Something Of Value I

October 1, 2007

Something Of Value I

by

R.E. Prindle

If a man does away

With his traditional way of living

And throws away his good customs,

He had better first make certain

That he has something of value to replace them.

–Basuto proverb as quoted by Robert Ruark

Dedicated to

Greil Marcus

 

Part One

One Hundred Years In The Sewers Of Paris

With Jean Valjean.

Edgar Rice Burroughs, Sigmund Freud

And The Myth Of The Twentieth Century

1.

The Concepts Of The Unconscious And Emasculation

 

     It has been truly said that man does not live by bread alone.  He also requires a mythic foundation on which to base his actions.  In the neolithic era his mythology was governed by a Matriarchal vision of reality.  In the subsequent Egypto-Greco-Mesopotamian mythology the Matriarchal series went through a revision being replaced by an advanced Patriarchal mythological consciousness.  This system was followed by the Judaeo-Christian mythological system which endured as the basis of mythological belief until the seventeenth and eighteenth centuries when the belief system was subverted by the emergence of the Scientific Consciousness.

     Unlike the mythopoeic consciousness which preceded it the Scientific Consciousness left no place for supernatural explanations; all had to be explained within a rational scientific framework.  This placed a great strain on a significant portion of the population which did not have the intellectual equipment to evolve.  Thus the basis of psychological comfort provided by religion was destroyed.  The code of behavior seemingly sent down from the sky had lost its validity.

     In place of an apparent unified consciousness it now became noticeable that EuroAmerican man had an unconscious or subconscious mind as well as a conscious mind.  Thus another evolutionary degree of differentiation unfolded that separated the advanced Scientific Consciousness  from the anterior Religious Conciousness.  A struggle has ensued in which advanced people are compelled to reintegrate their conscious and subconscious minds while the Religious Consciousness divided into the two camps of the Devout and the Reds resist.

     The discovery of what was known as the Unconscious began with the emergence from the Religious Consciousness during and  after the Enlightenment.  Anton Mesmer with his discovery of Animal Magnetism or hypnotism may have been the first stage.  Goethe and others carried the discussion forward until the Englishman FWH Myers isolated or identified the subconscious by the name of the unconscius in 1886.

     The notion of the unconscious as known during the twentieth century was formulated by Sigmund Freud during the twentieth century’s first decade.  Both Myers and Freud misconceived the nature of the sub or unconscious.  Myers’ conception was more generous than Freud’s and more in accordance with proto-scientific Patriarchal Greek mythological conceptions which were also mistaken but visionary.

     In Myers’ vision of the unconscious it had two aspects: the destructive aspect which he gave the Greek name of Ate and the constructive aspect he termed Menos.  Thus he recognized that the unconcious could be good or bad.

     Myers’ vision may have been based in Greek mythology.  It will be remembered that the creative god, Hephaestus, was married to the emotional goddess, Aphrodite.  Hephaestus and Aphrodite had their digs at the bottom of the sea which is to say the symbol of the unconscious which corresponds to the seeming location of the unconscious at the bottom of the mind or, in other words, the brain stem.

     Thus it is said that Aphrodite, the goddess of love, which is to say irrationality, emerged from the sea on the half shell.

     So, I suppose, love, being never rational is a subconscious decision which is one sided or a half shell.  Love may be either constructive or destructive.

     Thus also good ideas, a la Hephaestus, seem to rise unbidden from the subconscious or the depths.

     Hephaestus and Aphrodite were ancient gods dating back to the Matriarchy.  The incoming Patriarchal god, Zeus, had no part in their creation; they were solely a part of Hera the great goddess of the Matriarchy.  She was much older than Zeus but the youthful Zeus united with her in the form of a cuckoo bird who as she clutched it to her breast slipped down her dress and ravaged her.  So the Patriachy subsumed the Matriarchy.

     When Hephaestus later sided with his mother against Zeus, the great Olympian threw him from heaven laming him.  Then Aphrodite was given to him to wife.  Unbridled lust combined with creative activity, Ate and Menos.

     Aphrodite was not happy with the lamed god.  While Hephaestus was on trips to Olympus she dallied with another Matriarchal god, Ares, the symbol of uncontrollable desire or rage.  Hephaestus having been informed of Aphrodite’s infidelity set a trap for her and Ares.  He constructed a finely meshed net of gold which he suspended over his bed.

     Aphrodite, unbridled lust, and Ares, uncontrollable rage, were literally caught in the act being unable to disengage.  Thus we have two aspects of Ate, lust and rage, caught by the efforts of creativity in the depths of the sea or the unconscious

     Hephaestus called the other gods to witness.  Athene, a new Patriarchal goddess who was the counterpart and antithesis of Ares and Aphrodite turned away in disgust.  Apollo, another new Patriarchal god and the antithesis of Hermes just laughed.  Hermes, the patron god of thieves, a Matriarchal god, said he would change places with Ares in a second.  Thus, lust, rage and dishonesty are combined in one figure of Ate in the subconscious.

     The image of Ate and Menos is what Myers meant by his idea of the unconscious.  Freud, on the other hand, understood the unconscious as pure Ate.

     Both the Greeks and Myers attempted scientific explanations while Freud gave the unconscious a religious and supernatural twist.  He seemed to believe that the unconscious has an independent existence outside the mind of man which is beyond man’s control while being wholly evil.

     Opposed to morality, Freud then wished to unleash this conception of the unconscious on the world.  He was uniquely prepared to do so.  All he had to do was manipulate the symbols of psychoanalysis of which he had full control.  The question then is did Freud have deeper understandings that he concealed in order to bring about his desired ends?

     Such is the case with his conceptions of sexuality.  There is no need for him to have had deeper understanding, after all he was a pioneer opening a new field of inquiry.  On the other hand…

     Defining the unconscious was done by many men preceding Freud so that his is only one of many understandings, not necessarily the best, although today in  common belief he invented the concept of the unconscious.

     Next he chose to define the concepts of sex.  He was equally successful in this field as far as the public was concerned, although I differ in understanding the matter as I do with the unconscious.

     In analyses with patients Freud discovered that there was a fear of castration out of all proportion to actual incidents of sexual mutilation.  It follows then that castration symbolizes something other than the removal of the genitals.  I contend that it was impossible for Freud to have missed the signficance of castration as a symbol.

     Castration as a symbol represents the broader concept of Emasculation, in this case psychological emasculation.  This does occur in everyone’s life in many different manifestations while being something to really fear or avoid.  Unless I am mistaken all neuroses and psychoses depend from it.

     Understanding Emasculation is as much a ‘royal road to the unconscious’ as dreams.

     I do not accept Freud’s map of the mind but we both agree that the Ego or Animus is the key to identity.  Freud fully understood the significance of the Ego.  Thus when the Ego is challenged with an affront or insult to which it is either unable or doesn’t know how to respond to successfully emascualtion to some degree takes place.  There is no unconscious, just as there are no instincts so that a fixation is suppressed in the subconscious as a result of the affront.  These fixations produce effects, which can be grouped in categories such as hysteria, paranoia, obsessive-compulsiveness and the whole panoply of general affects.  The affects then find expression physically and psychologically, or in another word, psychosomatically.  The mind and the body is one unit.  These affects answer to what Freud called neuroses and psychoses.

     When the Ego or Animus is denied its right to assertion the denial is frequently espressed in a hysterically sexual manner corresponding to the the insult.  If the victim feels he has been taken from behind he will undoubtedly resort to anal intercourse as one type of underhanded response in an attempt to get back his own as in the case with homosexuality.  Homosexuality is Emasculation par excellence.

     The human mind is very limited in its inventiveness so all these affects can be catalogued and matched with the insult so that, absent resistance under analysis, they can easily be addressed and exorcised.  The problem is not as complicated as it has been made out.

     Freud understood so much more than he was willing to tell the goys but then he was not a scientist but a Jewish prophet.  In his Group Psychology And The Analysis Of The Ego to which we will return he gave the game away.

     The individual can and does submerge his own ego into a, or at various times, many group egos.  Prominent among these group egos are ethnic, national and religious group egos.

     Just as the individual can be emascualted so can ethnic, national or religious groups be emasculated which the individual will share.  I mention the Jews only as the most obvious case although Negroes, American Indians or any defeated people suffer emasculation to one degree or another.

     Thus I will discuss the unconscious from a general point of view with Freud’s concept prominent while the concept of Emascultion will be discussed by my understanding based on the studies of Freud on the castration complex and group psychology.

     Bear in mind that I think Freud criminally distorted scientific knowledge for ethnic, national and religious ends.

2.

Quo Vadis?

     Born with an integrated mind, circumstances soon disintegrate the personality so that the mind must be reintegrated  to return to a state of psychic wholeness.  A sort of personal mythology is created by one’s early disintegrative experiences which form one’s dreamscape in an attempt to deal with an overwhelming reality.  However, when a person gains some control over external reality when the personality is integrated and the initial  dreamscape based on early memories is eliminated  a sort of distressing vacuum ensues that exists until a new dreamscape is formed which, while sufficient to ease the discomfort lacks the depth and substance of the fully mythologized dreamscape of childhood.  One had reached a scientific consciousness.  It may not be as satisfying but it fills the space while not controlling one’s behavior.

     Western man, Euroamerican man, as the only segment of mankind so differentiated had then to begin to work out a new mythology based on rational scientific ideas.  In other words he had to create a comfortable basis from which to understand and interpret the world.

     Thus after a couple proto-mythographies in the early nineteenth century a cluster of writers or neo-mythographers began to create a mythology for the Scientific Consciousness.

     The destruction of the Religious Consciousness began to become obvious after the eighteenth century Industrial Revolution in  England.  With the advent of steam the problem began to become acute.

     The proto-mythologers may be Walter Scott, Byron, Peacock and the Shelleys.  There is a departure in feel and style with these writers.  Mary Shelley’s Frankenstein posits the scientific problem laying a foundation for the new mythology but does not itself deal with the psychological effects.

     The first mythographer to make an attempt to explain the split consciousness from my own researches was the American, Edgar Allan Poe, 1801-49.

     Poe began his writing career as a psychologically troubled man ending it insane.  Along the way he wrestled with the problem of the void in the subconscious created by the elimination of the supernatural.  His message was received by the later group of mythographers who read him without exception all being influenced by his work.

     Poe caught the great intellectual change as it emerged.  The period from 1830-1880 was the period of the great initial scientific advances that would change the world.  From Poe’s death in 1849 to the emergence of the new breed of mythographers beginning in the 1880s was a period of literary quiescence.

     Poe began his influential masterpiece The Murders In The Rue Morgue with the paragraph:

     Quote:

      As the strong man exhibits his physical ability, delighting in such excercises as call his muscles into action, so glories the analyst in the moral activity which disentangles.  He derives pleasure from even the most trivial occupations bringing his intellect into play.  He is fond of enigmas, conundrums, hieroglyphics; exhibiting in his solutions of each a degree of acumen which appears to the ordinary apprehension as praeternatural.  His results brought about by the very soul and essence of method, have in truth the whole air of intuition.

     Unquote.

     By analysis Poe didn’t mean the sort of educated guesswork that had passed for analysis in the pre-scientific consciousness.  No, this was scientific analysis that disassembled a problem into the component parts revealing the secret than reassembling the problem to its original state.

     In doing so Poe revealed himself as a master mythographer as well as a scientist.  In C. August Dupin, the initials spell cad, Poe created the archetype of the eccentric madman who would be the here of countless novels.  As a projection of Poe’s own mentality Dupin and his unnamed alter ego live in a dilapidated house.  The house is the psychological symbol for self which Poe used almost to exhaustion.  As the Fall of the House of Usher prefigured Poe’s own descent into insanity as to a number of alter egos representing his sane side figure in the House of Usher, William Wilson, Rue Morgue and most notably in the System of Dr. Tarr And Professor Fether in which his sane alter ego drops his other half off at the door of an insane asylum.

     The two Dupins live in a darkened house during the day, creaking not unlike the House Of Usher, going out only into the depressed asylum of the night.

     Poe thus presents the separation of the conscious and subconscious modern man in the riddle of the murders in the Rue Morgue.  In the Rue Morgue the subconscious is represented by the Orang u tang or animal side of human nature while the conscious is represented by the sailor owner.  From Poe to at least Freud the subconscious was popularly considered a dangerous wild side of man.

     In Dupin and his alter ego versus the sailor and the Orang, Poe may have perceived the emergence of a new species much as H.G. Wells was to do at the end of the century.  Thus both men perceived that the antecedent consciousness and the Scientific Consciousness were not just matters of learning but a genetic difference although they didn’t put it that way that couldn’t be bridged.

     Both aspects were brought out brilliantly by Robert Louis Stevenson (1850-94) in his 1880 novel: The Strange Case Of Dr. Jekyll And Mr. Hyde.  This book may properly be said to be the first true represention of the scientific myth.

     In this case the good Dr. Jekyll is the disciplined, self-controlled scientist committed to doing good in the world.  Beneath his intelligent exterior he feels the primitive wild man lurking.  The primitive of what is in fact a predecessor Homo Sapiens is very very appealing to him.  Unable to bring this aspect of his psychology to the surface by conventional means he resorts to drugs.

     Having once freed his wild side, who he names Mr. Hyde, he is unable to put Hyde back into the bottle or syringe, whichever the case may be.  Hyde assumes control of the personality which leads both aspects of the personality to destruction.  This is not unlike Freud’s notion of the unconscious.

     Thus Stevenson brilliantly prefigured the twentieth century future in which the scientist is dragged back to the level of the predecessor species through a psychological inability to take the great leap forward and turn his back on his past.

     The same sense of the alienation from a predecessor existence was evidenced in the work of a great transitional figure, H. Rider Haggard (1856-1925).  Let me say that Haggard is a much neglected literary figure.  As his topics concerned Esoterica and Africa, the former which is scorned and the latter ignored, his literary reputation has been allowed to virtually disappear.  Having read a large part of his work in the pursuit of these studies I would rank Haggard very highly, certainly among the top ten authors, possibly as high as number five.  one and two are Walter Scott and Balzac, while Dumas holds down third and possibly Trollope in the fourth spot.  Haggard is a writer of genius.

     He spent his late teens and early twenties in the South African provinces of Natal and Zululand where he acquired a vision of the difference between the first Homo Sapiens, the Negro, and the current scientific man.  As the saying goes, there’s something to be lost and something gained when you move up the ladder.

     Haggard never made it to scientific man himself being stuck in the Religious Consciousness.  He belonged to the Esoteric side rather than the Christian.  In the third novel of his great African trilogy, Allan Quatermain, Haggard examined the difference between the African and European in this manner.

     Quote:

     Ah! this civilization what does it all come to?  Full forty years and more I spent among savages, and studied them and their ways; and now for several years I have lived here in England, and in my own stupid manner have done my best to learn the ways of the children of light; and what do I find?  A great gulf fixed?  No, only a very little one, that a plain man’s thought may spring across.  I say that as the savage is, so is the white man, only the latter is more inventive, and possesses a faculty of combination…but in all essential the savage and child of civilization are identical.

     Unquote.

      In the same book Haggard also put the problem more poetically:

…he dreams of the sight

of Zulu impis

breaking on the foe

like surf upon the rocks

and his heart rises in rebellion

against the strict limits

of the civilized life.

      Here Haggard states the central thesis of Stevenson’s Jekyll and Hyde.  In the evolution of the species there is always a small gulf between two adjacent species: nature does not take great leaps, it moves in small increments.  Thus it may be a small leap between the two, expecially when the next transition creates not only a new variety but a new species, but the leap is backwards as in Jekyll’s case while it is impossible for Hyde to make the leap forward, nor is he capable of adjusting to the new strict limits.  Wasn’t Stevenson precocious?

     Haggard who was not of the Scientific Consciousness was left behind while his work formed the basis of the greatest of the scientific mythographers.

     Before moving on let us here consider the patron saint of the future Red/Liberal aspect of the Religious Consciousness, the Frenchman, Victor Hugo (1802-85).

Paris Is A Leaky Basket

Paris has another Paris under herself; a Paris of sewers; which has its streets, its crossings, its squares, its blind alleys, its arteries and its circulation, which is slime minus its human form.

~Victor Hugo- Les Miserables

     As Haggard was a transitional figure for the mythographers one might say that Victor Hugo created the literary foundation for the Red/Liberal faction of the Religious Consciousness.  His Les Miserables with its tragi-comic format forms the bedrock of Revolutionary beliefs.  Hugo was himself a Revolutionary.  His novel Les Miserables is the account, so he says, of the apotheosis of Jean Valjean from bestiality to salvation.  Along the way to his apotheosis Valjean makes a detour through the sewers of Paris.

     Hugo was a poet; his account of the sewers of paris is, shall we say, poetic.  In fact a scatalogical masterpiece worthy of our own Lenny Bruce.  If Lenny had studied Vic a little he would have been able to say everything he wanted to say while staying out of jail at the same time.

     One wonders whether Freud read Hugo.  There are certain similarities in style.  Certainly they both seem to have had the same notion of the unconscious.  Valjean’s trip through the sewers of Paris, he with the bleeding Marius on his back must have been intended as a representation of the unconscious.  And a very funny one at that.

     Freud would certainly have agreed with Hugo when the latter wrote:  The history of men is the history of cloacae.  From Hugo’s description of the sewers of Paris it is clear that Paris was not anal retentive.

     Freud was no less scatological in his approach to psychology than this astonishing  section of Hugo’s book.  Who wouldn’t be miserable down in a sewer; miserable enough if only your mind was in the sewer.  In Hugo one gets the same macabre, morbid sense of humor Freud exhibits in his own work.  Oh yes, read properly Freud tells a lot of jokes.  Didn’t he write a book titled: Jokes And Their Relation To The Unconscious?  Sure he did.  Knew what he was talking about too.

     The first chapter of the section of Hugo’s book, The Intestines Of Leviathan is a series of morbid one liners which are as funny as anything Lenny Bruce came up with.  Double entendre?  To say Paris is a leaky basket!  In the underworld homosexual argot of Jean Genet the term basket refers to a man’s crotch and penis.  Undoubtedly the same argot was current in Hugo’s time.  He was a student of criminal argot.  So Paris being a leaky basket is equivalent to saying Paris was incontinent, pissing all over itself.  Don’t you think that’s funny?

     And then: “The sewer is the conscience of the city.” Hm?  ‘This can be said for the garbage dump, that it is no liar.”  I ask you, does Victor Hugo know how to get down and boogie?  Let us follow Jean Valjean into the “Conscience of Paris” “which is no liar” from which Hugo says Villon talks to Rabelais.  Fabulous funny images, morbid but fabulous and funny.

     To be sure, psychology in 1862 when Les Miserables was published, had not been developed, yet notice how closely Hugo’s tongue-in-cheek, laughing in his sleeve, description of Jean Valjean’s journey through the pitch black maze of this subterranean worker’s paradise into which from time to time faint glimmerings of light enter answers to the images of Freudian Depth Psychology.  Depth psychology?  Was that a pun or play on words?

     Just imagine Jean Valjean as he enters the sewer.  Take time to construct concrete images in your mind.  After this, shall we say, harrowing of hell not unlike that of Theseus and Peirithous, from which Perithous never returned, Valjean receives his apotheosis not unlike Hercules.  One might also compare this scene with the temptation of Christ.

     Valjean is carrying the bleeding Marius on his back who might or might not be dead.  Hugo doesn’t let us know.  This might be compared to one’s old self before or during the integration of the personality.  In fact Valjean sheds Marius after emerging from the sewer from which the gatekeeper of Hell, Thenardier, allows him to emerge after being paid his obol.

     The sewer is certainly a symbol of the unconscious for the scatological Freud who seems to revel in such fecal images.  Amidst a chatty history of the sewers of Paris which Hugo keeps up as Valjean plods through the darkness always intuitively heading in the right direction, down.  He evades the thought police who are searching for him or someone just like him in the sewers.  A shot sent blindly down his gallery grazes his cheek.  Jesus!  Isn’t a man safe from harassment in the depths of his own mind?  If you think Paris is dangerous, try the sewers.

     Valjean is exhausted from his long walk carrying Marius on his back, poor suffering humanity, the sign of the cross, nevertheless with the heart of a lion he plods on.  He moves forward through deepening fluids as his bare feet sink into fecal matter “which does not lie” while Hugo carries on a charming separate conversation with we readers about little known facts of the Paris sewers.  No, the fecal matter, as well as Hugo, tells the truth however hard that may be to decipher from the material at hand as well as underfoot.

      As the fluid (also however that may be composed as Hugo is writing scatologically) rises, his feet sink up to his knees into “the conscience of the city.”  Get this!  Valjean is one of the great strongmen, he lifts the dead weight of Marius above his head on his extended arms still sucking his feet from the muck.  Hugo does not reveal whether Valjean lost his shoes during this ordeal or not but surely a while back.  Perhaps of all the details Hugo records this particular item which consumes my interest had none for him.

     Nevertheless, heedless of the the danger to her shoes, Valjean plods on.  Plod, plod.

     Now, here’s a detail of interest Hugo does record.  Feet and legs deep in the conscience of paris, Marius held above his head visualize this, the fecal fluid had risen above Valjean’s mouth and nose so that he has to tip his head back, I’m not sure this would have been effective, until only a mask can be seen rising eerily above the surface, as well as two arms and Marius.  He ain’t heavy, he’s my other self.  Seen in Stygian darkness that is.

     If we’re all in the same sewer here imagine particles of the conscience of Paris, scatologically know as turds, bumping up against the mask probably trailing behind Our Man Of The Sewer in a wake of fetid glory.

     Even in the pitch black Thenardier is watching this spectacle.  Fortunately the psychic crisis is past.  Valjean leaves the conscience of Paris which does not lie, you can say that about it, behind striking solid, er, ground.

     A striking vision of Freud’s and the Revolution’s reality.  Had Valjean been given the name Spartacus the Revolutionary vision would have been complete.  The Red/Liberals had spent a hundred years or more in the sewers of Paris before they turned this primary text of theirs into the Broadway musical of Les Miserables.  Next time you see it put it into this context of the sewers of Paris.  The songs will take on new meaning.

Part II of Something Of Value I follows.

A Review Of

THE FALL

by

Albert Camus

Review by R.E. Prindle

Table of Contents.

I. Review of The Fall

II. Article and Commentary on Camus’ and Jews

III. Review Of The Outsider

IV.  Comparison of The Fall and A Rebours.  (Projected as of 12/27/11)

V.  Comments

Albert Camus- Prototypical Hipster Pose

This novel goes to show that you can fool all the people all the time.

The cover blurb of my edition has the New York Times yodeling:  ‘An irresistably brilliant examination of the modern conscience.’  which is complete and total nonsense.  This isn’t even the examination of anyone’s conscience.

Camus was a French Jew from Algeria then living in France.  He was not an Algerian Jew as the Jews of Algeria were made French citizens in the revolution of 1830.  This distinction is important.

The Fall Camus is talking about is the post-Enlightenment destruction of the religious basis for considering the Jews as a Chosen People, or rather, The Chosen People.  In Jewish mythology the world is organized God>Jews>the rest of humanity>the animal kingdom.  As Camus was not unintelligent he realized that without God the Jews had no special status.  HIs purpose here is to reestablish a reason for Jewish superiority over the rest of mankind.  Thus he creates Jean-Baptiste Clamence as his spokesman to represent Jewry originating the role of judge-penitent for him and them.

Clamence is not an admirable person.  Never was, never can be.  His extreme arrogance before the Fall is characteristic of the Jewish people.  The Fall was undoubtedly the extermination of Jews during WWII.  While Hitler is given sole credit for the dirty work, in the Jewish mind they were rejected by the whole world.  One should not underestimate the effect on the Jewish mind of the turning back of the St. Louis from Cuba.  These facts were devastating.

Camus’ Clamence thus felt degraded by the Fall from confidence.  He becomes libertine, criminal, degenerate, taking up his abode in the criminal quarter of Amsterdam which he seems to equate with the most criminal place in the world.  He is a penitent.  There in sackcloth and ashes.  It is precisely because he knows extreme degradation, having once been of God’s Chosen People, that he has appointed himself a judge over all the peoples of the world.

He- the Jews- have regained their imagined position of the Chosen People through extreme debasement and degradation.

That is why they have made the Holocaust the central feature of their new identity.  Their God rejected them, once again, allowing the Nazis to destroy them.  Thus the Holocaust replaces God.  If the Holocaust is not sacred to them and honored by the rest of the world, as their God once was, then they not only lose their place as the Chosen People but have no chance of regaining it.

That is the import of Camus’ The Fall.  The book has nothing to do with an examination of the ‘modern conscience’, which is to say my conscience.  I reject Camus.  I reject his book.  I reject his situation.  He and it have nothing in common with me.  His problem is not a universal problem as the NY Times states.  Camus’ book is merely a tedious rendition of someone else’s angst that has nothing to do with me or mine.

End Of Review

https://idynamo.wordpress.com/2007/05/08/part-i-the-deconstruction-of-edgar-rice-burroughsamerica/

The below response to Robert Zaretsky’s article develops the argument of the origin of The Fall.   http://www.tabletmag.com/arts-and-culture/books/82555/camus-the-jew/

CAMUS THE JEW

by

R.E. Prindle

     Mr. Robert Zaretsky who wrote the above titled article for Tablet Ezine is indeed an example of the absurdity he deplores.  He is atavism personified.  How can anyone in this post-Darwinian age be so simple and naive as to be a believing Jew.  The human intellect has moved well beyond such simplicity.  To be a Jew, a Moslem or even Fundamentalist Christian which is to say a distaff Jew should be a logical impossibility.

     One might claim to be an Israeli, claiming allegiance to Israel, without making oneself look ridiculous but to claim nationality the same as everyone else is to renounce the extraordinaryly specious claim to some sort of special superiority based on an equally specious divine preference is quite akin to insanity in this post-Darwinian scientific world.  The very idea of Yeshivas and Seminaries is repellent to contemporary knowledge.

     Given this willful obtuseness  one is not astonished to realize that ‘Jews’ renounce all involvement as the cause of the disorder, death and destruction  from 1913, when the Jewish millennium was said to begin, to the present.  In the height of arrogance the ‘Jews’ ascribe any resistance to the genocidal war begun by them in 1913 as ‘anti-Semitism.’  In other words one is to accept their dominance without a struggle; to resist is considered perverse.

     Thus, what makes Camus at least an honorary Jew was his deferential embracement of the Jewish cause as his own.  To Bob Zaretsky the actions of God in testing the Jews by an inexplicable defeat can only be compared to the trials of Job.  Having been stripped of his children and property but remaining loyal to his perverse god:

     We think we know how the story of Job ends:  Rewarded by God for his loyalty, Job is paid back with even more children, sheep and property.  But is this the ending?  A number of biblical scholars suggest the Job we hear in the final chapter, the one who accepts and resigns himself to God’s power play, is not the same Job we hear in the preceding 40 chapters.  Instead, he is a throwback to an earlier story that was grafted onto the otherwise perplexing account.  Instead the real Job is Camus’ Job.  He is a Job who answers God’s deafening and dismal effort at self-justification with scornful silence.

      Thus, Bob, and one suspects all Jews refuse to take responsibility for their actions perceiving Camus here as some sort of intermediary.  Bob, has a distorted notion of the relationship between his Jews and Europeans.  He says:

     In republican France Jewishness was largely a private matter:  it was only when Nazi Germany buried the Republic in 1940 that Jewishness became a public matter and indifference to the fate of the Jews was no longer possible- or should not have been possible.

     Bob completely overlooks the Dreyfus Affair of the 1890s that underlined the basic conflict between the French and Jews.  Nor did the opposition cease with the unjust reversal of Dreyfus’ conviction but simmered along through the Popular Front and Blum years until the Nazi reaction.  French dissatisfaction with the Jewish situation was always prominent, especially after the Eastern Jews stampeded the border during the late thirties and early forties creating havoc and destroying the French quality of life:

        Yet when the authoritarian regime of Vichy passed a salvo of anti-Semitic laws in 1940, most Frenchmen and -women did not blink.  One of the few who did blink- in fact doubled over in shock and revulsion- was Camus.  Working for the newspaper Paris-Soir, Camus was stunned when his Jewish colleagues were fired.  In a letter to his wife Francine Faure- a native or Oran, Algeria, who was very close to the Jewish community-  Camus said that he could not continue to work at the paper; any job at all in Algeria, even one on a farm, would be preferable.  As for the new  regime, he was merciless:  “Cowardice and senility is all they have to offer.  Pro-German policies, a constitution in the style of totalitarian regimes, a great fear of a revolution that will not come: all of this to truckle up to an enemy who has already pulverized us and to salvage privileges which are not threatened.”

     Camus was less than prescient about the revolution and totalitarian regimes as both are succeeding now worldwide.  The question is who did Camus mean was pulverized- the Jews or the French?  Camus according to Bob is plainly casting his lot with the Jews although conveniently excaping to Algeria beyond the Nazi reach.  This then is the background of The Fall that gives Clamence his depression.  God’s trial of Job was too severe in this instance for continued belief so that rather than complain Clamence/Camus turns his back on God in a disdainful ‘silence’ while pouting and drinking his life away.

     Camus is a Jew, fully so in sentiment and the Fall is in reaction to the holocaust.

     End of supplement.

III.

A Review

The Outsider (L’Etranger)

by

Albert Camus

Review by R.E. Prindle

Edition: Folio Society 2011

Comes now the time to review Camus’ The Stranger, Outsider or Misfit.  A commenter or two have suggested I read The Outsider and I have.  The only thing I can compare it and Camus to is the Grateful Dead.  It is said that the Dead are an acquired taste.  Over the years I have listened to the Dead for many hours in the attempt not so much to acquire the taste as to understand it.  I know that Deadheads think that Jerry Garcia, of blessed memory, was a great guitarist but I can’t penetrate his style.  In fact I find the Dead so distasteful I’ve given up on them.

I put Camus in the same category as the Dead; he must be an acquired taste except for those of a similar mind.  Actually, I recently read the Myth of Sisyphus on line while I read The Plague several years ago.  Zero sympathy.

The Outsider strikes me as a high school novelist trying to be heavy.  Camus was twenty five in 1938 when he conceived the idea of  his little trilogy, that included this book.  The novel must have been written in ‘40-’41 as it was published in ‘42 during the war.  I suppose most of us experienced the confusion of life in much the same way at twenty-seven or twenty-eight just before the age of reason bit at thirty.

My edition contains an afterword by Camus dated 8 January 1955 in which he says:

         A long time ago I summed up The Outsider in a sentence which I realize is extremely paradoxical:  ‘In our society (meaning French Algeria I suppose) any man who doesn’t cry at his mother’s funeral is liable to be condemned to death.’  I simply meant that the hero of the book is condemned because he doesn’t play the game.  In this sense, he is an outsider to the society in which he lives, wandering on the fringe, on the outskirts of life, solitary and sensual.  And for this reason, some readers have been tempted to regard him as a reject.  But to get a more accurate picture of his character, or rather one that conforms more closely to his author’s intentions, you must ask yourself in what way Meursault doesn’t play the game.  The answer is simple; he refuses to lie.

Camus’ evaluation of his story only proves once again that no author truly understands what he has written.   Not only that but his is such a perverse interpretation as to be incredible.  Meursault neither lies or tells the truth; he is just a passive receptacle of other people’s needs.  Further, the book even if considered a fantasy doesn’t make sense; it doesn’t appear to be founded on human experience.

Obviously the story does not hinge on Meursault’s refusal to lie but simply his treatment of his mother and his refusal to show emotion at her funeral.  That’s it.  The fact that he killed a man in self-defense which is not brought out is merely an excuse for executing him for his perceived coldness toward his mother.

I don’t know the nature of French Algerian jurisprudence of the time but I find it very difficult to believe that judges adjudicating an ostensible murder would conduct the trial on the basis of whether a man cried at his mother’s funeral or not.  Who knows what his actual relationship his mother had with him and so what?

The issue is the killing.  As I read the story Meursault only drew his gun when the Arab flashed his knife.  The glare of the sun on the blade intensified the threat so in self defense Meursault shot him.  There is absolutely no reason that Meursault couldn’t have told the judge ‘the truth’- he drew a knife on me so having a gun I shot him.  Where is the refusal to lie?   The mother combined with the killing doesn’t make sense; there is no connection.  But, maybe that’s what existentialism means, you got me.

The center of the novel which merely demonstrates the extreme passivity of Meursault doesn’t satisfactorily explain the sudden act of volition in shooting the Arab especially as he apparently didn’t construe it as an act of self-defense.

All through the main body he lacks volition just going where the wind blew.  Raymond demands that Meursault be his ‘mate’ to which he complies even though Raymond is the last guy anyone would want to know while to be the mate of someone who mercilessly beats a woman is beyond comprehension.  What is going through Albert Camus’ mind?

Marie, a woman he hardly knows proposes marriage to him so Meursault assents although he tells her he doesn’t love her and she doesn’t care.  For me this nonsense is merely exasperating.  I had no interest in any of the characters; the sequence of events make no sense other than to demonstrate the extreme passivity and lack of volition of Meursault.

The final outburst is in contrast to his passivity:

         …I looked up at the mass of signs and stars in the night sky and laid myself open for the first time to the benign indifference of the world.  And finding it so much like myself, in fact so fraternal, I realized that I’d been happy, and that I was still happy.  For the final consummation and for me to feel less lonely, my last wish was that there should be a crowd of spectators at my execution and that they should greet me with cries of hatred.

Why hatred?  The guy just said he was happy and contented.  Like I say, Camus is an acquired taste.  I have no interest in him  but if you do- Enjoy.

By the way, has anyone read Sartre’s trilogy, The Roads To Freedom?

The Deconstruction Of

Edgar Rice Burroughs’

America

by R.E. Prindle

Part IV

The Red Triumph

How long, how long,

Has that leetle old evenin’ train

Been gone?

How long, how long,

Oh baby,

How long?

Trad.

     A pall fell over the world when the Communists assumed power.  Joy left the planet in favor of the sour envy of that ilk.  There were no happy Communists.  They knew no contentment.  They were as disaffected, dissatisfied with life, civilization and themselves, especially themselves as psychologically possible.  Misfits, envious with no prospects in life they were.  They were incapable of generating wealth; they could only appropriate and waste what others had created.  The spirit of vengeance which had been their dominant characteristic in the French Revolution would remain their goal throughout their existence.  There has been no Red government from the France of 1793 to the present that hasn’t believed in wholesale massacres of ‘enemies’ at the the least, genocide at the worst.  Quite frankly they can only think in terms of crime no matter how they rationalize it and they can rationalize like nobody’s business.

     Murder is part of their psychotic nature.  I do not exclude Hitler  and the Nazis as Red organizations.  Placed in the context of Redism Hitler and the Nazis are perfectly understandable.  The Nazis were National Socialists.  One can’t be socialist without being Red; one can’t be Red without believing in mass exterminations.  History speaks the for the truth about Reds; I merely repeat history.

     No one Red faction can be held  less accountable than others.  All participated equally and as joyously as their sour temperaments allowed.  Mild mannered college professors and sanctimonious ministers of the social gospel wholeheartedly supported the murders and atrocities of Communist regimes just as today they raise no outcry against the genocide and crimes against Whites taking place in Africa because they think the ‘right side’ has the upper hand.  Reds never did and never will have a disinterested concept of morality.  The Red idea of law and morality is merely a projection of their subconscious desire.

page 1.

     In the giddiness of the Russian success the Revolutionaries believed that the world revolution had arrived so that it was a matter of a few months before they assumed control of the world.

     Post-war success in Hungary encouraged them on.  Revolutionaries flowed back into Germany from Russia intent on bringing to fruition the ‘German’ revolution.  Success in Germany eluded them.  There the world revolution stalled.  It was going to a tougher job than anticipated.  The United States especially was not as ripe for their plans as they had projected.

     Resistance was prompt if somewhat flaccid.  Wilson’s program, while Red was opposed to that of Bolshevism.  Some have said that Wilson was merely envious of Lenin as the leader.  His Attorney General, A. Mitchell Palmer, to whom we all owe a debt of gratitude, cracked down hard on the Red cadres deporting a very few while putting the rest in disarray as a law was passed that outlawed the Communist Party temporarily.

     But all the Parlor Pinks, Fellow Travelers and Liberals interested in their form of ‘social justice’ and the ‘true American Way’ had the ban repealed.  As usual they misrepresented their motives.  The task now became one of subverting the ideals the country held sacred.

2.

Heroes And Villains

     We must now delineate the sides in the American struggle for supremacy as it stood in the aftermath of the Bolshevik Revolution.

     The Liberal Coalition had gained the power of the Presidency in 1913 when Woodrow Wilson was inaugurated.  Although not appreciated as such this was an occurrance for the both the Jewish and World Revolution as significant for America as that of the 1917 Bolshevik Revolution in Russia.  The Wilson administration began the ‘partnership’ between America and the Jews as celebrated by Irving Berlin in his song, God Bless America, while this year of 1913 was the inaugurating year of the Jewish Revolution.  Off on the right foot.  At this point in 1913 for the first time the Jews became influential in the US government.  In 1916 Wilson created the ‘Jewish seat’ on the Supreme Court when he appointed the confirmed Zionist, Louis D. Brandeis, to the bench.

     During the War the Jews played an ambiguous or perhaps duplicitous role.  So long as Czarist Russia was in the War they refused to support the Allies.  This refusal led the British to attempt to buy their cooperation with the Balfour Declaration involving Palestine.  This was unnecessary as  after the Spring Revolution the Mensheviks dethroned the Czar effectually taking Russia out of the War.  At the time of the October Revolution of the Bolsheviks the Jews threw their support to the Allies against Germany.  As they had no troops to offer one wonders what this support was worth.  Perhaps a cessation of sabotage?

     In the US the Socialistic Wilson administration used its window of opportunity to attempt to impose it version of ‘equality’ on the American people.  The key agency was the WIB- War Industries Board- headed by the Jewish financier- the bear of Wall Street- Bernard Baruch.

     I’m not sure that the ultimate or secret plans of Wilson have ever been revealed but Baruch in his autobiography drops a few helpful hints.  The plan depended on the continuance of the War so that when that ended prematurely in 1918 the plan was aborted.

     At that time Wilson, through the WIB had orders ready for execution that would have limited the styles of shoes and clothing to just three or four styles within a definite price so that everyone would be dressed alike without distinction.  Wilson deemed inequality to be based on differences in dress.  Obvious, hey.

     If you think the Liberals discarded the plan just because the war ended all you have to do to look around you today and observe everyone in jeans or sports outfits of one kind or another.  The plan is about seventy per cent or so implemented.  It was done through infiltration of the fashion industry.

     Most troublesome for the leaders of industry was that the WIB required all businesses to submit financial and other data to the WIB for their evaluation.  Most significantly a center of resistance came from the auto industry of Detroit.  Noting all the Jews on the board who essentially had the industrial base of the US in their hands the auto makers demurred.  Of course the Masters of Denial deny that Jews were that involved but if the matter was noted who are you going to believe the Jews or the auto makers?  One of the other must have it wrong.  I’m betting on the auto makers against the Masters of Denial.

     The resistance of Detroit would have consequences.  The Jews never forget.  Significantly Henry Ford was not in thrall to the Eastern bankers thus being independent.  Now, Henry Ford and the Dodge Brothers, accurately noting the number of Jews on the WIB correctly divined their purpose.  Remember, if the War had gone on for another year or two Wilson would have been able to complete the revolution in toto changing the American character in one stroke while Jews would have assumed the role of Commissars or the role they had enjoyed in pre-expulsion Spain, that of middlemen under the crown administering to the general populace.  This is the ultimate cultural dream.

page 2.

     Objecting vociferously to the Wilson plan some intemperate remarks concerning the nature of Jews were made by the Dodge Brothers allowing the administration to play the race card with AS for anti-Semite up there in the corners.  Both the Dodges subsequently died in mysterious circumstance in 1920 while a strenuous effort was made to destroy Ford by bringing his company under the control of the New York bankers, that is to say, the Jews.  Thus there was very little cranky about any of Ford’s supposedly eccentric beliefs.  Such a characterization is mere defamation by his enemies.  Failing to break Ford the anti-Semitic race card was played against him that resulted in his excommunication from society.  They haven’t been able to flush him out of history yet but that may be just a matter of time.  I wouldn’t be suprised to see the marque changed to something other than Ford.

     The Jewish culture shifted the onus from themselves to the ‘anti-Semites’ in a clever damage control move to exonerate themselves.  Internationally the damage controllers also shifted the onus from themselves to ‘anti-Semites.’

     The Liberals, continuing the Reconstruction policy, now set the Jews, Negroes and immigrants over what we may call the Conservatives precisely as they had set the Negroes over the Southern Whites during the Reconstruction after the Civil War.  This was extended to the international field where the Liberals self-righteously adopted an anti-colonial policy.  As European colonialism was equated with Southern slaveholding in Liberal minds they took the side of the colonials, that is to say the colored Third World peoples against the Europeans.  Thus as Charles De Gaulle despairingly noted that America while a White country behaved as though they were a colored or Third World country.  Europeans then were classed with the Southern Whites and Conservatives of the United States.

     The Jewish Culture continued the ultra self-righteousness based on their projection that they were an exceptional people chosen by god to administer the affairs of the people of the world.  Although patently absurd and scientifically impossible the Jews were able to impose this notion on both the Liberal and conservative religious cultures of the US.  Thus although the Anti-Defamation League of B’nai B’rith was organized in 1913 as a terrorist organization and the NAACP came into prominence as a terrorist organization as members of the Coalition these patently racist outfits were considered virtuous.

     On the other hand Nativist organizations in reaction such as the APA- American Protective Association- or the the KKK- Ku Klux Klan- were considered kranky or actually terrorist.  In reality there was no difference in intent between any of these organizations.  You may call them protective or terrorist as you wish but they all functioned with the same goal in mind but for different sides.  That intent was to intimidate all others into submission.

     These were cultural wars, in other words, Cold Wars, not shooting wars so the battles were for the control of the dissemination of information, opinion and institutions.  In this the Jews were particularly effective having a clear idea of their objectives effectively seizing control of the key publishing units, the film industry and the emerging radio-television industries.

     Thus the Jews in the US were uniquely positioned to implement Freud’s program of cultural domination.  Now, all of this was done in the light of day so that it was impossible for the program to pass unperceived.  A firestorm of indignation against the Jewish culture ensued after the Russian Revolution.  It might be noted here that culturalism is merely latter day nationalism.  Its defense is patriotism.  So let’s keep the meanings of the terms straight.  The damage controllmen went to work successfully silencing all opposition while censoring the entire media over the next few years except in Germany.

      I will here examine a few literary voices that saw the nature of things but in different ways.  One novel, three movies and one short story that was turned into a TV show.

page 3.

     The short story was by Charles Beaumont published in 1959 then made into a TV script for Rod Serling’s Twilight Zone.  In the TV script the time is set just after the Great War.  A traveler while staying at a monastery unintentionally releases Satan whom some monks were holding captive.  Among various possible interpretations one is that the Bolsheviks represented Satan.  An allegory was necessary as a more direct representation would never have been published as Edgar Rice Burroughs found to his chagrin in 1919.

     The horrors of Communism immediately presented themselves to that writer’s mind who quickly composed an anti-Communist polemic.  Politics was nothing new to Burroughs who sniped at various political affairs from the time he began writing.  About the time he took up his pen in 1912, the Socialist convention of that year took umbrage at the nascent IWW- Industrial Workers Of The World- booting them out of the congress.  The Socialists were led by Jews while the IWW, also known as Wobblies, were Americans of the true working class, the people the Socialists were supposed to represent.  Must have been a culture clash when American workers met European style Jewish intellectuals.

     Now, the Wobblies were the Real Thing compared to the Socialist ‘labor fakers.’  Under the leadership of Big Bill Haywood  the Wobblies took direct action in an attempt to shut down industry and bring the government to heel as the United States was entering the Great War.  These guys meant business.  Their role in this period as well as the whole period has been misrepresented and distorted by Liberal control of the media.

     Burroughs whose anti-Left attitude can be traced back to his boyhood cast the IWW as villains in several of his novels from 1915 to 1924.  Nothing was more natural than Burroughs pillorying the Bolsheviks.  As publishing was controlld by the Reds his effort came to nothing in 1919.  He rewrote the theme in his dystopian novel, The Moon Maid, that was published in 1926.

      The third and most interesting examination of the Red assault on civilization was made by the Jewish-German film maker, Fritz Lang.  While the notion of conspiracy is derided by the conspirators nothing can be more obvious than that events from 1913 through this period were not merely spontaneous.  I doubt if there ever has been a period of history that has not been directed by a cabal or any number of cabals and conspiracies.  Check out your own neighborhood.  You just don’t call them conspiracies, that’s all.  Even the Trojan war was a conspiracy headed by Agamemnon.  You don’t think Ulysses wasn’t coerced by the cabal do you?

     One can call anyone who disagrees with you, bigots or anti-Semites as Liberals do but that doesn’t change the facts.  There is no one group of people more sensitive to subterranean movements than artists.  Paranoia rightly channeled is a gift of the gods not a curse as Freud himself discovered.  He thought he succeeded where paranoiacs failed.  Does that say something?  Lang being himself a Jew from Austria might be expected to be a little more aware of what Freud was up to.  It might be interesting to check to see  if Lang was a member of B’nai B’rith.  Hitler himself was an Austrian who had lived in Vienna at the time Freudianism was being formulated while he was highly critical of  ‘Jewish psychology.’  Hitler was at least as intelligent and aware as either Freud or Lang.

     Lang first tried to land the directorship of the 1919 movie titled The Cabinet Of Dr. Caligari.  Although silent this is a great film and great art.  As great art the movie must be allegorical.  As with Lang’s films there is a war being directed against civilization from a mysterious source.  Civilization is represented here as a fair or carnival, a common device of the artist.

     Dr. Caligari is some sort of showman who doubles as an agent of the conspiracy or is the ‘unknown superior.’  He is obviously intended to be Jewish as he has a Golem, a sort of Frankenstein’s monster, to carry out his dirty work.

     When he would be exposed by the injured party it turns out that Dr. Caligari is also the director of an insane asylum, in other words a psychoanalist not unlike Herr Doktor Freud.  In the denouement rather than he being exposed his accuser is committed to the insane asylum.  Obviously an ‘anti-Semite.’  An unexplained crime wave directed at civilization continues.  One believes that Dr. Caligari is responsible.

page 4

    Lang didn’t get to direct this picture but having fought for it he was familiar with the story line which had on influence on him if he, indeed, wasn’t part of this particular cabal.  He converted Dr. Caligari into Dr. Mabuse.  Dr. Mabuse was based on a novel by Norbert Jacques.  I haven’t read the novel so I can’t compare how Lang adapted the character for his uses. 

     While depicting a gambler, which in a way I suppose Freud was, Mabuse is nevertheless a psychologist and master hypnotizer not unlike Freud.  Like Caligari and Freud he is at war with civilization doing everything he can to undermine it.  In this case that favorite dodge of counterfeiting money is used.  He is able under cover of a gambler (one of many guises) to direct several people to destruction by his use of hypnotism.  It will be remembered that Freud was a master hypnotist.  In a stunning scene Mabuse, presenting his act on stage, mass hypnotizes the audience into believing they are seeing a parade not unlike the episode of the Lotharians in Burroughs’ Thuvia, Maid Of Mars.  In the end Mabuse is captured, but his ravings are such that unlike Caligari he himself is committed to an insane asylum.

     He, one imagines, pined there until 1932 when Lang chose to make his masterpiece and the first Mabuse sequel, The Testament Of Dr. Mabuse.  During the intervening several years Mabuse has been catatonic sitting up in his pajamas in bed saying and doing nothing.  And then one day he takes up his imaginary pen simulating writing on an imaginary pad.  The astute head of the asylum, one Dr. Baum, realizes what he is doing giving him a real pen and paper.

     The master criminal Mabuse/Freud then writes out his manifesto or testament for the destruction of civilization non-stop.  As a master hypnotist he is able through his writing to hypnotize and take control of Dr. Baum’s mind who then sets in motion an incredible series of crimes including the counterfeiting of money meant, naturally, to undermine civilization.

     Mabuse having delivered his testament dies.  His ghost then merges with Dr. Baum who becomes in effect Dr. Mabuse executing his Testament.  In the end Baum certifiably insane is incarcerated in Mabuse’s room with all his papers taking his place as head of the conspiracy.  One assumes that another will eventually replace Baum and once set in motion the plot will continue of its own accord, so to speak.

     So, we have a neat allegory of Freud’s goal of destroying civilization.   That Lang chose 1932 to revive the character would correspond neatly with the direction of Freud’s writing at the time which included his attack on Christianity ‘The Future Of An Illusion’ and Civilization And Its Discontents.  While Lang would later say that Mabuse was an attack on the National Socialists when the same character with the same goals was introduced in 1922 there was no National Socialist Movement of consequence to pin the crimes on.

     No.  Both films of Dr. Mabuse were about someone and something else.  The use of psychology points more directly to Freud than it does to Hitler.  How involved Lang was in the conspiracy I leave to your conjecture.  That he made a copy in French and that that French copy was smuggled into the US in 1943 when the Nazi defeat became not only apparent but certain would imply that he too was one so discontented with civilization that he wanted his blueprint for destruction brought to the attention of the American Communist cadres.  By 1943 Lang had been in the United States for about ten years.

     As a footnote Dr. Mabuse became a franchise with many sequels including one by Lang, The 1000 Faces Of Dr. Mabuse.  There is a Mabuse/Tarzan  connection.  The former Tarzan, Lex Barker, who spent the rest of his career making movies in Europe was involved in Mabuse sequels himself.  So, in that way Mabuse and Tarzan are connected.

     Freud’s intent then was divined by many people including Fritz Lang.

     The question then was how to go about undermining European Civilization.  Ostensibly the most ‘pacifistic’ culture in the world while having neither numbers, territory or means for a frontal attack, just in case the disaster of the Great War didn’t present an object lesson, Freud and his culture would have to use surreptitious or clandestine means, in other words, an international conspiracy.

page 5.

     Even on a cultural level Freud was shrewd enough to understand that a mere frontal attack on the cultural traditions would be met with stern resistance so that first the effort must be made to deconstruct the culture according to the desires and needs of the minority culture.  Freud was a master of reduction.

     One doesn’t know whether the signal failure of the Anglians in the South when they merely tried to impose their will on the Southern Whites influenced Freud or his culture but the failure was certainly an object lesson before them of what not to do.

     As I say the Coalition was already in possession of the publishing and news apparatus of the United States.  Through the Jews it controlled the movies and would control Radio.  Thus they controlled access to the media.  Only those writers who met their apporval stood a chance of being published.  As the Red slogan had it:  All things are permissible to Revolutionaries, all others are to be denied.  This while they availed themselves of the freedoms of the Constitution which they claimed to respect.

     While the older authors posed a problem the editorial function can be wielded in such a way that content can be substantially altered while publication of a novel might no longer be able to be taken for granted.

     Overnight, almost miraculously, the nature of the authorial community changed.  While the percentage of Jews and homosexuals was relatively small prewar, after the War non-Jews and heterosexuals seem to have lost the talent to write while Jews and homosexuals miraculously acquired it.  As the editors explained it:  All the best new writers seem to be of the Left.  Thus what people were allowed to read tended to shift their opinions from Right to Left.

     The Social Gospel was preached from the pulpit while college professors subtly rewarded Left thinking students while punishing those of the Right.  Of course it would take time to turn the universities into the Red seminaries they are today but from 1917 to the present is only ninety years.  Once can judge the indredients from the pudding so there is no reason for the Left to deny the results as they did the process for at least seventy of those ninety years.

     Make no mistake the Cold War began with the October Revolution of 1917.   It broke out into a shooting war only because the National Socialists refused to accept the Judaeo-Communist yoke.  It matters not what anyone else says, the reason for WWII was the German volkist refusal to accept Jewish volkism under the religious guise of Communism.  That the leaders of the resistance turned out to be Hitler and the National Socialists may be only coincidental.  They understood the problem and had the will to resist.  It was inevitable that there should be casualties but the extent of destruction was truly phenomenal.

     Only after WWII when the American Right had regrouped under cover of the War essentially exercizing a hegemony over Western Europe did the West acknowledge the Cold War.  The American resistance only solidified after the death of FDR when his less ideological successor Harry Truman took the helm.  What took place before FDR’s death was maneuvering in the Culture Wars.

     The maneuvering took many forms, all of which tended to undermine or destroy the existing culture.  While Jews and Liberals were the key elements in the Coalition each was in competition with the others to impose its culture as supreme.  You can read culture as nationalism by another name.  The contest was both temporal and spiritual.  While I am primarily concerned with the spiritual or culture aspect one may look at the temporal event of the Crash of ’29 and its resultant Depression as the work of the Liberal Coalition.

     While I’m sure there were many reasons for the Crash there were also many ways to make it worse than it need have been.  The restraints that were thrown off the Stock Market are worth investigating.  For instance it was at this time the Jews invented the Holding Company.  Now, I will not tolerate charges of anti-Semitism.  I attempt a scientific analysis of a religious culture, one of only a great many in the US, and refuse to kowtow to any cultural projection.  If Christianity which is a Semitic religion is thought to be ridiculous then how much more ridiculous must the other two Semitic religions, Judaism and Moslemism, be?  One must have at least a modicum of consistency.  So, as I say, the Jews, as an instrument of their particular cultural revolution invented the Holding Company.  A holding company owns a number of producing companies.  Therefore the value of the stock of a holding company is dependent on the dividends it receives from the producing companies.  If there are no dividends  the holding company has no source of income.  then the Jews invented Holding Companies of Holding Companies whose stock was based on value at all.  But these stocks were traded and purchased with bonafide capital.

     Now, when the market crashed if you owned your stock outright you may have taken big paper losses but you weren’t wiped out.  Your stocks still had considerable value.  If you bought on margin that is to say if you put a small amount down when your margin call came you couldn’t meet it and you were wiped out.  The Holding and Holding Holding companies were a total loss as it was all phony money.  And the bankers called Henry Ford a fool!

     I don’t know if a study has ever been done on winners and losers but a survey of those left standing might provide some interesting insights.

     But to return to culture.  The Freudian attack was primarily centered on sex, that is, the destruction of Euroamerican morality.  It is important to bear in mind that Freud was a despicable person, a master hypocrite.  He was a homosexual, Libertine and dope addict.  It should hardly come as a surprise that the ‘morality’ he wished to impose on civilization was precisely the morality of homosexuals, Libertines and drug addicts.

     The key to such morality is sex.  Western morality from the time of Homer was based on the control of sexual apetites or, at the very least, channeling sexual energy into productive habits.  The sexual story of Homer’s Odyssey is Odysseus’ conquest of his sexual nature.  First he resisted the wantonness of Circe, then the allure of the Sirens.  He stayed for some time with Calypso who was the most complaisant of females but who demanded his full attention and finally a vision of the peacful home before his return to Penelope.  Even then he immediately left his wife after taking twenty years to get back to continue his wanderings or his search for salvation, meaning or whatever.  The Roman Catholic Church reinforced these sexual attitudes.

     The ruling attitude then was what Freud wanted to overturn.  In the destruction of the goyim’s culture to be reconstructed on the Semitic cultural model was the most important step.  First the ‘prudish’ ‘Puritan’ attitude toward sex had to be dismantled.  Censorship of explicit sexual material had to be removed.  Hence a campaign ensued to impugn anyone who ‘didn’t appreciate the beauty of the nude human body.’  Sounds reasonable doesn’t it?  But what does it mean?  It means the legitimization of pornography.  ‘There shouldn’t be any shame connected with sex.’  The Freudians said.  Well, that’s an opinion not a fact.

     The first effort was to legitimize literary works of questionable morality or, at least, which contradicted the prevailing morality.  So, books such as Madame Bovary, Lady Chatterly’s Lover and James Joyce’s Ulysses were promoted as the highest form of literary attainment, whatever exactly that might be, rather than as salacious novels.  Literary,  well there’s a thought to be considered.  Eventually they were all legalized.  ‘They started out on Burgundy but soon hit the harder stuff.’  The standards of society had been breached.   Then came the Marquis de Sade whose ‘literary’ value was said to override his sadistic psychosexual content.  Literary, hmm?  From thence we passed through Esquire Magazine to Hugh Heffner’s Playboy.  The latter magazine opened the floodgates of pornography which of course legitimized homosexuality; but, Playboy published stories of the highest literary quality.  Literature, yup, but everyone looked at the dirty pictures.

     So that, as of today we have this peculiar, need I say disgusting, homosexual and Libertine sexual morality.  One judges the tree by its fruits.  What the Satan Freud cut loose which has come to fruition today must have been his intent.

     The driving wheel for this transformation was the film industry of Hollwood.  The very essence of the film is hypnotic suggestion.  While it is true that poetry and novels also serve as suggestion there is a great quantitative and qualitative difference.  One’s intellectual distance and guard are always present while reading while with movies the opposite is always true.  Since one could maintain distance in the silent era being always able to discuss the movies with others while viewing them without disturbing people the suggestive power of any film required the same degree of consent as ‘literature.’

page 7.

     This was not true with sound movies.  Talking was not tolerated as it disturbed concentration.  Thus the mind was left open in a hypnoid state to visual and audio stimulation.  What goes in the mind stays in the mind.  Nothing is forgotten.  During the thirties and forties suggestion was employed but without the effectiveness of the technical changes that began in the fifties.  Huge wrap around screens began to fill the entire visual field enveloping the viewer in the suggestion.  Huge, powerful surround sound speakers filled any void left by the screen.  The volume was overpowering, virtually blocking out critical attention, actually placing the viewer very deep into the hypnoid state, almost the same as the feeling of terror wherein the suggestion becomes implanted in the subconscious somewhat on the order of a fixation.  Then the movie going audience was being hypnotized without being aware of it.

     Realizing that young minds were somewhat more malleable than older ones movies were directed at the ‘critical audience of from twelve to twenty-five.’  this age group also has the most leisure for movies.  Yeah, I know there were good reasons to direct movies at the age group but I’m interested in the real reasons.

     As the Jewish culture had a near hammerlock on the making of movies it could control the content.  Thus while having to ‘pander’ to the dominant culture, especially in the thirties and forties, the Jewish culture could subtly condition the viewers to their own cultural goals.

     Naturally this had to be done openly if not obviously  so that there was always a sizable minority who understood what was being attempted; voices were raised in objection.  Once again the Jews and the Coalition denied this was so deriding any objections as anti-Semitism or in violation of the Constitutional guarantee of freedom of speech and conscience.  The dissidents allowed themselves to be silenced too easily although the charge of anti-Semite was and is indefensible.  Unless you just dismiss it as a joke like I do.

     Thus by the process of gradualism control was established so that no movie not passing a very strict Jewish censorship could be shown.  Christian movies depicting Jesus were absolutely forbidden hence the huge flap over the Mel Gibson movie led by the Jewish culture who, that’s right, denounced Gibson as an anti-Semite.   The key word here is culture, not individual Jews but the entire culture denounced Gibson.  That’s why they call them culture wars.    

     In the thirties and forties the studio heads abjured movies with Jewish themes even in some cases refusing to employ actors because they looked too Jewish.  That’s the legend anyway.  Gentlemen’s Agreement broke that taboo although the lead characters were all goys playing goys but posing as Jews.  Interesting ploy.  Elia Kazan directed.  During the fifties movies that Jews considered purely reflected Jewish culture although the goy audiences were too oblivious of the fact were successful.  Two big films of this genre were A Funny Thing Happened On The Way To The Forum and Cabaret.

     Gradually what Jews called ‘Christians’ were made the butt of the jokes while Jewish characters became heroes.  Then as in the Adam Sandler movies he as a Jew although it was never made clear he was acting as a Jew put down ‘Crhistian’ characters, treating them as buffoons and fools while abusing goy women who were portrayed as sex crazed sluts and bimbos.

     Of course criminal behavior and sleazy approaches were used to condition the viewers mind in the direction of Freudian criminal and sex crazed morality.  The ‘Christian’ family was always attacked, fidelity, honor and uprightness demeaned.

     This attack was paralleled by a similar attack made on TV and also significantly in recorded popular entertainment.  First Vinyl records and then more openly on CDs.  Thus the public mind was constantly bombarded by propaganda reflecting the desires and needs of the Jewish culture. 

     So that, if in 1918 you had stood up and said that it was the intent of Freud and the Jewish culture to hypnotize the entire American population they wouldn’t even have had to call you an anti-Semite to discredit you, you would have been laughed to scorn.  Yet here it is.  You are all hypnotized. Except for a small disregarded and vilified minority, a small body not unlike the excommunicated heretics of the Middle Ages, everyone has been conditioned to accept the value system of the Jewish culture.  Of course when you abandon control of your culture to another you can’t expect anything else.

     As a side excursion let us consider the field of pornography.

page 8.

3.

     Let me say that while I deplore the Jewish culture’s methods I vastly admire their chutzpah.  it is the same as the admiration I have for the great Midwestern bandits like Jesse James, the Youngers, the Daltons or Pretty Boy Floyd The Outlaw.  Well, let’s exclude Pretty Boy, he has a special place in my affections.  While their careers were based on a false premise yet there was a dauntless courage and actual justification for the Outlaws’ choice of means to redress their grievances.  While I am aware that it was necessary for society to terminate their careers in one way or another, still I have that secret admiration for their attempt.  So it is with the Jewish culture.  While I can’t endorse their ideals and feel their methods will always doom them to failure, much as those of the Outlaws did,  like the Western train and bank robbers there is something thrilling in the attempt.

     But the return to the question.  Freud in his essay ‘The Aitiology Of Hysteria’ which is certainly approriate here, said:  Collected Papers Vol. I, p. 194:

     Quote:

     (I) am prepared to let my belief outrun the evidential force of my discoveries for the present time.  Besides, I am influenced by another motive, which for the moment is merely subjective value.

     Unquote.

     I am not quite so ready to allow my beliefs to outrun my evidence nor am I willing to abandon objectivity as was the good Herr Doktor Professor Sigmund Freud.  No. No.  We must adhere more closely to our science than that.  While Freud doesn’t tell us what his subjective motives were I think I can guess.

     As a Libertine and homosexual Freud would have been a proponent of the distribution of pornography.  We have seen that Freud made advanced studies into the nature of emasculation.  Well, pornography is what emasculation is all about.  It seems certain that Freud misinterpreted the nature of the Anima following rather the lead of his friend Fliess, of nose fame, that there was an inherent bisexuality.  In other words in keeping with his homosexuality he believed that a man desired sexual relations with either men or women.  Any port in a storm, or even fair weather.

     In fact an affect of emasculation is the estrangement of the Animus from the Anima.  In the process of emasculation the Animus apparently has the understanding that the Anima failed in its duty therefore wishing to punish it.  Indulging his or her hatred then the homosexual is attracted to pornography with is attendant sadomasochism.  Indeed the mainstay of the pornography business is the homosexual by which I include Lesbians.

     In use then terms from individual psychology to group psychology the same Freudian rules apply.  Freud realized his own emasculation, probably that of the Jewish culture, and therefore sought to emasculate the Euroamerican culture in return.  We have seen through the media of movies, TV, radio and recordings how successful he was.    There is a French film entitled Dr. Petiot.  Dr. Petiot was a real person who realized his full potential under the Nazi occupation of France.  A bonafide psychotic as well as a physician Petiot lured those seeking to escape France to his home under the pretense that he would smuggle them out of France.  Instead he murdered them but before he did he mocked and ridiculed them deriving full enjoyment from their humiliation.

     Now, in the Winter 2004 edition of the European magazine The Jewish Quarterly an essay was published by a lecturer of American History at the University of Aberdeen, Scotland by the name of Nathan Abrams.  His bit is entitled Jews In The American Porn Industry.  What this essay shows is the divorcement of the cultural or group Animus from the Anima of the Jews.  This should come as no surprise because Semites in general suppress the role of women, or the Anima in favor of the Male Animus which is an expression of the Culture’s unhealthy Anima-Animus relationship.  Here Mr. Abrams mocks and ridicules Euroamerican civilization.

page 9.

     Mr. Abrams begins his essay thus:

     Quote:

     A story little told is that of Jews in Hollywood’s seedier cousin, the adult film  industry.  Perhaps we’d prefer to pretend that the ‘triple exthnics’ didn’t exist, but there’s no getting away from the fact that secular Jews have played (and still continue to play) a disproportiate role throughout the adult film industry in America.

     Jewish involvement in pornography has a long history in the United States as Jews have helped transform a fringe subculture into what has become a primary constituent of Americana.  These are the ‘true blue Jews.’

     Unquote.

     The most virulent anti-Semite couldn’t have expressed it more succinctly.  At the same time we have a cultural confession of emasculation.  I haven’t been able to discover the exact meaning of ‘triple-exthnic’ but the term is probably just another obfuscation  in terminology.

     While everyone has known of the Jewish role in the ‘sex industry’, where they are as over represented as they are in Hollywood itself, for a hundred years, only Jews have been permitted to write about it.  The goys have been so thoroughly emasculated in their turn that they would rather leave it alone than be denounced as anti-Semites thereby being excommunicated or thrust out of society so Mr. Abrams has the field to himself.  However one is free to criticize the content of the essay.

     When Mr. Abrams identifies pornography as the seedier cousin of the Hollywood film industry he tacitly admits that Hollywood itself is seedy to which conclusion I heartily assent.  All, or nearly all films, are pornographic in intent.  The only area in the world in which the production of pornography is legal is right here in these United States Of America and that place is within a twenty mile radius of Hollywood where you know who is over heavily represented.  Not American but Israeli, Jewish.  Hollywood is an Israeli colony in the United States.

     Mr. Abrams says that Jews have helped transform a ‘fringe subculture’- read criminal- into what has become a primary constituent of Americana.  Further he says that this legitmization of crime has been the work of the Jewish culture.  Mr. Abrams is projecting badly when he believes that pornography has anything to do with Americana, rather by his own admission he should say Judaica.  He further states that these pornographers are ‘true blue Jews.’  In other words, the best that Judaism has to offer.  If so, then the Jewish culture must be analyzed with this notion in mind.

     Pornography is essentially an extension of prostitution.  That is to say, the degradation and exploitation of the Anima, let alone women.  To keep the business running there must therefore be procurers and procuresses.  Men may volunteer but women by and large have to be dragooned.

     As an expression of emasculation one finds a disproportionate number of homosexual also involved which means sadomasochism and drugs.  Sadomasochism is an affect of emasculation.

Thus the seedier cousins of seedy Hollywood itself are governed by a psychotic state of mind.  In fact Hollywood movies are psychotic visions of a psychotic sadomasochistic projection on the world as examples of American culture or as Mr. Abrams would have it, Americana; quite falsely so.

     How far they represent other cultures than the Jewish is open to question.

page 10.

     Pornography was taken mainstream by the goy, Hugh Heffner, who developed this affect of a mental disease in the guise of Hedonism rather than Libertinism which is its true guise.  He was joined by the major ‘players’ Larry Flynt of Hustler Magazine and Bob Guccione of Penthouse Magazine.

     Although Jews had been instrumental in kicking down the doors of sexual censorship, most notably with the legitimization of Joyce’s Ulysses, it was Heffner beginning in 1953 who paved the way for the porn film industry which arose in the sixties.  In competition with Heffner, Flynt and Guccione constantly stretched the limits from Heffner’s Hedonism to outright pornography.  The three magazines above were sold openly across the counter which meant high grosses.  It should be noted that while tremendous effort was made in lifting censorship of obscene material at the same time the same effort was made to censor political and social thought by the same parties.

    The smut industry of peep shows and whatnot Mr. Abrams quite correctly identifies as being primarily Jewish.  Mr. Abrams then gets involved with the motivations of the smut peddlers.  As is consistent throughout Jewish writing he distinguishes between ‘secular’ Jews and ‘religious’ Jews as though they were two separate entities.  The distinction will undoubtedly confuse those who haven’t scientifically studied the culture.  In point of fact crime and prostitution had a significant hand in financing Jewish political activities from the beginning of the Revolution from 1913 and before to the present.

     The Revolution didn’t come free and it didn’t come cheap; there’s a price tag on everything and a very high price tag on this one.  On the financial and banking level it was fairly easy, the bankers just used other people’s money.  Loans are loans and expenditures are expenditures; loans have to be repaid while expenditures are cash out of hand.  So for expenditures the money came largely from vice.  One usually thinks of organized crime as Italian or Sicilian while in actuality the organizers were Jewish.  Enormous sums were raised by crime especially under the kingpins Arnold Rothstein and Lepke Buchalter.  But, lo and behold, when these men died the vast sums that passed through their hands which they could not possibly have spent were nowhere to be found.  To all intents and purposes these men died penniless.

     On the other hand men like Julius Rosenwald who became a principal of Sears, Roebuck contributed millions upon millions of dollars to Jewish ‘charities’, read- political organizations.  While there is no reason Rosenwald couldn’t have become rich from his position at Sears still the amounts of money he contributed seem well in excess of any possible earnings.  While Jewish criminals were donors to Jewish causes, and very welcome ones too, it seems probable that the money pouring into their coffers which, after all was a joint Jewish effort, may well have been funneled thrugh intermediaries like Rosenwald as a money laundering scheme.

     After all men like Rosenwald maintained magnificent establishments while making these contributions.

     The Liberal position from 1815 or so when Liberalism per se came into existence had always been that crime and prostitution were the result of the inequitable distribution of wealth.  Always on the qui vive for another utopia it was assumed that when the working class had its share crime and prostitution would disappear.

     For all practical purposes that particular utopia was realized in the United States.  Lo and behold, instead of crime and prostitution having disappeared they have prospered mightily.  Indeed, rather than being repulsed by this particular form of prostitution women have apparently embraced it.  Yes, as Mr. Abrams so quaintly puts it:  Once (women) had laid down, they could stand on their own two feet, particularly as female performers typically earn twice as much as their male counterparts.  Once they had laid down that is.  Good paying prostitution is still prostitution, but at least the girls were paid better than the boys.  I’d still rather be a boy in those circumstances.

     So, if not driven into prostitution by poverty it seems that women are lured into it by the pursuit of wealth or as Mr. Abrams insultingly puts it, in pursuit of the ‘American Dream.’

      Nor are these entrepreneurs of porn from poverty backgrounds.  Mr. Abrams proudly claims that these porn pros come from ‘upper class’ and prosperous Jewish families.  What motivations does Mr. Abrams attribute  to these Libertine criminals other than the pursuit of the buck.

     Mr. Abrams:  Porn is just one expression of [the] rebellion against standards, against the disciplined life of obedience to the Torah that marks a Jew living in Judaism.

     So, their rebellion is really culturally internal and has nothing to do with the mainstream culture.  They find Judaism too restricting.  Indeed, ‘America provided the freest society Jews had ever known.’ Adds Mr. Abrams.  Including his own Judaic culture one assumes.  One might think the Promised Land had been realized.  But, read the sentence carefully and it is made evident that the Jews still consider themselves strangers in a strange land but now they have the freedom to rage at all, even themselves.

     Quote:

     Extending the subversion thesis, Jewish involvement in the X-rated industry can be seen as a proverbial two fingers to the entire WASP establishment in America.  Some porn stars viewed themselves as front-line fighters in the spiritual battle between Christian America and secular humanism.  (read- the Jews)  According to Ford (Luke Ford) Jewish X-rated actors brag about their ‘joy in being anarchic sexual gadflies to the puritanical beast.’  Jewish involvement in porn by this argument is the result of an atavistic hatred of Christian authority:  They are trying to weaken the dominant culture in America by moral subversion.

     Unquote.

     Quite right.  While the revolution or 1913-28 has been extended that War still rages on.  Furthermore it is being waged on the terms laid down by Freud.  The Jewish culture permits even encourages these pornographers toward that goal.  One doesn’t really believe that a bunch of scum criminal pornographers were able to get a law passed legalizing their criminal behavior does one?  Of course one doesn’t.  Such a law could only be passed by very influential ostensibly respectable people of porn’s less seedy cousin.

     This area of legal pornography is Hollywood.  Whether fronted by goys or not Jewish moguls passed this law.  Are they taking a rake-off as a reward for providing the pornographers a legal sanctuary of are they sleeping partners of the pornographers or has it made it possible to release such racist pornographic filth as Shadow Boxing as legitimate entertainment in mainstream theatres.  Gosh, let me think long and hard on that one.

     So , we have the results so far of Freud’s psychological program for the conquest of Euroamerica.  Of course along the way his program would be reinforced.  Here’s Mr. Abrams again:\

     Quote:

     Those at the forefront of the movement which forced America to adopt a more liberal view of sex were Jewish.  Jews were also at the vanguard of the sexual revolution of the 1960s.  Wilhelm Reich, Herbert Marcuse, and Paul Goodman replaced Marx, Trotsky and Lenin as required reading.  Reich’s central preoccupations were work, love and sex, while Marcuse prophesied that a socialist utopia would free individuals to achieve sexual satisfaction.  Goodman wrote of the ‘beautiful cultural consequence’ that would follow on legalizing pornography.  It would ‘ennoble all our art’; ‘humanize sexuality.’

     Unquote.

     I’d put those statements in quotation marks too.  These writers might be considered the second wave after Freud to refreshen the program and keep it moving forward.  There is a particular reason why these writers should have been published and lauded over others and it isn’t literary value.  As we will see in the next section, when a book was to be promoted a cadre of boomers ran through the universities and cities touting this stuff.

     Thus this very powerful organization was very effective.  The effectiveness was made total when any who objected could be isolated and harassed by teams of damage controlmen.  Not only could an individual be silenced and marginalized by a whispered imputation of ‘anti-Semitism’ but the entire population could be emasculated by the same charge.

     Freud then had devised the means to emasculate the hundreds of millions of Euroamericans and that purely by their own acquiescence.  Rather than be known as anti-Semites they willingly abandoned their sexuality.  This abandonment was conditioned and reinforced by the entire media of the land.  Most especially Hollywood.

page 12.

     Do not think I condemn the Jewish culture, or nationality in fact, for this fait accompli.  On the contrary I applaud it.  Imagine this atavistic religious consciousness projecting a state of ignorance over the most enlightened population on the planet.  Think about it.  It stuns one to silence.  This achievement is so amazing it leaves one standing with mouth gaping.  If the entire Euroamerican population is willing to voluntarily surrender not only their intelligence but their manly and womanly sexuality to another culture why should the receiving culture be blamed?  No force was used.  Only psychological manipulation that any fool could have seen and easily rejected.

     Further, just like Dr. Petiot with his victims, the Jewish culture humiliates its slaves via the media.  I have pointed out Adam Sandler movies where he plays a vacuous nerd who triumphs over athletic men and humiliates nubile women.  If the past is any guide to the future one can look forward to a gulag system where opponents are mass executed.

     I can say no more on the topic here.  Suffice it to say that on the sexual level Edgar Rice Burroughs’ America hs been deconstructed per Sigmund Freud’s plan and reconstructed to the complete advantage of the Jewish culture and to the complete disadvantage of the Euroamerican culture.  All it took, and this the most astonishing fact of all, was a little chutzpah.

     All credit belongs to the Jewish culture and I say that to the shame of my own.