A Review

Themes And Variations

The Tarzan Novels Of Edgar Rice Burroughs

#18 Tarzan And The Lion Man

Part 10 of 10 parts

by

R.E. Prindle

First published on the ezine, ERBzine

Tarzan’s Excellent New York Adventure

 

     Sound movies were a unique cultural addition.  The Studios had little or nothing to do with ‘artists.’  The Studios were entertainment factories organized along the same lines as Ford’s assembly plants.  Like Ford’s factories their interest was mass production.  There was a tremendous investment in theatres and distribution.  The theatres could not sit idle waiting for the next picture hence a studio’s goal was to porduce fifty-two A movies a year, or one a week to change the marquee.

     Unlike Broadway theatres where the production and performance would hopefully last a year, two, or three or publishing where a bestseller would take a writer quite some time to compose, usually, and would take a year or two to sell through, the writers, actors, directors and such were merely employees.  ‘Workers’ in Communist terminology.  This was a major departure in the ‘arts.’

     The only entity taking a risk was the Studio or corporation hence each and every film was organized and supervised from the top down.  Once the executives determined on a project the necesary ‘workers’ were assembled.  With the amount of money involved in each production the Studio could ill afford to let projects originate in any other way.

     Thus as industrial units writers were not allowed sole authorship of any movies.  One writer might work up the idea which was then assigned to other writers to add to, change and polish until the executives thought they had a money maker.  And then the movie was taken for a test  drive for audience reaction and underwent other changes.  Few original ideas were used.  Usually a project was based on a a proven entity like a novel, old play or tried and true plot line.

     Naturally in such a situation any group could be disciplined to follow one of any number of tacks.  The jobs were highly paid and desirable.  To not go with the flow, to not follow orders was to lose a very lucrative employment.

     The executives were in control.  When Burroughs was in the employ of MGM for those five weeks he had a chance to view the system in operation.  As he observed in Lion Man, p. 8:

     “There ain’t no tigers in Africa, Milt,”  explained the director.

     “Who says there ain’t?”

     “I do.”  replied Orman, grinning.

     ‘How about it, Joe?”  Smith turned toward the scenarist.  (Writer)

     “Well, Chief, you said you wanted a tiger sequence.”

     “Oh, what’s the difference?  We’ll make it a crocodile sequence.”

     Quite clearly the writer is not an originator but an employee who works up material to order.  This quite natural consequence of mass production, then, played into Communist hands.

     The Communists arrived in Hollywood almost simultaneously with sound while Communism was already the normal way of Jewish collective thinking.

     Thus the collective mindset of Judaism and Communism was already in place.  It remained only for the Communists to organize the ‘cultural workers’ as in any other indistry which they immediately set to do.  The cultural clash between individualistic actors and writers as ‘artists’ was already undermined by the studio system but some ‘cultural workers’ were still offended by becoming mere ciphers in an industrial machine.  Nonetheless the Communists organized the culural workers into units such as the Screen Actors Guild- SAG-and Screen Writers Guild-SWG.  IATSE covered the technical people.

     Once a collective is formed, whether a guild, a religion, a corporation or political party, an executive committee is necessary to handle affairs and set policy.  Anyone who doesn’t accept policy must be disciplined until he does or he is expelled, denied work, blacklisted or in the extreme case of  Stalin’s USSR, eliminated.

     So the Communists set their ideals against those of the studios.  In a few years this would create a conflict between the Communists and the Studio heads when HUAC came to Hollywood.  The Communists denied guilt acccording to John Howard Lawson, one of the leaders.  (Larry Ceplair and Steven Englund: The Inquisition In Hollywood:  Politics In The Film Community, 1930-1960, University Of California Press, 1983.)

(Ceplair and Englund speaking)

      Communist screenwriters could not themselves, directly improve or change content through political inserts- whistling the “Internationale”, speeches about democracy- or by writing Communist films stressing the importance of collectivity over the individual and graphically depicting the plight of the dispossessed, the nature of their struggle, and their inevitable class triumph, or by imitating Russian Marxists aethetics.  (John Howard) Larson, for one, was very forthright about the lack of success in those directors:

     Ceplair, Englund quote Lawson:

     As a matter of undeviating practice in the motion picture industry it is impossible for any screen writer to put anything into a motion picture to which the executive producers object.  The content of motion pictures is controlled exclusively by producers; {all aspects of  a film] are carefully studied, checked, edited and filtered by executive producers and persons acting directly under their supervision.

     While I would disagree with Lawson that a clever writer couldn’t slip quite a few items past any censor or censors I think the point has been clearly made that the final film product reflects the wishes and attitudes of the Studio executives.  Thus whatever the process, the content and apparent meaning of the six MGM Tarzan films reflect the intent of the MGM executives from Lous B. Mayer on down.  Thus Judaeo-Communists are forming the popular image of Tarzan to reflect their own ends.  The chief caveat is that the films must make money so any motives on the screen must be ulterior so as not to destroy the entertainment value.  Ceplair and Englund’s idea of making bloated politial speeches as the only way of injecting political or social content is absurd.

     Perhaps in those days people weren’t as yet so sensitive to multi-culturalism and Diversity as society is today.  For that reason I am reevaluating the era in terms of modern Multi-Culturalism  and Diversity.  It’s like hitting the Saturation button, if you know what I mean.

     Before moving on from the background of the situation to the actual analysis of MGM’s last Tarzan effort it will be necessary to update the Jewish Cain and Abel play to the United States.

     As mentioned previously the thirties brought a tremendous influx of Central European Jews to Hollywood.  While Freud himself remained in Vienna until well past the last moment then choosing to emigrate to England as his 1909 visit to Clark College in Massachusetts left a worse taste in his mouth than those horrid cigars, huge numbers of psychoanalysts and psychologists found their way to the West as well as a large percentage of the Jewish film colony of Germany.  Accompanying these Europeans west were the Jewish criminals attached to the Outfit of Chicago.  These were all Jews from the Pale born c. 1900-10.

     The earlier German Jews who arrived after the 1848 Revolution were now being absorbed by the Jews from the Pale or dying out.  They had been responsible for establishing the first Jewish occupation when they aligned themselves with the Woodrow Wilson Administration of 1913-21.  There they established the classic Abelite relationship with higher authority.  President Wilson gave them pretty much the same latitude as the Spanish kings of the pre-Inquisition or any number or early rulers.  This has gone unnoticed but they established their traditional role of ‘tax farmers’ or overseers of the goyim cattle under Wilson.

     The WIB or War Industries Board, was a key instrument in the attempt to subordinate the goyim.  Wilson himself was a self-absorbed simpleton who was easily manipulated; I doubt if he had any idea of what was really going on.  He placed the Jewish speculator and financier, Bernard Baruch, at the head of the WIB.

     Baruch then under the guise of the ‘war emergency’ required each and every business of each and every industry to submit their confidential data so they could be reorganized as a component of the war effort.

     This sounds reasonable enough but there was no war emergency in the United States.  War hysteria perhaps, but no emergency.  Wilson himelf, beneath his outward calm, was an hysteric.  He was not emotionally qualified for the presidency.  Interestingly Teddy Roosevelt perceived this without any difficulty.  The stringency of the measures taken to ensure uniformity were not based on war necessities but on a socialistic program to render everyone ‘equal’ or the same while at the same time bringing industry under Jewish control.

     Industry protested vigorously against the measures taken by Baruch and his WIB only to be called anti-Semites.  Foremost of these were Henry Ford and the Dodge Brothers.  The Dodge Brothers who were less temperate than Ford in denouncing the WIB and Baruch correctly identified the problem as the Cain and Abel syndrome.  For this they were murdered in 1920.  Ford went into strong reaction buying the Dearborn Independent which ran his series of articles denouncing the syndrome thereby being characterized by the Jews as ‘anti-Semitic.’

      The ‘war emergency’ ended just as some of the more remarkable edicts of the WIB were about to be put into effect.  Wilson was run out of office in 1921, he would have run for a third term had his health permitted, thus the Jewish cultural program was put into abeyance until 1933.

     Franklin Delano Roosevelt was an under Secretary Of The Navy during Wilson’s last term.  Roosevelt became a disciple of Wilson’s so that when he was elected President in 1932 the whole Wilson program was reinstated.  The Jews returned to government in unprecedented numbers under the shelter of the higher authority of Roosevelt.  Punitive income tax rates were established to emasculate men the Jews considered enemies such as W.R. Hearst.

     Twentieth century Amrica was different from fifteenth century Spain in that the executive role was considerably reduced as Governmental functions had become institutionalized.  The executive was now subject to a consitution and the rule of law.  Secure under the wing of the executive it was necessary for the Cain and Able Syndrome, the Culture, to subvert the law.

     Woodrow Wilson had appointed the first Jewish Supreme Court Justice, Louis Brandeis.  He had been canonized by the media as would be his successor to the ‘Jewish’ seat on the Supreme Court, Felix Frankfurter.  These two men were put forward as secular saints although it is difficult to imagine why when one examines their careers in the light of today’s multi-culturalism and diversity.

     The agents of Jewish culture would make many decisions to undermine the British based legal system to convert it to a Semitic based system favoring the culture of the Jews.  Today’s ‘hate’ laws promulgated under the cover of a mistaken version of multi-culturalism and diversity are an impostion of civil disabilites on dissenters and are an example of what evolved.

     Thus working above board legally and below board criminally the Jewish culture sought to realize the age old Cain and Abel dream in the United States.  While Gus Russo in his Supermob concentrates on arch criminals like Sidney Korshak and other crooks looting the American industrial system he passes lightly over the career of one who seems very significant by the name of David Bazelon, also from Chicago’s Lawndale.

     Bazelon functioned as an enabler while being a civil servant.  In this way he was able to direct certain opportunities to his mob contacts in the Chicago Outfit.  All the Jews connected to the Outfit were lawyers.  They used their legal knowledge and skills to circumvent the law rather than applying it.

     Bazelon later almost made the Supreme Court.  In the year or so following the confiscation of Japanese property in California in 1942 he used his position in the Office Of Alien Properties disposing of that property.  In a very corrupt manner he sold the properties at bargain prices to his associates in the Outfit, both Jewish and Sicilian.  Thus they were not only able to utilize the immense proceeds from their criminal activities but were able to bilk from the upper world legal profits from these properties.

     Thus Bazelon violated the trust placed in him by the American government but at the same time was able to sabotage that same government.

     To return to Mr. Netanyahu’s complaint about the Jews in Spain.  A Spaniard by the name of Marcos Garcia who was a leader of the insurrection against the Jews felt that the crimes of the (Jews) embrace all spheres of life.  They are manifest in religion, economy, government, and of course in all personal relationships between the (Jews) and the (Spanish.)  Thus they gnaw at (Spanish) society from all angles and undermine all its institutions.

     Thus Mr. Netanyahu unconsciously states how ‘anti-Semitism’ comes into existence.  He doesn’t seem to be aware of the Cain-Abel Syndrome but that is what he is explaining.  From the origins of the Hebrews through Spain to the contemporary situation in the Central and Eastern Europe and the United States of then and today the story is always the same.

     Just as the Spaniards he is describing were attempting to exterminate the Jews, so as in Burroughs’ time both Nazis and Communists were doing the same.  That is the inevitable programmed result of the Cain-Able Syndrome.  Mr. Netanyahu should diligently study Sigmund Freud’s The Future Of An Illusion.

     In the multi-cultural sense the Jews then and now were trying to establish their cultural supremacy.  I do not argue against this per se as the inevitable result of the clash of cultures is and must be the dominance of one.  The inevitble result of diversity is the destruction of all cultures but one.  I have demonstrated this in the Darwinian evolutionary sense repeatedly.  The point is there is no reason for me or anyone else to supinely allow their culture to be destroyed for the benefit of another.  Or course, if a culture doesn’t have the backbone to defeat another then so be it.

     I have also quoted Rabbi Schneerson’s ‘scientific’ argument for the innate superiority of the Jews.  In Spanish times a religious argument demonstrating such superiority was used.  Quoting Juan de Torquemada, the uncle of the Inquisitor, Mr Netanyahu argurs thusly, pp. 481-82:

     …it is a fact that the gentiles, to elevate their status, had to be “grafted” onto the “tree” of the Jews.  As the Apostle said, “You gentiles, (this word is added to Torquemada), who are an oleaster” (namely a wild olive tree which cannot bear good fruit), you had neither the Law nor the Prophets, or even the worship of God, as you were dedicated to idolatry, ought to remember that you “were grafted among them”- that is, among the standing branches (ramis stantibus), which are the apostles and the other faithful Jews, “and with them you aprtake of the root”- that is the faith of the Patriarchs and the Prophets, “and the fatness of the olive tree”- that is, of the doctrine and grace of Christ which came from the Jews.

      So, the context changes but the argument always remains the same.  As George Santayana said:  Those who do not learn from history are doomed to repeat it.  Since the Illusion has not changed the result must ever be the same whether Spain, Europe or the United States.  Mr. Russo in his Supermob without realizing it was replicating the description in the United States of Mr. Netanyahu’s description in Spain.

     So now, with a grasp of the underlying strategies we can return to Burroughs and MGM.  The purpose of MGM was to discipline a ‘loose cannon’ like Burroughs.

     There had been recent renewed activity in Tarzan films after a hiatus of several years, however MGM’s interest seems to have been catalyzed by their interest in Trader Horn.  Perhaps the story showed them the way.  All the MGM Tarzans would bear the imprint of Trader Horn.  It appears that MGM first considered a Trader Horn series with Tarzan as a subsidiary character.  Cyril Hume’s first script was a Trader Horn sequel in which Tarzan appeared only as a supporting character having little or no relationship to the literary Tarzan.  There wasn’t even a Jane as Tarzan was paired up with a female scientist.  That’s an interesting subliminal association.  As Hume was undoubtedly trying to fulfill suggestions from the executives we don’t know why the screenplay was scrapped.  As Burroughs got his paychecks for those five weeks probably attending planning sessions in Thalberg’s office it may be that he objected.

     The finished product clearly reflects the first script although the emphasis is changed to make Tarzan more prominent but not clearly the central character.  Jane actually is the more dominant personality.

     The entire series takes place on the MGM invented Mutia escarpment which would have been above the Murchison Falls of the Nile.  As is well known the name Mutia comes from the first name of the actor playing Renchoro in Trader Horn. 

     The first two movies which were either pre-Lion Man or unaffected by the novel don’t seem to refer to any of Burroughs’ works being a free interpretation of the character.  The last four movies have references to Lion Man while Tarzan’s Secret Treasure reflects the Opar theme, Tarzan And The Leopard Men as well as Lion Man.  Both the latter novels make reference to Trader Horn as MGM seems to date the beginning of Tarzan to the post-Trader Horn period.  Tarzan is introduced as a grown man in the movies whle as an infant in the novels.

     The movies attempted to denigrate and belittle the character which if you’re familiar with the literary Tarzan they do.  The magnificence and appeal of the character is so great that even the MGM Tarzan defeats their efforts remaining an entrancing character for the movie going public.

     As a boy I can’t be sure which movies I saw other than Tarzan Triumphs although I must have seen all the Lesser films.  On reviewing the MGM Tarzans they don’t ring any bells.  Perhaps the movies were forgettable but Tarzan wasn’t.  As a young boy I was entranced seeing nothing negative in the ape man’s portrayal so perhaps most of the audience didn’t either.  Of course neither they nor I knew what to look for.

     After five profitable successes MGM decided to abandon the series which must be unique In Movieland.  For the final film the location was moved to New York City.  In Trader Horn the location was moved from the US to Africa; in the final Tarzan episode Africa came to the US.  In this episode Tarzan is subordinated to civilization and stripped of his jungle mystique.

     By this time Burroughs himself had been exiled from Hollywood to Hawaii.  There he separated from his young wife while sinking into alcoholism.  His son had to go to Hawaii in an attempt to win ERB from the bottle.  I don’t mean to be unkind but it is true.  From MGM’s point of view he may have appeared a shattered wreck of a man who no longer merited their attention.  As they were done with the Lion Man so they were done with his alter ego.  ERB might have drunk himself to death if the war hadn’t intervened.  The movie obviously has a lot of references directed at Burroughs; some I picked up but I may not have interpreted correctly while many have probably gone over my head but I’m sure that as ERB sat watching they didn’t go over his.

     The reference to the Mutia Escarpment immediately refers to the Trader Horn connection.  I can’t get the exact relationship between Trader Horn and Tarzan but it obviously existed to MGM.  The Escarpment is said to be so high that it reaches to the stars.  Stars may be a reference to MGM which boasted ‘more stars than there are in Heaven.’  Thus the reference would be mocking ERB.

     One of the key goals of both the Reds and Jews would be to subordinate Tarzan.  One has to keep Freudian concepts in mind at all times.  A culture is a group and must obey the laws of its group psychology.  That group psychology can be scientifically analyzed just as individual psychology can.  There is no escaping the evidence of your behavior or its consequences.

     Both groups, the Jews and Reds were into collectivism.  Independent thought is not allowed.  Tarzan was the supreme individualist.  He is in fact a loner among humans although on very good terms with the animals.  Tarzan was a law unto himself; he was not subject to any external law.  thus he had to have his independence destroyed and brought within the Law and the collectivity.  Let’s deal with jewish aspects first.

     The movies were made in 1932, 1934, 1936, 1939, 1941 and 1942.  The New York adventure was conceived and finished before Pearl Harbor so that event had no effect on the movie.  So the spacing is two, two, three, two and one in years.  Burroughs lamented that MGM wasn’t producing at least one movie a year.  MGM might have chosen to have done this.  As the Charlie Chan movies, on which ERB commented were being popped out at the rate of three or four a year to a profitable tune it is obvious that the same could have been done with Tarzan.  One imagines that ERB urged MGM to do so.  MGM chose to pass on the profits.  One asks why?

     As the decade wore on ERB became more and more dependent on the movies for income.  Book sales must have lagged overall while he had no major successes after Tarzan And The City Of Gold.  Lion Man’s sales were disappointing while it is difficult to see its successors doing any better.  He was off the radio after 1935 while the comic strip was not a major contributor to his income.  Thus MGM controlled his purse strings.

     ERB’s finances were desperate after his movie venture if 1935-36.  He had those notes oming due.  MGM might have helped him along by putting out two or three quick Tarzans, instead at this crucial moment there was the long hiatus from 1936 to 1939.  With no movie money coming in for three long years the spendthrift writer must have been driven to the wall contributing to his decision to exile himself to Hawaii where he lived on a pittance.

     The appearance in Hawaii is that he was a broken man seeking solace in alchohol.  In ’41 and ’42 in quick succession Tarzan’s Secret Treasure, note the mocking tone of the title, and Tarzan’s New York Adventure were made.  As they intended to drop the series, the release of one per year for those two years may have been a calculated insult, both could be viewed as mocking films.  A great deal of work has to be done to determine how Burroughs was perceived in Hollywood.  I suspect as somewhat of a joke. 

     In the early novles when Tarzan needed money he made another run on the gold of Opar.  Now living in actual poverty in Hawaii MGM made a movie where large gold nuggets lay at the bottom of a pool while Tarzan knew of a place where gold could be scooped out of veins by the bucketful.  But ERB’s ability to turn a buck now depended on MGM, so the notion could be viewed as a mockery, especially as the mine was Tarzan’s but it was to be exploited by others i.e. MGM.

     As it is possible that MGM now saw ERB as a wreck, totally defeated, they decided to wrap thier involvement up with the succeeding movie.  Their object of the destruction of Burroughs having been realized, they lost interest abandoning the series.

      They certainly had not exhausted the possibilities of story lines.  Nor had the series become unprofitable as Sol Lesser proved for a decade or more.  The probable reason is simply that with Burroughs out of the  picture their intent was realized.  So as a farewell gesture they lectured Tarzan on his attitude toward the Law by which I mean to say the Jewish Law.

     As the New York Adventure begins some circus types abduct Boy to perform as an animal trainer in their circus.  As I watch the picture from this vantage point it is easy to see how MGM is ridiculing the ape man.

     After ten years of living with Jane, during which her good cooking has fattened the feral boy up Tarzan still can’t put together a complete sentence.  He’s still at the Me Tarzan, you Jane stage or the even simpler, Tarzan, Jane.  Boy, who was found in the jungle two years previously, has learned a great deal from the very literate Jane, even being able to write cursively although weak in orthography, But then the kid’s big for his age of three.

     So if Boy could learn to speak intelligently from Jane why after ten years of living with Jane is Tarzan still grunting?  Not only grunting but he appears to be simple minded, purely a natural savage.  He doesn’t even act like he knows his way around the jungle.

     But Jane and Tarzan set out to find Boy in the big wide world with a twenty-five or fifty pound bag of nuggets slung over the Big Fella’s shoulder.  Let me say here that the average viewer is not nearly as critical as I am here.  The animal scenes are actually pretty thrilling while Boy’s fight with the lion using a stick must have bowled the kids over.  So, while my point of view here is to understand how MGM mocked Burroughs and disparaged Tarzan, as a theatre experience New York Adventure is not a bad movie.

     MGM’s attempt to ridicule Tarzan in the first film was not nearly so successful as in this one.  Tarzan and Jane in clothes lose all their charm.  Jane although dressed stylishly becomes just an ordinary looking woman.  A little on the frumpy side, actually.  Although Maureen O’ Sullivan was a beautiful woman in any circumstances the insouciance and verve of her jungle raiment and demeanor is completely gone in a suit and hat.  Not the same.

     Tarzan, or Weissmuller in a double breasted suit while handsome is not commanding.  So, right away Tarzan and Jane are demi-gods brought to earth.  The scene in the tailor’s shop with the Chinese tailors might also be a joke on Burroughs bringing to mind Charlie Chan.  Tarzan’s primitive manner of speech just becomes ludicrous and oafish in New York city.  You can take the feral boy out of the jungle, but you can’t take the jungle out of the feral boy.  Here the contest becomes one of Tarzan’s law versus the law of the legal system and by extension the Jewish Law.  Tarzan fights the law and the law wins just as the Jewish Law did over Burroughs.

     Thus the crucial part of the movie begins in the ludicrous scene in the courtroom.  The trial is being held for the custody of Boy.  On the one side are Buck and his circus associate who have kidnapped and actually enslaved Boy; they have no claim on him legitimate or otherwise.  On the other side are his apparent parents, Tarzan and Jane.  Tarzan had wanted to handle the situation  according to his own law but Jane, as usual in the movie version , dissuaded him, telling him to rely on the law of the legal system and by inference the Jewish Law.  I hope Tarzan hadn’t forgotten how vilely Jane betrayed him just the previous year.

     Jane lets slip that she and Tarzan ‘found’ Boy in the jungle.  Boy is not the issue of Tarzan or Jane.  In this zany courtroom scene the ‘ownership’ of Boy thus becomes unclear.  It seems that the kidnappers and enslavers who are about to sell Boy to a Brazilian circus have as much claim to the kid as his ostensible parents.  This is apparently ‘law.’

     Tarzan reacting in the tried and true jungle manner grabs the opposing attorney and dumps him bodily into the jury box.  The act of violence proves him an unfit parent.  The trial is interrupted.  Waiting for the trial to resume Jane concedes to Tarzan that as usual she was wrong, his law is better than the Law.  Coming to life Tarzan announces in amazing pidgin English:  Tarzan find Boy.  Slightly obscene in its application actually, but why nitpick?  Tarzan crashes through a twelfth story or so window which luckily has an ample ledge.  If logic isn’t essential to your enjoyment of an ‘action’ film the next few sequences are quite thrilling.

     The end result is that Tarzan is taken into custody and delivered before the kindliest judge who ever graced the bench.  Now, there can be no doubt that Tarzan offended the Majesty of the Law by rioting in court.  Under Jewish Law the accused is guilty until proven innocent but is supposed to gratefully accept any verdict just or not.

     He is then duly convicted of what is apparently considered a misdemeanor or even an offense rather than a felony as his crime only carried a sentence of thirty days and sentenced as guilty, which he was.  It is important to remember at this point that Tarzan has been convicted as a criminal.  He has a criminal record from this point on.  The judge generously suspends the sentence but remember Tarzan is still guilty.

     Tarzan mutters some more memorable pidgin English to the effect of ‘Tarzan bad, law good.’  Thus Tarzan is subsumed to the collective culture giving up his independence.  No longer as the Invincible or Triumphant will he pass judgment on jungle offenders or Stalinites.

     The judge even invades his territory up there on the Escarpment as a right and as the Law assuming paramountcy in Tarzan’s former Jungletopia.  The judge advises Tarzan that he will visit him on a fishing trip.  Tarzan says something like: ‘Judge come’, rather than ‘Bring money.  Tarzan bailiwick.  No license, no fishee.’  Or he could simply have arrested the judge, convicted him of the offence of fishing wihout a license, make him a criminal, and then suspend the sentence, appropriating the fish and iviting the criminal to a fish fry.

     Tarzan wasn’t that quick and from this point on he has a criminal record in Tinseltown.  MGM successfully emasculated Burroughs and his Big Bwana.  After ten years  MGM succeeded in its goal.  It is probably for that reason they abaondoned this profitable series.  It wasn’t that they had run out of ideas which is an absurd supposition with a couple hundred writers on the lot but that they had said what they meant to say.

     It would seem that this part of the series was the primary concern of the MGM executives.  If as John Howard Lawson said, that nothing found its way into a movie unless it was approved by the executives, then this long ten-year persecution of both Burroughs and Tarzan must have come from the top- that is Louis B. Mayer.  Mayer who undoubtedly to the ADL/AJC would then be acting as an agent of the Jewish people, religion, race, species or however they would have it.

     While it is true that 50-60% of the US Communist Party was Jewish the remaining 40-50% weren’t.  Thus the Jewish supremacy was not part of their goal.  Even in the Socialist Homeland of the USSR where anti-Semitism was an actual crime, the Jews were systematically slaughtered by the Central Committee under the direction of Stalin.  Thus the goy Communists had a program of their own differing from that of the Jews.  This became clear and obvious after the establishment of Israel in 1948 when the two factions began to drift apart.  The Left is also immune to charges of anti-Semitism.

     Communism was nothing new in the nineteenth century, it was merely a reformulation of ideals that can be traced back to the dawn of consciousness.  The great Swiss mythologist, J.J. Bachofen, on whom too much praise cannot be heaped, is the earliest student of human consciousness known to me.  Unfortunately with the exception of a volume of excerpts his work has not been translated into English.  The excerpts speak volumes, however.

     Bachofen, very likely the first, recognized that the Matriarchal Age preceeded the Patriarchal Age and the developing Scientific Age but he also discerned an age preceeding the Matiarchal that he called the Hetaeric.  A large number of modern minds have never made it past the Hetaeric.  Thus all four ages of consciousness exist side by side with the five different human species.

     Once again the Top Dog enters the picture.  Which consciousness will prevail?  It will readily be seen that the highest form of consciousness’ the Scienfific- is in the most danger.  One only has to look at the developments in France and Belgium to shudder.

     The modern form of the Hetaeric developed in Medieval Europe with such groups as the Beghards and Bequines, the Anabaptists and the Free Spirits.  These beliefs were incorporated into those of the LIbertines and Jacobins and thence into Communism.  The program may be sloganized as Liberty, Equality and Fraternity.  Like all such organizations the slogan is developed with more malice toward the established order as one moves up the ladder of initiation.

     In many ways the ideas of Edgar Rice Burroughs are not in conflict with the Communists whole ideals do reflect universal longings in one form or another.  Like them he sees civilization as an imposition on the individual.  One of the charms of New York Adventure is the contrast between the natural ‘good’ ideals of the Mutia Escarpment and corruption of civilization.  One’s heart aches for the lost paradise.  Louis Prima humorously summed it up in a post-war comic song:  Bongo, Bongo, Bongo, I don’t want to leave the Congo.  It may be coincidence but then it’s possible the songwriter at least had Tarzan’s New York Adventure in the back of his mind.

     Actually New York Adventure may have had the largest audience of all Tarzan movies.  According to IMDb: Trivia this was the first film shown free to servicemen overseas.  So there’s a good chance that a few millions of all those men in uniform saw the movie for nothing plus the theatre distribution on the home front.

     Now, when the Communists say equality they mean just that, they don’t mean equal rights but no evidences of distinction whatsoever.  Race (or species), income, sex, education or anything else.  The ideal is a page full of rows of zeroes.  Communism is the rule of pure envy, a terror that one may not be able to compete on an equal basis.  On a practical level this translates into the Soviet and Chinese models where the brutal seize power and follow a program of to the victors belong the spoils.  This is because the human mind cannot function in an equal manner.  The Scientific model is beyond the capabilities of the untutored mind.  Hence one has the deplorable state of affairs of today where the scientific  demands of society crumble before the stunted religious expression of the human mind whether it be Moslemism, Judaism, Christianity, Hinduism or whatever.  Freudianism has allowed the basic criminality of the human consciousness to dominate.  There is today no criminal attitude that is not dominant or in the process of becoming dominant.  The dormancy of resistance to criminal develpements is nothing less than startling.  The human consciousness seems to be paralyzed.  This naturally would be the end result of equality to the Communist mind.

     The movie Tarzan fits this ideal.  MGM’s Tarzan is quite frankly, stupid.  He is not a commanding figure, but a lovable clown.  His love for Jane allows him to be led by the nose until her counsels become disastrous at which point Tarzan beats her out by mindless violence, never with any planning, always an impulsive knee jerk reaction.  Thus this duncelike Tarzan is always correct over the educated civilized Jane.  There is a subtle message there that Communist writers say they weren’t clever enough to get past the executive censors who we are led to believe wanted such sentiments censored.  I doubt both posits.

     We then get to Communist notions of sex, sexuality and family.  There can be no doubt that Tarzan and Jane were doing what was then known as ‘shacking up.’  Their romance was a version of ‘free love.’  A common access to women is the Communist ideal.  They were opposed to marriage and the ideal of the family, preferring communal living with free access to every woman.  Any notion of female ‘liberation’ always gets down to the notion that every woman should make herself available on demand to any man after the homosexual manner; a guick bang and we’ll see you around.

     Had Cyril Hume had his way there would have been no movie Jane.  He had already written her out in his first draft.  If he had had his way Tarzan would have had a succession of brief affairs.  Wham! Bam! Thank-you Ma’am! and off swinging into the jungle again .  Thus the movie Tarzan would have realized the Communist ideal completely but for reasons that remain unknown.

     One should note that Hume tried to kill Jane off in Tarzan Finds A Son so that Tarzan could live a more libertine existence.  By then the family role of Tarzan, Jane and Boy became established but the writers were always trying to break it up going so far as having a court award Boy to his kidnappers and enslavers.

     As I say, it isn’t clear why the Studio made the decision to include Jane from the beginning.  the Jewish attitude toward women was and is as brutal as that of the goy Communists.  From the White Slavery days to the present Jews have exploited the women of Central and Eastern Europe without either shame or mercy, whether goy or Jewish.  Prostitution of women on the Lower East Side of NYC showed a psychology of complete lack of self respect.

     On the other hand, as intermediaries between God and mankind, Jews feel they are entitled to whatever they want which includes free access to women.  Thus one has the sexual morality of Hollywood.  That morality has been propagated around the world by movies, such as for instance, the Tarzan series.  While you can talk women into any fashion, the women are always the losers, the victims; as Yoko One said- the niggers of the world.

     The psychological damage being inflicted on humans by the brutal approach to living is astounding.  No matter what you tell yourself the effects of evil living are murderous.  You cannot lie to yourself.

     Consider the words of one of Stalin’s mass executioners, G.G. Yagoda as he himself was about to be executed.  Simon Sebag Montefiori: Stalin: The Court Of The Red Czar, pp. 220-223:

     Yagoda told his interrogator:  “You can put down in your report to Yezhof that I said there must be a God after all.  From Stalin I deserved nothing but gratitude for my faithful service; from God, I deserved the most severe punishment for having violated his commandments thousands of times.  Now look where I am and judge for yourself; is there a God or not?”

     Yagod’as plight doesn’t prove the existence of God nor does his ‘punishment’ which was so richly merited and for which deeds he shows no remorse do anything for his victims, but his attitude does indicate the conflict in his mind as he carried out his orders.  The conflict found expression in his need for pornography and violating the innocence of very young prepubescent girls.  Unhealthy mental states always find expression in sexual obsessions.  Once again, look at the world today.  Such perversions male and female are rampant.  And don’t think they aren’t perversions.  The propaganda today that would make you think they’re normal is just the sort of denial Yagoda experienced.

     Some say the Victorian role of woman was negative but I’d rather have a mother who had self-respect than one who was at the beck and call of any scuzbag with a hard-on.

     So, in their subtle way the Tarzan films were anti-marriage and anti-family while being for female promiscuity.

     These ideals were placed in an African utopia, a place that appears on no map, the Mutia Escarpment.  the place is such a parallel universe pilots can’t even see it until they apparently pass through an interface and are suddenlyconfronted by it.  Using what appears to be identical footage the scene is replicated in both Finds A Son and New York Adventure.

     Both Burroughs and Communists are aligned in their views of the evils of civlilization.  Civilization, but not science or technology.  It seems that Tarzan has some Rube Goldberg genius for inventing 1930s technological items like dishwashers, fans, etc.  In fact, for being an inarticulate boob without the ability to use verbs his inventive genius is nothing less than startling.  I don’t believe the MGM Tarzan had even seen a wheel, yet astoundingly he has mastered the concepts of wheels, pulleys and leverage from scratch.  That’s as good as the literary Tarzan teaching himself to read.  Well, Henry Ford was nearly inarticulate too and look how he changed the world.

     Further, the screenwriters, once Boy is introduced, try to break up the familiy.  In Finds A Son one has the bizarre situation where Jane lures Tarzan into an inescapable pit while she, supposedly a mother, gives Boy to the adventurers.

     One may wonder at Hume’s own childhood and upbringing.  Not only is Hume sending Boy off to England, but he attempts to kill Jane off thus completely destroying the family leaving Tarzan alone in the jungle.  Jane takes a spear in the back, square on the spine.  IN the original script she was then dead.  Burroughs politely, even apologetically, explained to MGM that eliminating Jane was not wise as he himself had discovered when he tried to kill Jane off.  After consideration MGM agreed, so that when Tarzan forgives Jane for her betrayal she miraculously recovers.

     Bear in mind that as John Howard Lawson says, nothing went into the script that was not either suggested from above or approved by them.  Compare ERB’s scene with the producer Milt Smith/Thalberg and his scenarist.  That writer was Cyril Hume.  So it is reasonable to assume that the scene was dictated to him.  For whatever reason then, Mayer and his executives wanted the family broken up.

     In Tarzan’s New York Adventure not only is there a threatened abduction but an actual one.  Boy is taken to New York City by his kidnappers.  This time not only is Jane near death but the script leads us to believe that both Tarzan and Jane have died from a hundred foot or so fall when the vine they are swinging on is severed by a Jaconi native.  Thre grass around them is set afire so that they will be burned beyond recognition much as Jane was in Tarzan The Untamed.  Just as Burroughs had a death wish for Jane so, it appears, do the MGM execs for both she and Tarzan.  Fortunately displaying superb equality with his human counterprts the chimp has more brains than anyone else involved rather miraculously rescuing the pair.

     You may argue that this is the story.  Yes, but it doesn’t have to be the story.  Lesser’s stories were quite different.  the stories of each represent subliminal values.  Dream wish fulfillments a la Sigmund Freud.  If I have been the script writer at MGM able to do my own writing the stories would have been completely different reflecting my own psychological interests and needs.  The point is both MGM and the Reds wished Tarzan and Burroughs dead.  Of course, if they had died they wouldn’t have had a movie.

     Now, whenever Tarzan and Jane are visited up there on the Escarpment they are invariably visited by greedy capitalists seeking ivory, gold or riches of one sort or another.  One may take the Escarpment as the Socialist Homeland where everything is equal, simple and perfect.  Anarchy of the highest order.  Civilization is represented by New York City and the circus as the Capitalist Homeland.

     This contrasts the Communist version of a time of human perfection when the need for government will disappear and a perfected anarchy will come into existence.  Freud touched on this problem somewhat in his Civilization And Its Discontents.  Before Freud J.G. Frazer’s The Golden Bough went into the problem extensively while Burroughs dwells on the problem throughout the corpus.  Indeed, in this scene, ERB and the Communists are in agreement, as were many, many people who were discontented with civilization.  Tarzan, Jane and Boy are actually living out the Communist ideal up there in Cloud Cuckooland on the Escarpment.  This fact causes a problem for both executives and Communists, where they don’t coincide, as they are in love with Tarzan ideal also as, indeed, who wouldn’t be?

     While their original intent may have been to ridicule Tarzan into extinction his powerful appeal to the ‘masses’ undoubtedly prevented this.  No kidding, folks, the NO. 1 Commissar in the entire free or enslaved world loved the character.  That must have counted for something in Hollywood.

     So, in a way, the movie Tarzan was a symbol of Communism for the Party faithful, in contrast to the greedy capitalists who invaded Cloud Cuckooland up on the Escarpment much as the Reds invaded ERB’s dreamland of Opar.  There are many conflicts in life as we wander through this lonesome valley.

     It follows then that Communists had no problem injecting Red ideals into whatever movie they chose whether the executives approved each and every scene, as we are told by Lawson, or not.  The Studios themselves were fashioned after the USSR government with the Party leader on top surrounded by a Central Committee that ruled with an iron fist.  The jobs paid so well that rather than lose them one constantly looked to the top for direction.  To err was to be cast into relative poverty blacklisted by every studio.  HUAC didn’t invent the Hollywood blacklist, the studios did.

     Burroughs was essentially blacklisted while MGM played cat and mouse with him until they tired of it in late 1941 or early 1942.

     The War then changed the direction of the game as ERB finally became the war correspondent he had always wanted to be.  No matter what MGM might do, he would always be Edgar Rice Burroughs to his public.

 

RECAPITULATION

1. Communist oppostion probably forced ERB into self-publication.

2.  Tarzan The Invincible his first self-published title attacked the Communists.

3.  The sequel Tarzan Triumphant did the same with a probable covert criticism of the Jews.

4.Trader Horn was released by MGM which somehow led to their signing Burroughs and Tarzan to avenge imagined wrongs.

5.  Completely taken by Trader Horn Burroughs wrote Tarzan And The Leopard Men.  He had premonitions of error in signing away the movie rights to Tarzan.

6.  MGM released Tarzan, The Ape Man turning a cosmopolitan Tarzan into a feral boy.

7.  ERB countered with Tarzan And The Lion Man ridiculing MGM

8.MGM continuing on its program released Tarzan And His Mate but seemed to let the contract lapse.

9.  In this hiatus Ashton Dearholt lured Burroughs into producing his own Tarzan movie.

10.  Driven deep into debt by Dearholt Burroughs was all but bankrupt, now dependent almost entirely on MGM for income.

11.  Burroughs was relieved suspiciously by a man who was most certainly associated with ERB’s enemies.

12.  ERB continued to live at the limit or beyond the limit of his income which was now derived largely from MGM.

13.  Unable to sustain hs life style Burroughs exiled himself to Hawaii where he became a heavy drinker.

14.  MGM released Tarzan’s New York Adventure in which Tarzan is brought within the Law losing his independence much as Burroughs lost his.

15.  MGM sells its contract to Lesser abandoning the series and its interest in Burroughs.

16.  Beginning in 1943 Lesser’s movies are very successful restoring Burroughs’ prosperity.

17.  Burroughs becomes a war correspondent for the duration all but abandoning his literary career as he returned from exile in post-war years dying shortly thereafter.

 

The Deconstruction Of

Edgar Rice Burroughs’

America

by

R.E. Prindle

Part V

 The Byss And The Abyss

You could kiss your lips, and have all the fun

to yourself,

If you only knew the trick.

It would be perfectly easy

If they would only stay there

Until you got around to them.

Why don’t you manage it somehow?

Benjamin Paul Blood:

Quoted by William James

The Varieties Of Religious Experience

     In 1914-15 the great modern Jewish cultural adventure was beginning.  The culture was prepared.  As they say of a good football team, it makes its own breaks.  It was a matter of waiting patiently for opportunity then taking advantage of it.  In 1917 the Big Break came when the German General Ludendorff transported Lenin and his cadre of Jewish Revolutionaries to the Finland Station in St. Petersburg.  In October Trotsky drove the nail home.  The Jews had been prepared.  They had been working out the details for a couple decades or more.  At least since Freud joined with his like minded fellows of B’nai B’rith in 1895.

     Little details pop up in his writing.  In his 1914 On the History Of The Psychoanalytic Movement he lets drop a line that the progress of the French Revolution had been charted and understood.  A few years later the Jewish Revolutionaries in Petersburg would be running around with this little volume of analysis in their back pockets.  Freud refers to the revolution, Thermidors, epigones and reaction.  Psychologically events have to follow in a certain order.  they will follow in that order so if you are aware of things to come in their proper order you will be in a position to anticpate and manipulate.  What the French Revolution had to do with the history of the Psychoanalytic movement isn’t made clear.

     My feeling is that the study of the French Revolution was the role of the men of B’nai B’rith to which Freud was privy.  His role as a psychoanalyst would be to prepare the minds of the revolutionaries for the slaughtering to come while he probably also assisted in the damage control applications for the inevitable reaction when the Europeans had realized what the Jews had done.  Remember in a multicultural environment each culture maintains its identity so that it is necessary to speak of a distinct Jewish and European cultures.  The cultures will of necessity be antagonistic contrary to the ill informed Liberal projection of universal brotherhood.

     Thus in 1917, four years into the Jewish Revolution the culture enjoyed a signal success in Russia; implementing the plan then became the problem.  While the culture might well have expected a rapid worldwide success as all allied governments, including the US, were heavily infiltrated with fellow culturalists.  However the Jews were baffled by the successes of Hitler and Stalin

     While things seemed to be going according to plan in Russia the premature death of Lenin was not accounted for nor the success of Stalin.  You can understand the rage of Trotsky in exile in the swamps of Asia against the triumph of what he considered the epigone, Josef Stalin.  The Man of Steel was a National Socialist who aborted the international revolution pursued by Trotsky and his culture.  This was no small thing for the Jewish Revolution.

Herr Doktor Professor Sigmund Freud

    In the West as Freud had predicted a firestorm of protest against the Jewish culture took place.  Behind the phalanx of Liberals who took their side the culture had two main lines of defense.  One was simply to deny everything much as they accuse the so-called Holocaust deniers of today and the second was to denounce accusers as madmen, conspiracy theorists, cranks and anti-Semites.  As they pretty effectively controlled the media, which they denied, these courses were easy for them.

     As an historian this stuff is my meat.  I like it.  It was at that time that a little book appeared entitled The Protocols Of The Learned Elders Of Zion.  This volume is the center of the firestorm.  Naturally the culture denied any involvement with the book calling it a forgery by which they meant someone other than themselves had written it and palmed it off on them.

     Over the next twenty years or so it was claimed that their authorship was ‘proven’ false.  This is not true.  The authorship is still an open question, nothing has been proven either way.  As the book was reproduced by Henry Ford in his Dearborn Independent articles and we know Burroughs read the articles let us deal with that issue first.

————————————

     While the Protocols are claimed to be a forgery it is also universally assented that they are pased on an 1864 predecessor by the French Jew Maurice Joly entitled Dialogues Between Machiavelli and Montesquiou in Hell.  Clearly so.  Both works are now readily available if you’re interested in this sort of thing.

     It is claimed that Joly was a Jew while being denied, naturally, by the culture.  Joly was at the least of Jewish descent, which is to say the son of Jews,  while I have seen his picture and he looks Jewish to me.  But perhaps he was a secular and not religious Jew whatever than distinction might mean.

     It is said the Dialogues applied to Napoleon III then reigning in France but then it is said the Testament Of Dr. Mabuse parodies the Nazis.  I don’t think either is true.  How many times can you pull the same trick before someone, anyone catches on?

     At any rate it is said that Napoleon III got wind of publication of the book that it so alarmed and inflamed him that he confiscated the entire printing at the printers.  Thus the book must have been legendary and unable to influence anyone.  The stories are too good to pass over thoughs which is why I like this sort of thing.  This stuff would make a good movie.

     Here is one version I just pulled up on the internet that I had not heard before.

http://www.jewishvirtuallibrary.org/jsource/anti-semitism/protocols.html

     Quote:

     Joly’s “Dialogues” while intended as a political satire, soon fell into the hands of a German anti-Semite named Herman Goedsche writing under the name of Sir John Retcliffe.  Goedsche was a postal clerk and spy for the Prussian secret police.  He had been forced to leave postal work due to his part in forging evidence in the prosecution against the Democratic leader Benedict Waldeck in 1849.  Goedsche adapted Joly’s ‘Dialogues’ into a mythical tale of a Jewish conspiracy as part of a series of novels entitled “Biarritz” which appeared in 1868.  In a chapter called “The Jewish Cemetery In Prague And The Representatives Of The Twelve Tribes Of Israel,” he spins the fantasy of a secret centennial rabbinical conference which meets at midnight and whose purpose is to review the past hundred years and to make plans for the next century.

     Unquote.

     To delet the paranoia I am familiar with the Goedsche story, this from Jewish sources only, but I have never heard of his using a copy of the Dialogues before.  As a government spy in a government post office I fail to see why the government wouldn’t have covered for him unless something else was involved.  In any event there is no shame on Goedsche involved.

He was simply doing his job for the government rather than the revolution. 

     My studies indicate that the chapter referred to was from a trilogy called ‘To Sedan’ that would indicat a publication date after 1871.  I have read the indicated chapter which is good Gothic stuff.  As a novel I see no reason to take the chaper seriously as history or based on Joly.  It may have happened, it may not have but the atmospheris care terrific and it moves the story along.  A nice bit of writing.  the bit about the representatives of the twelve tribes I took as a literary touch but then I’m not that sensitive on the matter.

     If the Jewish Virtual Library means to imply that the culture was not an organized political entity with specific political goals carried on in a conspiritorial manner than I would have to take issue with the wirter or writers.  As we have Rabbi Abba Hillel Silver’s testimony that sometime after 1666 when the Sabatai Zevi messiahship failed that the, shall we call them the Elders Of Zion, met and formulated the hope of the Jewish Revolution.  Virtually as Goedsche wrote the ‘elders’ of B’nai B’rith were sitting in Vienna in the company of Herr Doctor Professor Sigmund Freud planning to bring about the Revolution imminently.  While I don’t accept the novelist’s meeting of the Elders in the Prague graveyard as a fact I don’t think the idea can even be called a stretcher nor because of the story should Goedsche be defamed as an anti-Semite.  One would expect the culture to deny the story, naturally.

     Back to the Protocols.  It is not improbable that the culture disseminated the Protocols so that its proponensts could be defamed for

Maruice Joly

making a ‘forgery.’ After all mis- and disinformation is a part of the game.  One should always look for it.  In order to discredit the Protocols, and hence any notion of an international Jewish conspiracy, it was suddenly remembered, by whom it is never said, that the Protocols must have been based on the earlier Dialogues.  A great public search was instituted  throughout the great public libraries of Europe although if the edition had been confiscated and destroyed one wonders why.  Aw heck, in fairness, let’s disregard logic.  Needless to say the search was fruitless.  No copy could be found of this legendary book, not even that used by Herman Goedsche who we all know must have had one.  The suspense mounted hauntingly.  Would the Dialogues ever be found?  Not to worry.  An emigre soldier of Wrangel’s passing through Constantinople, now Istanbul,  had a copy missing cover and title page that he sold to a Jewish second hand book dealer.  I mean, this is good stuff; I wish the story wasn’t already taken.  This more than kind hearted book dealer paid good money for this piece of trash unable to even know what he had bought or what the book was about.  Stories of really human kind hearted bood dealers like this warm the heart.

     One doesn’t know in what language the book was printed, possible French, which fortunately this kind hearted Jewish second hand book dealer could read.  This fellow was also an expert on The Protocols Of The Learned Elders Of Zion.  What a concatenation of coincidences, hey?  As he was reading along to see what he might have bought he said to himself:  Wait a minute! I’ve read this before.  A light went on in his head.  By golly or perhaps, oy vey, he said to himself,  What I’ve got here must be the long lost Dialogues Entre Machiavelle Et Monstesquiou Aux Enfers.  Remember this was the first copy of this book anyone had ever seen except, possibly, Herman Goedsche.  Be damned it if wasn’t.  Filled with joy at his lucky buy the used book dealer turned the book over to B’nai B’rith or whoever and saved the day.  It was now ‘proved’ that the Protocols were a forgery based on the Dialogues.  Hey, listen, the Dialogues could have been a forgery themselves.  There’s a good chance even that the Nineteenth Century is a forgery.  The history of the nineteenth century is one of the more implausible stories.  I’ve heard.  What do you think.  At any rate this beat up copy of the Dialogues disappeared never to be found again.  One wonders where the copies now being published came from.

     So, the damage controllers enlisting the support of their Liberal allies shouted down their accusers.  For myself, the culture’s story is so fishy and contrived that I at the very least doubt the defense but I sure as heck like the story.  Could Conan Doyle have done any better?  Pshh…

     Well, so much for the prep work.  As there was no longer room in Russia for the dead Czar’s men a very large number of them fled to, where else, the United States of America.  Hence all those jokes about waiters who used to be Russian dukes.  Some of them were.  Among the emigres was a gentleman named Boris Brasol who just happened to have a copy of the Protocols in his back pocket.

     The plot thickens.  Gets really good.  Now, Henry Ford had been picked out as an anti-Semite back in ’14 when he ‘unilaterally’ doubled the prevailing wage.  This act was considered a blow at the Revolution.  No good deed shall go unpunished.

Hooray for Honkety Hank and his hootenanny automobile.

     Consequently Ford was lured into the Peace Ship deal of ’16 by the Jewish Rosa Schwimmer.  The folly was one from which Ford’s reputation never recovered although the idea of the Peace Ship isn’t as absurd as it sounds.  As a result of the Peace Ship Ford began to have his doubts about the sincerity and motives of the culture which were certainly justified.

      The doubts were sharpened into certainties by the role of Bernard Baruch and his Jews of the WIB and in the government.  It wil be remembered that the Dodge Brothers lost their lives because of a confrontation with Baruch while Ford had his company’s finances attacked as a result of the confrontation in 1919-20.  At that point Brasol showed up with his copy of the Protocols which he provided to Ford for the small sum of 10,000.  Ford then bought the Dearborn Independent which began to publish the articles that became the four volumes of the famed International Jew.

     Today these volumes are classed with the Protocols and are forbidden reading.  On the Coalition Index.  The Liberal Coalition has the bad habit of denying history by preventing its examination.  I haven’t leafed thrugh the Dearborn Independent  but there are a couple sample copies on the internet.  It was a pretty decent newspaper cum magazine of the uplifting sort.

http://www.rationalrevolution.net/special/library/dearborn_independent.html      

     The story of Ford and the Independent articles is an interesting study made more delicious by being forbidden.  One  knows how much better forbidden fruit tastes, doesn’t one?

     It should be remembered that the Jewish culture was especially active after the October Revolution, the fourth year of the Jewish Revolution.  the fourth through eighth years are especially important.  The AJC- American Jewish Committee- wished to ascertain where the centers of American resistance might be the strongest.  At sometime either during or after the War the AJC drew up something called the Jewish Bill Of Rights.  They sent it to prominent men and women to ascertain their stance toward the Jews.  Their responses or non-responses would determine if the recipient was an ‘anti-Semite’ or not.  If not, fine; if so then efforts would be made to marginalize or destroy them.  Edgar Rice Burroughs was sent a copy of this Jewish Bill Of Rights.  He failed the test by questioning one or more clauses while taking an independent attitude.  He was thus marked down for destruction.  It would be interesting to know to whom this questionnaire was sent and how they fared.

Horace And John Dodge

      As I noted the Dodges were assassinated in 1920 while Ford’s business was attacked.  It might also be noted that Ford was run off the road while returning home one night suffering injuries but nothing serious.  His Ford pulled him out of another one. 

     Had the bankers succeeded in filching Ford Motor Co. it would have been quite a coup.  At the time the company was valued by Ford at a billion dollars, a hundred billion in today’s dollars.  In the bankers valuation the company put on the market at that time could be made to produce three to five billion dollars.  As I said the Revolution was an expensive affair.  If the Jewish banking houses had been able to secure Ford they could have recouped a profit of as much as four or five billion in 1920 dollars for their projects.  You will be able to understant the sort of assault that was made on Ford.

     The coalition, which has written all the histories, characterizes Ford’s defensive maneuvers as cranky anti-Semitism which he displayed for no other reason than that he was an insane cranky anti-Semite who attacked Jews qua Jews.

     Nor were Ford’s Independent articles mere ranting without an understanding of the problem as some would have you believe.  The articles were written by William Cameron Ford’s employee.  Ford as usual did things in a thorough way.  Almost overnight he amassed a huge library concerning Judaism.  I mean, this was massive.  The Jews wanted it.  They asked him for it after the apology.  Ford sneered.  While the library is described as anti-Semitic it embraced the whole range of Jewish activities.  Perhaps a unique collection

     Cameron set to work master this huge mass of material.  The result was the four volumes of The International Jew with several uncollected articles left over.  While the volumes have been defamed as anti-Semitic balderdash they are nothing of the kind.  They are well researched accurate accounts of the topics covered.  The first volume dealing with the Protocols merely duplicates what already existed but the remaining three volumes recording the various roles of Jews in American are interesting studies and true, which is to say based on verifiable facts.  However as we have recently learned- the truth is no defense.

     When the articles began appearing they created quite furor.  If you have checked the Dearborn Independent samples on the internet site you will have an idea of what the paper looked like.  Just insert one of the Jewish articles and you have what the readers of the twenties saw.

     Ford’s liquid wealth in today’s terms was in the tens of billions of dollars so he was well able to afford a defense.  Mr. Deep Pockets.  He created something called the Service Department that was a counterspy outfit not unlike that of Daddy Warbucks of Little Orphan Annie fame.  It will be remembered that Little Orphan Annie made its debut at this time.  Ford Employed agents who were supposed to get the lowdown on Jewish activities such as those featured in the Dr. Mabuse series.  Starting from scratch the Service Department was no match for Jewish agences like the AJC, ADL or B’nai B’rith and others that had had decades if not centuries of experience in subversive activities.

     One only has the Coalition accounts of these years of the Jewish Revolution so the reader has undoubtedly been conditioned to view Ford as an insane crank.  To my knowledge no other accounts have appeared.  How contemporaries other than the Liberal side reacted isn’t recorded at present.  However Edgar Rice Burroughs tried in his modest way to assist Ford.’

     Ford and Burroughs were Americans raised on the ideals of that scrap of paper, the Constitution.  They therefore made the mistake of thinking that they could appeal to the reason of ideologues or bigots.  You can’t.  An ideologue has his projection and he knows he got it from from God.  As I have pointed out before a devout member of a religion must, of necessity, be a bigot; there is no room for any opinion that contradicts dogma.  So Ford and Burroughs were wasting their time.

     By 1924 Burroughs must have known he was under attack both demestically and internationally by the Communists.  His 1919 effort, Under The Red Flag, had signaled his antagonism to Communism just as his response to the Jewish Bill Of Rights signaled his refusal to be bulldozed from that quarter.

     Using material gleaned from the Independent concerning the role of Jews in the theatrical business Burroughs wrote a book entitled, Marcia Of The Doorstep in support of Ford and gently rebuking his fellow Americans for their authoritarianism.  The book didn’t see print until 1999.  The novel isn’t bad.  It would have sold reasonably well under the Edgar Rice Burroughs name.  As has been indicated the Liberal Coalition was in control of publishing; nothing was published that didn’t pass their censorship.  Burroughs novel was rejected.  Now, this is interesting.  Burroughs began his own imprint in 1930 eventually publishing all his titles but not, I repeat, not Marcia Of The Doorstep.  One might well ask  stayed his hand on that title.

     At any rate, probably as punishment, there were no Tarzan movies made by Jewish controlled studios from 1922 to 1928.  Ford also was having his problems.  The auto industry was p;rogressing faster than he was.  By 1927 the Model T was approaching obsolescence losing its sales lead to Chevrolet which it never recovered.

     It became necessary to call off his war with the AJC-ADL to concentrate on saving his business.  In 1927 he was forced to sign a bogus apology.  It was a forgery.  Ford had no hand in its writing.  However he promised to abandon the battle.

     With Ford’s collapse anything approaching to resistance to the Jewish Revolution in America collapsed.

     While the Republican interregnum of 1920-32 slowed the Revolution down the Liberal Wilsonian Revolution was resumed in 1933 by Wilson’s disciple Franklin Delano Roosevelt.  With Roosevelt the Jews returned to Washington in force.  Among the first things FDR did was to recognize the Soviet Union just as Jacob Schiff had immediately reversed the Jewish policy toward Russia after the Bolshevik Revolution by granting huge loans to the still nascent and insecure Bolshevik government.  This was OPM- other people’s money.  The money of the citizens of the United States Of America.  Thus the everyday American was forced to underwrite the Bolshevik Revolution whether he knew it or not.

Jacob Schiff- The PM     Schiff who was the Prime Minsister of the International Jewish Culture, was called down to Washington by the President of the United States to justify himself on the charges of Bolshevism.  He was apparently successful as when he left the capitol of the United States to got back to the Capitol of the Jewish Revolution, NYC, it was with a face wreathed in smiles.  Jacob Schiff didn’t smile often.  He quickly resumed his loans to the Bolsheviks.

To return to 1919.

This part if followed by Freud which is Part VI and the Deconstruction Of Edgar Rice Burroughs’ America without a part number which is Part VII.

Thanks for your interest.

The Deconstruction Of

Edgar Rice Burroughs’

America

by R.E. Prindle

Part IV

The Red Triumph

How long, how long,

Has that leetle old evenin’ train

Been gone?

How long, how long,

Oh baby,

How long?

Trad.

     A pall fell over the world when the Communists assumed power.  Joy left the planet in favor of the sour envy of that ilk.  There were no happy Communists.  They knew no contentment.  They were as disaffected, dissatisfied with life, civilization and themselves, especially themselves as psychologically possible.  Misfits, envious with no prospects in life they were.  They were incapable of generating wealth; they could only appropriate and waste what others had created.  The spirit of vengeance which had been their dominant characteristic in the French Revolution would remain their goal throughout their existence.  There has been no Red government from the France of 1793 to the present that hasn’t believed in wholesale massacres of ‘enemies’ at the the least, genocide at the worst.  Quite frankly they can only think in terms of crime no matter how they rationalize it and they can rationalize like nobody’s business.

     Murder is part of their psychotic nature.  I do not exclude Hitler  and the Nazis as Red organizations.  Placed in the context of Redism Hitler and the Nazis are perfectly understandable.  The Nazis were National Socialists.  One can’t be socialist without being Red; one can’t be Red without believing in mass exterminations.  History speaks the for the truth about Reds; I merely repeat history.

     No one Red faction can be held  less accountable than others.  All participated equally and as joyously as their sour temperaments allowed.  Mild mannered college professors and sanctimonious ministers of the social gospel wholeheartedly supported the murders and atrocities of Communist regimes just as today they raise no outcry against the genocide and crimes against Whites taking place in Africa because they think the ‘right side’ has the upper hand.  Reds never did and never will have a disinterested concept of morality.  The Red idea of law and morality is merely a projection of their subconscious desire.

page 1.

     In the giddiness of the Russian success the Revolutionaries believed that the world revolution had arrived so that it was a matter of a few months before they assumed control of the world.

     Post-war success in Hungary encouraged them on.  Revolutionaries flowed back into Germany from Russia intent on bringing to fruition the ‘German’ revolution.  Success in Germany eluded them.  There the world revolution stalled.  It was going to a tougher job than anticipated.  The United States especially was not as ripe for their plans as they had projected.

     Resistance was prompt if somewhat flaccid.  Wilson’s program, while Red was opposed to that of Bolshevism.  Some have said that Wilson was merely envious of Lenin as the leader.  His Attorney General, A. Mitchell Palmer, to whom we all owe a debt of gratitude, cracked down hard on the Red cadres deporting a very few while putting the rest in disarray as a law was passed that outlawed the Communist Party temporarily.

     But all the Parlor Pinks, Fellow Travelers and Liberals interested in their form of ‘social justice’ and the ‘true American Way’ had the ban repealed.  As usual they misrepresented their motives.  The task now became one of subverting the ideals the country held sacred.

2.

Heroes And Villains

     We must now delineate the sides in the American struggle for supremacy as it stood in the aftermath of the Bolshevik Revolution.

     The Liberal Coalition had gained the power of the Presidency in 1913 when Woodrow Wilson was inaugurated.  Although not appreciated as such this was an occurrance for the both the Jewish and World Revolution as significant for America as that of the 1917 Bolshevik Revolution in Russia.  The Wilson administration began the ‘partnership’ between America and the Jews as celebrated by Irving Berlin in his song, God Bless America, while this year of 1913 was the inaugurating year of the Jewish Revolution.  Off on the right foot.  At this point in 1913 for the first time the Jews became influential in the US government.  In 1916 Wilson created the ‘Jewish seat’ on the Supreme Court when he appointed the confirmed Zionist, Louis D. Brandeis, to the bench.

     During the War the Jews played an ambiguous or perhaps duplicitous role.  So long as Czarist Russia was in the War they refused to support the Allies.  This refusal led the British to attempt to buy their cooperation with the Balfour Declaration involving Palestine.  This was unnecessary as  after the Spring Revolution the Mensheviks dethroned the Czar effectually taking Russia out of the War.  At the time of the October Revolution of the Bolsheviks the Jews threw their support to the Allies against Germany.  As they had no troops to offer one wonders what this support was worth.  Perhaps a cessation of sabotage?

     In the US the Socialistic Wilson administration used its window of opportunity to attempt to impose it version of ‘equality’ on the American people.  The key agency was the WIB- War Industries Board- headed by the Jewish financier- the bear of Wall Street- Bernard Baruch.

     I’m not sure that the ultimate or secret plans of Wilson have ever been revealed but Baruch in his autobiography drops a few helpful hints.  The plan depended on the continuance of the War so that when that ended prematurely in 1918 the plan was aborted.

     At that time Wilson, through the WIB had orders ready for execution that would have limited the styles of shoes and clothing to just three or four styles within a definite price so that everyone would be dressed alike without distinction.  Wilson deemed inequality to be based on differences in dress.  Obvious, hey.

     If you think the Liberals discarded the plan just because the war ended all you have to do to look around you today and observe everyone in jeans or sports outfits of one kind or another.  The plan is about seventy per cent or so implemented.  It was done through infiltration of the fashion industry.

     Most troublesome for the leaders of industry was that the WIB required all businesses to submit financial and other data to the WIB for their evaluation.  Most significantly a center of resistance came from the auto industry of Detroit.  Noting all the Jews on the board who essentially had the industrial base of the US in their hands the auto makers demurred.  Of course the Masters of Denial deny that Jews were that involved but if the matter was noted who are you going to believe the Jews or the auto makers?  One of the other must have it wrong.  I’m betting on the auto makers against the Masters of Denial.

     The resistance of Detroit would have consequences.  The Jews never forget.  Significantly Henry Ford was not in thrall to the Eastern bankers thus being independent.  Now, Henry Ford and the Dodge Brothers, accurately noting the number of Jews on the WIB correctly divined their purpose.  Remember, if the War had gone on for another year or two Wilson would have been able to complete the revolution in toto changing the American character in one stroke while Jews would have assumed the role of Commissars or the role they had enjoyed in pre-expulsion Spain, that of middlemen under the crown administering to the general populace.  This is the ultimate cultural dream.

page 2.

     Objecting vociferously to the Wilson plan some intemperate remarks concerning the nature of Jews were made by the Dodge Brothers allowing the administration to play the race card with AS for anti-Semite up there in the corners.  Both the Dodges subsequently died in mysterious circumstance in 1920 while a strenuous effort was made to destroy Ford by bringing his company under the control of the New York bankers, that is to say, the Jews.  Thus there was very little cranky about any of Ford’s supposedly eccentric beliefs.  Such a characterization is mere defamation by his enemies.  Failing to break Ford the anti-Semitic race card was played against him that resulted in his excommunication from society.  They haven’t been able to flush him out of history yet but that may be just a matter of time.  I wouldn’t be suprised to see the marque changed to something other than Ford.

     The Jewish culture shifted the onus from themselves to the ‘anti-Semites’ in a clever damage control move to exonerate themselves.  Internationally the damage controllers also shifted the onus from themselves to ‘anti-Semites.’

     The Liberals, continuing the Reconstruction policy, now set the Jews, Negroes and immigrants over what we may call the Conservatives precisely as they had set the Negroes over the Southern Whites during the Reconstruction after the Civil War.  This was extended to the international field where the Liberals self-righteously adopted an anti-colonial policy.  As European colonialism was equated with Southern slaveholding in Liberal minds they took the side of the colonials, that is to say the colored Third World peoples against the Europeans.  Thus as Charles De Gaulle despairingly noted that America while a White country behaved as though they were a colored or Third World country.  Europeans then were classed with the Southern Whites and Conservatives of the United States.

     The Jewish Culture continued the ultra self-righteousness based on their projection that they were an exceptional people chosen by god to administer the affairs of the people of the world.  Although patently absurd and scientifically impossible the Jews were able to impose this notion on both the Liberal and conservative religious cultures of the US.  Thus although the Anti-Defamation League of B’nai B’rith was organized in 1913 as a terrorist organization and the NAACP came into prominence as a terrorist organization as members of the Coalition these patently racist outfits were considered virtuous.

     On the other hand Nativist organizations in reaction such as the APA- American Protective Association- or the the KKK- Ku Klux Klan- were considered kranky or actually terrorist.  In reality there was no difference in intent between any of these organizations.  You may call them protective or terrorist as you wish but they all functioned with the same goal in mind but for different sides.  That intent was to intimidate all others into submission.

     These were cultural wars, in other words, Cold Wars, not shooting wars so the battles were for the control of the dissemination of information, opinion and institutions.  In this the Jews were particularly effective having a clear idea of their objectives effectively seizing control of the key publishing units, the film industry and the emerging radio-television industries.

     Thus the Jews in the US were uniquely positioned to implement Freud’s program of cultural domination.  Now, all of this was done in the light of day so that it was impossible for the program to pass unperceived.  A firestorm of indignation against the Jewish culture ensued after the Russian Revolution.  It might be noted here that culturalism is merely latter day nationalism.  Its defense is patriotism.  So let’s keep the meanings of the terms straight.  The damage controllmen went to work successfully silencing all opposition while censoring the entire media over the next few years except in Germany.

      I will here examine a few literary voices that saw the nature of things but in different ways.  One novel, three movies and one short story that was turned into a TV show.

page 3.

     The short story was by Charles Beaumont published in 1959 then made into a TV script for Rod Serling’s Twilight Zone.  In the TV script the time is set just after the Great War.  A traveler while staying at a monastery unintentionally releases Satan whom some monks were holding captive.  Among various possible interpretations one is that the Bolsheviks represented Satan.  An allegory was necessary as a more direct representation would never have been published as Edgar Rice Burroughs found to his chagrin in 1919.

     The horrors of Communism immediately presented themselves to that writer’s mind who quickly composed an anti-Communist polemic.  Politics was nothing new to Burroughs who sniped at various political affairs from the time he began writing.  About the time he took up his pen in 1912, the Socialist convention of that year took umbrage at the nascent IWW- Industrial Workers Of The World- booting them out of the congress.  The Socialists were led by Jews while the IWW, also known as Wobblies, were Americans of the true working class, the people the Socialists were supposed to represent.  Must have been a culture clash when American workers met European style Jewish intellectuals.

     Now, the Wobblies were the Real Thing compared to the Socialist ‘labor fakers.’  Under the leadership of Big Bill Haywood  the Wobblies took direct action in an attempt to shut down industry and bring the government to heel as the United States was entering the Great War.  These guys meant business.  Their role in this period as well as the whole period has been misrepresented and distorted by Liberal control of the media.

     Burroughs whose anti-Left attitude can be traced back to his boyhood cast the IWW as villains in several of his novels from 1915 to 1924.  Nothing was more natural than Burroughs pillorying the Bolsheviks.  As publishing was controlld by the Reds his effort came to nothing in 1919.  He rewrote the theme in his dystopian novel, The Moon Maid, that was published in 1926.

      The third and most interesting examination of the Red assault on civilization was made by the Jewish-German film maker, Fritz Lang.  While the notion of conspiracy is derided by the conspirators nothing can be more obvious than that events from 1913 through this period were not merely spontaneous.  I doubt if there ever has been a period of history that has not been directed by a cabal or any number of cabals and conspiracies.  Check out your own neighborhood.  You just don’t call them conspiracies, that’s all.  Even the Trojan war was a conspiracy headed by Agamemnon.  You don’t think Ulysses wasn’t coerced by the cabal do you?

     One can call anyone who disagrees with you, bigots or anti-Semites as Liberals do but that doesn’t change the facts.  There is no one group of people more sensitive to subterranean movements than artists.  Paranoia rightly channeled is a gift of the gods not a curse as Freud himself discovered.  He thought he succeeded where paranoiacs failed.  Does that say something?  Lang being himself a Jew from Austria might be expected to be a little more aware of what Freud was up to.  It might be interesting to check to see  if Lang was a member of B’nai B’rith.  Hitler himself was an Austrian who had lived in Vienna at the time Freudianism was being formulated while he was highly critical of  ‘Jewish psychology.’  Hitler was at least as intelligent and aware as either Freud or Lang.

     Lang first tried to land the directorship of the 1919 movie titled The Cabinet Of Dr. Caligari.  Although silent this is a great film and great art.  As great art the movie must be allegorical.  As with Lang’s films there is a war being directed against civilization from a mysterious source.  Civilization is represented here as a fair or carnival, a common device of the artist.

     Dr. Caligari is some sort of showman who doubles as an agent of the conspiracy or is the ‘unknown superior.’  He is obviously intended to be Jewish as he has a Golem, a sort of Frankenstein’s monster, to carry out his dirty work.

     When he would be exposed by the injured party it turns out that Dr. Caligari is also the director of an insane asylum, in other words a psychoanalist not unlike Herr Doktor Freud.  In the denouement rather than he being exposed his accuser is committed to the insane asylum.  Obviously an ‘anti-Semite.’  An unexplained crime wave directed at civilization continues.  One believes that Dr. Caligari is responsible.

page 4

    Lang didn’t get to direct this picture but having fought for it he was familiar with the story line which had on influence on him if he, indeed, wasn’t part of this particular cabal.  He converted Dr. Caligari into Dr. Mabuse.  Dr. Mabuse was based on a novel by Norbert Jacques.  I haven’t read the novel so I can’t compare how Lang adapted the character for his uses. 

     While depicting a gambler, which in a way I suppose Freud was, Mabuse is nevertheless a psychologist and master hypnotizer not unlike Freud.  Like Caligari and Freud he is at war with civilization doing everything he can to undermine it.  In this case that favorite dodge of counterfeiting money is used.  He is able under cover of a gambler (one of many guises) to direct several people to destruction by his use of hypnotism.  It will be remembered that Freud was a master hypnotist.  In a stunning scene Mabuse, presenting his act on stage, mass hypnotizes the audience into believing they are seeing a parade not unlike the episode of the Lotharians in Burroughs’ Thuvia, Maid Of Mars.  In the end Mabuse is captured, but his ravings are such that unlike Caligari he himself is committed to an insane asylum.

     He, one imagines, pined there until 1932 when Lang chose to make his masterpiece and the first Mabuse sequel, The Testament Of Dr. Mabuse.  During the intervening several years Mabuse has been catatonic sitting up in his pajamas in bed saying and doing nothing.  And then one day he takes up his imaginary pen simulating writing on an imaginary pad.  The astute head of the asylum, one Dr. Baum, realizes what he is doing giving him a real pen and paper.

     The master criminal Mabuse/Freud then writes out his manifesto or testament for the destruction of civilization non-stop.  As a master hypnotist he is able through his writing to hypnotize and take control of Dr. Baum’s mind who then sets in motion an incredible series of crimes including the counterfeiting of money meant, naturally, to undermine civilization.

     Mabuse having delivered his testament dies.  His ghost then merges with Dr. Baum who becomes in effect Dr. Mabuse executing his Testament.  In the end Baum certifiably insane is incarcerated in Mabuse’s room with all his papers taking his place as head of the conspiracy.  One assumes that another will eventually replace Baum and once set in motion the plot will continue of its own accord, so to speak.

     So, we have a neat allegory of Freud’s goal of destroying civilization.   That Lang chose 1932 to revive the character would correspond neatly with the direction of Freud’s writing at the time which included his attack on Christianity ‘The Future Of An Illusion’ and Civilization And Its Discontents.  While Lang would later say that Mabuse was an attack on the National Socialists when the same character with the same goals was introduced in 1922 there was no National Socialist Movement of consequence to pin the crimes on.

     No.  Both films of Dr. Mabuse were about someone and something else.  The use of psychology points more directly to Freud than it does to Hitler.  How involved Lang was in the conspiracy I leave to your conjecture.  That he made a copy in French and that that French copy was smuggled into the US in 1943 when the Nazi defeat became not only apparent but certain would imply that he too was one so discontented with civilization that he wanted his blueprint for destruction brought to the attention of the American Communist cadres.  By 1943 Lang had been in the United States for about ten years.

     As a footnote Dr. Mabuse became a franchise with many sequels including one by Lang, The 1000 Faces Of Dr. Mabuse.  There is a Mabuse/Tarzan  connection.  The former Tarzan, Lex Barker, who spent the rest of his career making movies in Europe was involved in Mabuse sequels himself.  So, in that way Mabuse and Tarzan are connected.

     Freud’s intent then was divined by many people including Fritz Lang.

     The question then was how to go about undermining European Civilization.  Ostensibly the most ‘pacifistic’ culture in the world while having neither numbers, territory or means for a frontal attack, just in case the disaster of the Great War didn’t present an object lesson, Freud and his culture would have to use surreptitious or clandestine means, in other words, an international conspiracy.

page 5.

     Even on a cultural level Freud was shrewd enough to understand that a mere frontal attack on the cultural traditions would be met with stern resistance so that first the effort must be made to deconstruct the culture according to the desires and needs of the minority culture.  Freud was a master of reduction.

     One doesn’t know whether the signal failure of the Anglians in the South when they merely tried to impose their will on the Southern Whites influenced Freud or his culture but the failure was certainly an object lesson before them of what not to do.

     As I say the Coalition was already in possession of the publishing and news apparatus of the United States.  Through the Jews it controlled the movies and would control Radio.  Thus they controlled access to the media.  Only those writers who met their apporval stood a chance of being published.  As the Red slogan had it:  All things are permissible to Revolutionaries, all others are to be denied.  This while they availed themselves of the freedoms of the Constitution which they claimed to respect.

     While the older authors posed a problem the editorial function can be wielded in such a way that content can be substantially altered while publication of a novel might no longer be able to be taken for granted.

     Overnight, almost miraculously, the nature of the authorial community changed.  While the percentage of Jews and homosexuals was relatively small prewar, after the War non-Jews and heterosexuals seem to have lost the talent to write while Jews and homosexuals miraculously acquired it.  As the editors explained it:  All the best new writers seem to be of the Left.  Thus what people were allowed to read tended to shift their opinions from Right to Left.

     The Social Gospel was preached from the pulpit while college professors subtly rewarded Left thinking students while punishing those of the Right.  Of course it would take time to turn the universities into the Red seminaries they are today but from 1917 to the present is only ninety years.  Once can judge the indredients from the pudding so there is no reason for the Left to deny the results as they did the process for at least seventy of those ninety years.

     Make no mistake the Cold War began with the October Revolution of 1917.   It broke out into a shooting war only because the National Socialists refused to accept the Judaeo-Communist yoke.  It matters not what anyone else says, the reason for WWII was the German volkist refusal to accept Jewish volkism under the religious guise of Communism.  That the leaders of the resistance turned out to be Hitler and the National Socialists may be only coincidental.  They understood the problem and had the will to resist.  It was inevitable that there should be casualties but the extent of destruction was truly phenomenal.

     Only after WWII when the American Right had regrouped under cover of the War essentially exercizing a hegemony over Western Europe did the West acknowledge the Cold War.  The American resistance only solidified after the death of FDR when his less ideological successor Harry Truman took the helm.  What took place before FDR’s death was maneuvering in the Culture Wars.

     The maneuvering took many forms, all of which tended to undermine or destroy the existing culture.  While Jews and Liberals were the key elements in the Coalition each was in competition with the others to impose its culture as supreme.  You can read culture as nationalism by another name.  The contest was both temporal and spiritual.  While I am primarily concerned with the spiritual or culture aspect one may look at the temporal event of the Crash of ’29 and its resultant Depression as the work of the Liberal Coalition.

     While I’m sure there were many reasons for the Crash there were also many ways to make it worse than it need have been.  The restraints that were thrown off the Stock Market are worth investigating.  For instance it was at this time the Jews invented the Holding Company.  Now, I will not tolerate charges of anti-Semitism.  I attempt a scientific analysis of a religious culture, one of only a great many in the US, and refuse to kowtow to any cultural projection.  If Christianity which is a Semitic religion is thought to be ridiculous then how much more ridiculous must the other two Semitic religions, Judaism and Moslemism, be?  One must have at least a modicum of consistency.  So, as I say, the Jews, as an instrument of their particular cultural revolution invented the Holding Company.  A holding company owns a number of producing companies.  Therefore the value of the stock of a holding company is dependent on the dividends it receives from the producing companies.  If there are no dividends  the holding company has no source of income.  then the Jews invented Holding Companies of Holding Companies whose stock was based on value at all.  But these stocks were traded and purchased with bonafide capital.

     Now, when the market crashed if you owned your stock outright you may have taken big paper losses but you weren’t wiped out.  Your stocks still had considerable value.  If you bought on margin that is to say if you put a small amount down when your margin call came you couldn’t meet it and you were wiped out.  The Holding and Holding Holding companies were a total loss as it was all phony money.  And the bankers called Henry Ford a fool!

     I don’t know if a study has ever been done on winners and losers but a survey of those left standing might provide some interesting insights.

     But to return to culture.  The Freudian attack was primarily centered on sex, that is, the destruction of Euroamerican morality.  It is important to bear in mind that Freud was a despicable person, a master hypocrite.  He was a homosexual, Libertine and dope addict.  It should hardly come as a surprise that the ‘morality’ he wished to impose on civilization was precisely the morality of homosexuals, Libertines and drug addicts.

     The key to such morality is sex.  Western morality from the time of Homer was based on the control of sexual apetites or, at the very least, channeling sexual energy into productive habits.  The sexual story of Homer’s Odyssey is Odysseus’ conquest of his sexual nature.  First he resisted the wantonness of Circe, then the allure of the Sirens.  He stayed for some time with Calypso who was the most complaisant of females but who demanded his full attention and finally a vision of the peacful home before his return to Penelope.  Even then he immediately left his wife after taking twenty years to get back to continue his wanderings or his search for salvation, meaning or whatever.  The Roman Catholic Church reinforced these sexual attitudes.

     The ruling attitude then was what Freud wanted to overturn.  In the destruction of the goyim’s culture to be reconstructed on the Semitic cultural model was the most important step.  First the ‘prudish’ ‘Puritan’ attitude toward sex had to be dismantled.  Censorship of explicit sexual material had to be removed.  Hence a campaign ensued to impugn anyone who ‘didn’t appreciate the beauty of the nude human body.’  Sounds reasonable doesn’t it?  But what does it mean?  It means the legitimization of pornography.  ‘There shouldn’t be any shame connected with sex.’  The Freudians said.  Well, that’s an opinion not a fact.

     The first effort was to legitimize literary works of questionable morality or, at least, which contradicted the prevailing morality.  So, books such as Madame Bovary, Lady Chatterly’s Lover and James Joyce’s Ulysses were promoted as the highest form of literary attainment, whatever exactly that might be, rather than as salacious novels.  Literary,  well there’s a thought to be considered.  Eventually they were all legalized.  ‘They started out on Burgundy but soon hit the harder stuff.’  The standards of society had been breached.   Then came the Marquis de Sade whose ‘literary’ value was said to override his sadistic psychosexual content.  Literary, hmm?  From thence we passed through Esquire Magazine to Hugh Heffner’s Playboy.  The latter magazine opened the floodgates of pornography which of course legitimized homosexuality; but, Playboy published stories of the highest literary quality.  Literature, yup, but everyone looked at the dirty pictures.

     So that, as of today we have this peculiar, need I say disgusting, homosexual and Libertine sexual morality.  One judges the tree by its fruits.  What the Satan Freud cut loose which has come to fruition today must have been his intent.

     The driving wheel for this transformation was the film industry of Hollwood.  The very essence of the film is hypnotic suggestion.  While it is true that poetry and novels also serve as suggestion there is a great quantitative and qualitative difference.  One’s intellectual distance and guard are always present while reading while with movies the opposite is always true.  Since one could maintain distance in the silent era being always able to discuss the movies with others while viewing them without disturbing people the suggestive power of any film required the same degree of consent as ‘literature.’

page 7.

     This was not true with sound movies.  Talking was not tolerated as it disturbed concentration.  Thus the mind was left open in a hypnoid state to visual and audio stimulation.  What goes in the mind stays in the mind.  Nothing is forgotten.  During the thirties and forties suggestion was employed but without the effectiveness of the technical changes that began in the fifties.  Huge wrap around screens began to fill the entire visual field enveloping the viewer in the suggestion.  Huge, powerful surround sound speakers filled any void left by the screen.  The volume was overpowering, virtually blocking out critical attention, actually placing the viewer very deep into the hypnoid state, almost the same as the feeling of terror wherein the suggestion becomes implanted in the subconscious somewhat on the order of a fixation.  Then the movie going audience was being hypnotized without being aware of it.

     Realizing that young minds were somewhat more malleable than older ones movies were directed at the ‘critical audience of from twelve to twenty-five.’  this age group also has the most leisure for movies.  Yeah, I know there were good reasons to direct movies at the age group but I’m interested in the real reasons.

     As the Jewish culture had a near hammerlock on the making of movies it could control the content.  Thus while having to ‘pander’ to the dominant culture, especially in the thirties and forties, the Jewish culture could subtly condition the viewers to their own cultural goals.

     Naturally this had to be done openly if not obviously  so that there was always a sizable minority who understood what was being attempted; voices were raised in objection.  Once again the Jews and the Coalition denied this was so deriding any objections as anti-Semitism or in violation of the Constitutional guarantee of freedom of speech and conscience.  The dissidents allowed themselves to be silenced too easily although the charge of anti-Semite was and is indefensible.  Unless you just dismiss it as a joke like I do.

     Thus by the process of gradualism control was established so that no movie not passing a very strict Jewish censorship could be shown.  Christian movies depicting Jesus were absolutely forbidden hence the huge flap over the Mel Gibson movie led by the Jewish culture who, that’s right, denounced Gibson as an anti-Semite.   The key word here is culture, not individual Jews but the entire culture denounced Gibson.  That’s why they call them culture wars.    

     In the thirties and forties the studio heads abjured movies with Jewish themes even in some cases refusing to employ actors because they looked too Jewish.  That’s the legend anyway.  Gentlemen’s Agreement broke that taboo although the lead characters were all goys playing goys but posing as Jews.  Interesting ploy.  Elia Kazan directed.  During the fifties movies that Jews considered purely reflected Jewish culture although the goy audiences were too oblivious of the fact were successful.  Two big films of this genre were A Funny Thing Happened On The Way To The Forum and Cabaret.

     Gradually what Jews called ‘Christians’ were made the butt of the jokes while Jewish characters became heroes.  Then as in the Adam Sandler movies he as a Jew although it was never made clear he was acting as a Jew put down ‘Crhistian’ characters, treating them as buffoons and fools while abusing goy women who were portrayed as sex crazed sluts and bimbos.

     Of course criminal behavior and sleazy approaches were used to condition the viewers mind in the direction of Freudian criminal and sex crazed morality.  The ‘Christian’ family was always attacked, fidelity, honor and uprightness demeaned.

     This attack was paralleled by a similar attack made on TV and also significantly in recorded popular entertainment.  First Vinyl records and then more openly on CDs.  Thus the public mind was constantly bombarded by propaganda reflecting the desires and needs of the Jewish culture. 

     So that, if in 1918 you had stood up and said that it was the intent of Freud and the Jewish culture to hypnotize the entire American population they wouldn’t even have had to call you an anti-Semite to discredit you, you would have been laughed to scorn.  Yet here it is.  You are all hypnotized. Except for a small disregarded and vilified minority, a small body not unlike the excommunicated heretics of the Middle Ages, everyone has been conditioned to accept the value system of the Jewish culture.  Of course when you abandon control of your culture to another you can’t expect anything else.

     As a side excursion let us consider the field of pornography.

page 8.

3.

     Let me say that while I deplore the Jewish culture’s methods I vastly admire their chutzpah.  it is the same as the admiration I have for the great Midwestern bandits like Jesse James, the Youngers, the Daltons or Pretty Boy Floyd The Outlaw.  Well, let’s exclude Pretty Boy, he has a special place in my affections.  While their careers were based on a false premise yet there was a dauntless courage and actual justification for the Outlaws’ choice of means to redress their grievances.  While I am aware that it was necessary for society to terminate their careers in one way or another, still I have that secret admiration for their attempt.  So it is with the Jewish culture.  While I can’t endorse their ideals and feel their methods will always doom them to failure, much as those of the Outlaws did,  like the Western train and bank robbers there is something thrilling in the attempt.

     But the return to the question.  Freud in his essay ‘The Aitiology Of Hysteria’ which is certainly approriate here, said:  Collected Papers Vol. I, p. 194:

     Quote:

     (I) am prepared to let my belief outrun the evidential force of my discoveries for the present time.  Besides, I am influenced by another motive, which for the moment is merely subjective value.

     Unquote.

     I am not quite so ready to allow my beliefs to outrun my evidence nor am I willing to abandon objectivity as was the good Herr Doktor Professor Sigmund Freud.  No. No.  We must adhere more closely to our science than that.  While Freud doesn’t tell us what his subjective motives were I think I can guess.

     As a Libertine and homosexual Freud would have been a proponent of the distribution of pornography.  We have seen that Freud made advanced studies into the nature of emasculation.  Well, pornography is what emasculation is all about.  It seems certain that Freud misinterpreted the nature of the Anima following rather the lead of his friend Fliess, of nose fame, that there was an inherent bisexuality.  In other words in keeping with his homosexuality he believed that a man desired sexual relations with either men or women.  Any port in a storm, or even fair weather.

     In fact an affect of emasculation is the estrangement of the Animus from the Anima.  In the process of emasculation the Animus apparently has the understanding that the Anima failed in its duty therefore wishing to punish it.  Indulging his or her hatred then the homosexual is attracted to pornography with is attendant sadomasochism.  Indeed the mainstay of the pornography business is the homosexual by which I include Lesbians.

     In use then terms from individual psychology to group psychology the same Freudian rules apply.  Freud realized his own emasculation, probably that of the Jewish culture, and therefore sought to emasculate the Euroamerican culture in return.  We have seen through the media of movies, TV, radio and recordings how successful he was.    There is a French film entitled Dr. Petiot.  Dr. Petiot was a real person who realized his full potential under the Nazi occupation of France.  A bonafide psychotic as well as a physician Petiot lured those seeking to escape France to his home under the pretense that he would smuggle them out of France.  Instead he murdered them but before he did he mocked and ridiculed them deriving full enjoyment from their humiliation.

     Now, in the Winter 2004 edition of the European magazine The Jewish Quarterly an essay was published by a lecturer of American History at the University of Aberdeen, Scotland by the name of Nathan Abrams.  His bit is entitled Jews In The American Porn Industry.  What this essay shows is the divorcement of the cultural or group Animus from the Anima of the Jews.  This should come as no surprise because Semites in general suppress the role of women, or the Anima in favor of the Male Animus which is an expression of the Culture’s unhealthy Anima-Animus relationship.  Here Mr. Abrams mocks and ridicules Euroamerican civilization.

page 9.

     Mr. Abrams begins his essay thus:

     Quote:

     A story little told is that of Jews in Hollywood’s seedier cousin, the adult film  industry.  Perhaps we’d prefer to pretend that the ‘triple exthnics’ didn’t exist, but there’s no getting away from the fact that secular Jews have played (and still continue to play) a disproportiate role throughout the adult film industry in America.

     Jewish involvement in pornography has a long history in the United States as Jews have helped transform a fringe subculture into what has become a primary constituent of Americana.  These are the ‘true blue Jews.’

     Unquote.

     The most virulent anti-Semite couldn’t have expressed it more succinctly.  At the same time we have a cultural confession of emasculation.  I haven’t been able to discover the exact meaning of ‘triple-exthnic’ but the term is probably just another obfuscation  in terminology.

     While everyone has known of the Jewish role in the ‘sex industry’, where they are as over represented as they are in Hollywood itself, for a hundred years, only Jews have been permitted to write about it.  The goys have been so thoroughly emasculated in their turn that they would rather leave it alone than be denounced as anti-Semites thereby being excommunicated or thrust out of society so Mr. Abrams has the field to himself.  However one is free to criticize the content of the essay.

     When Mr. Abrams identifies pornography as the seedier cousin of the Hollywood film industry he tacitly admits that Hollywood itself is seedy to which conclusion I heartily assent.  All, or nearly all films, are pornographic in intent.  The only area in the world in which the production of pornography is legal is right here in these United States Of America and that place is within a twenty mile radius of Hollywood where you know who is over heavily represented.  Not American but Israeli, Jewish.  Hollywood is an Israeli colony in the United States.

     Mr. Abrams says that Jews have helped transform a ‘fringe subculture’- read criminal- into what has become a primary constituent of Americana.  Further he says that this legitmization of crime has been the work of the Jewish culture.  Mr. Abrams is projecting badly when he believes that pornography has anything to do with Americana, rather by his own admission he should say Judaica.  He further states that these pornographers are ‘true blue Jews.’  In other words, the best that Judaism has to offer.  If so, then the Jewish culture must be analyzed with this notion in mind.

     Pornography is essentially an extension of prostitution.  That is to say, the degradation and exploitation of the Anima, let alone women.  To keep the business running there must therefore be procurers and procuresses.  Men may volunteer but women by and large have to be dragooned.

     As an expression of emasculation one finds a disproportionate number of homosexual also involved which means sadomasochism and drugs.  Sadomasochism is an affect of emasculation.

Thus the seedier cousins of seedy Hollywood itself are governed by a psychotic state of mind.  In fact Hollywood movies are psychotic visions of a psychotic sadomasochistic projection on the world as examples of American culture or as Mr. Abrams would have it, Americana; quite falsely so.

     How far they represent other cultures than the Jewish is open to question.

page 10.

     Pornography was taken mainstream by the goy, Hugh Heffner, who developed this affect of a mental disease in the guise of Hedonism rather than Libertinism which is its true guise.  He was joined by the major ‘players’ Larry Flynt of Hustler Magazine and Bob Guccione of Penthouse Magazine.

     Although Jews had been instrumental in kicking down the doors of sexual censorship, most notably with the legitimization of Joyce’s Ulysses, it was Heffner beginning in 1953 who paved the way for the porn film industry which arose in the sixties.  In competition with Heffner, Flynt and Guccione constantly stretched the limits from Heffner’s Hedonism to outright pornography.  The three magazines above were sold openly across the counter which meant high grosses.  It should be noted that while tremendous effort was made in lifting censorship of obscene material at the same time the same effort was made to censor political and social thought by the same parties.

    The smut industry of peep shows and whatnot Mr. Abrams quite correctly identifies as being primarily Jewish.  Mr. Abrams then gets involved with the motivations of the smut peddlers.  As is consistent throughout Jewish writing he distinguishes between ‘secular’ Jews and ‘religious’ Jews as though they were two separate entities.  The distinction will undoubtedly confuse those who haven’t scientifically studied the culture.  In point of fact crime and prostitution had a significant hand in financing Jewish political activities from the beginning of the Revolution from 1913 and before to the present.

     The Revolution didn’t come free and it didn’t come cheap; there’s a price tag on everything and a very high price tag on this one.  On the financial and banking level it was fairly easy, the bankers just used other people’s money.  Loans are loans and expenditures are expenditures; loans have to be repaid while expenditures are cash out of hand.  So for expenditures the money came largely from vice.  One usually thinks of organized crime as Italian or Sicilian while in actuality the organizers were Jewish.  Enormous sums were raised by crime especially under the kingpins Arnold Rothstein and Lepke Buchalter.  But, lo and behold, when these men died the vast sums that passed through their hands which they could not possibly have spent were nowhere to be found.  To all intents and purposes these men died penniless.

     On the other hand men like Julius Rosenwald who became a principal of Sears, Roebuck contributed millions upon millions of dollars to Jewish ‘charities’, read- political organizations.  While there is no reason Rosenwald couldn’t have become rich from his position at Sears still the amounts of money he contributed seem well in excess of any possible earnings.  While Jewish criminals were donors to Jewish causes, and very welcome ones too, it seems probable that the money pouring into their coffers which, after all was a joint Jewish effort, may well have been funneled thrugh intermediaries like Rosenwald as a money laundering scheme.

     After all men like Rosenwald maintained magnificent establishments while making these contributions.

     The Liberal position from 1815 or so when Liberalism per se came into existence had always been that crime and prostitution were the result of the inequitable distribution of wealth.  Always on the qui vive for another utopia it was assumed that when the working class had its share crime and prostitution would disappear.

     For all practical purposes that particular utopia was realized in the United States.  Lo and behold, instead of crime and prostitution having disappeared they have prospered mightily.  Indeed, rather than being repulsed by this particular form of prostitution women have apparently embraced it.  Yes, as Mr. Abrams so quaintly puts it:  Once (women) had laid down, they could stand on their own two feet, particularly as female performers typically earn twice as much as their male counterparts.  Once they had laid down that is.  Good paying prostitution is still prostitution, but at least the girls were paid better than the boys.  I’d still rather be a boy in those circumstances.

     So, if not driven into prostitution by poverty it seems that women are lured into it by the pursuit of wealth or as Mr. Abrams insultingly puts it, in pursuit of the ‘American Dream.’

      Nor are these entrepreneurs of porn from poverty backgrounds.  Mr. Abrams proudly claims that these porn pros come from ‘upper class’ and prosperous Jewish families.  What motivations does Mr. Abrams attribute  to these Libertine criminals other than the pursuit of the buck.

     Mr. Abrams:  Porn is just one expression of [the] rebellion against standards, against the disciplined life of obedience to the Torah that marks a Jew living in Judaism.

     So, their rebellion is really culturally internal and has nothing to do with the mainstream culture.  They find Judaism too restricting.  Indeed, ‘America provided the freest society Jews had ever known.’ Adds Mr. Abrams.  Including his own Judaic culture one assumes.  One might think the Promised Land had been realized.  But, read the sentence carefully and it is made evident that the Jews still consider themselves strangers in a strange land but now they have the freedom to rage at all, even themselves.

     Quote:

     Extending the subversion thesis, Jewish involvement in the X-rated industry can be seen as a proverbial two fingers to the entire WASP establishment in America.  Some porn stars viewed themselves as front-line fighters in the spiritual battle between Christian America and secular humanism.  (read- the Jews)  According to Ford (Luke Ford) Jewish X-rated actors brag about their ‘joy in being anarchic sexual gadflies to the puritanical beast.’  Jewish involvement in porn by this argument is the result of an atavistic hatred of Christian authority:  They are trying to weaken the dominant culture in America by moral subversion.

     Unquote.

     Quite right.  While the revolution or 1913-28 has been extended that War still rages on.  Furthermore it is being waged on the terms laid down by Freud.  The Jewish culture permits even encourages these pornographers toward that goal.  One doesn’t really believe that a bunch of scum criminal pornographers were able to get a law passed legalizing their criminal behavior does one?  Of course one doesn’t.  Such a law could only be passed by very influential ostensibly respectable people of porn’s less seedy cousin.

     This area of legal pornography is Hollywood.  Whether fronted by goys or not Jewish moguls passed this law.  Are they taking a rake-off as a reward for providing the pornographers a legal sanctuary of are they sleeping partners of the pornographers or has it made it possible to release such racist pornographic filth as Shadow Boxing as legitimate entertainment in mainstream theatres.  Gosh, let me think long and hard on that one.

     So , we have the results so far of Freud’s psychological program for the conquest of Euroamerica.  Of course along the way his program would be reinforced.  Here’s Mr. Abrams again:\

     Quote:

     Those at the forefront of the movement which forced America to adopt a more liberal view of sex were Jewish.  Jews were also at the vanguard of the sexual revolution of the 1960s.  Wilhelm Reich, Herbert Marcuse, and Paul Goodman replaced Marx, Trotsky and Lenin as required reading.  Reich’s central preoccupations were work, love and sex, while Marcuse prophesied that a socialist utopia would free individuals to achieve sexual satisfaction.  Goodman wrote of the ‘beautiful cultural consequence’ that would follow on legalizing pornography.  It would ‘ennoble all our art’; ‘humanize sexuality.’

     Unquote.

     I’d put those statements in quotation marks too.  These writers might be considered the second wave after Freud to refreshen the program and keep it moving forward.  There is a particular reason why these writers should have been published and lauded over others and it isn’t literary value.  As we will see in the next section, when a book was to be promoted a cadre of boomers ran through the universities and cities touting this stuff.

     Thus this very powerful organization was very effective.  The effectiveness was made total when any who objected could be isolated and harassed by teams of damage controlmen.  Not only could an individual be silenced and marginalized by a whispered imputation of ‘anti-Semitism’ but the entire population could be emasculated by the same charge.

     Freud then had devised the means to emasculate the hundreds of millions of Euroamericans and that purely by their own acquiescence.  Rather than be known as anti-Semites they willingly abandoned their sexuality.  This abandonment was conditioned and reinforced by the entire media of the land.  Most especially Hollywood.

page 12.

     Do not think I condemn the Jewish culture, or nationality in fact, for this fait accompli.  On the contrary I applaud it.  Imagine this atavistic religious consciousness projecting a state of ignorance over the most enlightened population on the planet.  Think about it.  It stuns one to silence.  This achievement is so amazing it leaves one standing with mouth gaping.  If the entire Euroamerican population is willing to voluntarily surrender not only their intelligence but their manly and womanly sexuality to another culture why should the receiving culture be blamed?  No force was used.  Only psychological manipulation that any fool could have seen and easily rejected.

     Further, just like Dr. Petiot with his victims, the Jewish culture humiliates its slaves via the media.  I have pointed out Adam Sandler movies where he plays a vacuous nerd who triumphs over athletic men and humiliates nubile women.  If the past is any guide to the future one can look forward to a gulag system where opponents are mass executed.

     I can say no more on the topic here.  Suffice it to say that on the sexual level Edgar Rice Burroughs’ America hs been deconstructed per Sigmund Freud’s plan and reconstructed to the complete advantage of the Jewish culture and to the complete disadvantage of the Euroamerican culture.  All it took, and this the most astonishing fact of all, was a little chutzpah.

     All credit belongs to the Jewish culture and I say that to the shame of my own.