares as Ate.
It should be remembered that the mother of Hephaestus is Hera who give birth to him parthenogenously. Hephaestus has no connection with the Father Archetype. In fact, he was thrown out of heaven by Zeus. Thus Achilles’ mother is able to obtain from him whatever she wishes at a moment’s notice.
Being in close contact with the Father of Waters, Poseidon, Thetis is able to procure the finest horses for her boy. Achilles has a team that is the envy of both Greece and Troy. It goes without saying that he has no trouble with his eyes.
page 29.
The imagery of mother, horse and eyes has persisted in the Indo-European male down to the present. Let us give two examples here with more to follow in Parts III and IV. Bear in mind that the imagery is subconscious so that it is not necessary for an author to knowingly select his imagery.
In Rudyard Kipling’s novel ‘The Light That Failed; the hero, Dick, was an orphan who was placed in a foster home with an orphan girl, Maisie. There were very close as children, one might say that she became Dick’s mother surrogate, but they became separated going about their careers apart.
They met again as adults in London where Dick has his attachment to Maisie renewed although in an irrational manner while she only reluctantly acknowledges him ultimately rejecting his attentions at which point Dick loses his sight.
Kipling doesn’t make the connection between mother’s abandonment, Maisie’s rejection and Dick’s eyes but it must be there in his subconscious.
Dick, a war correspondent, returns to a war in the Sudan as a blind newspaper correspondent. Traveling through hostile territory, just as he reaches the safety of the British camp he is shot dead off, not a horse, but a camel.
The second example is the play and movie Equus by Peter Shaffer. I saw only the movie. The plot centers around the psycho-analysis of the male figure. The story concerns a stable boy who blinds the mares under his care by slicing their eyes. Whether based on a true analysis or not Shaffer has a very confused presentation of his ideas which he probaby does not understand.
page 30.
As the protagonist is a stable boy it follows that he was drawn subconsciously to the job to be around horses indicating a weak mother relationship. That he sought a job in a stable to be around horses is a subconscious indication of his pain. We have seen what a doting mother, Thetis did for her boy Achilles and conversely what happened to Oedipus.
The mother substitute appears in a girl who seduces him in full sight of the horses. Unable to perform sexually in full sight of the horses, or Mother Archetype, he revenges himself on his mother by blinding the horses.
It is only speculation but I infer that the stable boy had been rejected, abandoned psychologically or both by his mother causing a deep abiding anger. It is forbidden to retaliate one’s rage on the mother so he vented his anger on both a young woman and the mother symbol, the horse. He disappointed the girl while putting out the horse’s eyes.
The flesh eating mares of Greek mythology is a difficult image to understand but perhaps they represent filiophagus mothers who victimize their sons knowingly or unknowingly. The opposite of Thetis.
The subsequent relationship of the rejected or abandoned son to women is important. In the stable boy’s case he was impotent with women. Dick needed to affirm his relationship to a childhood mother surrogate to avoid the consequences of abandonment. In Huxley’s case he was very fortunate in recognizing a woman who would serve him as he felt his mother should have served him and in finding a woman who realized the exact need for unconditional love of a man in her own makeup.
page 31.
One hesitates to say that Huxley created conditions by which his wife would predecease him but she did. After a marriage of nearly forty years Huxley quickly married a self-sufficient woman while apprearing to be relieved at the loss of his mother surrogate.
I hope I have made the connection between mothers, horses and eyes clearly. As the problem is not in the upper brain but the brain stem the fixation cannot be voided by the normal means of identification and expression.
In my own case in attempting to resolve the matter I have taken the approach of trying to reconcile my mother’s actions with my feelings about it but I haven’t been too successful.
Obviously the primitive brain stem presents different obstacles than the mid-, upper and pre-frontal brain.
End of Part I. Go to Part II, The Baby Marie.