A Review

Themes And Variations

The Tarzan Novels Of Edgar Rice Burroughs

#15 Tarzan Triumphant

by

R.E. Prindle

Preface

     Over many years I have searched for the point where myth and science join.  It was clear to me for a long time that the origins of science had their deep roots in a particular myth, that of invariance.  The Greeks as early as the 7th century B.C. spoke of the quest of their first sages as the problem of the One and the Many, sometimes describing the wild fecundity of nature as the way in which the Many could be educed from the One, sometimes seeing the Many as the unsubstantial variations being played on the One.  The oracular sayings of Heraclitus the Obscure do nothing but illustrate with shimmering paradoxes the illusory quality of “things” in flux as they were wrung from the central intuition of society.

     Before him Anaximander had announced also oracularly, that the cause of things being born and perishing is their injustice to each other in the order of time, “as they meet,” he said, for they are bound to atone forever for their mutual injustices.  This was enough to make of Anaximander the acknowledged father of physical science, for the accent is on the “Many.”  But it was true science after a fashion.

Hamlet’s Mill: An Essay Investigaing The Origins Of Human

Knowledge And Its Transmission Through Myth, p. viii,

Giorgio de Santillana, 1969

Giorgio de Santillana

1.

     The five Tarzan novels from Invincible to Lion Man form a unique quintet within the oeuvre.  Together they are just shy of twenty-five percent of the twenty-one Tarzan novels published during Burroughs’ lifetime.  If one excludes the late and unrelated Foreign Legion they are a fourth of the series.  Twenty-five percent within four years.  One might well ask what was going on in Burroughs’ life during these momentous four years.

     With the possible exception of City Of Gold all the novels deal openly with recognizable current events.  Invincible deals with the Soviet Communist menace which is continued as one of the themes of Triumphant.  The mainspring of Triumphant is Cecil Rhodes’ old dream of a Cape to Cairo route.  In this instance realized, as improbable as it might have seemed to Rhodes, as an air route.  The hope of the air route was first explored in 1918 and was about to be realized shortly after Burroughs wrote this book.

     ERB also throws in a bit about Chicago hoodlumism with a tip of the hat to Al Capone.

     Tarzan And The Leopard Men deals with the African Leopard Cult that was in the news at the time.  City of Gold is about ERB’s marital problems while Tarzan And The Lion Man concerns the recent and sensational MGM expedition to Africa to film Trader Horn.  Both before and after these novels Burroughs wrote pure, well, almost pure fantasy.

     The reason for the change isn’t clear; however, the thirties mark another change in novelistic styles so Burroughs may have been adapting to new circumstances.  If so it was the third stylistic change he was successfully meeting although it would be his last.  He had melded a turn-of-the-century style of the teens when he began writing, then adapting his style to that of the Jazz Age of the twenties.  After a good start in the thirties the ground slipped from beneath his feet with his style becoming somewhat dated.  By the forties he was finished although Foreign Legion makes a game shot at a stylistic evolution.

     Perhaps more importantly, ERB changed because he wanted to be taken as a serious writer.  He was simply tired of being known as an ignorant boob writing from the seat of his pants.  For all the seeming frivolity of his fantasy themes they are based on very solid scientific and knowledgeable themes.  They are imbued with an intense mythological acumen, while presenting a new mythology for the current age.  They do deal with classical themes such as the One and the Many.  Burroughs tried to organize experience into a new mthological structure which was desperately needed then and no less today.

2.

     Consider Giorgio de Santillana again:

     Today’s children, that impassive posterity to whom all reverence is due, know where to look for myths, in animal life in the Jungle Books.  In the stories of Lassie and Flipper, where innocence is unassailable, in Western adventures arranged by grown ups for the protection of law and order.  Much of the rest sedulously built up by mass media is modern prejudice and delusion, like the glamour of royalty, or the perfection of super detergents and cosmetics; super-stitio, leftovers.  So one might be tempted to say.  Actually however, no particle of myth is left over, and we have to do only with a deliberate lie about the human condition.  Tolkien’s efforts at reviving the genre, whatever talent employed, carry as much conviction as the traditional three dollar bill.

     Quite right.  Burroughs had the handle on true mythology while being able to create the governing myth of the Aquarian Age.  Triumphant is laden with myth.  In truth Burroughs is not the light-headed, simple-minded writer that even his most devoted fans and admirers want to think him.  He doesn’t want to parade his knowledge or get involved in abstruse discussions; he is writing seeming pure action novels,  The Master Of Adventure, as his fans like to say, for a pulp magazine audience that primarily wanted to be thrilled.  One may criticize Burroughs for it but he is never short on thrills or spectacular effects.  One may guffaw at some of his heroes’ exploits as I surely do but your eyes are still popping.  There’s a lot more under the seeming simplicity.  Much of it would have been recognized at the time giving the ‘knowing’ reader the satisfaction of being in on what ERB was really talking about but as the topicality faded away the succeeding generations  of readers could see only the action.

     The first sentence of the preceding novel, Invincible, explains ERB’s approach:

     I am no historian or chronicler of facts, and furthermore, I hold a very definite conviction that there are certain subjects which fiction writers should leave alone, foremost of which are politics and religion.  However, it seems to me not unethical to pirate an idea occasionally from one or the other, provided that the subject be handled in such a way as to impart a definite impression of fictionizing.

     In this series of five novels in a bid to be taken seriously, perhaps rather than conceal his knowledge by a ‘definite impression of fictionizing’ he was making a bid for intellectual recognition by ‘exposing’ his serious interests to some extent.

     The background of Triumphant is solidly based historically and in current events.  ERB was always seriously interested in aviation.  Indeed, his life as an adult would span the first lift off at Kitty Hawk to supersonic jet flight over a period of a mere forty years.  That might do something to your mind.  the concept of speed changed  in his lifetime from Barney ‘A mile a minute’ Oldfield to a fifteen mile a minute jet fighter plane.

     Commercial flight as we know it today was non-existent in 1930.  The DC3 was still five years distant.  A flight from Cairo to Capetown involved several layovers and even train trips if air connections were not established between certain points.  Yet, such a route was a major advance while being exciting news.  Ya gotta remember making a crystal radio set at home was still a substantial achievement marking one as an electrical wizard.  At the same time television was on the horizon, nearly a reality.  In such a flight Burroughs had a sure fire topic.

     He combines elements of an earlier 1918 attempt and the establishment of an air route at the time of writing.  In 1918 shortly after the War ended the British got right on realizing the hope of a Cape to Cairo dream.  Great Britain had acquired the German African colonies as part of the Versailles Treaty so that they were then in control of a continguous corridor through East Africa.  The acquisition of Tanganyika (Tanzania) filled the gap.

3.

     Four separate pilots set out from Cairo for the Cape.  The attempt was not entirely successful, but by 1932 it was.  Burroughs then selects as his imaginary pilot Lady Barbara Collis, an English aviatrix on a solo flight.  she seems to be somewhat off her course flying over Ethiopia but then that might be expected.

     The way Burroughs’ mind worked he usually has real models for these roles if you can figure them out.  In this case I think Lady Barbara incorporates three different women.  The only significan aviatrix I can locate is Amelia Earhart.   She became in 1928 the first woman to fly the Atlantic.  She was part of a three-man crew but gained notoriety.  In 1930-31 she was preparing for a solo Atlantic flight a la Charles Lindbergh from Labrador to Paris.  She did cross the Atlantic but was forced down in an Irish cow pasture not reaching Paris.  That was after the book was written so ERB would be relying on her 1928 flight and preparations for the solo flight.

     A second personality conflated with Lady Barbara may have been the famous evangelist and founder of the Four Square Church, Aimee Semple McPherson.  I have a framed picture of McPherson in my collection.  Evangelism may also have been on Burroughs’ mind from his recent reading of Elmer Gantry by  Sinclair Lewis.  According to ERBzine Burroughs objected to Lewis’ forcing his atheism on the reader.  Here one of his purposes may have been to show Lewis how it’s done.

      Aimee Semple McPherson hit LA at about the same time as Burroughs.

     By 1923 she was so popular she opened her 5000 seat Angelus Temple while beginning to broadcast over KSFG-K Four Square Gospel.  And then a the height of her fame on May 18, 1926 she vanished after swimming in the Pacific.  This and the following events during which several people died created a sensation no one in the country, and certainly LA, could miss.  Not an ERB who was passionately interested in religion anyway.  One wonders if he visited the Angelus Temple for Sunday services.

     Aimee turned up in Mexico where she said she had been held captive after being abducted.  But, apparently the pressures of success had been too much for her and she attempted escape into sex and a love tryst, which is a normal psychological reaction to unbearable stress as ERB himself was discovering.  The disappearance and subseqauent events had continued into 1927 and 1928 so that ERB’s capacious mind was filled with the wonder of it all.  Thus Lady Barbara disappears during the flight onto the mystery escarpment to reappear months later on the arm of Lafayette Smith.  Same story.  I think it likely ERB was thinking of both women while a third influence is almost certainly Dorothy Sayers, the mystery writer and creator of Lord Peter Whimsey.  Burroughs hits at it by mentioning that the story does not concern Lord Wimsey but does concern his daughter, Barbara Collis.  This  probably refers to Dorothy Sayers and her creation, Peter Wimsey.  When ERB admired a writer he wrote them into the story somehow.  He was generous that way.

     And then there is Danny ‘Gunner’ Patrick of the Chicago Underworld.  His name indicates he is Irish so he may be supposed to be associated with Dion O’ Bannion’s gang rather than Capone and the incipient Outfit.  ERB privides an intriguing if overly sympathetic portrait of the gangster.  One wonders if he had met models at this time.

     In connection with Patrick, which begins an interest in organized crime that extends through Swords Of Mars and the its Guild of Assassins, Murder Inc. was established at this time so that by the date of 1933 it would seem that ERB brought Murder Inc. into the corpus.

     Then there is LaFayette Smith himself.  Named after General Lafayette of Revolutionary War fame and recently brought to mind by General Patton who said, as he stepped foot on French soil, ‘Lafayette, we are here.’  The young geology professor may be be taken as an alter ego of Burroughs himself as he taught geology at the MMA.  Sort of the man Burroughs might have been had he the self-discipline to have gone to college.  ERB apparently sincerely regretted he had not gotten a degree as a number of his alter egos are college graduates, such as the Old Timer of Leopard Men who graduated from his brothers’ alma mater, Yale.

4.

     As noted Burroughs had taught geology as an instructor at the Michigan Military Academy.  He was still following the subject closely as he grouses that geologists had as many opinions each about as accurate as the weather forecasters.  Still, knowledge was developing at a break neck pace that would lead to our substantailly complete knowledge of today.  It’s too bad that ERB couldn’t have held on to 1965 or so.  A man of his intellect would have seen things.

     Burroughs not only combines all these threads and strands but in his prologue he reaches for his most daring concept yet.  It’s only a page so let’s look at it closely.  The opening sentences:

     Time is a warp of the tapestry which is life.  It is eternal, constant, unchanging.  But the woof is gathered from the four corners of the earth and the twenty-eight seas and out of the air and the minds of men by that master artist, Fate, as she weaves the design that is never finished.

     A thread here, a thread from there, another from out of the past that has waited years for the companion thread without which the picture must be incomplete.

     But Fate is patient.  She waits a hundred or a thousand years to bring together two strands of thread whose union is essential to the fabrication of her tapestry, to the composition of the design that was without beginning and is without end.

     That attitude informs all of Burroughs’ work; a study of the One and Many, and is the reason I am such an admirer.  Given Burroughs Classical background that apparently made such a profound impression on him one is reminded of Penelope at her web as well as the three Greek mythological Fates themselves- the three daughters of Night– Clotho, Lachesis and Atropos.

     Clotho the spinner, Lachesis the apportioner, Atropos who cuts the string that ends the web and life.

     And then Burroughs begins to indicate how events occurring thousands of years previously would provide the strands of time to bring his story together into a recognizable pattern, the warp of the web, while th woof is the improbable bringing together of such disparate persons as Tarzan, Gunner Patrick, Lafe Smith, Lady Barbara and Jezebel, ERB’s prophetically named first Golden Girl.  Florence is into the picture.

     The ancient protagonist is a disciple of Paul of Tarsus, Angustus of Israel.  At the death of Paul in Rome the paranoid Angustus decides to flee into the Heart of Darkness, Africa.  Along the way he picks up a Nordic slave girl who will bring in ERB’s evolutionary theme.  Then up the Nile into the Heart of Darkness.

     In this story, all roads lead to Midian in the crater of an extinct Ethiopian volcano.  In his way ERB who speaks frequently of coincidence denies the concept in favor of Fate the Inexorable.  As Freud would say, there is no coincidence– one thing leads to another.  Once set in motion the ball may be deflected but it cannot be stopped except by the cessation of Time– the non-existent but all controlling element.

Part two follows.

Who Is The Mysterious John Carter?

by

R.E. Prindle

 

Edgar Rice Burroughs- The Man With The Plan

http://www.coolfrenchcomics.com/wnu1.htm#ARTICLES

 

There are nine wise men who control the destiny of the world and I am on a first name basis with each of them.  Sworn to secrecy I cannot reveal the names of these Unknown Masters.  No Wiki-leaks here.  Due to the upcoming movie concerning doings under the moons of Mars first revealed by the adept Edgar Rice Burroughs beginning in 1912 I have been advised that it is thought expedient to reveal who John Carter really is.

Elipsis being the favored mode of action of the Nine rather than just give the info straight out I have been given a list of web sites, articles and books from which Carter’s identity may be deduced leaving some room for error on my part from which Carter’s identity may be deduced.  Given the nature of the material, much of which I had already read that I have always thought rather fanciful I can’t guarantee that I have succeeded in determining J.C.’s true identity.  If I have failed in this great trust placed in me by the Nine I lay the blame at their feet for having made an erroneus choice but it is possible that, as a result of such a possible failure, I may not be heard from again.

Burroughs, who seems to have known the true identity of Carter, whose books were part of the package given to me, as if I hadn’t already read them many times, gives us a clue in that Carter was at least one thousand years old and had enjoyed many identities over the centuries.  Actually with a little invention I may be able to whiff this past the Nine.

Amongst the papers entrusted to me was the web address of the French Wold Newton Universe which I abbreviate FWNU.  As this site intelligently summarizes a thousand years of history I found it an invaluable resource but just because I’m relying on the FWNU doesn’t mean I’m lazy; I’ve already read the other stuff:  the Greek myths, Homer, Grave’s White Goddess, the Bible, De Santillana, Eco and a host of others, besides which I have to use the sources the Nine supplied.

It will be necessary to begin our search with the Knights Templar and the Crusades.  It is quite possible that J.C. by whatever identity he may have been known is co-existent with the First Hominid Predecessor.  For all we know he was present at the creation, among the artists  who painted the caves at Lascaux or he may even have had an intimate acquaintance with the Via Dolorosa; but, that might merely be relying on the coincidence of initials.  We have no reliable or even quasi-reliable records that far back.

We will have to content ourselves with beginning at the Crusades.  The historical figure who claims an ancient pedigree is the Count de St. Germain.  He makes his appearance under that name in revolutionary France.  As the name he uses then is demonstrably French we have to assume that over the centuries he has been known under many, many names, many guises, many roles as the concept French is of fairly recent origin.  He was perhaps one of the nine who formed the Knights Templar, a very secretive group.  The Crusades changed the course of European society just as the Templars were the first catalysts of that change.  While Templar history is in the hands of those sympathetic to them who find them wholly admirable I who should be among those sympathsizers have a lurking suspicion that the Order was wholly sinister.  Who else, I ask you, would recruit in taverns haunted by criminals and excommunicants?  What building material was this?

The Templars ostensible purpose, good reason as opposed to real reason, for existence was that they were to protect pilgrims to the so-called Holy Land but, once created, they lost interest in such a worthy cause.  Perhaps they were created for a much more subversive and less worthy purpose.  The Templars are frequently linked with another band of ‘holy’ soldiers, the Assassins of Alamut in Persia.  Who were the Assassins?  The FWNU:  Will There Be Light Tomorrow, Part I:

The word “assassins” is usually linked to hashish, and the name of the group is sometimes spelled “hashishins,” because of their alleged use of the drug to keep their fearsome warriors properly motivated…What is not widely known is that, in fact, the name “Assassins” derives from the word “Assass,” meaning “Guardians,” or “Protectors,” for the Assassins were in reality the Islamic Soldier Monks in charge of the protection of the Holy Land.  “Assassins” in Arabic signifies “quardians,” and some commentators have considered this the true origin of the word: “Guardians of the secrets'” – Arkan Daraul, Secret Societies.

If the Assassins had secrets to protect and/or disseminate then they might easily have swayed the minds of a group of simple unsophisticated Nordic warriors.  Once swayed then their role would have been to form a fifth column in Europe in alliance with the Assassins to subvert the Church and State which is exactly what the Templars were doing.  Thus though the Moslems had been defeated and thrust back by Charles Martel the Templars would be internal allies to achieve the Moslem conquest not unlike the Liberal undermining in favor of the Moslems in the West today.    Wheels within wheels, plans within plans.  There undoubtedly was constant communication between the two groups for well over a hundred years until the Mongols of Ghengis Khan stormed Alamut putting an end to the Assassins c. +1260.  An unforseen event.  It was then only a few decades later that Philip Lebel of France terminated the career of the Templars launching Europe on the period of confusion that terminated with the murder of Louis XVI and Marie Antoinette.

From the wreckage of the Templars, for they were only wrecked not destroyed, came great criminal organizations such as the Commora, the Carbonara and the Mafia.  All these elements combined to create the revolution in France during which the Compte de St. Germain  and the extra sinister Caligliostro, who might have been the same,  appeared and who in all possiblility emigrated to America to become…John Carter.

Names and dates in this underworld milieu can never be taken as certain.  As the FWNU points out it is clear that Cagliostro left for America after 1795 or at about the same time Edgar Allan Poe was handed the mysterious manuscript detailing the adventures of Arthur Gordon Pym.  We’re slipping into the realm of pure fiction here but suppose that Poe did get the story from someone and suppose that someone was merely posing as Cagliostro or St. Germain, probably the same person in two identities.  Still fantistic but not impossible.

However contrary to Man’s desire nobody lives forever so at some point Cagliostro has to die but before he does he finds the Virginian John Carter and instructs him in this pious fraud to keep the tradition going.  Now, it is clear that whether or not someone gave Burroughs a manuscript which he at least claimed happened in the case of John Clayton he writes of John Carter in the tradition of the Great Conspiracy that had its roots in the Crusades.

Burroughs may very well have been self-indoctrinated in the Traditions as many of us are, however Burroughs was learned in several matters not least of which was psychology by his brothers’ partner, Lew Sweetser.

Sweetser along with the Burroughs Boys was graduated from Yale University which we know is the home of the prominent occult organization the Skull and Bones Club.  The Skull and Bones takes its emblem from the pirates of the Caribbean.  Their banner was a corruption of the black and white Beauceant banner of the Templars.  It is generally thought that the excaping French Templars, or a portion of them, fled to Scotland.  After 1492 when the Spanish gold fleets of his Most Catholic Majesty, the Defender of the Faith, the King of Spain began their runs, the Templars set sail for the New World to prey on the treasure fleets to avenge themselves on Church and Throne.

I have seen no record that Lew Sweetser was in the Skull and Bones but if he was or aspired to, if the Skull and Bones have any secrets which they obviously do, Sweetser may have become privy to some and whether intentionally or inadvertantly he probably imparted some to young Burroughs.  At the very least, in educating young Burroughs as he obviously did he would have given him his outlook or point of view.  Young Burroughs was at an impressionable age.

 

This point of view was reinforced by all of Burroughs’ reading.  That reading was more heavily occult and revolutionary than is usually supposed.  By 1912 when he began writing ERB was fully versed in the underground French literature in translation of the day.  There doesn’t seem to be a reference to Balzac although he must have read something but maybe not.  He did read Eugene Sue, one of the early nineteenth century writers, a veritable mad man.  Sue’s The Mysteries Of Paris was in his library while I’m relatively certain he read Sue’s Wandering Jew also.  Between

A Boy Named Sue

those two books his mind would have been ripped apart and reassembled as was mine for instance.  He read Dumas, Three Musketeers and Count Of Monte Cristo for sure and probably The Man In The Iron Mask.  He plowed through Victor Hugo’s sewer epic, Les Miserables.  He devoured whatever was translated of Jules Verne.  Verne’s works were firmly implanted in his mind: From Earth To The Moon and Mysterious Island absolutely filled his mind.  Paul Feval and

E.A. Poe, obviously under mental stress

Emile Gaboriau weren’t translated as yet so these very important crime/revolutionary writers missed him.  They write much more directly at what Sue, Dumas, Hugo and Verne imply.  But, all four of those guys are powerful writers dealing with life in a very direct way.  Edgar Allan Poe, another prime influence of Burroughs, 1808-1849 seems to have been influenced by the early bunch of French writers, probably Balzac and some writers less well known but earlier than Feval and the rest.  Poe may be the most astounding writer of all in the French school although its hard to top Sue.  I shudder while I write his name.    And then it is impossible to know what magazine and newspaer articles about such topics Burroughs may have read.  His age was a magazine and newspaper age.

 

Cagliostro

And, of course, Burroughs read a full slate of English and American writers not least the detective stories of Conan Doyle and many others.  One should not overlook George W.M. Reynolds incredible ten volume novel The Mysteries Of The Court Of London which is found in ERB’s library.  An amazing 5000 page novel.

All of this reading seemed to come together in the John Carter Martian Trilogy.  Burroughs never again wrote anything quite like it.  One could remember that one doesn’t have to be fully conscious of what one is writing.  One is caught up in the sweep of intellectual currents developing themes whose antecedents began long before so that one is merely developing the themes.

Thus Burroughs was part of the breaking up of the Semito-Aryan mythology of say -2000 to +1000 which was accentuated by the first of the three major blows to Man’s self-confidence picked out by Freud- the place of the Earth in the Universe.  Once it was understood that Earth was merely one lone planet spinning in a Universe that if not thought boundless in his time was understood to be more extensive than mythological heaven.  The old mythology crubled to the ground, the old gods of the Semitic religions had their teeth pulled, their knees crushed, in other words, they lost their power to command.

Jules Verne

Now, it is often asserted that there is no mythology to replace the old mythology, that science has destroyed the concept.  This is not true.  The Templars began a new mythology, while Galileo, Copernicus and Kepler forwarded it when they discovered or revealed  that the Earth was a point in a surrounding universe.   Thus, if the Earth is not the center of the universe with God in his heaven above it then Man can penetrate this boundless space.  This is where John Carter enters the mythology of the Scientific Era.

The idea of traveling in space according to the FWNU was almost immediately written in a story by Kepler himself.  While this is a sort of change of venue travel in the upper spheres has a long history predating Kepler.  To cite only two examples there is Jacob’s Ladder on which Jacob was said to ascend to the heavens or, in other words, space.  Mohammed is said to have mounted his horse and risen to the Seventh Heaven, way up there in the ideas of the time,  where he conversed face to face with God, or in Moslem terms,  Allah.  So, now that space became open it isn’t unusual that Kepler immediately translated the old mythology into scientific terms.  So while a magic carpet may have served Gullivar Jones if fails as science.

Thus from Kepler to Burroughs the tales of space travel and the complexity of methods increases.

Camille Flammarion

With the development of astronomy, that is space, the concept of Time developed apace.  The Earthly year had already been adequately measured so now the conquest of the Earth day, hour, minute and seconds- eventually nanoseconds- began.  Thus Time and Space became one word, timeandspace.  Along with rocketry came the fantasy of the Time Machine, the time traveler.  As we know Burroughs was an expert on both, having some very well developed ideas about Time.  Rather than being a merely frivolous romanticist then it can be seen that Burroughs was trying to work out the central problems of his times.  to a very large extent, he did.  In a literary sense, then, Burroughs is the equal of Freud and Einstein.  Hence his writing style is odd.  He is trying to convey ideas he is struggling to understand, not unlike Freud and Einstein.  While Freud is considered a literary stylist I find him barely comprehensible, not at all clear.

As the FWNU points out, while John Carter takes his place in space travel in the 1860s his amanuensis, Burroughs, only published Carter’s exploits from 1912 to 1914.

Burroughs himself completely distorts the facts as he claims he himself was born c. 1855 in the Trilogy while we know he was actually born twenty years later in 1875.  He could not possibly have known Carter as a child and been his ‘favorite nephew.’  Why he would tell such a transparent falsehood isn’t clear.  Even when Carter made his second vanishing in 1888 Burroughs would have been entering his teen years while being in Illinois rather than living on the Hudson in the State of New York.  Does he think we’re stupid?  Perhaps he is concealing his real sources.

Even though the issue is somewhat clouded because of the lapse of time between the historical events and Burroughs’ publication of them only in 1912, one thing is clear, John Carter is the Lord Of Time And Space.  As Burroughs recounts Carter’s words claimed to be to him in the prologue to the Gods Of Mars:

I have learned the secret, nephew, and I may traverse the trackless void at my will, coming and going between the countless planets as I list…

Carter’s achievement is of great import because it means that he has become one with the gods.  he has joined the heavenly pantheon with the added advantage that he can move equally freely between the spiritual and the temporal.  Not even the Great Gods can do that.  Although he has the secret he doesn’t choose to divulge it to his ‘favorite nephew’ who we know did not possess this occult secret.

It is interesting in light of Carter’s achievement to pay some attention to the Urania Book that was received by another Chicagoan.  Why Chicago was selected to be the center of revelation at this time isn’t known.  The book of Urania is a massive volume giving the details of the celestial organization of the gods dispersed throughout the universe of which Carter must have been familiar although he didn’t impart that knowledge to his nephew.  Fortunately that vast organization was related by the Uranians.

As Burroughs was left more or less on his own on that score by Carter it is evident that Burroughs must have fleshed out Carter’s bare announcement of having discovered the ‘secret’ of traversing interstellar space by hints from the famed French explorer of space Camille Flammarion.  That author discusses outer space in several profound works chief of which are The Plurality Of Inhabited Worlds, The Inhabitants Of Other Worlds, Imaginary And Real Worlds and Lands In The Sky.  It is to be noted also that rather than taking his information on the nature of Mars from the American Percival Lowell Burroughs took it from the Frenchman, Camille Flammarion.  Lowell and Flammarion were in close communication so it is probable that Lowell’s inspiration was taken from Flammarion.  Burroughs speaks of Flammarion many times even going so far as to say he formed his early ideas on him but he never mentions Lowell.  Unfortunately Flammarion’s information on Mars turned out to be more inspired than factual.  Let us hope his ideas on interplanetary space are more sound.  But then he is a pioneer and the lay of the land always looks different to the first comers than the settlers who become familiar with it.  Cartographers so to speak.  Geographers, that sort of thing.

At any rate the transition from the old astrology to the new astronomy, from myth to science, was achieved through the medium of Edgar Rice Burroughs.  There should a BB and AB, before and after Burroughs.  Thus with the publication of A Princess of Mars in 1912 world history entered a new phase.  The centuries after Keplers’ space epic culminated with Burroughs in 1912 when he more or less perfected the new mythology as far as the heavens were concerned.

Nor was Burroughs finished when Carter using the ‘secret’ transported himself to Mars the second time.  One is inclined to believe that Carter stumbled on the secret before the cave in Arizona or else was selected by the Celestial Organization to receive it.  The latter would have been impossible for a naive earthling like Burroughs to understand so Carter probably chose to say he discovered the secret.

Burroughs himself who was undoubtedly chosen as the conduit to the New Mythology was immediately recognized as the avatar of the New Mythology as nearly all other mythographers began to develop the ideas in Burroughs framework.  His knowledge which was itself almost miraculous seems as though it must have been divinely imparted.  Perhaps the two concusssions he received before 1900 rearranged his synapses so that he could intellectually go where no man had gone before.  He celebrates the memory of these two concussions by beating a steady tattoo on the skull of Tarzan.

Having organized the way in which inter-stellar planetary travel was to be perceived Burroughs set out to create the man-god of the New Age on earth, the second aspect of the trinity, John Clayton otherwise known as Tarzan Of The Apes.  Burroughs retained the JC initials linking Jesus Christ, John Carter and John Clayton as so many have noted although those three are not the Trinity in question- the three in one, one in three.  One must beware of the so-called revolutionaries who with their inability to understand common sense deride the triple aspect of mankind as faulty arithmetic.  In the course of evolution it would seem that  they failed to acquire the advanced intelligence gene.

Three of Burroughs’ most formative years were spent at Harvard Latin School in Chicago where he developed his classical knowledge and fell in love with classical mythology.

Thus, as the mythological god of heaven was Zeus to whom John Carter corresponds, John Clayton, or Tarzan corresponds to the terrestrial god, Poseidon or, perhaps more accurately to the son of Zeus, the great man-god Heracles.  Burroughs often refers to Tarzan as the Heracles of the jungle so perhaps he shoved Poseidon aside in favor of the son of Zeus.  This leaves only the realm of the underworld ruled by Pluto or Hades in Classical Mythology which Burroughs renamed Pelucidar and placed at the center of the Earth.  He doesn’t seem to have felt the need for a ruler of that particular realm.  Thus while the three realms exist in his mythology the trinity seems to be curiously truncated by one but perhaps I’m missing something.

Thus Burroughs updated the Trinity.  It might be coincidence or maybe it was destiny but Burroughs was chosen to transit the bases of the New Mythology at the first glimmer of the dawning of the Age of Aquarius.  Was he conscious of his role as the Man of Destiny?  While he could never be sure he undoubtedly hoped the Light was shining on him.

Although obscure this move shows a very astute religious understanding.  If one wishes to supplant a religion the wise idea is to appropriate the forms of symbols, shrines and ideas and replace their content with your own.  Catholicism did this with Greek and German sites and Jewish and Moslem religions are attempting the same with Christian and or Western sites, symbols and ideas now.  There is an eternal religious war.  For instance Jews have instituted the new Jewish holiday Hannukah in opposition to the Western Christmas which in itself contains the superposition of the Christian religion on pagan sites.  While shining the light on their Hannukah they make vicious attacks on Christmas trying to have it outlawed.  Christmas celebrants are thus being nudged to embrace Hannukah at which time they will be left in peace to celebrate their Christmas under the guise of Hannukah.  In the time honored manner Christianity will have been superseded, in this case by a lesser religious faith.  Undoubtedly they will be happy with an eight day celebration rather than a one.   A little bribery works well.

Thus Burroughs makes John Carter the Master of Time and Space in place of Jahweh or Allah.  When the scientific British conquered India and scoffed at the Hindu notion that the world rested on the back of the elephant as an impossibility the Hindu priests withdrew, worked it over in their minds and countered:  OK.  The world rests on the back of the tortoise.  The Hindus could not accept the negation of their religious beliefs.

So science made clear to Christians, Jews and and Moslems that there was no god and that instead of the earth nestling in an egg of seven heavens with god in the seventh and highest balanced by seven layers of hell beneath the flat earth and that space was in fact boundless and the earth occupied an infinitessimally small space in the universe, the Christians, Jews and Moslems retired to consider the problem then each gave a new solution based on God in heaven much as the Hindus switched from an elephant to a tortoise.  It is impossible to just switch the human mind from one system to another.  As Voltaire said:  No one ever willed himself an athiest.

Science is abstract while religion is visceral. so even those working in science retain their religious views.  The Christians said:  Alright then, if God didn’t create mankind what happened is that a comet brought life to Earth.  You see, Evolution or Creation must come from outside.  It is more comfortable to think that.  Thus nothing changed, life came from ‘above.’  As the space idea developed one had the spectacular Uranian religion develop where the entire universe becomes one huge revival camp while ‘visitors’ from outer space landed handing knowledge to dumb ox earthlings.   Knowledge wasn’t acquired bit by bit by humble earthlings but was given by superior aliens, i.e. God.  The Aliens then began to hover over Earth in flying saucers to monitor our activities until we were ‘ready’ to enter the congress of planets in a peaceful manner.  Like God they don’t interfere in our affairs.

Thus John Carter the man-god can replace both God in his heaven and space aliens and God will still be in his heaven and all right with the world.  Only the symbols will change which is as it must be.  As above, so below.  Following that religious formula Burroughs placed the avatar of primitiveness and sophistication, Tarzan, as overlord of Africa.  Tarzan remains a savage but is sometimes dressed in a tuxedo, even in the jungle.

How aware is this?  Currently certain groups are going into the very heart of darkness to haul Negroes out of the jungle, put them on airplanes which they may only have seen flying high above them and transporting them to the United States where these groups expect these primitives to get a job, eat frozen food, and flush the toilet none of which the primitives have any knowledge.  As is well known feral humans are incapable of transiting to human society.  The brain can only absorb so much and at such a rate.  This inability cannot be accelerated or changed.   Even well educated, supposedly sophisticated humans can’t make the transition from a magical religious mindset to a rational scientific one so what is to become of primitives?  Scientific thought has had no part in Chinese or Asian thought until very recently so how can these peoples be expected to abandon their essentially mythopoeic thought processes for a scientific  one?

So, while Burroughs was attempting to lead the way to an Aquarian scientific conception of the coming New Age he was wisely attempting to do the impossibhle:  Putting new wine in old bottles without bursting the bottles.  It may be impossible yet it has to be done.   The issue has now been complicated, probably irreparably, by the introduction of hundreds of millions of people into Western society for which the transition is a complete impossibility.  The enlightened Westerner will be swamped by those incapable of understanding whether it be their natural limitations or not.

In this global society the Aquarian religion must displace several antiquated thought systems.  The truth is obvious.  A palatable religion has to be packaged for the masses that will make them psychologically comfortable and an elite and priesthood who hopefully understand the issues who can keep society moving forward on an even keel.  Is this possible?  Even Burroughs could solve the problem only by continuing the institution of slavery.  Slavery permeates his entire work.

In our situation it is important to keep the religious warfare confined to the warring elites and away from the masses.

That means of course that the egalitarian character of the last two hundred years has come to an end.  Of course, the Semites put a period to that on 9/11.

The question then is who will wear the crown?  Burroughsian religious ideas must triumph.  The Carter-Clayton ideas must be put into action driving the three Semitic religions off the field as well as conquering the minds of the Asians and Africans.

Not as difficult as it may seem but it takes a steely determination so far shown only by the Jews and Moslems.  You have to know who you are, what you want and be prepared to deal with any obstacles as these two groups obviously are an do.  Know who you are and the superiority of your beliefs.  There is no longer any room for tolerance as with them.  Everything else out there is inferior, nothing can successfully slander our beliefs unless we permit it.

 

Beam Me Up, Scotty

 

 

 

 

 

 

 

 

A Review

Themes And Variations

The Tarzan Novels Of Edgar Rice Burroughs

#14  Tarzan The Invincible

by

R.E. Prindle

Part 10

The Prohpet- Edgar Rice Burroughs

Religion: Standing On The Promises

Even though at the beginning of the novel Burroughs says he does not consider Politics and Religion suitable topics for fiction- unless highly fictionalized- the two topics seem to constitute a major portion of his work.

The Great One does not feel called upon to exhibit a foolish consistency.   In Invincible the first sentence is:  I am no historian.  In Tarzan Triumphant he says: ‘Being merely a simple historian and no prophet…’   So in the few months between Invincible and Triumphant he has gone from no historian to a mere simple one while hinting that while he is no prophet he may become one.  We can’t be certain what the future holds in store for him.  I’ve already sensed that he is a prophet.  Tarzan is the god and Edgar Rice Burroughs is his prophet.  So much for Mohammed being the end of the prophetic line.

Under cover of fiction Triumphant will deal extensively with the Jewish and Christian religions so this might be an appropriate place to review some aspects of the history and nature of religion.

Evolution occurs on many levels other than the biological.  The biological naturally controls all other forms of evolution.  The species has developed from a time of pre-hominid ancestors that must at some time have diverged from that of the other anthropoids as unpleasant as that may be for a certain type of mind although, for the life of me, I can’t imagine why.  One of the more significant areas of evolution has been that of the brain.  Nothing should be clearer than that the brain of HSIII is superior to the brain of the first Homo Sapiens and species which evolved from the Last Hominid Predecessor.  I mean gorillas must have a relatively primitive brain.

There is no reason for this not to be so.  The brain of the infant Homo Sapiens continues to develop outside the womb until at least the early twenties.  At each stage the ability of the brain to function increases.  As above, so below; as in the macro so in the micro.

Thus as in each stage of evolution from the first Homo Sapiens to the present most highly evolved specimen Homo Sapiens III, abilities to think and function have increased.  Thus HS’s understanding of the world and universe are immeasurably different from the first Homo Sapiens model.  I can’t imagine anyone who would dissent from that conclusion.

Now, except for the intermingling of human species certain human species would still be unacquainted with the approximately true nature of the world and universe that we have attained.  I don’t see how this can be disputed.  Without European influence the rest of the world would still think the earth was flat.  These are facts whether one likes them or not.  Indeed, even among the most advanced human species there are very large numbers who resist the scientific explanation of nature. These people still prefer the atavistic, antiquated religious Semitic explanation of natural phenomena.  These people can barely accept the notion of a heliocentric solar system, many don’t.  Why should anyone pay attention to them?

If one accepts that Homo Sapiens is 150K to 200K years old then it seems to me impossible that all human  intellectual development has occurred in the last ten thousand years.  Weapons of some sort have been in existence for many tens of thousands of years if not from the beginning of Homo Sapiens having been evolved from the Last Hominid Predecessor.  It seems evident to me that a highly developed civilization existed in the Med Basin beginning c. 100K years ago.  That doesn’t mean they had advanced Science it merely means that they had an organized society with relatively sophisticated thought processes and tools.  Religion is basically an attempt to understand and make order of the world.  All interpretations of the natural order must be based on that order.

Hence the North Polar stars which never set are the basis of religion.  The Polar stars rotate about the Pole over a period of some 25K odd years forming what is called a Great Year.  The Great year was made to conform to the terrestrial year of twelve months therefore being divided into twelve periods called Ages.

The Great Year with it twelve Ages formed the basis of religion.  We will call that religion the Astrological Religion.  Thus the religion goes back for tens of thousands of years as Sumerian records indicate.  These Ancients did not make up their lives or talk through the backs of their necks.

Each Age of the Astrological Religion had its male and female religious archetypes.  These are, perhaps most easily traced as far back as four ages, possibly five, in the Greco-Cretan mythology.  The historical ages are the Taurian, Arien, Piscean and the next, the Aquarian.  I am not a New Ager although I see no reason to disparage them and I am in sympathy with the outlook.  One may say that I am of the Astrological religious tradition as we will see, I think, was Edgar Rice Burroughs.

In ancient days the Hom Sapiens species were separated each having distinct territories so that in the Darwinian sense they were not yet in conflict.  When the last Ice Age came to an end flooding the Med Basin- this is not speculation, but fact- the civilization of the Basin was forced to higher ground bringing them into contact with the highland savages from West to East.  Thus civilization as we now know it began.

The first settlers of Mesopotamia brought the Astrological Religion with them or, according to Mesopotamian mythology a man-god named Oannes- the name Oannes evolved into Johannes or John- appeared from the sea to teach them the rudiments of civilization and the Astrological Religion.  Immense amounts of lore must have been lost, that is forgotten,  so perhaps that is where the legend of the Lost Word comes in.

Now, off to the East on the Arabian Peninsula a different species lived.  These were called the Semites or would be after the later Hebrews so named them after their mythical ancestor, Shem.  Mere desert dwellers the Semites were attracted to the glitter of the Astrological Religion.  There is no evidence that the Semites had a civilization or anything that could be called an actual culture of their own.  They merely mimicked the existing culture infiltrating it much as Europe and America are being infiltrated today by their descendants.  Eventually they will succeed the European civilization just as their ancestors did the Sumerian.

The evidence is that they had no religious forms of their own so that they attempted to take over both the physical and cultural edifices of their predecessor civilization, the Sumerian.

The Semites did not have the same mental organization or capabilities as their predecessors so they could maintain neither the civilization nor the religion.  The major conflict came at the transition from the Age of Taurus to the Age of Aries.  Here is where the real conflict between the Semites and Indo-Europeans or  the Semites and HSII & III begins to take its historical form.

When the Astrological Age changes the religious archetypes change.  For instance Cronus had been succeeded by Zeus at the transition from Taurus to Aries.  Zeus himself was succeeded by Jesus the Christ at the transition from Aries to Pisces.  Zeus would have been succeeded by Dionysus but the Semites either had to be accommodated or they forced Jesus of Nazareth on the Age which was later combined with the Kyrios Christos to form the composite deity the Semitic Jesus and Hellenic Christ.  The role of Paul was very important in forcing Jesus of Nazareth on the goyim as Burroughs attests in Triumphant.

As we are now about to transit from Pisces to Aquarius a new set of archetypes will emerge representing the current intellectual and psychological development of Homo Sapiens.

This raises the question of whether Burroughs was merely a simple historian or was he also a prophet.  Is Tarzan his offering for the role of the male archetype for the Aquarian Age?  I think he is.  For those who scoff at such an idea it would be wise to examine Burroughs relation to Mormonism during his stay in Salt Lake City.  If it was possible for Joseph Smith to befuddle the minds of intelligent Westerners with his nonsense in the middle of the nineteenth century, or Mohammed to impose his twaddle even in the seventh, then I see no reson to be amazed that Burroughs would attempt the same thing in the twentieth century.  I mean, look at this stuff for what it is.

Also, believe it or not, I read recently where someone thinks Oprah Winfrey could be the female archetype for the Aquarian Age.  Get out of here.  I don’t whether to laugh or barf.  So, the notion of religious archetypes for the new age is a fairly active one.  Any such discussions are in conflict with Semitism.  So, we’re back to that problem.

Semitism took identifiable form at the transit from Taurus to Aries.

The record of such happenings is, of course, much more recent than the transition from Taurus to Aries.  It could have been made up during the Babylonian captivity.  The Old Testament record was only recorded, perhaps even formulated, after the Captivity which began in 586 BC lasting for only fifty years although rather than return to the pleasure of the temple most Jews remained behind by the waters of Babylon just as their ancestors yearned for the fleshpots of Egypt.

To clarify the nature of human species according to Jewish sources:  The Jews argue that all mankind is derived from Jewish or Hebrew stock.  The only survivors of the great flood were Jews- Noah and his family.  The ancient Hebrews while knowing many cultures knew of only three species or stocks.  They acccordingly named them Hamites, Shemites and Japhetites after sons of Noah.  In their conversations with De Great Lawd which were frequently carried on in public He apparently dispensed information on a need to know basis so he withheld the info on the Mongolids and West African Negroes as no account of them is taken in the descendants of Noah.  A little gap in the perfect knowledge of the Old Testament.

Thus the Old Testament acknowledges the differences between the Semites, the Europeans or Japhetites and the Hamites are more than merely racial, which is to say Cosmetic.  Such an idea is of course in line with genetic learning.

The Med People or HSII devised a fluid religious system that allowed for the development or evolution of the human mind.  In other words they not only accepted but embraced change.  This is a quality of mind not shared by HSI, the Semites or the Mongolids.

Depending on what time period the Semites began the infiltration of Mesopotamia which may have overlapped the Geminian and Taurian Ages or perhaps fell completely within the Taurian Age there would have been no conflict with the Semitic need for stasis and the Astrological allowance for development, evolution or growth.  However, by the time of the transit from Taurus to Aries the Semites had gained political control of Mesopotamia while the religious control was still in the hands of the Aryan priesthood.

Following Astrological precedents the ancient Aryan priesthood wanted to change to the Arien archetypes.  In European Greece where the Semitic influence was lower the transit from Cronus to Zeus was made with only the usual warfare hence the legends of the Cronian Titans and the Olympians.

In Mesopotamia where the Semites were in the ascendant, according to Jewish myhthology, the Terahites, under the tutelage of Abram, disputed the succession with the ancient priesthood.  According to Jewish mythology Abram and the Terahites argued that the religious archetypes were eternal and there was no Astrological tradition.  Thus in the ancient world the Jews were believed to worship Saturn.  If Saturn were the Taurian archetype then this was very likely true as Saturn would then be the basis for the Eternal which the Jews do acknowledge worshipping.

In the Semitic manner, then, the Semitic mind being incapable of  accepting change, having been fully developed before they emerged from the desert, went into opposition to the Astrological Religion.   Thus the conflict changed from a termporal one to a ‘spiritual’ one.  At that point then diaspora was possible without the laws of national identity.  As a spiritual entity, Judaism was born.  The notion of Semitism developed along with  its opposite anti-Semitism.  Christ = Anti-Christ.  Thus the explanation of the origin of this so-called anti-Semitism is simply explained.  In reality Semitism was in conflict with the Astrological Religion and hence was anti-Astrological.  Any other religion must perforce be anti-Semitism.  The struggle then became a struggle for the souls of men as well as their bodies.

Once again in direct conflict Europe and Asia began a long theological dispute.  As the Piscean transition progressed the Semites began their attempt to convert the Astrological religion to Semitism.  They were effective in shutting down intellectual inquiry which is the motive force for change.  We will see this again in the nineteenth century efforts of Marx, Freud and Einstein.

As the ancient world ended, its religious legatees were the Catholic Church and Judaism.  All other ancient religions disappeared from the face of the earth except in ineffective remnants or underground movements.

It is interesting that fourteen hundred years after being forbidden the Arien Age worship of Zeus has been made lawful again in Greece.  There’s really no place in the Aquarian Age for the Olympian pantheon but it is an interesting atavistic attempt reviving as it were the struggle between the Arien Age religions of Olympia and Israel.

Gradually the Egyptian and Anatolian elements of the Christian manifestation of the Piscean archetypes have been displaced in favor of the Semitic models.  The Catholic Church was able to contain the Semitic influence in Europe from the end of the Western Roman Empire to the Age of the Enlightenment of the seventeenth and eighteenth centuries.  The Enlightenment let Simitism loose on the world again.

While the Roman Empire militarily defeated the political entity of Jerusalem from 66 AD to 135 AD the battle weakened the Empire allowing in Asiatic influences like the Emperor Heliogabalus.  Then in the seventh century AD the present form of the struggle between Europe and Asia took form when the prophet Mohammed formed the Moslem Religion based largely on its predecessor religion, Judaism.

The Moslems stormed across North Africa into Spain and France where they were stopped at Tours by Charles The Hammer.  It took nearly one thousand years to drive the Moslems from France and Spain which result was finally obtained in 1492.

As the Moors were driven from Europe by Ferdinand and Isabella they also expelled the Semitic Jews.  In the evolutionary sense this was the other correct response to an invasion of a competing species.  The other, of course, would have been extermination.  Thus at this stage of European history they were responding in an evolutionarily correct manner.  England had expelled the Jews in 1190 and France in 1307.  The various small German States fluctuated in their attitude sometimes expelling sometimes readmitting.  There were always German States that allowed Semites.  Otherwise the great mass of European Semites lived in the no-mans land between Russia and Germany that would after Russian annexation be called the Pale of the Settlement meaning this area was roped off for Jewish residence.

While these actions may have been evolutionarily correct and probably even politically correct the defensive party seldom thinks in such grand terms as evolutionary inevitability.  So, really, in evolutionary terms the only correct response is extermination.  The Shona of Zimbabwe fully understand this principle.  I say this to show I am not springing anything new or unusual on you.  These natural responses are going on today in Zimbabawe, South Africa, South and West Sudan, Indonesia, in former Yugoslavia where Moslems are exterminating non-Moslems.  If you don’t believe these things, open your eyes, open your eyes.

Now, wars do not end after seeming victory.  The expelled Moslems of Spain continued the war establishing the Barbary Pirates who then preyed on Europe for the next three hundred years plundering and enslaving Europeans.  The actual invasion of North Africa first by Spain and then by France was an attempt to end this savage warfare.

Burroughs would have been brought up on the legend of millions for defense but not one cent for tribute as was my generation.  Until recently I believed that Americans had ended Barbary piracy.  This was just something we were told in the fourth grade.  Actually the Barbary pirates were put down only in 1830 when France conquered and annexed Algeria.

France at that time ought to have either exterminated or driven out the Moslems.  Having once expelled them, if they had had the power, they should have swept across North Africa, as the Moslems had done, driving the Moslems before them until they had reached Suez.

Thus Africa would have been reclaimed for Europe.  First it was held by the HSII survivors of the Med Basin flooding, then the Semitic-Carthaginians, then HSII Romans and back again to the Semitic Arabs.  So such a preemption was certainly historically justified.  The Moslems make a great noise about the Crusades but the modern problem was their offense of the Eruption From The Desert.  Get straight.

At the same time the Jewish and Arab Semitic struggles were going on  the yeast of the suppressed religions of the Middle East and philosophies of Greece were converting the Europeans from Semitic stasis to Aryan intellectual activity.  The Eastern Roman Empire fell at the time of the expulsion of the Jews and Moslems from Spain.  Scholars flooded out of the East.  These Egyptian, Greek and Syrian influences burst forth in the seventeenth and eighteenth century as the Enlightenment.  Previously the discussion had been between the Semitic reigions of Judaism, Moslemism and Christianity.  The level of human consciousness between the three was nearly equal although still retaining some measure of the Astrological Religion.  This is a very serious subject for study.  Christianity, such as it was, was intellectually superior.  Remember, however, that Catholicism was so imbued with the limited Semitic intellect that the Pope made Galileo deny the notion of a heliocentric system.

The release of the Scientific Consciousness after the long suppression of several hundreds of years put the inferior religious consciousnesses on the defensive.  The Semitic counterattack going on today is the culmination of the Jewish response to the Enlightenment.  It is imperative that a Scientific offensive be made against this anterior and surpassed form of the evolution of human consciousness.  As in the past a victory cannot be achieved without a perhaps bloody and costly struggle.  Such as is going on now.

We, you readers, Burroughs and I, are concerned with the middle of the Englightenment period here, say from 1890 to 1935.  I think we will see that Edgar Rice Burroughs is deeply and constructively involved in this struggle between the Religious and Scientific Consciousnesses.

As I’ve noted before, the Christian response to the scientific challenge was to declare either the Pope or the Bible infallible. Protestants didn’t have a Pope so they declared the Bible infallible.  Same thing.  American Liberals who evolved from the Puritan/Abolitionist nexus essentially became secular religionists.  It is to be remembered that the Puritans the Liberals evolved from considered themselves neo-Hebrews hence the new Chosen People.  According to John Adams as Neo-Hebrews they even rejected the celebration of Christmas.  Thus Liberals tend to give science  a religious spin rejecting Christianity.

The Jews on the other hand confronted by a hard edged Science that could not be bent to Semitic ideas decided to co-opt Science perverting it so that it resembles their religion.  All these responses have been taking place since the French Revolution of 1789 which emancipated the Jews removing them from Roman Catholic control.

As I pointed out in an earlier essay there was a brilliant episode on the TV show Twilight Zone in which monks had captured and imprisoned Satan.  They made the mistake of allowing a lost traveler to stay the night in the monestery.  The monks warned the visitor to pay no attention to the entreaties of the prisoner to release him.  The traveler did not heed the warning and prisoner who was Satan was released again in the world.  A little allegory.

Thus the Revolution and Napoleon emancipated the Jews who immediately began the conquest of Europe.  France was the first to fall.  Karl Marx then hi-jacked Socialism in the name of Communism.  Communism negates change in favor of stasis.  Its story is all regulation and control, no different than Judaism.  An elite administers to the ‘masses’ as the Chosen People administers to the goys.

Just as the Moslems are called to prayer five times a day and the Jews are expected to apply their 613 commands to every action before they take it, so Communism coopts the individual into the collectivity and regulates his every action.

Using Socialism as its cutting edge the way was paved for Communism in Europe.

Burroughs first encountered Socialism on the streets of Chicago as Socialists marched along under their waving red banners.  The scene made an indelible impression on the young boy resulting after the Russian Revolution in his book, Under The Red Flag.  Thus the Semites coopted the political ideology of the next one hundred years.

Science unfolded very quickly in the years following Darwin’s Origin Of Species.  Particularly great progress was made in the scientific understanding of the mind.  Psychology then was coopted by the Jew, Sigmund Freud.  It is rather difficult to understand why all research seems to have been channeled through Freudianism.  A rather fecund area of research seems to have been enveloped into one train of thought.

Freud quickly established his version of the static ‘unconscious’ as the sole vision of the mind.  He demoted the conscious mnd to a position of irrelvance.  His intention is quite clear.  The conscious mind is the engine of change.  By emphasizing the static unconscious combined with is vision of sex, which is to say only sexual intercourse, he was attempting to disarm the conscious mind and hence stop change or in other words establish stasis.  Success in such a course is not instantaneous so naturally science continues to progress as the pall of the unconscious spreads.  It doesn’t take a genius to understand why scientists are male and white.  Once you have established the fact that scientists will be male and white it becomes necessary to stultify and emasculate white males, thereby establishing stasis.    One would have to be blind not to see that that is exactly what is happening.

In point of fact the unconscious does not have an objective existence.  Its apparent existence is merely a mind in an arrested state of development.  The stasis is caused by fixations from challenges too stressful for the conscious mind to handle.  Once the fixations are dealt with and disappear, which is included in Freud’s understanding of the mind, the mind or personality is allowed to integrate, the Freudian unconscious disappearing.

Freud never integrated his personality remaining under the influence of his ‘unconscious’ so it is possible he didn’t understand the integration of the personality although his disciple, Jung, did.

However in Freud’s hands the unconscious became a weapon in the Semitic attempt to subjugate mankind.  This subjugation is not religious or moral but a matter of one species seeking dominance over the others.  Thus as Marx perverted the science of politics so Freud perverted the science of the mind.  The third perversion of Science was the conquest of physics by Einstein.  As Marx and Freud had interjected Semitic religious concepts into Politics and Psychology so Einstein did the same in Physics.  It matters little that there is some scientific content in the the theories of these men.  Their intent is to subordinate science to religion just as they had done vis-a-vis the Astrological Religion to the Semitic Religion when the Religious Consciousness was supreme.

That Einsten has been able to befog the minds of very intelligent men with his nonsense about the ‘fabric’ of space and time is nothing short of incredible.  Yet, by the second decade of the twentieth century the perverted notions of these three men were directing the course of research in these three essential disciplines.

Thus cored from within the Aryans were made susceptible to the rising time of Wahabi Moslemism that Lothrop Stoddard noted and warned against but which warning was defused due to the machinations of Jewish Semites within Western Civilization.

Running concurrently in the background contra to the Semitic stream was the evolving Astrological Religion.  Just as the evolution of the Dionysiac Archetype of the Age of Pisces developed for hundreds of years within the Arien dispensation of Zeus so the formation of the Aquarian has been taking place in the Age of Pisces.

The Enlightenment with its advance in the development of scientific consciousness was undoubtedly the opening salvo.  Unlike Semitic development the Astrological evolution was not institutionalized.  It is an idea that once set in motion is maintained by volunteers who get the idea and keep it perpetuating.

The principle is known.  For instance the notion that America is a land of immigrants has been allowed to develop to the point of self-destruction.  Of course that notion is constantly forwarded by the Liberal Coalition.  Even though it is obvious to the feeblest intelligence that the land is capable of supporting only a finite number of humans the madness has now reached the point where it is beleived that the whole world can be imported ‘to share what we have.’  One of the most, if not the most, bizarre notions in all history.  Such insanity is difficult to understand.

If one assumes, as one must, that human consciousness has been developing over the 150K years since humans evolved from the Last Hominid Predecessor then this transition to the Aquarian Age is the most dramatic development of history.  All previous stages of evolution have involved the progression from one stage of supernatural religion to another.  In this transition, for the first time, it has been proclaimed that ‘God is dead.’  That is to say a supernatural being who guide’s our destiny.

With the age of Science mankind realizes the true nature of appearances or Nature itself.  The concept of Evolution destroyed the basis of the Semitic religion.  There is no God, no Yahweh, no Allah, no stasis.  Oh, Lord, crikey Massa, don’t put me jail for saying that!  People who still believe in such non-existent deities have not been relegated to the dustbin of history.

Burroughs, and I consider this fairly remarkable, seems to have accepted the New Order of Science upon his first contact with Darwin and Evolution.  To say that ‘God is dead’ creates a vacuum in human consciousness such as the integration of the personality changes one’s mental structure leaving an aching vacancy between the vacation of the old personality and its replacement by the new.  Thus for the last hundred years or so mankind has been seaching for a metaphysical sucessor to the supernatural concept of God.

Just as the Enlightenment may have opened the way to the transition to the new consciousness so men have appeared to direct consciousness into constructive channels.  One of these writing as Burroughs writhed through the years between his marriage and the epiphany that produced his writing career and Tarzan was a man called Levi Dowling writing under the name of Levi.  His effort, I’m certain what he considered his gift to the world, was a work called The Aquarian Gospel Of Jesus The Christ.

I doubt Burroughs read this book although one never knows.  Chicago in the period before Los Angeles was the American hotbed of religious speculation.  One should never overlook that.  Burroughs lived in a welter of religious speculation.  Added to that Burroughs was heavily influenced by Lew Sweetser who was particularly interested and well informed on such topics.  Plus Burroughs lived in Mormonland for a decent period of time making a special visit ot the Mormon capital in 1898, while living in Salt Lake City for several months in 1903-04.  It would be hard to believe that he wasn’t learning of the Mormon doctrines especially how a noodle brain like Joseph Smith was able in the nineteenth century to impose his religious will on thousands of people.

Joseph Smith, the founder of Mormonism, came from an area highly influenced by the fantastic religious notions of the Rhineland Pietistic Germans who became known as the Pennsylvania Dutch in America.  Magazines would have been full of this stuff while the Chicago papers must have covered these religious speculations in detail.  There is no reason to believe that Burroughs’ mind wasn’t filled with these speculations.  Such ideas spill out all over the pages of his books.

Many writers have noted that the initials of John Carter and John Clayton are JC the same as Jesus the Christ.  No Freudian believes in coincidence so there must be an intellectual connection.  Burroughs repeatedly says that the next deity must be a man-god and that is explicitly what Tarzan is.

There is nothing supernatural about Tarzan.  He is completely a man of science.  The most highly involved specimen of humanity ever.  If like Jesus the Christ he doesn’t have a magical birth he certainly has a miraculous upbringing from the age of one.  Unlike Sargon and Moses who were fished from rivers in baskets thus breaking continuity with human predecessors Tarzan was taken from the cradle by an ape thus breaking continuity with human predecessors while establishing a new human paradigm.  He in fact unites nature with civilization or, at least, a thin veneer of it.  Now, this is completely in keeping with the Dionysiac paradigm.

Dionysus has two sides.  The soft feminine side which has characterized the Piscean Age and the wild natural side which is meant to characterize the Aquarian Age.  The undisciplined natural side of human consciousness that the Patriarachy tried to suppress in favor of the strictly rational as characterized by Apollo wouldn’t be suppressed.  As mythology relates it, women could not be rational thus they embraced the Dionysiac religion imposing its ecstasies on society.  The Dionysiac ethos was so strong that it forced itself on the Delphic Oracle in partnership with Apollo.  Thus Delphi came to represent both the rational and irrational sides of consciousness.  The conscious and unconscious if you will.

Thus as the Piscean Age dawned and the religious archetypes changed from Zeus and Hera to Dionysus and Isis the struggle was to keep consciousness or the rational uppermost.  Of course, Dionysus and Isis were supplanted by the Semitic ideals Jesus and his mother, Mary who later became the Mother of God.  Later the Dionysiac Kyrios Christos was grafted onto Jesus of Nazareth and he became Jesus the Christ as Levi Dowling correctly notes.

One can’t be certain how learned Burroughs was in this lore.  He most probably was somewhat read in it while brilliantly intuiting the direction the evolution of consciousness must take.  One can never be sure although there is little in the surviving library to indicate he read deeply in such lore.  But then, so much of his knowledge he does evidence can’t be found in the library either.  Suffice it to say that such knowledge seems to be apparent in his stories.

Needless to say the idea of Tarzan expanded and developed over his career.  The Tarzan of the teens is quite different from the Tarzan of the thirties.  There are a couple of passages in Tarzan Triumphant that make you do a double take.  To wit:  p. 12

…Tarzan with knitted brows, looked down upon the black kneeling at his feet.

“Rise!” he commanded, and then; “Who are you and why have you sought Tarzan Of The Apes?”

“I am Kabarega, O Great Bwana,” replied the black.  “I am chief of the Bangalo people of Bungalo.  I come to the Great Bwana because my people suffer much sorrow and great fear and our neighbors, who are related to the Gallas, have told us that you are the friend of those who suffer wrongs at the hands of bad men.”

So here Tarzan as become a Sultan, a King, an Emperor, a great judge and dispenser of justice; shall we say a god?  Certainly the Lord Of The Jungle.  He also seems to have lost perspective but then, perhaps a god must keep up appearances.  We do have a new imperious Tarzan here who was not in any books before Invincible.

And then in Chapter 13, p. 98 in the Bowlderized Ballantine edition:

The “Gunner” was waiting for him upon the summit of the cliff directly behind the village, and for the second time these strangely dissimilar men met- dissimilar and yet, in some respects alike.  Each was ordinarily quiet to taciturnity, each was self-reliant, each was a law unto himself in his own environment; but there their similarity ceased for the extremes of environment had produced psychological extremes (opposites) as remotely separated as the poles.

The ape-man had been reared amidst scenes of eternal beauty and grandeur, his associates the beast of the jungle, savage perhaps, but devoid of avarice, petty jealousy, treachery, meanness, and intentional cruelty; while the “Gunner” had known naught but the squalid aspects of scenery defiled by man, of horizons grotesque with screaming atrocities of architecture, of an earth hidden by concrete and asphaltum and littered with tin cans and garbage, his associates, in all walks of life activated by grand and petty meannesses unknown to any but mankind.

“A machine gun has its possibilities,” said the ape-man, with the flicker of a smile.

The last near hundred years has been characterized by the attempt to overturn the Scientific  Consciousness in the name of two Arien Age Semitic religions, Judaism and Moslemism.  Indeed the ‘hand of God’ moves in mysterious ways.  Let’s look at one called ‘The Iron Law Of Wages.’  When you read in the Old Testament that ‘the poor shall be always with us’ you probably didn’t notice the arrogance of the remark nor that it is an actual ‘eternal’ tenet of Semitic religious belief.  The remark put into academic terms might be that the price of labor is the lowest price that a man can be gotten to do a job and that they may be worked to death like slaves thereby insuring that the poor shall always be with us.

The religious theory was formulated in scientific terms by David Ricardo in 1817.  Described as a British economist Ricardo was actually a Sephardic Jew.  That is to say his people fled Spain c.1492 in this case first to Holland and then to England which was undoubtedly done illegally after a period of Dutch acculturation.  It will be easily seen that Ricardo is adapting the ancient Semitic belief that the poor will always be with us to British conditions.  Indeed, as his formulation became the bedrock of employment practices it may be said he created poverty as the industrial age took shape until Henry Ford disproved this ancient historical bunk in 1914.  At that time he ‘unilaterally’ doubled the wages of unskilled labor to begin to create the prosperity that characterized American society until the reemergence of Semitic beliefs in the twenty-first century.

I personally deplore unionism but I also see its necessity.  Ford’s action raised the price of labor across the board.  Unionism was successfully fought by managers until unionism gained the backing of the government under FDR.  Backed by the government support unions made excessive and ridiculous demands until their momentum was stopped when Ronald Reagan sent the Air Controllers back to work which put unionism on the defensive.

Ricardo’s Iron Law Of Wages was not re-instituted at that time.  Fordism still prevailed.  Then jobs were exported wholesale to ‘multi-cultural’ areas of  low wages.  This was a crucial mistake for the world.  Even this did not break the back of labor.

The next strategic move was simply to open the borders allowing millions of immigrants who would work for lower wages under distressing conditions.  While immigration makes no sense on any other level it does put the Biblical managers in control of labor once again.  President Bush himself was a primitive religionist unacquainted even with the twentieth century who had surrounded himself with even more primitive Jewish religionists.  The war of religion against Science goes on.

Thus the Semitic counterattack against Science goes on.  Both major races of Semites, the Jews and Arabs, are waging war on the most primitive basis.  The issue is not the issue.  Immigration, the ostensible issue, is simply a Red Herring to disguise the true issue which is to defeat Fordism and re-institute Ricardo’s Iron Law Of Wages to ensure that the poor will always be with us.  The streets are now filled with the homeless.

This is the real reason Ford is called an anti-Semite and on that basis he certainly was.  God bless his memory.

So, the unsuspecting young Burroughs thrust himself into this melee.  Just as Ford was in actuality a religious prophet with a new industrial dispensation so Burroughs, judging from results set himself the task of creating an archetype for the Aquarian Age.  Something of value for one to aspire to.  One can trace the development of Tarzan from the miraculous babe to the finished archetype as the man-god.

As H.G. Wells noted in his First And Last Things there is a necessity for metaphysics.  Man does not live by bread alone.  While Science reduced everything to its material basis it destroyed the means of  ‘spiritual’ or psychological comfort.  With God dead mankind lost its identity and sense of direction.  As the old psychological projection of its identity had failed a new one was required that would be based on scientific material realities.

Levi Dowling’s vision of an Aquarian Jesus is unsatisfactory.  Burroughs vision of the competent Tarzan satisfies on several different levels.  Burroughs seems to have caught the essence of the Astrological Religion although there is difficulty in understanding how he came by his knowledge.  The rudiments can be clearly seen so the answer must be in his personal digestion of the ideas.  Lew Sweetser is obvious while perhaps Burroughs loyalty to a medical charlatan like Dr. Stace may possibly be explained by the man’s esoteric knowledge.  Such knowledge frequently goes hand in hand with special diets and medical nostrums.  There is no reason to believe that Stace didn’t sincerly believe in his nostums just because science couldn’t find a reason for them to be effective.  Men have misled themselves to a much greater degree than that.  Nevertheless I am convinced that Burroughs acquired his New Age beliefs as evidenced by Tarzan more from his associates’ conversation than reading.

The idea of Tarzan as the man-god culminates in Tarzan The Invincible and Tarzan Triumphant.  With these two novels he is a fully functioning psychological projection of the Aquarian Age.  The ‘spritual’ basis for Western man to regain its psychological balance destroyed by the ‘death’ of God.

He is what stands between the immolation of Euroamerican men on the altars of Semitism and the triumph of the scientific Aquarian Age.

Mankind, or at least Euroamerican mankind, must make the great leap for mankind into the Scientific Consciousness, into evolution to the next level.  The old Religious Consciousness must be rejected.  One cannot tolerate primitive belief systems any more than there can be no tolerance of the intolerant whatever that may mean.

Burroughs has given us an avatar of the future.  It is up to us only to accept him and make use of the gifts he brought us.

A Review

Themes And Variations

The Tarzan Novels Of Edgar Rice Burroughs

#14, Tarzan The Invincible

by

R.E. Prindle

Part 9: Politics

The Entertainer

 

The Big Bwana

 

The past is a foreign country; they do things differently there.

–L.P. Hartley- The Go Between

I would like to take a moment to organize the content and direction of the Tarzan oeuvre within the context of Tarzan The Invincible and Tarzan Triumphant.

It is close onto a century now since Edgar Rice Burroughs burst onto the international literary scene.  He was not literarily well regarded by the intelligentsia.  In the language of the time he wrote adventure novels.  They were thought of as sub-literary.  In our times after literature has evolved from Burroughs’ time into its various genres that didn’t exist as such back then he would more properly be designated as a fantasy or sci-fi writer.

Even though very great minds wrote ‘adventure’ stories their efforts  are usually classified as sub-literary, relegated to the teen section.  There has certainly never been a more profound writer than H. Rider Haggard nor is his literary style inferior in any way to the pretensions of literary fiction.  Conan Doyle, H.G. Wells, Edgar Rice Burroughs all had a great deal to offer.  If it is necessary to say so their work has remained popular while most literary heavyweights of the past are unknown and unread in non-specialist circles today.

Edgar Rice Burroughs is not usually accorded the dignity of being ranked with even the above adventure writers.  It pains me to say it but I think the literary consensus is that Burroughs is a semi-literate lightweight trash writer with no other value than ‘entertainment’ or a diversion for men and women who haven’t quite grown up yet.   I receive sniggers and raised eyebrows whenever I am forced to admit I write what I hope are scholarly essays on Edgar Rice Burroughs.  I have to scramble to find any scrap that will give me a little dignity.  But that’s not the way I see it myself.  The way I see it is that there are two groups of people who do take Burroughs seriously.  The small group of which I am a member that sees something of value lying like a huge diamond in the tall grass and a much larger group of Left-Liberals who quite correctly see Burroughs as a threat to everything they wish to believe.

Burroughs’ publishing career has not been well researched or examined.  The research I have done leads me to believe that ERB was exploited while his career was sabotaged by McClurg’s from the start.  Although MClurg’s seem to have had no intent to promote his work from the beginning they nevertheless tied him up with a contract that went on forever.  Compare it with MGM’s contract twenty years later.

Ten years after ERB’s death with the firm of McClurg’s on the edge of bankruptcy ERB, Inc. had to buy out the contract.  This is all so contradictory it boggles the mind.   Rather than attempting to maximize sales and therefore profits McClurg’s took the opposite approach of minimizing sales while reducing profits both for themselves and ERB to the lowest possible level.  If it hadn’t been for the movies Burroughs’ benefits from his efforts would have been minimal, a fraction of what they should have been.

From 1914 to 1919 politics do not seem to have been involved; there is some other reason for McClurg’s behavior.  Then from 1919 to 1924 ERB’s relationship to the Liberal Coalition took form.  His Under The Red Flag of 1919 let the Reds know where he stood politically.  Also in 1919 he was felt out by the American Jewish Committee for his stance on Semitism.  He failed this test by taking an insubordinate stance.  So from 1919 to 1924 he seems to have been under attack from the Left.  He remained defiant through his Marcia Of The Doorstep with its very reasonable criticism of Semitism but then he seems to have been ovewhelmed by economic pressures that were exacerbated by his own poor decisions.

While McClurg’s should have been supportive of their, or what should have been their walking gold mine, they strangely continued to get in his way.

Burroughs wanted his reissues to be sold at a dollar but G&D and McClurg’s adamantly insisted on 50 cents which gave ERB a very small return.  Why McClurg’s should have resisted higher prices that would have doubled their own income must remain a mystery.  A dollar doesn’t seem unreasonable to me but there seems to have been the intent to restrict Burroughs’ income as far as possible.

By the late twenties the Liberal Coalition was also actively interfering in Burroughs’ career.  There seems to have been a blacklist against making Tarzan movies from 1922 to 1928.  As Hollywood was controlled by the Coalition it was possible to restrict Burroughs’ income from movies to zero.

The blacklist was broken in 1927 when Joseph Kennedy’s FBO Studios made a Tarzan film.  ERB also began searching for another publishing arrangement.  Not finding anything satisfactory he took the last ditch recourse of self-publishing.  He established the Burroughs imprint.  As this act was taken just as the stock market crash took place the move was fraught with dangers.

Now freed from publishing restraints does it seem like a coincidence that the first title under the Burroughs imprint was Tarzan The Invincible?  Or, with its success it was followed by Tarzan Triumphant?  Perhaps taking vengeance for 1919’s snub of Under The Red Flag, Tarzan The Invincible is a full scale attack on the Communism in general and Uncle Joe Stalin in particular.

Perhaps also responding to 1924’s rejection of Marcia Of The Doorstep the succeeding novel, Tarzan Triumphant parodies the Jewish religion while making some not so subtle comments about big noses and receding chins.  Either book would be difficult for the Liberal Coalition to misunderstand.

While Burroughs would publicly proclaim that he undertook self-publication because he was too greedy for high royalties, certainly tongue in cheek,  privately he complained that McClurg’s refused to promote his books, turning them over immediately to reissue houses depriving him of his just royalties.  I’m sure the industry understood the irony of his first reason while the second is true.

Tarzan The Invincible is both a defense and a counterattack.  Burroughs himself said that defensive wars could never be won.  One must take the offensive.   With Invincible he was doing just that in what was in fact a literary and cultural war.

The power arrayed against him was terrifying.  The Reds could prevent the publication of his books through regular channels.  I believe they did.  ERB publicly said he took up self-publication in the relentless pursuit of the dollar.  What else could he say?  One doesn’t go around saying people are out to get you.  That’s giving your enemies ammunition.

Ask, is it a coincidence that the first novel under the Burroughs imprint is a direct attack on Liberal Communism?  A work that almost certainly would not have been published by any mainstream publisher, including McClurg’s.    There isn’t a Freudian in the world who believes in coincidence.  I sure don’t.  Burroughs launched his publishing effort in 1930 the year after the depression began in 1929.  The guy was either crazy or knew something other publishers didn’t wish to acknowledge.

When he met his former publisher, Joe Bray, of McClurg’s afer the crash he sneeringly told Bray who was complaining about business that he was doing very well with the Burroughs imprint and he was.  In the height of the depression Burroughs’ books turned a profit.  That was a profit no publisher seemed to want.  McClurg’s certainly never exploited this literary gold mine.

Was it political?  Well, Burroughs’ first publishing venture certainly was.  And remember that Tarzan The Invicincible must have caused a reaction.  The Reds had to say among themselves omething like ‘Don’t worry we’ll get that bastard yet.’  It had to be, nor did his even more sneering Tarzan Triumphant smooth anything over.  Think about this for a moment; let it sink in, this is open warfare.  There must have been a retaliation.  What was it?  The Reds did not cease their campaign of vilification during his lifetime nor have they ceased to this very day nor will they cease until either the Reds or Tarzan is triumphant.

I have discussed Richard Slotkin’s  Gunfighter Nation several times previously.  Slotkin in his book tries to pin responsibility for the My Lai massacre in Viet Nam on Burroughs.  He uses nearly seven hundred pages of fine print to try to prove that My Lai was the inevitable result of Burroughs’ writing.  The guy’s got a job at a prestigious university too.

While one can discount the hysteria of Liberal academics heavily no one necessarily attacks someone they do not consider a threat.  So what Bibliophiles have to ask themselves is whether there is a basis for the Liberal reaction or not?

I think my analyses of Tarzan books so far shows that Burroughs had a much more serious political intent than is commonly thought.  Underneath the buck and wing, the old soft shoe of the entertainer is some very serious thought and reflection.  Also his means of expression itself is the very antithesis of Liberalism.

 

Joseph P. Kennedy

Burroughs’ writing does reflect the sea change in world history noted by such academic analysts as Madison Grant and Lothrop Stoddard.  Whether ERB ever read these thinkers or not there is no conflict between their conclusions and his own.  ERB is of the same mindset so on that basis Slotkin is correct.  None of the three writers is eiher wrong or evil it’s just that Liberals think any opinion but their own is inherently evil in intent and ought to be censored.  I say censor the censors.

Liberalism is a religious reaction to the Scientific Consciousness.  Their core constituent, Judaism’s sole purpose is to defeat Science and reimpose the religious yoke of absolute conformity to its religious ideal.  As I’ve noted, American Liberalism which evolved from the quasi-Hebrew sect of Puritanism is in complete accord.  Combined of fundamentalist Christians, who pursue an Old Testament program not much different from the Liberal agenda and the insurgent Moslem fundamentalists, the challenge to Science and all that Burroughs represented is formidable.

The determined effort to plow the concept of Evolution under is a supreme threat to the whole Scientific Consciousness.  Of course, the Liberals talk peace, while as the Old Testament proclaims, peace, peace, everyone talks peace but there is no peace.  There is no peace anywhere on earth and there never will be.

Burroughs realized that war was inevitable.  He decried the disarmement movement and applauded preparedness.  In Triumphant he makes the wry comment that the Chicago underworld gunner, Danny Patrick, and his fellow criminals believed in pareparedness, always having a gun with them.

Burroughs was brought into a world of conflict, nor so far has the world disappointed his expectations.  As he says the only good defense is a terrific offense.  Defensive wars cannot be won.  I believe he has been proven right there too.  Whether you’re looking at John Carter, Tarzan or any of his protagonists you will see that they never barricade themselves.  They are always on the offensive, nor do they hesitate to kill as part of that offense.  My god, Tarzan ripped a man’s head off in Ant Men.  His Beyond The Farthest Star posits a world of never-ending war.  Prefigures the Cold War in its way.  Any concept of ‘peace’ is merely a temporary cessation of hostilities; war by other means.  The Liberal, Slotkin, may lament such a reality but being a man of ‘peace’ making endless  appeasements and concessions to belligerents can end only in disaster to oneself.  There aren’t any Americas left to bail civilization out; that possiblility ended with WWII.

I think it fair to say that in today’s war situation versus the Moslem and Mexican invasions ERB would take the aggressive position of throwing them out.  As the Shona state explicitly, and believe me the Mexicans and Moslems are no different from them, if you need to hear it from an African there are those who dominate and those who are dominated, which is another way of saying perpetual conflict.  Either Americans will dominate Mexicans and Moslems or they will be subservient to them.  Need anyone go further than to look at the condition of both Matabele and European in Shonaland?  It is a given that Burroughs would rather dominate as Tarzan does at the end of Invincible.  If you’ve got to fight you might as well win.

Let us never forget that Burroughs participated in the opening of the frontier and he saw its closing.  He lived through the two most devastating wars in history.  One must fight or die was the lesson he learned.   Tarzan still lives.

And then we must deal with the persistent charge of racism brought against ERB.  One finds it difficult to understand what Liberals mean by the term ‘racism.’  There is nothing more inherent in human nature than pride in one’s own kind.  In that sense all peoples are racist.  What then?  Racism is the natural state of affairs.  Certainly Liberal heroes like Robert Mugabe and the Shona are as racist as could possibly be, yet, he and they are Liberal heroes.  There must be something else going on.

Liberals themselves are responsible for passing racial laws that would have staggered the imagination of Adolf Hitler.  Someone who they say they despise.  Whereas Hitler called his laws what they were, Liberals are more adept at disguising their intent, still they appropriately call their laws ‘hate’ laws which is exactly what they are.  The unspoken assumption behind them is that ‘White’ males ‘hate’ everyone who is neither White nor male, excluding homosexuals, and that they therefore have to be socially isolated and denied.

The apparent belief is that only White males are capable of ‘hating’ while the rest of the world is a loving brother and sisterhood.  Of course such a notion leaves the Moslem attack on the Twin Towers unexplainable as well as the Shona extermination of Black brothers like the Matabele.

Hey fellas, it’s the exception, even multiple exception that proves the rule, isn’t it?

I have no doubt that ERB would have been opposed to such ridiculous racial laws no matter what language was used to disguise them.  He does seem to have been aware of the dangers of the evolutionary collision of the human species.  ERB was an evolutionist.  His novels explore evolutionary possiblities in enormous variety and detail.  While much of his speculations and jokes seem ridiculous in the light of current knowledge, at the time of composition most if not all of the speculations would have appeared to be not that far fetched, even possible.

At the least Burroughs was on the side of Science at that time when the controversy really raged, while even today over fifty percent of Americans reject evolution in favor of religious explanations, that’s one hundred fifty years after Darwin, while the Moslem invasion of the world is rapidly spreading the slime of superstition over scientific knowledge.  As I understand it, it has progressed so far that I could be put in jail in France, Germany or Austria for blaspheming the prophet and Allah by referring to their atavistic religion as ‘the slime of superstition.’

Within just a very few years since 9/11 an intolerant superstition like Moslemsism has overturned the scientific attitude of the Enlightenment.  May Georges Chirac burn in hell forever and a day.  If President Obama doesn’t  back off, him too.  Don’t any of these guys listen to what people are saying about them?

As I have noted, by the second decade of the twentieth century more sensitive minds perceived the sea change in the relationship of the various human species.  Among these, in fiction, were Sax Rohmer with his Fu Manchu stories and Edgar Rice Burroughs.  Prominent in non-fiction were Madison Grant with his Passing Of The Great Race and Lothrop Stoddard ‘s Rising Tide Of Color.

At the risk of repeating myself, I flatter myself that at least some Bibliophiles have been reading my stuff for the last few years, let me place a quote  from Darwin here that clearly explains what happens when similar species compete for the same territory on the same economic basis.  Darwin:  On The Origin Of Species, Chap. III, Para. Struggle For Existence- Struggle for life most severe between individuals and varieties of the same species:

As species of the same genus have usually, but by no means invariably, some similarity in habits and constitution and always in structure, the struggle will generally be more severe between species of the same genus, when they come into competition  with each other, than between species of distinct genera.  We see this in the recent extension over parts of the United States of one species of swallow having caused the decrease of another species.  The recent increase of the missal thrush in parts of Scotland has caused the decrease of the song-thrush.  How frequently we hear of one species of rat taking the place of another species under the most different climates!  In Russia the small Asiatic cockroach has everywhere driven before it itx great congenor.  One species of Charlock will supplant another, and so in other cases.  We can dimly see why the competition should be most severe between allied forms, which fill nearly the same place in the economy of nature; but probably in no one case could we precisely say why one species has been victorious over another in the great battle of life.

As we are certain that Burroughs read the Origin Of Species we can be sure that he read the above passage.  If it struck him as forcibly as it strikes me then we share the same basic outlook on life and the passage shaped his way of looking at the intra-genus conflict between Homo Sapiens species.

As most agree that Homo Sapiens has an African history of 150K to 200K years, most assume, and this is only an assumption, that the First Born of Homo Sapiens were black because the indigenes of Africa today are black.  This may or may not be true, we have no way of knowing, but let us assume it is.  There are no people in Africa today who can absolutely trace their descent unbroken from the Last Hominid Predecessor or the first specimen of Homo Sapiens.  No one knows what the individual looked like or what his mental constitution was compared to the various African races of today.

It therefore follows that over that course of a very long history peoples have been exterminated to make way for others innumerable times.  One wave of rats, one wave of cockroaches after another have succeeded for a moment only to be replaced by another in due time.  This is how evolution and nature work.  Homo Sapiens is not outside either history or nature and it is foolish to act as though it were.  One must understand the natural process and adjust one’s actions to it.

To use the Shona example.  The Shona are not indigenous to the soil.  At one time they must have exterminated and displaced a predecessor people in what they now consider ‘their’ territory.  Beginning about 1830 the Ndebele Zulu as an incoming wave of new people began to exterminate and displace them.  There is no difference between this Ndebele invasion of Shonaland and the Moslem and Mexican invasion of the United States.  Nature is red in tooth and claw.  What can one say?

Had the Matabele, to use the Ndebele’s other name, not been interrupted by another wave of incoming people, the Europeans, (color and race have no real bearing on this issue of Nature and evolution) the Zulus, (the Matabele were Zulus) would have completed the process and today the Shona would be at best a memory.  But the succeeding wave of Europeans did come crowding after the Matabele.  So far Darwin’s thesis is correct.  One species of rat drives out another.  Had the Europeans behaved normally they would have exterminated their predecessors and driven them before them.

But then evolution throws in a clinker.  The Europeans were evolutionarily more advanced than the Blacks.  While the fact that the evolution of the human species is continuing is clear from the visual physical evidence,  scientific research has proven it beyond any quibble.  So, even though those at the turn of the century lacked the evidence to prove their case they were right.  The most obvious evolution is taking place in the brain and it is not taking place in all human species.  Only one species is evolving while the others are now sterile.  Hard thing to accept but it’s true.  Thus Europeans had developed consciences that prevented them from doing what Nature commanded them to do.  Instead they set themselves up as a parasite class believing they could control the Blacks without special intermixture forever.

As Burroughs would have noted this put them on the defensive and no defense outlasts a good offense as the Shona have proven.  Thus the Shona having been given a breathing space reorganized, regained the initiative and won the dominant position.  They are now doing the natural thing exterminating or driving out both the Ndebele Zulu and the Europeans.  If you won’t fight or can’t, you lose everything.

So, you have the Darwinian struggle for existence presented to you in plain terms in a human context that cannot be misunderstood.  No rats or cockroaches as necessary examples.  One must be intolerant of other species.  One must be a ‘bigot’ as the Shona are or go under.

Now, not having the will and perhaps no longer having the power to do as Nature commands Europeans attempted to retreat, to withdraw within their own territories.  As anyone knows they all come out at the first sign of weakness.  One would have to be stupid or utopian not to realize that.  As a sonsequence Europe and America are being invaded by the other human species in the Darwinian sense.  I mean, folks, they call evolution science.  Science means knowing.  Anyone who does not act on certain knowledge is foolish or, perhaps, too religious.

However in the first two decades of the twentieth century the Liberal ideology was formed by the weakest and lamest members of Western civilization.  Not understanding actual differences between the human species, even denying them on religious grounds, they used conscience as a weapon to first emasculate themselves, and I mean this in the literal sense, and then they shamed those who knew better into silence.

Among those silenced were Grant, Stoddard and Burroughs.  Although all these men were initially very influential telling Americans the nature of evolution and its consequences their reputations were dismantled.  By the beginning of WWII Grant and Stoddard were regarded as mere ‘racist’ cranks.

It is time to debunk the debunkers.  The wheel has turned.  Bunk is bunk and shouldn’t be tolerated by anyone.

Burroughs who hadn’t left himself quite so open was provoked into acts of defiance so that sanctions could be applied against him as much as had been done to Henry Ford.  Ford is another whose reputation should be rehabilitated much as Khruschev rehabilitated the reputations of various Communists after the death of Stalin.  The tool preferred by the Liberal Coalition to discredit someone was the charge of  ‘anti-Semitism’, a religious charge be it noted.

The most potent weapon in the Liberal religious armament is the term ‘anti-Semite.’  It is used liberally usually combined with Fascist to defame and control an opponent.  Oddly enough they couldn ‘t make it stick on Burroughs.  Even Slotkin in Gunfighter Nation only hints that ERB might have anti-Semitic tendencies.

I know it is unpleasant to discuss the Semitic issue but I think the time has come to discuss the issue head on especially as Burroughs was and is involved to a much more serious degree than might be apparent at first blush.  The problem of Asia, from whence the Semites come, and Europe has roots in prehistory.  Indeed it is a tale of two species.  This is one of those eternal conflicts that will not be settled until one side annihilates the other much as the Shona are doing in Zimbabwe to their competitors.

In ancient days both the European Greeks and the Mediterranean Egyptians were in a constant conflict with what the Egyptians referred to as ‘vile Asiatics’, the Greeks as ‘barbarians.’  The Asiatics were vile not on the basis of race but because of the differing view of life of the two species.  As regards the Egyptians and the Semites one or the other had to be exterminated.  If you know anything of Egyptian history you will know that few true Egyptians still survive.  The Semites have exterminated the true Egyptians.

Thus the related species of HSII, the Egyptians and HSIII, the Europeans found the Semitic species unassimilable.  We are back to Darwin’s competing species of rats and cockroaches.  In the religious terms in which the problem is usually stated one says the animosity is racial or in other words, moral;  in scientific terms one says that it is genetic or special.  In other words, the problem is much deeper than mere surface appearances.  It extends to the genetic development of the brain.  The Semite cannot understand as any other human species understands and vice versa.

Thus the current problem in the Sudan between Negroes and Semites which is genetic or biological can only be resolved by the extermination or expulsion of the other.  The whole course of this new African conflict can be projected historically and scientifically.  It may be delayed but it cannot be stopped.  Compare it with the Shona in Zimbabwe.  There is no question as to what course the conflict will take.

Why Liberals choose to make an issue of Darfur while they ignore the South Sudan and Zimbabwe and South Africa where genocide is also going on is known only to themselves.  It is absolutely necessary to analyze the matter in scientific rather than emotional or religious terms.  These are not matters of race but species.  The mental capabilities of the Negro, the Semite and the European are different and irreconcilable.  An unpleasant fact, perhaps, but true.

The conflict between Europe and Asia or the Semites and Indo-Europeans began according to legend with the Semitic abduction of the European woman Io from Argos.  The history of the Mediterranean in ancient times was the perpetual warfare between Europeans and Asiatics or Semites.  At one time the Semites seemed to be besting Europeans and then turn about.  For the long Hellenic and Roman period the Europeans seemed to have won.  But, and this is a big but, they failed to exterminate or drive the Semites out.  A very bad mistake.

Two things happened.  The Jewish Semites began a peaceful infiltration into Europe which came to a head in the long Jewish Wars that lasted from 66 AD to 135 AD.  The Jewish Semites were militarily defeated in their homeland but came to spiritually dominate Europeans through the Judaeo-Catholic religion.

None of this struggle went unobserved by the Semitic peoples of the Arabian penenisula.  In the seventh century the Arab or Ishamelite, to use the Jewish term,  branch of the Semitic peoples led by Moslem ideology which had its base in Jewish ideology overran North Africa, large parts of the Eastern Mediterranean into the steppes of Asia and over the Hindu Kush into India.  More or less following the path of Alexander.  The Indo-European Persians, now known as Iranians, were Islamized or Semitized which they remain today.  They were stultified hence their ridiculous position today.

The southerly Egyptians, the native Copts, are on the verge of extinction or what the modern world fondly describes as genocide.  There are few surviving true Egyptians today.

Thus the Hellenic-Roman hegemony was reversed.

The Semitic Arab incursion into Europe which was a continuation of the multi-thousand year conflict between Europeans and Semites was defeated by Charles the Hammer at Tours in the heart of Europe.   Over the next nearly thousand years the Moslems were expelled from Western Europe but they advanced in Eastern Europe.

From the expulsion of the Moors from Spain in 1492 the southern Med if not the Med itself was controlled by the Barbary pirates.  During that period Europeans supinely submitted to a slave trade that greatly resembled that of sub-Saharan Africa.  Even as Negroes were being transported to the Americas countless Europeans were captured on European soil, transported to Africa and enslaved.  So, the Africans have no cause to complain of Europeans.  Some people whine some people don’t.

No one European State was strong enough or determined enough to clear the seas of the Moslems while they were unable to concert a united attack.  The piracy and enslavement continued until France annexed Algeria in 1830.  Rightfully so.

In Darwinian terms it is quite clear that the struggle was one of the replacement of one population by another.  Thus when France conquered Algeria it behove them to either exterminate or drive out the existing population replacing it with Europeans.  They ought to have relentlessly warred on every North African people until North Africa was once again European.

The attempt to coexist was a defensive war that could only end in defeat.  The defeat was adjudicated by General De Gaulle in the nineteen sixties.  The French stupidly and erroneously thought the war was over, but in reality the momentum shifted once again to the Semites.

As noted by Lothrop Stoddard the Wahabi Moslems went onto the offensive.  No longer able to comptete militarily with Europeans they resorted to guerilla warfare, something the West now chooses to call terrorism, combined with an infiltration of Europe using their reproductive capabilities as a weapon.  The situation now is a replica of the 3000 BC infiltration of Sumer.  Hence the balance of power of the age old war between the Semites of Asia and Europeans has once again shifted toward the Asiatics.

As the Libyan, Moamar Qadaffi gloated in May 2006 there are fifty million Moslems in Europe.  Europeans have the option of fighting or submitting.  He knows whereof he speaks.  As the war will now be conducted on European soil with the certain loss of the entire cultural superstructure of the last two thousand years there seems little chance of any European resistance.  Notre Dame will be renamed and become a mosque.

If there is resistance then Burroughs’ prophecy of a flattened Europe turned Black over the centuries is a distinct, nay, certain probability.  In addition to their submission to the Wahabi Arabs, Europeans seem incapable of resisting the Black Moselm invasion from sub-Saharan Africa.  Thus once Blacks and Moslems have the strength they will undoubtedly follow the ancient plan of killing the men and keeping the women.  Need I point to Haiti after the slave rebellion as an example?  Within three or four generations both Arabs and Europeans will be absorbed into Black Africa.

Any discussion of the problem is now impossible in Europe as the blackest censorship has been imposed on dissent.  Astonishing that the enlightenment could disappear just like that, isn’t it?  Anyone who dissents from the Semitic program is liable to imporisonment, heavy fines or both.  The term Semite includes both the Jewish and Arab branches.

Once the Moslem are powerful enough to direct the European military it will mean the end of Israel as that State will be completely encircled by Moslem powers with irresistable might and control of all land, sea, air and satellite communications.

With European technological war materiel at their disposal the Moslems will be able to isolate the United States by depriving it of oil or with the huge and growing population in the US sabotage any war effort if threatened.  Let’s have a round of applause for the brilliant leadership of Chirac, Blair, Bush and Obama not to mention the morons of the US Senate.

Burroughs foresaw the results of the West’s waffling before the Communists, the Moslems and perhaps the Africans but he was prevented from examining the problems too openly for fear of bringing the Liberal Coalition with its charges of anti-Semitism down on his head.  Both he and Henry Ford were having a tough fight for survival.  W.R. Hearst.

Burroughs had already called attention to himself by questioning a survey sent him by the American Jewish Committee in 1919.  It seems apparent the survey drew his attention to Jewish matters which he had ignored up till that time.  This resulted in the character of Bluber in Tarzan And The Golden Lion as well as several characters in 1924’s Marcia Of The Doorstep.  As the AJC would have considered these characterizations ‘anti-Semitic’ the publication of the book was prohibited.  Censored as it were.

Probably as a result of questioning the AJC survey he was put under surveillance.  While a number of movies had been made from his books, in 1921 movie making from his novels ceased reducing his income potential drastically at a very critical time in his finances.  For whatever reason there was a hiatus in the production of Tarzan films that lasted until 1928.  It is only fair to assume that Tarzan had not lost his box office appeal which is the usual Hollywood cover for blacklisting.  One also imagines that Burroughs would have leapt at any movie money.  Indeed, in 1922 the Stern Bros. and Louis Jacobs, a trio of Jewish movie makers, tied up the rights to Jungle Tales Of Tarzan and Jewels of Opar for $40,000.  This was a very decent sum to spend yet the movie makers made no effort make the movies, they were content to tie up the titles.  Whether Burroughs was being disciplined for being ‘anti-Semitic’ or not can’t be determined for certain at this time.

 

Richard Slotkin

Hollywood was notorious for being a Jewish industry.  W.R. Hearst was one of the few goys making movies.  D.W. Griffith was being increasingly marginalized.  In the interim then, the noted ‘anti-Semite’ Joseph P. Kennedy, the father of the future president John F. Kennedy, formed or bought FBO Studios.  The story of this multi-cultural struggle for dominance has never been adequately researched for obvious reasons, but what with the Ford conflict with the Semitic Jewish culture flaring in the foreground it is not unlikely that there was a great deal of maneuvering in the background.  It will be noted that when RKO was formed which incorporated FBO Studios the R for Radio came from RCA and KO for Keith Orpheum were retained while FBO was deleted.  The R and KO were Jewish concerns while FBO had been a great goyish disrupter.

Nevertheless, as Burroughs was blacklisted by Hollywood which the Hollywood historian Neal Gabler describes as a Jewish empire, it is noteworthy that an ‘anti-Semite’ broke the blacklist making Tarzan movies again.  It would have been the equivalent of Dalton Trumbo being allowed to script movies under his own name again in the 1960s.

The blacklist broken, the Stern Bros. and Jacobs then decided in 1928 to exercise their rights to the two Tarzan novels to release Tarzan The Tiger and Tarzan The Mighty.  Calling Tarzan a tiger may have been a slam at Burroughs who erroneously introduced tigers into Africa in the magazine version of Tarzan Of The Apes.

The silent era of movies over, MGM produced the first talkie of Tarzan in 1932.  Watch the dates.

Now, in both Tarzan The Invincible and Tarzan Triumphant Burroughs takes undisguised hits at Communism, pointing fingers and naming names; in Triumphant he continues his open attack on Communism and covertly ridicules the Jews in his portrayal of Midians with their enormous noses and receding chins.  Both attributes are well known caricatures of Jews.  Was this a gratuitous insult or was he responding to insults to himself?

If he had been given courage by the presence of Joseph Kennedy and FBO Studios then he might have relaxed his vigilance a little.  However his open and blatant attack would not have been unresented by Judaeo-Communists.  While Hollywood had always been run by Jews, by 1930 Communists had also made much more serious inroads than is usually admitted.  In other words, ERB’s well being in this multi-cultural war zone depended on his sworn enemies.  As both a goy and counter-revolutionary ERB was an odd man out.  It could not possibly be any other way.

There can be no question that he would have to be gotten for what could only be seen as egregious insults to both Communists and Jews. In fact, the two were nearly one.  The question then was how best to get Burroughs short of outright assassination.  The blacklist had already been broken by Kennedy but possible a movie could be made to make ERB’s great creation ridiculous.  Destroy him in that way, you see.

Thanks to technological marvels like DVDs it is now possible to study old movies at will.  I have a sets of most of the films.  I have viewed Tarzan Of The Apes a number of times.

Bearing in mind that Burroughs was in a struggle with both Communists and Semites as exemplified in 1930’s Tarzan The Invincible and 1931’s Tarzan Triumphant while being surreptitiously listed as an anti-Semite by the American Jewish Committee, I think it worthwhile to speculate on the intent of Louis B. Mayer and Irving Thalberg’s productions.

Having watched the movie a number of times while bearing  books Invincible and Triumphant in mind I have come to the conclusion that the movie’s ulterior motive was an attempt to ridicule the Big Bwana into oblivion.  We all know that ridicule is a most effective weapon, especially when it can’t be answered.  It was undoubtedly thought Tarzan could be destroyed in this manner.

MGM did not negotiate to obtain rights to any particular story but, and this is important, they bought the right to use the characters as they thought fit.  Thus as the movie poster picture in Bibliophile David Fury’s book Kings Of The Jungle on p.63 published by McFarland, it is stated that the movie is ‘based on the characters created by Edgar Rice Burroughs.’  In other words, this is not the Tarzan of Invincible and Triumphant.  Oh no, no.  This is Tarzan The Defeated, Tarzan The Buffoon.

The vision is no longer Tarzan Of The Apes but Tarzan, The Ape Man.  A subtle but important shift in emphasis.  Tarzan is no longer a man raised among apes he is a man who is an ape.  The fabulous brain of Tarzan which allowed him to master reading and writing with the aid of only a picture book, that allowed him to learn new languages instantly has now been replaced by an inarticulate moron who does five minutes of  ‘me Tarzan, you Jane.’

This was free love in the jungle between a hunk and a babe.  Apparently it slipped by unnoticed at the time until it was picked up thirty years later by an astute librarian.  Tarzan and Jane are no longer married in the movies, Jane just began cohabiting with Tarzan because he was such a handsome hunk.  Fortunately she, he, or both were infertile.  Thus Tarzan was subtly defamed, his universality removed.  His audience constricted by that much.

Having slipped this bit past the censors, as incredible as it may seem, in the next movie, Tarzan And His Mate, not wife but mate, you know, a live in,  MGM included the famous nude swimming scene that did not get past the censors.

Both these items would have had the effect of defaming Tarzan and constricting his audience.  A certain type of viewer would be offended by these items and refuse to see the movies while another type would gratified by such items and drawn to the movies but lower the quality of the audience moving Tarzan toward porn.  Thus by degrees Tarzan movies would gain the reputation as porn flicks.  Porn is porn even if it is Tarzan so you aren’t going to let your kids eat popcorn in front of dirty movies nor are legitimate first run theatres going to show them.  At least, not then.

Thus MGM was well on their way to making Tarzan porn before the censors forced a change in plan.  There was nothing Burroughs could have done about this as he, or rather his office manager signed away all his rights to his character.

The MGM poster then portrays Tarzan as a criminal freak:

Mothered by an ape- He knew only the law of the jungle- to seize what he wanted.

The ‘to seize’ is in attention grabbing italics.

Mothered by an ape is ambiguous and meant to be repulsive.  It could mean that Tarzan was fathered by a human on an ape or it could be so obscure as to be meaningless.  If you were familiar with the books you could probably guess what was intended but if you weren’t who knows what it could mean to you.    Remember the first volume, Tarzan Of The Apes, was no longer in print even in 1930 so the original story couldn’t even be bought.  The later volumes don’t recapitulate his birth and raising so there may have been actually few who knew the whole story.  We are led to believe that the MGM Tarzan is completely lacking in morality.  If he wants something he just steals it.  Not the Tarzan I would want to emulate.

The director was W.S. Van Dyke who had just had a major success with his Trader Horn, another African picture.  That one had been phenomenally successful and Tarzan is billed as “Another Miracle Picture directed by W.S. Van Dyke, Creator Of “Trader Horn.”  Van Dyke was certainly not the creator of Trader Horn as the movie was adapted from the book by Trader horn, there was such a man, thus in a way Tarzan, The Ape Man is subordinated to W.S. Van Dyke and Trader Horn.

What is called ‘the adaptation’ is done by someone called Cyril Hume.  As the dialogue was written by Ivor Novello I presume that both the storyline and the alterations to Tarzan’s character can possibly be attributed to Hume.

There is little on Hume on the internet but a New York Times review that was cribbed from All Movie Guide.  It says ‘…During the 1920s, Hume proved a worthy rival of Fitzgerald with such lost generation novels as Wife Of The Centaur and Cruel Fellowship.’  An interesting couple of titles in relation to this Tarzan movie.  The review then goes on to say ‘…During the 1930s , he was the principal writer of MGM’s “Tarzan ” films, bringing prestige to these escapist exercises by treating them with dignity and respect…’  That’s one man’s opinion anyway.

As we all know the attributed movie writer frequently has very little to do with the finished script so we will assume that Hume’s script went through many revisions by many minds with perhaps different agendas than his.  One wonders why Ivor Novello, who was a well known playwright of the time was broght in to do dialogue.  Apart from the Tarzan yell, with which Novello is given no connection, that seems to be the major portion of the dialogue along with the famous ‘Tarzan-Jane’ sequence,  there seems to be little dialog that an amateur couldn’t have written.

The net result is a movie that seriously demeans Tarzan as conceived and portrayed over fifteen novels.  In order for their ridicule to be successful MGM did have to produce a movie that someone would go see.  They were apparently successful beyond their wildest hopes or fears as the movie was described as a ‘surprise’ hit and an enormous grosser.   Now MGM was stuck with the character.

If it was a surprise hit then one can discount the publicity that the movie cost a million dollars to produce.  There are no well-known stars in the movie, while much of it is footage left over from Trader Horn which had already been amortized with the rest being shot on lot.  If the movie cost MGM a quarter  million I would still be astonished.

In their attempt to ridicule Tarzan they were too clever by half.  The character of Tarzan may not have that of the books but audiences still found it satisfying, especially the yell.

Those of us who have read the books have always been uneasy with those MGM movies although Johnny Weismuller was perfectly cast in the role of the Ape Man.

So, while the NYT reviewer may believe Cyril Hume brought ‘prestige to these escapist exercises by treating them with dignity and respect’ there are dissenting opinions other than mine.

Another interpretation was that of the first movie Tarzan, Elmo Lincoln, who commented to ERB “the house seemed to think it was a comedy.  Why do they portray Tarzan without dignity?…with the right treatment and portrayal, Tarzan could a romantic, thrilling character, and still have the sympathy of his audience…I don’t like to see him treated as a clown…”

Elmo Lincoln and I both see the MGM version in the same light, while I have to question the interpretation of the NYTimes writer.  I think Lincoln was right, the movie was a comedic effort meant to defame the persona of ERB’s great creation and thus destroy Edgar Rice Burroughs.  After all ERB, Inc.’s  publishing arm was dependent on sales of Tarzan’s.

By 1932 the troublesome ERB had learned which side his bread was buttered on so he publicly endorsed the MGM movies, after all this was big money, bigger than any other souces of income combined.  It may be said then that just as Henry Ford recanted and apologized for offending the Jewish Cultural entity in the ongoing culture wars so Burroughs bent the knee to Liberal suzerainty.

As ERBzine reports, privately Burroughs had other thoughts:

Daughter Joan Burroughs revealed:  “Dad found it hard to reconcile himself to the movie versions of the Tarzan stories and never did understand the movie Tarzan.  He wanted Tarzan to speak like an educated Englishman instead of grunting.  One time we saw a movie together and after it was over, although the audience seemed enthusiastic, my father remained in his seat and kept shaking his head sadly.”

So Burroughs and Lincoln both resented the screen adaptation based on the Tarzan ERB had created.

There was nothing Burroughs could do about it.  His rights had been signed away by his agent Ralph Rothmund.  Rothmund must have been aware of the tension between Burroughs, Communists and Jews, yet he essentially gave the courthouse away.  He placed Burroughs in the hands of his enemies.  He gave Tarzan to MGM stripping Burroughs of his only weapon and asset.  Why?  Did he contact MGM or did MGM contact him?  Why did he negotiate behind Burroughs’ back presenting him with a fait accompli? Why not tell his employer,  ‘I’ve got this deal worked out with MGM.  Do you want to take it?’

Presented instead with a check, Our Man seduced by vain desires went out and bought five Packard automobiles.  Ah, ERB…

Did he repent of this deal?  I believe so.  Trapped by the contract his only way of retaliation was a futile one through his novels.

Louis B. Mayer

Can it be a coincidence that Tarzan And The Lion Man written over February to May of 1933, published by ERB, Inc. in book form on September 1, 1934 (Septimus Favonius BB#55 p. 34) ridiculed MGM, Irving Thalberg and Trader Horn.  The second MGM movie Tarzan And His Mate was released on April 16, 1934.  Bear these two dates in mind, the movie was released five months before the book leaving time for a revision of the book text.

Certainly severely wounded by the MGM adaptation of Tarzan Burroughs had been beaten.  He had lost the culture war between himself, the Communists and the Jews.  Having lost control of his character in the vital field of movies his only recourse was to lampoon MGM in a book which he did in Tarzan And The Lion Man.  Strangely his illustrator St. John chose this book to experiment with an unrepresentative cover that was believed to have killed sales.  Thus this magnficent achievement was undersold.

Lion Man recounts W.S. Van Dyke’s movie making in Africa, telling it in a ridiculing manner.  MGM’s version of Tarzan is portrayed by a character named Stanley Obroski, perhaps a takeoff on Johnny Weismuller, who is a pale imitation of the real Tarzan.  Burroughs makes a careful comparison showing what a joke the MGM Tarzan was.  In a fit of pique he kills the fake Lion Man off.

One of the more interesting characters is Balza- The Golden Girl.  After escaping from the Valley of Diamonds she joins the movie company where she cavorts about in the nude.  This scene has baffled me but if one remembers that in Tarzan And His Mate Maureen O’ Sullivan is stripped by Tarzan followed by the nude swimming scene, the novel makes sense.  ERB had seen the movie in April of 1934 possibly an earlier studio screening and incorporated the changes in his text for the 9/1/34 release date.

So his retort against MGM while ineffective made for what must rank as one of his very best efforts.

Just as an aside note that while this struggle was going on in Hollywood Adolf Hitler became Chancellor of Germany in January of 1933; Franklin Delano Roosevelt became President of the United States in March of ’33.

One of FDR’s first deeds was to recogtnize the USSR regime of Joseph Stalin.  In late 1933 a chubby little ex-draper’s assistant acted as a go-between for Stalin and Roosevelt.  Having first visited Stalin,  H.G. Wells carried his messages to Roosevelt.  Thus under the very eyes of the world some very important communications were passed back and forth.  Nineteen thirty-three was also the year the former draper’s assistant wrote his Shape Of Things To Come.

These things can’t be stated with absolute certainty but the character of God– the formerly handsome Englishman in Lion Man, is certainly based on the pompous little H.G. Wells.

Thus while I at first objected to Slotkin’s accusations against ERB, barring the My Lai stuff, I think I am beginning to see ERB’s relation to the cultural wars between Communists, Jews, Liberals and Conservatives.  there is more going on here than meets the eye.

But let us look at some of the religous aspects of this interesting situation.  The religious war between Semitism and the Astrological Religion as represented by Tarzan Of The Apes.

 

Weissmuller As Tarzan

 

 

 

A Review
Themes And Variations
The Tarzan Novels Of Edgar Rice Burroughs
#23 Tarzan And The Mad Man
Part III
That Old Time Religion

The Aquarian Archetype

Burroughs’ stories are always concerned with religion in one respect or another.  He never stopped investigating religion or religions.  When Swami Prahavananda brought Vedanta to LA from Portland, Oregon of all places Burroughs if not the first in line was not that far back.  It’s no surprise that the novels of the first half of the thirties all reflect Vedanta or Hindu religion to some extent.
The Tarzan series was virtually founded on the avatar of sun worship, La of Opar.  She appeared sporadically until 1930 when she was entombed in Opar and abandoned by Tarzan and Burroughs.  Here she appears again in the form of the mundane normal rich girl, Sandra Pickerall, the Scottish beer heiress.  A common place White Goddess.
One should always bear in mind the original White Goddess, She, of Rider Haggard.  Thus one always compares Burroughs’ White Goddesses to the original.  Apart from Greek mythology’s White Goddess, represented as the moon, I think the White Goddess reigning in a Black or off-tone population, was actually a Haggard original.  Of course, La was a carbon of She.  An aside- I’m discoverying that I’m using some outdated terms incomprehensible to younger people.  Carbon copy is one of these.  You get the blankest of stares.  For any readers not familiar with carbon paper, in the days before printers turned out endless perfect copies of documents if one wanted a copy of a typed letter, typed in a typewriter, one inserted a piece of carbon paper between the original and the desired copy.  One side was coated with carbon so that the stroke imprinted on the clean sheet.  Those were the days, children, when we walked three miles to school through eight foot snow drifts.  Life wasn’t so easy back then.
So, La was a carbon of She.  Not quite; She was actually two thousand years old.   Burroughs couldn’t figure out how to do that without being a carbon copy of Haggard so he made the priestess of the Flaming God part of a multi-thousand year tradition. Sandra was a one off with short duration.  There was no mystique there; this is the common woman triumphant.  Rand himself was a phony Tarzan who was also a phony rather ditso god.
While there was no real historical basis for She but a tenuous connection to Egypt’s influence on Sub-Saharan Africa that Haggard repeatedly invokes there was a historical basis for the Portuguese colony of Alemtejo in Ethiopia.  A fairly remarkable one and one that Burroughs knew of.  Possibly the story was gleaned from the pages of the National Geographic also bu there is a basis for it in Burroughs library
.
Let’s tackle the groundwork for Haggard’s White Goddess first.  Obviously with Haggard and Burroughs we are dealing with men and writers of stupendous imagination.  These men are able to build cities and civilizations from the merest scraps of evidence.  And then in Haggard’s case, from his sojourn in South Africa he was familiar waith legends and archaeological evidences unknown except to the specialist and possibly not to them.  Burroughs read many books of African history including J.W. Buel’s Heroes Of The Dark Continent.  The book mentions legends and stories that Haggard heard but so fleetingly one wonders what impression they could have made on the forming mind of ERB.  Buel himself took his early history from a fabulous Arab work called The Travels Of Ibn Batuta, sort of the Richard Burton of his culture.

The Renowned Arab Traveler- Mohammed Ibn Batuta

Writing in the fourteenth century Ibn Batuta had visited the East African coast trodding the soil of Kilwa Island on the southern border of Tanganyika, now Tanzania.  Zanzibar replaced Kilwa as the Moslem trading entropot on the East Coast.  Haggard apparently had done the same as he mentions ruins that dated back to before the tenth century.  So, we have established commercial activity in Southern Africa before the arrival of the Shona people in Zimbabwe.

The ruins of Zimbabwe are, of course, famous but the builders are undetermined although the relics are claimed by the Shona which is impossible.  There are additional stone ruins further South than the Shona ever penetrated.  Therefore it follows that others than the Shona built them.  The ruins and Zimbabwae turn up frequently in Haggard’s novels also.
I have always believed the ruins were Malagasy which is also Trader Horn’s position.  I wasn’t clear on the arrival of the Malagasy but then ERB’s novel Jungle Girl showed me the way.  Jungle Girl is concerned with the Khmer people and the ruins of Cambodia and Thailand.  Few of us, I believe, have any idea of the history of this area and its connection to India.
According to some somewhat limited research on my partI find that  the Balinese were a major naval power in the archipelago and the adjacent mainland.  When the Khmer king threatened the Balinese king the King of Bali mounted a thousand ship expedition to the Mekong to punish the Khmer king.  This would be a substantial flotilla if true and not legendary.  If each ship transported twenty to fifty soldiers that would be an army of twenty to fifty thousand men.  Logistically a superior achievement, especially just to punish one guy.
Bali today is 90% Hindu in religion so that the Hindus or Indians had made a religious conquest of Bali by the ninth century.  One assumes that contact was continuous from, say, 800 to 1500 AD so that Balinese regularly sailed to India.  The Balinese also have fabulous ruins such as the magnificent manmade mountain, Borobudur that date from the earlier period.
Now, the Malagasy of Madagascar are genetically linked to a Bornean people opposite Bali on inland sea.  It is highly doubtful that the Borneans made any voyages to India.  Let us assume however that those people of Borneo were troublesome to the Balinese, harassing their shipping and possibly raiding Bali.  Now, there doesn’t appear to be continuous migration to Africa; the migration seems to have been a one time affair.
Let us suppose then that the Balinese knew of Africa from their excursions to India.  After all, the Chinese admiral, Zheng He touched on Africa if not claiming it for his Emperor in the fifteenth century.  There are Africans with Chinese DNA from sailors shipwrecked from that expedition.  Kilwa was active from at least the ninth century when Persians established a colony leaving ruins behind.  Pottery sherds found on Kilwa come from the whole of the East including China.
In an effort to solve their Bornean problem, then, let us assume the Balinese organized a flotilla and shipped the entire troublesome Bornean population to Africa in one shot.  It could easily have been done by revictualing and rewatering at several points on the way to India or Ceylon at which point the monsoon could be used to aim for the African coast.  Whether Madagascar was known or not the flotilla could easily have blundered on it.  It was uninhabited at the time.  The Bantus had not yet penetrated that far.  Their presence was probably insignificant on the mainland- Mozambique and Zimbabwe.  That was it- a people transported from Borneo in one consignment.
Finding the malarial coast uninhabited but unhealthy the Malagasy’s then moved up on the plateau where the air was more salubrious.  The Shona may or may not have already been there.  In any event the population would have been small.  It is possible they began to filter in some time thereafter settling North of actual Zimbabwe.  The ruins then were built by the Malagasies either as protection from wild beasts or as defensive forts.  As the additional ruins are further South the Malagasies either prospered and expanded or unable to maintain themselves against the Bantu Shona kept retreating further South as did the Bushmen.  On the other hand the kingdom of Monomotapa that existed in this area at approximately this period must have been founded by the Malagasies.  That it was stamped flat by the Bantus would indicate that it was a culture alien to theirs much as the White culture now being exterminated by the Bantus.  With the Whites gone and the ruins of the cities dotting the plains the Bantus could then claim their ancestors built them.  An exact duplicate situation.  Shoot, even Mugabe could claim he built Salisbury.
Now, there are a variety of complexions in Zimbabwe tending toward a red.  That could only come about by the mixing of the Black Shona and the copper Malagasy.  So, obviously the Malagasy were either killed or bred out of existence on the mainland although still existing on Madagascar.
The Shona having no use for the stone forts which were unfamiliar to them ignored them for their traditional grass hut villages.
The Malagasies mined for gold probably trading with Kilwa Island although that is some distance and there seems to be little refuse in Zimbabwe to suggest a trading period.  Nevertheless the gold was mined and it isn’t there now.
Using whatever knowledge he had of the legends or history of Zimbabwe Haggard created his own magnificent legends of King Solomon’s Mines and the superb She.  She was was placed somewhere on the coast between Zimbabwe and Kilwa Island.
For his shadow of the story of She Burroughs then moves the location of She up to Ethiopia also incorporating the story of the Portuguese expedition of the fifteenth century to that formerly mythical and fabulous country thought to be the home of the equally mythical and fabulous Prester John.
ERB combines two threads of history.  On the one hand Vasco da Gama the explorer did send his brother Cristoforo da Gama on a military expediton to Ethiopia to aid the Queen of Ethiopia. Initially successful Cristoforo was untimately defeated although the Portuguese left the country rather than building ERB’s castle on the Mutia Escarpment.  On the other hand the Galla people subsequently invaded Ethiopia where they existed against the Ethiopians in the sort of standoff that ERB depicts.
The faux Tarzan, Rand, then parachutes into the midst of the Portuguese castle of Alemtejo.  In his descent the wind slams him against a turret causing the inevitable amnesia.  Tarzan’s loss of memory that recurs periodically means that ERB is severely stressed.  Tarzan’s losses of memory always occur at periods of extreme stress for ERB when he is facing difficult problems.
Rand had embarked on his expedition to prove he could rough it a la Tarzan for thirty days so his mind occupied by this illusion he believes he is Tarzan.  As he descended from the sky the Portuguese, now a cholcolate brown, believe he must be God, not a god but the God.  Even though God Rand takes orders pretty well.  Da Gama orders him to find a goddess as God must have a goddess.  After having had his Black candidates rejected Rand goes back to find a White Goddess.
At this point Rand, the faux Tarzan, finds the beer heiress Sandra Pickerall.  Thus God and goddess are in reality ordinary folk, the common people.  The descent has been from the immortal She to the mortal but still divine, La, who was the high priestess, to an ordinary girl dressed in ordinary clothes who knows nothing of the goddess mystique.  ERB’s hopes had deflated quite considerably.
This was on the eve of ERB and Florence’s departure into exile from LA to Honolulu so there is a bewildered sadness to the story.  It’s as though ERB were asking:  Where did the dream go wrong?
There is a faint echo of The City Of God story from Tarzan And The Lion Man.  In this case Tarzan/Rand/ERB is God and Sandra/Florence is his goddess but no longer the vision of his dreams he imagined in 1926.  He’s pretty disappointed.
The religious scene is quite astounding, presenting aspects of the whole history of religion.  ERBs’ life study of religion is here condensed into a few paragraphs and scatterings throughout the text.
Ruiz stood behind a low, stone altar which appeared to have been painted a rusty brown red.
For a long time Ruiz the high priest held the center of the stage.  The rites where evidently of a religious nature that went on interminably.  Three times Ruiz burned powder upon the altar.  From the awful stench Sandra judged the powder must have consisted mostly of hair.  The assemblage intoned a chant to the weird accompaniment of heathenish tom toms.  The high priest occasionally made the sign of the cross, but it seemed obvious to Sandra that she had become the goddess of a bastard religion which bore no relationship to Christianity beyond the symbolism of the cross, which was evidently quite meaningless to the high priest and his followers.
She heard mentioned several times Kibuka, the war god; and Walumbe the god of death, was often supplicated, while Mizimo departed spirits, held a prominent place in the chant and the progress.  It was evidently a very primitive form of heathenish worship from which voodooism is derived.
What reading, what study went into this religious scene isn’t clear but it is clear that ERB’s reading here led back to the religious practices of the Yoruba people of Nigeria, or perhaps it might better be said the lower Niger River.  In what they call the Yoruba diaspora the people as slaves were dispersed throughout the Americas, South and North and the Caribbean.
Apparently deeply religious the Yoruba took their religion with them grafting it unto a semblance of Catholicism, bastard religion here in Burroughs.  Perhaps that is what ERB means when he says the Alemtejos took the cross as a symbol but it had no meaning to them.  The Yoruba religion took different names and forms from Brazil to New York.  As ERB points out here the Yoruban religion in Haiti developed into Voodoo while in Cuba it became known as Santeria by which name it passes into the US.  Chief centers are Atlanta and New York City.
While Burroughs merely says that Voodoo was derived from some ancient form implying lost in the mists of time he may very well have known that these new world religious impressions were derived from the Yoruba of Africa.
And then a little further on, Ballantine, p. 55, ERB goes on to describe a different religious ritual:
Looking up, she saw a dozen naked dancing girls enter the apartment, and behind them two soldiers dragging a screaming Negro girl of about thirteen.  Now the audience was alert, necks craned and every eye centered upon the child.  The tom-toms beat out a wild cadence.  The dancers, leaping, bending, whirling, approached the altar; and while they danced the soldiers lifted the still screaming girl and held her face up, upon its stained brown surface.
The high priest made passes with his hands above the victim, the while he intoned some senseless gibberish.  The child’s screams had been reduced to moaning sobs, as Ruiz drew a knife from beneath his robe.  Sandra leaned forward in her throne-chair, clutching the arms, her wide eyes straining at the horrid sight below her.
A deathly stillness fell upon the room broken only by the choking sobs of the girl.  Ruiz’s knife flashed for an instant above his victim; and then the point was punged into her heart.  Quickly he cut the throat and dabbing his hands in the spurting blood sprinkled it upon the audience, which surged forward to receive it…
To consider this scene from several angles:  I hope no one will be offended but put into current Hollywood cinematic terms this is the very purest of pornography.  It there was a battle at this time to get James Joyce’s Ulysses through customs, Joyce is smirkingly smutty compared to Burroughs here.
I mean, a dozen naked dancing girls leading the procession, a child snuff scene;  the dwelling on the flash of the knife, its point entering the body, the spurting blood from the child’s cut throat then the sprinkling of the surging, screaming crowd with the blood, truly they were washed in the blood of the lamb.
If the Voodoo harked back to an early period it was before this intermediate sacrificial period.  On the one hand La of Opar seemed to flash back to to Aztec ceremonies in ERB’s mind.  In that gory society the victims were indeed laid out face up beneath the Flaming God as the priest no only stabbed them but cut the heart out holding the still beating vessel aloft for the sun’s acceptance.
Here ERB seems to combine the Aztec practices with the Semitic practices of child murder from which the term ‘blood of the lamb’ must be derived.  Blood purifications were common in the various Classical religious consensuses.  With Mithraic worshippers of the bull god Mithras communicants were lowered into a pit while a bull was slaughtered on a slatted platform above them, the blood dripping down on the initiate then washed the communicant in the blood of the bull, or in another word, Mithras.
Among the Semites, Carthaginians of North Africa and the Jews of Palestine child murder was the chief offering to placate the gods or God.  The Carthaginians had a huge statue of Baal with oustretched arms on which the child was placed to roll down into a flaming pit.
The Valley of Hinnon was the site of the Jewish sacrifice of the first born.  While the practice was suspended in the story of Abraham and Isaac when the sheep or lamb was allowed to be substituted for the first born.  While the practice was suspended in the story of Abraham and Isaac when the sheep was allowed to be substituted for the born the idea lived on in the imagination of the Jews.
Then commenced the eternal round of sacrificing in the temple when the priests stood before a large basin called the brazen ocean and sacrificed sheep from sun up to sun down.  The blood collected in the brazen ocean was used for its special purposes.  Think washed in the blood of the lamb and compare it with the Mithraic rite.
Even then before the Jews left Egypt they smeared their lintels with the blood of the lamb or first born to save themselves from God’s slaughter of the first born of Egypt.  Thus the Jews were symbolically washed in the blood of the lamb.  The slaughter of the innocents in Herod’s time will also come to mind.  Jesus as the first born would have been sacrificed as the lamb  if the slaughter had been successful.
Certainly if read properly it is easy to understand why Sandra fainted.  Perhaps in 1940 ERB found his psychological situation unbearable reacting by creating this bit of sado-masochistic pornography.
Having completed this part of his survey of religious evolution ERB moves on to what might be described as the late Classical to Medieval phase, Ballantine p. 67:
“Well, what of it?’  demanded da Gama.  “I am king.  Do I not sit on a level with God and his goddess?  I am as holy as they.  I am a god as well as a king; and the gods can do no wrong.”
“Rubbish!” exclaime the high priest.  “You know a well as I do that the man is not a god, and the woman no goddess.  Fate sent the man down from the skies- I don’t know how; but I’m sure he’s as mortal as you or I; then you get the idea that by controlling him you could control the country.  You were jealous of me that’s all; then you get the idea that by controlling him you could control the church, for you know that who controls the church controls the country.  You were jealous of me that’s all; then you conceived the idea of having a goddess, too, which you thought might double your power.  Well, you have them; but they’re going to be just as useful to me as they are to you.  Already, the people believe in them, and if I should go to them and say that you had harmed the god, they would tear you to pieces…”
Here we have the cynical conception of priest craft that was still current when I was a kid.  Religion as the opiate of the people.  Priests and kings who are totally insincere in their beliefs, the divine right of kings, a potent belief in its time ridiculed in another.
This could be the stuff of a stand up comedy routine by Bob Newhart in 1960 or the Smothers Brothers with some modifications of the struggle between the English Tudors with the Catholic Church.
“…you don’t stand any too well with the people, Chris, anyway; and there are plenty of them who think da Serra would make a better king.”
“Sh-h-h,” cautioned da Gama.  “Don’t talk so loud.  Somebody may overhear you.  But let’s not quarrel, Pedro.  Our interests are identical.  If Osorio da Serra becomes king of Alemtejo, Pedro Ruiz will die mysteriously; and Quesada the priest will become high priest.  He might become high priest while I am king.”
That would have gotten a knowing laugh from ERB’s readers who would have felt they had been let in on a cosmic truth.  And with the proper inflection and delivery you have some stand up.
Of course the spectre of Christianity is running through this.  ERB then tosses in a Moslem bit to bring things up to time; Sandra has bneen captured by Rateng the hunter, a Moslem Galla, Ballantine, p. 132:
“What do you want of me?”  she asked.  “What are you going to do with me?”
“You should know,” he said.  “You are a woman.”
“I am not a mortal woman.  I am a goddess.”  She grasped at a straw.
Rateng laughed at her.  “There is no god but Allah.”
“If you harm me you will die.”  she threatened.
“You are an infidel,” said Rateng, “and for every infidel I kill, I shall have greater honor in heaven.”
Thus we have the last testament of Edgar Rice Burroughs on religion.  Having delivered this he got on the plane for Honolulu leaving LA.  His epic struggle to free himself from 1911 to 1940 ended in defeat.  Ironically he was on a salary of 250.00 a month in Honolulu which had been his salary at Sears, Roebuck before he began writing.  Life is funny sometimes.
Recapitulation and Conclusion.
Thus ended the confrontation between Edgar Rice Burrughs and the Judaeo-Communists.  Little did ERB realize that in 1919 when he excercized what he thought was his American Constitutional rights by opposing Communism that he was engaging in a life and death struggle for supremacy.  Nor did he realize that when that survey sent to him by the American Jewish Committee that was fatally forwarded to in Hollywood from Chicago by the post office was coded so that he would indicate his acceptance or rejection of subservience to the Jews.   Had he known he would still probably have rejected the yoke but he at least then would have known that he was in open warfare for supremacy.
The America he had been raised in and on which his thoughts had been centered had been slipping away with each boatload of immigrants that arrived.  From a population of a few hundred thousand in 1890 the Jewish population had grown to several million.  They now had the strength of numbers as well as an implacable will to recreate the new glittering Promised Land in their own image.
There was a short reaction led by Henry Ford before any resistance was scattered.  In that brief period to 1924 ERB had aligned himself with Ford as my analysis of Marcia Of The Doorstep shows.
So in that brief period between 1919 and 1924 ERB’s fate was sealed.  In Marcia he was making desperate efforts to placate the hollywood Jews who after all had control over much of his ability to earn income.  His hostility to the Communists continued unabated.  They weren’t protected by a charge of anti-Semitism as were the Jews.   In 1926 he published his anti-Communist trilogy The Moon Maid.  His defence was countered by the direction of no less than Josef Stalin himself and through his agent H.G. Wells.  ERB’s resistance to both the Communists and the Jews in my estimation produced the sequence of his greatest Tarzan novels and in his other works.
Given his own shortcomings, which were fatal, he hadn’t the skill, although he may have had the resources, to resist the evil so that by 1934 and Tarzan And The Lion Man the war was all but over.  The end came in 1940 when, I presume, it was politely suggested that he retire from LA.  The stage of his youth had been replaced by the aeroplane so that ERB’s mode of departure was by plane and not on the stagecoach.
MGM disdainfully made another movie, Tarzan In New York, in which Tarzan as it were is led to New York with a rope around his neck.  There in New York he is symbolically forced to submit to the Law .  While in an American court it seems fairly clear that the Law is Talmudic Law rather than, to use the term loosely, American justice.
With the release of Tarzan In New York MGM essentially threw the character away giving Tarzan over to Sol Lesser to do as he pleased.
Apart from a spate of stories in 1940 and the war novel, Tarzan And The Foreign Legion, the voice that had thrilled a nation for nearly thirty years was silenced.
ERB’s dissidence was crushed.  Nor was he the only author.  While the pre-1919 publishers seem to have been all Liberals and Communist fellow travelers the authors were anti-Communist or, at least, apolitical in that sense, to a man.  They all seem to have fared no better than ERB.  Certainly, in my life experience the period from 1914 through the fifties is a virual literary block.  The non-Communists writers of pre-1919 had their reputations obscured while after 1919 no writers but Communists were nurtured and allowed into print.  Thus all the social realist third rate Communist garbage of the period has disappeared from genuine lack of interest.  There are attempts to buck up the reputations of John Steinbeck and Ernest Hemingway with some success while there are also attempts to create some interest in failed Jewish writers of the period but that seems to be of no avail.  They, like Philip Roth, are too culturally specific to hold the general interest.
One wonders why Burroughs didn’t publish Tarzan And The Mad Man.  He locked the book in his safe and forgot about it.  Certainly the novel is as good as any he wrote.  Perhaps the admission of defeat it contains would have been too gratifying to his enemies or too painful to admit.  I don’t know.
Perhaps the challenges life gave ERB were too strong.  First his early childhood centered around high expectations was countered by John The Bully and ERB’s ceaseless movement from school to school orchestrated by his father who seemed to have a love-hate relationship with him; then the cruel bludgeon of fate that fell on him in Toronto which literally addled his brains for a decade if not for life perpetrated by a rival for the hand of Emma whose enmity never ceased and who plagued him in Chicago through 1919 and then the war with the Jews and Communists through the twenties and thirties.
Ah well, we all have to play the hand we’re dealt.

 

A Review

Themes And Variations

The Tarzan Novels Of Edgar Rice Burroughs

#14 Tarzan The Invincible

Part II of X

by

R.E. Prindle

ERB

Time On His Hands

     I pair this novel with Tarzan At The Earth’s Core.  Burroughs could have titled that novel Tarzan In Pellucidar  but he didn’t.  Why not?  Probably because he was trying to avoid as much confusion between his two imaginary worlds as possible, or possibly he needed the site to illustrate his point but didn’t want to make it a Pellucidar novel.  Earth’s Core isn’t merely a story in which Tarzan makes a guest shot in another of Burrough’s worlds.  Rather ERB is making a serious exploration of Einstein’s Theory of Time and Space.  Alternatively the novel might have been titled, Tarzan, Lost In Time.  The novel is written to disprove the objective existence of Time.  Burroughs’ own conclusion is that time is merely a human construct for mankind’s own convenience but not substantial.  I think he’s right.

     The nature of Time was a topic of serious discussion during the late nineteenth century, into the twentieth , still going on today.  Indeed the Pellucidar series as a whole is a discussion on the aspects of Time.  Of course Burroughs was familiar also with H.G. Wells’  The Time Machine.

     Perhaps one of the more interesting notions of Time and Space and time travel was one advanced by Mark Twain in 1916 in his interesting novel No. 44,  The Mysterious Stranger.  In his story Twain imagines that space and time are assembled like a multi-storied building with each diorama of time and space continuing in replay eternally.  Thus his hero, #44 scoots around in time and space in what is apparently a system of chutes and ladders.

     It is possible in this system to visit ancient Egypt to watch the Pyramids being built, climb through the years to discover the head of the Sphinx sticking out of the sand as Napoleon saw it  in 1798, climb once again to watch the first Aswan dam being built, move up a story or two to watch the High Dam being built and off to Troy to stand in the front ranks with poor maligned Ajax.

      To The Time Machine, Einstein’s Theory and The Mysterious Stranger, now add Tarzan At The Earth’s Core.  There are more similarities than dissimilarities.

     ERB apprently didn’t think he made his point in At The Earth’s Core or perhaps he received some criticism from someone so he carries the discussion over into Invincible.  While incongruous for this story ERB works it in.

     As there are no book s on Einstein in his library one may ask what evidence there is that ERB had ever thought of Relativity.  Well, I’ve got the evidence right here, p. 104:

     …but though Time and space go on forever, whether in curves or straight lines…

      One can’t mention curved space and Time without being familiar with Einstein.  And then, Einstein absurdly claimed that a nonexistent mental construct like Time forms a Fourth Dimension which somehow interacts with the other three.  We are still waiting for a demonstration of that but we’ll let it pass.  I’m sure Einstein picked that up from H.G. Wells Time Machine which was a very fine piece of imaginative literature but reflected no known physics then or now.    Someone ought to pin a big red bozo nose on Einstein but, back to the future.

     ERB had discussed the notion of Time thoroughly in Tarzan At The Earth’s Core.  Actually that’s a contradiction of terms as a hollow earth obviates the notion of core.    The key fact at the Earth’s Core is that it is always high noon.  The central sun knows only endless day without a contrasting night to give the appearance of Time.  Without the contrast between day and night and the revolution of the Earth around the Sun the concept of  Time disappears; there is nothing to measure just pure duration.

     In Invincible Burroughs explains it this way, if you didn’t catch it in At The Earth’s Core, p. 104 again, same paragraph:

     The beasts of the jungle acknowledge no master, least of all the cruel tyrant that drives civilized man throughout his headlong race from the cradle to the grave- Time, the master of countless millions of slaves.  Time, the measurable aspect of duration, was meaningless to Tarzan and Tantor.

     Not only is Time meaningless to Tarzan and Tantor but Time is meaningless to the universe itself.  Nothing that ocurs in the Universe is dependent on Time nor can Time change any occurrence.  The so-called Fourth Dimension is totally ineffective.  Everything will happen just as it does now and has always without any reference to Time.  The progress of a physcial action will progress in scientifically determined steps from inception to completion without any interference from that clown Einstein’s ‘fabric of time and space.’

Albert Einstein

     That is the import of timelessness at the Earth’s core.  The inhabitants live and die without the ability to know they are getting older as there is no night, day or year.  The organism merely comes into existence, behaving according to physical laws determined by genes and other micro-organisms progressing through all the changes until the final change which change no longer has any conscious meaning.

     The same is true of suns and galaxies.  It is virtually meaningless to say the Sun is several billions of years old.  It is only a mental construct that lets you grasp a concept of duration.  It is much more relevant to say, for instance, that the changes in the Sun’s development are, say, 30% completed.  You see, it’s all quantative not qualitative.  Barring accidents and diseases, at twenty the average life span in the US is 25% consumed.  The changes relative to that portion of development in the organism have occurred and will not occur again.  On that basis I have used up about 85% of the physical changes alloted my organism.   The nature of future changes are predictable.  They cannot be avoided.  This has no reference to Time no matter what state of development an organism is in.

     While in a state of depletion I become ‘old’ only if my psychology is affected by the concept of  ‘age.’   While my physical capabilities are not what they were at twenty, that phase of development having been passed through, my mental capabilities have developed accordingly.  As my body has decreased in powers my mind has increased.  The beginning has compensated the end.  If I die today or tomorrow that is as it must be.  Everything has its end.  There is no tragedy involved.

     Life and death are completed, unaffected by Time.  If time ‘stopped’ as people imagine it can, everything would continue as now.  Organisms merely run their physical course.  That is the point Burroughs is trying to make.  He is repudiating Einstein.

     As a young man I was conditioned to revere Einstein.  I did this unquestioningly and, boy, was I sincere.  I disgust myself  in memory.  But then, somewhere along the line the hypnotic spell wore off, contradicted by facts.  Einstein began to unravel before my eyes.  It wasn’t that I questioned his reputation it was just that a mist began to lift.  I began to have doubts; sort of religious doubts.  I blinked once and Einstein was no longer the archetype of genius.  At the second blink I began to ask questions.  I tripped over the notion of the physical reality of  Time just as Burroughs did.

     When I read the ancient Jewish historian Josephus I began to sense the specious nature of the problem.  According to Josephus Abraham was the greatest astronomer cum astrologer of his time just as Einstein is thought to be the greatest of ours.  At the time of the transition between the Age of Taurus and the Age of Aries Abraham had an astrological/astronomical dispute with the academy.

      You see, at that stage of the evolution of human consciousness astronomy and astrology were united into one discipline.  The magical element of astrology wouldn’t be separated from the scientific element of astronomy until the scientific consciousness of humanity had separated itself from the magical or religious which two systems are synonymous.  The concept of god functions only in a magical sense as his presence is even less noticeable than that of Time.

     However magic and astrology are still part of human consciousness although with a quasi-scientific basis so that systems organized perhaps tens of thousands of years ago continue to function through inertia.  I have been accused of being New Age.  Quite frankly as New Age in my view rejects the scientific consciousness as much as any other religious system, Fundamentalist Judaism, for instance, hint hint, I cannot be New Age.  But, I sure like the way they talk.

     What I discuss is scientific history.  Facts which religious people reject because they disavow the ideas behind them but accept as real, i.e.   Thou shalt not suffer a witch to live.  Why bother worrying about it; witches do not exist except in the imagination.

     So whether you ‘believe’ in astrology, the Zodiac or whatever is irrelevant.  The fact is at one time in history people universally did and they acted on their beliefs.

      At any rate the fact is at the time of the transition from the Age of Taurus to the Age of Aries Abraham had an astrological/astronomical dispute with the Chaldean astronomers of Ur.  As I understand it they said the religious archetype was changing with the transition from Taurus to Aries.  (I think of this as a form of set theory; it is so because everyone agrees it is so.  No different than now.)  Abraham argued that the archetype of the Ages was Eternal, unchanging, the Rock Of Ages to you religious types.  Rock of Ages means unchanging through all the signs of the Zodiac, all twelve Ages.  An Age is one sign of the Zodiac.  Ages are the twelve zodiacal signs.  (Hello, Central?  Put me through to God.)

     Now, to be Eternal is astrologically impossible.  The Earth wobbles on its axis visible at the North Pole so that every twenty-five thousand years or so it creates a Great Year then begins again.   The Ancients divided the Great year in the system of twelve periods, called Ages, to correspond with the months of the terrestrial year.

     Apparently Abraham denied this and adamantly insisted on the Eternal.  For this reason, according to Josephus Abraham and his fellow Terahite cultists were run out of town.

     Lousy astronomers, then, Abraham’s descendants had learned little by the time Einstein stepped onto the world stage to give his oration.  Just as Abraham had voiced his foolishness four thousand years previously Einstein did the same in our time.  There are those who seriously argue that time travel is possible in Einstein’s universe.  Well, maybe in his, but not in this one.

     Nothing is relative but one’s point of view.  The physical universe is one of absolutes; that is the nature of science.  Science cannot be relative; in order for an experiment to be true it must replicate itself the same way under the same conditions.  As unpleasant as that may be  to some intellects there is in fact only one way in a given set of circumstances.  A+B will always equal A+B.  If one switches to A+C then the result will always be A+C.  There is nothing relative about it.  You may religiously expect other results but you will be eternally disappointed.  So Einstein said that the further out in Space his mind penetrated the closer he got to god.  Who can say, but he never got close enough to touch God.  Einstein was not a scientist.  He was a Rabbi.  There is no g-d to get closer to.  I’m sure that a good Rabbi would find arguments in the Talmud almost identical to those of  Einstein.

     Burroughs saw through Einstein hence his arguments disproving the physical existence of  Time and the futility of any supposed Fourth Dimension.  These are religious matters requiring a belief in a supernatural being.

     Having said that Time was measureless to Tarzan and Tantor which was not entirely true since the rotation of the Earth divides ‘Time’ into night and day unlike at the Earth’s core.  Burroughs then goes on to say, p. 104, same paragraph:

     Of all the vast resources that Nature had placed at their disposal, she had been most profligate with Time, since she had awarded to each all that he could use during his lifetime, no matter how extravagant of it he might be.  So great was the supply of it that it could not be wasted, since there is always more, even up to the moment of death, after which it ceases, with all things, to be essential to the individual.  Tantor and Tarzan therefore were wasting no time as they communed together in silent meditation…

     A beautiful piece of sophistry.  Regardless of the Time involved, immutable physical changes continued to take place.  What opportunities appropriate to that physical state were  lost forever.

     Apropos of which carrying his argument further, on p. 120 he says:

     Time is of the essence of many things to civilized man.  He fumes and frets, and reduces his mental and physical efficiency if he is not accomplishing something concrete during the passage of every minute of that medium which seems to him like a flowing river, the waters of which are utterly wasted if they are not utilized as they pass by.

     Imbued by some such insane conception of time, Wayne Colt sweated and stumbled through the jungle, seeking his companions as though the fate of the universe hung upon the slender chance that he could reach them without the loss of a second.

     I understand what ERB is saying, of course, I’m virtually a disciple.  Tarzan lolling on the back of Tantor achieved his goal more easily than the frantic Colt.  Still, one should remember: Work, for the hour grows late.  Those irreversible physical changes are drawing one closer to the grave.  Get it done now.

     ERB displays a seeming peevishness over the issue which has  little or no bearing on this story.  It is an interesting aside but it does not illuminate the tale.  Maybe somebody criticized the ideas expressed in At The Earth’s Core and Burroughs is carrying on the argument.  Nobody paid any attention, still I am charmed by the vision of  Tantor and Tarzan suspended in Space and Time wandering blissfully through the jungle unaware of any impending doom.

Proceed to Part III of X

https://idynamo.wordpress.com/2010/06/08/a-review-pt-iii-of-tarzan-the-invincible-by-edgar-rice-burroughs/

 

Exhuming Bob 25:

Bob And Sam

by

R.E. Prindle

Shepard, Sam: The Rolling Thunder Logbook, 1977, Sanctuary Publishing.

      Sometime in the mid-seventies, possibly in 1976 Paul Simon wrote in one of his lyrics:  I don’t think this stuff is funny anymore.  Coincidentally at the same time as I surveyed my record store of a Saturday morning the same thought occurred to me.  Things had been overdone.  In one bat of an eyelash the whole thing got old.

 

Bert Williams In Blackface

    This was not case with Bob Dylan who in the waning months of 1975 put the greatest clown act New England had ever seen on the road.  The Rolling Thunder Revue; or as it might alternatively have been named:  The New Bob Dylan Minstrels.  One purpose of the Revue seems to have been to spring the convicted triple murderer and ex-boxer Hurricane Carter from jail.  That didn’t come until the very end.

     Along the way Dylan wanted to film a sort of existential movie that would later be released as Renaldo and Clara.  Working from some strange chaos theory Dylan had no actors, no script, no-nothing.  Needing some sort of guiding hand he commanded the actor, cowboy, playwright Sam Shepard to attend to his writing needs.  Sam then wrote what he called a log of the experience called the Rolling Thunder Logbook.

     On the first reading I didn’t think Sam put much into it but the pictures  were good.  Still there was the nagging feeling that I might have missed something.  On the second reading the logbook assumed more significance.  It’s kind of impressionistic.  It’s not a narrative; like the title says its sort of like a ship’s logbook.   The impressions sort of pile up until you have a definite impression.  I don’t know if that’s what Sam intended but that’s the way it worked with me.

     Bob being the kind of powerful show biz personality he is didn’t bother to negotiate terms with Sam; he didn’t even bother to call himself; his agent or stooge  or whatever interrupted the life of Shepard to tell him Dylan wanted him in New England.  Sam doesn’t mention any terms, or indeed any payment.  He just dropped everything, literally, and drove East.  Did I mention he was in California?  Well, he was; he was in the process of moving. 

     Bob tries pretty hard to cultivate that elusive, mysterious image and he succeeded with Sam who couldn’t locate him for a few days after he got there.  Bob probably wanted to accustom him to the menagerie before he showed his face.  Even then Sam didn’t have any guidelines he just expected Sam to free lance a few lines of dialogue if at any time he saw the cameras running.  The film crew was more disorganized than Dylan if that were possible.

     What was it all about anyway?

It Takes A Worried Man- Sam Shepard

     As we should be aware 1976 was the two hundreth anniversary celebration of the American Revolution.  But there were  a number of conflicting revolutions running simultaneously.  There was the revolt of the Matriarchy, what Eric Foner calls the Unfinished Revolution which was the replacement of Whites by Negroes and of course the perpetual revolution of the Jews against mankind, not to mention the revolution of the gay crowd.  Bob as we all know is Jewish so one may reasonably ask why he chose New England for his chaotic Marx Brothers routine on the occasion of the Yankee Revolution around the new England sites such as Bunker Hill?  Could he have been thumbing his nose at America?  Well, it does look suspicious.

     As Sam notes the crew made it a point to visit Plymouth Rock and the replica of the Mayflower which sacred symbols of  pre-immigration America they reviled all but pissing on the Rock.  The faux American cowboy, Elliott Adnopoz was swinging from the yardarm of the Mayflower.  Y’all know Elliott as the yodelin’ cowboy Ramblin’ Jack Elliott o’ course.  For the rest they pissed and farted their way across New England carousing and corrupting as they went.  Of course it might just have been New England exercising the gang’s Rock n’ Roll genes, no more than that.  Sam kept his discontent sotto voce by which I mean between the lines.  Bob, with his need for conflict invited not only his old flame Joan Baez and his new flame Joni Mitchell but his wife Sarah playing each against each.  Baez who grows more Mexican with each passing year seems willing to put up with whatever Bob does.  Shortly after the tour Sara came downstairs one morning to find Bob dandling a strange beauty on his knee for breakfast.  Well, you know, she threw in the tower after that, as, who wouldn’t?  Bob seemed to be perfectly dismayed by this untoward turn of events.  ‘Women in my family just don’t divorce.’  He whined uncomprehendingly.  Well, at least, not without due provocation.

Joni Mitchell Looking Out Her Window

     That leaves Joni Mitchell.  She’s apparently been stewing about her treatment for thirty-five years.  She just recently expressed herself by saying in effect that Dylan is just a god-damned phony.  Well, Bob can always go join Joanie in that bomb shelter in Viet Nam.  They can exchange rings made of the fuselages of American fighter planes, if they haven’t already.  So, how sincere is their devotion to this great land of the once free and no longer brave?  It would seem their loyalties lie elsewhere.

     In my own obtuseness, quivering in my own psychological bomb shelter, I never saw Bob as a revolutionary in those far off days but then I was just listening to records, I didn’t know anything about him; boy, I sure have remedied that situation.

     Back in those palmy days of the early sixties before racial and religious animosities had reached their present prominence I don’t know that anyhbody really thought of Dylan as a Jew.  Certainly the name Dylan is not Jewish and I’m not sure how many people would have known Zimmerman was.  Or, that they would have cared.  In those days everyone cheered when Israel won one of those too frequent wars.  Now, though, one has to put Bob’s religious affiliation up front.  Make no mistake, he’s a fundamentalist, believes the Bible is the literal word of god.  Orthodox.  Chabad Lubavitcher even.  Thinks the universe is fifty-seven hundred years old like his deceased mentor Rabbi Schneerson.   Swear to g-d.

     Must have picked it all up from Rebbe Rueben who came West from Brooklyn to Hibbing to indoctrinate him in Lubavitcher lore for his Bar Mitzvah.  Like Bob said, he learned what he was supposed to learn.  He very cleverly inserted the stuff into all those songs too.

     Bob broke his mind in the excesses of the sixties, that high mercury sound he was seeking was the result of all those amphetamines he was shooting back then.  Andy Warhol had his boy pegged.

     In the late sixties and early seventies Bob had to rebuild his personality and he rebuilt it around his religion.  His Mom was real proud of the way he had his Bible open on a stand in his living room so he could jump up and check it as the occasion arose.

     Then as he got back on his feet he aligned himself with Meyer Kahane’s violent extremist revolutionary Jewish Defense League carrying a couple of JDL thugs around with him as bodyguards.  Maybe his Jewish revolutionary mode was getting too obvious so in ’77 he began hanging out with Jews For Jesus and the Christian Vinyard Fellowship organization.  Once that clouded the picture he reverted back to his Lubavitchers where he has been since.

     So on the Rolling thunder tour one may be excused for thinking that he was in his revolutionary phase.    Sam Shepard doesn’t mention it but his experience left a very bad taste in his mouth which he expresses with as much force as Joni Mitchell really has.

     On the tour Bob did the strange thing of wearing white makeup which has remained a mystery.  It shouldn’t be really.  Remember the tour was to end in a successful attempt to free a Black man while the Black boxer Muhammed Ali was unstage at the Garden.  A Garden party a la Ricky Nelson, get it?  The Revue was actually a parody of the Minstrel show of what Greil Marcus would call the old weird America.  In the old Minstrel shows the White actor wore black face in imitation of Black people.   This may sound strange to you but Jews don’t consider themselves White notwithstanding their pale complexions they consider themselves Jews and goys as White.  So, in disguising himself in White Face he was parodying the old Black Minstrel shows while mocking his ultra-White New England audience.

     Bob Dylan was having the time of his life.  The joke was on the Honkies.  Funny, huh?

     As noted, the keynote of the tour was the final concert at Madison Square Garden at Christmas where he took on America over the issue of  the Black Hurricane Carter and won.  Now, compare that Christmas show with the 2009 release of Bob’s Christmas album.  Seemingly done straight it also mocks Whites.  In Bob’s video for the song It Must Be Santa Claus you may have noticed that the audience showed minimal diversity.  The airheads were all White.  Bob comes prancing through wearing a lank blonde White girl’s wig, climbs into a balcony and stands looking down his nose in his wig at us all.  It’s great.  Nobody gets it.   There is something happening here but you don’t know what it is, do you, Mr. Jo-o-o-nes.

     Jewish power vs. American power, make no mistake.

     Sam jumped ship before the end of the tour, he’d had enough, but he was there for the Garden party.  He can’t even force himself to dissimulate a complimentary attitude as he did at the beginning of the Minstrel show.  And then the final confrontation between the playwright and the singer.

     At this point is is clear that the Rolling Thunder tour is something Sam wished he hadn’t gone on and an experience he preferred to forget.

     Shepard closes with a chapter concerning the opening of his play The Geography Of A Horse Dreamer.  I don’t know the play but it may have been based on Rolling Thunder.  In the play Sam names the horse Sara D.  Dylan is in New York at the time wanting to see the play.  He wants to make his entrance in company with Sam.  Sam writes:

          ..so I’m in the hotel lobby waiting for the Cadillac convertible to haul us over to the theatre.  The big boxcar camper pulls up outside and Dylan hops out.  My stomach does a full gainer as I see him approaching the hotel.  The idea of him sitting in the audience is more like a nightmare than a blessing…He pauses at one of these signs (reading signs in the lobby) long enough for me to scuttle past him out into the street and hail a cab.  It’s bad enough knowing that he’ll be there without having to ride there with him in the same car.

     So not only was the tour distasteful to Sam’s sensibilities but the experience of first hand acquaintance with Bob has also left a bitter taste.  Well he isn’t the only one.  The evening of the opening of Sam’s show is not going to improve relations.

     …the so-called curtain is being held up for Dylan’s late arrival.  He shows up plastered, along with Neuwirth, Kemp, Sara and Gary Shafner.  They take up a whole row.

     So whatever the cause of the conflict Dylan is reciprocating  his disrespect fully.  He means to sabotage Sam’s show and then leave early too.

     At intermission Sam doesn’t see Bob so he hopes he’s left the theatre.  No such luck.  Dylan comes out of the toilet.

     He sees me standing there and pauses as though trying to bring certain thoughts into focus.  “Hey, Sam, what happens to this guy in the play anyway?’  I’m dumbfounded for a reply but come out with something like, “That’s the reason for seeing the second act.”  He stares at the floor, his knees shifting slightly as though he’s about to go into a nose dive.

     “Hey, how come you named that horse in the play Sara D?”

      “That’s the name of a racing dog in England.”  It suddenly cuts through me that it’s also the name of his wife.

     “I mean it’s the name of a greyhound.  A real greyhound.  You know the kind that race around the track.”

     He smiles and shuffles through the door, almost making a left turn into the light booth.

     Apparently Dylan didn’t find that answer any more satisfactory than I would have.  Something is going on here, isn’t it?

     As the play draws to its end Dylan makes his move.  Shameless.  Pure chutzpah immersed in chocolate sauce.

     Dylan stands in the back row.  “Wait a minute!”   Who’s he yelling to?  The actors?  “Wait a second! why’s he get the shot?  He shouldn’t get that shot!  The other guy should get it!”  Lou Kemp is trying to haul him back down in his seat….

     Dylan is struggling to free himself from Kemp’s hammerlock grip.  Neuwirth is telling him to shut up…Finally the Sam Peckinpah sequence begins, with shotguns and catsup all over the stage.  Dylan leaps up again.  “I DON’T HAVE TO WATCH THIS!  I DIDN’T COME HERE TO WATCH THIS!

     Apparently the Rolling Thunder tour didn’t end until Sam had written this play and run it by Bob.  Dylan didn’t like the play any better than Shepard liked the tour.  Hard feelings everywhere.

     Apparently Bob used people much too roughly.   He managed to either blow off a number of people immediately following such as Shepard, Jack Elliott, Neuwirth, the maligned Larry Sloman and probably the whole film crew while Joni Mitchell has weighed in thirty-five years on.  We have yet to hear from a number of other people, most notably Roger McGuinn.

      Bob managed to trash everybody including the USA with his Minstrel show for the 200th anniversary year.  Which revolutions was he leading?  I don’t think this stuff is funny anymore, do you?

 

Bob and Joan, Joan and Bob?

 

 

A Review

Woman

by

Alan Clayson

Yoko Ono And The Men Who Influenced Her

Review by R.E. Prindle

Clayson, Alan: Woman: The Incredible Life Of Yoko Ono, Chrome Dreams, 2004.

 

Girlish Yoko- Warhol School by Richard Bernstein

     Yoko Ono involved herself with several of the most influential men in the arts during the sixties, seventies and eighties of the twentieth century.  She drew her inspiration from them patterning her own efforts after them.  At the same time she was one of the leading feminists of the day having her share in shaping and furthering the movement.  The mantra was female liberation, equality between men and women.  In fact women were equal to men in the West but only by acknowledging the biological differences between men and women.  The fact is the differences are real and not social constructs as women would have us believe.  The fact is women are women and men are men.   So, in seeking ‘female liberation’ feminists were seeking much more than ‘equality’ however the term may be defined.

     The fact is that in the Ages old war between the sexes feminists are seeking to restore the Matriarchy and destroy the Patriarchy.  That is why many men favor feminism, they prefer the Matriarchy.  Thus the feminists are atavistic.  Yoko and her cohorts wished, in her words, to restore ‘heart’ as she viewed the Matriarchy and eliminate ‘reason’ as she viewed quite rightly the basis of  Patriarchalism.  Nevermind that bilogical science has invalidated the concepts of Matriarachy and Patriarchy.  This is a post Matriarchy and Patriarchy world.

     Circa -2000 in the West men revolted against the mind stifling Matriarchy and the vaginal swamp of the ‘heart’ seeking to establish

Smilin' Jack Cage

the authority of the infinite power of the mind of Zeus on ethereal Olympus.  This is the story of Homer’s Iliad and Odyssey and the Greek myths in general recording the struggle.

     The Western male was able to impose the ascendency of reason over the heart for 3000 years until the disestablishment of the old order by science about mid-nineteenth century.  The center could not hold during this period of extreme change as W.B. Yeats put it as the rearrangement of the intellectual order moved into the twentieth century.

     Yoko Ono sought with her feminist fellows to return to the biological innocence of 2000 BC.  She herself had no talent.  Filled with audacity she pitted her ‘heart’ against the reason of John Cage, Andy Warhol and John Lennon.  I’m sure she had a mentor for her so-called performance art but I am as yet unaware of who he may be.  Perhaps Maciunas and the Fluxus group.

     Thus her first manifestation as an artist was based on the musical ideas of John Cage while her artistic efforts were at least based in the avant garde ideas of the Fluxus group.  Her first assault on the NYC art world failed so in 1961 she returned in defeat to Japan.  When she returned to NYC in 1964 she found an entirely different art scene.  On the musical side the focus was on Bobby Dylan and the Beatles while on the artistic side Andy Warhol and his Factory had destroyed the Abstract Expressionists and the old avant garde.  Dylan, the Beatles and Warhol had in fact usurped the avant garde which now had little meaning.  From my point of view held at the time the avant garde had ceased to exist.  Of course I didn’t understand exactly why or how.

     From 1964 when Yoko returned to NYC until 1966 when she left for London I’m sure Yoko was at a loss.  She developed her silly

The Bag Yoko And Tony Are In

notion of Bagism at this time even having a black bag on a stand in Max’s Kansas City that some one or ones were supposed to slide into.  This seems to have been thought a lame idea at the time as it seems now.

      At this time while retaining allegiance to John Cage’s musical ideas she was falling under the influence of Andy Warhol’s artistic notions.  Warhol’s intent had been to destroy the idea of ‘fine art’.  In this he pretty well succeeded.  As Yoko expressed it you didn’t need any talent to be an artist.  She seems to demonstrate this notion in her own artistic efforts.  Warhol had also redefined the notion of film with his static studies.  He then sought to combine his film ideas with live music, probably in competition with Bob Dylan who was also attempting to move in that direction.   Warhol adopted Lou Reed and his band the Velvet Underground as the Factory house band while creating a multi-media show called the Exploding Plastic Inevitable, innovative for its time.  Thus a concert at his hall, the Dom, was an ‘experience.’

     While Yoko makes no mention about how this, actually, incredible development affected her there can be no doubt that she was well aware of Dylan, the Beatles and the Warhol Experience and was affected by it.  Indeed, the first manifestation was the making of her Warhol style films such as Bottoms.

     The second manifestation was her removal to London to seduce either Lennon or McCartney of the Beatles, thus in the manner of Warhol’s adoption of the Velvet Underground she sought to co-opt the Beatles, the premier rock group in the world.  Real chutzpah and more than one upping Warhol.  I think it would be nonsense to think she had any other goal in mind.

     She undoubteldy learned that Paul McCartney was actively involved with John Dunbar and his Indica Gallery that opened in 1965. 

Psychedelic Dylan

Some say she first set her sights on McCartney but the more vulnerable Lennon showed up and the Spider Woman spread her web.

     She was still married to her second husband, Tony Cox, but, regardless of what she says she very aggressively pursued, or attacked, Lennon.  Lennon was emotionally under water unable to handle his success while drugging himself out of his mind.  He was unwillingly married to his wife Cynthia.  It appears that he married Cynthia out of duty when she became pregnant.  He doesn’t seem to have been happy in his virtue.  Yoko had no difficulty in capturing his affections.

      Now, just as Warhol had adopted the Velvets and imposed his female singer, Nico, on the band Yoko sought to imp[ose herself on the Beatles through Lennon.  At this time she was still musically completely in thrall to John Cage understanding nothing about Rock music.  She and Lennon had made a ridiculous LP called Two Virgins in 1968.  She combined her cagian screechings while using an avant garde ‘performance’ notion of the couple posing nude on the cover; full frontal on the obverse, full posterior on the reverse.  As no store would carry the cover the couple reverted to Yoko’s idea of Bagism placing the cover inside a plain manila envelope or bag.  While it didn’t sell the record this form of Bagism was actually a successful artistic statement.  The nude cover given an outer garment so to speak.

     Well, the public was prepared to forgive the Beatles anything but the other three Beatles weren’t prepared to forgive Yoko for forcing herself on them thus she broke up the most successful act of the sixties.  Still, she had succeeded according to her wildest dream.  Lennon and his wonderful reputation and fortune were hers.  She had gone from a neglected, nondescript ‘performance’ artist to center stage, not on her own womanly talents but by attaching herself to a talented man.   Yoko’s ‘heart’ was useless without the male intellect.   Yoko was now the most influencial feminist in the world.  She knew what to do with that.

     After several ‘performance’ acts such as the ‘Bed In For Peace’ the couple left England to return to the place Yoko wished to subjugate artistically, New York City.  She had raised herself to a par with Andy Warhol.  She now had to meld her musical and artistic goals through Lennon and Warhol.

     On the musical side she began to develop her rock n’ roll skills under  the tutelage of Lennon.  While not abandoning the avant garde notions of John Cage she now emasculated her husband.  Always semi-delusional or perhaps completely so, she fantasized that she was not only equal to Lennon in skill and popularity but superior to him.   She imagined herself more popular than Lennon.  Thus one has such travesties as the LP Double Fantasy.  It was only after Lennon’s death that she was forced to recognize than Lennon’s fans did not appreciate her efforts.  So she failed as a musician.

     She quickly tired of being Mrs. Lennon.  Thus she and Lennon separated for eighteen months or so during the years 1973-75.  She then realized that her financial well being and musical acceptance depended on Lennon.  In 1975 she called him back resuming their relationship until his death in 1980.  But, things had changed.

     She began to adopt Warhol’s life style on her return to NYC.  While she propagated the notion that she was some sort of business whiz Iam having difficulties discovering any such skills.  It appears that with the enormous income of Lennon she emulated Warhol in

Andy the Demon

spending her way to prosperity.

     She was in a position to not only match Warhol’s spending but exceeding it by many times.  Through the seventies and eighties Warhol came into his own as an artist while reaping a fortune doing portraits.  There appears to have been no effort on his part to invest in income producing vehicles.  Rather he bought stuff.  He purchased buildings in NYC and elsewhere while acquring undeveloped acreage in places like Aspen.  He shopped nearly every day buying antiques from furniture to objets d’ art by the bushel almost as though he were trying to excel the incredible W.R. Hearst.

     He usually didn’t even look at the stuff once he bought it merely filling rooms with his shopping bags.  At his death all this junk was auctioned off for 25 million dollars, a nice appreciation in value.

      Yoko followed the exact pattern buying apartments and houses as well as an extensive dairy farm with a herd of prize cows.  She not only had but has five apartments in her principal dwelling, the Dakota apartment building and many other houses scattered around.

     Like Warhol the Dakota apartments are stuffed with junk.  Valuable, but, you know, stuff.  She bought at good prices.  Her extensive collection of Egyptian antiquities was mostly purchased before a steep rise in value.

     Like the Rothschilds of old Yoko didn’t do all her own shopping but employed agents to search things out.  Chief among these was an associate of Warhol’s, Sam Green, and an Hungarian immigrant by the name of Sam Havadtoy.

Buddies- Yoko, John, Andy

     There should be no surprise then that she now has an extensive collection of  Warhol’s artwork as well as his portraits of Lennon.  The Warhols would have been purchased for form 25 to 50K while now being listed on her assets at tens of millions.  She also has been said to have a good collection of Magrittes as well as one assumes other artists.  So, much of her net worth is tied up in artwork purchased through Sam Green.

     Sam Havadtoy was an antiques dealer as well as an interior designer.  He appears to have been a somewhat shady character.  It is very difficult to find much about him, however there is a sharp portrait available from the notorious A.J. Weberman ( http://www.acid-trip.org/lennon/ )

     …(the Lennons) hired a sleazy Eastern European bisexual to renovate the pad. (Dakota)  I had heard of this dude, whose name escapes me, from an asswipe named BRUCE KIRSH, who worked for him.   KIRSH told me that the dude, who worked for the King of Morocco, would form a dummy renovation company, hire employees like Kirsch who were willing to work under false names, then, when it came time to pay taxes, everyone would disappear.  I learned of him long before he was hired by John and Yoko, and I was taken aback when Yoko took up with him after John’s death.

     I know that Weberman is not particularly well thought of by fandom but this is because of his harassment of Dylan who did, after all, misrepresent himself to the revolutionaries like Weberman.  A.J. himself is an intelligent observer who was wading through it when it was deep.  I do believe he knows what he’s talking about although his interpretations of Dylan’s lyrics seem absurd.

     I would have to question Yoko’s judgment in taking him in.  Both he and Sam Green were candidates as successors to Lennon with

Lennon by Warhol

whom she consorted in front of  Lennon before he died while Yoko chose Havadtoy as his successor the day he died.

     Perhaps she selected Havadtoy over Green because he was more rough trade.  With Lennon while managing to reconcile revolution with peace and love with Havadtoy she discarded peace and love in favor of strong arm methods against her former employee Fred Seaman when it was totally unnecessary.

     Havadtoy was living in a homosexual arrangement with his business partner when Yoko beckoned him to switch to her.  Apparently an able switch hitter he was lured by the money to this much older woman.  The arrangement did last for twenty years before Havadtoy removed to his native Hungary taking a nice cash settlement and several of the Warhols.

     Thus, just as Warhol had his live-in homosexual arrangement so after Lennon’s death Yoko adopted the exact arrrangement.  Today she apparently lives alone, a seventy-eight year old woman.

     After Lennon’s death there was an accession of from 30 million to a possible 100 million dollars as their last album, Double Fantasy, sold into the millions while the rest of Lennon’s catalog and one assumes the Beatles’ catalog was reinvigorated while all things Lennon sold.   This is, of course, no reflection on Yoko but the inevitable result  with intellectual properties when the maker dies.

     Post-Lennon, then, Yoko realized that her recording and art careers were nil.  Heart without intellect is worthless.  She then became the caretaker of the Lennon legacy.  His recordings, of course, continued to sell, but even his artwork eclipsed that of Yoko.  So she suffered the humiliation of being a mere appendage to a man.  The feminine dismal swamp was eclipsed by the Olympian heights of the male intellect.   As in ancient times the God had trumped the Goddess.  And yet as with Hera and Zeus the Goddess gets her way.   Yoko came up with the money and goods while Lennon’s spirit was wafted into the stratosphere.

     As any reader of mythology knows Hera ruled the Lernean swamps of Argolis while Zeus ruled the gods on ethereal Olympus.  Thus one has the symbolism of the biological difference between the male and female.

     In ancient times the female had her share in magic.  She knew herbs and plants, was familiar with poisons and cures as with the arch witch of the ancient world, Medea.  The reputation of the female witch even as a consort of Satan persisted down through medieval and post-medieval times, indeed, even up to the dawn of the scientific enlightenment.  One would have thought that magic and witchery were a thing of the past in the 1960s and yet Yoko embodied the whole female swamp mentality.

     She established something called the Spirit Foundation attributing the direction to Lennon who in fact knew nothing of these matters but followed her lead.  The Spirit Foundation celebrated the ancient art of the Shaman or witch doctor.  Shamanism itself even preceded the Matriarchal swamps of Argolis.  It was a rich repository of magical tradition.  Further the Foundation was feminist in that it was dedicated to preserving the magical traditions of the women of the Pacific islands still living in such archaic societies.  The wealth generated by the male intellect was appropriated by the female vagina or ‘heart.’

     In her own life and that of Lennon’s Yoko was addicted to a variety of magical practices- astrology, numerology, Tarot readings, and indeed she traveled to the Caribbean to sell her soul to Satan through the offices of a female curandera.  Her Tarot reader, John Green, was a priest in the shamanistic, magical, Yoruban African cult of Santeria.

     Her feminism was more a magical effort to restory Matriarchal supremacy over the Patriarchy thus reversing the Patriarchal victory of three thousand years previously.  Indeed, what has been called the movement for female equality is nothing more than a covert campaign to restore the Matriarchy.

      Thus while Yoko o9riginatd nothing she usurped the abilities of the reason of men- Cage, Warhol, Lennon and male magicians such as John Green.  Indeed the Trojan War itself was a war of men in service of  women.

     In her associations with men she preferrred to deal with emasculated types such as homosexuals like Cage, Warhol, Sam Green and Sam Havadtoy.  Lennon claimed to have always been dependent of women for comfort and guidance while Yoko caught him at his most confused and vulnerable. 

     While she received direction from Cage and Warhol she was able to manipulate Lennon out of his talent somewhat as Vivian did that of Merlin of the Arthurian saga.  When Vivian had usurped Merlin’s magical knowledge she buried him deep much as Lennon was put out of the way.  Yoko  then appropriated his wealth and residual income after his death.   It was this constant inflow of cash that allowed her to propagate the notion that she was a financial genius.

      Then as the female of the ‘heart’ or vaginal swamp she managed and appropriated the reason of Olympus through Cage, Warhol and Lennon.  What she got from Havadtoy other than brute strength is not clear to me.

     As such Yoko is Woman.  In her case a seeming reversion to the archetypal Shaman of the most ancient times.

 

 

Mourning Becomes Yoko

Part II:

The Passing Of John Lennon

by

R.E. Prindle

About John

This magic moment

So different and so new

Was like any other

Until there was you.

–Pomus-Shuman

The King

To understand the sixties one has to go back in time to the foundation of Astrology.  In Time beyond Ancient, Astrology and Astronomy were one.  The very old gods and the sky were one.  It was only when science, a more clear understanding of ‘creation’, if you will,  removed the sky from the gods’ purview that Astronomy and Astrology separated.  Astrology in those days had meaning that is not apparent today when the sky is just part of our natural surroundings.

The Zodiac was divided into twelve periods of roughly 2000 years each which formed the Great Year.  The periods were called Ages with each Age having its own avatars.  The avatars of the current Piscean Age have been Jesus the Christ for the first thousand years, and for the succeeding thousand years Artemis or Diana in northern Europe and Mother Mary to the south.  Sometime within a few hundred years near the end of an Age a new avatar begins to form.

The first intimation of the dawning of the Age of Aquarius that I am aware of occurred at the beginning of the twentieth century.  While not the first, the chief proponent seems to have been Edgar Rice Burroughs and his creation, Tarzan The Ape Man.  Not one to

The Prophet- Edgar Rice Burroughs

be dogmatic Burroughs left his intent open only to, dare I use the word again, the initiated.

Tarzan is timeless, he represents the past, being associated with the Atlanteans and the range of evolution, the present and, as the exemplar of the perfect man, the future.  While rejecting organized religion Burroughs also rejected the Piscean avatar, Jesus The Christ in favor of the coming man-god.  Thus the coming man-god must be a projection of the Aquarian avatar.  Tarzan, a magnificent specimen is both physically and mentally the perfect man and hence representative of the future Aquarian man-god.  Do not confuse the movie Tarzan with the literary creation of Edgar Rice Burroughs.

The longing then for a new messiah had been developing for half a century, at least,  when circumstances came together for the appearance of a new avatar pointing toward the Age of Aquarius.    This manifestation appeared on the stage of Ed Sullivan, in of all places, New York City.  It was the Tupelo Mississippi Flash himself, Elvis Presley.  In that brief magic moment on Sullivan’s stage he revealed himself and was recognized by his people.

Interestingly the appearance on 10/9 coincided with the birthday of John Lennon.

In that moment Presley’s future was cast.  Whether the old order recognized who he was they knew how he was perceived and made every effort to slander, denigrate and destroy him short of actual murder.  All to no avail.  They might have been able to kill him, murder him, but he was inviolable to any defamation.  It made no difference that they ridiculed him in a couple dozen fatuous films, he was the man-god.  People endured his humiliations with bowed heads and resentful miens.

From him succeeding generations  have taken their guidance.  The first awe struck generation took the stage in direct emulation of him.  While many had better songs (Gene Vincen’ts Be-Bop-A-Lula) none of the generation were anointed thereby developing a devoted following in the magnitude of Presley.

Elvis was not the last word but the first in what will be a procession.  While the American Pharisees persecuted and scattered the faithful a new, younger generation was growing up in Elvis’ shadow.  Their epiphany, that Magic Moment, would take place on the same Ed Sullivan stage in that same strange city of destiny, NYC, nine years later.

The gestation of this second manifestation of the godhead would take place in Liverpool, England.  Inspired by Elvis Presley four young men of the second manifestation would be filtered through the persona of a young Scottish musician named Lonnie Donegan

The Geat Lonnie Donegan

.

When the settlers from the British Isles settled America they brought their musical traditions with them, most prominently to the Southern tier of States.  Thus both the White and Black musical traditions of America stem from essentially the Celtic peoples.  In the mid-fifties Donegan brought this music in the form of American Folk back to England in a form he named Skiffle Music.  It swept England and its youth up being combined with Presley.  Donegan added a ferocious beat to the music that evolved into the form termed the Big Beat.  Thus the British musicians were schooled in American music as it had evolved from their own.

Now, the Magic Moment requires the man who has been prepared for the moment.  If all goes right he is equal to his destiny, if not the moment fails.

While Presley was the man, the second avatar would be four men seemingly acting as one.  The four men seemed to represent four archetypal personalities as in the four faces of the godhead.  Those of us who didn’t ‘get’ them, of which I was one, were mystified by their apotheosis.

Just as Elvis had his unique preparation  so did this fabulous foursome.    Raised as four ordinary kids from varying levels of poverty and varying psychological backgrounds they were united by the music of Presley and Donegan.

They began a grueling and astonishing apprenticeship in the red light district of Hamburg, Germany.  Unable to speak German they were thus compelled to rely on each other for companionship which created a unique bond.  They were required to be on stage for up to twelve hours at a stretch for weeks at a time thus honing their musical skills apparently to perfection.

The Beatles

Thus the four aspects of humanity, one might say, were placed in a unique situation creating a unique combination of personalities seemingly as one.  In those circumstances they were forced to be able to communicate instantly with their audience night after night.  Valuable training.

Returning to Liverpool with their abilities seemingly uniquely developed they were adrift with no direction home and no other future than earning their livelihoods as best they might.  But then, as by a miracle, a man appeared with no managerial experience who said he could take them to the top.  Amazingly he got them launched.  Even more astonishing they were assigned to perhaps the only record producer in the world who could bring out their unique talents.  Thus this Fab Foursome took their home British Isles by storm succeeding as no other had succeeded before them but their Magic Moment, that lunge for the Golden Ring had not yet arrived.

The Magic Moment was awaiting them in NYC.  A big jetliner brought the foursome to America’s shores in January of 1964 to appear on the Ed Sullivan show where they were to stand in Elvis’ footsteps so to speak.  The difference in presentation between the two  is interesting.  With Elvis, he and his backing duo were standing in front of the drawn curtains on the edge of the stage, no set, his two band members were huddled behind him while the guitar player is turned sideways not even facing the audience.  Presley is directly in front of them cavorting on a minuscule part of the stage.  Mort Sahl would do his standup routine a few years later in the same manner with a newspaper as a prop.

 

In contrast the Beatles were given an open stage with decor behind them while the group was spaced dramatically and attractively.  A very positive image which from long experience they knew how to take advantage of .  But the appearance on the Sullivan stage merely confirmed their Magic Moment placing it indelibly in the American psyche.

The actual Magic Moment occurred when the Beatles announced themselves on the tarmac.  Gods descending from the skies.  For

John Lennon

whatever reason there were thousands of screaming girls awaiting them and a battery of newsmen and photographers.  Some say the girls were bussed in, it isn’t unlikely that the astute promotion men of Capitol had a hand in the arrangements, but on the receiving end of the tube it looked genuine.  Mystifying but genuine.

Posed a bunch of questions by the news cameras all four Beatles fielded them with aplomb, the cheekiest and most confident acting was John Lennon himself.  All four personalities established themselves at that time as one- the Beatles.  In that little flash of time the role of the Beatles was established for all time.

While each individual Beatle was adored for the face of mankind he presented each had only an identity as an aspect of the Beatles.  When they split they became merely humans rising or falling based solely on the musical merits.  Of the four, Lennon adopted the messianic mantle, was accorded it, and took it when he left.  In one sense the Magic Moment had been his.

There would be argument about when the Beatles began to break up over the years but the when was coincidental with their annunciation.  John Lennon was the weak link in the chain.  Having now won what he had been struggling for for so long John Lennon discovered he wasn’t worthy.  Incredibly he wrote, and the Beatles recorded his song, ‘I’m A Loser.’  He was a loser, not the winner he appeared.  Now conflicted he tried to both accept and reject the role of  ‘messiah.’  He was well on his way to losing the role two short years later in 1966.

The course of his career was affected by two people, Bob Dylan in 1964 and Yoko Ono in 1966.  Historical ifs are difficult.  It seems impossible that Bob Dylan’s career would have been possible without the overwhelming success of the Beatles.  Dylan lacked commercial appeal then as he does now.  He appealed to a minority audience- as opposed to the majority audience of the Beatles.  Dylan lacked universal appeal then as he does now.

While the Beatles were one as a group they were two as the songwriting team of Lennon-McCartney.  Since 1962 they had been turning out a steady stream of million sellers both for their own use and that of others.  They were catchy tunes in the Tin Pan Alley manner that could be sung and whistled but very introspective at the same time.  Dylan on the other hand wrote tortured introspective lyrics that resisted anything close to whistling or a Mitch Miller singalong.

Bob Dylan

Dylan considered his stuff amazingly thoughtful and profound.  He apparently put himself in the same class as Elliot and Pound.  He fooled most of his audience for a long time too.  The Beatles for whatever reason became the top news story of the day; for months they either were, or seemed to be, on the news every night.  Seriously, one had to ask:  What’s Going On?

Just as mysteriously Dylan began getting the same treatment.  Now, the Beatles were selling unprecedented millions of records on both sides of the Atlantic, at one time occupying the top five spots of the Top 10.  Dylan was doing diddly squat with his tortured lyrics.  He wasn’t selling records in any quantities  while having essentially a cult following.  Now, mysteriously he began to be given the same treatment as the Beatles.  Time Magazine sent a reporter to interview him on camera.  Dylan imitated the Beatles by giving smart ass answers.  The Time reporter took his jibes seriously.  Sitting out in front of the tube my eyebrows shot up.  What is this?  The rest of the world went wild in their applause of the Beatle’s and Dylan’s cheekiness.  God, they were giving the finger to the Greatest Generation.  The latter may have crushed Elvis but these boys were getting their own back.

Maybe Dylan got the attention because he was the only American act available, to balance the relative status of Britain and the US.  Perhaps in the emerging racial politics of the time he was offered as Jewish competition to the great goy champions of Elvis and the Beatles.  He entered the Beatles’ life in August of ’64 when the Jewish journalist Al Aronowitz took it upon himself to introduce him to the four-in-one.  The meeting was more momentous for the Beatles than Dylan.

The story goes that Dylan introduced the boys to marijuana at that meeting.  More importantly he lectured Lennon-McCartney on songwriting.  Dylan told them in effect that they should stop writing hit songs and write the pretentious crap he did.  Now, consider, the Beatles were incredibly successful at what they wrote, Dylan couldn’t do what they did and what he did do couldn’t compete in the marketplace with the Beatles.  I mean, they should have been lecturing him, but they didn’t while accepting his viewpoint at the same time.  They listened to the little twerp and fell under his infuence to begin trying to imitate him.

The imitation was not very good but as the current avatar of the messiah the Beatles were industructible,  as the leader, for whatever reason, John Lennon was accorded the role of messianic leader, a role that he took quite seriously.

While the Beatles had always used various pill forms of speed or amphetamines after Dylan’s introduction to pot they quickly expanded their repertoire to include Acid or LSD.  The other three seem not to have been so conflicted in their personalities not becoming as drug dependent as Lennon.  He claims perhaps with exaggeration, perhaps not, to have taken LSD thousands of times in the next few years.  Under the influence of LSD his personality already distressed by the transition from failure to success disintegrated completely.  As he says, he lost his ego totally.

If so, adrift, he was open to a strongly directed personality to manage his.  This personality appeared in 1966 in the person of  Yoko Ono.  She quickly commandeered his personality displacing his British wife, Cynthia.  It would be two years before Lennon divorced Cynthia but he left her a year earlier.

Since signing with Brian Epstein as their manager the Beatles had had an ideal artists arrangement.  Trusting him they left the business details to him which allowed them full time to devote to their creative efforts.  If they needed money they asked for it while all business details such as negotiations, titles and even check writing were handled by Epstein so that the Beatles had no worldly business experience.  In 1967 Epstein died.

With Brian gone the Beatles were left rudderless with no one they could trust to manage their corporate and personal  finances.  Forming Apple as their business alter ego they attempted to manage their affairs themselves resulting in a business regime of such dissolute ineptitude that it has been referred to as The Longest Weekend.

Having attached herself to Lennon, Yoko Ono now tried to insinuate herself into the group as the ego of John Lennon.  Thus the group would have been comprised of McCartney, Harrison, Starr and Lennon-Ono.  A clear impossibility, the Beatles would be dissolved.  As the avatar of the sixties the era had no choice but to disappear along with them.

This was now the late sixties.  The world as it had been , the world that gave birth to the Beatles c. 1960 had all but disappeared.  Blown away in the wind, so to speak.  Just as the sixties called for the Beatles as the messiah of the period so it called forth its anti-messiah of satanism.  In 1966 Time Magazine’s cover story was Is God Dead?  A title that offended Bob Dylan who petulantly asked:  How would you like to be talked about like that?  Right.

Stones With Brian

In 1966 Roman Polansky began filming a movie titled Rosemary’s Baby that actually portrayed the birth of Satan’s child.  The story took place in the future home of the Onos- The Dakota Apartments.  And then the Rolling Stones released their rather bizarre record, Their Satanic Majesty’s Request with its famous song Sympathy For The Devil.  Right about then the Broadway musical Hair was staged that celebrated the Dawning Of The Age Of Aquarius.   Synchronicity?  Not a bit.

As the messiahs had abdicated it remained for the anti-messiahs the  Rolling Stones to place the epitaph on the period which they did in 1969 at Altamont.

However John Lennon as the messianic figurehead was rescued by Yoko Ono.  As an unsuccessful performance artist now with Lennon’s audience and financial clout to realize her wildest fantasies she, using Lennon, organized some of the most outrageous extravaganzas that catapulted she and Lennon onto the world stage playing messianic figures.  The Bed-In was the most jaw dropping stunt since flag p0le sitting.

John And Yoko

Part III will consist of the career of the Ono-Lennon’s to John Lennon’s death in 1980 and perhaps a little beyond.  There’s some really interesting stuff involving John Green and a possible associate, Sam Green.   The latter is an interesting story.

 

A Contribution To The

Erbzine Library Project.

Edgar Rice Burroughs, Science And Spiritualism

Camille Flammarion, Scientist and Spiritualist

by

R.E. Prindle

 

The last story in Ray Bradbury’s Martian Chronicles is about the expulsion from Earth of the various supernatural or imaginary beings such as fairies, elves, the elementals, all those beings external to ourselves but projections of our minds on Nature, to Mars as a last resort and how they were all dieing as Mars became scientifically accessible leaving no place for them to exist.

On Earth the rejection of such supernatural beings began with the Enlightenment.   When the smoke and fury of the French Revolution and the Napoleonic years settled and cleared it was a new world with a completely different understanding of the nature of the world.  Science, that is, knowing, had displaced belief as a Weltanschauung.

The old does not give way so easily to the new.  Even while knowing that fairies did not exist the short lived reaction of the Romantic Period with its wonderful stories and fictions followed the Napoleonic period.

Supernatural phenomena displaced from the very air we breathed reformed in the minds of Men as the ability of certain people called Mediums to communicate with spirits although the spirits were no longer called supernatural but paranormal.  Thus the fairies morphed into dead ancestors, dead famous men, communicants from beyond the grave.  Men and women merely combined science with fantasy.  Science fiction, you see.

Spiritualism was made feasible by the rediscovery of hypnotism by Anton Mesmer in the years preceding the French Revolution.  The first modern glimmerings of the sub- or unconscius began to take form.  The unconscious was the arena of paranormal activity.

Hypnotism soon lost scientific credibility during the mid-century being abandoned to stage performers who then became the first real investigators of the unconscious as they practiced their art.

While the antecedents of spiritualism go back much further the pehnomena associated with it began to make their appearance in the 1840s.  Because the unconscious was so little understood spiritualism was actually thought of as scientific.  The investigators of the unconscious gave it incredible powers and attributes, what I would call supernatural but which became known as paranormal.  Communicating with spirits, teleportation, telecommunications, all the stuff that later became the staples of science fiction.

Thus in 1882, Jean-Martin Charcot, a doctor working in the Salpetriere in Paris made hypnotism once again a legitimate academic study.

The question here is how much innovation could the nineteenth century take without losing its center or balance.  Yeats’ poem The Second Coming presents the situation well.  Freud, who was present at this particular creation, was to say that three discoveries shattered the confidence of Man; the first was the Galilean discovery that the Earth was not the center of the universe, the second revelation was Darwin’s announcement that Man was not unique in creation and the last was the discovery of the unconscious.  Of these three the last two happened simultaneiously amidst a welter of scientific discoveries and technological applications that completely changed Man’s relationship to the world.  One imagines that these were the reasons for the astonishing literary creativity as Victorians grappled to deal with these new realities.  There was a sea change in literary expression.

Key to understanding these intellectual developments is the need of Man for immortality.  With God in his heaven but disconnected from the world supernatural explanations were no longer plausible.  The longing for immortality remained so FWH Myers a founder of the Society For Psychical Research changed the word supernatural into paranormal.  As the notion of the unconscious was now wedded to science and given, in effect, supernatural powers under the guise of the paranormal it was thought, or hoped, that by tapping these supernormal powers one could make contact with the departed hence spiritism or Spiritualism.

While from our present vantage point after a hundred or more years of acclimatizing ourselves to an understanding of science, the unconscious and a rejection of the supernatural, the combination of science and spiritualism seems ridiculous.  Such was not the case at the time.  Serious scientists embraced the notion that spirtualism was scientific.

Now, a debate in Burroughs’ studies is whether and/or how much Burroughs was influenced by the esoteric.  In my opinion and I believe that of Bibliophile David Adams, a great deal.  David has done wonderful work in esbatlishing the connection between the esotericism of L. Frank Baum and his Oz series of books and Burroughs while Dale Broadhurst has added much.

Beginning in the sixties of the nineteenth century a French writer who was to have a great influence on ERB, Camille Flammarion, began writing his scientific romances and astronomy books.  Not only did Flammarion form ERB’s ideas of the nature of Mars but this French writer was imbued with the notions of spiritualism that informed his science and astronomy.  He and another astronomer, Percival Lowell, who is often associated with ERB, in fact, spent time with Flammarion exchanging Martian ideas.  Flammarion and Lowell are associated.

So, in reading Flammarion ERB would have imbibed a good deal of spiritualistic, occult, or esoteric ideas.  Flammarion actually ended his days as much more a spiritualist than astronomer.  As a spiritualist he was associated with Conan Doyle.

Thus in the search for a new basis of immortality, while the notion of God became intenable, Flammarion and others began to search for immortality in outer space.  There were even notions that spirits went to Mars to live after death somewhat in the manner of Bradbury’s nixies and pixies.  In his book Lumen Flammarion has his hero taking up residence on the star Capella in outer space after death.  Such a book as Lumen must have left Burroughs breathless with wonderment.  Lumen is some pretty far out stuff in more ways than one.  After a hundred fifty years of science fiction these ideas have been endlessly explored becoming trite and even old hat but at the time they were

Camille Flammarion

excitingly new.  Flammarion even put into Burroughs’ mind that time itself had no independent existence.  Mind boggling stuff.

I believe that by now Bibliophiles have assembled a library of books that Burroughs either did read or is likely to have read before 1911 that number at least two or three hundred.  Of course, without radio, TV, or movies for all of Burroughs’ childhood, youth and a major portion of his young manhood, although movies would have become a reality by the time he began writing, there was little entertainment except reading.  Maybe a spot of croquet.

As far as reading goes I suspect that ERB spent a significant portion of his scantily employed late twenties and early thirties sitting in the Chicago Library sifting through the odd volume.  It can’t be a coincidence that Tarzan lounged for many an hour in the Paris library before he became a secret agent and left for North Africa.

I have come across a book by the English author Charles Howard Hinton entitled Scientific Romances of which one explores the notion of a fourth dimension .  Hinton is said to have been an influence on H.G. Wells’ The Time Machine.  It seems certain that Burroughs read The Time Machine while he would have found many discussions of the fourth dimension as well as other scientific fantasies in the magazines and even newspapers as Hillman has so amply demonstrated on ERBzine.  We also know that ERB had a subscription to Popular Mechanics while probably reading Popular Science on a regular basis.  Popular Science was established in 1872.

It is clear that ERB was keenly interested in psychology and from references distributed  throughout the corpus, reasonably well informed.

I wouldn’t go so far as to maintain that ERB read the French psychologist Theodore Flournoy’s From India To The Planet Mars but George T. McWhorter does list it as a volume in Vern Corriel’s library of likely books read by Burroughs.  The book was published in 1899 just as Burroughs was entering his very troubled period from 1900 to 1904-05 that included his bashing in Toronto with subsequent mental problems, a bout with typhoid fever and his and Emma’s flight to Idaho and Salt Lake City.  So that narrows the window down a bit.

However the book seems to describe the manner in which his mind worked so that it provides a possible or probable insight into the way his mind did work.

ERB’s writing career was born in desperation.  While he may say that he considered writing unmanly it is also true that he tried to write a lighthearted account of becoming a new father a couple years before he took up his pen in seriousness.  Obviously he saw writing as a way out.  His life had bittely disappointed his exalted expectations hence he would have fallen into a horrible depression probably with disastrous results if the success of his stories hadn’t redeemed his opinion of himself.

Helene Smith the Medium of Fluornoy’s investigation into mediumship was in the same situation.  Her future while secure enough in the material sense, as was Burroughs, fell far short of her hopes and expectations.  Thus she turned to mediumship to realize herself much as Burroughs turned to literature.  She enjoyed some success and notoriety attracting the attention of, among others, the psychologist Theodore Flournoy.  Fournoy who enjoyed some prominence at the time, was one of those confusing spiritualism with science because of his misunderstanding of the unconscious.  Thus as Miss Smith unfolded her conversations with the inhabitants of Mars it was taken with some plausibility.

If any readers I may have have also read my review of Du Maurier’s Peter Ibbetson he or she will remember that Peter and Mary were restricted in their dream activities to only what they had done, seen and remembered or learned.  As I have frequently said, you can only get out of a mind what has gone into it.  In this sense Miss Smith was severely handicapped  by an inadequate education and limited experience.  While she was reasonably creative in the construction of her three worlds- those of ancient India, Mars and the court of Marie Antoinette- she was unable to be utterly convincing.  In the end her resourcefulness gave out and the scientific types drifted away.  She more or less descended into a deep depression as her expectations failed.  Had she been more imagination she might have turned to writing as Burroughs did.

If Burroughs did read Flournoy, of which I am not convinced, he may have noted that Miss Smith’s method was quite similar to  his habit of trancelike daydreaming that fulfilled his own expectations of life in fantasy.

In Burroughs’ case he had the inestimable advantage of having stuffed his mind with a large array of imaginative literature, a fairly good amateur’s notions of science and technology, along with a very decent range of valuable experience.  His younger days were actually quite exciting.  He was also gifted with an amazing imagination and the ability to use it constructively.

Consider this possibility.  I append a poem that he would have undoubtedly read- When You Were A Tadpole And I Was A Fish.  Read this and then compare it to The Land That Time Forgot.

Evolution

by

Langdon Smith

When you were a tadpole and I was a fish

In the Paleozoic time,

And side by side on the ebbing tide

We sprawled through the ooze and slime,

Or skittered with many a caudal flip

Through the depths of the Cambrian fen,

My heart was rife with the joy of life,

For I loved you even then.

 

Mindless we lived and mindless we loved

And mindless at last we died;

And deep in the rift of the Caradoc drift

We slumbered side by side.

The world turned on in the lathe of time,

The hot lands heaved amain,

Til we caught our breath from the womb of death

And crept into light again.

 

We were Amphibians, scaled and tailed,

And drab as a dead man’s hand;

We coiled at ease ‘neath the dripping trees

Or trailed through the mud and sand.

Croaking and blind, with out three-clawed feet

Writing a language dumb,

With never a spark in the empty dark

To hint at a life to come.

 

Yet happy we lived and happy we loved,

And happy we died once more;

Our forms were rolled in the clinging mold

of a Neocomian shore.

The eons came and the eons fled

And the sleep that wrapped us fast

Was riven away in a newer day

And the night of death was past.

 

Then light and swift through the jungle trees

We swung in our airy flights,

Or breathed in the balms of the fronded palms

In the hush of the moonless nights;

And, oh! what beautiful years were there

When our hearts clung each to each;

When life was filled and our senses thrilled

In the first faint dawn of speech.

 

Thus life by life and love by love

We passed through the cycles strange,

And breath by breath and death by death

We followed the chain of change,

Till there came a time in the law of life

When over the nursing side

The shadows broke and the soul awoke

In a strange, dim dream of God.

 

I was thewed like Auroch bull

And tusked like the great cave bear;

And you, my sweet, from head to feet

Were gowned in your glorious hair,

Deep in the gloom of a fireless cave,

When the night fell o’er the plain

And the moon hung red o’er the river bed

We mumbled the bones of the slain.

 

I flaked a flint to a cutting edge

And shaped it with brutish craft;

I broke a shank from the woodland lank

And fitted it, head and haft;

Then I hid me close to the reedy tarn,

Where the mammoth came to drink;

Through the brawn and bone I drove the stone

And slew him upon the brink.

 

Loud I howled through the moonlit wastes,

Loud answered our kith and kin,

From west and east to the crimson feast

The clan came tramping in.

O’er joint and gristle and padded hoof

We fought and clawed and tore,

And cheek by jowl with many a growl

We talked the marvel o’er.

 

I carved that fight on a reindeer bone

With rude and hairy hand;

I pictured his fall on the cavern wall

That men might understand,

For we lived by blood and the right of might

Ere human laws were drawn,

And the age of sin did not begin

Till our brutal tush were gone.

 

And that was a million years ago

In a time that no man knows;

Yet here tonight in the mellow light

We sit at Delmonico’s.

Your eyes are deep as the Devon springs,

Your hair is dark as jet,

Your years are few, your life is new,

Your soul untried, and yet-

 

Our trail is on the Kimmeridge clay

And the scarp of the Purbeck flags;

We have left our bones in the Bagshot stones

And deep in the Coralline crags;

Our love is old, our lives are old,

And death shall come amain;

Should it come today, what man may say

We shall not live again?

 

God has wrought our souls from the Tremadoc beds

And furnished them wings to fly;

He sowed our spawn in the world’s dim dawn,

And I know that it shall not die,

Though cities have sprung above the graves

Where the crook-bone men make war

And the oxwain creaks o’er the buried caves

Where the mummied mammoths are.

 

Then as we linger at luncheon here

O’er many a dainty dish,

Let us drink anew to the time when you

Were a tadpole and I was a fish.

With something like that stuffed into his subconscious what wonders might ensue.  Obviously The Land That Time Forgot and The Eternal Lover.

As Miss Smith had turned to spiritualism and mediumship, Burroughs turned his talents to writing.  According to himself he used essentially mediumistic techniques in hiswriting.  He said that he entered a tracelike state, what one might almost call automatic writing to compose his stories.  He certainly turned out three hundred well written pages in a remarkably short time with very few delays and interruptions.  He was then able to immediately begin another story.  This facility lasted from 1911 to 1914 when his reservoir  of stored material ws exhausted.  His pace then slowed down as he had to originate stories and presumably work them out more rather than just spew them out.

Curiously like Miss Smith he created three main worlds with some deadends and solo works.  Thus while Miss Smith created Indian, Martian and her ‘Royal’ identity Burroughs created an inner World, Tarzan and African world, and a Martian world.

Perhaps in both cases three worlds were necessary to give expression to the full range of their hopes and expectations.  In Burroughs’ case his worlds correspond to the equivalences of the subconscious in Pellucidar, the conscious in Tarzan and Africa and shall we say, the aspirational or spiritual of Mars.  In point of fact Burroughs writing style varies in each of the three worlds, just as they did in Miss Smith’s.

Having exhausted his early intellectual resources Burroughs read extensively and exhaustively to recharge  his intellectual batteries.  This would have been completely normal because it is quite easy to write oneself out.  Indeed, he was warned about this by his editor, Metcalf.  Having, as it were, gotten what was in your mind on paper what you had was used up and has to be augmented.  One needs fresh experience and more knowledge.  ERB was capable of achieving this from 1911 to about 1936 when his resources were essentially exhausted.  Regardless of what one considers the quality of the later work it is a recap, a summation of his work rather than extension or innovatory into new territory.  Once again, not at all unusual.

As a child of his times his work is a unique blend of science and spiritualism with the accent on science.  One can only conjecture how he assimiliated Camille Flammarion’s own unique blend of spiritualism and science but it would seem clear that Flammarion inflamed his imagination setting him on his career as perhaps the world’s first true science-fiction writer as opposed to merely imaginative or fantasy fiction although he was no mean hand at all.