A Review

The Low Brow And The High Brow

An In Depth Study Of Edgar Rice Burroughs’

The Mucker And Marcia Of The Door Step

Part III

by

R.E. Prindle

Background Of the Second Decade Social And Political

 

     1.

     I have been criticized for discussing material that seems to bear no relationship to the work of Edgar Rice Burroughs.  The social milieu in which a man lives and works directly affect what and how he writes.  He will react within that milieu whether he can understand and articulate it or not.

     ERB understood much.  He understood the main conflict of his times- that between the Religious and Scientific Consciousnesses.  How he understood it is one thing, its exact nature is another.  The battle was not necessarily put into the terms of science versus religion.  On the objective level science had more prestige while on the subjective level religion had the upper hand creating a dualistic conflict.  As Voltaire said:  No one ever willed himself an athiest.  The same can said of Science.  The usual terms employed in the conflict was that of  spirtiualism versus materialism.  So those two words were supercharged masking the real conflict.

     While religion retained great strength in this period science was so strong that religions had to adapt to science, thus one had the ecumenical Congress Of Religions in Chicago in 1893 during which a common plan of resistance was discussed.

     One reaction to Science was American Liberalism.  Liberalism is in fact a religion founded on beliefs rather than facts.  American Liberalism developed out of the Puritan faith of New England.  The Puritans believed themselves  to be the successor of the Hebrews of the Old Testament as the Chosen People of God.

     Two very interesting studies have appeared in the last couple decades which illuminate the English background of the United States.  One is David Hackett Fischer’s Albion’s Seed; the other is Kevin Phillips’ The Cousins Wars.  Both illustrate the continuity of behavior of the colonists between England and the Colonies.  That continuity began with the Norman invasion of England in 1066 and continues through the strange Liberal mentality of today.  Burroughs who was of the ‘Conservative’ mentality had to struggle with the forces of Liberalism in his day.

     When the Normans invaded England they enslaved the Anglo-Saxon inhabitants.  Anyone who has read Ivanhoe by Walter Scott has the image of Gurth with his iron colar inscribed on his memory.  This piece of arrogance was to have serious consequences in both England and America.

     The Normans occupied the Southern counties of England which Thomas Hardy caled Wessex, while the brunt of slavery fell on the East Anglian counties.  The insult of slavery was burned into East Anglian memories along with a desire for revenge made more savage by the the religious certitude that they were the Chosen People of God.

     The East Anglians, of course, revolted against the Norman Church Of England, emigrating to North America where they settled in the States of New England.  New England = New Anglia.  In England they fought the English Civil War against the Normans.  Puritan Roundheads against Norman Cavaliers.  It then became the turn of the defeated Cavaliers to emigrate to North America.  They chose to go to Virginia where they gave the colony its Norman Cavalier character and nickname.  The ancient enemies were now divided North and South.

     As Fischer points out, slavery by the Norman descendents in England had disappeared only about a hundred years before the English Civil War.  The Cavaliers now revived slavery in their Southern colonies.  First they brought indentured servants from England who were slaves subject to the whims of their masters for a stated period of years that could easily be extended.  Then African slavery was introduced.  For a period of time both White and Black slaves worked side by side in the fields with the Blacks gradually displacing the Whites.

     The New Englanders looked with fear and loathing on the Norman Virginians, who as they saw it, now resumed their old habits.  It was here that the American Civil War was conceived.  The Puritan New Englanders after having first rejected the king in the American Revolution which their East Anglian forebearers  had failed to do in England then turned to agitating a war against the Norman Cavaliers of the South, whose ancestors had enslaved them, on the basis of an anti-slavery abolitionist program.

     Just as they had succeeded against the Crown where their forebearers had failed they succeeded in absolutely crushing the descendents of the Normans.  This punishment of the Cavaliers was the most severe of any since 1066.  Thus subsequent US history with its notion of unconditional surrender was formed.  This was a vicious attitude formed from the same feeling of defeat.

     To return to the East Anglians in England to explain the American Liberal mindset.  Shortly after printed books became readily available  the East Anglians bought Bibles adopting the Old Testament notion of the Chosen People by substituting themselves for the Hebrew Children.  A British Israelite group formed calling the English people the new Chosen People.  Indeed, the British throne is believed to be in lineal descent from that of King David of Old Israel.

     Thus there were at least three Chosen Peoples in existence from the fifteenth century on- Jews, the English and the Puritan New Englanders.  New England became Greater New England as the Puritans multiplied spreading across the Northern tier of States.

     A psychological characteristic of Chosen Peoples is that they upload their needs and wishes to an imaginary god in the sky then download the same needs and wishes back to themselves as the Will Of God.  Thus they say not my will but they will be done, O Lord.  The faithful thus become justified sinners.  Any criminal act can be justified as the Will of God which it is the duty of the faithful to perform  This also creates a double standard because what is right for themselves in the eyes of the Lord is forbidden to others.  The children of Israel can exterminate other peoples with impunity, but it is wrong for other peoples to even defend themselves against the children of the Lord.  Serious stuff.

     These ends and desires are accepted then as a messianic or utopian goal.  It is the duty of the Chosen People to impose God’s Will on the rest of the world.  To resist that Will is evil making the non-believer a dastard, a heretic, an infidel, an anti-Semite or whatever.

     In the United States the Will of the god of the Puritans was transformed into Manifest Destiny, which in turn metamorphosed into the triumph of Democracy as defined by the Chosen People of America, who in turn metamorphosed from Puritans into Liberals.

     As a chosen people and as a result of the Civil War the Liberals identified with the victims who needed their help.  Thus the Civil War was fought in their minds by a virtuous people acting out the Will of God to rescue unfortunate victims from a malevolent White minority.  In the case of the Civil War it was the Negro slaves.  As the century and Liberalism developed the umbrella of help was extended to all the ‘enslaved’ or colonial peoples of Europe which is to say all the colored peoples of the world.  It was not enough that injustice as perceived by the Liberals should be corrected, but that the perpetrators should be condignly and brutally punished unconditionally in the name of and by the Will of their God, which is to say the projected desires and wishes of a self-appointed Chosen People.

     Utopian literature which flourished after the Civil War is the direct result of this Messianic fervor.  Utopian literature abounds in England, Greater New England and with the jews.

     Having then succeeded in crushing the Cavaliers of the South the Liberals attempted to demean, belittle and abuse the White South in the most draconian manner.  The period of Reconstruction is the blackest hour in American history.  The Whites were stripped of civil rights having the Negroes placed over them as masters.  The Whites, so far as possible, were expropriated of all property through taxation when not stolen outright.  The Whites, of course, reacted by forming the first Ku Klux Klan to protect their lives and interests.   Reconstruction lasted until 1877 well nigh into the twentieth century.  The South was impoverished and set back for at least a century and may still be recovering today if such is possible under the present Liberal regime.

     All factual references to Reconstruction have been obscured by references to the KKK but in the nineteenth and early twentieth centuries memories of Liberal crimes in the South were fresh and bleeding wounds.  As is well known Jim Crow was the inevitable result of the attempt to crush and bury the White South.

     As the nineteenth century progressed and utopian literature flourished the Puritans, now Liberals, identified with all the ‘oppressed’ which is to say colored peoples of the world against the European conquerors.  Everywhere America sided with the natives against Europeans.  In a feeling of total frustration Charles De Gaulle would remark:  America is a White country, but it acts like a colored country.

     At about mid-nineteenth century Jewish utopian messianists under the direction of Karl Marx formed the Communist Party.  Thus Jewish utopian messianism spread from England- Marx was based in London- throughout Europe to the world.  As Communism also opposed Western colonialism, although not Communist colonialism, these two powerful agencies worked to upset the Western hegemony of the world.  As someone will always have hegemony of the world what appears on the surface as ‘justice’ is merely the transfer of power to another agency and hence new ‘injustice.’  As of this writing it appears that the beneficiary of American and Communist efforts will be the Chinese.  This shift has already happened but has not yet been officially acknowledged.  Thus the result of the Liberal and Communist quest for ‘social justice’ will be merely to place Europe and America’s neck under a Chinese yoke rather than the other way around.  Obviously the Chinese god is not the same as the Utopian God.

     During the period of Reconstruction as the Liberals were punishing the Southern Whites and rewarding the Negroes immigration from Eastern and Southern Europe began in earnest.  While the Irish and Germans had created their own set of problems yet culturally they were close enough to the original Anglo-Saxon colonists to be, after a fashion, readily assimilated.

     But with the congeries of nationalities from East and Southern Europe came many and diverse customs and languages.  Assimilating them into Anglo-Celtic-Teutonic America was not so easy.  Thus groups of Americans resisting immigration arose.  The Know Nothings fought the Irish but this was different.

     The Liberals could then pathologize the anti-immigration people as ‘nativists’, later White Supremacists and other derogatory terms.  They could afirm their own virtue against these people as they had against the Southern Whites.  When the power base of restrictionists took form in the South as the second Ku Klux Klan this only served to show the perfidy of Southern Whites in a new shade.

     The Liberals then allied themselves not only with the interests of Negroes but with the immigrants to form the Liberal Coalition which was to dominate American society from the Second Decade to the present.

     Already British and Puritan utopianists, they were now joined by the Jews who from 1870 to 1914 represented the largest nationality of immigrants.  Both the Liberals and the Jews were Bible based.  Liberals considered Jews as the successors to the Biblical Hebrews if not Hebrews themselves.  While Roman Catholics distanced themselves from Hebrewism the Protestant sects derived directly from the Old Testament considered themselves neo-Hebrews so they were quite willing to defer to what they considered paleo-Hebrews.  Thus the two versions of utopianism were joined.  Both forms of Hebrewism accepted anti-Semitism as the greatest vice.  The foregoing discussion has been a good account of what Semitism is:  that is a belief in one’s own divinely appointed role as the arbiter of the world’s fate.

     So far as I know neithr Semitism or anti-Semitism have ever been adequately defined so for the purposes of this paper anti-Semitism will be defined quite simply as the denial of the Semitist’s self-appointed role as the agent of God on earth.

     As one of a Scientific Consciousness  such a denial seems hardly necessary but as most people are of a Religious Consciousness there it stands.

     Needless to say Burroughs was of the Scientific Consciousness therefore per force an anti-Semitist although he would never have understood his position in those terms.

     As can be seen Judeo/Liberal/Utopianism is a religious matter that will defy reason.  It is a matter dependent upon a subjective, spiritual belief system.  It is beyond the reach of logic.  Never argue with them.  The adherents cannot be argued with, they must humored.  Reigions are revealed not thought out.

2.

     The nineteenth century also saw the rise of Science which is an objective materialistic sysem, conscious not subconscious, based on facts and reality.  It doesn’t take a genius to spot that the religious systems and the scientific systems are incompatible; one must subordinate or destroy the other.  Now, seriously folks, this is war to the knife.

     Knowledge is hard won and built up slowly while revealed religion is complete and entire at conception.  While the former is subject to trial and error the latter is seemingly pat- it is God’s own Word.

     As Freud pointed out the religious consciousness received three main blows.  The first was that the Universe was heliocentric rather than terracentric; the third was the malleable construction of the human mind as defined by psychoanalysis.  These two could be religiously managed; nothing had been revealed that couldn’t be manipulated to religion’s use.  The middle blow could not.  That was the concept of Evolution as enunciated by Charles Darwin.  Thus it was clear except to the most entrenched religionist that the world was not created by God in 4004 BC as Bishop Ussher stated but evolved beginning somewhat over four billion years ago.  There’s an incompatibility there that cannot be swept under the carpet or even ignored.

     Make no mistake: science and religion are at odds in the struggle for the human mind.  Writing in 1829 the incomparable Edgar Allen Poe expressed the problem in his brilliant poem:

Sonnet – To Science

Science! true daughteer of Old Time thou art!

Who alterest all things with thy peering eyes.

Who preyest thus on this poet’s heart,

Vulture, whose wings are dull realities?

     How should he love thee? or how deem thee wise,

Who wouldst not leave him in his wandering

To seek for treasure in the jewelled skies,

Albeit he soared with an undaunted wing?

Hast thou not dragged Diana from her car,

And driven the Hamadryad from the wood

To seek a shelter in some happier star?

Has thou not torn the Naiad from her flood,

The Elfin from the green grass, and from me

The summer dream beneath the tamarind tree?

     In addition to driving the Hamadryad from the wood, science also pulled God down from the heavens and exposed the fraud.  Freud showed God to be merely a projection of human desires.   How could religion counter the claims of Science?

     I do not single out any specific religion whether Christian, Jewish, Moslem or whatever.  All religions evolved in human consciousness and represent a phase of development in that evolution.  A phase of evolution but not its end.  Dig it!

     It then became necessary for religionists to absolutely deny Evolution.  In their favor was the fact that Darwin not merely but only enunciated the concept, but had no infallible proofs of the process.  Thus relgionists could say silly things like:  Do you really believe human being, you, actually descended from an ape? and be fairly convincing.  Most people were ashamed of such an ancestry.  Nobody asked the monkeys how they felt about the comparison.

     Inherent in Evolution is the idea of speciation.  Thus every time a species evolved there was a chance that it was an improvement on previous manifestations.  Between the Chimp and Homo Sapiens I are innumberable steps which have since disappeared.  If that were true then religious concepts which insisted that God created Man whole and entire without evolving were false.  If Creation was false than Religion was false.  There were many who empowered by the concept of Evolution and reasoning from appearances made the claim that was called ‘race’ rather than species.  The genetic differences between the ‘races’ were not yet clear.

     Until fairly recent times and the rise of genetics there was no infallible evidence to indicate speciation.  Today there is.  From 1859 when Darwin enunciated Evolution through the period under examination here, the second decade of the twentieth century, anyone asserting speciation could be ridiculed and destroyed as a bigot by the religionist.  Evolution itself was attacked and undermined in the thirties by the Boasian school of Anthropology which is still vital today.  (See Kevin MacDonald, The Culture Of Critique, 1998, 2002).

     In this period the Evolutionist was in a minority position.  Thus when Burroughs came down so strongly on the side of Evolution in his Tarzan series it is very surprising he created no uproar and there is no evidence the series was noticed on that account.

     It appears that Burroughs took the broad approach to these social problems.  He could see both sides of the issue deciding on the merits of the case rather than the ideology of the situation.  As has been noted he was quite capable of changing his mind on vital issues when presented with convincing evidence, i.e. life on Mars.  He was a true scientist.

3.

      Perhaps around 1910 it began to dawn on a significant number or people for the first time that unlimited and unrestricted immigration was causing unexpected and irreversible changes in the social fabric.  The war on Anglo-Saxon ideals, institutions and customs was well underway.  Such reactions had been a recurring feature of American society but now there was no West to escape to.   In addition industry had reshaped the cities.  Farm machinery was reshaping farming practices reducing the need for farmhands so that country boys migrated to the cities. By mid-decade for the first time more people lived in the cities than on the land.

     These changes were unwelcome and uncomfortable to a lot of people creating a malaise.  Those who viewed Reconstruction for the horror it was as well as those who considered themselves Old Stock were pathologized by the Liberals but their views found expression in books and articles but usually on the defensive side as with Jack London’s Valley Of The Moon and not on the aggressive side which would be visited by condign punishment as heresy.

     If one mentioned immigrants at all it was possible to discuss only positive attributes.  The Liberal turned a blind eye to the aggression of home countries preferring to see these home places too as victims who needed their protection.  As Chosen People the Liberal sees himself as naturally superior to the ‘victims’ but does not perceive his supposed superiority as ‘racism.’

     An honest and well meaning writer like Homer Lea who had actually been in the Orient and learned of Japanese plans first hand was pathologized and dismissed as a crank although his prognostications were based in fact as Pearl Harbor was to show.

     Some feelings are vague and can’t be articulated.  Even as a child I was disquieted by the notion that everyone came to america to escape oppression or to seek religious freedom.  I saw but couldn’t articulate the two facedness of this notion.  Only in the last decade or so have I found the means to acquire the necessary knowledge and developed modes to express it.

     Quite frankly the US was used as a haven for many, many revolutionary groups.  Perhaps the American Revolution  caused most Americans to look upon all revolutions as beneficent.  I couldn’t and can’t see it tht way.

     American ‘malcontents’ were told to shut up while a malcontent could come from anywhere else in the world and be honored for resisting repression.  I mean, criminals, murderers, mere disturbers of the peace in their own countries.  Cranks.  East Indian malcontents gathered in San Francisco to plot against the British Raj.  Sun Yat Sen lived in LA where he raised funds and was lionized.  Homer Lea was recruited by Sun Yat Sen to serve as a general in the Chinese Army.  Lea’s story may have been the influence that charmed Burroughs into seeking a place in the Chinese Army.

     The United States not only knew of the malcontents’ activities but even tolerated them perhaps abetting them.  The US role in European history has been that of a spoiler.  Looking upon all colored peoples as victims needing their help Liberals could do no other than work for their interests against the Europeans.

     One of the more disastrous actions was John Hay’s Open Door policy in China.  At the time in the 1890s the European States were about to partition China into spheres of influence.  What the result would have been is anybody’s guess however the world would probably be much different today.  Hay’s Open Door policy scotched the partition with the result that China remained a unified State.  Of all the turning points one can find in history this is undoubtedly a turn in the tide of fortunes for the West.  Subsequent to the Hay policy Chinese revolutionaries were hosted in California.  Mexican gun runners operated from the US during the Mexican Revolution as Zane Grey records in novels like The Light Of Western Stars and Desert Gold.

     Of course the Irish who called Ireland the Ould Sod and America the New Island acted as one people divided by an ocean.  Funds and guns were raised in America and used in Ireland against the British.  In the unrestricted immigration of the time Irish revolutionists moved back and forth across the Atlantic.  If arrested in Ireland they claimed American citizenship and were released to return to the US.

     In 1919 a most egregious example occurred which received no reprimand from the US, while England didn’t even bother to file an objection.  Eamon De Valera, the future premier of Ireland escaped the British to be smuggled to the US where he functioned openly.  William K. Klingaman tells the story in his popular history ‘1919’ of 1987:

     Eamon De Valera, meanwhile, had been smuggled out of Ireland and into the United States, where he was touring the major cities along the East Coast, drumming up financial support for Sinn Fein and the Irish Republic.  His reception was nothing short of spectacular.  De Valera was given the presidential suite at the Waldorf; the Massachusetts state legislature received him in a special joint session; forty thousand wildly cheering supporters turned out to hear one of his speeches in Boston; and the press seemed to love him wherever he went.  After all, he was excellent copy, and news of English injustices in Ireland always sold plenty of papers.  As the Nation noted with bemusement, “He gets a front-page spread whenever he wants it, with unexampled editorial kindliness thrown in.”  The tall, very thin, dark Irishman brought no message of peace and goodwill to the United States, however.  Now that the Peace Conference was over and freedom-loving Irishmen still remained enslaved under the British yoke, De Valera told an enthusiastic audience in Providence, “the war front is now transferred to Ireland.”

     So, while the Irish were embattled on the Ould Sod, the Irish of the New Island had enough influence and power to baffle any objections either in the US or England.  They were truly functioning as a state within a state in the US and as revolutionists on the Ould Sod.  Thus the US influence in international politics was unique indeed.

     The Italians also functioned as emigrant workers of Italian citizenship before the War and were an irredentist population within the United States with many colonial beach heads.  After the war, assuming the continuance of unrestricted immigration Mussolini attempted to shift the cost of medical treatment for wounded Italian soldiers by sending them to the US for free medical treatment.  This is astonishing stuff that gets no notice in history books.

     Of course, the most famous instance of dual citizenship of a divided homeland is that of the Jews.

     A ship landed in the seventeenth century in New York City, New Amsterdam as it was known then, bearing a hundred plus Sephardic Jews from Brazil.  The next immigrant cadre were the German Jews mainly from 1830 to 1850.  These two immigrations were small compared to the influx of millions of Jews from the Pale of Settlement usually known as Polish or Russian Jews.  From 1870 to 1914 they came in increasing numbers.  As I have detailed elsewhere the intent to transfer the whole population of Jews from the Pale to the United States was aborted by the outbreak of the Great War.

     Jews had always been forbidden Great Russia.  However during an expansionist phase Russian annexed the Ukraine, Byelorussia and the North.  The annexed areas became the Pale Of The Settlement along with the Polish Jews acquired by the first partition of Poland.  Thus Jewish nationalism came into conflict with Russian assimilationism.  The Russians, of course, were sovereigns of the land while the Jews were a stateless nationality.  The Russians along with the rest of their acquired  peoples attempted to Russify the Jews.  These along with Poles, Letts, Estonians, Lithuanians and whatever resisted Russification.  In point of fact, the Czars had bitten off more than they could chew.

     Had the Russians been facing mere dissident peoples they may have been able to manage them.  But, along about mid-nineteenth century the political ideology of Communism provided a framework within which all peoples could combine thus submerging their national identities for their political goals.  It is true that fifty to sixty percent of all Comunist parties were Jewish but the remainder which was substantial, wasn’t.  As part of its ideology Communism discouraged nationality so it was possible for numbers of all nationalities to work together.

     The Russians became the adversaries of the Jews, the Czar their bete noir.  Thus a remendous undeclared war existed between the Communist Revolution, usually called just The Revolution and the Russian government and people.

     By the time the Jewish emigration to America began in earnest in the 1870s the Jewish mind was conditioned by this warfare.  Now, all Israel is one.  Therefore the German Jews who had preceded the Jews from the Pale prepared the way for those from the Pale.  Whole industries were immediately controlled by Jews.  The male and female garment industries being the prime example.  The work force of these industries was almost entirely Jewish.  Thus the infamous sweat shop may be said to be of Jewish origin although it is usually used to defame the United States.

     The whole garment industry of the country then was controlled from New York City.  We’re talking big money with a lot of it flowing into Jewish agencies sometimes euphemistically called charities.  This money in turn fueled worldwide Jewish warfare on Russia.

     The Equitable Insurance fraud for instance was caused by the international banker Jacob Schiff who as administrator looted the Equitable of a couple hundred million dollars to finance the Japanese in the Russo-Japanese war of 1903-05.  The Japanese could not have fought the war without that money.  Thus Schiff and his people paved the way to Pearl Harbor.

     While the Russians had their hands full in the East Schiff and his fellow Jews engineered and financed the First Russion Revolution.  The signing of the Russo-Japanese Peace Treaty was done at Portsmouth, New Hampshire ostensibly by then US President Theodore Roosevelt but under the watchful eyes of Schiff and his fellows.

     As I have said simply because a people emigrated doesn’t mean they renounced their original identity.  Witness the Irish.  As is clear from their intent to evacuate the Pale in favor of America the Jews retained their Eastern European interests.  This would be even more manfest after the restriction of immigration at the end of the War.

     Like the Irish who used American citizenship to negate the laws of England the Jews used their American citizenship to thwart the interests of Russians, or the Czar as they put it.

     The Russians forbade Jewish traffic over their borders in an attempt to contain Jewish subversion.  If you were in, you were in, if you were out you were out.  In line with European concepts of nationality this was workable.  But Jews resident in America using their US citizenship, in this instance, demanded to be treated strictly as US citizens but of the Jewish ‘religion.’  Thus, they said Russia could not refuse them entrance on the basis of their ‘religion.’

     The US with its polyglot population all with US citizenship whether Irish, Jewish, Italian or whatever had to insist on the rights of all US citizens.  Thus Jews were able to travel freely across Russian borders to coordinate Jewish actions to subvert the Russian State.  As I have pointed out, after the Revolution the name Russia was dropped from the State name as it became the Union Of Soviet Socialist Republics governed almost exclusively by non-Russians.

     The B’nai B’rith had been around since 1843.  Then the American Jewish Committee was created in 1906.  Within seven years Jewish influence had increased so signficantly that they were able to direct US policy to the extent that diplomatic relations were broken off between Russia and the US in 1913 the year the Liberal Coalition elected Woodrow Wilson as its first president.  From 1913 to 1933 the US had no diplomatic relations with Russia/USSR.  It is interesting that relations with a legitimate government were discontinued by Woodrow Wilson and resumed with an illegitimate government by his disciple Franklin Delano Roosevelt.  On of his first acts as President.

     In 1913 the B’nai B’rith created its terrorist arm the Anti-Defamation League.  So there was actually a dual drive to acquire control of the USSR and the USA which one might add came very close to succeeding.  And this be a very small but dedicated number of people.

     As I point out in Part IV in 1919 the AJC  contacted Burroughs undoubtedly amongst a host of others to endorse a Jewish Bill Of Rights.  The program was in place by 1920 when this segment of my study ends.

     As can be seen the unofficial role of the United States in world affairs was an unsettling and disturbing one of the inactive aiding and abetting of revolutionary movements from China to India, across the border into Mexico while actively aiding if not abetting the Irish against England and aiding and abetting if not supporting the Jewish war on Russia.

     To the American Liberal all these revolutionary efforts were being conducted by victims.  Hence Liberal efforts at directing American policy were in the interests of any revolutionary group which includes the Socialist and Communist parties.  This Liberal attitude continues worldwide to the present time.

     Within the United States these ‘victims’ were gathered together under the aegis of the Liberal Coalition.  All dissenters whether anti-immigrationists, nativists or whatever were pathologized as mentally unstable people.  Insanity then becomes a religious attitude complementary to terms such as heretic, infidel or anti-Semite; terms not to be taken seriously.

     Liberalism is a religion thus assuming control over institutions of hgher learning.  The University system of the United States was turned from one of educational insitutions into religious seminaries.  The American university system of today is a religious system of Liberal seminaries.  Only the correct religious view is permitted, any other is penalized.

     Now, the Liberals who derived from the Puritans were an Old Testament biblical group who considered themselves the successosrs of the Hebrews as a Chosen People.  Beginning in 1870 the original Chosen People began their invasion.  It was like two Napoleons meeting in an insane asylum.  Each considered the other an imposter.  But the Jews had the whip hand over the Liberals as they quickly controlled the communiations media gradually eliminating anything seditious to its belief system.  As I explained earlier any writing that casts doubt on the claims of Judaism is anti-Semitist.  Americans were conditioned to view anti-Semitism as the worst possible crime deserving imprisonment or expulsion from the body social.  What we really have is the reimposition of the medieval Catholic Church in the form of Judaism.  Having seized control of the political system of the United States by 1920 the other important object was the discrediting of Science.

Hast thou not torn the Naiad from the flood,

The Elfin from the green grass, and from me

The summer dream beneath the tamarind tree?

     And Poe might have added:  God from his heaven/ pleasant summer dreams of chosenness from our minds.  Yes, Science was the great enemy, the great anti-Semite.  It is not particularly well known but Jews are more anti-evolution than even the Christian fundamentalists of Tennessee in the twenties or the Kansans of today.  Evolution absolutely denies the fact that the world was created by god 4004 years before Bishop Ussher or the year 5778 or whatever of the Jewish calendar.  Make no mistake the notion of the world having been created by god recently is fundamental to Semitic religions.  Once it is disallowed the basis of the Semitic religions ends.  You can see why they fight so hard against Science.

     Science still being the problem religion was cloaked in its guise.  The scienfific Socialism of Marx is little more than Talmudic Judaism.  Freud’s exaltation of the subconscious is little more than an assault on the conscious rational thinking that makes Science possible.  Einstein’s preposterous notion of the ‘fabric’ of Time and Space among others is a disguised attempt at imposing faith.

     All of these movements came to fruition in the Second Decade.  Einstein’s theories were supposedly proven during an eclipse of the sun in 1919 during which it was ‘confirmed’ that the light of distant stars streamed around immovable bodies.   I mean, the Greeks said it:  What happens when an easily resistible force meets an immovable object?  It flows around it just like water around a rock suspended in a stream.  Boy, you have to be a genius to figure that one out- wrap it up in the facric of Time and Space and send it as present to God.

     So, the problem still remained what to do with the ‘pathological’ types who gave the lie to the Judeo-Liberal doctrine?  Science and Religion cannot co-exist.  This is a sea change in human consciousness comparable  to the transition from the Matriarchal to the Patriarchal.  Good will is not the problem and cannot solve the problem.  In 1943 Gustavus Myers devised the current method of interpreting American history in his book The History Of Bigotry In The United States.  He thus provided the means to pathologize the non-Judeo-Liberal people.  They became irrational, insane, evil bigots.  So then one has the people of the book the Judeo-Liberals on one side and ‘bigots’ on the other.  So, Moslem-Infidels, Semites-anti-Semites, and Liberals-Bigots.  It isn’t rational, it’s religious.  Virtue goes with the one; criminality with the other.  Once you are accused there is no argument.  Confess your heresy and take your punishment.  The role model is the Inquisition of the Catholic Church.

     Myers began from the beginning hitting his stride with the Know Nothing Party of the 1850s.  He essentially made all immigrants victims in the Liberal sense by depicting them as virtuous innocents insanely treated by American ‘bigots.’  Hence the title of his book.  His school took root and flourishes today.  Oscar Handlin, John Higham, Richard Slotkin.

     Handlin’s stuff is irrational.  John Higham’s Strangers In The Land is valuable but skewed.  The skewing can be easily unscrambled.  But Richard Slotkin’s Gunslinger Nation is of importance to Burroughs and our theme here.  The first 225 pages of Slotkin’s book lead up to a denunciation  of Burroughs as the premier bigot of American literature actually making him responsible for the My Lai massacre in Viet Nam.  The first 225 pages are worth reading although you can throw the rest of the book away.

     I’ll get back to the scientific aspects of the issue in a minute but, first, as Slotkin concentrates on the Western movie in American culture let’s take a look at one of the premier efforts in the genre, John Ford’s The Man Who Shot Liberty Valence.  The movie was scripted by James Warner Bellah and Willis Goldbeck or, since this is Hollywood, men who would answer to those names. They are probably jewish.  The film perfectly inllustrates the Liberal dogma.

     John Wayne plays the Liberal lead as Tom Doniphon, strange name, along with his noble Negro sidekick, Pompey.  Lee Marvin plays a deranged psychopathic Anglo named Liberty Valence.  Jimmy Stewart plays the long suffering representative of the Law, Ransom- Rance- Stoddard.  Rance is an adjunct to Tom Doniphon.  Liberals = The Law, Bigots (Liberty Valence) = the outlaws.

     Tom can be seen as the abolitionist, justice seeking Liberal aiding the victims.  He is on the side of the victims of Liberty Valence (read, say, the KKK) which is the whole town except himself.  Tom has his negro valet while he helps all the cute immigrants in town still being aloof from the Southwest town’s sizable but segregated Mexican population.

     The scripters assigned the odd name of Liberty Valence to Lee Marvin.  Liberty is a positive virtue while Valence means strong- strong for freedom.  There is little positive about Valence.  He is in fact a psychopathic killer who terrorized the town of law seeking innocent sodbusters.  He actually becomes insane when he extends his whip handle just beating the tar out of his victims.  Valence is employed by the evil cattlemen (read, say, The South) above the Picket Wire (a river).  Why the cattlemen have sent Valence to the town isn’t clear.

     As the representative of the Old South and also any stray anti-Semitic clans who may happen to be about, Valence is especially offended by the peaceable but effeminate Rance Stoddard, who at one point actually wears an apron, the man who is bringing THE LAW West of the Pecos or at least below the Picket Wire.  Apparently the ranchers don’t need no law above the Picket Wire.  Valence harasses and bullies Stoddard who is usually protected by the omnipotent Tom Doniphon but comes a time when   Stoddard realizes he has to fight.  After all a man’s a man for all that.  Don’t know what for though, either his honor or life  or maybe to move the plot along.  Liberty is goading Rance into a gunfight that will be plain murder, as quite frankly, Rance don’t know how to handle a gun and Liberty does, oh boy.

     As the gunfight is filmed from behind Rance it appears that he actually guns Liberty down freeing all the victims of his menace. (The Law vs. The Outlaw; The Liberal vs. The Bigot, The Semite vs. the anti-Semite.)  Thus Rance brings the law to Shinbone, that’s the ridiculous name of the town.  You can see why Liberty terrorized it.

     Later we will see the same gun battle rotated ninety degrees to the right.  Ol’ Tom isn’t going to let Liberty gun down Rance, and also he doesn’t want Rance to be guilty of bloodshedding so he takes the guilt on hisself as he knowed he would.  He and his faithful Negro sidekick cum African gunbearer Pompey (This may be the reason Cassius Clay changed from his ‘slave’ name to Mohammed Ali, another slave name) are standing in an alley opposite Liberty’s left side.  Tom is in the middle of the side street, Pompey bearing the gun, stands against the side of the building.  With breathtaing precision just before Liberty shoots, Tom, in that awe inspiring quitet uncontradictable authority of his says like the Great White Hunter of Africa:  Gun, Pompey.  The ever faithful Negro flips the rifle across to Tom who snatches it from mid-air with is right hand, puts it to his shoulder and snaps off a head shot through the temple that killed Liberty Valence.  (Evil disappears from the town.)

     In order to kill Valence Tom had to shoot him in the left side of his head yet none of the dumbheads of the town wonders how Stoddard accomplished this miraculous feat.

     At any rate Rance is known as the man who shot Liberty Valence.  The old peace loving legalist is carrying his burden of blood guilt pretty well until he is nominated to be the new Congressman from the Picket Wire/Shinbone district (There’s a joke in there somewhere isn’t there?) and from whence he can put those damnable evil, bigoted ranchers in their place.  But damn it, he’s got blood on his hands; how can he serve the people in Washington since he is impure?  This mght have ruined a very promising and lucrative career and perhaps a good movie but Tom takes this moment to tell Rance the True story of the man who shot Liberty Valence.  Rance had to be told this.

     ‘Hot diggity-dog!’ Exclaims Rance trampling over Tom in his hurry to be the next and first representative for Picket Wire.  There may have been gold in them thar hills but it was as nothing compared to the gold to be found in Washington D.C.

     Like a good myth the movie can viewed on several different levels.  At face value the story is the story.  It doesn’t take much to view the film as a satire while on another level as a black comedy, or a wry commentary on the difference between the way things appear and the way they really are.

     But on the allegorical level in which I am viewing the story it allegorized the Judeo-Liberal vision of America.  Tom/ Rance represents their vision of themselves while Liberty is ther vision of bigots/anti-Semites.  I don’t know about the writers but John Ford was certainly able to see it that way.

     As a religious metaphor the movie expresses the Judeo-Liberal vision of itself.  That vision can only be realized if science can be disposed of because science, the truth, is the greatest anti-Semite of all.  As Poe realized Science disposes of the idea of God.  Without god there is no Judaism or Liberalism.  One or the other has to go.

     As I have said technological applications of science weren’t actually a threat but Evolutionists like Gall,  Darwin and Dalton were.  Gall was the man who first enunciated a theory that the different areas of the brain controlled different actions or responses.  In Steven Pinker’s terms he discovered the brain was more than a meatloaf.

     Darwin proposed the idea of evolution while Francis Galton proposed the idea of Eugenics.  As I said before, revealed Religion arrives complete and entire being a product of the imagination no different than Tarzan Of The Apes.  Science has to be built up step by step.  Gall, Darwin and Galton took the first developmental steps and while true in their limited way were easy to attack.

     Gall’s exploiters developed the theory of Phrenology which is of course unsupportable so If anyone has heard of Gall he is immediately discredited for Phrenology, something he didn’t do.

     Going into the Second Decade Darwin and Galton had great credibility, if being in minority positions, although Eugenics was very well received by every shade of the political spectrum from far left to far right.  Richard Slotkin bases his attempts to discredit Edgar Rice Burroughs and all non-Coalition writers over Evolution and Eugenics.

     Edgar Rice Burroughs is usually considered a fantasy writer.  One could hardly consider the writer of the Mars, Venus, Pellucidar and Tarzan series anything else.  Fantay writers are not usually taken very seriously being relegated to the non-literary end of of the fiction spectrum.  So then, one asks, why does a Myerian Judeo-Liberal like Richard Slotkin devote so much effort to prove that Edgar Rice Burrughs was ultimately responsible for the My Lai Massacre?

     The simple answer is that Burroughs is one of the most influential mind forming writers of fiction, worldwide, of the Twentieth Century…and counting.  There have been serious efforts to designate Burroughs as a bigot and an anti-Semitist.  The editions of the copies you read have actually been bowlderized.  Slotkin’s Gunslinger Nation is a serious attempt to pathologize Burroughs.

     Gunslinger Nation Is the third volume of a trilogy on violence in America, a never ending tiresome concern of the Coalition.  Slotkin is more at home in the nineteenth century of the two first volumes than he is in the twentieth century of this volume.  He should have suspended his pen after the second volume.

     He not only has a shallow appreciation of his theme but he admits it.  The remaining 400+ pages succeeding those on Burroughs are based, I suspect, on one time viewings of several hundred Western movies.  At least he says he’s seen them.  His analysis of categories within the genre and individual films leaves much to  be desired.

     He admits that he read no, or very few, Western novels from 1900-1975 because the field is so vast no one could be expected to do it.

     His nineteenth century material, if skewed in interpretation, is admirably presented.  By rotating the images 180 degrees one can obtain a fairly accurate picture of his subjects.  His presentation on Buffalo Bill and his Wild West was really quite good.  His views on Fenimore Cooper and the Dime Novelists were attractive if prejudiced.

     By the time he gets to Burroughs of whom he has cursorily read a dozen novels or so he is both uncomprehending and imcomprehensible.  He has made no effort to understand the man yet he comes to preposterous conclusions.  As Burroughs was of the Scientific Consciousness which gives the lie to the Religious Consciousness Slotkin attacks on the scientific level.

     He attacks through Gall, Darwin and Galton.  The Liberal Coalition using its religious mentality is able to condemn in others what it applauds in itself.

     The mentality is quite capable of including Burroughs, Henry Ford and Adolf Hitler in one breath as though all three men were on the same level.  What they call crimes in others they call virtues in themselves.

     Thus, during the French Revolution a factory was organized in Paris to make footwear from the skins of murdered aristocrats.  The fact has been suppressed while the story of the lampshades made from the skins of enemies of the Fascist State is held as inhuman.

     The great hero of the Revolution, Victor Hugo, writing in his novel 1793 during the 1860s about the massacres in the Vendee quite bluntly states that those people were in the way of the realization of the Utopian Communist State and had to be removed.  What was fact in 1793 was true in the 1860 mind of Victor Hugo, exercised by the Communists after 1917 and by extension is still applicable today.  Yet all other exterminations are evil in the Coalition mind.  Their own religion justifies their actions as justified sinners.

     During the second and third decades Galton’s ideas on Eugenics had become the vogue.  The use of Eugenics by Hitler and the Nazis is used to discredit the concept and yet Reds of all hues including H.G. Wells and George Bernard Shaw were enthusiastic Eugenicists.

     Joseph Stalin, the greatest Red who ever lived, rather amusingly embraced Eugenics.  (see:  http://thescotsman.scotsman.com/print.cfm?id=2434192005 )

     In the 1920s before Hitler, Stalin ordered his scientists to breed a new super warrior.  “I want a new invincible human being, insensible to pain, resistant and indifferent about the quality of food they eat.”

     You can see where this leading I’m sure.  Apparently Stalin had been reading Burrughs’ Beasts Of Tarzan because he ordered the scientists to cross a human and an ape to create his New Order warrior.  Imagine a couple divisions of these shaggy haired ape men trudging through the snow behind a line of tanks with a AK 47 in one hand and a frozen banana in the other.

     At any rate Slotkin wishes to link Burroughs up with these ideas that Liberals themselves promoted.  As the second decade wore on a number of writers dealt with these emerging problems of the age.  The two most prominent American bete noirs of the Judeo-Liberals are Madison Grant and his Passing Of The Great Race of 1916 and Lothrop Stoddard and his The Rising Tide Of Color of 1920.  As these men are scientists they were labeled ‘bigots’ which is to say heretics or anti-Semites by the Liberal Coalition.

     It is not impossible that Burroughs may have read these books but there is no indication he did so so that there is no confirmed connection between he and Grant and Stoddard.  As I read Slotkin he believes that Burroughs is complicit with both Madison Grant and Stoddard.  Further there is no doubt Slotkin believes all three men are bad with evil intent.  As the Scienfific findings of these men contradict the religious tenets of the Myersian Liberal Coalition I suppose Slotkin can do no other.  How he manges to lump Burroughs in as an evil malicious bigot seems a stretcher.

     In the first place although the findings of Grant and Stoddard are offensive to Slotkin and the Liberal Coalition they nevertheless show the honest unbiased scientific results of the research of honest scholars who are no less decent and honorable than any of the Liberal Coalition.  Grant’s work is an essay into proto-genetics for which subsequent learning shows no fault.  Stoddard’s work is an excellent faultless political analysis which has been borne out by subequent developments.

     While the Liberal Coalition has chosen to pathologize and demonize all three of these writers their opinion should just be waved aside, disregarded as irrelevant.  Their opinions should be marginalized.  Grant and Stoddard are good and honorable men.

     When I first read Slotkin’s analysis of Burroughs I was outraged and then baffled.  I rejected the criticism but as Slotkin obvously believes this stuff although he poorly documents it his notions were filed in the bck of my brain while I began to search for his reasons.

     From a scientific point of view Slotkin has no basis for his claims but when one lays the Judeo-Red-Liberal matrix over the science all becomes clear.  This is a conflict betwen Arien Age religion and twentieth century science.

     If one looks closely at Burroughs one will find he has embraced science and rejected religion thus immediately becoming classified as a bigot/anti-Semite in their eyes.

     While Burroughs was from the North he is not in full sympathy with abolitionist and Liberal ideals.  he appears to reject the harshness of their attitude toward Southern Whites.  As in Marcia, John Hancock Chase from Baltimore living in New York City seems to be an attempt to reunify the country according to the ideas of Thomas Dixon, Jr.  and his Reconstruction novels and D.W. Griffith’s movie The Birth Of A Nation.  To merely be sympathetic to Southern Whites is to deny the victimhood of the Negroes which arouses the animosity of Liberals.  Burroughs has thus identified himself as a ‘bigot, heretic, anti-Semite’.  He is plainly the enemy of the Liberal Coalition.

     And, then, while Burroughs didn’t join organizations like the A.P.A.- American Protective Association- still, like his fellow writers Jack London and Zane Grey he regretted the passingof Anglo-Saxon dominated America.  He hated to see the Old Stock in decline.  Thus in the Myersian sense he becomes pathologized as a ‘bigot.’  From the Liberal point of view Burroughs is clearly guilty and should be banned from literature.  Put on the Liberal Index.  However one has to accept the Liberal point of view to think so.

     He rejects all religion but as to whether he specifically singles out Catholics, Jews or any other sect I don’t believe that there is a shred of evidence.

     One can’t read with his contemporaries eyes so perhaps what isn’t so clear now leaped out of the page then.  Burroughs ruminations on Eugenics, especially in the pages of Tarzan And The Jewels Of Opar, may then have been more obvious to them than to us.  But at the same time his opinions wouldn’t have been offensive to them.  As the Liberals accepted Eugenics then as readily as anyone else it would seem that the present emphasis on Burroughs’ fascination with the subject arises primarily from the Liberal rejection of their own past although it is still possible that what contemporary Liberals accepted in themselves they rejected in others as they do today.

     While I originally rejected the notion that there was any reason to suspect Burroughs of being an ‘anti-Semite’ I think that if one is looking for indications from the Coalition point of view one can find them.  As I point out in Part IV the American Jewish Committee contacted him in 1919 while there are passages in Marcia Of The Doorstep that the Coalition could construe as anti-Semitism and for which Burroughs was possibly punished.

     Finally Burroughs as a follower of Teddy Roosevelt rather than Woodrow Wilson might have been suspect.  The period after the Great War when it became evident that a very large percentage of the immigrants did not really consider themselves American’s caused TR to remark that America had become merely an international boarding house.  Quite true but who would have thought anything else was possible?  Today the term ‘international boarding house’ might be interpreted as Diversity or multi-culturalism. TR was head of his times.

     The period ending in 1919 also represented the changing of the guard.  Buffalo Bill died in 1917 taking hs mythic Wild West with him to the grave.  He also represented the end of the first America.  The Anglo-Saxons who had won the West.  Of course the winners of the West were not nearly so Ango-Saxon as represented but in general it was true.  There are almost no non-Anglo-Saxon names in the novels of Zane Grey other than Mexican.

     Also in 1919 TR himself passed away just as he was scheduled to be the Republican Presidential candidate for 1910.  His loss was keenly felt by Burroughs and his friend Herb Weston.  I doubt TR could have adapted to the new problems America was facing even as well as Warren G. Harding did.  How TR might have interpreted the challenge to American Democracy of the Liberal Coalition isn’t too obvious.

4.

Recapitulation

      In 1066 and succeeding centuries the Norman Conquerors enslaved the Anglo-Saxons of East Anglia which was an affront deeply resented.  Take a lesson.

     In the sixteenth century when the printed Old Testament became universally available the East Anglians identified with the enslaved Hebrews of Exodus.  They elected themselves a Chosen People and developed the compensatory Utopian attitude of inherent virtue as the Chosen People Of God.

     In the seventeenth century New England was settled by emigrants from East Anglia.  Not just English but East Anglians.  Virginia was settle by descendents of the Norman conquerors of 1066.  The Virginians once again chose slavery as the method of labor.  First indentured White people then Africans.

     While Utopian ideals developed in New England the abolitionist movement began which resulted in the Civil War-War Between The States.  War between regions or actually a war between ideologies.  There was no chance the South was going to discontinue slavery anythime soon no matter what anyone says.

     In revenge for 1066 the Cavaliers (Whites) of the South were absolutely crushed giving up all rights by surrendering unconditionally.

     The nascent Liberal Party of Puritans elevated the Africans over the Cavaliers thus establishing their protectorship over the ‘victims’ which is characteristic of the faith while establishing their power over dissident Whites.  Thus the Liberals ultimately aligned themselves with all colored revolutionary movements in the world against White European conquerors.

     Within the United States they viewed immigrants as ‘victims’ of the Old Stock pathologizing the Old Stock as ‘bigots’ no better than the Cavaliers of the Old South or the Europeans.  All opponents of of their Liberal religious ideology which included the intellectual mindset of Science thus became wrong headed vile ‘bigots’ who had no right to live.  After the Bolshevik Revolution of 1917 the utopian Communist ideology became their politics; call it Socialism it comes out the same.

     As Edgar Rice Burrough was not a Liberal, not a Communist and not Religious but Scientific he unwittingly placed himself in opposition to the Liberal Coalition.  On that basis a serious attempt was made to abort his career while subsequently an attempt to erase his name and work from history is being conducted.

     Thus the twenties ushered in a new changed era fraught with new adjustments which were misunderstood or not understood at all.

     Burroughs career after 1920 has to be seen in the light of this concealed antagonism that he had to counter without being clear as to its causes.

     Thus the contrast  between The Mucker and Marcia Of The Doorstep can be seen as a response to two different challenges united by Burroughs personal psychological development.

Go To Part IV:of The Mucker And Marcia Of The Doorstep

 

A Review

The Low Brow And The High Brow

An In Depth Study Of Edgar Rice Burroughs’

The Mucker And Marcia Of The Doortstep

by

R.E. Prindle

Part II

Background Of The Second Decade- Personal

 

     Erwin Porges’ ground breaking biography Edgar Rice Burroughs: The Man Who Invented Tarzan is the basic source for the course of ERB’s life.  John Taliaferro’s Tarzan Forever is heavily indebted to Porges adding little new.  Robert Fenton’s excellent The Big Swinger is a brilliant extrapolation of Burroughs’ life taken from the evidence of the Tarzan series.

     Porges, the first to pore though the unorganized Tarzana archives, is limited by the inadequacies of his method and his deference for his subject.  His is an ideal Burroughs rather than a flesh and blood one.  Matt Cohen’s Brother Men: The Correspondene Of Edgar Rice Burroughs and Herbert T. Weston has provided much fresh material concerning ERB’s character.

     Bearing in mind always that Weston’s evaluation of Burroughs in his August 1934 letter in reply to Charles Rosenberg, whoever he was, about ERB’s divorce is one man’s opinion nevertheless his statements can be corroborated by ERB’s behavior over this decade as well as throughout his life.  My intent is not to diminish ERB in any way.  Nothing can take away the fact that Burroughs created Tarezan, but like anyone else he was subjected to glacial pressures that distorted and metamorphosed his character.

     During the Second Decade as he experienced a realization of who he was, or who he had always thought he should be, or in other words as he evolved back from a pauper to a prince, he was subjected to excruciatingly difficult changes.

     A key to his character in this period is his relationship to his marriage.  It seems clear that he probably would never have married, stringing Emma along until she entered spinsterhood while never marrying her.  He seemingly married her to keep her away from Frank Martin.  As he later said of Tarzan, the ape man should never have married.

     Rosenberg in his letter to Weston (p.234, Brother Men) said that ‘…Ed says he has always wanted to get rid of Emma….’  The evidence seems to indicate this.  After ERB lost Emma’s confidence in Idaho, gambling away the couple’s only financial resources, his marriage must have become extremely abhorrent to him.  I’m sure that after the humiliations of Salt Lake City this marriage had ended for him in his mind.  That it was his own fault changes nothing.  He may simply have transferred his self-loathing to Emma.

     That Emma loved and stood by Burroughs is evident.  that he was unable to regain her confidence is clear from his writing.  The final Tarzan novels of the decade in one of which, Tarzan The Untamed, Burroughs burns Jane into a charred mess identifiable only by her jewelry show a developing breach.  Probably the jewelry was that which ERB hocked as the first decade of the century turned.  Now, this is a fairly violent reaction.

     ERB states that he walked out on Emma several times over the years.  In Fenton’s extrapolation of Burroughs’ life from his Tarzan novels this period was undoubtedly one of those times.  There seems to have been a reconciliation attempt between Tarzan and Jane between Tarzan The Untamed and Tarzan The Terrible.  Then between Tarzan And The Golden Lion and Tarzan And The Ant Men ERB’s attempt to regain Emma’s confidence seems to have failed as Jane chooses the clown Tarzan- Esteban Miranda-, one of my favorite characters- over the heroic Tarzan -ERB – in Tarzan And The Ant Men.

     This undoubtedly began ERB’s search for a Flapper wife which took form in the person of Florence Gilbert beginning in 1927.

b.

     Weston says of ERB in his disappointment and rage over ERB’s divorce of Emma that ‘…the fact that Ed always has been unusual, erratic and perhaps queer, has been his great charm and attraction for me…’ (p.223, Brother Men)   There’s a remote possibility that ‘queer’ may mean homosexual but I suppose he means ‘odd’ or imcomprehensible in his actions.  The evidence for this aspect of ERB’s character is overwhelming while being well evidenced by his strange, spectacular and wonderful antics during the second decade.  When Weston says of him that ‘…there is no woman on earth that would have lived with him, and put up with him, except Emma…’ there is plenty of reason to accept Weston’s opinion.

     Part of ERB’s glacial overburden came from his father, George T. who died on February 13, 1913.  Burroughs always professed great love for his father, celebrating his birthday every year of his life, although one wonders why.

     Apparently George T. broadcast to the world that he thought ERB was ‘no good.’  His opinion could have been no secret to Burroughs.  Weston who says that he always maintained cordial relations with George T., still thought him a difficult man, always dropping  in to visit him on trips through Chicago said that George T. complained to him, ERB’s best friend, that his son was no good. While without disagreeing with George T. up to that point, Weston said that he thought there was plenty of good in ERB but that he just hadn’t shown it yet.  Kind of a back handed compliment, reminds me of Clarence Darrow’s defense of Big Bill Haywood:  Yeah, he did it, but who wouldn’t?’

     Such an opinion held by one’s father is sure to have a scarring effect on one’s character.  How exactly the effect of this scarring worked itself out during this decade isn’t clear to me.  Perhaps Burroughs’ mid year flight to California shortly after his father’s death was ERB’s attempt to escape his father’s influence.  Perhaps his 1916 flight was the same while his move to California in 1919 was the culmination of his distancing himself from his father.  That is mere conjecture at this point.

     Now, what appears erratic from outside follows an inner logic in the subject’s mind unifying his actions.  What’s important to the subject is not what obsevers think should be important.

c.

     The scholars of the Burroughs Bulletin, ERBzine and ERBList have also added much with additional niggardly releases of material by Danton Burroughs at the Tarzana archives.  One of the more valuable additions to our knowledge has been Bill Hillman’s monumental compilation of the books in ERB’s library.

     Let’s take a look at the library.  It was important to ERB; a key to his identity.  Books do furnish a mind, as has been said, so in that light in examining his library we examine the furnishing  of his mind.  The shelves formed an important backdrop to his office with his desk squarely in front of the shelves.  ERB is seated proudly at the desk with his books behind him.

     How much of the library survived and how much was lost isn’t known at this time.  Hillman lists over a thousand titles.  Not that many, really.  The library seems to be a working library.  There are no the long rows of matching sets by standard authors.  The evidence is that Burroughs actually read each and every one of these books.  They found their way into the pages of his books in one fictionalized form or another.  Oddly authors who we know influenced him greatly like London, Wells, Haggard and Doyle are not represented.

     Most of the works of these authors were released before 1911 when Burroughs was short of the ready.  Unless those books were lost he never filled in his favorites of those years.  That strikes me as a little odd.

     It is generally assumed that he picked up his Martian information from Lowell, yet in Skelton Men Of Jupiter he says:  ‘…I believed with Flammarion that Mars was habitable and inhabited; then a newer and more reputable school of scientists convinced me it was neither….’  The statement shows that Camille Flammarion’s nineteenth century book was the basis for Burroughs’ vision of Mars while Lowell was not.  Further having committed himself to Flammarion’s vision he was compelled to stick to it after he had been convinced otherwise.  When that understanding was obtained by him we don’t know but at sometime he realized that the early Martian stories were based on a false premiss.

     Thus, his Mars became a true fiction when his restless, searching mind was compelled by judicious reasoning of new material to alter his opinion.  That he could change his mind so late in life is an important fact.  It means that behind his fantasy was a knowledge of solid current fact.  The results of his pen came from a superior mind.  It was not the maundering of an illiterate but amusing boob.

     Organizing the books of his library into a coherent pattern is difficult.  I haven’t and I Imagine few if any have read all his list.  Based on my preliminary examination certain patterns can be found.  He appeared to follow the Chicago novel by whomever, Edna Ferber’s So Big is a case in point.  Seemingly unrelated titles can be grouped aorund certain Burroughs’ titles as infuences.

     In 1924 when Marcia Of The Doorstep was written ERB had already formed his intention of leaving, or getting rid, of Emma.  He began a fascination with Flappers that would result in his liaison with Florence.

     After the move to Hollywood in 1919 a number of sex and Flapper potboilers find their way into his library.  The tenor of literature changed greatly after the War showing a sexual explicitness that was not there prior to the Big Event.  To be sure the graphic descriptions of the sex act current in contemporary literature was not permissible but the yearning to do so was certainly there.  Language was retrained but ‘damn’ began to replace ‘d–n’ and a daring goddamn became less a rarity.

     Perhaps the vanguard of the change came in 1919 when an event of great literary and cultural import took place.  Bernarr Macfadden whose health and fitness regimes had very likely  influenced Burroughs during the first couple decades decided to publish a magazine called “True Story.”  The magazine was the forerunner of the Romance pulp genre while certainly being in the van of what would become the Romance genre of current literature.

     The advance was definitely low brow, not to say vulgar, indicating the direction of subsequent societal development including the lifting of pornographic censorship.  Pornography followed from “True Store” as night follows day.

     The magazine coincided with the emergence of the Flapper as the feminine ideal of the twenties.  In literature this was abetted by the emergence in literary fiction of F. Scott Fitzgerald.  His Beautiful And Damned is a key volume in Burroughs’ library forming an essential part of Marcia.  To my taste Fitzgerald is little more than a high quality pulp writer like Burroughs.  I can’t see the fuss about him.  He riminds me of Charles Jackson’s The Lost Weekend and vice versa.  In fact, I think Jackson mined the Beautiful And  Damned.  Plagiarize would be too strong a word.

     “True Story” caught on like a flash.  By 1923 the magazine was selling 300,000 copies an issue; by 1926, 2,000,000.  Low brow was on the way in.  Vulgarity wouldn’t be too strong a word.  Macfadden had added titles such as “True Romances” and “Dream World” to his stable.  His magazine sales pushed him far ahead of the previous leader, Hearst Publications, and other publishers.  Pulpdom had arrived in a big way.

     Where Macfadden rushed in others were sure to follow.  The sex thriller, the stories of willful and wayward women, which weren’t possible before, became a staple of the twenties in both books and movies.

     ERB’s own The Girl From Hollywood  published in magazine form in 1922, book form in 1923, might be considered his attempt at entering the genre.  Perhaps if he had thrown in a few Flapper references and changed the appearance and character of his female leads he mgiht have created a seamless transition from the nineteenth century to the twenties.  A few Flapper terms might have boomed his ales much as when Carl Perkins subsititued ‘Go, cat, go’ for go, man, go’ in his Blue Suede Shoes and made sonversts of all us fifties types.

     Certainly ERB’s library shows a decided interest in the genre from 1920 to 1930.  Whether the interest was purely professional, an attempt to keep up with times, or personal in the sense of his unhappiness in his marriage may be open to question.  I would have to reread his production of these years with the New Woman in mind to seek a balance.

     Still, during the period that led up to his affair with Forence ERB seems to have been an avid reader of Flapper and New Woman novels.

     He had a number of novels by Elinor Glyn who was the model of the early sex romance.  He had a copy of E.M. Hull’s The Sheik, that shortly became the movie starring Rudolph Valentine with its passionate sex scenes.  A ‘Sheik’ became the male synonym for Elinor Glyn’s ‘It’ girl.

     Of course, the influence of Warner Fabian’s Flaming youth of 1923, both book and movie, on ERB is quite obvious.

      Just prior to this relationship with Florence he read a number of novels by Beatrice Burton with such sexy titles as The Flapper wife-The Story Of A Jazz Bride, Footloose, Her Man, Love Bound  and Easy published from 1925 to 1930.

     I would like to concentrate on Burton’s novels for a couple reasons; not least because of the number of her novels in ERB’s library but that when Burroughs sought publication for his low brow Tarzan in 1913-14 he was coldly rebuffed even after the success of his newspaper serializations.  The disdain of the entire publishing industry was undoubtedly because Burroughs was the pioneer of a new form of literature.  In its way the publication of Tarzan was the prototype on which Macfadden could base “True Story.”  Not that he might not have done it anyway but the trail was already trampled down for him.  In 1914 Burroughs violated all the canons of ‘polite’ or high brow literature.

     A.L. Burt accepted Tarzan Of The Apes for mass market publication reluctantly and only after guarantees for indemnification against loss.  Now at the time of Beatrice Burton’s low brow Romance genre novels, which were previously serialized in newspapers, Grosset and Dunlap sought out Burton’s stories publishing them in cheap editions without having been first published as full priced books much like Gold Seal in the fifties would publish paperback ‘originals’ which had never been in hard cover.  Writers like Burton benefited from the pioneering efforts of Burroughs.  G& D wasn’t going to be left behind again.  Apparently by the mid-twenties profits were more important than cultural correctness.

     As ERB had several Burton volumes in his library it might not hurt to give a thumbnail of who she was.  needless to say I had never read or even heard of her before getting interested in Burroughs and his Flapper fixation.  One must also believe that Elinor Glyn volumes in ERB’s library dating as early as 1902 were purchased in the twenites as I can’t believe ERB was reading this soft sort of thing as a young man.  Turns out that our Man’s acumen was as usual sharp.  Not that Burton’s novels are literary masterpieces but she has a following amongst those interested in the Romance genre.  The novels have a crude literary vigor which are extremely focused and to the point.  This is no frills story telling.  The woman could pop them out at the rate or two or three a year too.

     Her books are apparently sought after; fine firsts with dust jackets go for a hundred dollars or more.  While that isn’t particularly high it is more than the casual reader wants to pay.  Might be a good investment though.  The copies I bought ran from fifteen to twenty dollars, which is high for what is usually filed in the nostalgia section.  Love Bound was forty dollars.  I bought the last but it was more than I wanted to pay just for research purposes.

     There is little biographical information about Burton available.  I have been able to piece together that she was born in 1894.  No death date has been recorded as of postings to the internet so she must have been alive at the last posting which woud have made her a hundred at least.

     She is also known as Beatrice Burton Morgan.  She was an actress who signed a contract with David Belasco in 1909 which would have made her fifteen or sixteen.  Her stage name may have been Beatrice Morgan.  The New York Public Library has several contracts c. 1919 in her papers.

     One conjectures that her stage and film career was going nowhere.  In The Flapper Wife she disparages Ziegfeld as Ginfeld the producer of the famous follies.

     Casting about for alternatives in the arts she very likely noticed the opening in sex novels created by Macfadden and the Roaring Twenties.  The Flapper Wife seems to have been her first novel in 1925.  The book may possibly have been in response to Warner Fabian/Samuel Hopkins Adams’ Flaming Youth.

     As the motto for his book he had “those who know, don’t tell, those who tell, don’t know.’  The motto refers to the true state of mind of women.  Burton seems to have taken up the challenge- knows all and tells all.  Flapper Wife was an immediate popular success when taken from the newspapers by G&D.  Critics don’t sign checks so while their opinion is noted it is irrelevant.

     Burton apparently hit it big as the movies came afer her, Flapper Wife was made into a movie in 1925 entitled His Jazz Bride.  Burton now had a place in Hollywood.  Burroughs undoubtedly also saw the movie.  What success Burton’s later life held awaits further research.  As there is no record of her death on the internet it is safe to assume that when her copyrights were renewed in the fifties it was by herself.

     There are a number of titles in the library having to do with the Flapper.  The library, then gives a sense of direction to ERB’s mental changes.  There are, of course, the Indian and Western volumes that prepared his way for novels in those genres.  As always his off the top of his head style is backed by sound scholarship.

     The uses of the various travel volumes, African and Southeast Asian titles are self-evident.  I have already reviewed certain titles as they applied to Burroughs’ work; this essay involves more titles and I hope to relate other titles in the future.  So the library can be a guide to Burroughs’ inner changes as he develops and matures over the years.

     The amont of material available to interpret ERB’s life has expanded greatly since Porges’ groundbreaking biography.  Much more work remains to be done.

     The second decade is especially important for ERB’s mental changes as his first couple dozen stories were written beginnng in 1911.  Moreso than most writers, and perhaps more obviously Burroughs work was autobiographical in method.  As he put it in 1931’s Tarzan, The Invincible, he ‘highly fictionalized’ his details.  For instance, the Great War exercised him greatly.  From 1914 to the end of the War five published novels incorporate war details into the narrative:  Mad King II, Beyond Thirty, Land That Time Forgot, Tarzan The Untamed, and Tarzan The Terrible as well as unpublished works like The Little Door.  Yet I don’t think the extent that the War troubled him is recognized.  The man was a serious political writer.

     Thus between the known facts and his stories a fairly coherent life of Burroughs can be written.  My essays here on the ERBzine can be arranged in chronological order to give a rough idea of what my finished biography will be like.

     Burroughs was a complex man with a couple fixed ideas.  One was his desire to be a successful businessman.  This fixed obsession almost ruined him.  He was essentially a self-obsessed artist and as such had no business skills although he squandered untold amounts of time and energy which might better have been applied to his art than in attempts to be a business success.

     In many ways he was trying to justify his failure to be a business success by the time he was thirty rather than making the change to his new status as an artist.

     As a successful artist he was presented with challenges that had nothing to do with his former life.  These were all new challenges for which he had no experience to guide him while he was too impetuous to nsit down and thnk them out properly.  Not all that many in his situation do.  Between magazine sales, book publishing and the movies he really should have had a business manager as an intermdiary.  Perhaps Emma might have been able to function in that capacity much as H.G. Well’s wife jane did for him.  At any rate book and movie negotiations diverted time and energy from his true purpose of writing.

     His attempt to single handedly  run a five hundred plus acre farm and ranch while writing after leaving Chicago ended in a dismal failure.  Even his later investments in an airplane engine and airport ended in a complete disaster.  Thank god he didn’t get caught up in stock speculations of the twenties.  As a businessman he was doomed to failure; he never became successful.  It if hadn’t been for the movie adaptations of Tarzan he would have died flat broke.

     Still his need was such that he apparently thought of his writing as a business even going so far as to rent office space and, at least in 1918, according to a letter to Weston, keeping hours from 9:00 to 5:30.  Strikes me as strange.  Damned if I would.

     At the end of the decade he informed Weston that he intended to move to Los Angeles, abandon writing and, if he was serious, go into the commercial raising of swine.  The incredulousness of Weston’s reply as he answered ERB’s questions on hog feed comes through the correspondence.

     Think about it.  Can one take such flakiness on ERB’s part seriously?  Did he really think his income as a novice pig raiser would equal his success as a writer with an intellectual property like Tarzan?  Weston certainly took him seriously and I think we must also.  There was the element of the airhead about him.

     A second major problem was his attitude toward his marriage and his relationship with Emma.

     He appears to have been dissatisfied with both at the beginning and decade and ready to leave both at the end.  According to the key letter of Weston ERB was an extremely difficult husbnad with whom Emma had to be patient.  As Weston put it, no other woman would have put up with his antics.  Unfortunately he doesn’t give details of those antics but the indications are that Emma was a long suffering wife.

     ERB’s resentment of her apparently became an abiding hatred.  Danton Burroughs released information about ERB’s third great romance with a woman named Dorothy Dahlberg during the war years of WWII through Robert Barrett the BB staff writer in issue #64.

     After having been estranged from her husband for about a decade Emma died on 11-05-44, probably of a broken heart.  ERB returned to Los Angeles from Hawaii to dispose of her effects.  Arriving on 11/19/44 after visiting his daughter he met with Ralph Rothmund in Tarzana where he proceeded to get soused, apparently in celebration of Emma’s death.

     To quote Barrett, p. 25, Burroughs Bulletin #64.

     After Ed met with Ralph Rothmund, he opened a case of Scotch and took out a bottle after which he drove to Emma’s home in Bel-Air- where he and Jack “sampled” the Scotch a couple times.”  From Bel-Air Jack drove Ed to the Oldknows, some friends also in Bel-Air, where they continued to sample the Scotch.  After this visit Ed and Jack returned to Emma’s home at 10452 Bellagio Road, where Jack brought out a nearly full bottle of bourbon.  Jack asked the maids to postpone dinner for 30 minutes, while they waited for Joan and Joan II.  This evidently irritated the two maids as they both quit  and walked out on them!  Ed reported in his diary that after the two maids walked out, ‘we had a lovely dinner and a grand time.”

     That sort of strikes me as dancing on the grave of Emma which indicates a deep hatred for her on the part of ERB.  We are all familiar with the storyof ERB’s pouring the liquor in the swimming pool humiliating Emma in front of guests which she stood so Weston must have known what he was talking about.

     There is a certain hypocrisy in Burroughs now getting blotto in celebration of Emma’s death.  Between the two of them in the space of a couple hours ERB and his son, John Coleman, finished a fifth of Scotch and went ripping through a bottle of bourbon.  I don’t know how rough and tough you are but that would put me under the pool table.

     In this inebriated and hostile state they apparently had words with what I assume to have been Emma’s long time maids.  Maids don’t walk out because you ask them to hold dinner for a few minutes.  Being a maid is a job; they don’t respond that way to reasonable requests.  So in his drunken state ERB must have been offensive about Emma or the maids causing their reaction.

     Thus sitting totally soused  in the ‘alcoholic’ Emma’s home they ‘had a lovely dinner and a grand time.’  The woman was both good to him and good for him but it isn’t incumbent on any man to see his best interests.  There was a crtain dignity lacking in ERB’s behavior at this good woman’s death, not to mention the hypocrisy of getting thoroughly jazzed.

d.

      The decade also witnesses the unfolding of ERB’s psyche from the repressed state of 1910 to an expanded and partially liberated state at the end of the decade when he fled Chicago.  Pyschologically ERB was always a dependent personality.  He let his editors both magazine and book bully him and take advantage of his good will.  He also needed a strong role model which is one reason his literary role models are so obvious.

     From 1911 to 1916 he seemed to lean on Jack London as his role model.  The problem with London is that we can’t be sure which of his books ERB read as he had none of his books in his library.  It seems certain that he read London’s early Gold Rush books.  ERB’s hobo information is probably based on London’s The Road and then he may possibly have read The Abyssmal Brute which is concerned with the results of the Jack Johnson-Jim Jeffries fight and a preliminary to The Valley Of The Moon. 

     It is difficult to understand how Burroughs could have read much during this decade what with his writing schedule and hectic  life style.  Yet we know for a fact that between 1913-15 he found time to read Edward Gibbon’s massive The Decline And Fall Of The Roman Empire.

     At the same time additions to his library from this decade are rather sparse, the bulk of the library seems to have been purchased from 1920 on.  Still, if one assumes that he read all the books of London including 1913’s Valley Of The Moon, then it is possible that his cross=country drive of 1916 may have been partially inspired by Billy and Saxon Roberts’ walking tour of Northern California and Southern Oregon in that book as well as on ERB’s hobo fixation.  Certainly London must have been his main influence along with H.H. Knibbs and Robert W. Service.  He may have wished to emulate London by owning a large ranch.

     I suspect he meant to call on London in Sonoma during his 1916 stay in California but London died in the fall of that year which prevented the possible meeting.  With the loss of London Burroughs had to find another role model which he did in Booth Tarkington.  He does have a large number of Tarkington’s novels in his library, most of which were purchased in this decade.  Tarkington was also closely associated with Harry Leon Wilson who also influenced ERB with a couple two or three novels in his library, not least of which is Wison’s Hollywood novel, Merton Of The Movies.  Just as a point of interest Harry Leon Wilson was also a friend of Jack London.

     ERB’s writing in the last years of the decade seems to be heavily influenced by Tarkington as in Bridge And The Oskaloosa Kid, The Efficiency Expert and The Girl From Hollywood.

     Burroughs was an avid reader and exceptionally well informed with a penetrating mind so that his ‘highly fictionalized’ writing which seems so casual and off hand is actually accurate beneath his fantastic use of his material.  While he used speculations of Camille Flammarion and possibly Lowell on the nature of Mars he was so mentally agile that when better information appeared which made his previous speculations untenable he had no difficulty in adjusting to the new reality.  Not everyone can do that.

     I have already mentioned his attention to the ongoing friction between the US and Japan that appeared in the Samurai of Byrne’s Pacific island.  In this connection Abner Perry of the Pellucidar series is probably named after Commodore Matthew Perry who opened Japan in 1853.  After all Abner Perry does build the fleet that opened the Lural Az.  Admiral Peary who reached the North Pole about this time is another possible influence.  The identical pronunciation of both names would have serendipitous for Burroughs.

     As no man writes in a vacuum, the political and social developments of his time had a profound influence on both himself and his writing.

     The effects of unlimited and unrestricted immigration which had been decried by a small but vocal minority for some time came to fruition in the Second Decade as the Great War showed how fragile the assumed Americanization and loyalty of the immigrants was.  The restriction of immigration from 1920 to 1924 must have been gratifying to Burroughs.

     I have already indicated the profound reaction that Burroughs, London and White America in general had to the success of the Black Jack Johnson in the pursuit of the heavyweight crown.  The clouded restoration of the crown through Jess Willard did little to alleviate the gloom.  Combined with the sinking of the Ttitanic and the course of the suicidal Great War White confidence was irrevocably shaken.

     Burroughs shared with London the apprehension that the old stock was losiing its place of preeminence to the immigrants.  This fear woud find its place in Burroughs writing where he could from time to time make a nasty comment.  His characterization of the Irish is consistently negative while his dislike of the Germans first conceived when he saw them as a young man marching through the streets of Chicago under the Red flag was intense.  Their participation in the Haymarket Riot combined with the horrendous reports of German atrocities during the War reinforced his dislike almost to the point of fanaticism.  While the post-war German reaction in his writing was too belated he had been given cause for misinterpretation.

     Always politically conservative he was a devoted admirer of Teddy Roosevelt while equally detesting Woodrow Wilson who was President eight of the ten years of the Second Decade.  When the Bolsheviks took over Russia in 1917 polarizing public opinion into the Right and Left ERB was definitely on the Right.

     By the end of the decade the world he had known from 1875 to 1920 had completely disappeared buried by a world of scientific and technological advances as well and social and political changes that would have been unimaginable in his earlier life.  The changes in sexual attitudes caused by among others Krafft-Ebbing, Havelock Ellis and Margaret Sanger would have been astounding.

     The horse had been displaced by the auto.  Planes were overhead.  The movies already ruled over the stage, vaudeville and burlesque.  Cities had displaced the country.  The Jazz Age which was the antithesis of the manners and customs of 1875-1920 realized the new sexual mores so that the Flapper and Red Hot Mama displaced the demure Gibson Girl as the model of the New Woman.

     When ERB moved from Chicago to LA in 1919 he, like Alice, virtually stepped through the looking glass into a world he never made and never imagined.  A Stranger In A Strange Land not different in many ways from the Mars of his imagination.

Go to Part III- Background Of The Second Decade Social And Political

 

 

 

A Review

The Low Brow And The High Brow

And In Depth Study Of The Edgar Rice Burroughs Novels

The Mucker And Marcia Of The Doorstep

by

R.E. Prindle

 

Part One

1.

     By the time Burroughs took up his pen to write at the age of 36 he had a lifetime of frustration and humiliation behind him.  Born into an affluent family, their means had petered out by the time young Burroughs reached manhood.  Thus he who had been born a prince had become a pauper.  ERB felt this keenly.  His problem became how to regain his position, his exalted destiny.

     The most direct and possible approach was to become an officer in the Army.  Burroughs closed that avenue early in life by botching his relationship with Colonel Rogers and Charles King of the Michigan Military Academ.

     He began a promising career at Sears, Roebuck but he found success there would be of a very anonymous sort as the member of the team.  Fearing to disappear into mercantile obscurity he aborted that career abruptly quitting his job with no prospects.

     In what may have been one of the most important decisions of his career he joined up with a patent medicine manufacturer named Dr. Stace.  This phase of his career has not been properly investigated.  Reasoning from inferences in the Corpus it seems reasonable that he and Stace ran afoul of the law.

     A Pure Food And Drug Act had been passed in 1906 which temporarily at any rate made the sale of patent medicines illegal.  A few years later the Supreme Court would once again legitimize their sale provided the contents were properly labeled.  For the time being there was a problem with the law.  Erwin Porges’ Edgar Rice Burroughs: The Man Who Invented Tarzan briefly discusses the relationship in this manner. p. 105:

Stace, whom Ed found very likable, had grown ashamed of the patent medicine business and was casting about for a more reputable type of livelihood.  His qualms may have been reinforced by the dubious attitude of the United States Government: “Alcola cured alcoholism all right, but the Federal Pure Food And Drug people tooke the position that there were worse things than alcoholism and forbade the sale of Alcola.”

     The portion in quotes is presumabley from Burroughs although Porges fails to properly identify it if so.

     Since the Pure Food And Drug people acted against Dr. Stace it is only fair to assume the police were involved and depending on how far Dr. Stace fought it, probably a Grand Jury.  It is probable then that Burroughs’ seeming intimate knowledge of police methods and Grand Juries was learned at this time.

     As Stace’s office manager it is possible that ERB bought into the company and was therefore more intimately involved.  Certainly he did not sever his relationship with Dr. Stace as a result of these legal actions, but instead formed a corporation or partnership with him immediately after to sell courses in salesmanship.  Hardly more respectable than patent medicines.

     As one usually found advertisements for such courses in the back of pulp magazines one can conjecture the status of the enterprise and also its chances of success.  The company bearing the name Burroughs-Stace did fail quickly.  Notice that Burroughs name came before that of Stace.

     Now, Alcola being an illegal product it could not have done ERB’s reputation much good to be associated with it.  Continuing his relationship with Dr. Stace in another questionable business would only confirm ERB’s rputation for operating on the legal borderline.  In later years Burroughs, while not denying that he had been associated with Stace, claimed to have never seen those people since the time thus attempting to dissociate himself from them.

     Thus ERB’s prospects loomed shakily.  As these events occurred in 1909-10 he was facing a lifetime of marginal jobs leading ever downward or taking the million to one chance of becoming a successful author.  Not too long after terminating his relationship with Dr. Stace he took up his pen.  Fate began to blow a strong wind into his sails, so to speak.

     However, if I am correct, he was now looked at askance by ‘polite’ society.

     His first writing efforts were a success.  So successful that he could get anything he wrote into print.  this began to bear fruit in 1913, two years after he began writing, when he could throw over his day job and become a self-supporting writer.

     Thus he was able to realize his ambition to regain his status of a prince after an interim of nearly thirty years.

     He still had to explain himself to himself and Emma as well as to Chicago in general.  Much of his output of 1913 would attempt to do just that; especially the first of the two works under consideration here:  The Mucker. 

2.

     The psychological baggage Burroughs brings to his writing to exorcise is considerable.  When H.G. Wells portrayed ERB as insane in Mr Blettsworthy Of Rampole Island there was an element of truth while the case was overstated.  ERB  was apparently able to disappear into himself whiie he was writing thus living an alternate reality which is what Wells was talking about.

     The ability to do so is probably why Burroughs’ writing has such immediacy, why his improbabiities are so believable.  One wonders what would have become of his mind if he hadn’t become a successful writer.  Perhaps the pseudonym he adopted for his first book, Normal Bean, was more to convince himself than others.  Bean as slang for head or mind.  Certainly his reaction to his success appears to border on the irrational.

     His psychological compression was so great that he nearly went off the rails in 1913 in his first blush of success.  It is impossible that he wasn’t being observed by others.  It is impossible that others didn’t consider him a phenom.  The Mars Trilogy and Tarzan were such strange creations for the times that he had to be viewed with wonder.  While one can never be sure when he is being referred to in the fiction of other writers it seems to me that there are resonances of Burroughs in such writers as John Dos Passos and F. Scott Fitzgerald.

     If he had designed his actions to get talked about he couldn’t have come up with anything more spectacular than his trip to California mid-1913 after a successful half year.  For the full year he would earn over ten thousand dollars.  This sum in 1913 was reaching the lower limits of super affluence.  You couldn’t add much to your comfort with more than ten a year, the rest was conspicuous consumption.  It all depends on which multiplier you use but the one I use brings the income out in today’s dollars as between three and five hundred thousand dollars.

     Sudden affluence after years of scrabbling for a living can do strange things to your mind.  ERB’s was rocked to its foundations.  He went crazy in his rush to spend his money.  A clothes horse like his wife Emma came into her own.  In his rush to spend ERB spent his income before it was earned.  He was literally broke between  checks from his publishers.

     Then in mid-1913 an event occurred which might have triggered his flight from Chicago to California.  The Black boxer, Jack Johnson was conceded his title in 1910 when he defeated the White favorite, Jim Jeffries.  He had actually won the title in 1908 when he defeated then champion Tommy Burns.  Whites were reluctant to acknowledge his claim to the title until he had fought Jeffries who the Whites thought was the ‘real’ champion because he had retired undefeated.

     Having disappointed White hopes by defeating Jeffries, Johnson was then set up on a morals charge and convicted in what amounted to a kangaroo court.  About to lose his appeal Johnson skipped the country in July of ’13 rather than go to jail as an innocent man.

     The Affair Jack Johnson had had a tremendous effect on Burroughs who was an ardent boxing fan.  Thus his novel The Mucker  deals extensively with the Johnson Affair.  I believe that since his assocition with Dr. Stace Burroughs was considered quasi-legit at best and hence in the same boat with a Johnson.

     When Johnson split it seemed to cause an equal reaction in Burroughs.  Johnson went East to Europe while ERB went West to California.  In july of ’13 ERB began work on his realistic Chicago novel The Girl From Farris’s.  This work was undoubtedly intended to explain his actions between 1899 and 1911.  Once he got started he immediately ran into writer’s block being unable to continue the novel.  Before he could continue he had to work out several issues.  Thus he did what was for him a very unusual thing.  He began the book in July of ’13 only finishing it in March of ’14.  In between he wrote five other novels in his usual rapid fashion.  the were, in order  The Mucker, The Mad King Pt. 1, The Eternal Lover Ptl 1, Beasts Of Tarzan and The Lad And The Lion.   The entire set of six stories then are all closely related and should properly be understood only as aspects of the same novel- The Girl From Faris’s. 

     We are going to consider only the first of the inner five, The Mucker, here.  Thus the trip to California begins to work out the redemption or Salvation of Edgar Rice Burroughs.  The whole set might be titled:  Edgar Rice Burrougs In Search Of Himself.  

     One must not underestimate the influence of the two or possibly three central events in Burroughs’ life; his confrontatin with John The Bully in 1884-85, the 1899 trip to New york with the Martins and his dramatic relationship with Dr. Stace.  One cannot devalue his relationship with his father or Charles King, nor the very influential visit to Idaho where he came under the influence of Lew Sweetser, but his first three seem to dominate his life and work.

     A major consequence of his confrontation with John The Bully is that it declassed him.  ERB’s Animus became part prince, part pauper; part outlaw, part orthodox as demonstrated in The Outlaw Of Torn.   The trip in the private rail car showed him how far down the economic scale he was and how far he had to climb.  Although he won the hand of Emma from Martin I think it very likely that when he and Emma returned from Idaho Martin renewed his attentions to Emma.  He undoubtedly drove one  of the big new automobiles with which the impoverished ERB could not compete.  About all he could do if he thought Emma’s affection were wobbling was to get her pregnant.  In 1908 and 1909 the couple had two children in rapid succession although they could afford them no more than in their first eight years of marriage.

     Thus ten years after had taken Emma to Idaho, for reasons that are unclear to us, he took her to California.  Always the wastrel he made the trip in the most expensive way possible.  The family went first class.

     As Porges quotes him ERB says:  “I had decided I was too rich to spend my winters in Chicago so I packed my family, all my furniture, my second hand automobile and bought transportation to Los Angeles.

     This was not the most rational move for a man who had written an “Ode To Poverty” not too long before.  He had no assurance of being able to write or sell stories, without the sale of which he would be stranded, broke twenty-five hundred miles from his home.  Of course he still had all his furniture.  There was no one who could help him financially.  It is interesting to speculate on what sort of job he would have applied for.

     Why would a man do this?  ERB had apparently bought his used car, a Velie, at the beginning of 1913 when for all practical acounts he was still broke.  Why the urgent need to hop a train?  I think the reason can be traced back to Frank Martin.  The humiliation of the trip East in a private railcar in 1899 and the subsequent stay in the Bowery while the Martins  lived on Riverside Drive had to be compensated.  While ERB couldn’t afford a new car he rushed out to buy a used one which was apparently as much as he thought he could afford at the time.  On the other hand as his characters always say of themselves:  For me. to think is to act. if the Martins among other ‘plutocrats’ wintered in Florida then as ERB could still not compete with them financially he went West.

     Arriving in LA he and family drove the second hand Velie down to San Diego with the furniture apparently entrained for the same destination.

     During this period ERB’s behavior is absolutely zany.  Unable to stay put in LA he moved to Coronado which is a sand spit on the west side of San Diego Bay.  North Island Naval Air would be built on the North end of it.  The Carriers used to be docked on the ocean side as their draft was too great for the Bay.  Disliking Coronado he moved back across the bay to the first low ridge of hills that separates the city proper from the Bay.  He apparently was near the crest as he said he could look over it to the East.  When I was in the Navy in San Diego I thought this small ridge only a couple miles in length had the most deligthful climate on Earth.  I still think it does.  So, in 1913-14 before 101 became a major noisy highway at the base of the hill ERB was living in as close to paradise as anyone in this world can ever get.

     It was here he explored his psychological problems.

3.

     Burroughs because of his encounter with John The Bully, had been rendered susceptible to ‘low brow’ influences.  His subsequent life with its constant moving from school to school, from Illinois to Idaho, to Connecticut, to Michigan, to Arizona and back to Illinois had not put into contact with too many ‘high brow’ influences.

     In constrast, his wife Emma Hulbert, had been trained to high brow avocations from childhood.  I’m sure that one of the objections of her parents to ERB was that he was so detestably low brow.  Emma, afer all, had been trained to the opera which is the epitome of high brow.  Emma often referred to ERB as a low brow during their marriage which can be somewhat trying.  If one contrasts The Mucker with Marcia Of The Doorstep it will become immediately apparent that the former is low brow and the latter is intended to be high brow.  So the dominating theme of The Mucker is between the low brow Billy Byrne and the high brow Barbara Harding.  The problem as it surfaces when the two come into contact is how Barbara is to turn the low brow mucker into a high brow or at least into a low brow with good speech and mannerisms.  This may have been a daily conflict between ERB and Emma in real life.

     The first question is how far ERB identifies with Billy Byrne.  It is my contention that Billy is an alter ego conditioned by ERB’s confrontation with John The Bully.

     I have explained elsewhere that terror may be used to introduce a hypnotic suggestion.  Terror opens the mind to suggestion.  In ERB’s case when he was in terror of John he accepted the suggestion that because John was terrorizing him he was an admirable person to be emulated.  Of course this went against the teaching of his family so that ERB now divided his Animus nearly equally between his father/family and John.  Even though his family training commanded his first allegiance, John declassed him so that he mentally assumed the traits of this hoodlum Irish boy.  In a sense ERB split his personality.

     As would be expected the assumption of John’s characteristics caused a personality conflict which it was necessary to resolve.  One must assume that by 1913’s Mucker ERB was aware of his peronality conflict and began the attempt to write it out.

     For those new to the term a mucker was one who wallowed in the muck of society, a low class person with very little or no redeeming social value.  Thus Burroughs is dealing very harshly with both himself and Byrne/John.

     It may be assumed beyond doubt that John was first generation immigrant.  As he was twelve when he confronted ERB in 1884-85 he must have been born in 1872.  He may actually have been born in Ireland or was at least the son of immigrants hence his Irish prejudices against the English would be very strong while the Irish at the time were considered on a social and racial par with the Negro  or perhaps even below.  Combining these social disadvantages he was raised in Chicago’s great West Side which ERB with undisguised horror describes.

     He also very carefully indicates that Byrne was not an inherently bad person but was strictly a product of his environment.  He could have been anything raised in a different social setting.  Nurture over nature.  An interesting liberal opinion in an age when heredity was accredited to a criminal type.  By explaining Byrne as a product of his environment Burroughs was also justifying himself.  Indeed, how could he have learned the social graces to which he was entitled by birth having been brought up viewing the underbelly of society.  Probably ERB did not become acquainted  with the social graces or high brow point of view until he married Emma.

     If his social education began with his marriage to Emma then Byrne’s begins when he and Barbara Harding are brought into close contact on ‘Manhattan Island’ in the river of their Pacific island locale where they ‘play house.’  Thus there is more than sufficient evidence to indicate that Byrne and Burroughs are similar.  Both names even begin with a B.

     As he is part of Burroughs’ psyche ERB has to exonerate Byrne as well as rehabilitate him into someone at least that Burroughs can respect.  This is the burden of the book.

     After a youthful life in which Byrne makes the best of a bad situation, during which he became competent to survive and dominate in a difficult environment, Byrne takes a step up by becoming involved in boxing.  Thus he goes from a no brow to a low brow.  Already a fearsome street brawler Byrne becomes a formidable scientific boxer as well.  He is good enough to be a sparring partner with the Big Smoke himself.  This must have been before July 1913 but no earlier than say 1911.

     Sometime in 1912 or early 1913 Byrne is falsely accused of murder by one Sheehan who Byrne had defeated in a fight when they were twelve.  Billy had earlier saved a policeman’s life who was being savagely beaten by a rival gang on Byrne’s turf.  The policeman now returns the favor by advising Byrne to get out of town which advice Billy take seriously not unlike Jack Johnson.  Thus Johnson goes East, Byrne goes West at exactly the same time.  Coincidence?

     Billy bobs up in San Francisco about the same time that ERB shows up in the sunny Southland.  They both reach California at the same time.  Another coincidence?

     Unfortunately for Billy he gets shanghaied by the guy he intends to roll.  He is taken aboard the Half Moon.  The ship on which Henry Hudson explored New York’s Hudson River was named the Half Moon so there is a little joke here as Barbara and Byrne reside on a Manhattan Island in their Pacific location.

     Being shanghaied wasn’t the worst thing that could have happened to Byrne for while he is aboard he is forced to learn discipline- putting a little organization into his chaotic mind.  The Half Moon might also stand for the MMA in ERB’s memory.  He was more or less shanghaied into attendance when his father made him return after he had run away from the school.  Then, under the tutelage of Charles King who he respected he learned the rudiments of self-discipline.

     Even though Byrne is a sort of wildman Burroughs shows the greatest respect for him.

     Byrne’s next civilizing lesson comes when the Half Moon pretending distress captures the Harding yacht aboard which Byrne is transferred.

     The yacht named the Lotus, perhaps after Tennyson’s poem ‘The Lotus Eaters.’  The Lotus Eaters sat around all day in idle forgetfulness which was a pretty good description of the Harding party and another joke.  Burroughs had a copy of Tennyson’s poems in his library so the association is probable, besides which as Burroughs had a strong grounding in Greek mythology he would have been familiar with the Lotus Eaters from his Homer.

     Burroughs, who had never been to sea, knew nothing of the ocean.  His source for sea matters most probably was Jack London.  ERB was a great admirer of London but as he had nothing in his library one can only guess at what he had read.  There’s pretty good evidence for The Call Of The Wild and The Sea Wolf.  He may have picked up his South Seas lore from London’s Son Of The Son (The Adventures of Captain David Grief  in my edition).  The last book was published in 1911 but Burroughs probably had read it.  As he would project the making of Melville’s Typee into a movie in the ’30s it is possible that he was already familiar with that book and Melville’s other South Sea romance, Omoo at least as early as 1913.

     Both myself and other researchers are pretty liberal about ERB’s reading list but as I have cautioned before the bulk of his reading for these early stories had to be done between 1900 and 1911 when he was a very busy man with troubles in mind not to mention excruciating headaches.  Along with newspapers and magazines he surely couldn’t have read more than two or three hundred books if that many.  He may have read a number of sea stories in various magazines at any rate, but his sea lore is second hand, unreliable and unknowledeable.

     He has the Lotus tending Southwest toward the Philippines having begun in Hawaii.  The Philippines is a large archipelago blending into the massive archipelago just South of it, the Lotus should have been in Equatorial waters where the trade winds blow.  Most of your monster storms are further North or South.  I was in the Navy making one tour from California in the East to China in the West, South to Australia and North to Japan.  I had the terrifying experience of passing through a typhoon off Japan which if it wasn’t the storm of the millenium I can’t imagine a greater.  Quite seriously, we all thought we were going to die.  My only thought was that the water was going to be awfully cold when I hit it.

     I do not jest when I say the waves were seventy-five feet high, you’re right, why not make them a hundred, maybe they were a hundred, two would be stretching it.  I was standing on the bridge twenty-five feet above the water line looking straight up at the crest of the waves when we were in the trough.  OK.  A hundred twenty-five then.  We were so far down in the trough there was no wind, nor did the waves break over us, they just slid under the ship raising us to the crests and then we slid down the other side.  I kid you not.

     Then, as we came down from the crest, way up there, at the bottom of the trough the ship slammed into a current bringing it to a complete halt left and right and fore and aft.  These troughs were not rows of waves and troughs, no no, but huge bowls perhaps a mile or more long.  Our ship was three hundred six feet long so there we were a speck, an atom, a proton sitting quietly in the midst of this huge bowl waiting for the swatter of fate to fall.

     I had been thrown across the deck from port to starboard when we slammed into the current.  I scrambled to my feet, noticed that the starboard watch, Engelhardt, was on the way over the side for a tete a tete with Davy Jones.  I knew that Jones didn’t have the time for an ordinary Seaman like Engelhardt or me so I grabbed his belt and pulled him back aboard, then ran over to port to wait to die.

     Now that was a storm.  I don’t know how we rode it out, I thought the end had come, was past.  So, why did I tell that?  Because ERB’s storms are ludicrous and in the wrong place.  A cloud appears, the next thing you know a few indeterminate big waves show up and the ship sinks but the lifeboats survive.  All this in equatorial waters.  Well, if you’ve never been in it, it might sound alright.

     It doesn’t matter because those sudden squalls in ERB’s stories represent his confrontation with John The Bully.  Within the twinkling of an eye ERB’s whole direction of life changed.

  His had been for the worse but Byrne’s was for the better.  This then reflected the change in Burroughs’ own fortunes.

     Byrne and the crew are thrown up on an unidentified island somewhere in the South seas but a fairly large one.  In those years one could believe that there were islands yet to be discovered.  This one has a river big enough to allow for a largish island in the middle.  It is here that Byrne will get his introduction to the finer side of life.  However not before some very exciting and exotic adventures showing Burroughs at his best.

Apart from Jules Verne, who might also be an influence on this book through his The Mysterious Island that had a tremendous influence on Burroughs though the book was not in his library.  ERB seems to be familiar with a number of French authors.  He had The Mysteries Of Paris by the incredible Eugene Sue in his Library, while it is fairly obvious he had been suitably impressed by Victor Hugo’s Les Miserables.  The sewer scene in his next book, The Mad King, is indicative of that while Theriere in this book may be a variation on Thenardier.  He was also familiar with Dumas’ The Three Musketeers as there are several references to that one including the sequel to The Mucker, Out There Somewhere, when he indicates an intent to create his own three Musketeers in Byrne, Bridge and Burke.

     As indicated in my Only A Hobo, ERB was probably immersed in US-Japanese relations that were fairly hot at this time as well as remembering the Japanese exhibit at the Columbian Expo of 1893.  He gets his facts right too.

     In this case the island is populated by an indigenous population that has been blended with a group of Samurai warriors from Japan.  Burroughs correctly indicates that the Samurai had come to the island just before Japan was closed to the world in the early seventeenth century.  From about 1620 to about 1860- Perry opened Japan in 1853- no one had been allowed to enter or leave Japan so ERB has been doing his homework.  Over the three hundred years a degenerate society of militant Samurai had combined with the indigenes to create a culture of savages.  An interesting anthropological notion not too unlike The Lord Of The Flies that has been a literary staple for the last sixty years.

     Byrne and Theriere engage in a terrific conflict to rescue Barbara Harding from the Samurai during which Theriere is killed and Byrne seriously wounded.  Barbara Harding nurses him back to health in an idyllic glen by a babbling brook.

     At this point Byrne is reunited with his Anima ideal.  Barbara is going to rehabilitate this guy.  He has made some few steps toward his own redemption but the following is the quality Barabara had to work with as described by ERB p. 17:

…Billy was mucker, a hoodlum, a gangster, a thug, a tough.  When he fought he would have brought a flush of shame to the face of His Satanic Majesty.  He had hit oftener from behind than before.  He had always taken every advantage of his size and weight and numbers that he could call to his assistance.  He was an insulter of girls and women.  He was a bar-room brawler, and a saloon corner loafer.  He was all that was dirty, and mean, and contemptible and cowardly in the eyes of a brave man, and yet, notwithstanding all this Billy Byrne was no coward.  He was what he was because of training (conditioning) and environment.  He knew no other methods, no other code.

     As Burroughs says, up to this time Byrne had been an insulter of women, abusive to the whole female sex, probably including his mother.  It is only now that his eyes begin to open to what Jack London would call the wonder of woman.  How far Byrne reflects ERB’s general attitude toward women isn’t clear although by the end of his life his misogyny was becoming pronounced.  He was certainly no ladies man prior to is marriage to Emma.  I am not certain he would have married if it hadn’t been for the competition with Martin.   The suddenness of his marriage after the Toronto incident indicates a Martin influence or else he was bonkers after the blow.  When he later said Tarzan should never have married he was undoubtedly talking about himself.  He certainly never placed Emma first, being always ready to accept an army commission, fight in Central America, seek a commission in the Chinese army or become a war correspondent all of which would have left Emma and the kids at home.

     At the same time Barbara who had detested Byrne becomes softened to him preparing her to love him once they moved downstream to Manhattan Island.  This may be some romanticized version of ERB’s relationship with Emma after Toronto although she seems to have been fixed on Burroughs from childhood.  At any rate the relationship comes to fruition downstream where the high brow Barbara attempts so raise the brow level of Byrne.

     If one takes high brow, low brow seriously being thought of as a low brow, that is inferior, can be annoying.  Since Burroughs has chosen in his first novel within the cocoon of Girl From Faris‘s  to write around the theme of a low brow hero I think it fair to believe it irritated him to be thought of as a low brow; especially so as in most instances he was much better educated than those who so named him.  Chief among these was his wife Emma.  Whereas she had been trained ot operatic arias ERB played the hillbilly tune Are  You From Dixie?  over and over again on his phonograph.  Hillbilly music really irritates the operatic type.  There must have been constant conflict in the household.

     Emma especially looked down on boxing as low brow.  ERB was an ardent boxing fan, while here he chooses a low brow boxer as hero.  ERB could have some startling opinions on what was high brow.  He thought auto races were high brow.  I don’t know what the crowds were like back then but I’ve been to the stock car races where I found high brows conspicuous only by their absence.

     But, to the Mucker.   Moving downsteam after his recovery on this rather large river coming closer to the estuary they hit an island.  Being bounded as it were by a Hudson on one side and East River on the other they named the island Manhattan.  There’s a nice Expo twist and joke here as in Chicago on the Wooded Island one came upon a Japanese settlement in the middle of the city; here on a Samurai Island in the Pacific one comes upon a Manhattan Island of Americans.  Kind of cute reversal, don’t you think?

     As Billy has to know some details about Manhattan to keep the story moving, Burroughs rather lamely invents a couple trips Billy had made to New York with the Goose Island Kid.    As the boxing scene Burroughs describes, with the exception of the Big Smoke is entirely Irish one might note the origin of the name of The Goose Island Kid.  Goose Island was an area in the Chicago River inhabited by the poorest of the Irish, so the Kid comes from the bottom of the social scale even below Byrne’s origins.  One should contrast this with Burroughs prized English ancestry.

     Burroughs is writing from experience either psychological or real.  Thus one asks when was ERB in New York to acquire his knowledge of the city.  Well, let’s see:  He had an extended stay in 1899.  That was the trip when he got bashed in Toronto.  Then he had a short stay at the the invitation of Munsey.  Most of what he knew must have come from the 1899 trip.

     On their desert Manhattan Island Barbara, who up to this time had been repelled by Byrne makes an attempt at deconditioning Byrne from a Mucker and reconditioning him as an upper class New Yorker.  the conditioning consists of ridding him of the horrific characteristics attributed to him by ERB while teaching him to speak in an educated manner.  As there was no tableware she couldn’t teach him which fork to use.

     Possibly this scene may reflect on the first couple years of Burroughs’ married life.  Remember that ERB hadn’t been much around polite society from the years of twelve to twenty-five during which he was conditioned to his low brow attitudes.  Emma had been brought up in a high brow environment so that she may have felt the need to isntruct her new husband in some of the finer points of good manners.

     When Frank Martin (see my Four Crucial Years) asked ERB to go to New York with him in 1899 he did so with a heart full of malice.  He was competeing with Burroughs for Emma Hulbert’s favors and, as is commonly believed, he felt all’s fair in love and war.

     The evidence points to the fact that he intended to have ERB murdered in Toronto to clear his path to the woman.  Along the way he must have done his best to humiliate his rival- the mucker Ed Burroughs.

     ERB was moving in much faster company than he was used to.  While coming from a once affluent family his people had fallen on hard times.  ERB’s income was little more than sixty dollars a month while Frank Martin the son of a millionaire could blow that much on dinner every night of the week.

     Riding in Martin’s father’s private railcar one imagines that ERB’s suit compared to the fabulous duds of Martin was laughable.  The contrasts between their two stations must have been even more laughable and very satisfying to Martin.  Martin would have considered himself a high brow to Burroughs’ low brow.

     Once in New York Martin’s hospitality didn’t extend to living quarters.  ERB gives no indication of how much money he took along or where he got it.  I should be surprised if he had so much as two hundred dollars, certainly no more.  However much he had there was no way he could have kept up with the Martins.

     His address while in New York was down on the Bowery while the Martin’s was in a better part of town, perhaps Riverside Drive.  Danton Burroughs has a picture of the three of them- Burroughs, Martin  and Martin’s other companion, R.H. Patchin, on Coney Island.  One hopes Danton will release the photo to ERBzine along with any other information he may have.  Coney Island would be good low brow entertainment to offer Burroughs, something he could afford.

     A possible account of how Burroughs felt during his dependency on Martin can be found in one of the volumes in ERB’s library:  The House Of Mirth by Edith Wharton.  The reading of it must have brought pangs of recognition to ERB.

     In The Mucker Billy Byrne speaks of Riverside Drive and the Bowery in this way:

“Number one, Riverside Drive,” said the Mucker with a grin, when the work was completed: “an’ now I’ll go down on the river front and build the Bowery.”

“Oh, are you from New York?” asked the girl.

“Not on your life,” replied Billy Byrne.  “I’m from good old Chi but I been to Noo York twict with the Goose Island Kid, so I knows all about it.  De roughnecks belong on de Bowery, so dat’s what we’ll call my dump down by de river.  You’re a high brow, so youse gotta live on Riverside Drive, see?’ and the mucker laughed at his little pleasantry.

     In 1913 the only real experience Burroughs had with New York was the 1899 trip so that one can guess that when the Martin party detrained Burroughs as a ‘roughneck’ went to the Bowery while Martin and his group went to Riverside Drive or its equivalent.  Surely Burroughs realized he had been duped at this point and felt it keenly.  Or, perhaps, he didn’t catch on until much later having thought about it for a while.  Referring to the Irish Martin as The Goose Island Kid who took him to New York may be a belated disguised slap in the face.  If Martin read the book I’m sure he would have understood.

     At this point is the novel Barbara begins Byrne’s deconditioning teaching him the Riverside patois thus giving him true English as a second language to his native Muckerese.  Thus Byrne is to some extent rehabilitated as a human being; this follows fairly close that of Jean Val Jean of Les Miserables, however as Billy ruefully learned there is more to reconditioning than language.

     At this point Byrne has a dual personality.  He is the low brow mucker and a high brow mucker in that he has learned certain mannerisms and he can speak both forms of English.

     If the scene on Manhattan Island to some extent reflected the relationship between ERB and Emma then the seeds of his discontent  which will result in divorce have already been sown.  The parting from Barbara at the end of the story may be the first prefiguration of his divorce.

     On the other hand Byrne has been temporarily reunited with his Anima figure somewhat in the manner of Eros and Psyche in Greek mytholotgy which makes him a complete being, his X and Y chromosomes being reconciled.  They are soon split apart again as he and Barbara find their separate ways to NYC.

4.

      Upon Byrne’s return to NYC Burroughs begins to wrestle with the problem of the displacement of a White heavyweight boxing champ with a Black one.  In our age when boxing has become a totally Black sport it is difficult to see the real significance of Jack Johnson’s assumption of the championship for both Whites and Blacks.  The success of Johnson also came at a time when in competition with immigrants the Anglo ‘old stock’ was being displaced from a feeling of rightful preeminence in a country it had made.

     This displacement by immigrant’s also occured at the time when the ranks of the European conquerors of the world had reached their limitations and the conquered began to roll them back.  Thus one has such volumes of the period as Madison Grant’s The Passing Of The Great Race and Lothrop Stoddard’s The Rising Tide Of Color.  The world was mysteriously changing slipping from beneath the White Man’s feet.

     Complementary to the works of Grant and Stoddard, but not influenced by them, was the world of such writers as Zane Grey, Jack London and Burroughs.  A common thread in the world of all three is the displacement of the ‘old stock’ by immigrants.  London has a telling phrase in his excellent and highly recommended Valley Of The Moon when his character Billy Roberts is told that the ‘old stock’ had been sleeping and that now like Rip Van Winkle they were awakening to a new world that had changed while they slept.  This theme would reappear in such works as Booth  Tarkington’s The Magnificent Amerberson’s and Burroughs’ own The Girl From Hollywood of the next decade.

     The social conflicts are treated almost identically by all three authors.

     Richard Slotkin in his Gunslinger Nation attempts an exhaustive treatment of the problem from the Gustavus Myers’ immigrant/unskilled labor point of view which may be contrasted with that of our three masters.  I will discuss this a little later.

     Great changes were in progress.  To try to characterize them from a single point of view as the Myers’ school does is both foolhardy and pernicious.  While the immigrants and unskilled labor have their story it is only their story, a small part of the whole.  While one can sympathize with anyone, anywhere, one cannot necessarily accept their point of view as definitve on which point they do insist.  My heart goes out to everyone but does not rule my head.

     The argument then breaks down broadly between the Liberal Coalition and what name is appropriate for the other side? -the rational? the realistic?, the conservative?.  Why not settle for the Conservative with all its limitations.  Yes, I am unapologetically conservative.  No more limitating actually than calling the irresponsibility of the Coalition liberal.  I fail to see the liberality.

     The argument devolves into the two factions of the ‘old stock’ with the convervative wing being hopelessly outnumbered when the liberal wing aligned themselves along national and racial lines with the immigrants and Blacks and along poltical and religious lines with the Judaeo-Communists or more conveniently- the Reds.  Reds is shorter.

     That writers of the bent of Burroughs, London and Grey have survived at all, let alone remained popular, in such an environment is remarkable indeed.

     From 1910 to 1919 major events that affected our writers occurred and typified the decline of Euroamerica from its pinnacle of self-satisfaction.  The Great War which ran from 1914 to 1918 shattered the image of Euroamerica before the rest of the world  Successful resistance not only appeared possible to the defeated peoples but probable.  Note the advantage Japan took of the debacle.

     A second event almost prefiguring the Great War was the sinking of the great ship RMS Titanic in 1912.  Billed as unsinkable it represented the peak of Euroamerican scientific and technological skill.  When that Grat Ship went down on its maiden voyage it took a great deal of the West’s confidence down with it.  While the West watched in dismay and horror the rest of the world cheered  the West’s discomfiture.  Unsinkable indeed!

     But perhaps the single most disastrous blow to the pride of Euroamericans was when the Black Jack Johnson laid the pride of the Whites, Jim Jeffries, down in the fourteenth on July 4, 1910.  The might Casey, Jim Jeffries, had struck out.  The much despised Negro, Jack Johnson, walked away wearing the world heavyweight championship belt.

     The Whites howled, they rioted but they had shot their best shot and there was no backup.  No contender.  No hope.

     Jack London actually reported the fight.  He was there.  Ringside.  Nor was he charitable toward Jack Johnson.  He said things that might better have remained unsaid.  We have no indication as to what Burroughs thought at the time.  By the time he spoke publicly in The Mucker he had had time to mature his thoughts.

     The effect on London was traumatic.  In 1911 he published his book The Abyssmal Brute, his first thoughts on the fight.  The fight not yet out of his system London expressed himself still further in his 1913 novel The Valley Of The Moon.  I’ve said it before.  I’m no Jack London fan.  I’ve only read him more or less at the insistence of ERBzine’s Bill Hillman.  If I had gone to the grave without reading The Call Of The Wild or The Sea Wolf  I wouldn’t have considered it a loss.  Not the same with Valley Of The Moon.  This book along with ERB’s Bridge And The Oskaloosa Kid is one of the neglected masterpieces of twentieth century American literature.  It alone justifies London’s excellent reputation.

     The story is that of two Oakland, California young people, Billy Roberts and his sweetheart Saxon Brown.  While lamenting the displacement of the ‘old stock’ by the immigrants London also makes this a boxing story along the same lines as The Mucker. 

     In fact the stories are quite similar in conception.  If one didn’t know that the authors were writing at the same time 2500 miles from each other one would think they may have written on the same theme as a bet.  London, too, must have been influenced by the midnight flight of Johnson from Chicago.  London makes Roberts an outstanding boxer in the Bay Area.  Roberts gives up boxing because of the fate of boxers  and because of the low brow fans.  Later in the book London  says that Roberts sparred with both Jim Jeffries and Jack Johnson.

     After a  long period of unemployment in an attempt to win a hundred dollar prize to relieve his and Saxon’s poverty he agrees to go back in the ring, the squared circle,  as Burroughs always refers to it.  The fight with the Chicago Terror is very reminiscent of the Jeffries-Johnson battle.  Like Jeffries Roberts hadn’t fought for a long time.  Like Jeffries he was out of condition.  After retiring in 1905 Jeffries had taken up farming, blossoming out to three hundred pounds.  When the call came to redeem the honor of the White species sometime after 1908 Jeffries had to quickly get into condition losing all the extra tonnage.

     He had certainly not regained his top form, timing and mental focus when he climbed into the ring to face Johnson.  I make no excuses for him but as Jeffries said he saw his openings but his unconditioned reflexes didn’t allow him to take advantage of them.  His failure broke the hearts of his followers.

     The battle between Roberts and the Chicago Terror, johnson must have been intended, is probably a replay of the 1910 fight as seen by London.  Out of condition and rusty Roberts gets mauled from start to finish.  In an attempt to salvage special pride London has Roberts at least stay on his feet till the twentieth unlike the fourteenth round fall of Jeffries.

      Toward the end of Valley Of The Moon London has Roberts climb nto the ring again, this time against a Big Swede, sort of polar to the Big Smoke.  In the second of two bouts Roberts has difficulty putting the Big Swede away until the fourteenth.  Also a replay of the Jeffries-Johnson fight with Roberts/Jeffries winning this one, if only in Jack’s dreams.

     Thus the anguish of the loss surfaces three years after.  Now, that the two events, the Titanic and fight get confused in this shuddering defeat of Euroamerica is interestingly made evident in the song Jack Johnson and the Titanic.  In the song Jack Johnson goes down to the steamship line in England to buy passage for his White wife and himself.  He is told that no Black Folks are allowed on the Titanic.  As some sort of divine punishment for refusing him the Great Ship sinks.

     Obviously Jack Johnson couldn’t have been refused as in 1912 he was still in Chicago fighting to stay out of jail.  But the two White disasters became mingled in imagination.

     While London  was wrestling with the Johnson Affair in Valley Of The Moon, Burroughs was doing the same in his Mucker.   One wonders what a further seach of popular literature would reveal.

     In The Mucker Burroughs has gotten Byrne back in New York City.  Broke and with no means of a livelihood the big man-beast turns to the only thing he can do which is boxing.  While London, who had witnessed the fight essentially retold it in Valley Of The Moon, Burroughs who didn’t prepares Byrne to redeem the Whites by fighting and defeating the Big Smoke.  Burroughs doesn’t mention Johnson by name.  He uses Big Smoke, big dinge.

     Burroughs immediately places Byrne in the role of the next hope.    At the time these Whtie boxers were known only as hopes, the term Great White Hope in the completely derogatory sense evolved later.  Like London Burroughs minces no words about Jim Jeffries being his favoirte.  Not only does Byrne imitate Jeffries by fighting from a crouch but ‘Professor’ Cassidy his trainer says:

For a few minutes Billy Byrne played with his man, hitting him when and where he would.  He fought, crouching, just as Jeffries used to fight, and in his size and strength, was much that reminded Cassidy of the fallen idol that in his heart of hearts he still worshipped.

     Winning the fight Byrne went on to meet the #1 contender who he handily defeated.  Having evoked the ghost of Jim Jeffries Burroughs brings in his other hero, Gentleman Jim Corbett.

     The following morning the sporting sheets hailed “Sailor Byrne” ( tribute to Jack London whose hobo moniker was Sailor Jack) as the greatest white hope of them all.  Flashlights of him filled a quarter of a page.  There were interviews with him.  Interviews of the man he had defeated.  Interviews with Cassidy.  Interviews with the referee.  interviews with everybody, and all were agreed that he was the most likely heavy since Jeffries.  Corbett admitted that, while in his prime, he could doubtless have bested the new wonder, he would have found him a tough customer.

     Jeffries, Corbett, Byrne, a combination with so much magic in the names couldn’t help but win back the title to salve the wounded pride of the White species.

     Cassidy wired a challenge to the Negro’s manager, and received an answer that was most favorable.  The terms were, as usual, rather one sided but Cassidy accepted them, and it seemed before noon that the fight was assured.

     Assured in dreams, of course, as this is only a novel.

     It would be quite easy to pass over this part of the tale without realizing its significance but it shows the pain and suffering, the loss of pride that occurred when the championship went Black.  While Burroughs has no difficulty invoking the names of the fallen idol, Jeffries and Corbett, he cannot bring himself to name Johnson referring to him only as The Big Smoke, the big dinge, or the Negro.  The White world was in a deal of pain.

     One can only guess how Burroughs intended to resolve his dilemma of having the fictional Byrne fight the living Johnson or perhaps the story was only a magic incantation to arouse the true hope.  At any event when Byrne next appears in story in 1916’s Out There Somewhere, Jess Willard had already taken the championship back although under dubious circumstances.  By 1916 Byrne’s boxing career is forgotten; there is no mention of it in the sequel.

     Having solved the problem of the championship Burroughs returns to his Anima problem in the romance with Barbara Harding.  Billy remembers she lives in New York City and decides to call on her.  But…

…a single lifetime is far too short for a man to cover the distance from Grand Avenue to Riverside Drive…

     While the above words were spoken about Billy,  Byrne too came to the same conclusion:

     But some strange influence had seemed suddenly to come to work upon him.  Even in the brief moment of his entrance into the magnificence of Anthony Harding’s home he had felt a strange little stricture in the throat- a choking, a half-suffocating sensation.

     The attitude of the servant, the spendor of the furniture, the stateliness of the great hall and the apartments opening upon it- all had whispered to him that he did not “belong.”

     So Byrne feeling his inability to fit in walks away in bitter pride forswearing his love for Barbara Harding.  Still, he could remember her saying back on that other Manhattan Island:

I love you Billy for what you are.

     Thus the epic of the low brow Billy ends as he walks down the street a study of dejection with Barbara’s words ringing through his mind.

     The question here is how much the relationship between Byrne and Barbara is a ‘highly fictionalized’ account of ERB’s own relationship with Emma.  We can’t know for sure how hurt Burroughs may have been by Emma’s calling him a low brow.  Perhaps he longed to hear her say:  I love you, Ed, just the way you are.

     Certainly the stories enveloped by The Girl From Faris’s all deal with his relationship with Emma as his Anima ideal.  The Mad King which follows this story details the problems of the hero getting on the same wave length with the Princess Emma.  He even uses his wife’s real name.  The following title – The Eternal Lover – speaks for itself, Beasts Of Tarzan features a wild chase with Tarzan trying to find Jane who is lost in the jungle, while the last of the series, The Lad And The Lion, details the troubles of the Lad finding his desert princess.  After the Lad he got past his mental block being able to close The Girl From Faris’s.

     So if these stories are read consecutively they record the struggle going on in ERB’s mind to reconcile Emma to his Anima ideal and his Anima to his Animus.  This is a task for not any but the most dedicated Burroughs scholar but I would interested in learning the opinion of any who might attempt it.

     Read only Book One of Mad King and the first part, Nu Of The Neocene, of Eternal Lover in this context.

 

     Ten years later ERB tackled the problem from the high brow point of view in Marcia Of The Doorstep.

Go To Part Two

Background Of The Second Decade- Personal

 

 

 

A Review

Themes And Variations

The Tarzan Novels Of Edgar Rice Burroughs #16

Tarzan And The City Of Gold

by

R.E. Prindle

 

Tall, magnificently proportioned, muscled more like Apollo than Hercules,

Garbed only in a narrow G-string of lion skin

With a lion’s tail depending before and behind,

He presented a splendid figure of  primitive manhood

That suggested more, perhaps, the demigod

Of the forest than it did man.

E.R. Burroughs

     This novel follows Tarzan And The Leopard Men in the sequence in which the novels were written.  Ballantine lists it as number sixteen while placing Leopard Men in eighteen in the sequence in which they were published.  In order to understand Burroughs’ psychological development however Leopard Men should be read before City Of Gold.

     The amazing use of symbolism in Leopard Men is continued in City Of Gold.  I am convinced that at this

The Swami

The Swami

time Burroughs was investigating the Indian religion of Vedantism.  Swami Prabhavananda had established a temple in Hollywood at the beginning of the decade which quickly took hold.  The symbolism would be employed by the Vedantists while Burroughs’ interest in symbolism itself was piqued.  Shortly after this novel ERB purchased a 1932 volume entitled The Scientific Dream Book And Dictionary Of Dream Symbols by one Johnathan B. Westerfield.  Thus ERB was investigating the psychological origin of his dreams.  The man was trying hard.

     It is clear that this sequence of novels is heavily influenced by Homer, especially by his Odyssey.  Homeric motifs run all through these five novels while as Doctor Hermes and David Adams have pointed out Burroughs uses the Athenian monetary unit, the drachma, as the currency of Cathne.

     A third probable source would be from the Legends Of Charlemagne volume of Bulfinch’s Mythology.  In the last Bulfinch tells of a City Of Gold in which an enchantress keeps the paladins of Charlemagne captive.  That story seems to be based on Homer’s story of Circe and Odysseus, or Ulysses in the Roman telling, so Burroughs combines both stories in his own enchantress, Nemone, of his City Of Gold.  One may take the City Of Gold to be the Sacred City of the Iliad.

     The rival kingdoms of Cathne and Athne- my spell check just pointed out to me that Athne respelled is Athen which is very close to Athene or Athens- have Greek sounding names reinforcing the Homeric connection.

     While the sexual symbolism of Leopard Men is dark and brooding placed in a swamp not unlike the Lernean Swamp of Greek mythology in which Heracles fought the furious female Hydra, The City Of Gold is much brighter and airier, more intellectual than the darker urges of the subconscious.

     Having now read many of the Tarzan novels four-five and even six times I am astonished at how well they maintain their freshness from reading to reading.  Rather than weary me, each reading is a fresh experience that opens a whole new vista of possibilities.  The more I seem to understand of what I’m reading the more signficance the words have as the story seems to rise from the page to form concrete living images, as it were.

     In this novel expecially I am impressed by the pacing, the effort put into preparing the scenes and the masterly execution in which each word assumes its independent value almost as though ERB had put as much care into word selection as, say, the poet Tennyson.  Of course we all know ERB read Tennyson as well as other verse and poetry while also being familiar with song lyrics.  Thus while writing prose he is able to maintain a poetic intensity.

     The opening scene is an excellent example of his skill.  Tarzan is out hunting when he is spotted by some shiftas.  He’s in Ethiopia at the end of the rainy season.  We aren’t told why he is there but he has commanded Nkima and Jad-Bal-Ja to stay home.  As a corollary, just before he leaves Emma two years later he will take a solo vacation to the mountains of Arizona.  The spatial arrangement conveyed in this scene is that of Tarzan between the shiftas and the prey he is hunting.  While he is silently stalking the prey the shiftas are more noisily stalking him.  The movement of the shiftas which can be seen by the prey but not by Tarzan who has his back to them is caught by the prey who looks past Tarzan to the shiftas.  Tarzan noticing the prey looking beyond him also looks back to spot the shiftas stalking him.

     The spatial concepts involved are astonishing while three views of time are also evident.  I only picked up on this aspect with my fifth reading.  My interest was thus piqued and heightened so that the novel took on an entirely new aspect.  The scene as written is so well paced and spaced that it made a vignette I’m sure I shall never forget, while I now long to duplicate such a scene in my own writing.

     The patient lulling slow pace of Tarzan’s hunt was now broken.  As Tarzan’s quarry fled, the action between Tarzan and the shiftas became fast, furious and frenzied, while the sexual symbolism bursts into one’s consciousness.

     As the shiftas bear down upon him Tarzan realizes that he cannot escape by running.  If he could have he would have because as Burrughs never tires of noting there is no disgrace in running from a force majeure.  Instead Tarzan shot arrows among the the shiftas.  Than as a shifta bore down on him lance leveled:

There could be no retreat for Tarzan; there could be no sidestepping to avoid the thrust, for a step to either side would have carried him in front of one of the other horsemen.  He had but a slender hope for survival, and that hope forlorn though it appeared, he seized upon with the celerity, strength and agility that make Tarzan Tarzan.  Slipping his bow string about his neck after his final shot, he struck up the point of the menacing weapon of his antagonist, and grasping the man’s arm swung himself to the horse’s back behind the rider.

     Abilities like that make Tarzan Tarzan and I’m sure such a feat could be done in reality as in the imagination although possibly not if Tarzan had had the bunchy muscles of the professional strongman.  Smooth ones flowing beneath the skin like molten metal are undoubtedly a prerequisite.

     Dispatching the shifta Tarzan is now symbolically seated on a horse.  The horse directly plunges into a river to swim to the other side.  In mid-stream the horse and rider are attacked by a crocodile that Tarzan kills or disables.  Emerging from the river Tarzan gallops into a forest where he abandons the horse for the security of the trees.

     There in a short passage we have a wealth of symbolism that tells in a few paragraphs what ERB could have developed in many chapter if told in straight prose.

     The horse is a symbol of the female.  Thus Tarzan as Animus is symbolically united with his Anima.  the horse plunges into the river which is also a female symbol representing the waters of the unconscious.  Still mounted Tarzan is in the conscious sphere above water while the horse is submerged in the subconscious.  The crocodile also a female symbol representing the greedy, devouring, emasculating aspect of the female attacks.  The horse turns upstream in an attempt to flee the croc.  Tarzan strings his bow firing an arrow, as a masculine symbol, into the  crocodile’s mouth disabling it thus escaping the disabling aspect of the feminine while with strange violence sending the arrow down the throat.  One has to think about these things.

     The horse scrambles up on the opposite bank signifying a change in life, then gallaps into the forst of the subconscious where one goes in search of oneself.  The forest here is the same as all those underground mazes in Burrough’s corpus.

     Once in the forest Tarzan abandons the horse, or Anima for the security of the trees where he is above it all.  Apparently there is a deep cleavage between his Animus and Anima.  Now begins a very strange encounter.  Burroughs apparently felt he left something of himself on the other side of the river so he goes back for it.

     Coming upon the camp of the shiftas he notices that they have a bound captive.  As this appears to be what he returned for one can only speculate that the bound captive is an aspect of himself.  Perhaps the captive represents his marriage to Emma in which he is in the bonds of matrimony wishing to escape them.  Tarzan takes action.  At this point Burroughs offers this rather remarkable passage describing the Ape-Man.  p. 15:

It was difficult for Tarzan to think of himself as a man, and his psychology was more often that of the wild beast than the human, nor was he particularly proud of his species.  While he appreciated the intellectual superiority of man over other creatures, he harbored contempt for him because he had wasted the greater part of his inheritance.  To Tarzan, as to many other created things, contentment is the highest ultimate goal of achievement, health and culture the principal avenues along which man may approach this goal.  With scorn the ape-man viewed the overwhelming majority of mankind which was wanting in one essential or the other, when not wanting in both.  He saw the greed, the selfishness, the cowardice, and the cruelty of man; and, in view of man’s vaunted mentality, he knew that these characteristics  placed man upon a lower spiritual scale than the beasts, while barring him eternally from the goal of contentment.

     In the above quote ERB outlines the central problem of mankind.  In the evolution of mankind from beast to homo sapiens the much vaunted mentality of HS has failed to make the transition from the pure mentality of the beast to that of, essentially, the god.  In orther words his origins are dragging him back as he tries to make the leap to the next stage of evolution and development.

     While having a godlike intelligence rather than using it to elevate himself above primal desires as the direction of the nineteenth century was going, in the early twentieth century Freud undercut the drive to perfection dragging mankind back down to primal desires.  This is Freud’s great crime for which he should be burned in his effigy of Satan once a year in a great world wide holiday.  Thus as Man uses his intelligence to get at the root of things, and I think we’re very close to understanding all, Man’s primal desires lapsing back into the ‘unconscious’ of Freud, and make no mistake the current conception of the unconscious is of Freuds’ personal devising, devise even more fiendish ways of evil as that knowledge increases.  Thus rather than aspiring toward a spiritual contentment Man chooses to give in to desires that lower him beneath the hyena.

     Thus Tarzan, who has attained spiritual contentment, and become godlike, looks with scorn and contempt on the humanity of his fellows preferring to think of himself as a ‘spiritually pure’ beast.

     While this attitude is a theme throughout the oeuvre and the corpus as a whole perhaps this rant was sharpened by the developing difficulties at MGM.  Shortly after this was written Tarzan, The Ape Man hit the screens scrambling ERB’s vision of Tarzan forever.  The screen Tarzan has no intellect.  In the movie Tarzan’s Desert Adventure Boy even has to read Jane’s letter to him.

     On his way to the shifta camp the ever present Numa is between him and the desperadoes.  Taking to the trees of the forest to pass over Numa he spots a strangely garbed man in the shifta camp.  Still smarting because he lost his quarry and operating on the primitive logic that since the shiftas had deprived him of dinner it would only be right to deprive them of something they wanted, he decides to free the captive.

     He was about to fail in his attempt when the ever present Numa saves his skin by attacking the shifta camp.  In the confusion Tarzan and the prisoner escape.  The man turns out to be an Athnean named Valthor.  Having escaped they must put up for the night.  Sheeta the panther is abroad.  As David Adams is wont to point out, for Burrough Sheeta is a sexual symbol, so the next scene has strong homoerotic overtones.

     The question is who does Valthor represent.  He is curiously vague in personality.  As Burroughs was obsessed with the Jekyll and Hyde notion at this time I suspect that Valthor is an aspect of Burroughs’ own personality with some sort of relation to Tarzan as Jekyll to Hyde.  Valthor’s life is saved as Sheeta leaps for him so that one feels he may be related in some way to Stanley Obroski, another alter ego of Tarzan, who will actually die in the succeeding novel, Tarzan And The Lion Man.

     In this novel, in putting up for the night, Tarzan with his superior junglecraft, finds a tree where two horizontal branches fork.  He cuts some smaller limbs to form a pallet for himself for the night.  He had eaten but he is unconcerned whether the able bodied Valthor has eaten or not.  Tarzan does not hunt for other men.  If he hadn’t already eaten he would have made a kill and shared the abundance.

     Valthor lies down on the ground.  Sheeta is watching silently.  So silently even Tarzan does not hear him breathe, until readying himself to springs, he quietly brushed a leaf or two.  Tarzan hears for his ears are not as yours or mine.  As Sheeta launches himself on Valthor Tarzan shouts a warning while rolling from the pallet to descend on Sheeta’s back.

     Now, this scene replicates a similar scene in Beasts Of Tarzan when Tarzan leaps on Sheeta’s back in midair as she was about to leap on the ape, Akut.  I hadn’t thought of homoerotic overtones between Akut and Tarzan but they may be there.  It may be signficant that Akut later became the mentor of young Jack Clayton otherwise known as Korak The Killer.

     In the instance of Akut, the ape became sort of a vassal of Tarzan, while in this story Tarzan and Valthor become fast friends although the relationship is one of superior to inferior- Batman to Robin.  After killing Sheeta, Tarzan takes a more motherly attitude toward Valthor, making a bed for him in the tree because he knew Numa was prowling the forest.  That undoubtedly he knew that before was he leaving Valthor for Numa?

     They awoke in the morning.  p. 26:

Nearby, the other man sat up and looked about him.  His eyes met Tarzan’s and he smiled and nodded.  For the first time the ape-man had an opportunity to examine his new acquaintance by daylight.  The man had removed his single garment for the night, covering himself with leaves and branches.  Now as he arose, his only garment was a G-string and Tarzan saw six feet of well muscled, well proportioned body topped by a head that seemed to bespeak breeding and intelligence.  The wild beast in Tarzan looked into the brown eyes of the stranger and was staisfied that here was one who might be trusted.

     Not exactly a description of love at first sight but a definite tinge of homoeroticism.  Brown eyes.  In fact Tarzan and Valthor become fast friends.  Quickly learning each other’s language by the point and name system, or at least, Tarzan learning Valthor’s language, they are soon chatting away amiably.

     Valthor comes from the mountains but after they wander around for a week he admits he is lost.  Tarzan gets the general direction then setting out in a bee line.  Their goal is the huge extinct volcano, Xarator, which they soon locate.  Just as Leopard Men was cast in the erotic swamps of the feminine as Old Timer lusted and panted after Kali Bwana so The City Of Gold  is located in a valley high in the mountains where heaven and earth meet and the cold incisive intellect works best.  Tarzan is not going to lust; like brave Ulysses he is going to resist the sexual blandishments of his Circe, Nemone.

     Both City Of Gold and Tarzan Triumphant take place near or in volcanos so the volcano must link the two stories.  The extent of emotion involved in this one is indicated by the atmospheric conditions as the two men enter the valley.  Compare this scene with that of Tarzan The Invincible when Tarzan and La leave Opar.  the symbolism is ferocious.

     The scene is set in the mountains of Ethiopa.  The rainy season is about to end but the last and most furious storm of the season bursts on the two.  It seems certain here that Valthor is another aspect of Burroughs’ Animus in the Jekyll-Hyde sense.  In this case the two are not so widely divergent as Jekyll and Hyde but are closer in aspects .  Tarzan is still definitely superior and Valthor inferior.

     Athne and Cathne are twin cities in the valley but they have to pass through Cathne- The City Of Gold which is to say perfection- to get to Athne.  Athneans are Elephant men while Cathneans are Lion Men.  As the two begin to cross the valley the great storm breaks.  The storm no doubt symbolizes that storm feared by Burroughs of actually separating himself from Emma, certainly one of the most difficult thing he would ever have to do.

     The separation must have been terrific internal trauma so that ERB kept putting it off rather than face it.  One imagines that as in a situation like this Florence was continually asking him when he was going to tell Emma.  It would be another two years before he could force himself to make the break.  It is significant that just before he left he took a leave of absence from Emma returning to Arizona where, as here, he stayed in the mountains, the White Mountains of the Apaches.  Thus his time in the Army must have had more significance for him than we credit.  He must have thought, as miserable as he appeared to be, that those were the happiest days of his life.

     In Cathne the rains came down.  This was the mother of all storms.  Between the thunder, lightning and literal sheets of rain the two were severed from all reality.  They were walking ankle deep along the road.  Once again they have to cross a stream.  ERB has seen such a stream in Arizona, so this whole situation seems to be recalled by his Army days.  Actually the nine months he spent in Arizona was a fairly rainy period of fourteen inches.  In February 1897, I believe, four and half inches fell probably in one stormy period.  ERB records a stream that became a raging torrent in his last Western novel.  To some extent then he was writing from experience but already thinking of the good old days before he married.

     As hard as it was raining in Cathne the river should have been unfordable but art has its demands.

     Valthor knowing the ford begins to lead Tarzan across.  He gets too far ahead.  Tarzan in his uncertainty misses a step being swept away by the flood.  He is now in the possession of the waters of the feminine, that is, his female problems, just barely able to get his breath.  He is swept from side to side by the violent action of the waters, tumbled head over heels, but he keeps his mental presence.  There is a great waterfall ahead of him which threatens certain death.  The symbolism should be clear.  In a last ditch effort Tarzan catches a rock hauling himself from the water, if I am correct, on the same side of the river, in other words, Emma.  He doesn’t cross which is symbolically important.  Refer that back to the earlier crossing in which he actually crosses but then returns.

     Gathering his senses about him he sees some lights, going to investgate.  He unwittingly stumbles into Nemone’s garden.  Out of the frying pan, into the fire so to speak.

     Brave Ulysses has found his Circe.

B1

     The scent of the big cats fills this book.  Already Sheeta and Numa have had nearly equal billing with Tarzan and Valthor; now lions are given prominence.  Now Tarzan emerges from the flood, which symbolizes a major life change, into the land of lions and lion worship.  the ownership of lions is a mark of distinction in Cathne, Cahtnean chariots are even drawn by lions which brings to mind the chariots of goddesses like Cybele, Harmonia and Cadmus.  Nemone will promise to reward Tarzan with three hundred lions, apparently an incredible number making him the top Lion Man.  Remember the next novel Tarzan And The Lion Man will continue the theme.

     Continuing an old theme from Tarzan And The Golden Lion a lion is even the god of Cathne.  The symbol of Nemone’s Animus is a great black maned male lion named Belthar.  The novel will devolve into a battle between Nemone’s lion, Belthar, and Tarzan’s lion, Jad-Bal-Ja.  Also continuing an old device employed in Tarzan And The Jewels Of Opar by the jewels and in Tarzan And The Ant Men by Tarzan’s locket this story is unified by the image of a great lion drawing ever nearer to Tarzan.  So amid all these lions is the true Lion Man, Tarzan’s personal lion.  His own guardian animal.

     It does seem clear that ERB associates the big cats with sexuality.

     ERB is building this story very carefully with great attention to spacing and pacing.  Captured by the

Gordon Scott As Tarzan

Gordon Scott As Tarzan

Cathneans ERB takes care to ingratiate the Big Bwana with the troops.  He has Tarzan and the Cathnean soldiers enter into a spirit of camaraderie as he introduces them to and instructs them in the use of the bow.  Nemone is instroduced but seems to take little notice of the Big Guy condemning him to fight in the arena.

     Taken to a prison cell he and we are introduced at some length and in some detail to a character named Phobeg.  Phobeg is billed as the strongest man in Cathne.

     ERB devotes an amazing amount of space to his confrontation between Phobeg and Tarzan.  His development of such a minor character is unusual.  I think what we have here is a confrontation between Tarzan and the actual man who inspired Burroughs to create Tarzan, the man who was the physical basis of the Lion Man.  Phobeg can be no other than the first important body builder in the world- The Great Sandow.  Just as in Tarzan The Magnificent Burroughs takes care to indicate that Tarzan has now replaced H.M. Stanley as the symbol of Africa, so here he puts down ‘the strongest man in the world’ in favor of his hero.

     Sandow (1867-1925) had died a few years earlier.  While other muscle men had replaced Sandow, most notably Charles Atlas, Burroughs was still obsessed by the man he had seen at the Columbian Expo of 1893.  It would seem certain that ERB occasionally picked up a copy of Physical Culture Magazine to keep up on the latest builds.  He couldn’t have missed the memorial copy devoted to Sandow, the greatest and still the greatest of the body builders.  The award given to Mr. Olympia is called the Sandow.

     While bowled over by the strongman, and strongmen, ERB was always offended by the bunchy muscles created by body building.  he repeatedly makes allusions to strongmen throughout the corpus while Tarzan himself is both the antithesis and the perfection of the strongman.  That is why Tarzan has smooth muscles flowing like molten metal beneath his skin while in this case Phobeg as a Sandow surrogate has the knotted muscles of the body builder.

     If Burroughs found Sandow’s build offensive he would have gone apoplectic at the most recent champions who seems to have developed musculature as far as it can go.  Unlike builders like Charles Atlas, Gordon Scott or Arnold Schwarzenegger who aspired to the Apolline figure, Ronnie Coleman and his successor Jay Cutler have opted for muscle upon muscle until there  is nothing but muscle with no attention to a human shape.  As an example check out Jay Cutler the current Mr. Olympia and holder of the Sandow at www.emusclemag.com.  This guy is only 5’9″ but bulks up at 320 lbs., paring down to 275 for performance.  And that is literally all muscle.  One look at Cutler and ERB would have been foaming at the mouth

     Just as Sandow was billed as the strongest man in the world, so Phobeg is billed as the strongest man in

Jay Cutler In Full Pump

Jay Cutler In Full Pump

Cathne.  ERB makes him a braggart in relation to Tarzan but if he was the strongest man in Cathne he had little reason to respect Tarzan’s physique which was more like ‘Apollo than Hercules.’  Tarzan’s strength though greater than Phobeg’s was disguised.

     At they are to fight each other to the death in the arena this allows Burroughs to introduce another of his interests which may be related, that of professional wrestling.  Burroughs had Tarzan jokingly suggest that they stage the fight much as professional wrestlers.  Burroughs who still attended the matches was disgusted becasue the matches were pure entertainment, something he should have applauded.  Then as now the professional wrestling matches were staged.  Professional wrestling then as now has more to do with entertainment than sport.  Either you can get caught up in the fun and drama or you can’t.  ERB obviously did although as he still thought of the shows as wrestling he felt put upon.

     After several pages of Phobeg’s bragging and Tarzan’s false humility the ‘really big shoo’ begins.  Tarzan and Phobeg are the last act on the program and they would have been a difficult act to follow.

     ERB must have loved this part as the lenghty description of the gambling taking place is many times more detailed that he usually is.  Whether the gambling aspect went on at the wrestling matches he attended or not, I don’t know.  The odds naturally are for Phobeg, whose Cathnean reputation is immense and accurate as concerns the past.  Everyone expects the inveterate gambler Nemone to bet on the sure thing as was her custom.  They hedged their bets when they could at fantastic odds.  Nemone then surprised them by betting on Tarzan.  Nearly bankrupted the whole coterie of Lion Men.

     Tarzan wins of course but refusing to kill Phobeg he instead does his trademark thing lifting Phobeg above his head and tossing him into the stands at Nemone’s feet.  Now that is one hard act to follow.

     Having now won his liberty, a lion man named Gemnon is assigned custodian of Tarzan taking him under his wing.  Up to this point there seems to be no reference to contemporary affairs except for Sandow and wrestling.  At this point ERB displays a numerous and surprising set of literary references.

Go To Tarzan And The City Of Gold part two. 

 

 

Exhuming Bob 11:

Bob Dylan And Toby Thompson

A Review

Positively Main Street

Text:

Thompson, Toby: Positively Main Street, U Minnesota Press, 2008 reprint of the 1971 edition.

Forty Miles Of Bad Road Later

Forty Miles Of Bad Road Later

     Toby Thompson’s self identification with Bob Dylan is an interesting situation.  In a way he predated the Elvis impersonators; blazing a new trail.  That he recorded his infatuation on the spot and got it into print is even more fascinating.

     I suppose people have always identified with important people as the insane asylums full of Napoleon Bonapartes indicate, but when the movies came into existence things changed.  Movie actors were designed to appeal to certain character traits making identification with the actors more accessible.  That the actors came from social strata much like one’s own with no apparent effort or skills made identification easier.  (See the novel Merton Of The Movies by Harry Leon Wilson)  When sound was matched to image one could act like and even talk like these heroes.

     Older people being formed already were more immune than younger people so that the John Wayne imitators, Bogarts, Jimmie Stewarts or what have you began to surface in numbers beginning in the fifties.  Still there was a psychological distance between the people on the screen and oneself while a direct imitation brought ridicule on oneself.

     Then in the mid-fifties Presley burst on the scene.  Here was a guy who drove truck, we were told, one day and was a major recording star the next.  Then, as immediately as it seemed to all of us, more to some of us than others, he parlayed that into becoming a movie star.  That was just about every teenagers dream.  Now that was something we all could do and a great many of the most venturesome did get at least to the level of recording stars but they all wanted the movies.

     Presley was the first who created a legion of impersonators.  The movies formed a cadre of amateur impersonators but Presley spawned a full frontal impersonation for a profit; People who became Elvis Presley as a surrogate for themselves.  This began fairly early in the Presley career too.

     Then as the sixties hit young people were conditioned by phonograph records.  Records were the way the generation communicated with each other; They took the place of movies and literature.  One could still write books or rarely, like Presley, make it into the movies but anyone with enough ambition, little training during the sixties and none in the seventies, could make a record.

     This was no more evident than in the case of Bob Dylan.  Quite frankly my own first impression was that here is a talentless guy putting out records.  If Dylan could do it, if I wanted to, I could.  It then became easy to identify with Dylan.  Plus he was a nobody, had never even been to college.

     After I and many others had written his early records off he surfaced in a way to seize your attention, however his appeal was limited to a certain psychology.  But, now, in the twentieth century via records and radio if there were only a million of any certain type those million could make an artist very, very successful, viz. Janis Joplin.

      When Big Brother And The Holding Company with Janis Joplin released its first CBS disc the record went to the top of the charts on the strength of a small minority of the public.  The vast, and I mean vast, majority of the public had never heard of the band or Joplin.  I was in the record business at that time and was astounded that a relatively few hippies made a group and singer unkown to 9 1/2 out of ten, at the minimum, could send a record to the top.  Hippies were not known to take care of their possessions.  They trashed that record in a week or two playing it perhaps a hundred times or more then coming back to buy another one after another.  Each one of those sales contributed to the accumulation of a million so the entire course of American music was swayed by the success of a record purchased by a very small percentage of the population, and the lunatic fringe at that.

     So with Dylan.  Dylan provoked a violent split in society.  Just as Pat Boone was opposed to Elvis as a role model so Simon and Garfunkle were opposed to Bob Dylan.  In 1966-67 the S & G faction was much larger than Dylan’s.  Bob got more TV attention however.  His cult was as the misunderstood, oppressed genius, the Outsider who was shucking the world.  You can see where his fan base came from.  So, all of us who were in that category became devoted, almost obsessed, advocates of Bob Dylan.  I was one, I’m merely analyzing not being superior.  I never went as far as Toby Thompson in my obsession but then I didn’t think of what he did either and I was six years older.  I already had a life of my own, such as it was.

     The younger people took to the pop stars with ease.  We had Jim Morrisons, various Beatles and Stones or whatever as well as Dylans walking around campus, people completely immersed in the various identies.  I don’t even have to p[oint out the Deadheads and they were truly legion.

     So Thompson’s notion of reliving Bob’s youth in his own person while extreme was not completely imcomprehensible.  Still psychotic but borderline as he never completely lost contact with reality.  Really interesting because unlike Freud’s Schreiber he was able to write a book about it even as it happened.

     Thompson was born in 1944 being  three years younger than Bob thus being able to look up to him as a role model.  Being three years older than Bob I always looked down on him as a younger sibling who was somehow outshining me.  The identification was there nonetheless.

     Through 1966 Bob befogged us all.  Blonde On Blonde was such a towering effort both musically and lyrically that it was incomprehensible.  No one could understand it.  Some of it you couldn’t even listen to but you were convinced it was a work of genius.  The people who called it mere noise weren’t entirely wrong either.  Philistines nonetheless.

     I knew that Bob had peaked along those musical lines and there would have to be a model change.  But then the word came out that Bob was dead, close to it or paralyzed from the eyes down.  He disappeared from the stage for a while but as he wasn’t dead or paralyzed we all stood with out faces turned to Woodstock waiting for news from the East.  We all, being those of like psychology.

     Then Bob dressed like Billy the Kid or some other Western desperado released John Wesley Harding.  the psychology was changed.  What had drawn us in for ’64 to ’66 was the muse using Bob Dylan as an instrument and he now had been discarded.  I dropped him as did many others.

     A year later Toby Thompson conceived the idea of searching out Dylan’s roots in Minnesota.  He didn’t go as a mere reporter though.  He went as a Bob Dylan impersonator.  There was Toby Thompson standing in Bob Dylan’s shoes.

     The Thompson that emerges from his telling is a very disturbed young man of twenty-four.  His intake of alcohol and marijuana was prodigious.   Of course, he’s telling a story, but I can’t recall one day that he wasn’t stone drunk.  He keeps a pint in his glove compartment.  He gets so drunk he stands on his head in the middle of a dance floor and can’t remember it the next day.  The guy must have smelled like a brewery all the time.  I’m sure the fumes coming from him when he interviewed Dylan’s mother in the daytime gave her a very negative opinion of him.  Robert Shelton, Dylan’s biographer, future biographer at this time, had been out to Minnesota the year before.  He was a professional Journalistic persona older than Dylan’s friends.  Thompson was three years younger and appears to have been accepted on a personal rather than professional basis.  After all he had no journalistic history, he was only going to write.

     On that basis he formed an intimate relationship with Dylan’s high school sweetheart, Echo Helstrom.  I’m going to concentrate on that aspect of the book for this review.  Bear in mind that she is three years older than Thompson.

     Thompson’s visit to Hibbing must have had the locals’ heads spinning.  Thompson, in his book, doesn’t seem to be aware of the impression he was creating.  From his description it seems that he appeared among them as a Bob Dylan impersonator.  Bobby Zimmerman left Hibbing ten years earlier, became Bob Dylan, and now ten years later this guy shows up impersonating him.  Doing a good job of it too.

     One can only imagine what Hibbingites thought. 

The idea of this guy pictured below going forth to conquer the world  of popular music appears to be absurd.  We all have known kids who wanted to do the same.  We may even be one of those kids but the odd

Look Out Little Richard

       Look Out Little Richard

of succeeding were about a million and a half to one.  How could anyone even suspect that Bobby Zimmerman, the kid above, from the virtually uninhabited North Country would be the ONE.  Everyone in town must have been laughing up their sleeve, like the guy on the right above, when Bobby Zimmerman sallied forth to ‘join Little Richard’ and conquer the world.

     Now, this guy Thompson using his own name came posing as a journalist but impersonating Bob shows up.  Thompson seems surprised at the reaction of Maurice and Paul Zimmerman, Bob’s uncles, but can you imagine being interviewed by a guy talking and acting like your nephew Bob.  It’s kind of crazy.  Imagine what Beattie Zimmerman, Bob’s mother, thought sitting across from Toby doing Bob.  Maybe that’s what Bob meant when he said ‘This guy Toby Thompson has got some things to learn.’

     Nobody knew what was going on there, did they?

     When Bob and John Bucklen and Echo Helstrom were kids, like many another group of Musketeers, they swore that if one of them made it he or she would help the others along.  Well, Bob made it but he forgot John and Echo.  No big deal.  Teenage vows even spoken in earnest have no meaning after the fact but the promise lives on in the innocent hearts of those who aren’t pulled through by the successful one.  There is a sense of betrayal.  Added to that there was romantic ill will on Echo’s part because of Bob’s eleventh and twelfth grade betrayal.

     Bob is making it big while Echo just has a job.  A young woman trying to make her way has a tougher  row to hoe than a guy.  But, if she knows how to work it she does have a story that’s worth at least a couple three or four years worth of wages.  She doesn’t know how to market it though.  Robert Shelton came out to Minneapolis a year before Thompson and paid her a hundred dollars for an interview.  She held the hundred up to Toby as hint but he wasn’t thinking that way.  She was only going to get screwed by Toby, literally.

     If Toby hadn’t been in an alcholic haze he might have realized that the story Positively Main Street was only subsidiary to Absolutely Sweet Echo.  The money was with Echo.

Echo When She Knew Bob

Echo When She Knew Bob

          As they’re driving up Highway 61 Echo pulls out a hundred dollar bill and says ‘See what Robert Shelton gave me for an interview.’  The light still didn’t go off in Thompson’s head.  He reached into the glove compartment for his pint.

     I am astonished at the amount of alcohol Thompson consumed on these trips.  If he isn’t novelizing the guy was in a virtual stupor the whole time.  When he and Echo arrive in Hibbing they go to a bar where Toby becomes blotto on beer, no less.  He has no memory of the moment but Echo tells him that he stood on his head in the middle of the dance floor as coins and keys showered out of his pockets.

     Echo must have been one tolerant girl or else she was hoping for something to happen.  Perhaps a large part of the charm of Positively Main Street is the stunning unconciousness of Thompson.  The guy was twenty-four years old at the time, not a kid- exactly.  He had been telling Echo he was going to write a book.  When he gets the first trip written up he sends her sixty pages.  Echo writes back:  ‘Sixty pages isn’t enough for a book is it?’  She has reasons to be disappointed.  Heck, Toby is using her to attempt to make his fortune and he hasn’t even promised to cut Echo in for a dime.  Think about this.  The self centered naivete shines through with startling clarity.  For that reason it is one of the most interesting books in the the Dylan canon.

Echo When She Knew Toby

Echo When She Knew Toby

     Now, in these sixty pages Toby has misunderstood what Echo told him about the time Bob called her on the phone and played Bobby Freeman’s Do You Want To Dance claiming to be singing the song.

     In his sixty pages he projects a better story where Bob shows up on Echo’s front porch playing guitar and sings Do You Want To Dance then strutting all through the house singing and playing somewhat like Elvis in the dime store in King Creole.

     Echo points out this error.  Toby liked his version so much he left it in the way he first wrote it.  Then when Echo introduces this Bob Dylan impersonator into his parents home Toby whips out his quitar and reenacts his version of the incident strutting around the house as he plays and sings.  The guy was absolutely out of his mind in his alcohol haze.  He must have smelled like a brewery the whole time.

     One is astonished that he was so well tolerated.  Of course maybe everyone was thinking:  ‘This is amazing, but it won’t last long’ and let it pass.  Waved his car goodbe as he sped away.

     One wonders what Echo’s emotional rection to the Bob Dylan impersonator was.  Toby must have reactivated dormant affections for Bobby Zimmerman as he came on to her strongly in Bob’s persona.  Echo had ten year old memories of Bob and now here he was, his double, coming onto her again.  Frightening actually.

     Toby left again and never returned.  In the book he seems oblivious to the havoc he created in Echo’s life.  In the interview at the end of Main Street given many years later he doesn’t seem to be any more aware.  In fact he seems to be still posing as Dylan’s double.  He mentions that he still contacts Echo, who has moved to LA, occasionally as does Bob but Bob seems to have better success in finding her. 

     Hurt and mystified that Thompson had no more use for her she wrote a poem for him that she mailed to him in far off Washington D.C.

Hey! Toby!

Where can you be?

Somebody told me

That you went back to

Washing Machine D.C.

How can that be?

 

You came to town in your Volkswagen

And I’ll tell you we sure had fun!

And now you’re gone!

 

You played for me on your old guitar,

Took me for a ride in your little car,

Drove me near and drove me far,

We looked at the moon,

And stared at the stars,

You stood on your head in my hometown bar…

How could it be you’ve gone so far?

 

Hey Toby?  Where are you?

– Echo Helstrom

     Toby hadn’t gone anywhere.  Like Bob he’d just never been there.  His fantasy like Bob’s didn’t include anyone else, they were just bit players in his own movie.  Toby was no longer thinking of Echo.  He was married to the bottle.  He was touring bars across the country to get material for his next book.  Echo could just consider herself as one of those bars.  Once Toby had visited it there was no reason to return.

     The tragedy for Echo was that she was betrayed once by Bob in 1958 and then again by a Bob impersonator in 1968.  Perhaps a wound was created in her heart that could never heal.  One wonders what her later history was after she left Minneapolis and drifted West.

I wonder where you are tonight.

I wonder if you are alright.

I wonder if you think of me

In my lonely misery.

There stands the glass,

Fill it up to the brim,

Till it flows o’er the rim,

It’s my first one today.

-Webb Pierce.

     Here’s to old memories.  Bottoms up.

 

Exhuming Bob:

Chronicles IX, Pensees 8:

New Morning

by

R.E. Prindle

     The chapter New Morning opens with an interesting comparison.  Bob had just returned to Woodstock after his father’s funeral in the summer of 1968.  The association of New Morning with the death of his father in itself presents an interesting psychological mental state.  A letter was waiting for him from who he considers one of the three great American poets, Archibald MacLeish.  MacLeish was just coming off his Broadway triumph J.B.  In the letter he asks Bob and Sara to call on him in his Connecticut home to discuss a musical collaboration on his new play.  A jewish father dies; a goy ‘father’ appears. 

     As Bob explains, Father Abram is somewhat dull, thinking that an artist must be a painter.  The notion seems to be that Bob is slightly ashamed of his father for not understanding the distinction between pictures and the artistic soul.  Thus contrasting with dull Abram is the brilliant intellectual poet-artist, Archibald MacLeish.  Bob is quickly on intimate terms referring to the Poet Laureate of America as Archie.

     If you’ve never read Poe’s last story Landor’s Cottage you might like to compare that description to Bob’s of MacLeish’s home.  While we never meet Poe’s Landor Bob does introduce us to Archie.  Coming from small town Hibbing Bob seems to be overwhelmed by the splendor of MacLeish’s dwelling place.  Sure sounded good to me.  So as Bob left Abram at the rosy fingered Dawn of his New Morning, MacLeish presents himself as the sun rising above the horizon.  But it’s a Black Sun.  MacLeish does not walk on the sunny side of the street.  He’s dark, as anyone who writes a play commentary on the Book of Job must necessarily be. 

     His new play is called Scratch.  One presumes after Old Scratch, The Devil.  Bob quotes some lines of Archie’s character Scratch, p.124:

     I know there is evil in the world- essential evil, not the opposite of good or the defective of good but something to which good itself is an irrelevance- a fantasy.  No one can live as long as I have, hear what I have heard and not know that.  I know too- more precisely- I am ready to believe that there may be something in the world-someone, if you prefer- that purposes evil, that intends it…powerful nations suddenly, without occasion, without apparent cause…decay.  Their children turn against them, their families disintegrate.

     The strength of the insight is too strong for Bob at that precise psychological moment but Archie has given him a hint of a reality that Bob will realize all too soon.  Perhaps in reference to Abe and Archie Bob meets Frank Sinatra Jr. at the Rainbow Room.  Frank, Jr. nursing one of the same travails as Bob asks him after discussing Frank Sr.:  What do you do when that father turns out to be a son-of-a-bitch.

     Well, yes, you’ve got an identity problem, don’t you?  Bob has always had an identity problem.  What started out bad has taken a turn for the worse.  He wanted to be Bob Dylan but now being Bob Dylan has turned out to be a son-of-a-bitch, a burden Bob…well, just plain Bob, cant’ bear.  He’s learning about this inherent evil of life Archie is talking about.

     If you’ve never experienced what Bob is telling you it will be hard to understand.  I’ve suffered through a mild dose of them blues, enough to  give me understanding, but nothing compared to Bob.  He wakes up and someone is standing in his bedroom watching he and Sara sleep.  That gives you a start.  But if Bob thought he had identity problems what kind of problems does some poor fish have who literally wants to get inside your skin have.  Walk a mile in your shoes like Toby.  Everybody want something from you that you don’t have to give.  And I mean something.  You by your success have emasculated them, Bob’s success.  So they in turn want your dick and balls.  They want ot carry them around in their pocket to give them what they lack.  ‘Hey, you know what I’ve got in my pocket, look, Bob Dylan’s dick and balls.’

     You want to know what emasculation is?  Bob tells you.  The Sheriff of Woodstock tells him that if someone is scrambling over his roof and falls off Dylan will be legally responsible.  That does something to your mind.  The Sheriff tells Bob that if any of these crazies attack him and he defends himself he’ll be the guy going to jail.  That one sends a few synapses seeking new routes through the brain.  That one did happen to me.  Might as well have left the planet, the Sheriff just took your dick and balls.

     Bob is now learning first hand of the evil in Archie’s world.  Damn that’s rough.

     Even then Bob couldn’t make his lyrics dark enough for Archie although, now this is funny, Bob did use them in his album New Morning.  What does that say about a new morning?

     Bob just couldn’t get used to being Bob Dylan.  Being Bob was OK but being Bob Dylan was tough.  They were everywhere.  You couldn’t even run much less hide.

     As Bob tells us he was riding down the highway with Robbie Robertson when Robbie asked him:  ‘Where are you going to take it now?’  ‘Take what?’  Bob asks in return.  ‘Pop music.’  Robbie naively replies.

     Bob is flabbergasted but who can blame Robbie?  For the last six years Bob had been calling the shots, getting booed and selling records, renovating and reinvigorating folk music, taking folk music electric, electrifying rock.  Why shouldn’t Robbie think something mega revolutationary was brewing in Bob’s brain?  Being Bob was easy, being Bob Dylan was damn near impossible.  Those three fathers, Abe, Archie and Frank Sr.  Bob was learning something about the inherent evil of living.

     His new mentor, Archie, thinking perhaps that Bob was Bob Dylan pushes him to sharpen and darken the lyrics to the songs he’s written for Archie.  Bob just like after Blonde On Blonde has taken it as far as it can go.  He opts out on Archie.  Two fathers down but there’s still that Big Guy In The Sky but that Bob will  seek a little farther down the road.

     New Morning was a good chapter.  I could empathize.  Current events are giving me a new slant on the inherent evil in the world too.  Heads up.

 

Exhuming Bob IX, Pensees 7:

Into The Lost Land

by

R.E. Prindle

Texts:

Dylan, Bob, Chronicles Vol. I, Simon And Schuster, 2004

Prindle, R.E.   Exhuming Bob, VIII The Walls Of Red Wing, idynamo,wordpress.com 2008

Thompson, Toby, Positively Main Street, U. Minnesota, 2008, reprint from 1971

http://www.hibbing.org/dylan1/story.html  Life In Hibbing: Hibbing Chamber Of Commerce

http://www.interferenza.com/bcs/interw/85-dec.htm  Bob Dylan Is Not Like A Rolling Stone Interview, Spin Magazine, Volume One, Number Eight, December 1985

http://www.interferenza.com/bcs/interw/play78.htm  Playboy Interview: Bob Dylan 1978

http://www.interferenza.com/bcs/interw/66-jan.htm  Playboy Interview:  Bob Dylan  February 1966

                                                                               1940

Abe And Beattie

Abe And Beattie

     In attempting to put together a reasonable facsimile of Bob’s life in Hibbing and Minneapolis, Minnesota and New York City as he mythologized it in his chapter of Chronicles, The Lost Land, I have come to the following tentative conclusions.

     Bob was born in Duluth, Minnesota on 5/24/41.  In 1943 he was taken to Hibbing where he lived from then until graduation from high school in the Spring of 1959.

     Within the concept of normal Bob had a fairly advantaged childhood.  His parents were indulgent buying him anything he wanted while providing adequate pocket cash.  Bob’s family was one of the more important in town both within the Jewish community and the town at large.  In what appears to have been a tight small town social scene Bob either excluded himself or was excluded from the dominant social groups within which he had a right to be included.

     Perhaps Bob’s conception of the Hibbing period could be best interpreted from his favorite movie, Rebel Without A Cause, starring James Dean.  Bob is said to have seen the movie several times.  This was unusual as few people ever saw a movie more than once. He would have been a very impressionable fifteen at the time.   Most of us didn’t have the money while quite frankly few movies, if any, were worth watching twice including Rebel Without A Cause.  I was seventeen when I saw it and while I was in awe I wasn’t submerged.  Of course Bob’s relatives owned the theatres so he got in for free.

     As he set up a Dean shrine in his basement which greatly offended Father Abe we may be justified in assuming that Dean was a controlling influence in his life from the time he saw the movie.  It is of interest that Abe was to remove the Dean shrine from the basement after Bob left replacing it with a shrine to his own son Bob Dylan ne Zimmerman.

     Abe Zimmerman (1911-1968)   worked for Standard Oil in Duluth when Bob was born.  According to the C of C he lost his job in 1943 moving to Hibbing where his wife’s family, the Stones, could help the young couple.  Why Standard Oil should lay Abe off in the middle of the war during a manpower shortage seems to pose a question.  As can be seen from the photograph of Abe and Beattie above borrowed from the Flickr photostream of <drineevar> he was a well set up handsome man.  He appears to be exceptionally self-possessed, sound in the eyes.  Beattie appears to be a haughty high fashion queen which would accord with later facts.

      Abram Zimmerman, for such was his name.  Usually called Abraham, the name on his tombstone is Abram, and his two brothers Maurice and Paul bought the Micka Electric Company in 1943 changing the name to Zimmerman Appliance.  In 1968 Paul Zimmerman told Thompson that they had been in business for twenty-five years which would mean 1943 although the date seems odd.

     According to the C of C Abe came down with polio in 1946 requiring a lengthy convalescence.  The C of C says that the Zimmermans bought Micka’s after his convalescence but if Paul Zimmerman is accurate it would have to have been 1943.  There would be no record of what Abe did for a living then from 1943 to 1946.  As Bob says both his uncles served in the Army it would seem that they bought Micka’s going into the Army shortly thereafter leaving Abe to tend the business.

     Maurice and Paul became President and Vice-President of the corporation while Abe siginficantly assumed the controlling post of Secretary-Treasurer.  Managed the money, paid the bills.

     During the fifties at least Abe spent a fair amount of money on both Bob and Beattie.  Angel Marolt whose family bought the Zimmerman residence after Abe’s death was trying to tell him of Beattie’s several fur coats, diamonds and Cadillac but Thompson says he wasn’t paying attention.

     Thompson quotes Echo Helstrom as saying that the Zimmermans had stores in both Hibbing and Duluth.  Having a customer base of approx. 250,000 makes more sense when one considers the amounts of Abe’s expenditures and the fact that the profits had to be split three ways.

     The C of C describes Abe as a ‘big man’ in town partial to those big thick long cigars.

 

The Dylan Home

The Dylan Home

    The couple had enough money on arrival to buy the large nine room house that Bob grew up in so Abe must have been well paid at Standard Oil before he was laid off.  Both he and Beattie are well dressed in the picture while Beattie is actually overdressed.

     Bob was entrolled at Alice School for his kindergarten year in 1946 at five years of age.  The status of Alice School is unclear.  Perhaps it was closed the following year or consolidated with the Hibbing High complex as Bob was transferred.  Hibbing High housed kindergarten through twelve as well as the Jr. College.  Thompson describes it as a huge and rambling building.

     So from first grade to graduation Bob was with the same group of students.  I sure wouldn’t have wanted to move into town in tenth grade and try to break into that one.  While he wouldn’t have known them all well he must have known the entire student population on sight.  This presents the problem then of why Bob, who was the son of the Big Man in town, wasn’t included in the top social cliques.  Those cliques undoubtedly formed early persisting through graduation.  If Bob was in one he was either forced out early or found it uncongenial to remain for whatever reason.  Perhaps he thought his Jewishness excluded him.  So if something happened we don’t know what it was and won’t; unless Bob tells it’s going to be difficult to trace.

     Growing up in a small town anyone with any ambition looks around and sees very limited opportunities.  Working for his father wasn’t a viable option.  Not everyone wants to be a doctor or lawyer either.  Nuclear Science is OK but a lot of those guys are out of a job now too.  My next door neighbor when I was a kid for one.

     Bob’s mind turned early to music and then to Rock and Roll.  While Rn’R went on to conquer the world and become as respectable as such a spectacle could it was definitely considered discreditible and low class almost volunteer outlawry in the fifties.  At the very least it was ‘pimple’ music.  It took a certain amount of courage to say you liked Elvis Presley.  Pat Boone was set up as his rival and you had better say you liked ol’ White Bucks.  If you don’t think Elvis was considered a social criminal check out a couple of his movie roles like King Creole or Jailhouse Rock.  What was the Colonel thinking?  Clown roles, that’s all Elvis ever got.

      And then Bob chose as his hero and model Little Richard.  People looked at you funny if you said you

Young Bob On Harley

Young Bob On Harley

liked Little Richard!  I mean, Bill Doggett was a respectable Negro with music you could understand, Fats Domino was as lovable as a chubby ten year old but Little Richard!  They hadn’t even created the ghetto he could come out of.  His band might have passed but then he opened his mouth.  If there was ever a direct challenge to middle class sensibilities Tutti-Frutti was it.  Not only was the song incomprehensible it was about queers.  Nobody ever quoted the lyrics correctly, while I’m walking around saying ‘Tutti Frutti, I want Rudy?’  What does that mean?  I hope no one overheard me.  So when Bob gets up, ignoring Pat Boone entirely,  and launches into some screaming vision like Rip It Up or She’s Got It or God only knows what, was the crowd taken aback?  Chuckle, chuckle.

     So Bob having opted for the lifestyle was forced to associate with the hoody crowd or have become a loner.  Besides Colin Wilson’s book The Outsider  had appeared in 1956 that began a cult of The Loner that peopled the early sixties.  These guys, who were by no means rebels but deep thoughtful guys who had a line on the truth denied anyone else and that  penetrated sham and hypocrisy sat alone ever ready to resolve a situation setting things right were highly romanticized fellows.  There were as many Loners in those days as there were Hawkeyes a couple generations later.  So Bob wouldn’t necessarily have been thought of as weird, strange but a Loner.  A Loner was next door to weird and strange.  Thin line if you get my meaning.

     On the other hand the C of C describes the L&B Cafe as a regular jumping Bop Street right there in the heart of Hibbing, Minnesota.  Bands set up and played continuously.  They knew how to party in Hibbing.  The C of C even says there was a radio station in town playing Bob’s kind of music thereby contradicting every other source even Bob.  He says he had to go to Shreveport on the radio waves  to get his kind of music.  In this case I’m betting on Bob.

     The C of C  tells of Bob’s musical debut like this putting the best possible face on it:

Described by fellow students as polite, easy to talk with, and somewhat introspective, it was a total shock when he pushed back the piano bench and stood up to pound the first notes of a song into the auditorium, electrifying the student body.  Kids jumped up, stared at each other open mouthed not knowing what the reaction would be.

     Well, yes, they were electried but did they like it?

Rockin' Bobby Zimmerman

Rockin' Bobby Zimmerman

     According to the C of C, looking back fondly, Bob went over real well with his fellow students.  If you like this version don’t check the other sources as this is at variance with every other known account but then this is the Chamber Of Commerce  speaking.  Up to this point in the C of C account there is no reason for Bob to be as bitter as he is about Hibbing at all.

     A note of interest is the reoccurence of Fourth Street in Hibbing, Minneapolis and New York City.  Quite a coincidence, I knew there had to be some association with Fourth St. in Hibbing.  So far we learn that Bob attended Jewish shule there.  Whether the synagogue was also located there isn’t clear.  The synagogue Bob attended is no longer anywhere at any rate.  Tore it down.  It was in the way.  Had to go.  Even though Bob’s father was the most prominent Jew in town, the President of B’nai B’rith and ADL as well as his business interests, and even though Bob had a mega Bar Mitzvah with four hundred people in attendance some say at the most prominent spot in town, the Androy Hotel, some say at the synagogue, he wished to conceal he was Jewish.  This attitude may have contributed to his renouncing the Jewish fraternity house to which he pledged at UM while also hiding his religion in New York.  The attitude was strange since he seemed to prefer Jewish musicians around him to  the exclusion of goys.

     Bob’s father Abe, was quite frankly a marvelous provider, spending very large sums of money on son Bob, wife Beattie and his second son, David.  When he died in 1968 the house on 7th Ave., now Bob Dylan Ave. was sold.  The owners at the time of Thompson’s visit were the Marolts.  Angel Marolt who was at home when Thompson called offered to show him around.  One thing he learned was that Bob had a clause in the sale’s contract that allowed him to stay in his old room in the Marolt’s house whenever he was in town.  Too weird.

     What quirk in Bob’s mind compelled him to live in other people’s houses?  Perhaps Rebbe Maier back in 1954 impressed on Bob that Biblical scripture presribes that Jews would live in houses they never built.  As an article of religion that injuction is a mind boggler.  One can’t predict how anyone’s mind will interpret instruction.  Bob who functions out of his subconscious very heavily must have accepted such teachings in literal ways.  Rebbe Maier was a definite turning point in Bob’s life.  Imagine getting out of school, going upstairs at a Rn’R cafe to sit before the only bearded man you may ever have seen, dressed completely in black with a black yarmulke perched on the back of his crown intoning things like:  The Jews shall live in houses they never built and then go downstairs to boogie.  Pretty spooky, don’t you think?  And then as Bob says, he disappeared like a ghost.  Let that roll around your brain for little while and see what you come up with.

     Mrs. Marolt was trying to tell Thompson something about Mrs. Zimmerman’s multiple furs, heaps of diamonds, I’m sure all the latest fashions and her own Cadillac.

     Bob was indulged to the extent of apparently more than one motorcycle, a car, lots of amplifiers and electronic gear for his bands, whatever he wanted plus free movie admissions and plenty of pocket cash.  He must have had a large record collection for a kid as he spent his spare time at Crippas record store ordering the odd title.  You can bet Crippas didn’t discount either, charging full bore.  At the time (after 1958)   stereo was 5.98 and mono was 4.98.

     As the profits from a sole Hibbing store divided three ways could not have supported this sort of expenditure, having a store in Duluth could account for it.  It is significant also tha Abram died in June 1968 and the store closed a few months later.  Was the store a losing proposition for the last few years?  Did Bob provide the difference so Abe wouldn’t be embarrassed by going banko?  Then with his father gone there was no reason to support Uncles Maurice and Paul?

     There really is something happening here, isn’t there?

     Also as a petty expenditure for Bob (it would have been huge in my life) according to the C of C:

Almost every day Bob came in after school for his regular snack: cherry pie a la mode and coffee (or Coke.)

     And then to dinner?  No wonder the young Bob had all that baby fat. 

     If Echo bought those hot dogs for Bob and bought his story that his dad didn’t give him an allowance she was had in more ways than one.

     So, Abe was nothing if not a generous father and husband.  Beattie as President of Hadassah as well as a Stone must have made the Zimmermans the most powerful Jews in the syngogue while actually giving she and her husband the means to be petty dictators of the town,  I saw something like this in Eugene, Oregon in the sixties and seventies, or, as the C of C says a Big Man and big people.

     Bob must have a quirk in his mind to misrepresent his childhood so.  He was the Fortunate Son John Fogerty only sings about.

     In Thompson’s interview with Beattie he quotes her:

How can you know you have a genius in your house, when all my time is spent trying to feed him and keeping his clothes pressed.

     In Bob’s story, The Lost Land, Chloe Kiel is shown ironing Bob’s shirts and at the end of the chapter she ‘slaps’ a plate of steak and fried onions in front of him just before he darts out the door to begin the next chapter, A New Morning, just as in the old days when he returned home from school for lunch and was fed by his mother he darted back to school.

     Ironing his shirts and providing free steaks was a signal service for bare acquaintances like Ray and Chloe.

     Chloe comes across as cold and indifferent and indeed there is a tinge of resentment and anger beneath Beattie’s statement.  Motherly, of course, but there.  Still, she doesn’t impress me as any Yiddishe Mama of the Mrs. Goldberg variety.  Whether Bob was a good boy or not he does have an ambivalent attitude toward his parents.  But then he claims that he was really raised by his grandmother, whether Stone or Zimmerman isn’t clear.

     I believe the big change came over Bob with his Bar Mitzvah and I’m not talking puberty alone.  According to the C of C Bob attended Jewish shule during his young years.  This was done after public school hours.  Then in 1953-54 when his Bar Mitzvah was approaching Father Abe sent to Brooklyn, New York to have an ultra-orthodox, almost certainly a Lubavitcher Rebbe, sent to Hibbing to indoctrinate Bob in untra-orthodox teachings.  It can’t be any surprise that when Bob exhibited his Jewish reverence after his Jesus indoctrination with the Vineyard Fellowship he chose to show himslef as a Lubavitcher.  Welcome home, Bob.  The C of C tells it this way:

According to a 1985 Spin Magazine interview by Dave Engel, Bob said it was above the (L&B) Cafe that Rabbi Reuben Maier stayed while giving Bob Hebrew lessons in preparation for his Bar Mitzvah.  The Rabbi and his wife showed up one day and stayed for a year while Bob got ready for his big event .  The article quotes Bob as saying he would learn Hebrew after school or in the evening for an hour, then go downstairs and boogie at the L&B.  After completing his Bar Mitzvah the Rabbi just disappeared.

     In the interview Bob tells it this way:

There weren’t many Jews in Hibbing, Minnesota.  Most of them I was related to.  The town didn’t have a rabbi, and it was time for me to be bar mitzvahed.  Suddenly a rabbi showed up under strange circumstances for only a year.  He and his wife got off the bus in the middle of the winter.  He showed up just in time for me to learn this stuff.  He was an old man from Brooklyn who had a white beard and wore a black hat and black clothes.  They put him upstairs in the cafe, which was the local hangout.  It was a rock n’ roll cafe where I used to hang out, too.  I used to go there everyday to learn this stuff either after school or after dinner.  After studying with him an hour, or so, I’d come down and boogie.  The rabbi taught me what I had to learn, and after conducting the bar mitzvah, he just disappeared.  The people didn’t want him.  He didn’t look like anybody’s idea of a rabbi.  He was an embarrassment.  All the Jews there shaved their heads and, I think, worked on Saturdays.  And I never saw him again.  It’s like he came and went like a ghost.  Later I found out he was Orthodox.  Jews separate themselves like that.  Christians, too.  Baptists, Assembly of God, Methodists, Calvinists.  God has no respect for a person’s title.  He don’t care what you call yourself.

     The C of C knows the Rebbe’s name was Reuben Maier and Bob Dylan doesn’t?  There were enough people in Hibbing to have a temple and shule but they didn’t have a Rabbi?  The Rebbe Maier showed up in time for Bobby Zimmerman’s Bar Mitzvah but what? it was the first Bar Mitzvah in Hibbing’s Rabbiless history?  No wonder four hundred people showed up.  The Jews in Hibbing shaved their heads and worked on Saturday’s?  I presume Bob means they didn’t wear beards but shaved their faces unlike the Lubavitcher in white beard and one of those funny round hats.  I serously doubt there were three hundred or more Jews walking around Hibbing with shaved heads in 1954.

     They took one look at Rebbe Reuben’s weird beard and outre attire and told him to get out of town?  Now that I can believe.  Beards in ’54 were a sign of great eccentricity or a psychotic desire to draw attention to oneself.  But why in ’85 the mysterioso act?  He just showed up to teach Bobby Zimmerman, a complete unknown with no direction home Lubavitcher tales like this:  (actually this is pretty standard esoteric doctrine adapted for Jewish needs)

The messianic thing has to do with the world of mankind, like it is.  This world is scheduled to go for 7,000 years.  Six thousand years of this where man has his way and 1,000 years when God has his way.  Just like the week.  Six days work, one day rest.  The last thousand years is called the Messianic Age, Messiah will rule.

     Essentially what we have here is a variant of Madame Blavatsky’s Theosophy along with a little Hebrew Theology.  If one looks real closely one can see the outline of Sigmund Freud’s notion of the unconscious.

     According to Beattie Bob knew, oh, two hundred words of Hebrew.  So much for several years of shule and a year of intensive training by Rebbe Reuben.

     Whether Bob knows or admits it, it must be true that Father Abram sent for Reuben to instruct Bob in mysteries that Abe thought were essential to his vision of Jewish religion while they were not part of the services of the Hibbing congregation.

     It is possible that Abram brought the Rebbe in on the approval of the congregation who rejected him.  The comment by Bob of working Saturdays may be signficant here.  The Jewish sabbath begins on Friday sundown and continues to Saturday sundown.

     As a Lubavitcher, Rebbe Reuben could not have tolerated working during the sabbath while the congregation found it essential amidst a gentile population.  Likewise beards are an integral part of the orthodox religion so that the congregation  also refused to stop shaving.  The only thing mysterious is why it took Reuben so long to catch on.  Or maybe he had a contract for one year and the year was up.  Of course Bob did need help on those two hundred words.

     So Bob’s upstairs memorizing his two hundred words while the throbbing beat pounds insistently through the floor.  The super patient Reuben and his wife never object.  Bob shortly joins the revelers with his two hundred Hebrew words rattling round his skull, steps up to the mike and begins screaming: I’ve got a girl and her name is Echo.  Hmmm.  Quite an image out there in the Lost Land of Bob.

     Now indoctrinated in quaint antiquarian rites Bob is bundled off to Webster, Wisconsin and Camp Herzl to steep himself in Israeli style Jewish living.  Camp Herzl was conducted as Israel in America so those two hundred Hebrew words came in handy in that surrogate for summer in a kibbutz in the Holy Land.

     The summer sojourns must have set Abram back a handsome fee for the times.  Six to eight weeks of essentially summer boarding school does have expenses.  Abe apparently was deeply religious: in Protestant circles he would have been known as a Fundamentalist nut.  He and Mike Huckabee would have gotten along fine.  One wonders if younger son David was given the same treatment.

     So Bob from 1954 on is definitely the product of two nations.  The world of the Three Hanks as the C of C puts it and this world of Adam, Moses and the Messiah.  Bob was named after Sabbatai Zevi the last acknowledged Jewish messiah in the seventeenth century, his Jewish name is Sabtai.

     As kids we all have a lot to reconcile, begin working out at graduation.  Bob had a double load; he had two Bobs to reconcile.  Personalities wander and widen in those years, Bob made a clean split.  On the one hand he was the twerp Bobby Zimmerman of whom it may be said:  There’s no success like failure while on the other he was struggling to be the super successful Bob Dylan in which he failed to assume the mantle so that failure is no success at all.  At least he made this split off persona’s name mean something.  As a note, it was not generally known Dylan was Jewish until after Blonde On Blonde.

     Thus in his movie Renaldo and Clara he is not Bob Dylan.  Anybody can be Bob Dylan he says, you can be Bob Dylan.  Toby Thompson thought he could be and did a pretty good job of it walking a mile or so in Bob’s shoes.  Sounded just like him.

     As remarkable as it is that Bob realized his fantasy beyond anything he could have dreamed and became the hugely successful Bob Dylan he created an entire new set of problems whose solution eluded him.  Well, you know, there’s something lost and something gained while it’s hard to know whether the gain was worth the loss.  However the money has disappeared from the table.

     The result then is Bob looking backward from 2004 to create a fantasy of how it was in Ray and Chloe’s place on Vestry Street in NYC.  The chapter is approriately titled The Lost Land or possibly Never-Never Land might have been better.  The chapter isn’t a complete fabrication but it is fiction.  Something like the various incidents might have happened but not exactly the way Bob tells it.  The framing story of Ray Gooch and Chloe Kiel is pure fiction however.  They could not possibly have existed.

     Bob tells the whole story of the Lost Land within the reference of Ray and Chloe and their fabulous apartment near Vestry below Canal near the Hudson across the street fromt he Cathedral with its bell tower.  Thompson got it right.

     A troubling aspect of Bob for me is his insistance on bumming other people’s apartments.  This seems to be compulsive behavior.

     Bob was actually voluntarily homeless from January of ’61 to October  or November of the same year when he and ‘roommate’ Suze Rotolo took up digs on Fourth St.  I suspect that Father Abe would have been only too happy to supply Bob with funds to live on Vestry Street if he had asked.  Bob is simply untrustworthy in any of his stories.  As he said of what he learned from folk music:  If you told the truth, well and good; if you told the untruth, well and good also, so in Bob’s mind there are no lies, there is only the truth or untruth both having the same value and whichever is more serviceable at the moment.  You can’t believe him.

     A troubling aspect of Bob’s behavior is his habit of bumming couches in other people’s nests; gaining meaning, as it were, from other people’s lives.  Perhaps that was the way he felt of his life in his mother and father’s house.  Or perhaps as a Jewish outsider in a goyish land it was his attempt to insinuate himself in the main stream much as he appropriated Woody Guthrie’s persona.  Of the houses I have traced they have all been those of goys; he didn’t choose to insinuate himself into the houses of his fellow Jews.  His imaginary hosts Gooch and Kiel are obviously goys.

     The Lost Land then is a mythologized version of his childhood and first few months in New York City.  To my mind Ray Gooch is a combination of Dave Van Ronk, Paul Clayton, Matt Helstrom and his father.  Chloe seems simply to be an idealized notion of his mother.  (Study her picture for a few moments again.)

     As the Gooch frame brackets the period from Bob’s encounter with Gorgeous George to the apartment with Suze Rotolo it must represent a time frame from sometime in ’58 to October ’61.  In October Bob Dylan ceased sponging off others to take up his own apartment.

      The only one in this time frame he knew who had a large gun collection was Matt Helstrom.  The Helmstroms also had a large record collection that Bob listened to.  The couch and apartment undoubtedly belonged to Van Ronk while certain exoticisms of Gooch are characteristic of Clayton.  The library of Gooch may simply be the New York City Library of which the long narrow room would merely describe the stacks.

     The Southern character of Gooch must represent a time after Bob studied the South in the library since there are several references to his Civil War studies.  Gooch himself is a Southerner from Virginia gone North which is a symbol in itself.  This can be symbolically described as Father Abe being a Jew in Gentile America.

     Here then Bob creates or accentuates the more pleasant aspects of his memories in contrast to the very bitter unpleasant memories of the songs.  He tells us a great deal about his dream life but little of its realities.  At this point I am of the opinion that the party of Camilla ( who Bob says he gets to know quite intimately) is another fabrication of the based on a true story variety.

     As Bob would say, folk music taught him that if what you said was true,well and good; if what you said was untrue well and good also.  We may probably construe the Lost Land as both true and untrue while a good folk tale.  Even the title has a fictive quality a la Edgar Rice Burroughs.

     To round off the period back in the C of C milieu of Hibbing:  Bob spent his last summer at Camp Herzl in 1957.  In the summer of ’58 he was running back and forth between Hibbing and Minneapolis.  At that time he would have become familiar with Highway 61.

     In his Junior year of ’57-’58 he took up his relationship with Echo Helstrom.  They were going steady hence were not supposed to be dating others.  As he was in Minneapolis most of the summer he left Echo sitting home alone.  She resented this.  As the Senior year began she told Thompson, she took a revenge on Bobby returning his token in public in the hall at school.  Boy, that hurts.

     The feelings must have been much harder than either Bob or Echo portray them.  A key problem area is did Bob spend time in Red Wing Reformatory on Highway 61 below Minneapolis and if he did what did he do to receive his sentence:  I examine this more fully in Exhuming Bob VIII:  The Walls Of Redwing.

     He says in Chronicles that he was absent from school from some time at the beginning of April of ’59.  He was back at least by the June 5th graduation.  His birthday is May 24th.  After that date he would have been eighteen and subject to adult sentencing.  For what It’s worth he says in his song that no inmate was over seventeen.  I’m suggesting that he spent a month of two at Red Wing returning in time for graduation.  Certainly a Big Man in town like Abe could have arranged the graduation if he couldn’t get Bob off that time.

     The question is what did Bob do?  By the middle of this Senior year it appears that he had been in enough scrapes to be known as a troublesome boy; perhaps living out a Rebel Without A Cause persona.  Father Abe used his influence up to that time to avoid unpleasant consequences for the lad.

     I believe Bob’s song The Chimes Of Freedom tells the story of his crime.  Quite simply Echo set him up.  She obviously was not quite as complacent as she tells it.  See Exhuming Bob VIII:  Walls Of Red Wing.

     Returning home from Red Wing his parents threw a graduation party for him.  Bob was reluctant to attend the party, perhaps with good reason but was persuaded to do so.

     This then leaves a very sketchy account of the three or four months of the summer of ’59 for which Bob provides little information.  In Walls Of Red Wing I place his stint at Red Wing in August but that is probably wrong.  In any event the period from April of ’59 to September of ’59 needs to be explained more fully.

     Bob gives some brief details of his stay at Dinkytown but not much.   A little bit of the John Pankake episode while avoiding the important details of his theft of Pankake’s records.

     Thompson has some good information from Ellen Baker whose father’s folk song collection Bob used extensively.

     Then to NYC and his account of The Lost Land segues into his New Morning.

 

 

    

 

 

 

Conversations With Robin

June 19, 2008

 

Conversations With Robin

Robin Mark and R.E. Prindle

Conversations continued from Post:  Lipstick Traces Part IX: Greil Marcus

 

     OK, OK, OK.  I’m getting it, took a while.  STONE.  Everybody must get stoned.  What’s your mother’s maiden name, Bob?  Stone.  Right.  Dylan might be tongue tied.  I certainly was.  Still am to a certain extent.  But, I think one place to start is the religious conflict he had to endure.

     His father, Abe, was a fundamentalist religious weirdo.  Just because one is Jewish doesn’t mean you can’t be as religiously weird as Mike Huckabee.  For Christ’s sake, Bob believes the Bible is literally the word of God.  Somebody recorded his rants between songs and published them.  Don’t have the book as yet but I’ve read a couple of exerpts.  I already know all that crap.  Spent much youthful time among the Nazarenes and other weird outfits.  They had me for a while but I threw them off.  The taste still lingers though.  Bob apparently hasn’t.  God, how can anyone believe that crap.

     Beattie in Thompson’s book say Bob sampled the various churches as well as attending Jewish sabbath.  Yes, I can believe that.  So he’s got a father who’s king of B’nai B’rith and ADL and a controlling mother who’s quieen of Hadassah.  As if this isn’t enough when he turns thirteen his old man straps him to the torture rack, pries his eyelids open with toothpicks and bombards the poor little bastard with Lubavitcher bullroar. 

     And then…and then, they send him off to be preached Zionist poppycock for a month or two every summer for four years.  I can’t tell you how much I hated church camp.  I mean, I can, but maybe later.

     Apart from the religious issue then we have the personalities of Abe and Beattie.  I got a vaguely uncomfortable mother feeling about Beattie from Thompson’s Main Street.  I wouldn’t say I didn’t like her but I probably would have been very respectful and kept my distance if she had been the mother of my best friend. 

     So then, how does Bob tell her and Abe how he feels?  Can’t just speak right up to his parents, who can?  Consider the successive titles:  Bringing It All Back Home and Highway 61 Revisited.  Like all artists Bob can combine several different influences into one song or even one line.  Highway 61 is nowhere near Hibbing which is situated North of Duluth so if Highway 61 figures in anywhere it’s down at Redwing or perhaps the run back and forth to Minneapolis.

     It is mere coincidence that Highway 61 continues to the Mississippi Delta.  Has nothing to do with Bob’s thoughts.  He can’t express himself plainly so he has a couple accusatory poses photographed looking straight at Abe and Beattie and goes into rants like ‘God said to Abraham…’

     All that’s possible.

     I’ve been reading on Bob’s religious odyssey in Restless Pilgrim: The Spiritual Journey Of Bob Dylan by Scott M. Marshall and Marcia Ford and also Marshall’s solo piece from the web on Jewsweek.  Very enlightening stuff.  Sounes and Heylin could have blended it into their biographies and given some sense to his later years.

     The guy actually believes the Bible stuff literally.  When he says:  God said to Abraham… he means it.  He thinks it actually happened.  I spent a lot of time with those people in my yout’.  Been there, done that.  No thank you.

     I am getting clearer on why I thought the Middle Period was so entrancing though.  Still don’t forgive myself but I was there so I suppose I had to go through it.

 

Analysis, Critical Theory And Greil Marcus

by

R.E. Prindle

 

     Through the moral and political rhetoric of John Winthrop, the Declaration Of Independence and the Constitution, Abraham Lincoln and Martin Luther King, America explained itself to itself as a field of promises so vast they could only be betrayed.  The attempt to keep the promises- of community, liberty, jutice, and equality for all, because once let loose the genie could never be put back in the bottle- in face of the betrayal became the engine of American history and the template for our national story.

-Greil Marcus

http://.powells.com/ink/marcus.html

 

     The problem I have with Mr. Marcus’ writing is that it is all skewed.  His vision is distorted by his ideologies.  Mr. Marcus purports to write about the US using terms like ‘our’ when he is in fact an Israeli citizen and places the interests of Israel above those of the United States.  This situation is exacerbated by the fact that he is an adherent of the Jewish Critical Theory or Frankfurt School while being a leader of the Situationist Internation.  Both organizations are subversiive of the ideals and goals of the United States seeking to supplant those goals with those of Israel or, in another word, Judaism.

     Mr Marcus is not clear and honest in his intentions, seeking to mislead his readers into believing that he is objectively analyzing America rather than denouncing it in favor of the Israeli point of view.  He refuses to admit that his intent is the supremacy of Israeli/Jewish interests.  I find this both dishonest and offensive.

     Further in his zeal to demonstrate that the United States is a failed society he refuses to take into account any social or scientific developments since, essentially, John Winthrop of the seventeenth century.

     Winthrop is essentially a religious bigot who because of his historical era was necessarily devoid of any scientific knowledge.  His spoutings originate in the ignorance of the Jewish Bible written some two thousand or so years before his present which he takes as the literal truth and the word of ‘God.’

     While his views may be of interest to explain his times and while his views were influential in forming New England with its inherent bigotry they in no way reflect the views of Jefferson and others who were responsible for the formulations of the DOI and Constitution.  There were worlds of difference between the East Anglian Puritans and Cavaliers of both the South of England and the US.  Further Jefferson was a Revolutionary and Freemason learning his Freemasonry in the France of the Revolution.  Whether he was a Jacobin I can’t say but he has been so accused.

     While the Framers of the founding documents used the same words such as equality that we use today they undoubtedly did not undersand them as we do today.  To refuse to understand and take that into account is willful obtuseness on Mr. Marcus’ part.  The phrase ‘all men are created equal’ was gainsaid by their counting Negroes as only three-fifths of a man.  Quite obviously they did not actually believe that all men were created equal.  Whether ‘all men’ is meant to include women is also conjectural as women were denied the attributes of citizenship being considered appendages of men as per the Biblical creation myth.  So clearly the Founders understanding of equality is quite different from that of, at least, Mr. Marcus.  On that basis his views can’t help but be skewed.

     The African in America was an insoluble problem to the society then as it is to society today.  While counting Negro men as three-fifths of a human certainly sounds ridiculous yet modern evolutionary science has proven what was evident to observation then that the Africans as the first Homo Sapiens to evolve from the Last Hominid Predecessor was necessarily left behind by future evolutionary species of Homo Sapiens or sub-species if you prefer.  Mr. Marcus and his fellow Liberals insist that equality of Blacks and Whites is denied solely on the basis of skin color.  This is nonsense.

     If Africans were equal or superior to Whites, Semites and Mongolids there could be and would be no denying the status of the African.  Furthermore such superiority would be self-evident as it must.  Instead of the so-called White Skin Privilege there would be Black Skin Privilege and then black skin would indicate superiority and be desirable.  There isn’t and the reason why is because that while equality is a fine sounding ideal it does not exist in fact in either the macro or micro example.  It cannot be made to exist by legislattion so long as differences between the five human species exist.

     So, I would object to Mr. Marcus’ characterization of ideals as promises, they are two different things, that have been betrayed.  There has been no betrayal.  Mr. Marcus misleads us with his approach of Critical Theory.  The Founding Fathers set high ideals to live up to, perhaps impossibly high ideals but ideals worth striving to realize nevertheless.  The problem now has been complicated by the scientific reallization of the incompatible differences between the species so that the original meaning of equal of the DOI seems to be the correct one.

     The Negro problem, bedeviling America from its origins, was the rock on which those ideals first foundered resulting in the Civil War between Whites, Reconstruction and the current New Abolitionist Movement proclaiming the need to exterminate Whites by any means necessary.  So, over the hundred fifty years since the Civil War Africans and their Liberal and Israeli/Jewish handlers are in a position to realize the goals of post-war Radical Reconstruction which was the elimination of Southern Whites by Africans in a larger version of the San Domingo Moment.

     As the Whites struggled to come to some resolution of the Negro Problem that has always bedeviled American history large, even huge, numbers of Southern and East European immigrants flooded the country.  It is useless to use racial arguments and say that antipathy to these peoples was somehow racial when there was no difference in color which is the only thing Liberals recognize as a barrier to assimiltion.

     Rather these peoples were culturally unable to understand the ideals that underlay the American attitude, disdained them and sought to replace them with their own.  Thus we have a tremendous criminal underworld led by Sicilians and Israelis while the Israelis seek to subvert the ideals Mr. Marcus notes as ‘promises’ to replace them with a State resembling that of Israel in which the Israelis are paramount while all others are denied humanity much as Mr. Marcus accuses the Europeans of the US in relation to the Blacks.

     One therefore has to believe that as an Israel citizen Mr. Marcus is hypocritical in his criticism of American ‘racism’ and the ‘betrayal’ of the the ideal of equality.

     Unless Mr. Marcus can reconcile his ostensible beilief with actual Israeli actions I, for one, find it impossible to take him seriously.  Critical Theory and the SI are antipathetic to the ideals he seems to be espousing.

     I too believe that we have fallen short of the ideals expressed in the Founding Documents but for different reasons than those mentioned by Mr. Marcus.  I find no betrayal of those ideals but rather the sabotage of them by competing social systems such as the Sicilian, the Israeli and the African.

     Mr. Marcus may be an expert in Critical Theory but he is no analyst.  Analysis is Science; Critical Theory is religion.  Oil and water and the two don’t mix while Science trumps Critical Theory every time.

 

A Review

Themes And Variations

The Tarzan Novels Of Edgar Rice Burroughs

#18 Tarzan And The Lion Man

Part 10 of 10 parts

by

R.E. Prindle

First published on the ezine, ERBzine

Tarzan’s Excellent New York Adventure

 

     Sound movies were a unique cultural addition.  The Studios had little or nothing to do with ‘artists.’  The Studios were entertainment factories organized along the same lines as Ford’s assembly plants.  Like Ford’s factories their interest was mass production.  There was a tremendous investment in theatres and distribution.  The theatres could not sit idle waiting for the next picture hence a studio’s goal was to porduce fifty-two A movies a year, or one a week to change the marquee.

     Unlike Broadway theatres where the production and performance would hopefully last a year, two, or three or publishing where a bestseller would take a writer quite some time to compose, usually, and would take a year or two to sell through, the writers, actors, directors and such were merely employees.  ‘Workers’ in Communist terminology.  This was a major departure in the ‘arts.’

     The only entity taking a risk was the Studio or corporation hence each and every film was organized and supervised from the top down.  Once the executives determined on a project the necesary ‘workers’ were assembled.  With the amount of money involved in each production the Studio could ill afford to let projects originate in any other way.

     Thus as industrial units writers were not allowed sole authorship of any movies.  One writer might work up the idea which was then assigned to other writers to add to, change and polish until the executives thought they had a money maker.  And then the movie was taken for a test  drive for audience reaction and underwent other changes.  Few original ideas were used.  Usually a project was based on a a proven entity like a novel, old play or tried and true plot line.

     Naturally in such a situation any group could be disciplined to follow one of any number of tacks.  The jobs were highly paid and desirable.  To not go with the flow, to not follow orders was to lose a very lucrative employment.

     The executives were in control.  When Burroughs was in the employ of MGM for those five weeks he had a chance to view the system in operation.  As he observed in Lion Man, p. 8:

     “There ain’t no tigers in Africa, Milt,”  explained the director.

     “Who says there ain’t?”

     “I do.”  replied Orman, grinning.

     ‘How about it, Joe?”  Smith turned toward the scenarist.  (Writer)

     “Well, Chief, you said you wanted a tiger sequence.”

     “Oh, what’s the difference?  We’ll make it a crocodile sequence.”

     Quite clearly the writer is not an originator but an employee who works up material to order.  This quite natural consequence of mass production, then, played into Communist hands.

     The Communists arrived in Hollywood almost simultaneously with sound while Communism was already the normal way of Jewish collective thinking.

     Thus the collective mindset of Judaism and Communism was already in place.  It remained only for the Communists to organize the ‘cultural workers’ as in any other indistry which they immediately set to do.  The cultural clash between individualistic actors and writers as ‘artists’ was already undermined by the studio system but some ‘cultural workers’ were still offended by becoming mere ciphers in an industrial machine.  Nonetheless the Communists organized the culural workers into units such as the Screen Actors Guild- SAG-and Screen Writers Guild-SWG.  IATSE covered the technical people.

     Once a collective is formed, whether a guild, a religion, a corporation or political party, an executive committee is necessary to handle affairs and set policy.  Anyone who doesn’t accept policy must be disciplined until he does or he is expelled, denied work, blacklisted or in the extreme case of  Stalin’s USSR, eliminated.

     So the Communists set their ideals against those of the studios.  In a few years this would create a conflict between the Communists and the Studio heads when HUAC came to Hollywood.  The Communists denied guilt acccording to John Howard Lawson, one of the leaders.  (Larry Ceplair and Steven Englund: The Inquisition In Hollywood:  Politics In The Film Community, 1930-1960, University Of California Press, 1983.)

(Ceplair and Englund speaking)

      Communist screenwriters could not themselves, directly improve or change content through political inserts- whistling the “Internationale”, speeches about democracy- or by writing Communist films stressing the importance of collectivity over the individual and graphically depicting the plight of the dispossessed, the nature of their struggle, and their inevitable class triumph, or by imitating Russian Marxists aethetics.  (John Howard) Larson, for one, was very forthright about the lack of success in those directors:

     Ceplair, Englund quote Lawson:

     As a matter of undeviating practice in the motion picture industry it is impossible for any screen writer to put anything into a motion picture to which the executive producers object.  The content of motion pictures is controlled exclusively by producers; {all aspects of  a film] are carefully studied, checked, edited and filtered by executive producers and persons acting directly under their supervision.

     While I would disagree with Lawson that a clever writer couldn’t slip quite a few items past any censor or censors I think the point has been clearly made that the final film product reflects the wishes and attitudes of the Studio executives.  Thus whatever the process, the content and apparent meaning of the six MGM Tarzan films reflect the intent of the MGM executives from Lous B. Mayer on down.  Thus Judaeo-Communists are forming the popular image of Tarzan to reflect their own ends.  The chief caveat is that the films must make money so any motives on the screen must be ulterior so as not to destroy the entertainment value.  Ceplair and Englund’s idea of making bloated politial speeches as the only way of injecting political or social content is absurd.

     Perhaps in those days people weren’t as yet so sensitive to multi-culturalism and Diversity as society is today.  For that reason I am reevaluating the era in terms of modern Multi-Culturalism  and Diversity.  It’s like hitting the Saturation button, if you know what I mean.

     Before moving on from the background of the situation to the actual analysis of MGM’s last Tarzan effort it will be necessary to update the Jewish Cain and Abel play to the United States.

     As mentioned previously the thirties brought a tremendous influx of Central European Jews to Hollywood.  While Freud himself remained in Vienna until well past the last moment then choosing to emigrate to England as his 1909 visit to Clark College in Massachusetts left a worse taste in his mouth than those horrid cigars, huge numbers of psychoanalysts and psychologists found their way to the West as well as a large percentage of the Jewish film colony of Germany.  Accompanying these Europeans west were the Jewish criminals attached to the Outfit of Chicago.  These were all Jews from the Pale born c. 1900-10.

     The earlier German Jews who arrived after the 1848 Revolution were now being absorbed by the Jews from the Pale or dying out.  They had been responsible for establishing the first Jewish occupation when they aligned themselves with the Woodrow Wilson Administration of 1913-21.  There they established the classic Abelite relationship with higher authority.  President Wilson gave them pretty much the same latitude as the Spanish kings of the pre-Inquisition or any number or early rulers.  This has gone unnoticed but they established their traditional role of ‘tax farmers’ or overseers of the goyim cattle under Wilson.

     The WIB or War Industries Board, was a key instrument in the attempt to subordinate the goyim.  Wilson himself was a self-absorbed simpleton who was easily manipulated; I doubt if he had any idea of what was really going on.  He placed the Jewish speculator and financier, Bernard Baruch, at the head of the WIB.

     Baruch then under the guise of the ‘war emergency’ required each and every business of each and every industry to submit their confidential data so they could be reorganized as a component of the war effort.

     This sounds reasonable enough but there was no war emergency in the United States.  War hysteria perhaps, but no emergency.  Wilson himelf, beneath his outward calm, was an hysteric.  He was not emotionally qualified for the presidency.  Interestingly Teddy Roosevelt perceived this without any difficulty.  The stringency of the measures taken to ensure uniformity were not based on war necessities but on a socialistic program to render everyone ‘equal’ or the same while at the same time bringing industry under Jewish control.

     Industry protested vigorously against the measures taken by Baruch and his WIB only to be called anti-Semites.  Foremost of these were Henry Ford and the Dodge Brothers.  The Dodge Brothers who were less temperate than Ford in denouncing the WIB and Baruch correctly identified the problem as the Cain and Abel syndrome.  For this they were murdered in 1920.  Ford went into strong reaction buying the Dearborn Independent which ran his series of articles denouncing the syndrome thereby being characterized by the Jews as ‘anti-Semitic.’

      The ‘war emergency’ ended just as some of the more remarkable edicts of the WIB were about to be put into effect.  Wilson was run out of office in 1921, he would have run for a third term had his health permitted, thus the Jewish cultural program was put into abeyance until 1933.

     Franklin Delano Roosevelt was an under Secretary Of The Navy during Wilson’s last term.  Roosevelt became a disciple of Wilson’s so that when he was elected President in 1932 the whole Wilson program was reinstated.  The Jews returned to government in unprecedented numbers under the shelter of the higher authority of Roosevelt.  Punitive income tax rates were established to emasculate men the Jews considered enemies such as W.R. Hearst.

     Twentieth century Amrica was different from fifteenth century Spain in that the executive role was considerably reduced as Governmental functions had become institutionalized.  The executive was now subject to a consitution and the rule of law.  Secure under the wing of the executive it was necessary for the Cain and Able Syndrome, the Culture, to subvert the law.

     Woodrow Wilson had appointed the first Jewish Supreme Court Justice, Louis Brandeis.  He had been canonized by the media as would be his successor to the ‘Jewish’ seat on the Supreme Court, Felix Frankfurter.  These two men were put forward as secular saints although it is difficult to imagine why when one examines their careers in the light of today’s multi-culturalism and diversity.

     The agents of Jewish culture would make many decisions to undermine the British based legal system to convert it to a Semitic based system favoring the culture of the Jews.  Today’s ‘hate’ laws promulgated under the cover of a mistaken version of multi-culturalism and diversity are an impostion of civil disabilites on dissenters and are an example of what evolved.

     Thus working above board legally and below board criminally the Jewish culture sought to realize the age old Cain and Abel dream in the United States.  While Gus Russo in his Supermob concentrates on arch criminals like Sidney Korshak and other crooks looting the American industrial system he passes lightly over the career of one who seems very significant by the name of David Bazelon, also from Chicago’s Lawndale.

     Bazelon functioned as an enabler while being a civil servant.  In this way he was able to direct certain opportunities to his mob contacts in the Chicago Outfit.  All the Jews connected to the Outfit were lawyers.  They used their legal knowledge and skills to circumvent the law rather than applying it.

     Bazelon later almost made the Supreme Court.  In the year or so following the confiscation of Japanese property in California in 1942 he used his position in the Office Of Alien Properties disposing of that property.  In a very corrupt manner he sold the properties at bargain prices to his associates in the Outfit, both Jewish and Sicilian.  Thus they were not only able to utilize the immense proceeds from their criminal activities but were able to bilk from the upper world legal profits from these properties.

     Thus Bazelon violated the trust placed in him by the American government but at the same time was able to sabotage that same government.

     To return to Mr. Netanyahu’s complaint about the Jews in Spain.  A Spaniard by the name of Marcos Garcia who was a leader of the insurrection against the Jews felt that the crimes of the (Jews) embrace all spheres of life.  They are manifest in religion, economy, government, and of course in all personal relationships between the (Jews) and the (Spanish.)  Thus they gnaw at (Spanish) society from all angles and undermine all its institutions.

     Thus Mr. Netanyahu unconsciously states how ‘anti-Semitism’ comes into existence.  He doesn’t seem to be aware of the Cain-Abel Syndrome but that is what he is explaining.  From the origins of the Hebrews through Spain to the contemporary situation in the Central and Eastern Europe and the United States of then and today the story is always the same.

     Just as the Spaniards he is describing were attempting to exterminate the Jews, so as in Burroughs’ time both Nazis and Communists were doing the same.  That is the inevitable programmed result of the Cain-Able Syndrome.  Mr. Netanyahu should diligently study Sigmund Freud’s The Future Of An Illusion.

     In the multi-cultural sense the Jews then and now were trying to establish their cultural supremacy.  I do not argue against this per se as the inevitable result of the clash of cultures is and must be the dominance of one.  The inevitble result of diversity is the destruction of all cultures but one.  I have demonstrated this in the Darwinian evolutionary sense repeatedly.  The point is there is no reason for me or anyone else to supinely allow their culture to be destroyed for the benefit of another.  Or course, if a culture doesn’t have the backbone to defeat another then so be it.

     I have also quoted Rabbi Schneerson’s ‘scientific’ argument for the innate superiority of the Jews.  In Spanish times a religious argument demonstrating such superiority was used.  Quoting Juan de Torquemada, the uncle of the Inquisitor, Mr Netanyahu argurs thusly, pp. 481-82:

     …it is a fact that the gentiles, to elevate their status, had to be “grafted” onto the “tree” of the Jews.  As the Apostle said, “You gentiles, (this word is added to Torquemada), who are an oleaster” (namely a wild olive tree which cannot bear good fruit), you had neither the Law nor the Prophets, or even the worship of God, as you were dedicated to idolatry, ought to remember that you “were grafted among them”- that is, among the standing branches (ramis stantibus), which are the apostles and the other faithful Jews, “and with them you aprtake of the root”- that is the faith of the Patriarchs and the Prophets, “and the fatness of the olive tree”- that is, of the doctrine and grace of Christ which came from the Jews.

      So, the context changes but the argument always remains the same.  As George Santayana said:  Those who do not learn from history are doomed to repeat it.  Since the Illusion has not changed the result must ever be the same whether Spain, Europe or the United States.  Mr. Russo in his Supermob without realizing it was replicating the description in the United States of Mr. Netanyahu’s description in Spain.

     So now, with a grasp of the underlying strategies we can return to Burroughs and MGM.  The purpose of MGM was to discipline a ‘loose cannon’ like Burroughs.

     There had been recent renewed activity in Tarzan films after a hiatus of several years, however MGM’s interest seems to have been catalyzed by their interest in Trader Horn.  Perhaps the story showed them the way.  All the MGM Tarzans would bear the imprint of Trader Horn.  It appears that MGM first considered a Trader Horn series with Tarzan as a subsidiary character.  Cyril Hume’s first script was a Trader Horn sequel in which Tarzan appeared only as a supporting character having little or no relationship to the literary Tarzan.  There wasn’t even a Jane as Tarzan was paired up with a female scientist.  That’s an interesting subliminal association.  As Hume was undoubtedly trying to fulfill suggestions from the executives we don’t know why the screenplay was scrapped.  As Burroughs got his paychecks for those five weeks probably attending planning sessions in Thalberg’s office it may be that he objected.

     The finished product clearly reflects the first script although the emphasis is changed to make Tarzan more prominent but not clearly the central character.  Jane actually is the more dominant personality.

     The entire series takes place on the MGM invented Mutia escarpment which would have been above the Murchison Falls of the Nile.  As is well known the name Mutia comes from the first name of the actor playing Renchoro in Trader Horn. 

     The first two movies which were either pre-Lion Man or unaffected by the novel don’t seem to refer to any of Burroughs’ works being a free interpretation of the character.  The last four movies have references to Lion Man while Tarzan’s Secret Treasure reflects the Opar theme, Tarzan And The Leopard Men as well as Lion Man.  Both the latter novels make reference to Trader Horn as MGM seems to date the beginning of Tarzan to the post-Trader Horn period.  Tarzan is introduced as a grown man in the movies whle as an infant in the novels.

     The movies attempted to denigrate and belittle the character which if you’re familiar with the literary Tarzan they do.  The magnificence and appeal of the character is so great that even the MGM Tarzan defeats their efforts remaining an entrancing character for the movie going public.

     As a boy I can’t be sure which movies I saw other than Tarzan Triumphs although I must have seen all the Lesser films.  On reviewing the MGM Tarzans they don’t ring any bells.  Perhaps the movies were forgettable but Tarzan wasn’t.  As a young boy I was entranced seeing nothing negative in the ape man’s portrayal so perhaps most of the audience didn’t either.  Of course neither they nor I knew what to look for.

     After five profitable successes MGM decided to abandon the series which must be unique In Movieland.  For the final film the location was moved to New York City.  In Trader Horn the location was moved from the US to Africa; in the final Tarzan episode Africa came to the US.  In this episode Tarzan is subordinated to civilization and stripped of his jungle mystique.

     By this time Burroughs himself had been exiled from Hollywood to Hawaii.  There he separated from his young wife while sinking into alcoholism.  His son had to go to Hawaii in an attempt to win ERB from the bottle.  I don’t mean to be unkind but it is true.  From MGM’s point of view he may have appeared a shattered wreck of a man who no longer merited their attention.  As they were done with the Lion Man so they were done with his alter ego.  ERB might have drunk himself to death if the war hadn’t intervened.  The movie obviously has a lot of references directed at Burroughs; some I picked up but I may not have interpreted correctly while many have probably gone over my head but I’m sure that as ERB sat watching they didn’t go over his.

     The reference to the Mutia Escarpment immediately refers to the Trader Horn connection.  I can’t get the exact relationship between Trader Horn and Tarzan but it obviously existed to MGM.  The Escarpment is said to be so high that it reaches to the stars.  Stars may be a reference to MGM which boasted ‘more stars than there are in Heaven.’  Thus the reference would be mocking ERB.

     One of the key goals of both the Reds and Jews would be to subordinate Tarzan.  One has to keep Freudian concepts in mind at all times.  A culture is a group and must obey the laws of its group psychology.  That group psychology can be scientifically analyzed just as individual psychology can.  There is no escaping the evidence of your behavior or its consequences.

     Both groups, the Jews and Reds were into collectivism.  Independent thought is not allowed.  Tarzan was the supreme individualist.  He is in fact a loner among humans although on very good terms with the animals.  Tarzan was a law unto himself; he was not subject to any external law.  thus he had to have his independence destroyed and brought within the Law and the collectivity.  Let’s deal with jewish aspects first.

     The movies were made in 1932, 1934, 1936, 1939, 1941 and 1942.  The New York adventure was conceived and finished before Pearl Harbor so that event had no effect on the movie.  So the spacing is two, two, three, two and one in years.  Burroughs lamented that MGM wasn’t producing at least one movie a year.  MGM might have chosen to have done this.  As the Charlie Chan movies, on which ERB commented were being popped out at the rate of three or four a year to a profitable tune it is obvious that the same could have been done with Tarzan.  One imagines that ERB urged MGM to do so.  MGM chose to pass on the profits.  One asks why?

     As the decade wore on ERB became more and more dependent on the movies for income.  Book sales must have lagged overall while he had no major successes after Tarzan And The City Of Gold.  Lion Man’s sales were disappointing while it is difficult to see its successors doing any better.  He was off the radio after 1935 while the comic strip was not a major contributor to his income.  Thus MGM controlled his purse strings.

     ERB’s finances were desperate after his movie venture if 1935-36.  He had those notes oming due.  MGM might have helped him along by putting out two or three quick Tarzans, instead at this crucial moment there was the long hiatus from 1936 to 1939.  With no movie money coming in for three long years the spendthrift writer must have been driven to the wall contributing to his decision to exile himself to Hawaii where he lived on a pittance.

     The appearance in Hawaii is that he was a broken man seeking solace in alchohol.  In ’41 and ’42 in quick succession Tarzan’s Secret Treasure, note the mocking tone of the title, and Tarzan’s New York Adventure were made.  As they intended to drop the series, the release of one per year for those two years may have been a calculated insult, both could be viewed as mocking films.  A great deal of work has to be done to determine how Burroughs was perceived in Hollywood.  I suspect as somewhat of a joke. 

     In the early novles when Tarzan needed money he made another run on the gold of Opar.  Now living in actual poverty in Hawaii MGM made a movie where large gold nuggets lay at the bottom of a pool while Tarzan knew of a place where gold could be scooped out of veins by the bucketful.  But ERB’s ability to turn a buck now depended on MGM, so the notion could be viewed as a mockery, especially as the mine was Tarzan’s but it was to be exploited by others i.e. MGM.

     As it is possible that MGM now saw ERB as a wreck, totally defeated, they decided to wrap thier involvement up with the succeeding movie.  Their object of the destruction of Burroughs having been realized, they lost interest abandoning the series.

      They certainly had not exhausted the possibilities of story lines.  Nor had the series become unprofitable as Sol Lesser proved for a decade or more.  The probable reason is simply that with Burroughs out of the  picture their intent was realized.  So as a farewell gesture they lectured Tarzan on his attitude toward the Law by which I mean to say the Jewish Law.

     As the New York Adventure begins some circus types abduct Boy to perform as an animal trainer in their circus.  As I watch the picture from this vantage point it is easy to see how MGM is ridiculing the ape man.

     After ten years of living with Jane, during which her good cooking has fattened the feral boy up Tarzan still can’t put together a complete sentence.  He’s still at the Me Tarzan, you Jane stage or the even simpler, Tarzan, Jane.  Boy, who was found in the jungle two years previously, has learned a great deal from the very literate Jane, even being able to write cursively although weak in orthography, But then the kid’s big for his age of three.

     So if Boy could learn to speak intelligently from Jane why after ten years of living with Jane is Tarzan still grunting?  Not only grunting but he appears to be simple minded, purely a natural savage.  He doesn’t even act like he knows his way around the jungle.

     But Jane and Tarzan set out to find Boy in the big wide world with a twenty-five or fifty pound bag of nuggets slung over the Big Fella’s shoulder.  Let me say here that the average viewer is not nearly as critical as I am here.  The animal scenes are actually pretty thrilling while Boy’s fight with the lion using a stick must have bowled the kids over.  So, while my point of view here is to understand how MGM mocked Burroughs and disparaged Tarzan, as a theatre experience New York Adventure is not a bad movie.

     MGM’s attempt to ridicule Tarzan in the first film was not nearly so successful as in this one.  Tarzan and Jane in clothes lose all their charm.  Jane although dressed stylishly becomes just an ordinary looking woman.  A little on the frumpy side, actually.  Although Maureen O’ Sullivan was a beautiful woman in any circumstances the insouciance and verve of her jungle raiment and demeanor is completely gone in a suit and hat.  Not the same.

     Tarzan, or Weissmuller in a double breasted suit while handsome is not commanding.  So, right away Tarzan and Jane are demi-gods brought to earth.  The scene in the tailor’s shop with the Chinese tailors might also be a joke on Burroughs bringing to mind Charlie Chan.  Tarzan’s primitive manner of speech just becomes ludicrous and oafish in New York city.  You can take the feral boy out of the jungle, but you can’t take the jungle out of the feral boy.  Here the contest becomes one of Tarzan’s law versus the law of the legal system and by extension the Jewish Law.  Tarzan fights the law and the law wins just as the Jewish Law did over Burroughs.

     Thus the crucial part of the movie begins in the ludicrous scene in the courtroom.  The trial is being held for the custody of Boy.  On the one side are Buck and his circus associate who have kidnapped and actually enslaved Boy; they have no claim on him legitimate or otherwise.  On the other side are his apparent parents, Tarzan and Jane.  Tarzan had wanted to handle the situation  according to his own law but Jane, as usual in the movie version , dissuaded him, telling him to rely on the law of the legal system and by inference the Jewish Law.  I hope Tarzan hadn’t forgotten how vilely Jane betrayed him just the previous year.

     Jane lets slip that she and Tarzan ‘found’ Boy in the jungle.  Boy is not the issue of Tarzan or Jane.  In this zany courtroom scene the ‘ownership’ of Boy thus becomes unclear.  It seems that the kidnappers and enslavers who are about to sell Boy to a Brazilian circus have as much claim to the kid as his ostensible parents.  This is apparently ‘law.’

     Tarzan reacting in the tried and true jungle manner grabs the opposing attorney and dumps him bodily into the jury box.  The act of violence proves him an unfit parent.  The trial is interrupted.  Waiting for the trial to resume Jane concedes to Tarzan that as usual she was wrong, his law is better than the Law.  Coming to life Tarzan announces in amazing pidgin English:  Tarzan find Boy.  Slightly obscene in its application actually, but why nitpick?  Tarzan crashes through a twelfth story or so window which luckily has an ample ledge.  If logic isn’t essential to your enjoyment of an ‘action’ film the next few sequences are quite thrilling.

     The end result is that Tarzan is taken into custody and delivered before the kindliest judge who ever graced the bench.  Now, there can be no doubt that Tarzan offended the Majesty of the Law by rioting in court.  Under Jewish Law the accused is guilty until proven innocent but is supposed to gratefully accept any verdict just or not.

     He is then duly convicted of what is apparently considered a misdemeanor or even an offense rather than a felony as his crime only carried a sentence of thirty days and sentenced as guilty, which he was.  It is important to remember at this point that Tarzan has been convicted as a criminal.  He has a criminal record from this point on.  The judge generously suspends the sentence but remember Tarzan is still guilty.

     Tarzan mutters some more memorable pidgin English to the effect of ‘Tarzan bad, law good.’  Thus Tarzan is subsumed to the collective culture giving up his independence.  No longer as the Invincible or Triumphant will he pass judgment on jungle offenders or Stalinites.

     The judge even invades his territory up there on the Escarpment as a right and as the Law assuming paramountcy in Tarzan’s former Jungletopia.  The judge advises Tarzan that he will visit him on a fishing trip.  Tarzan says something like: ‘Judge come’, rather than ‘Bring money.  Tarzan bailiwick.  No license, no fishee.’  Or he could simply have arrested the judge, convicted him of the offence of fishing wihout a license, make him a criminal, and then suspend the sentence, appropriating the fish and iviting the criminal to a fish fry.

     Tarzan wasn’t that quick and from this point on he has a criminal record in Tinseltown.  MGM successfully emasculated Burroughs and his Big Bwana.  After ten years  MGM succeeded in its goal.  It is probably for that reason they abaondoned this profitable series.  It wasn’t that they had run out of ideas which is an absurd supposition with a couple hundred writers on the lot but that they had said what they meant to say.

     It would seem that this part of the series was the primary concern of the MGM executives.  If as John Howard Lawson said, that nothing found its way into a movie unless it was approved by the executives, then this long ten-year persecution of both Burroughs and Tarzan must have come from the top- that is Louis B. Mayer.  Mayer who undoubtedly to the ADL/AJC would then be acting as an agent of the Jewish people, religion, race, species or however they would have it.

     While it is true that 50-60% of the US Communist Party was Jewish the remaining 40-50% weren’t.  Thus the Jewish supremacy was not part of their goal.  Even in the Socialist Homeland of the USSR where anti-Semitism was an actual crime, the Jews were systematically slaughtered by the Central Committee under the direction of Stalin.  Thus the goy Communists had a program of their own differing from that of the Jews.  This became clear and obvious after the establishment of Israel in 1948 when the two factions began to drift apart.  The Left is also immune to charges of anti-Semitism.

     Communism was nothing new in the nineteenth century, it was merely a reformulation of ideals that can be traced back to the dawn of consciousness.  The great Swiss mythologist, J.J. Bachofen, on whom too much praise cannot be heaped, is the earliest student of human consciousness known to me.  Unfortunately with the exception of a volume of excerpts his work has not been translated into English.  The excerpts speak volumes, however.

     Bachofen, very likely the first, recognized that the Matriarchal Age preceeded the Patriarchal Age and the developing Scientific Age but he also discerned an age preceeding the Matiarchal that he called the Hetaeric.  A large number of modern minds have never made it past the Hetaeric.  Thus all four ages of consciousness exist side by side with the five different human species.

     Once again the Top Dog enters the picture.  Which consciousness will prevail?  It will readily be seen that the highest form of consciousness’ the Scienfific- is in the most danger.  One only has to look at the developments in France and Belgium to shudder.

     The modern form of the Hetaeric developed in Medieval Europe with such groups as the Beghards and Bequines, the Anabaptists and the Free Spirits.  These beliefs were incorporated into those of the LIbertines and Jacobins and thence into Communism.  The program may be sloganized as Liberty, Equality and Fraternity.  Like all such organizations the slogan is developed with more malice toward the established order as one moves up the ladder of initiation.

     In many ways the ideas of Edgar Rice Burroughs are not in conflict with the Communists whole ideals do reflect universal longings in one form or another.  Like them he sees civilization as an imposition on the individual.  One of the charms of New York Adventure is the contrast between the natural ‘good’ ideals of the Mutia Escarpment and corruption of civilization.  One’s heart aches for the lost paradise.  Louis Prima humorously summed it up in a post-war comic song:  Bongo, Bongo, Bongo, I don’t want to leave the Congo.  It may be coincidence but then it’s possible the songwriter at least had Tarzan’s New York Adventure in the back of his mind.

     Actually New York Adventure may have had the largest audience of all Tarzan movies.  According to IMDb: Trivia this was the first film shown free to servicemen overseas.  So there’s a good chance that a few millions of all those men in uniform saw the movie for nothing plus the theatre distribution on the home front.

     Now, when the Communists say equality they mean just that, they don’t mean equal rights but no evidences of distinction whatsoever.  Race (or species), income, sex, education or anything else.  The ideal is a page full of rows of zeroes.  Communism is the rule of pure envy, a terror that one may not be able to compete on an equal basis.  On a practical level this translates into the Soviet and Chinese models where the brutal seize power and follow a program of to the victors belong the spoils.  This is because the human mind cannot function in an equal manner.  The Scientific model is beyond the capabilities of the untutored mind.  Hence one has the deplorable state of affairs of today where the scientific  demands of society crumble before the stunted religious expression of the human mind whether it be Moslemism, Judaism, Christianity, Hinduism or whatever.  Freudianism has allowed the basic criminality of the human consciousness to dominate.  There is today no criminal attitude that is not dominant or in the process of becoming dominant.  The dormancy of resistance to criminal develpements is nothing less than startling.  The human consciousness seems to be paralyzed.  This naturally would be the end result of equality to the Communist mind.

     The movie Tarzan fits this ideal.  MGM’s Tarzan is quite frankly, stupid.  He is not a commanding figure, but a lovable clown.  His love for Jane allows him to be led by the nose until her counsels become disastrous at which point Tarzan beats her out by mindless violence, never with any planning, always an impulsive knee jerk reaction.  Thus this duncelike Tarzan is always correct over the educated civilized Jane.  There is a subtle message there that Communist writers say they weren’t clever enough to get past the executive censors who we are led to believe wanted such sentiments censored.  I doubt both posits.

     We then get to Communist notions of sex, sexuality and family.  There can be no doubt that Tarzan and Jane were doing what was then known as ‘shacking up.’  Their romance was a version of ‘free love.’  A common access to women is the Communist ideal.  They were opposed to marriage and the ideal of the family, preferring communal living with free access to every woman.  Any notion of female ‘liberation’ always gets down to the notion that every woman should make herself available on demand to any man after the homosexual manner; a guick bang and we’ll see you around.

     Had Cyril Hume had his way there would have been no movie Jane.  He had already written her out in his first draft.  If he had had his way Tarzan would have had a succession of brief affairs.  Wham! Bam! Thank-you Ma’am! and off swinging into the jungle again .  Thus the movie Tarzan would have realized the Communist ideal completely but for reasons that remain unknown.

     One should note that Hume tried to kill Jane off in Tarzan Finds A Son so that Tarzan could live a more libertine existence.  By then the family role of Tarzan, Jane and Boy became established but the writers were always trying to break it up going so far as having a court award Boy to his kidnappers and enslavers.

     As I say, it isn’t clear why the Studio made the decision to include Jane from the beginning.  the Jewish attitude toward women was and is as brutal as that of the goy Communists.  From the White Slavery days to the present Jews have exploited the women of Central and Eastern Europe without either shame or mercy, whether goy or Jewish.  Prostitution of women on the Lower East Side of NYC showed a psychology of complete lack of self respect.

     On the other hand, as intermediaries between God and mankind, Jews feel they are entitled to whatever they want which includes free access to women.  Thus one has the sexual morality of Hollywood.  That morality has been propagated around the world by movies, such as for instance, the Tarzan series.  While you can talk women into any fashion, the women are always the losers, the victims; as Yoko One said- the niggers of the world.

     The psychological damage being inflicted on humans by the brutal approach to living is astounding.  No matter what you tell yourself the effects of evil living are murderous.  You cannot lie to yourself.

     Consider the words of one of Stalin’s mass executioners, G.G. Yagoda as he himself was about to be executed.  Simon Sebag Montefiori: Stalin: The Court Of The Red Czar, pp. 220-223:

     Yagoda told his interrogator:  “You can put down in your report to Yezhof that I said there must be a God after all.  From Stalin I deserved nothing but gratitude for my faithful service; from God, I deserved the most severe punishment for having violated his commandments thousands of times.  Now look where I am and judge for yourself; is there a God or not?”

     Yagod’as plight doesn’t prove the existence of God nor does his ‘punishment’ which was so richly merited and for which deeds he shows no remorse do anything for his victims, but his attitude does indicate the conflict in his mind as he carried out his orders.  The conflict found expression in his need for pornography and violating the innocence of very young prepubescent girls.  Unhealthy mental states always find expression in sexual obsessions.  Once again, look at the world today.  Such perversions male and female are rampant.  And don’t think they aren’t perversions.  The propaganda today that would make you think they’re normal is just the sort of denial Yagoda experienced.

     Some say the Victorian role of woman was negative but I’d rather have a mother who had self-respect than one who was at the beck and call of any scuzbag with a hard-on.

     So, in their subtle way the Tarzan films were anti-marriage and anti-family while being for female promiscuity.

     These ideals were placed in an African utopia, a place that appears on no map, the Mutia Escarpment.  the place is such a parallel universe pilots can’t even see it until they apparently pass through an interface and are suddenlyconfronted by it.  Using what appears to be identical footage the scene is replicated in both Finds A Son and New York Adventure.

     Both Burroughs and Communists are aligned in their views of the evils of civlilization.  Civilization, but not science or technology.  It seems that Tarzan has some Rube Goldberg genius for inventing 1930s technological items like dishwashers, fans, etc.  In fact, for being an inarticulate boob without the ability to use verbs his inventive genius is nothing less than startling.  I don’t believe the MGM Tarzan had even seen a wheel, yet astoundingly he has mastered the concepts of wheels, pulleys and leverage from scratch.  That’s as good as the literary Tarzan teaching himself to read.  Well, Henry Ford was nearly inarticulate too and look how he changed the world.

     Further, the screenwriters, once Boy is introduced, try to break up the familiy.  In Finds A Son one has the bizarre situation where Jane lures Tarzan into an inescapable pit while she, supposedly a mother, gives Boy to the adventurers.

     One may wonder at Hume’s own childhood and upbringing.  Not only is Hume sending Boy off to England, but he attempts to kill Jane off thus completely destroying the family leaving Tarzan alone in the jungle.  Jane takes a spear in the back, square on the spine.  IN the original script she was then dead.  Burroughs politely, even apologetically, explained to MGM that eliminating Jane was not wise as he himself had discovered when he tried to kill Jane off.  After consideration MGM agreed, so that when Tarzan forgives Jane for her betrayal she miraculously recovers.

     Bear in mind that as John Howard Lawson says, nothing went into the script that was not either suggested from above or approved by them.  Compare ERB’s scene with the producer Milt Smith/Thalberg and his scenarist.  That writer was Cyril Hume.  So it is reasonable to assume that the scene was dictated to him.  For whatever reason then, Mayer and his executives wanted the family broken up.

     In Tarzan’s New York Adventure not only is there a threatened abduction but an actual one.  Boy is taken to New York City by his kidnappers.  This time not only is Jane near death but the script leads us to believe that both Tarzan and Jane have died from a hundred foot or so fall when the vine they are swinging on is severed by a Jaconi native.  Thre grass around them is set afire so that they will be burned beyond recognition much as Jane was in Tarzan The Untamed.  Just as Burroughs had a death wish for Jane so, it appears, do the MGM execs for both she and Tarzan.  Fortunately displaying superb equality with his human counterprts the chimp has more brains than anyone else involved rather miraculously rescuing the pair.

     You may argue that this is the story.  Yes, but it doesn’t have to be the story.  Lesser’s stories were quite different.  the stories of each represent subliminal values.  Dream wish fulfillments a la Sigmund Freud.  If I have been the script writer at MGM able to do my own writing the stories would have been completely different reflecting my own psychological interests and needs.  The point is both MGM and the Reds wished Tarzan and Burroughs dead.  Of course, if they had died they wouldn’t have had a movie.

     Now, whenever Tarzan and Jane are visited up there on the Escarpment they are invariably visited by greedy capitalists seeking ivory, gold or riches of one sort or another.  One may take the Escarpment as the Socialist Homeland where everything is equal, simple and perfect.  Anarchy of the highest order.  Civilization is represented by New York City and the circus as the Capitalist Homeland.

     This contrasts the Communist version of a time of human perfection when the need for government will disappear and a perfected anarchy will come into existence.  Freud touched on this problem somewhat in his Civilization And Its Discontents.  Before Freud J.G. Frazer’s The Golden Bough went into the problem extensively while Burroughs dwells on the problem throughout the corpus.  Indeed, in this scene, ERB and the Communists are in agreement, as were many, many people who were discontented with civilization.  Tarzan, Jane and Boy are actually living out the Communist ideal up there in Cloud Cuckooland on the Escarpment.  This fact causes a problem for both executives and Communists, where they don’t coincide, as they are in love with Tarzan ideal also as, indeed, who wouldn’t be?

     While their original intent may have been to ridicule Tarzan into extinction his powerful appeal to the ‘masses’ undoubtedly prevented this.  No kidding, folks, the NO. 1 Commissar in the entire free or enslaved world loved the character.  That must have counted for something in Hollywood.

     So, in a way, the movie Tarzan was a symbol of Communism for the Party faithful, in contrast to the greedy capitalists who invaded Cloud Cuckooland up on the Escarpment much as the Reds invaded ERB’s dreamland of Opar.  There are many conflicts in life as we wander through this lonesome valley.

     It follows then that Communists had no problem injecting Red ideals into whatever movie they chose whether the executives approved each and every scene, as we are told by Lawson, or not.  The Studios themselves were fashioned after the USSR government with the Party leader on top surrounded by a Central Committee that ruled with an iron fist.  The jobs paid so well that rather than lose them one constantly looked to the top for direction.  To err was to be cast into relative poverty blacklisted by every studio.  HUAC didn’t invent the Hollywood blacklist, the studios did.

     Burroughs was essentially blacklisted while MGM played cat and mouse with him until they tired of it in late 1941 or early 1942.

     The War then changed the direction of the game as ERB finally became the war correspondent he had always wanted to be.  No matter what MGM might do, he would always be Edgar Rice Burroughs to his public.

 

RECAPITULATION

1. Communist oppostion probably forced ERB into self-publication.

2.  Tarzan The Invincible his first self-published title attacked the Communists.

3.  The sequel Tarzan Triumphant did the same with a probable covert criticism of the Jews.

4.Trader Horn was released by MGM which somehow led to their signing Burroughs and Tarzan to avenge imagined wrongs.

5.  Completely taken by Trader Horn Burroughs wrote Tarzan And The Leopard Men.  He had premonitions of error in signing away the movie rights to Tarzan.

6.  MGM released Tarzan, The Ape Man turning a cosmopolitan Tarzan into a feral boy.

7.  ERB countered with Tarzan And The Lion Man ridiculing MGM

8.MGM continuing on its program released Tarzan And His Mate but seemed to let the contract lapse.

9.  In this hiatus Ashton Dearholt lured Burroughs into producing his own Tarzan movie.

10.  Driven deep into debt by Dearholt Burroughs was all but bankrupt, now dependent almost entirely on MGM for income.

11.  Burroughs was relieved suspiciously by a man who was most certainly associated with ERB’s enemies.

12.  ERB continued to live at the limit or beyond the limit of his income which was now derived largely from MGM.

13.  Unable to sustain hs life style Burroughs exiled himself to Hawaii where he became a heavy drinker.

14.  MGM released Tarzan’s New York Adventure in which Tarzan is brought within the Law losing his independence much as Burroughs lost his.

15.  MGM sells its contract to Lesser abandoning the series and its interest in Burroughs.

16.  Beginning in 1943 Lesser’s movies are very successful restoring Burroughs’ prosperity.

17.  Burroughs becomes a war correspondent for the duration all but abandoning his literary career as he returned from exile in post-war years dying shortly thereafter.