Edgar Rice Burroughs Wrestles With Time
September 23, 2008
Edgar Rice Burroughs Wrestles With Time
by
R.E. Prindle
When the student is ready the teacher will appear.
Gnostic Wisdom
There are two major themes in Burroughs that present significant difficulties. One is his preoccupation with slavery. Slavery pervades the corpus. I haven’t begun to guess at Burroughs’ notions on slavery. The second is the wrestle Burroughs has with the concept of Time. Time is a major preoccupation of scientific thinkers.
My ideas on Burroughs ideas on Time were jelled by the following quote from ‘Understanding Media’ by Marshall McLuhan that I came across while rereading the book recently:
As a piece of technology, the clock is a machine that produces uniform seconds, minutes, and hours on an assembly-line pattern. Processed in this uniform way, time is separated from the rhythms of human experience. The mechanical clock, in short, helps to create the image of a numerically quantified and mechanical universe. It was in the world of the medieval monasteries, with their need for a rule and for synchronized order to guide communal life, that the clock started on its modern developments. Time measured not by the uniqueness of private experience but by abstract uniform units gradually pervades all sense life, much as does the technology of writing and printing. Not only work, but also eating and sleeping, came to accommodate themselves to the clock rather than to organic needs. As the pattern of arbitrary and uniform measurement of time extended itself across society, even clothing began to undergo annual alteration in a way convenient for industry. At that point, of course, mechanical measurement of time as a principle of applied knowledge joined forces with printing and asembly line as means of uniform fragmentation of processes.
While Burroughs never states his position succinctly McLuhan might have abstracted the above quote from Burroughs’ novels.
The Pellucidar series is centered on the problem of Time while Burroughs persistently dwells on the problem throughout the corpus. Mars itself is a contrast between the orbits of Earth and Mars with its two different durations of time. The lost cities of Africa are a contrast in time periods as they all exist within the present while products of a distant past, most notably the lost city of Opar that dates back to Atlantis nearly unchanged.
Tied to the concept of Time are Burroughs’ notions on evolution. The most notable novel in that line being The Land That Time Forgot. Time forgot. Time didn’t so much forget it as encapsulate a series of time periods that exist side by side.
Usually Burroughs’ ruminations are thoroughly disguised as ‘entertainment.’ If you are merely entertaining yourself by reading Burroughs you probably won’t consciously recognize the underlying examinations but you probably will be affected subconsciously. A hypnotic suggestion so to speak. After all, the stories themselves are fairly slight and yet the attention of readers from teenagers to college professors over a century now are riveted by the author.
I don’t intend to be exhaustive in this essay but I would like to concentrate on two novelistic examinations by Burroughs. The largest examination and most obvious is that of ‘Tarzan At The Earth’s Core’ and its successor ‘Tarzan The Invincible.’ The other hidden example is ‘Bridge And The Oskaloosa Kid’ also known by its published title: ‘The Oakdale Affair.’ I will begin with the latter.
I’ve written on ‘Bridge And The Oskaloosa Kid’ a couple times, one major essay being on the ezine, ERBzine, Only The Strong Survive. http://erbzine.com/mag14/1483.html . There is a great deal going on in this wonderful story that isn’t so obvious. I didn’t have that good a handle on the story although Lord knows I tried hard enough.
I was mystified by the course taken by Bridge, the Kid, the Bear, the Gypsy Girl and Hetty Penning from the Squibb Farm to the destination warehouse. There is probably a great deal of symbolism I’m still not getting but as it appears to me now Burroughs is contrasting two different kinds of time.
The journey takes a day and a night to complete by which I do not mean to say twenty-four hours of mechanical time but a physical day and night of experiential time. In other words according to McLuhan Time measured by the uniqueness of personal experience on one hand and time measured by abstract uniform units on the other.
Both the origin of the journey and its end are based on experiential time where the sun not the clock governs the actions. As darkness falls the journey through time is bisected by the passage through a town. Here experiential time is contrasted to mechanical time. That mechanical time is precisely measured according to the precepts of the efficiency expert Frederick Taylor. Indeed, within a year or so Burroughs would pen a book on the same theme entitled ‘The Efficiency Expert.’
In this book, Willie Case, a little farm boy who Gail Prim posing as a hobo had bummed from him came to town. The story involves several criminal acts and a major detective so Willie is hot to solve the case. Willie comes to town which is run by the clock. Willie has a dollar to spend. ERB accounts for each and every penny as it is spent. In a very humorous scene Willie goes into a restaurent at dinner time by the clock. In a Frederick Taylor efficient manner Willie arranges his dinner plates so that he makes the minimum moves in a most timely manner shoveling the food into his mouth in minimum time. Very efficient if ridiculous dining.
He then goes to the movies. Movies are run on a time schedule by the clock, so various aspects of rigid mechanical time are represented. As Willie leaves the theatre he spots the hobo troupe weaving through town on experiential time. No straight lines. Here the two modes of time intersect. Very cleverly done on ERB’s part. The troupe then weaves on to their destination while Willie calls the cops on a pay phone.
While one is not conscious of the two modes of time that ERB represents yet subconsciously a deepening interest is added to the story. While mystified by the action I would never have guessed the significance of the time comparisons if I hadn’t read the McLuhan passage that put things into perspective.
Also at this time ERB wrote two other investigations of Time: ‘The Efficiency Expert’ and ‘The Land That Time Forgot.’
I think his two most explicit investigations were ‘Tarzan At The Earth’s Core’ and its successor ‘Tarzan The Invincible.’
Burroughs through Tarzan seems to reject civilization. He seems to prefer experiential time to mechanical time. In Invincible he says:
Time is the essence of many things to civilized man. He fumes and frets, and reduces his mental and physical efficiency if he is not accomplishing something concrete during the passage of every minute of that medium which seems to him like a flowing river, the waters of which are utterly wasted if they are not utilized as they pass by.
His Pellucidar series creates a model to investigate the nature of Time. Pellucidar is a model of a reversed Time and Space system. The earth is essentially turned outside in replicating the exterior in a closed universe. He posits a sun suspended in the interior that is perpetually shining. While the outer earth rotates on its axis only half the surface is in light facing the sun while the other half is in darkness facing away. Thus the appearance of change which is time is obvious. In Pellucidar as the earth turns no portion of the inner world is in darkness although the perpetual shadow from the interior moon must have described a circular path.
As there is no experiential time, there is no night and day, the beings of Pellucidar have no notion of the passing of Time indeed there is no passing of Time; Time as a reality does not exist. Time is not necessary for existence; a person or thing is merely invested with a certain amount of energy. When that energy is expended the person or thing ceases to exist.
Thus, for example, when one winds a top it is invested with a certain amount of energy. At peak energy it rotates rapidly gradually slowing down into a wobble and when its energy is expended it falls over and attains perpetual rest. No time is involved although using man made mechanical means the duration of the spin can be measured.
So, in the universe at large. It is quite clear that Burroughs has Einstein in mind. In Invincible he says:
…but though Time and space go on forever, whether in curves or straight lines…
One can’t mention curved space without being familiar with Einstein. He is thus offering an alternative to Einstein’s notion of the fabric of Time and Space. There can be no fabric of time and space as time has no objective existence. It is a contruct to serve the needs of man. The sun, for instance, came into existence with a certain amount of potential energy. Barring accidents, that energy will be expended at a certain rate just like the top and when that energy is fully expended the sun will follow whatever course the death of suns follow. There is no time involved, hence no time-space continuum and no fabric of time and space.
McLuhan says essentially the same thing.
So, ‘Tarzan At The Earth’s Core’ is a demonstration of the fallacy of Einstein’s notion.
Moving on to ‘Tarzan The Invicible’ Burroughs then has Tarzan dealing with the notion of terrestrial time. As McLuhan notes, the notion of a time to eat arose with clocks; Tarzan dispenses with the notion of a time to eat eating only when he is hungry. There are no clocks in Tarzan’s Africa. As Burroughs says an individual has all the time in the world.
Of all the vast resources that Nature had placed at their disposal, she had been most profligate with Time, since she had awarded to each all that he coud use during his lifetime, no matter how extravagant of it he might be. So great was the supply of it that it could not be wasted, since there is always more, even up to the moment of death, after which it ceased, with all things, to be essential to the individual. Tantor and Tarzan were therefore wasting no time as they communed together in silent meditation.
One has all the time one needs until the day one dies then one no longer has need of time. In other words, the organism’s energy has been expended and the husk falls to earth.
So Tarzan is active when necessary, such as hunting for food or fighting and lazes around when activity is unnecessary. Perfectly balanced and happy according to Burroughs. OK for the jungle, I suppose, but I’ve got things to do such as writing stuff like this but then that is only how I dispose of the energy left in my organism during the time remaining. With other media such as electric lights I am not bound by the diurnial cycle being freed from that experiential limitation. One only has to sleep when one is tired. Time means nothing to me either. With stores open around the clock I can even buy groceries when the mood hits me. Other items can be purchased on the internet at any time of day. So, technology has freed us from many of the restraints of what civilization is pleased to call time.
So, when reading Burroughs one should always bear in mind what time means to him and how various notions of time relate to the story. Obviously in Invincible while Tarzan is attempting to live on experiential time the Revolutionaries are living by the clock and calendar. Thus the story is also the tale of the clock or two time systems.
I knew there are reasons I like Burroughs other than interesting stories; complexities like the nature of time are one of the extras if one can only discover and realize them. Now, I really have to work on the nature of slavery in the Corpus.
A Review: Part III, The Mucker And Marcia Of The Door Step By Edgar Rice Burroughs
September 11, 2008
A Review
The Low Brow And The High Brow
An In Depth Study Of Edgar Rice Burroughs’
The Mucker And Marcia Of The Door Step
Part III
by
R.E. Prindle
Background Of the Second Decade Social And Political
1.
I have been criticized for discussing material that seems to bear no relationship to the work of Edgar Rice Burroughs. The social milieu in which a man lives and works directly affect what and how he writes. He will react within that milieu whether he can understand and articulate it or not.
ERB understood much. He understood the main conflict of his times- that between the Religious and Scientific Consciousnesses. How he understood it is one thing, its exact nature is another. The battle was not necessarily put into the terms of science versus religion. On the objective level science had more prestige while on the subjective level religion had the upper hand creating a dualistic conflict. As Voltaire said: No one ever willed himself an athiest. The same can said of Science. The usual terms employed in the conflict was that of spirtiualism versus materialism. So those two words were supercharged masking the real conflict.
While religion retained great strength in this period science was so strong that religions had to adapt to science, thus one had the ecumenical Congress Of Religions in Chicago in 1893 during which a common plan of resistance was discussed.
One reaction to Science was American Liberalism. Liberalism is in fact a religion founded on beliefs rather than facts. American Liberalism developed out of the Puritan faith of New England. The Puritans believed themselves to be the successor of the Hebrews of the Old Testament as the Chosen People of God.
Two very interesting studies have appeared in the last couple decades which illuminate the English background of the United States. One is David Hackett Fischer’s Albion’s Seed; the other is Kevin Phillips’ The Cousins Wars. Both illustrate the continuity of behavior of the colonists between England and the Colonies. That continuity began with the Norman invasion of England in 1066 and continues through the strange Liberal mentality of today. Burroughs who was of the ‘Conservative’ mentality had to struggle with the forces of Liberalism in his day.
When the Normans invaded England they enslaved the Anglo-Saxon inhabitants. Anyone who has read Ivanhoe by Walter Scott has the image of Gurth with his iron colar inscribed on his memory. This piece of arrogance was to have serious consequences in both England and America.
The Normans occupied the Southern counties of England which Thomas Hardy caled Wessex, while the brunt of slavery fell on the East Anglian counties. The insult of slavery was burned into East Anglian memories along with a desire for revenge made more savage by the the religious certitude that they were the Chosen People of God.
The East Anglians, of course, revolted against the Norman Church Of England, emigrating to North America where they settled in the States of New England. New England = New Anglia. In England they fought the English Civil War against the Normans. Puritan Roundheads against Norman Cavaliers. It then became the turn of the defeated Cavaliers to emigrate to North America. They chose to go to Virginia where they gave the colony its Norman Cavalier character and nickname. The ancient enemies were now divided North and South.
As Fischer points out, slavery by the Norman descendents in England had disappeared only about a hundred years before the English Civil War. The Cavaliers now revived slavery in their Southern colonies. First they brought indentured servants from England who were slaves subject to the whims of their masters for a stated period of years that could easily be extended. Then African slavery was introduced. For a period of time both White and Black slaves worked side by side in the fields with the Blacks gradually displacing the Whites.
The New Englanders looked with fear and loathing on the Norman Virginians, who as they saw it, now resumed their old habits. It was here that the American Civil War was conceived. The Puritan New Englanders after having first rejected the king in the American Revolution which their East Anglian forebearers had failed to do in England then turned to agitating a war against the Norman Cavaliers of the South, whose ancestors had enslaved them, on the basis of an anti-slavery abolitionist program.
Just as they had succeeded against the Crown where their forebearers had failed they succeeded in absolutely crushing the descendents of the Normans. This punishment of the Cavaliers was the most severe of any since 1066. Thus subsequent US history with its notion of unconditional surrender was formed. This was a vicious attitude formed from the same feeling of defeat.
To return to the East Anglians in England to explain the American Liberal mindset. Shortly after printed books became readily available the East Anglians bought Bibles adopting the Old Testament notion of the Chosen People by substituting themselves for the Hebrew Children. A British Israelite group formed calling the English people the new Chosen People. Indeed, the British throne is believed to be in lineal descent from that of King David of Old Israel.
Thus there were at least three Chosen Peoples in existence from the fifteenth century on- Jews, the English and the Puritan New Englanders. New England became Greater New England as the Puritans multiplied spreading across the Northern tier of States.
A psychological characteristic of Chosen Peoples is that they upload their needs and wishes to an imaginary god in the sky then download the same needs and wishes back to themselves as the Will Of God. Thus they say not my will but they will be done, O Lord. The faithful thus become justified sinners. Any criminal act can be justified as the Will of God which it is the duty of the faithful to perform This also creates a double standard because what is right for themselves in the eyes of the Lord is forbidden to others. The children of Israel can exterminate other peoples with impunity, but it is wrong for other peoples to even defend themselves against the children of the Lord. Serious stuff.
These ends and desires are accepted then as a messianic or utopian goal. It is the duty of the Chosen People to impose God’s Will on the rest of the world. To resist that Will is evil making the non-believer a dastard, a heretic, an infidel, an anti-Semite or whatever.
In the United States the Will of the god of the Puritans was transformed into Manifest Destiny, which in turn metamorphosed into the triumph of Democracy as defined by the Chosen People of America, who in turn metamorphosed from Puritans into Liberals.
As a chosen people and as a result of the Civil War the Liberals identified with the victims who needed their help. Thus the Civil War was fought in their minds by a virtuous people acting out the Will of God to rescue unfortunate victims from a malevolent White minority. In the case of the Civil War it was the Negro slaves. As the century and Liberalism developed the umbrella of help was extended to all the ‘enslaved’ or colonial peoples of Europe which is to say all the colored peoples of the world. It was not enough that injustice as perceived by the Liberals should be corrected, but that the perpetrators should be condignly and brutally punished unconditionally in the name of and by the Will of their God, which is to say the projected desires and wishes of a self-appointed Chosen People.
Utopian literature which flourished after the Civil War is the direct result of this Messianic fervor. Utopian literature abounds in England, Greater New England and with the jews.
Having then succeeded in crushing the Cavaliers of the South the Liberals attempted to demean, belittle and abuse the White South in the most draconian manner. The period of Reconstruction is the blackest hour in American history. The Whites were stripped of civil rights having the Negroes placed over them as masters. The Whites, so far as possible, were expropriated of all property through taxation when not stolen outright. The Whites, of course, reacted by forming the first Ku Klux Klan to protect their lives and interests. Reconstruction lasted until 1877 well nigh into the twentieth century. The South was impoverished and set back for at least a century and may still be recovering today if such is possible under the present Liberal regime.
All factual references to Reconstruction have been obscured by references to the KKK but in the nineteenth and early twentieth centuries memories of Liberal crimes in the South were fresh and bleeding wounds. As is well known Jim Crow was the inevitable result of the attempt to crush and bury the White South.
As the nineteenth century progressed and utopian literature flourished the Puritans, now Liberals, identified with all the ‘oppressed’ which is to say colored peoples of the world against the European conquerors. Everywhere America sided with the natives against Europeans. In a feeling of total frustration Charles De Gaulle would remark: America is a White country, but it acts like a colored country.
At about mid-nineteenth century Jewish utopian messianists under the direction of Karl Marx formed the Communist Party. Thus Jewish utopian messianism spread from England- Marx was based in London- throughout Europe to the world. As Communism also opposed Western colonialism, although not Communist colonialism, these two powerful agencies worked to upset the Western hegemony of the world. As someone will always have hegemony of the world what appears on the surface as ‘justice’ is merely the transfer of power to another agency and hence new ‘injustice.’ As of this writing it appears that the beneficiary of American and Communist efforts will be the Chinese. This shift has already happened but has not yet been officially acknowledged. Thus the result of the Liberal and Communist quest for ‘social justice’ will be merely to place Europe and America’s neck under a Chinese yoke rather than the other way around. Obviously the Chinese god is not the same as the Utopian God.
During the period of Reconstruction as the Liberals were punishing the Southern Whites and rewarding the Negroes immigration from Eastern and Southern Europe began in earnest. While the Irish and Germans had created their own set of problems yet culturally they were close enough to the original Anglo-Saxon colonists to be, after a fashion, readily assimilated.
But with the congeries of nationalities from East and Southern Europe came many and diverse customs and languages. Assimilating them into Anglo-Celtic-Teutonic America was not so easy. Thus groups of Americans resisting immigration arose. The Know Nothings fought the Irish but this was different.
The Liberals could then pathologize the anti-immigration people as ‘nativists’, later White Supremacists and other derogatory terms. They could afirm their own virtue against these people as they had against the Southern Whites. When the power base of restrictionists took form in the South as the second Ku Klux Klan this only served to show the perfidy of Southern Whites in a new shade.
The Liberals then allied themselves not only with the interests of Negroes but with the immigrants to form the Liberal Coalition which was to dominate American society from the Second Decade to the present.
Already British and Puritan utopianists, they were now joined by the Jews who from 1870 to 1914 represented the largest nationality of immigrants. Both the Liberals and the Jews were Bible based. Liberals considered Jews as the successors to the Biblical Hebrews if not Hebrews themselves. While Roman Catholics distanced themselves from Hebrewism the Protestant sects derived directly from the Old Testament considered themselves neo-Hebrews so they were quite willing to defer to what they considered paleo-Hebrews. Thus the two versions of utopianism were joined. Both forms of Hebrewism accepted anti-Semitism as the greatest vice. The foregoing discussion has been a good account of what Semitism is: that is a belief in one’s own divinely appointed role as the arbiter of the world’s fate.
So far as I know neithr Semitism or anti-Semitism have ever been adequately defined so for the purposes of this paper anti-Semitism will be defined quite simply as the denial of the Semitist’s self-appointed role as the agent of God on earth.
As one of a Scientific Consciousness such a denial seems hardly necessary but as most people are of a Religious Consciousness there it stands.
Needless to say Burroughs was of the Scientific Consciousness therefore per force an anti-Semitist although he would never have understood his position in those terms.
As can be seen Judeo/Liberal/Utopianism is a religious matter that will defy reason. It is a matter dependent upon a subjective, spiritual belief system. It is beyond the reach of logic. Never argue with them. The adherents cannot be argued with, they must humored. Reigions are revealed not thought out.
2.
The nineteenth century also saw the rise of Science which is an objective materialistic sysem, conscious not subconscious, based on facts and reality. It doesn’t take a genius to spot that the religious systems and the scientific systems are incompatible; one must subordinate or destroy the other. Now, seriously folks, this is war to the knife.
Knowledge is hard won and built up slowly while revealed religion is complete and entire at conception. While the former is subject to trial and error the latter is seemingly pat- it is God’s own Word.
As Freud pointed out the religious consciousness received three main blows. The first was that the Universe was heliocentric rather than terracentric; the third was the malleable construction of the human mind as defined by psychoanalysis. These two could be religiously managed; nothing had been revealed that couldn’t be manipulated to religion’s use. The middle blow could not. That was the concept of Evolution as enunciated by Charles Darwin. Thus it was clear except to the most entrenched religionist that the world was not created by God in 4004 BC as Bishop Ussher stated but evolved beginning somewhat over four billion years ago. There’s an incompatibility there that cannot be swept under the carpet or even ignored.
Make no mistake: science and religion are at odds in the struggle for the human mind. Writing in 1829 the incomparable Edgar Allen Poe expressed the problem in his brilliant poem:
Sonnet – To Science
Science! true daughteer of Old Time thou art!
Who alterest all things with thy peering eyes.
Who preyest thus on this poet’s heart,
Vulture, whose wings are dull realities?
How should he love thee? or how deem thee wise,
Who wouldst not leave him in his wandering
To seek for treasure in the jewelled skies,
Albeit he soared with an undaunted wing?
Hast thou not dragged Diana from her car,
And driven the Hamadryad from the wood
To seek a shelter in some happier star?
Has thou not torn the Naiad from her flood,
The Elfin from the green grass, and from me
The summer dream beneath the tamarind tree?
In addition to driving the Hamadryad from the wood, science also pulled God down from the heavens and exposed the fraud. Freud showed God to be merely a projection of human desires. How could religion counter the claims of Science?
I do not single out any specific religion whether Christian, Jewish, Moslem or whatever. All religions evolved in human consciousness and represent a phase of development in that evolution. A phase of evolution but not its end. Dig it!
It then became necessary for religionists to absolutely deny Evolution. In their favor was the fact that Darwin not merely but only enunciated the concept, but had no infallible proofs of the process. Thus relgionists could say silly things like: Do you really believe human being, you, actually descended from an ape? and be fairly convincing. Most people were ashamed of such an ancestry. Nobody asked the monkeys how they felt about the comparison.
Inherent in Evolution is the idea of speciation. Thus every time a species evolved there was a chance that it was an improvement on previous manifestations. Between the Chimp and Homo Sapiens I are innumberable steps which have since disappeared. If that were true then religious concepts which insisted that God created Man whole and entire without evolving were false. If Creation was false than Religion was false. There were many who empowered by the concept of Evolution and reasoning from appearances made the claim that was called ‘race’ rather than species. The genetic differences between the ‘races’ were not yet clear.
Until fairly recent times and the rise of genetics there was no infallible evidence to indicate speciation. Today there is. From 1859 when Darwin enunciated Evolution through the period under examination here, the second decade of the twentieth century, anyone asserting speciation could be ridiculed and destroyed as a bigot by the religionist. Evolution itself was attacked and undermined in the thirties by the Boasian school of Anthropology which is still vital today. (See Kevin MacDonald, The Culture Of Critique, 1998, 2002).
In this period the Evolutionist was in a minority position. Thus when Burroughs came down so strongly on the side of Evolution in his Tarzan series it is very surprising he created no uproar and there is no evidence the series was noticed on that account.
It appears that Burroughs took the broad approach to these social problems. He could see both sides of the issue deciding on the merits of the case rather than the ideology of the situation. As has been noted he was quite capable of changing his mind on vital issues when presented with convincing evidence, i.e. life on Mars. He was a true scientist.
3.
Perhaps around 1910 it began to dawn on a significant number or people for the first time that unlimited and unrestricted immigration was causing unexpected and irreversible changes in the social fabric. The war on Anglo-Saxon ideals, institutions and customs was well underway. Such reactions had been a recurring feature of American society but now there was no West to escape to. In addition industry had reshaped the cities. Farm machinery was reshaping farming practices reducing the need for farmhands so that country boys migrated to the cities. By mid-decade for the first time more people lived in the cities than on the land.
These changes were unwelcome and uncomfortable to a lot of people creating a malaise. Those who viewed Reconstruction for the horror it was as well as those who considered themselves Old Stock were pathologized by the Liberals but their views found expression in books and articles but usually on the defensive side as with Jack London’s Valley Of The Moon and not on the aggressive side which would be visited by condign punishment as heresy.
If one mentioned immigrants at all it was possible to discuss only positive attributes. The Liberal turned a blind eye to the aggression of home countries preferring to see these home places too as victims who needed their protection. As Chosen People the Liberal sees himself as naturally superior to the ‘victims’ but does not perceive his supposed superiority as ‘racism.’
An honest and well meaning writer like Homer Lea who had actually been in the Orient and learned of Japanese plans first hand was pathologized and dismissed as a crank although his prognostications were based in fact as Pearl Harbor was to show.
Some feelings are vague and can’t be articulated. Even as a child I was disquieted by the notion that everyone came to america to escape oppression or to seek religious freedom. I saw but couldn’t articulate the two facedness of this notion. Only in the last decade or so have I found the means to acquire the necessary knowledge and developed modes to express it.
Quite frankly the US was used as a haven for many, many revolutionary groups. Perhaps the American Revolution caused most Americans to look upon all revolutions as beneficent. I couldn’t and can’t see it tht way.
American ‘malcontents’ were told to shut up while a malcontent could come from anywhere else in the world and be honored for resisting repression. I mean, criminals, murderers, mere disturbers of the peace in their own countries. Cranks. East Indian malcontents gathered in San Francisco to plot against the British Raj. Sun Yat Sen lived in LA where he raised funds and was lionized. Homer Lea was recruited by Sun Yat Sen to serve as a general in the Chinese Army. Lea’s story may have been the influence that charmed Burroughs into seeking a place in the Chinese Army.
The United States not only knew of the malcontents’ activities but even tolerated them perhaps abetting them. The US role in European history has been that of a spoiler. Looking upon all colored peoples as victims needing their help Liberals could do no other than work for their interests against the Europeans.
One of the more disastrous actions was John Hay’s Open Door policy in China. At the time in the 1890s the European States were about to partition China into spheres of influence. What the result would have been is anybody’s guess however the world would probably be much different today. Hay’s Open Door policy scotched the partition with the result that China remained a unified State. Of all the turning points one can find in history this is undoubtedly a turn in the tide of fortunes for the West. Subsequent to the Hay policy Chinese revolutionaries were hosted in California. Mexican gun runners operated from the US during the Mexican Revolution as Zane Grey records in novels like The Light Of Western Stars and Desert Gold.
Of course the Irish who called Ireland the Ould Sod and America the New Island acted as one people divided by an ocean. Funds and guns were raised in America and used in Ireland against the British. In the unrestricted immigration of the time Irish revolutionists moved back and forth across the Atlantic. If arrested in Ireland they claimed American citizenship and were released to return to the US.
In 1919 a most egregious example occurred which received no reprimand from the US, while England didn’t even bother to file an objection. Eamon De Valera, the future premier of Ireland escaped the British to be smuggled to the US where he functioned openly. William K. Klingaman tells the story in his popular history ‘1919’ of 1987:
Eamon De Valera, meanwhile, had been smuggled out of Ireland and into the United States, where he was touring the major cities along the East Coast, drumming up financial support for Sinn Fein and the Irish Republic. His reception was nothing short of spectacular. De Valera was given the presidential suite at the Waldorf; the Massachusetts state legislature received him in a special joint session; forty thousand wildly cheering supporters turned out to hear one of his speeches in Boston; and the press seemed to love him wherever he went. After all, he was excellent copy, and news of English injustices in Ireland always sold plenty of papers. As the Nation noted with bemusement, “He gets a front-page spread whenever he wants it, with unexampled editorial kindliness thrown in.” The tall, very thin, dark Irishman brought no message of peace and goodwill to the United States, however. Now that the Peace Conference was over and freedom-loving Irishmen still remained enslaved under the British yoke, De Valera told an enthusiastic audience in Providence, “the war front is now transferred to Ireland.”
So, while the Irish were embattled on the Ould Sod, the Irish of the New Island had enough influence and power to baffle any objections either in the US or England. They were truly functioning as a state within a state in the US and as revolutionists on the Ould Sod. Thus the US influence in international politics was unique indeed.
The Italians also functioned as emigrant workers of Italian citizenship before the War and were an irredentist population within the United States with many colonial beach heads. After the war, assuming the continuance of unrestricted immigration Mussolini attempted to shift the cost of medical treatment for wounded Italian soldiers by sending them to the US for free medical treatment. This is astonishing stuff that gets no notice in history books.
Of course, the most famous instance of dual citizenship of a divided homeland is that of the Jews.
A ship landed in the seventeenth century in New York City, New Amsterdam as it was known then, bearing a hundred plus Sephardic Jews from Brazil. The next immigrant cadre were the German Jews mainly from 1830 to 1850. These two immigrations were small compared to the influx of millions of Jews from the Pale of Settlement usually known as Polish or Russian Jews. From 1870 to 1914 they came in increasing numbers. As I have detailed elsewhere the intent to transfer the whole population of Jews from the Pale to the United States was aborted by the outbreak of the Great War.
Jews had always been forbidden Great Russia. However during an expansionist phase Russian annexed the Ukraine, Byelorussia and the North. The annexed areas became the Pale Of The Settlement along with the Polish Jews acquired by the first partition of Poland. Thus Jewish nationalism came into conflict with Russian assimilationism. The Russians, of course, were sovereigns of the land while the Jews were a stateless nationality. The Russians along with the rest of their acquired peoples attempted to Russify the Jews. These along with Poles, Letts, Estonians, Lithuanians and whatever resisted Russification. In point of fact, the Czars had bitten off more than they could chew.
Had the Russians been facing mere dissident peoples they may have been able to manage them. But, along about mid-nineteenth century the political ideology of Communism provided a framework within which all peoples could combine thus submerging their national identities for their political goals. It is true that fifty to sixty percent of all Comunist parties were Jewish but the remainder which was substantial, wasn’t. As part of its ideology Communism discouraged nationality so it was possible for numbers of all nationalities to work together.
The Russians became the adversaries of the Jews, the Czar their bete noir. Thus a remendous undeclared war existed between the Communist Revolution, usually called just The Revolution and the Russian government and people.
By the time the Jewish emigration to America began in earnest in the 1870s the Jewish mind was conditioned by this warfare. Now, all Israel is one. Therefore the German Jews who had preceded the Jews from the Pale prepared the way for those from the Pale. Whole industries were immediately controlled by Jews. The male and female garment industries being the prime example. The work force of these industries was almost entirely Jewish. Thus the infamous sweat shop may be said to be of Jewish origin although it is usually used to defame the United States.
The whole garment industry of the country then was controlled from New York City. We’re talking big money with a lot of it flowing into Jewish agencies sometimes euphemistically called charities. This money in turn fueled worldwide Jewish warfare on Russia.
The Equitable Insurance fraud for instance was caused by the international banker Jacob Schiff who as administrator looted the Equitable of a couple hundred million dollars to finance the Japanese in the Russo-Japanese war of 1903-05. The Japanese could not have fought the war without that money. Thus Schiff and his people paved the way to Pearl Harbor.
While the Russians had their hands full in the East Schiff and his fellow Jews engineered and financed the First Russion Revolution. The signing of the Russo-Japanese Peace Treaty was done at Portsmouth, New Hampshire ostensibly by then US President Theodore Roosevelt but under the watchful eyes of Schiff and his fellows.
As I have said simply because a people emigrated doesn’t mean they renounced their original identity. Witness the Irish. As is clear from their intent to evacuate the Pale in favor of America the Jews retained their Eastern European interests. This would be even more manfest after the restriction of immigration at the end of the War.
Like the Irish who used American citizenship to negate the laws of England the Jews used their American citizenship to thwart the interests of Russians, or the Czar as they put it.
The Russians forbade Jewish traffic over their borders in an attempt to contain Jewish subversion. If you were in, you were in, if you were out you were out. In line with European concepts of nationality this was workable. But Jews resident in America using their US citizenship, in this instance, demanded to be treated strictly as US citizens but of the Jewish ‘religion.’ Thus, they said Russia could not refuse them entrance on the basis of their ‘religion.’
The US with its polyglot population all with US citizenship whether Irish, Jewish, Italian or whatever had to insist on the rights of all US citizens. Thus Jews were able to travel freely across Russian borders to coordinate Jewish actions to subvert the Russian State. As I have pointed out, after the Revolution the name Russia was dropped from the State name as it became the Union Of Soviet Socialist Republics governed almost exclusively by non-Russians.
The B’nai B’rith had been around since 1843. Then the American Jewish Committee was created in 1906. Within seven years Jewish influence had increased so signficantly that they were able to direct US policy to the extent that diplomatic relations were broken off between Russia and the US in 1913 the year the Liberal Coalition elected Woodrow Wilson as its first president. From 1913 to 1933 the US had no diplomatic relations with Russia/USSR. It is interesting that relations with a legitimate government were discontinued by Woodrow Wilson and resumed with an illegitimate government by his disciple Franklin Delano Roosevelt. On of his first acts as President.
In 1913 the B’nai B’rith created its terrorist arm the Anti-Defamation League. So there was actually a dual drive to acquire control of the USSR and the USA which one might add came very close to succeeding. And this be a very small but dedicated number of people.
As I point out in Part IV in 1919 the AJC contacted Burroughs undoubtedly amongst a host of others to endorse a Jewish Bill Of Rights. The program was in place by 1920 when this segment of my study ends.
As can be seen the unofficial role of the United States in world affairs was an unsettling and disturbing one of the inactive aiding and abetting of revolutionary movements from China to India, across the border into Mexico while actively aiding if not abetting the Irish against England and aiding and abetting if not supporting the Jewish war on Russia.
To the American Liberal all these revolutionary efforts were being conducted by victims. Hence Liberal efforts at directing American policy were in the interests of any revolutionary group which includes the Socialist and Communist parties. This Liberal attitude continues worldwide to the present time.
Within the United States these ‘victims’ were gathered together under the aegis of the Liberal Coalition. All dissenters whether anti-immigrationists, nativists or whatever were pathologized as mentally unstable people. Insanity then becomes a religious attitude complementary to terms such as heretic, infidel or anti-Semite; terms not to be taken seriously.
Liberalism is a religion thus assuming control over institutions of hgher learning. The University system of the United States was turned from one of educational insitutions into religious seminaries. The American university system of today is a religious system of Liberal seminaries. Only the correct religious view is permitted, any other is penalized.
Now, the Liberals who derived from the Puritans were an Old Testament biblical group who considered themselves the successosrs of the Hebrews as a Chosen People. Beginning in 1870 the original Chosen People began their invasion. It was like two Napoleons meeting in an insane asylum. Each considered the other an imposter. But the Jews had the whip hand over the Liberals as they quickly controlled the communiations media gradually eliminating anything seditious to its belief system. As I explained earlier any writing that casts doubt on the claims of Judaism is anti-Semitist. Americans were conditioned to view anti-Semitism as the worst possible crime deserving imprisonment or expulsion from the body social. What we really have is the reimposition of the medieval Catholic Church in the form of Judaism. Having seized control of the political system of the United States by 1920 the other important object was the discrediting of Science.
Hast thou not torn the Naiad from the flood,
The Elfin from the green grass, and from me
The summer dream beneath the tamarind tree?
And Poe might have added: God from his heaven/ pleasant summer dreams of chosenness from our minds. Yes, Science was the great enemy, the great anti-Semite. It is not particularly well known but Jews are more anti-evolution than even the Christian fundamentalists of Tennessee in the twenties or the Kansans of today. Evolution absolutely denies the fact that the world was created by god 4004 years before Bishop Ussher or the year 5778 or whatever of the Jewish calendar. Make no mistake the notion of the world having been created by god recently is fundamental to Semitic religions. Once it is disallowed the basis of the Semitic religions ends. You can see why they fight so hard against Science.
Science still being the problem religion was cloaked in its guise. The scienfific Socialism of Marx is little more than Talmudic Judaism. Freud’s exaltation of the subconscious is little more than an assault on the conscious rational thinking that makes Science possible. Einstein’s preposterous notion of the ‘fabric’ of Time and Space among others is a disguised attempt at imposing faith.
All of these movements came to fruition in the Second Decade. Einstein’s theories were supposedly proven during an eclipse of the sun in 1919 during which it was ‘confirmed’ that the light of distant stars streamed around immovable bodies. I mean, the Greeks said it: What happens when an easily resistible force meets an immovable object? It flows around it just like water around a rock suspended in a stream. Boy, you have to be a genius to figure that one out- wrap it up in the facric of Time and Space and send it as present to God.
So, the problem still remained what to do with the ‘pathological’ types who gave the lie to the Judeo-Liberal doctrine? Science and Religion cannot co-exist. This is a sea change in human consciousness comparable to the transition from the Matriarchal to the Patriarchal. Good will is not the problem and cannot solve the problem. In 1943 Gustavus Myers devised the current method of interpreting American history in his book The History Of Bigotry In The United States. He thus provided the means to pathologize the non-Judeo-Liberal people. They became irrational, insane, evil bigots. So then one has the people of the book the Judeo-Liberals on one side and ‘bigots’ on the other. So, Moslem-Infidels, Semites-anti-Semites, and Liberals-Bigots. It isn’t rational, it’s religious. Virtue goes with the one; criminality with the other. Once you are accused there is no argument. Confess your heresy and take your punishment. The role model is the Inquisition of the Catholic Church.
Myers began from the beginning hitting his stride with the Know Nothing Party of the 1850s. He essentially made all immigrants victims in the Liberal sense by depicting them as virtuous innocents insanely treated by American ‘bigots.’ Hence the title of his book. His school took root and flourishes today. Oscar Handlin, John Higham, Richard Slotkin.
Handlin’s stuff is irrational. John Higham’s Strangers In The Land is valuable but skewed. The skewing can be easily unscrambled. But Richard Slotkin’s Gunslinger Nation is of importance to Burroughs and our theme here. The first 225 pages of Slotkin’s book lead up to a denunciation of Burroughs as the premier bigot of American literature actually making him responsible for the My Lai massacre in Viet Nam. The first 225 pages are worth reading although you can throw the rest of the book away.
I’ll get back to the scientific aspects of the issue in a minute but, first, as Slotkin concentrates on the Western movie in American culture let’s take a look at one of the premier efforts in the genre, John Ford’s The Man Who Shot Liberty Valence. The movie was scripted by James Warner Bellah and Willis Goldbeck or, since this is Hollywood, men who would answer to those names. They are probably jewish. The film perfectly inllustrates the Liberal dogma.
John Wayne plays the Liberal lead as Tom Doniphon, strange name, along with his noble Negro sidekick, Pompey. Lee Marvin plays a deranged psychopathic Anglo named Liberty Valence. Jimmy Stewart plays the long suffering representative of the Law, Ransom- Rance- Stoddard. Rance is an adjunct to Tom Doniphon. Liberals = The Law, Bigots (Liberty Valence) = the outlaws.
Tom can be seen as the abolitionist, justice seeking Liberal aiding the victims. He is on the side of the victims of Liberty Valence (read, say, the KKK) which is the whole town except himself. Tom has his negro valet while he helps all the cute immigrants in town still being aloof from the Southwest town’s sizable but segregated Mexican population.
The scripters assigned the odd name of Liberty Valence to Lee Marvin. Liberty is a positive virtue while Valence means strong- strong for freedom. There is little positive about Valence. He is in fact a psychopathic killer who terrorized the town of law seeking innocent sodbusters. He actually becomes insane when he extends his whip handle just beating the tar out of his victims. Valence is employed by the evil cattlemen (read, say, The South) above the Picket Wire (a river). Why the cattlemen have sent Valence to the town isn’t clear.
As the representative of the Old South and also any stray anti-Semitic clans who may happen to be about, Valence is especially offended by the peaceable but effeminate Rance Stoddard, who at one point actually wears an apron, the man who is bringing THE LAW West of the Pecos or at least below the Picket Wire. Apparently the ranchers don’t need no law above the Picket Wire. Valence harasses and bullies Stoddard who is usually protected by the omnipotent Tom Doniphon but comes a time when Stoddard realizes he has to fight. After all a man’s a man for all that. Don’t know what for though, either his honor or life or maybe to move the plot along. Liberty is goading Rance into a gunfight that will be plain murder, as quite frankly, Rance don’t know how to handle a gun and Liberty does, oh boy.
As the gunfight is filmed from behind Rance it appears that he actually guns Liberty down freeing all the victims of his menace. (The Law vs. The Outlaw; The Liberal vs. The Bigot, The Semite vs. the anti-Semite.) Thus Rance brings the law to Shinbone, that’s the ridiculous name of the town. You can see why Liberty terrorized it.
Later we will see the same gun battle rotated ninety degrees to the right. Ol’ Tom isn’t going to let Liberty gun down Rance, and also he doesn’t want Rance to be guilty of bloodshedding so he takes the guilt on hisself as he knowed he would. He and his faithful Negro sidekick cum African gunbearer Pompey (This may be the reason Cassius Clay changed from his ‘slave’ name to Mohammed Ali, another slave name) are standing in an alley opposite Liberty’s left side. Tom is in the middle of the side street, Pompey bearing the gun, stands against the side of the building. With breathtaing precision just before Liberty shoots, Tom, in that awe inspiring quitet uncontradictable authority of his says like the Great White Hunter of Africa: Gun, Pompey. The ever faithful Negro flips the rifle across to Tom who snatches it from mid-air with is right hand, puts it to his shoulder and snaps off a head shot through the temple that killed Liberty Valence. (Evil disappears from the town.)
In order to kill Valence Tom had to shoot him in the left side of his head yet none of the dumbheads of the town wonders how Stoddard accomplished this miraculous feat.
At any rate Rance is known as the man who shot Liberty Valence. The old peace loving legalist is carrying his burden of blood guilt pretty well until he is nominated to be the new Congressman from the Picket Wire/Shinbone district (There’s a joke in there somewhere isn’t there?) and from whence he can put those damnable evil, bigoted ranchers in their place. But damn it, he’s got blood on his hands; how can he serve the people in Washington since he is impure? This mght have ruined a very promising and lucrative career and perhaps a good movie but Tom takes this moment to tell Rance the True story of the man who shot Liberty Valence. Rance had to be told this.
‘Hot diggity-dog!’ Exclaims Rance trampling over Tom in his hurry to be the next and first representative for Picket Wire. There may have been gold in them thar hills but it was as nothing compared to the gold to be found in Washington D.C.
Like a good myth the movie can viewed on several different levels. At face value the story is the story. It doesn’t take much to view the film as a satire while on another level as a black comedy, or a wry commentary on the difference between the way things appear and the way they really are.
But on the allegorical level in which I am viewing the story it allegorized the Judeo-Liberal vision of America. Tom/ Rance represents their vision of themselves while Liberty is ther vision of bigots/anti-Semites. I don’t know about the writers but John Ford was certainly able to see it that way.
As a religious metaphor the movie expresses the Judeo-Liberal vision of itself. That vision can only be realized if science can be disposed of because science, the truth, is the greatest anti-Semite of all. As Poe realized Science disposes of the idea of God. Without god there is no Judaism or Liberalism. One or the other has to go.
As I have said technological applications of science weren’t actually a threat but Evolutionists like Gall, Darwin and Dalton were. Gall was the man who first enunciated a theory that the different areas of the brain controlled different actions or responses. In Steven Pinker’s terms he discovered the brain was more than a meatloaf.
Darwin proposed the idea of evolution while Francis Galton proposed the idea of Eugenics. As I said before, revealed Religion arrives complete and entire being a product of the imagination no different than Tarzan Of The Apes. Science has to be built up step by step. Gall, Darwin and Galton took the first developmental steps and while true in their limited way were easy to attack.
Gall’s exploiters developed the theory of Phrenology which is of course unsupportable so If anyone has heard of Gall he is immediately discredited for Phrenology, something he didn’t do.
Going into the Second Decade Darwin and Galton had great credibility, if being in minority positions, although Eugenics was very well received by every shade of the political spectrum from far left to far right. Richard Slotkin bases his attempts to discredit Edgar Rice Burroughs and all non-Coalition writers over Evolution and Eugenics.
Edgar Rice Burroughs is usually considered a fantasy writer. One could hardly consider the writer of the Mars, Venus, Pellucidar and Tarzan series anything else. Fantay writers are not usually taken very seriously being relegated to the non-literary end of of the fiction spectrum. So then, one asks, why does a Myerian Judeo-Liberal like Richard Slotkin devote so much effort to prove that Edgar Rice Burrughs was ultimately responsible for the My Lai Massacre?
The simple answer is that Burroughs is one of the most influential mind forming writers of fiction, worldwide, of the Twentieth Century…and counting. There have been serious efforts to designate Burroughs as a bigot and an anti-Semitist. The editions of the copies you read have actually been bowlderized. Slotkin’s Gunslinger Nation is a serious attempt to pathologize Burroughs.
Gunslinger Nation Is the third volume of a trilogy on violence in America, a never ending tiresome concern of the Coalition. Slotkin is more at home in the nineteenth century of the two first volumes than he is in the twentieth century of this volume. He should have suspended his pen after the second volume.
He not only has a shallow appreciation of his theme but he admits it. The remaining 400+ pages succeeding those on Burroughs are based, I suspect, on one time viewings of several hundred Western movies. At least he says he’s seen them. His analysis of categories within the genre and individual films leaves much to be desired.
He admits that he read no, or very few, Western novels from 1900-1975 because the field is so vast no one could be expected to do it.
His nineteenth century material, if skewed in interpretation, is admirably presented. By rotating the images 180 degrees one can obtain a fairly accurate picture of his subjects. His presentation on Buffalo Bill and his Wild West was really quite good. His views on Fenimore Cooper and the Dime Novelists were attractive if prejudiced.
By the time he gets to Burroughs of whom he has cursorily read a dozen novels or so he is both uncomprehending and imcomprehensible. He has made no effort to understand the man yet he comes to preposterous conclusions. As Burroughs was of the Scientific Consciousness which gives the lie to the Religious Consciousness Slotkin attacks on the scientific level.
He attacks through Gall, Darwin and Galton. The Liberal Coalition using its religious mentality is able to condemn in others what it applauds in itself.
The mentality is quite capable of including Burroughs, Henry Ford and Adolf Hitler in one breath as though all three men were on the same level. What they call crimes in others they call virtues in themselves.
Thus, during the French Revolution a factory was organized in Paris to make footwear from the skins of murdered aristocrats. The fact has been suppressed while the story of the lampshades made from the skins of enemies of the Fascist State is held as inhuman.
The great hero of the Revolution, Victor Hugo, writing in his novel 1793 during the 1860s about the massacres in the Vendee quite bluntly states that those people were in the way of the realization of the Utopian Communist State and had to be removed. What was fact in 1793 was true in the 1860 mind of Victor Hugo, exercised by the Communists after 1917 and by extension is still applicable today. Yet all other exterminations are evil in the Coalition mind. Their own religion justifies their actions as justified sinners.
During the second and third decades Galton’s ideas on Eugenics had become the vogue. The use of Eugenics by Hitler and the Nazis is used to discredit the concept and yet Reds of all hues including H.G. Wells and George Bernard Shaw were enthusiastic Eugenicists.
Joseph Stalin, the greatest Red who ever lived, rather amusingly embraced Eugenics. (see: http://thescotsman.scotsman.com/print.cfm?id=2434192005 )
In the 1920s before Hitler, Stalin ordered his scientists to breed a new super warrior. “I want a new invincible human being, insensible to pain, resistant and indifferent about the quality of food they eat.”
You can see where this leading I’m sure. Apparently Stalin had been reading Burrughs’ Beasts Of Tarzan because he ordered the scientists to cross a human and an ape to create his New Order warrior. Imagine a couple divisions of these shaggy haired ape men trudging through the snow behind a line of tanks with a AK 47 in one hand and a frozen banana in the other.
At any rate Slotkin wishes to link Burroughs up with these ideas that Liberals themselves promoted. As the second decade wore on a number of writers dealt with these emerging problems of the age. The two most prominent American bete noirs of the Judeo-Liberals are Madison Grant and his Passing Of The Great Race of 1916 and Lothrop Stoddard and his The Rising Tide Of Color of 1920. As these men are scientists they were labeled ‘bigots’ which is to say heretics or anti-Semites by the Liberal Coalition.
It is not impossible that Burroughs may have read these books but there is no indication he did so so that there is no confirmed connection between he and Grant and Stoddard. As I read Slotkin he believes that Burroughs is complicit with both Madison Grant and Stoddard. Further there is no doubt Slotkin believes all three men are bad with evil intent. As the Scienfific findings of these men contradict the religious tenets of the Myersian Liberal Coalition I suppose Slotkin can do no other. How he manges to lump Burroughs in as an evil malicious bigot seems a stretcher.
In the first place although the findings of Grant and Stoddard are offensive to Slotkin and the Liberal Coalition they nevertheless show the honest unbiased scientific results of the research of honest scholars who are no less decent and honorable than any of the Liberal Coalition. Grant’s work is an essay into proto-genetics for which subsequent learning shows no fault. Stoddard’s work is an excellent faultless political analysis which has been borne out by subequent developments.
While the Liberal Coalition has chosen to pathologize and demonize all three of these writers their opinion should just be waved aside, disregarded as irrelevant. Their opinions should be marginalized. Grant and Stoddard are good and honorable men.
When I first read Slotkin’s analysis of Burroughs I was outraged and then baffled. I rejected the criticism but as Slotkin obvously believes this stuff although he poorly documents it his notions were filed in the bck of my brain while I began to search for his reasons.
From a scientific point of view Slotkin has no basis for his claims but when one lays the Judeo-Red-Liberal matrix over the science all becomes clear. This is a conflict betwen Arien Age religion and twentieth century science.
If one looks closely at Burroughs one will find he has embraced science and rejected religion thus immediately becoming classified as a bigot/anti-Semite in their eyes.
While Burroughs was from the North he is not in full sympathy with abolitionist and Liberal ideals. he appears to reject the harshness of their attitude toward Southern Whites. As in Marcia, John Hancock Chase from Baltimore living in New York City seems to be an attempt to reunify the country according to the ideas of Thomas Dixon, Jr. and his Reconstruction novels and D.W. Griffith’s movie The Birth Of A Nation. To merely be sympathetic to Southern Whites is to deny the victimhood of the Negroes which arouses the animosity of Liberals. Burroughs has thus identified himself as a ‘bigot, heretic, anti-Semite’. He is plainly the enemy of the Liberal Coalition.
And, then, while Burroughs didn’t join organizations like the A.P.A.- American Protective Association- still, like his fellow writers Jack London and Zane Grey he regretted the passingof Anglo-Saxon dominated America. He hated to see the Old Stock in decline. Thus in the Myersian sense he becomes pathologized as a ‘bigot.’ From the Liberal point of view Burroughs is clearly guilty and should be banned from literature. Put on the Liberal Index. However one has to accept the Liberal point of view to think so.
He rejects all religion but as to whether he specifically singles out Catholics, Jews or any other sect I don’t believe that there is a shred of evidence.
One can’t read with his contemporaries eyes so perhaps what isn’t so clear now leaped out of the page then. Burroughs ruminations on Eugenics, especially in the pages of Tarzan And The Jewels Of Opar, may then have been more obvious to them than to us. But at the same time his opinions wouldn’t have been offensive to them. As the Liberals accepted Eugenics then as readily as anyone else it would seem that the present emphasis on Burroughs’ fascination with the subject arises primarily from the Liberal rejection of their own past although it is still possible that what contemporary Liberals accepted in themselves they rejected in others as they do today.
While I originally rejected the notion that there was any reason to suspect Burroughs of being an ‘anti-Semite’ I think that if one is looking for indications from the Coalition point of view one can find them. As I point out in Part IV the American Jewish Committee contacted him in 1919 while there are passages in Marcia Of The Doorstep that the Coalition could construe as anti-Semitism and for which Burroughs was possibly punished.
Finally Burroughs as a follower of Teddy Roosevelt rather than Woodrow Wilson might have been suspect. The period after the Great War when it became evident that a very large percentage of the immigrants did not really consider themselves American’s caused TR to remark that America had become merely an international boarding house. Quite true but who would have thought anything else was possible? Today the term ‘international boarding house’ might be interpreted as Diversity or multi-culturalism. TR was head of his times.
The period ending in 1919 also represented the changing of the guard. Buffalo Bill died in 1917 taking hs mythic Wild West with him to the grave. He also represented the end of the first America. The Anglo-Saxons who had won the West. Of course the winners of the West were not nearly so Ango-Saxon as represented but in general it was true. There are almost no non-Anglo-Saxon names in the novels of Zane Grey other than Mexican.
Also in 1919 TR himself passed away just as he was scheduled to be the Republican Presidential candidate for 1910. His loss was keenly felt by Burroughs and his friend Herb Weston. I doubt TR could have adapted to the new problems America was facing even as well as Warren G. Harding did. How TR might have interpreted the challenge to American Democracy of the Liberal Coalition isn’t too obvious.
4.
Recapitulation
In 1066 and succeeding centuries the Norman Conquerors enslaved the Anglo-Saxons of East Anglia which was an affront deeply resented. Take a lesson.
In the sixteenth century when the printed Old Testament became universally available the East Anglians identified with the enslaved Hebrews of Exodus. They elected themselves a Chosen People and developed the compensatory Utopian attitude of inherent virtue as the Chosen People Of God.
In the seventeenth century New England was settled by emigrants from East Anglia. Not just English but East Anglians. Virginia was settle by descendents of the Norman conquerors of 1066. The Virginians once again chose slavery as the method of labor. First indentured White people then Africans.
While Utopian ideals developed in New England the abolitionist movement began which resulted in the Civil War-War Between The States. War between regions or actually a war between ideologies. There was no chance the South was going to discontinue slavery anythime soon no matter what anyone says.
In revenge for 1066 the Cavaliers (Whites) of the South were absolutely crushed giving up all rights by surrendering unconditionally.
The nascent Liberal Party of Puritans elevated the Africans over the Cavaliers thus establishing their protectorship over the ‘victims’ which is characteristic of the faith while establishing their power over dissident Whites. Thus the Liberals ultimately aligned themselves with all colored revolutionary movements in the world against White European conquerors.
Within the United States they viewed immigrants as ‘victims’ of the Old Stock pathologizing the Old Stock as ‘bigots’ no better than the Cavaliers of the Old South or the Europeans. All opponents of of their Liberal religious ideology which included the intellectual mindset of Science thus became wrong headed vile ‘bigots’ who had no right to live. After the Bolshevik Revolution of 1917 the utopian Communist ideology became their politics; call it Socialism it comes out the same.
As Edgar Rice Burrough was not a Liberal, not a Communist and not Religious but Scientific he unwittingly placed himself in opposition to the Liberal Coalition. On that basis a serious attempt was made to abort his career while subsequently an attempt to erase his name and work from history is being conducted.
Thus the twenties ushered in a new changed era fraught with new adjustments which were misunderstood or not understood at all.
Burroughs career after 1920 has to be seen in the light of this concealed antagonism that he had to counter without being clear as to its causes.
Thus the contrast between The Mucker and Marcia Of The Doorstep can be seen as a response to two different challenges united by Burroughs personal psychological development.
Go To Part IV:of The Mucker And Marcia Of The Doorstep
A Review
The Low Brow And The High Brow
An In Depth Study Of Edgar Rice Burroughs’
The Mucker And Marcia Of The Doortstep
by
R.E. Prindle
Part II
Background Of The Second Decade- Personal
Erwin Porges’ ground breaking biography Edgar Rice Burroughs: The Man Who Invented Tarzan is the basic source for the course of ERB’s life. John Taliaferro’s Tarzan Forever is heavily indebted to Porges adding little new. Robert Fenton’s excellent The Big Swinger is a brilliant extrapolation of Burroughs’ life taken from the evidence of the Tarzan series.
Porges, the first to pore though the unorganized Tarzana archives, is limited by the inadequacies of his method and his deference for his subject. His is an ideal Burroughs rather than a flesh and blood one. Matt Cohen’s Brother Men: The Correspondene Of Edgar Rice Burroughs and Herbert T. Weston has provided much fresh material concerning ERB’s character.
Bearing in mind always that Weston’s evaluation of Burroughs in his August 1934 letter in reply to Charles Rosenberg, whoever he was, about ERB’s divorce is one man’s opinion nevertheless his statements can be corroborated by ERB’s behavior over this decade as well as throughout his life. My intent is not to diminish ERB in any way. Nothing can take away the fact that Burroughs created Tarezan, but like anyone else he was subjected to glacial pressures that distorted and metamorphosed his character.
During the Second Decade as he experienced a realization of who he was, or who he had always thought he should be, or in other words as he evolved back from a pauper to a prince, he was subjected to excruciatingly difficult changes.
A key to his character in this period is his relationship to his marriage. It seems clear that he probably would never have married, stringing Emma along until she entered spinsterhood while never marrying her. He seemingly married her to keep her away from Frank Martin. As he later said of Tarzan, the ape man should never have married.
Rosenberg in his letter to Weston (p.234, Brother Men) said that ‘…Ed says he has always wanted to get rid of Emma….’ The evidence seems to indicate this. After ERB lost Emma’s confidence in Idaho, gambling away the couple’s only financial resources, his marriage must have become extremely abhorrent to him. I’m sure that after the humiliations of Salt Lake City this marriage had ended for him in his mind. That it was his own fault changes nothing. He may simply have transferred his self-loathing to Emma.
That Emma loved and stood by Burroughs is evident. that he was unable to regain her confidence is clear from his writing. The final Tarzan novels of the decade in one of which, Tarzan The Untamed, Burroughs burns Jane into a charred mess identifiable only by her jewelry show a developing breach. Probably the jewelry was that which ERB hocked as the first decade of the century turned. Now, this is a fairly violent reaction.
ERB states that he walked out on Emma several times over the years. In Fenton’s extrapolation of Burroughs’ life from his Tarzan novels this period was undoubtedly one of those times. There seems to have been a reconciliation attempt between Tarzan and Jane between Tarzan The Untamed and Tarzan The Terrible. Then between Tarzan And The Golden Lion and Tarzan And The Ant Men ERB’s attempt to regain Emma’s confidence seems to have failed as Jane chooses the clown Tarzan- Esteban Miranda-, one of my favorite characters- over the heroic Tarzan -ERB – in Tarzan And The Ant Men.
This undoubtedly began ERB’s search for a Flapper wife which took form in the person of Florence Gilbert beginning in 1927.
b.
Weston says of ERB in his disappointment and rage over ERB’s divorce of Emma that ‘…the fact that Ed always has been unusual, erratic and perhaps queer, has been his great charm and attraction for me…’ (p.223, Brother Men) There’s a remote possibility that ‘queer’ may mean homosexual but I suppose he means ‘odd’ or imcomprehensible in his actions. The evidence for this aspect of ERB’s character is overwhelming while being well evidenced by his strange, spectacular and wonderful antics during the second decade. When Weston says of him that ‘…there is no woman on earth that would have lived with him, and put up with him, except Emma…’ there is plenty of reason to accept Weston’s opinion.
Part of ERB’s glacial overburden came from his father, George T. who died on February 13, 1913. Burroughs always professed great love for his father, celebrating his birthday every year of his life, although one wonders why.
Apparently George T. broadcast to the world that he thought ERB was ‘no good.’ His opinion could have been no secret to Burroughs. Weston who says that he always maintained cordial relations with George T., still thought him a difficult man, always dropping in to visit him on trips through Chicago said that George T. complained to him, ERB’s best friend, that his son was no good. While without disagreeing with George T. up to that point, Weston said that he thought there was plenty of good in ERB but that he just hadn’t shown it yet. Kind of a back handed compliment, reminds me of Clarence Darrow’s defense of Big Bill Haywood: Yeah, he did it, but who wouldn’t?’
Such an opinion held by one’s father is sure to have a scarring effect on one’s character. How exactly the effect of this scarring worked itself out during this decade isn’t clear to me. Perhaps Burroughs’ mid year flight to California shortly after his father’s death was ERB’s attempt to escape his father’s influence. Perhaps his 1916 flight was the same while his move to California in 1919 was the culmination of his distancing himself from his father. That is mere conjecture at this point.
Now, what appears erratic from outside follows an inner logic in the subject’s mind unifying his actions. What’s important to the subject is not what obsevers think should be important.
c.
The scholars of the Burroughs Bulletin, ERBzine and ERBList have also added much with additional niggardly releases of material by Danton Burroughs at the Tarzana archives. One of the more valuable additions to our knowledge has been Bill Hillman’s monumental compilation of the books in ERB’s library.
Let’s take a look at the library. It was important to ERB; a key to his identity. Books do furnish a mind, as has been said, so in that light in examining his library we examine the furnishing of his mind. The shelves formed an important backdrop to his office with his desk squarely in front of the shelves. ERB is seated proudly at the desk with his books behind him.
How much of the library survived and how much was lost isn’t known at this time. Hillman lists over a thousand titles. Not that many, really. The library seems to be a working library. There are no the long rows of matching sets by standard authors. The evidence is that Burroughs actually read each and every one of these books. They found their way into the pages of his books in one fictionalized form or another. Oddly authors who we know influenced him greatly like London, Wells, Haggard and Doyle are not represented.
Most of the works of these authors were released before 1911 when Burroughs was short of the ready. Unless those books were lost he never filled in his favorites of those years. That strikes me as a little odd.
It is generally assumed that he picked up his Martian information from Lowell, yet in Skelton Men Of Jupiter he says: ‘…I believed with Flammarion that Mars was habitable and inhabited; then a newer and more reputable school of scientists convinced me it was neither….’ The statement shows that Camille Flammarion’s nineteenth century book was the basis for Burroughs’ vision of Mars while Lowell was not. Further having committed himself to Flammarion’s vision he was compelled to stick to it after he had been convinced otherwise. When that understanding was obtained by him we don’t know but at sometime he realized that the early Martian stories were based on a false premiss.
Thus, his Mars became a true fiction when his restless, searching mind was compelled by judicious reasoning of new material to alter his opinion. That he could change his mind so late in life is an important fact. It means that behind his fantasy was a knowledge of solid current fact. The results of his pen came from a superior mind. It was not the maundering of an illiterate but amusing boob.
Organizing the books of his library into a coherent pattern is difficult. I haven’t and I Imagine few if any have read all his list. Based on my preliminary examination certain patterns can be found. He appeared to follow the Chicago novel by whomever, Edna Ferber’s So Big is a case in point. Seemingly unrelated titles can be grouped aorund certain Burroughs’ titles as infuences.
In 1924 when Marcia Of The Doorstep was written ERB had already formed his intention of leaving, or getting rid, of Emma. He began a fascination with Flappers that would result in his liaison with Florence.
After the move to Hollywood in 1919 a number of sex and Flapper potboilers find their way into his library. The tenor of literature changed greatly after the War showing a sexual explicitness that was not there prior to the Big Event. To be sure the graphic descriptions of the sex act current in contemporary literature was not permissible but the yearning to do so was certainly there. Language was retrained but ‘damn’ began to replace ‘d–n’ and a daring goddamn became less a rarity.
Perhaps the vanguard of the change came in 1919 when an event of great literary and cultural import took place. Bernarr Macfadden whose health and fitness regimes had very likely influenced Burroughs during the first couple decades decided to publish a magazine called “True Story.” The magazine was the forerunner of the Romance pulp genre while certainly being in the van of what would become the Romance genre of current literature.
The advance was definitely low brow, not to say vulgar, indicating the direction of subsequent societal development including the lifting of pornographic censorship. Pornography followed from “True Store” as night follows day.
The magazine coincided with the emergence of the Flapper as the feminine ideal of the twenties. In literature this was abetted by the emergence in literary fiction of F. Scott Fitzgerald. His Beautiful And Damned is a key volume in Burroughs’ library forming an essential part of Marcia. To my taste Fitzgerald is little more than a high quality pulp writer like Burroughs. I can’t see the fuss about him. He riminds me of Charles Jackson’s The Lost Weekend and vice versa. In fact, I think Jackson mined the Beautiful And Damned. Plagiarize would be too strong a word.
“True Story” caught on like a flash. By 1923 the magazine was selling 300,000 copies an issue; by 1926, 2,000,000. Low brow was on the way in. Vulgarity wouldn’t be too strong a word. Macfadden had added titles such as “True Romances” and “Dream World” to his stable. His magazine sales pushed him far ahead of the previous leader, Hearst Publications, and other publishers. Pulpdom had arrived in a big way.
Where Macfadden rushed in others were sure to follow. The sex thriller, the stories of willful and wayward women, which weren’t possible before, became a staple of the twenties in both books and movies.
ERB’s own The Girl From Hollywood published in magazine form in 1922, book form in 1923, might be considered his attempt at entering the genre. Perhaps if he had thrown in a few Flapper references and changed the appearance and character of his female leads he mgiht have created a seamless transition from the nineteenth century to the twenties. A few Flapper terms might have boomed his ales much as when Carl Perkins subsititued ‘Go, cat, go’ for go, man, go’ in his Blue Suede Shoes and made sonversts of all us fifties types.
Certainly ERB’s library shows a decided interest in the genre from 1920 to 1930. Whether the interest was purely professional, an attempt to keep up with times, or personal in the sense of his unhappiness in his marriage may be open to question. I would have to reread his production of these years with the New Woman in mind to seek a balance.
Still, during the period that led up to his affair with Forence ERB seems to have been an avid reader of Flapper and New Woman novels.
He had a number of novels by Elinor Glyn who was the model of the early sex romance. He had a copy of E.M. Hull’s The Sheik, that shortly became the movie starring Rudolph Valentine with its passionate sex scenes. A ‘Sheik’ became the male synonym for Elinor Glyn’s ‘It’ girl.
Of course, the influence of Warner Fabian’s Flaming youth of 1923, both book and movie, on ERB is quite obvious.
Just prior to this relationship with Florence he read a number of novels by Beatrice Burton with such sexy titles as The Flapper wife-The Story Of A Jazz Bride, Footloose, Her Man, Love Bound and Easy published from 1925 to 1930.
I would like to concentrate on Burton’s novels for a couple reasons; not least because of the number of her novels in ERB’s library but that when Burroughs sought publication for his low brow Tarzan in 1913-14 he was coldly rebuffed even after the success of his newspaper serializations. The disdain of the entire publishing industry was undoubtedly because Burroughs was the pioneer of a new form of literature. In its way the publication of Tarzan was the prototype on which Macfadden could base “True Story.” Not that he might not have done it anyway but the trail was already trampled down for him. In 1914 Burroughs violated all the canons of ‘polite’ or high brow literature.
A.L. Burt accepted Tarzan Of The Apes for mass market publication reluctantly and only after guarantees for indemnification against loss. Now at the time of Beatrice Burton’s low brow Romance genre novels, which were previously serialized in newspapers, Grosset and Dunlap sought out Burton’s stories publishing them in cheap editions without having been first published as full priced books much like Gold Seal in the fifties would publish paperback ‘originals’ which had never been in hard cover. Writers like Burton benefited from the pioneering efforts of Burroughs. G& D wasn’t going to be left behind again. Apparently by the mid-twenties profits were more important than cultural correctness.
As ERB had several Burton volumes in his library it might not hurt to give a thumbnail of who she was. needless to say I had never read or even heard of her before getting interested in Burroughs and his Flapper fixation. One must also believe that Elinor Glyn volumes in ERB’s library dating as early as 1902 were purchased in the twenites as I can’t believe ERB was reading this soft sort of thing as a young man. Turns out that our Man’s acumen was as usual sharp. Not that Burton’s novels are literary masterpieces but she has a following amongst those interested in the Romance genre. The novels have a crude literary vigor which are extremely focused and to the point. This is no frills story telling. The woman could pop them out at the rate or two or three a year too.
Her books are apparently sought after; fine firsts with dust jackets go for a hundred dollars or more. While that isn’t particularly high it is more than the casual reader wants to pay. Might be a good investment though. The copies I bought ran from fifteen to twenty dollars, which is high for what is usually filed in the nostalgia section. Love Bound was forty dollars. I bought the last but it was more than I wanted to pay just for research purposes.
There is little biographical information about Burton available. I have been able to piece together that she was born in 1894. No death date has been recorded as of postings to the internet so she must have been alive at the last posting which woud have made her a hundred at least.
She is also known as Beatrice Burton Morgan. She was an actress who signed a contract with David Belasco in 1909 which would have made her fifteen or sixteen. Her stage name may have been Beatrice Morgan. The New York Public Library has several contracts c. 1919 in her papers.
One conjectures that her stage and film career was going nowhere. In The Flapper Wife she disparages Ziegfeld as Ginfeld the producer of the famous follies.
Casting about for alternatives in the arts she very likely noticed the opening in sex novels created by Macfadden and the Roaring Twenties. The Flapper Wife seems to have been her first novel in 1925. The book may possibly have been in response to Warner Fabian/Samuel Hopkins Adams’ Flaming Youth.
As the motto for his book he had “those who know, don’t tell, those who tell, don’t know.’ The motto refers to the true state of mind of women. Burton seems to have taken up the challenge- knows all and tells all. Flapper Wife was an immediate popular success when taken from the newspapers by G&D. Critics don’t sign checks so while their opinion is noted it is irrelevant.
Burton apparently hit it big as the movies came afer her, Flapper Wife was made into a movie in 1925 entitled His Jazz Bride. Burton now had a place in Hollywood. Burroughs undoubtedly also saw the movie. What success Burton’s later life held awaits further research. As there is no record of her death on the internet it is safe to assume that when her copyrights were renewed in the fifties it was by herself.
There are a number of titles in the library having to do with the Flapper. The library, then gives a sense of direction to ERB’s mental changes. There are, of course, the Indian and Western volumes that prepared his way for novels in those genres. As always his off the top of his head style is backed by sound scholarship.
The uses of the various travel volumes, African and Southeast Asian titles are self-evident. I have already reviewed certain titles as they applied to Burroughs’ work; this essay involves more titles and I hope to relate other titles in the future. So the library can be a guide to Burroughs’ inner changes as he develops and matures over the years.
The amont of material available to interpret ERB’s life has expanded greatly since Porges’ groundbreaking biography. Much more work remains to be done.
The second decade is especially important for ERB’s mental changes as his first couple dozen stories were written beginnng in 1911. Moreso than most writers, and perhaps more obviously Burroughs work was autobiographical in method. As he put it in 1931’s Tarzan, The Invincible, he ‘highly fictionalized’ his details. For instance, the Great War exercised him greatly. From 1914 to the end of the War five published novels incorporate war details into the narrative: Mad King II, Beyond Thirty, Land That Time Forgot, Tarzan The Untamed, and Tarzan The Terrible as well as unpublished works like The Little Door. Yet I don’t think the extent that the War troubled him is recognized. The man was a serious political writer.
Thus between the known facts and his stories a fairly coherent life of Burroughs can be written. My essays here on the ERBzine can be arranged in chronological order to give a rough idea of what my finished biography will be like.
Burroughs was a complex man with a couple fixed ideas. One was his desire to be a successful businessman. This fixed obsession almost ruined him. He was essentially a self-obsessed artist and as such had no business skills although he squandered untold amounts of time and energy which might better have been applied to his art than in attempts to be a business success.
In many ways he was trying to justify his failure to be a business success by the time he was thirty rather than making the change to his new status as an artist.
As a successful artist he was presented with challenges that had nothing to do with his former life. These were all new challenges for which he had no experience to guide him while he was too impetuous to nsit down and thnk them out properly. Not all that many in his situation do. Between magazine sales, book publishing and the movies he really should have had a business manager as an intermdiary. Perhaps Emma might have been able to function in that capacity much as H.G. Well’s wife jane did for him. At any rate book and movie negotiations diverted time and energy from his true purpose of writing.
His attempt to single handedly run a five hundred plus acre farm and ranch while writing after leaving Chicago ended in a dismal failure. Even his later investments in an airplane engine and airport ended in a complete disaster. Thank god he didn’t get caught up in stock speculations of the twenties. As a businessman he was doomed to failure; he never became successful. It if hadn’t been for the movie adaptations of Tarzan he would have died flat broke.
Still his need was such that he apparently thought of his writing as a business even going so far as to rent office space and, at least in 1918, according to a letter to Weston, keeping hours from 9:00 to 5:30. Strikes me as strange. Damned if I would.
At the end of the decade he informed Weston that he intended to move to Los Angeles, abandon writing and, if he was serious, go into the commercial raising of swine. The incredulousness of Weston’s reply as he answered ERB’s questions on hog feed comes through the correspondence.
Think about it. Can one take such flakiness on ERB’s part seriously? Did he really think his income as a novice pig raiser would equal his success as a writer with an intellectual property like Tarzan? Weston certainly took him seriously and I think we must also. There was the element of the airhead about him.
A second major problem was his attitude toward his marriage and his relationship with Emma.
He appears to have been dissatisfied with both at the beginning and decade and ready to leave both at the end. According to the key letter of Weston ERB was an extremely difficult husbnad with whom Emma had to be patient. As Weston put it, no other woman would have put up with his antics. Unfortunately he doesn’t give details of those antics but the indications are that Emma was a long suffering wife.
ERB’s resentment of her apparently became an abiding hatred. Danton Burroughs released information about ERB’s third great romance with a woman named Dorothy Dahlberg during the war years of WWII through Robert Barrett the BB staff writer in issue #64.
After having been estranged from her husband for about a decade Emma died on 11-05-44, probably of a broken heart. ERB returned to Los Angeles from Hawaii to dispose of her effects. Arriving on 11/19/44 after visiting his daughter he met with Ralph Rothmund in Tarzana where he proceeded to get soused, apparently in celebration of Emma’s death.
To quote Barrett, p. 25, Burroughs Bulletin #64.
After Ed met with Ralph Rothmund, he opened a case of Scotch and took out a bottle after which he drove to Emma’s home in Bel-Air- where he and Jack “sampled” the Scotch a couple times.” From Bel-Air Jack drove Ed to the Oldknows, some friends also in Bel-Air, where they continued to sample the Scotch. After this visit Ed and Jack returned to Emma’s home at 10452 Bellagio Road, where Jack brought out a nearly full bottle of bourbon. Jack asked the maids to postpone dinner for 30 minutes, while they waited for Joan and Joan II. This evidently irritated the two maids as they both quit and walked out on them! Ed reported in his diary that after the two maids walked out, ‘we had a lovely dinner and a grand time.”
That sort of strikes me as dancing on the grave of Emma which indicates a deep hatred for her on the part of ERB. We are all familiar with the storyof ERB’s pouring the liquor in the swimming pool humiliating Emma in front of guests which she stood so Weston must have known what he was talking about.
There is a certain hypocrisy in Burroughs now getting blotto in celebration of Emma’s death. Between the two of them in the space of a couple hours ERB and his son, John Coleman, finished a fifth of Scotch and went ripping through a bottle of bourbon. I don’t know how rough and tough you are but that would put me under the pool table.
In this inebriated and hostile state they apparently had words with what I assume to have been Emma’s long time maids. Maids don’t walk out because you ask them to hold dinner for a few minutes. Being a maid is a job; they don’t respond that way to reasonable requests. So in his drunken state ERB must have been offensive about Emma or the maids causing their reaction.
Thus sitting totally soused in the ‘alcoholic’ Emma’s home they ‘had a lovely dinner and a grand time.’ The woman was both good to him and good for him but it isn’t incumbent on any man to see his best interests. There was a crtain dignity lacking in ERB’s behavior at this good woman’s death, not to mention the hypocrisy of getting thoroughly jazzed.
d.
The decade also witnesses the unfolding of ERB’s psyche from the repressed state of 1910 to an expanded and partially liberated state at the end of the decade when he fled Chicago. Pyschologically ERB was always a dependent personality. He let his editors both magazine and book bully him and take advantage of his good will. He also needed a strong role model which is one reason his literary role models are so obvious.
From 1911 to 1916 he seemed to lean on Jack London as his role model. The problem with London is that we can’t be sure which of his books ERB read as he had none of his books in his library. It seems certain that he read London’s early Gold Rush books. ERB’s hobo information is probably based on London’s The Road and then he may possibly have read The Abyssmal Brute which is concerned with the results of the Jack Johnson-Jim Jeffries fight and a preliminary to The Valley Of The Moon.
It is difficult to understand how Burroughs could have read much during this decade what with his writing schedule and hectic life style. Yet we know for a fact that between 1913-15 he found time to read Edward Gibbon’s massive The Decline And Fall Of The Roman Empire.
At the same time additions to his library from this decade are rather sparse, the bulk of the library seems to have been purchased from 1920 on. Still, if one assumes that he read all the books of London including 1913’s Valley Of The Moon, then it is possible that his cross=country drive of 1916 may have been partially inspired by Billy and Saxon Roberts’ walking tour of Northern California and Southern Oregon in that book as well as on ERB’s hobo fixation. Certainly London must have been his main influence along with H.H. Knibbs and Robert W. Service. He may have wished to emulate London by owning a large ranch.
I suspect he meant to call on London in Sonoma during his 1916 stay in California but London died in the fall of that year which prevented the possible meeting. With the loss of London Burroughs had to find another role model which he did in Booth Tarkington. He does have a large number of Tarkington’s novels in his library, most of which were purchased in this decade. Tarkington was also closely associated with Harry Leon Wilson who also influenced ERB with a couple two or three novels in his library, not least of which is Wison’s Hollywood novel, Merton Of The Movies. Just as a point of interest Harry Leon Wilson was also a friend of Jack London.
ERB’s writing in the last years of the decade seems to be heavily influenced by Tarkington as in Bridge And The Oskaloosa Kid, The Efficiency Expert and The Girl From Hollywood.
Burroughs was an avid reader and exceptionally well informed with a penetrating mind so that his ‘highly fictionalized’ writing which seems so casual and off hand is actually accurate beneath his fantastic use of his material. While he used speculations of Camille Flammarion and possibly Lowell on the nature of Mars he was so mentally agile that when better information appeared which made his previous speculations untenable he had no difficulty in adjusting to the new reality. Not everyone can do that.
I have already mentioned his attention to the ongoing friction between the US and Japan that appeared in the Samurai of Byrne’s Pacific island. In this connection Abner Perry of the Pellucidar series is probably named after Commodore Matthew Perry who opened Japan in 1853. After all Abner Perry does build the fleet that opened the Lural Az. Admiral Peary who reached the North Pole about this time is another possible influence. The identical pronunciation of both names would have serendipitous for Burroughs.
As no man writes in a vacuum, the political and social developments of his time had a profound influence on both himself and his writing.
The effects of unlimited and unrestricted immigration which had been decried by a small but vocal minority for some time came to fruition in the Second Decade as the Great War showed how fragile the assumed Americanization and loyalty of the immigrants was. The restriction of immigration from 1920 to 1924 must have been gratifying to Burroughs.
I have already indicated the profound reaction that Burroughs, London and White America in general had to the success of the Black Jack Johnson in the pursuit of the heavyweight crown. The clouded restoration of the crown through Jess Willard did little to alleviate the gloom. Combined with the sinking of the Ttitanic and the course of the suicidal Great War White confidence was irrevocably shaken.
Burroughs shared with London the apprehension that the old stock was losiing its place of preeminence to the immigrants. This fear woud find its place in Burroughs writing where he could from time to time make a nasty comment. His characterization of the Irish is consistently negative while his dislike of the Germans first conceived when he saw them as a young man marching through the streets of Chicago under the Red flag was intense. Their participation in the Haymarket Riot combined with the horrendous reports of German atrocities during the War reinforced his dislike almost to the point of fanaticism. While the post-war German reaction in his writing was too belated he had been given cause for misinterpretation.
Always politically conservative he was a devoted admirer of Teddy Roosevelt while equally detesting Woodrow Wilson who was President eight of the ten years of the Second Decade. When the Bolsheviks took over Russia in 1917 polarizing public opinion into the Right and Left ERB was definitely on the Right.
By the end of the decade the world he had known from 1875 to 1920 had completely disappeared buried by a world of scientific and technological advances as well and social and political changes that would have been unimaginable in his earlier life. The changes in sexual attitudes caused by among others Krafft-Ebbing, Havelock Ellis and Margaret Sanger would have been astounding.
The horse had been displaced by the auto. Planes were overhead. The movies already ruled over the stage, vaudeville and burlesque. Cities had displaced the country. The Jazz Age which was the antithesis of the manners and customs of 1875-1920 realized the new sexual mores so that the Flapper and Red Hot Mama displaced the demure Gibson Girl as the model of the New Woman.
When ERB moved from Chicago to LA in 1919 he, like Alice, virtually stepped through the looking glass into a world he never made and never imagined. A Stranger In A Strange Land not different in many ways from the Mars of his imagination.
Go to Part III- Background Of The Second Decade Social And Political
A Review: Tarzan And The City Of Gold Part 2
August 18, 2008
A Review
Themes And Variations
The Tarzan Novels Of Edgar Rice Burroughs
#16 Tarzan And The City Of Gold
Part 2
by
R. E. Prindle
The City Of Gold itself, which is a white and gold city, evokes the image of the red and gold ruin of Opar and the Forbidden City of the same title, as well as The White City of the Columbian Exposition. As Burroughs was writing construction was going on for Chicago’s second great exposition on the fortieth anniversary of the first. Chicago, incorporated in 1833, was about to present its Century Of Progress expo of 1933-34. So Burroughs would have had his mind redirected to the scenes of his childhood.
What I am going to suggest may seem far fetched to many but having gained some idea of the way Burroughs’ mind worked I think the suggestion plausible. Emmett Dedmon tells the following story about the Great Sandow at the ’93 Expo. If anyone doesn’t know Sandow by now he was the first great bodybuilder who also performed at the Expo. As Florenz Zeigfeld was representing Sandow there is a no reason to think of the story as other than a publicity stunt, but I leave the judgment to you. (Emmett Dedmon, Fabulous Chicago, 1953, NY, p. 235)
Amy Leslie, the drama critic for the News, described Sandow as a fascinating mixture of brute force and poetic sentimentality. On a walk through the Wooded Island…Sandow snipped a tiny cup from a stock of snapdragon. “now, when we were little in Germany,” Sandow told the astonished Miss Leslie, “we took these blossoms and pressed them so, and if the flower mouth opened, why that was a sign they were calling us home.” As Amy reported it, “he touched the tinted bud and its rosy lips parted in a perfumed smile.” Just as Sandow finished his sentence, a Columbian guard shouted that he had violated the rule against picking flowers. To emphasize the reprimand the guard seized Sandow by the elbow and attempted to push him away. At this effrontery Sandow lifted the surprised guard off the ground and held him at arm’s length, examining him as though he were a curious discovery. Miss Leslie, more conscious of the dignity of the law, persuaded Sandow to put the guard down, which the strong man did with an ouburst of German expletives and an explanation (in English) to Miss Leslie that he did not think much of humans as guards. “I prefer nice well-bred dogs,” he said.
This made a great story that made the rounds of the fair. The question is did 17 year old Burroughs hear it and did it make an impression on him? Strangely enough we can definitely answer that question in the affirmative. Nearly twenty years later Burroughs borrowed the incident for his first Tarzan novel. Not only that but he has Tarzan play the part of Sandow. So, Sandow, Tarzan; Tarzan, Phobeg.
At the end of Tarzan Of The Apes Burroughs replicates the Sandow scene on the Wooded Island when he terrorizes Robert Canler holding him at arms length with one hand. Thus in this novel Tarzan not only holds Sandow/Phobeg at arm’s length but raises him above his head throwing him into the stands. Burroughs usually has his characters going their models one better as Tarzan does here.
As Sandow was strolling through the Wooded Island with Miss Leslie so Tarzan strolls through town with Gemnon. Instead of picking a flower Tarzan notices a lion eating a human while no one takes any notice. Cosmopolitan Tarzan inquires for an explanation. Gemnon calmly explains the quaint custom just as Sandow so pleasantly explained his snapdragon story. Dragons, lions, all the same thing. Burroughs does a neat parody and makes his joke but the original was such a great story he can’t let it go.
Indeed, Tarzan’s habit of picking men up and tossing them around can probably be traced back to this one arm trick of Sandow’s. Like I said, you’ll probably think it’s a stretcher but I think it both plausible and probable. Can’t be absolutely proven of course, but we can and have proven that the incident left an indelible imprint of ERB’s memory.
That said and moving along to 1920-24 there is also a flavor of H.G. Wells’ utopian novel Men Like Gods to be found here. Once again Burroughs turns Wells’ utopia around a bit but the tour of Cathne with Gemnon seems to be a paraody of a similar tour in Men Like Gods. ERB was still in the thick of his literary duel with Wells at the time.
The plot involving Nemone is slightly more complex and better worked out than is usual for ERB. Tomos, Erot, M’Duze and Nemone reflect other influences. The plot has the feel of French overtones. Of course we know that ERB read Eugene Sue’s The Mysteries Of Paris, Dumas’ Three Musketeers and The Count Of Monte Criisto, while the prisoner behind the golden door points in the direction of The Man In The Iron Mask. We also know that ERB had read Victoy Hugo’s Les Miserables.
All these may have provided some inspiration. However more directly influential I believe are two other books found in ERB’s library as listed on ERBzine. ( www.erbzine.com ) They are Rafael Sabatini’s Scaramouche and Stanley J. Weyman’s Under The Red Robe. Never heard of Stan Weyman? Me neither but, believe it or not, there is a Stanley J. Weyman Society on the internet that you may join if so inclined.
Both books were hugely influential in Hollywood, each being filmed several times with at least one version getting very good reviews. Let’s start with Sabatini. While Weyman, one would believe is all but forgotten, Sabatini enjoyed an excellent reputation down to at least my graduation from high school. Probably not so much lately although my copy of Scaramouche is the Common Reader edition published in 1999 so there must be fans out there.
Sabatini was Burroughs exact contemporary- 1875-1950. Like Burroughs he had to defend himself against charges of plagiarism. His stuff all reads like you’ve read it somewhere before, so in Scaramouche he presents an extended defense of himself.
Nevertheless he writes in a simple direct style that is ‘easy to uderstand’ but cleverly presented. Sabatini was obviously one of the first to understand that stories written like movie scenarios had a better chance of selling to the movies.
Like Burroughs he has his point of view which is admirably presented. Also like Burroughs he was intellectually unsympathetic to Communism. His reaction was less emotional that ERB. Although Scaramouche is about the opening years of the French Revolution Sabatini gives it only a slanting attention as he concentrates on people who are caught up in the flood much against their wishes. In that sense there is very little politics in the novel. The participants are merely caught up in the political events.
Scaramouche is a country lawyer unsympathetic to revolutionary ideology but he becomes a revolutionary fugitive when his Red friend is murdered by a reactionary nobleman. The story is well developed and an exciting one with a lot of swordplay. In fact Scarmouche become the fastest swordsman of France. You can see what drew ERB’s attention to the novel.
Of more importance for ERB and an undeveloped subplot of City Of Gold is one that involves Scaramouche’s ancestry. Bearing in mind that ERB became a voluntary orphan when he was sent to the MMA I think Burroughs found the mystery of Scaramouche’s ancestry compelling. Scaramouch is named after the clown of the Italian Comedia Del Arte which also nests neatly with the clown aspect of ERB’s psychology.
It is thought that Scaramouche was the illigetimate son of a village nobleman. The fact that the boy was well looked after by this man seemed proof. In fact, as we learn later in the book Scaramouche is the bastard son of his foster father’s sister, the noblewoman, Madame de Plougastel. She bore Scaramouche illegimately then trusted him to her brother. Thus on one side Scaramouche was of noble birth. An orphan or pretended orphan’s dream. His father remains a mystery for the moment.
Scaramouche’s friend had been murdered by the nobeman Le Tour d’Azyr. Scaramouche had sworn an eternal enmity to him. At a crucial moment in the story Scaramouche learns that this same La Tour d’Azyr is his father. I should have seen it coming from a long way off but I didn’t. It is possible that ERB was surprised too. Sabatini handles it well. Thus Scaramouche the illegitimate child is a nobleman by birth on both sides but the Revolution invalidates this advantage.
It would have been normal for Burroughs to have concocted a fantasy in which his parents now dead to him were not his real parents but some mysterious others. In fact he did concoct two fantasies: the one of John Carter who has been alive forever but can remember no parents and Tarzan whose parents were killed with the result that he was raised by ape foster parents. Not exactly noble people in the ordinary sense but his deceased parents were. One imagines the impact this really good story had on him although he first read it in the early twenties.
In any event he attempts to weave in a subplot providing mysterious parentage for Nemone and her brother Alextar. The subplot isn’t very well developed. On the one hand we are asked to suspect that Nemone was the child of the old king and a Black M’duze who in her youth was tall and beautiful while on the other hand it is insinuated that Nemone is the child of Tomos and M’duze. The latter through her machinations has placed Nemone on the throne and imprisoned Alextar. So Burroughs throws in some misceganation which has always been the most excing literary topic of America, then as now.
Not convincingly done by ERB he had nevertheless carried the story of Scaramouche around in his head for a decade waiting for the opportunity to employ it.
Another book in ERB’s library which is influential here is Stanley J. Weyman’s Under The Red Robe. Like Scaramouche this story was very well thought of in Hollywood being filmed more than once. It seems a fact that ERB saw the 1923 silent film. He was so impressed that he went out and bought the 1923 Grosset and Dunlap Photoplay Edition. I obtained an identical copy so as to to have read the same text and viewed the same plates.
I think I’ll have to include a few of Burroughs’ experiences at the MMA to bring this all together. It would seem that Sabatini considered himself a psychological orphan also. The man was born in Italy to an Italian father and an English mother. As they were traveling actors, not unlike what Scaramouche becomes at one point in his story, they sent young Rafael back to England to live with relatives. As Sabatini’s stories often concern orphans it follows that his reaction to being put away from his parents was that he considered himself an orphan.
Burroughs was also put away by his father. Three times. He was sent to Idaho, Massachusetts and Michigan. Thus he too was put away by his parents. As his reaction was to play the clown developing an off beat sense of humor we know that he reacted negatively to all this shuffling about. His exile to the Michigan Military Academy was the straw that broke the camel’s back. He rebelled, running away. The incident is treated rather uncomprehendingly by Porges in his biography which of course is my authority.
From ERB’s point of view the MMA was an elite reformatory school where bad rich boys were offloaded by their parents. Thus the boy was declassed and slgihtly criminalized in his own mind. As he treated his own sons and the Gilbert boy the same way it is easy to see how seriously he was affected by the experience. ERB was cast adrift with no direction home which happened so many times to characters in his stories, most notably in the original short version of The Lad And The Lion. ERBzine should publish the magazine version of this novel
Having run away from the MMA he was promptly escorted back by his father becoming in his own mind an orphan as in Tarzan’s case and a motherless child as in John Carter’s. Like the race horse Stewball of musical fame, Carter just blew down in a storm. Another standard orphan’s solution to being forced outside society.
Stanley J. Weyman’s (1855-1929) novel also meshes with this persona. As a result of his mistreatment Burroughs developed a very negative self-conception. He became, in fact, a ne’er-do-well. Much to his father’s satisfaction I might add. This self-conception would explain his eccentric behavior from the time he left the MMA in 1896 through 1903 if not for the rest of his life. The man was conflicted. On the one hand he knew he was very capable and on the other he felt worthless so he sought failure.
A fact easily glided over is his quarterbacking and captaincy of the MMA football team. One’s team members don’t elect one captain unless they have confidence in you. One also cannot be quarterback without their confidence while quarterbacking requires organizational and executive abilities. In fact the Burroughs led team defeated all comers in their class and while yet high schoolers they played the varsity teams of Michigan and Notre Dame. The Burroughs led MMA fought the U of M to a tie.
As a result he was offered a football scholarship to the University. He might well have become a football hero having an entirely different kind of life. ERB inexplicably declined the U of M offer. He offered some lame excuse that both his brothers had attended Yale and it was Yale or nothing for him. Possible but hardly probable. Most likely he felt comforatable leading the juvenile delinquents of MMA while he didn’t feel respectable enought to lead the Wolverines.
Leaving for the Army as an enlisted man instead he and a few other ne’er-do-wells formed a group calling themselves The Might Have Seen Better Days Club. You don’t have to be a Freudian to figure that one out. So I think his history in these years can be explained by his negative orphan self-image.
There is one very crucial event, the shame of which never left him, that figures into the Nemone story. That was when in Idaho he gambled away his and Emma’s last forty dollars. Certainly this was a turning point in his life.
In Weyman’s Under The Red Robe the hero is a ne’er-do-well who has exhausted all his chances but one. Named de Berrault the story opens when he is accused of using marked cards in a French game of the early seventeenth century. “Marked Cards!’ are the opening words of Weyman’s novel.
Indeed it would seem certain that Burroughs felt he had been cheated of his forty dollars. In my experience of card games I’m certain he was. De Berrault insists he didn’t use marked cards but that he used the mirror behind the player. Perhaps Burroughs said to himself when reading this: Yeah. that must have been it. At any rate thirty years later the incident was green in his mind and Why Not?
While The City Of Gold is crtical of Nemone/Emma ERB could never forget that he had done Emma wrong in gambling away those forty dollars. Perhaps as much as anything his shame required a separation. Perhaps he thought Emma was too good for a ne’er-do-well like himself.
And then there is this very interesting passage in Under The Red Robe p. 208:
I stood a moment speechless and disordered; stunned by her words, by my thoughts- so I have seen a man stand when he has lost all, his last at the table. Then I turned to her, and for an instant I thought that my tale was told already. I thought she had pierced my disguise, for her face was aghast, stricken with sudden fear. Then I saw that she was not looking at me but beyond me, and I turned quickly and saw a servant hurrying from the house to us.
Just as I admired ERB’s version of this device of looking past the intermediate person so he admired Weyman’s.
The line ‘I stood there speechless and disordered, stunned by her words, by my thoughts- when I have seen a man stand when he has lost his all, his last, at the table…’ must have resonated with ERB from the time he had experienced the same emotion in 1903 as Emma waited for him upstairs.
It becomes seen how ERB wove his various influences into his writing. At this point I would like to bring up another very long novel that formed a backdrop to ERB’s writing in general. the novel is the ten volume, five thousand page work of George W.M. Reynolds entitledThe Mysteries Of London or alternatively, The Mysteries Of The Court Of London. Modeled after The Mysteries Of Paris Reynolds lacks the lunacy of Eugene Sue but maintains a fantastic level of excitement all the way through. ‘The Master Of Adventure’ may very well have learned his own mastery from the pages of Reynolds.
The further one gets into ERB library the more clear things become but to really understand the man I highly recommend the reading of the Mysteries of Paris and London.
Another almost irrelevant theme ERB takes up in this novel is the theme of the Grand Hunt or the Man Hunt. The idea is no way original to ERB; he seems to be in reaction to it, repelled by it. I can’t pretend to trace the story back to its origins but the theme has been used repeatedly in movies and on television. The story is attributed to Richard Edward Connell who is credited with writing the original short story in 1924 for which he received the O. Henry Prize for that year, entitled The Most Dangerous Game. Perhaps the story was original to him but it doesn’t seem likely.
The story was made into a movie starring Joel McCrea in 1932. Whether this movie was released early enough in the year to influence City Of Gold I don’t know, or, perhaps Burroughs saw an advance screening. At any rate ERB gives the idea an extended treatment and prominent place in his novel, actually using it twice.
If Connell did indeed orginate the story in 1924 which seems unlikely than Buroughs treatment comes as close to plagiarism or, perhaps, appropriation as any story could. That he is in raction to the story condemning its implications is obvious.
In his version Tarzan defeats the aims of the hunters by carrying their intended victim to safety while adding the filup that he too was an intended victim. At the very least the Man Hunt is one of the least disguised influences in the corpus. Extraordinary in that no ruckus was raised by his appropriation of the story. Either ERB was not taken seriously or he led a charmed life.
b.
Should I stay, Or Should I Go?
The crux of the story is Tarzan’s relationship with Nemone or, in other words, ERb’s relationship with Emma. If the oeuvre is a guide ERB had already decided to throw his lot with Florence. That seems clear from Tarzan And The Leopard Men. City Of Gold then is mere procrastination. One imagines that Florence was pestering him to break the news to Emma. He would only muster the courage to do this at the end of 1933. For now he seems torn and indecisive.
The appearance is that Tarzan and Nemone would have gotten together but for two things. The first was M’duze who seemed to exert some sort of hypnotic control over Nemone and the other was her pet lion, Belthar.
M’duze was determined to maintain control over Nemone while Tarzan just left a bad taste in Belthar’s mouth. It were well that Tarzan kept his distance.
In point of fact Tarzan was a prisoner on parole. He could easily have escaped or walked away but for two things: one was his fascination with Nemone and the other was that he was bound by oath to Gemnon to not escape. In those days people had a sense of honor.
ERB had constructed an interesting psychological situation in the female image of Nemone. ERB has been really successful in portraying the Xy male construction of the Anima and Animus throughout the corpus but this is his first attempt as far as I know of constructing the XX of the female.
This is always the qustion of whether he knew what he was doing. This is a difficult question to answer but the enidence in the writing seems to imply he did. The situation seems too perfect to be accidental. As I’ve noted elsewhere when the chromosomal division took place and sexual identities came into existence of the four possibilities, XXX and y, the male received an X and the y with the y making him male. You can’t be male without the y, you can’t be female with it. Boys are boys and girls are girls. Now, this is not an ‘oh wow, isn’t that interesting’ type of fact; the fact has consequences.
For instance the whole burden of child bearing became the female’s portion. I am not interested in all the different possibilites of how young are fertilized, incubated and born, yes, there are myriad possibilities but none of them apply to human beings but this one. The method for human beings is impregnation in the womb, a nine month incubation period and then birth followed by a very long period of helpless development outside the womb.
These simple facts determined the post partum relationship of the role of the male and the female. When paternity was unknown the result was close knit communities held together by the offspring. It was a question of interdependence whether Freud thought so or not.
Physiologically the male required the female for sexual release while the female was attracted by the y chromosome of the male, the penis envy for which Freud was castigated for uttering. He wasn’t always right but he was right on this.
While the female is XX chromosomally still one X is received from the mother which is of the passive ovum; the other X is received from the father’s mother through him in the form of an active X sperm. The two Xes while both X are not identical. If both were passive the female would be virtually immobile.
Thus ERB posits the ovate X as M’duze who dominates Nemone’s Anima, which would be correct, while the male lion Belthar provides the activity of the X of the Animus. Whether Burroughs thought this out or not, it works out. Could be accidental, I suppose.
Lacking the y chromosome which she formerly enjoyed during the sexless period the female has an uncontrollable longing for the male or penis. Thus Nemone and her desire for Tarzan. Now, this is classic, no matter how indifferent or rude Tarzan is to her Nemone continues to have an intense longing, or love, for the Big Guy.
This may or may not reflect Emma’s attitude toward Burroughs but Tarzan’s attitude toward Nemone certainly reflects Burroughs attitude toward Emma. In point of fact, Emma’s fidelity is nothing short of marvelous.
Also in Weyman’s Under The Red Robe which is an influence on City a subplot concerns the relations between a Mademoiselle de Cocheforet and the protagonist, de Berrault. The lady distrusts the gentleman, as well she might as Cardinal Richelieu has suborned de Berrault to surreptitiously arrest her brother as a Huguenot. De Berrault conceals his intentions but is found out when he arrests Mademoiselle’s brother. Construing the arrest as a betrayal of her trust, which it wasn’t de Berrault forfeits the lady’s trust.
Thus the novel combines the fateful card game with the forfeiture of Emma’s trust. Having lost her trust ERB was never able to gain it back even though Emma continued with him loving, one supposes, the man despite his faults. Quite possibly the situation between Tarzan and Nemone portrays the actual relationship between ERB and Emma in which as they were about to unite the past comes between them.
Thus in Tarzan and Nemone’s first encounter Tarzan has fallen under Nemone’s spell being about to succumb when M’duze, or Nemone’s Anima, appears as though from the past, taps the floor with her staff breaking the spell while ordering Nemone from the room. Belthar, Nemone’s Animus, rears up on his chains roaring and clawing the air at Tarzan.
Thus both the Anima as represented by M’duze and the Animus as represented by Belthar interfere in Nemone’s attempt to realize her desire for Tarzan.
The scene is repeated in reverse later in the novel as Nemone is about to succumb to Tarzan’s spell M’duze appears once again to disrupt the relationship. Thus as in real life neither Burroughs nor Emma could get past that fatal card game.
In the end then Tarzan presumes on Nemone’s desire too much. She turns on him in the fury we all saw coming making him the object of the Grand Hunt. One sees the influence of The Most Dangerous Game in ERB’s mind. He is given a head start and then Belthar is released to pursue him. Thus he is about to be destroyed by Nemone’s Animus. ERB probably felt this way about Emma in real life.
We have never seen the resourceful ape-man so defenceless and helpless before but now without his father’s knife to murder virtually defenseless lions Tarzan calmly awaits death after a game attempt to outrun Belthar. He should have played dead; we all know that story by now.
Not to worry. All during the novel a mysterious lion has been tracking the Big Bwana appearing at intervals in the story. Perhaps some people were mystified as to who this lion was but not this writer, no sirree, Bob. I knew it was Jad-Bal-Ja all along. I was just surprised the Golden Lion hadn’t brought Nkima with him.
Now just as Belthar rears to cut the Big Guy down to size Jad-Bal-Ja flashes past Tarzan to destroy Nemone’s lion. As ERB says, Jad-Bal-Ja won because he was bigger. Does that mean that ERB’s ego was bigger than Emma’s?
The oeuvre needs a complete analysis of Tarzan and his relationship to animals for on one hand he is a beast. The lion situation is complicated by the fact that originally there were to have been both lions and tigers in the series. That would have changed the complexion of the stories.
However after the magazine publication of Tarzan Of The Apes the readers created an uproar about the fact that there were no tigers in geographical Africa so Burroughs was forced to change tigers to lions for book publication. I am unaware whether changes were made to the newspaper serialization of the story.
The appearance is that Burroughs intended tigers to be villainous while lions were intended to be noble, as witness Jad-Bal-Ja. In that situation most, if not all, the lions Tarzan killed would have been tigers. Thus while as David Adams points out Tarzan kills a lion to put a seal on a sexual situation the very likely killing would have been a tiger.
So the psychological aspect of the story gets skewed. Just as Burroughs has insisted that Tarzan killed deer while there are no deer in Africa so his readers forced him to change Bara the deer to Bara the antelope by Tarzan The invincible.
The climax of the story returns us again to the problem of lions in Burroughs. As David Adams points our Tarzan kills a lion to put a seal on a sexual situation. In this instance Tarzan is helpless but Jad-Bal-Ja his Anima substitute comes to his rescue which is the same as Tarzan killing Belthar. Thus the killing of Belthar seals off Tarzan’s relationship to Nemone and ERB’s to Emma.
I’m sure David Adams would take exception with me but I see Jad-Bal-Ja as an Anima figure of Tarzan/Burroughs while I see Belthar as the Anumus figure of Emma/Nemone. I know both lions are males but the lion male or female is associatied with the goddess or Anima in Greek mythology. A case can be made that the six gods and six goddesses are generalized archetypes of the character types.
Now, Jad-Bal-Ja came into the oeuvre at a critical time in the lives of ERB and Emma and at a critical juncture. It is known that ERB walked out on Emma several times in the course of their marriage. These instances are not well documented at this time. It would appear that a very serious conflict in the marriage began at the time of Tarzan The Untamed through the period leading up to the writing of Tarzan And The Golden Lion.
As Golden Lion opens Tarzan, Jane and Jack are returning from Pal-Ul-Don from whence Tarzan has retrieved Jane.
As I read the story there seems to be a certain coolness and distance between Tarzan and Jane on Tarzan’s part. At this point the lion cub who will become Jad-Bal-Ja makes his appearance standing in the middle of the trail. David’s sexual seal of the killed lion would be the cub’s mother who was accidentally killed by a Native who stumbled on the lioness and cub. As a defense mechanism against Emme/Jane Tarzan/Burroughs adopts the cub as an Anima surrogate.
In an email to me of 1/23/07 David makes these comments:
Through the first nine Tarzan novels the hero gradually establishes the lion symbol as his own until in Tarzan And The Golden Lion he is completely aligned with his source of power in the merging of lion symbol and self/Jad-Bal-Ja. Even though Jad is described as a glorified dog, this is only his personal devotion to the ape-man being explained in easy terms. Tarzan himself always respects Jad, saying “A lion is always a lion.” he is far from the domesticated ones in Cathne in purpose and spirit.
My thinking is that David is right in that the lion symbol and self are united but not within the ego but separately as the Anima and Animus. So what we have is Anima/Jad-Bal-Ja and Animus/Tarzan. Tarzan is sort of doubly armed with two masculine sides with Jad-Bal-Ja being associated with the goddess and partaking in some way of her femininity.
There wouldn’t be too much of a conflict between the female Anima and the Male Anima figure as ERB’s Anima was subsumed by the male fencing master Jules de Vac of The Outlaw Of Torn. De Vac killed ERB/Norman’s Anima figure Maud and then assuming female attire lived with Norman in the attic of a house over the Thames for a fairly long period of time thus becoming a substitute Anima.
Thus the anomaly of a male lion Anima is easily explained. As a symbol of the goddess Jad-Bal-Ja is, as it were, clothed in female attire as was De Vac. Further Jad-Bal-Ja is always indifferent to Jane/Emma. Jane has no real relationship with the Golden Lion.
David once again:
The mad queen of Cathne, Nemone, is an example of negative Anima, a feminine power corrupt and dangerous. Her lion Belthar is the dark shadow opposite of Tarzan and Jad who are symbols of power and light and sun. Her lion is treated as a dark god and is linked to Nemone’s own dark soul. When Jad kills Belthar, Nemone kills herself because the source of her power is gone. It is an archetypal case of light overcoming darkness. The masculine power of light overcoming a dark feminine anima.
In the general sense I have no problem with David’s analysis although I would argue that Belthar is Nemone’s Animus. Nemone is playing the part of Circe in the myth of Odysseus while that story is the triumph of the male ego in freeing itself from matriarchal sexual thralldom. This whole series of novels is related to the Odyssey. So that, in that sense Tarzan is imprisoned by the charms of Nemone/Circe. He is being emasculated, deprived of his will, by the feminine will by one might say, the maneater, Nemone.
In fact Nemone as ruler of Cathne has emasculated the leonine male power. As David Adams sagely observes:
In Cathne lions are employed as domesticated animals for the purpose of pulling chariots, hunting and racing. This is a reduction of the power of the lion symbol to the mundane, even to the point of being ridiculous. It is a degradation and humiliaton of ERB’s ultimate symbol of power and virility.
Yes, and that would be in keeping with the story of Circe who turned Odysseus’ crew into swine and would have Odysseus except that he had a pocketful of Moly, a charm to set Circe at naught. Likewise the queen of the City of Gold of the Legends Of Charlemagne who enchanted the paladins of that king, except for one who then freed the others.
So, Nemone had Tarzan at her mercy except for the strange situation of the lion of ERB’s Anima defeating the lion of Nemone’s Animus.
Once this was done the charm of Nemone/Circe/Queen of the City of Gold was destroyed with the City of Gold being restored to male supremacy and Alextar restored to his rightful throne. Things were then returned to their rightful order as in the domains of Circe and the Queen. We are led to believe that a Utopian age begins. This may be a slap at Wells and his Men Like Gods.
Conclusion
This review completes this very important series of five novels. Obviously I consider the key novels to be Tarzan The Invincible, Tarzan And The Leopard Men and Tarzan And The Lion Man. These novels are more directly concerned with ERB’s political and religious opinions. A trilogy concerning ERB’s sexual problems could be made up of Tarzan Triumphant, Leopard Men and City Of Gold bracketed by Invincible and Lion Man but Triumphant and City Of Gold appear to me to be more minor key than the other three.
Nevertheless these five novels usually treated as the least significant of the series are the most crucial to the understanding of Burroughs while being very good stories in themselves.
Excluding Tarzan And The Foreign Legion that is outside Burroughs’ psychological development, although a good story, ERB published only another three Tarzan novels in his lifetime and they were all decidedly inferior to that which preceded them, still good stories, but ERB’s concentration had been broken. Tarzan’s Quest is the best of the last three but just as Lion Man ends with Burroughs’ dreams going up in flames so does Quest. Perhaps eccentric best describes Tarzan And The Forbidden City. The title says it all. He was never to find salvation; the doors of the Sacred City remained closed to him. Tarzan The Magnificent while having exciting episodes just doesn’t come together.
Magnificent less Foreign Legion concluded the oeuvre until Castaways and Madman were discovered twenty years later. However Burroughs himself chose not to publish those books so they must be an addendum to the series. The two posthumous novels complete ERB’s psychological development being important in that respect for the student.
Further his psychological development was brought to a head during the writing of these five novels. In this tremendous struggle between ERB, the Communists and the Jews ERB was routed by the time he wrote Tarzan And The Lion Man. He didn’t think his tactics and strategy through to the end.
Thus ERB’s whole life was a prelude to the Gotterdamerung that ended as Tarzan fled the City of God.
ERB’s whole life is a magnificent adventure that in itself would make a tremendous movie with the right and unfettered treatment. It could the grandest of grand opera worhty of Mozart. I’d like to see it; even better i’d like to write it.
A Review: In Your Wildest Dreams by Kimi Foos
August 5, 2008
A Review
In Your Wildest Dreams
by
Kimi Foos
Review by R.E. Prindle
Foos, Kimi, In Your Wildest Dreams, iUniverse, Inc. 2008 14.95
This lovely memoir by Kim Foos is characterized by rare charm and grace. A virtual love letter to her husband of 35 years Rick. From beginning to end one feels how lucky Rick is to be cherished so.
Kim Foos as a young girl of twelve fixed her sights on a much older (in teenage years) Rick determining then and there to make him hers. Kim lovingly chronicles Rick’s doings as a child and young man as though from a watchful distance. The anectdotes are wondrously told. Rick and Kim grew up near Wheaton, Illinois in what seems like a heavenly less populated time spent fishing, weirding out and investigating old subterranean missile sites. Sort of like my old childhood but strikingly different. I didn’t have that much fun. We didn’t have any fantastic abandoned missile sites near us. More detail could have been lavished there by the historically minded Kimi.
The innocence and sprigtliness of Rick’s springtime was rudely blasted apart as he heard a knock on the door and the low chuckle of Uncle Sam saying: Here I am. Yes. And the viet Nam war was raging in far off Asia. Like any good lad who knows his duty Rick chose the Army over Canada. Might not have been the wisest choice in retrospect. Turned his life inside out in one devastating moment when the hell he was standing on in Viet Nam moved skyward. Yes. It was thoroughly mined, a trap, an ambush. Dazed and blonkered Rick came back down to survive and stagger back to help his fellows, ears ringing and staggering nearly aimlessly. He needed as much help as anyone else.
Strangely he was not sent home but remained to serve out his term. And now Kim Foos’ story take a dark turn.
If there were enemies on the Eastern Front they had allies on the Home Front. Inept in Viet Nam our Commanders were cowardly at home. They allowed the traitorous domestic Red allies of the Communist Viet Namese to taunt and revile those who had courageously fought the battle of Justice and right. The returning soldiers who had faced a dogged and vicious enemy were told to keep their heads low on their home turf. This to appease a bunch of criminal, traitorous Red agitators who might just as easily have been shot. I don’t know who to revile more the Command or the scurvy Reds.
The shame of America that Rick experienced was to go much deeper. Returned home, reunited and united with a supportive wife in Kim now old enough to marry Rick, just barely, he took a job as auto repairman. According to Kim he was a born mechanic. When a customer learned that Rick was a returned Vietnamese vet he said he would take his custom elsewhere unless Rick was fired. Didn’t want him working on his car. to the shame of America, to the shame I share on behalf of American ingrates the garage owner fired Rick.
What does it mean to be an American? Don’t ask. It’s only an idea anyway.
Shortly thereafter Kim and Rick removed to the wastes of the Upper Peninsula of Michigan. The story continues there, the review ends here.
I close as I opened: this is a memoir of rare grace and charm. A testament to the love in a young girl’s heart. You won’t be wasting your 14.95.
Slum Goddess From The Lower East Side: A Review
June 20, 2008
A Review
Slum Goddess From The Lower East Side
Some Thoughts On The Autobiography Of Suze Rotolo:
A Freewheelin’ Time
by
R.E. Prindle
1.
Sandoz The Great
In 1938 Albert Hofman, a Swiss chemist working for Sandoz isolated LSD-25. In 1938 young Tim Leary was 18 years old. It was in 1943 that Albert Hofman discovered the effects of LSD. Seventeen years after that LSD burt onto the world through the agency of the now, Dr., Timothy Leary, a psychologist with Harvard University.
LSD was adopted by the Bohemian society and all its offshoots as the appearance of the new chemical Messiah: Better living through chemistry as the slogan was. Its use quickly spread through the folk music community of Greenwich Village in New York City.
In 1923 a fellow by the name of Tuli Kupferberg was born and his partner Ed Sanders came along in 1939 a year after I did. Kupferberg and Sanders were poets who became influenced by the folk scene forming a band sometime in 1964 originally called the Village Fugs, later the Village was dropped and they became simply the Fugs. In 1965 they released their first LP on Folkways. Now, cut one, side one was little number entitled Slum Goddess From The Lower East Side. Sort of OK as a song, funny, as were a lot of Fugs songs. Like Dylan they searched for social significance rather than write trite love songs. Unlike Dylan you could easily understand the meaning of the lyrics. Slum Goddess was one and then there was a song that many of us thought significant in the social sense back in those days entitled: Boobs A Lot. ‘Do you like boobs a lot? Gotta like boobs a lot.’ As I said deep and intense meaning. This was followed by a song eulogizing jock straps. ‘Do you wear your jock strap? Gotta wear your jock strap.’ So the Fugs were with it.
At some point after 1965 the Village Voice decided to run a feature depicting some East Village lovely as the Slum Goddess From The Lower East Side. Suze Rotolo had the dubious honor of being selected as the very first Slum Goddess.
To what did she owe this honor? Well, she was famous on the Lower East Side for being featured on the album cover of Bob Dylan’s second LP, The Free Wheelin’ Bob Dylan. She was at that time, 1962, I believe, Bob’s girl friend or, at least, one of them, perhaps the principle one but one can’t be sure as Bob had others as ‘part time’ girl friends.
Thus one has to go back to the summer of 1961 to discover how Suze Rotolo began her odyssey to become the very first Slum Goddess. Suze tells her story in her autobiography issued in May of 2008 called A Freewheelin’ Time. It is a bitter sweet story not lacking in charm. Bob was born in 1941 while Suze was born three years later. All the disparate elements in our story born at separate times were slowly moving to a central focal point in New York City from 1961 to 1965 or so.
Suze and Bob were of that age when freewheelin’ seemed possible while the psychological social moment was about to congeal and then vanish before it could be realized as psychological moments do. Some catch the golden ring as it come around, some don’t. Bob did, Suze didn’t.
Suze was born in Queens, over there on Long Island, as a red diaper baby. In other words in the romanticized Communist parlance her parents were Communists when she was born. She was brought up in the faith.
Bob described her as a libertine dream or some such epithet. I’m not sure Suze saw herself in the same way. I think she expected a little more of Bob than to be his sex toy. As a Communist she should have had a more freewheelin’ attitude.
Suze seems to have been brought up completely within the Red religion much as a Christian might be a Catholic, Methodist, Lutheran or as Jew in whatever stripe of Judaism it might be.
She edged into race agitation at a young age. She met Bob when she was seventeen while she had been working for CORE (Congress Of Racial Equality) for a couple years before that. She would have been fifteen or sixteen. Whether she had sexual experiences with the Africans she doesn’t tell us. In her search for a raison d’ etre for her life she found herself in Greenwich Village in the Summer of ’61 where she met the twenty year old Bob Dylan just in from the Iron Range of Minnesota. They were mutually attracted, quickly forming a sexual relationship.
Bob as everyone knows was and is Jewish. He came not only from a Jewish background but from an orthodox background. Hibbing, Minnesota, his hometown, had a Jewish population of about three hundred families with their own Jewish establishment and synagogue.
According to Beattie Zimmerman, Bob’s mother, Bob was a good boy who attended services regularly while investigating the nature of the various Christian churches. As a mother Beattie’s version of things must be interpreted through the eyes of mother love.
Father Abe was not only a practising Jew but the President of the Hibbing chapter of B’nai B’rith and its terrorist arm the Anti-Defamation League. In addition Beattie, Bob’s mother, was the President of the Women’s auxiliary, Hadassah. So Bob isn’t just Jewish but comes from a very committed Jewish background.
As the President of the Hibbing chapter, Father Abe would have attended statewide gatherings in Minneapolis, regional meetings wherever they were held and possibly if not probably national meetings in NYC and elsewhere. Now, within the international Jewish organizations heavy hitters attend various levels of meetings where they meet and learn something of the various local and regional people. Thus, it may be assumed that Abe Zimmerman as a name at least was known on the national Jewish level. Kind of the Jewish Who’s Who, you know. Bob says that he had contacts to help him when he got to New York. Those contacts would have come through Father Abe while being part of B’nai B’rith and ADL. Bob wasn’t entirely alone out there.
Bob’s Jewish name is Sabtai after the last acknowledged Jewish Messiah, Sabbatai Zevi. There have been many that filled a Messianic role since Zevi not least of which was Sigmund Freud and possibly Albert Einstein. Bob may have been encouraged to take the role for himself.
At any rate when Bob approached thirteen and Bar Mitzvah time Abe brought in a special Rabbi from Brooklyn to instruct Bob. Now this is really signficant. He was probably a Lubavitcher or ultra-orthodox Jew. When Bob publicly expressed his Judaism after his Christian stint he chose to do so as a Lubavitcher. Very likely that was no coincidence. Having received his crash course in orthodoz Judaism Father Abe next sent his son to a Zionist summer camp for ‘several ‘ weeks for each of four successive summers ending at the age of seventeen. This would have the effect of introducing him to young Jews not only of the region but from around the world while at the same time estranging him from his fellow Hibbingites giving him his strange cast of character.
Camp Herzl was named after the originator of Zionism, Theodore Herzl. the camp with a spacious hundred and twenty acres is located on a lake near Webster, Wisconsin. Herzl is not your basic summer church camp but a national and international gathering place where young Jews from around the US and the world can meet and get known to each other somewhat.
The camp is conducted exclusively for Jews along Jewish lines eliminating as many goyish influences as is possible. At least when he was seventeen Bob was playing the Wild One showing up in a mini biker cavalcade. One may assume that many national and international Jewish figures made appearances over the four years to both instruct, encourage and look over the upcoming generation.
The post-war years were very traumatic for the Jewish people. The death camps of the Nazis dominated their minds. They were psychologically devastated and unbalanced looking for Nazis under their beds before they went to sleep at night. One may safely assume that Bob and his fellow campers had to watch extermination movies over and over lest they forget.
The State of Israel was founded in 1948 while the first of Israel’s successful wars occurred in 1956. The ’56 war was a seminal event bolstering the spirits of the Jews turning them aggressive as they now believed they could fight. After ’56 they began to come out of themselves.
For whatever reasons as Bob entered high school his personality began to disintegrate. Perhaps he had to cease being Bobby Zimmerman to become what his people expected of him which was a probable religious leader who then became Bob Dylan. As always Bob would combine two cultures, Jewish and Goyish.
After an extremely rocky year in Minneapolis where Bob shed the remnants of his goody goody image of Hibbing he became the dirty unkempt Bob Dylan of his rush to fame of the Folk years.
Thus as Bob and Suze met in the Summer of ’61 they were both searching for something to be.
Part 2.
Why Do Fools Fall In Love?
The question now that Suze and Bob have gotten together is to sort out the various accounts of what happened. Bob says everyone has gotten it wrong. However his own account in Chronicles I is no more factual than the accounts of his biographers and commentators. Suze doesn’t provide us with much more clarity. While Bob tells it like he wanted it to have been Suze on the the one hand protects her memory of what she wants to keep as a beautiful memory while glossing over her own actions at the time to keep it so.
Bob goes through the romantic notion of constructing their bed with saw, hammer and nails. This is a charming story and I’m embarrassed to say I took him at his word. You simply can’t. Chronicles came out four years ago so Suze has had plenty of time to read it and mull over Bob’s ruminations. Thus she must be aware of Bob’s story of the bed. She says it was an old bed the landlord left from another tenant. Another beautiful tale of Bob’s down the tubes.
Suze rather unflatteringly depicts Bob as a rouster and fairly heavy drinker. She was offended that Bob, who was posing as Bob Dylan, not yet having officially changed his name, didn’t level with her and confide that Dylan was a pseudonym that looked better on a marquee while his real name was Zimmerman and that he came from Minnesota rather than being an orphan from New Mexico. Coming home one night, as Suze tells it, Bob, stumblingly drunk, dropped his ID and she discovered the truth as she picked it up. Even then she had to drag the truth out of Bob.
These problems mounted up. There was immediate hostility between Bob, Suze’s mother and her sister Carla. The mother seems to have instinctively seen through Bob, while I’m sure Carla soon learned that Bob was doing her sister wrong.
As we know from Chronicles Bob had other ‘part-time’ girl friends, pick ups and whatever. As the folk crowd was a fairly tight knit group even if Suze didn’t want to hear the obvious Carla who was employed by the Folklorist, Alan Lomax, could hardly have been unaware that Bob had a laissez faire attitude toward romancing the girls.
Indeed, Bob’s understanding of Suze was that she was his Libertine belle. As a libertine therefore he could hardly have believed fidelity was a necessary condition. I don’t know if Suze considered herself a Libertine but as a Communist both fidelity and jealousy were forbidden by the dogma so speaking consistently with the belief system neither mother, Suze nor Carla had grounds for complaint. Nevertheless both mother and Carla wished to separate Bob and Suze.
Bob records his side of the conflict in his song Ballad in Plain D. In his usual high flown language Bob says in his song:
“The tragic figure!” her sister did shout,
“Leave her alone, goddamn you, get out.”
All is gone, all is gone, admit it, take flight.
I gagged twice, doubled, tears blinding my sight.
My mind it was mangled, I ran into the night
Leaving all of love’s ashes behind me.
Within a few months he was married to Sara who he kept waiting in the wings. Subsequently he tried to keep Sara and his growing family in Woodstock and the Slum Goddess Of The Lower East Side out on the side. Suze, apparently not quite as Libertine as Bob supposed, declined the honor.
Just as Bob blithely romanticizes his early NY years in some sappy Happy Talk that belies his songs and what nearly everyone has written about him so Suze adopts a near virginal girlish pose. Her story of how she left for Italy and her true blue yearning for the perfect love of Bob who sent those charming letters purloined from old country songs is also belied by the various biographers. To hear Suze talk she never looked at a boy in Italy and certainly never dated one let alone kissed or petted. Yet by her religious Communist ideology that would have been no sin, even would have been a virtue. In fact she did have an Italian boyfriend who was apparently dropped down the memory hole at autobiography time.
When she did return the road of romance was much more rocky than she lets on. Carla who stayed home where she could watch Bob was privy to his doings which were much more libertine than anything he accused Suze of. He had to have slept with Liam Clancy’s live in somewhere in there. He’s accused of being a womanizer and you can’t be a womanizer without a lot of women. So whatever Carla knew it was somewhat more than an earful and I’m sure that between Carla and her mother Suze heard it all.
Suze out of respect for this young love which, after all, must still occupy a sacred spot in her life never expresses but the mildest resentment of Bob but letting her sister speak for her she says that ‘she (Carla) felt I was better off without the lyin’ cheatin’ manipulative bastard.’ Right on all counts I’m sure except for the last although as Bob claimed to have no parents Carla could justly so surmise.
At any rate if Suze couldn’t make up her mind her mother and Carla could.
Ballad In Plain D again:
Beneath a bare light bulb the plaster did pound
Her sister and I in a screaming battleground,
And she in between, the victim of sound,
Soon shattered the child ‘neath her shadows.
—–
The wind knocks my window, the room it is is wet.
The words to say I’m sorry, I haven’t found yet.
I think of her often and hope whoever she’s met
Will be fully aware of how precious she is.
And then Bob married Sara and ruined her life.
While Suze and Bob talked marriage there is no reason to take that seriously; he talked marriage with Echo too. I don’t think Bob had any notion of marrying aouside his faith. The mother is the culture carrier; Bob is firmly within the Jewish culture so there could have been no chance that he would have taken other than a Jewish wife. Even then he may have married only to fulfill the commandment to be fruitful and multiply. Once he had fulfilled that duty he broke the marriage apart.
3.
The Slum Goddess
Suze was now a young woman of twenty or twenty-one alone adrift in New York City. While she and Bob were having their tempestuous romance the times they were a changin’.
Tim Leary, up in harvard, had embraced psychedelics. Once in love with LSD he wanted to share his love with everyone. He became the High Priest of his psychedelic religion. I can recommend both his autobiography and his volume of reminiscences: High Priest. The latter is a spectacularly well written book if tending toward tediousness.
Leary’s experiments attracted the dark angel of the Hippie years, Allen Ginsberg. Ginsberg also attached himself to Dylan tying the Beat and Hippie decades together. Vile man.
Bob had introduced Suze to Marijuana and what else I don’t know, perhaps LSD. He himself was into the pharmacopeia also undoubtedly dabbling in heroin although if he did he is still an addict or was successful in kicking the habit after his retreat from fame in ’66. That whole thing about the motorcycle accident may have been just rehab. He sure needed it.
As Bob notes the effect of LSD on the Greenwich Village folk scene was to turn people inward destroying any sense of community. Suze then was attempting to navigate this terra nova. Along with turning people inward, LSD, the drug scene, turned the scene sexually rasty in ways even the Communists couldn’t have imagined. The Pill coming along at this time certainly was as influential as LSD in changing sexual mores.
Suze, if aware of this, makes no mention of it in her auto. The Fugs released Slum Goddess in 1965 although they may possibly have been playing it around the Village for a year or two earlier. The Slum Goddess is not a savory woman.
That Suze was selected as the first Slum Goddess strikes my sensibilities as a negative compliment. Her presentation of it implies a souring experience. Shortly after her selection she chose to withdraw from Village life. She gives as the reason that her earlier relations with Bob caused upleasant curiosity and that was certainly true.
The scene turned absolutely rotten after 1968 when between drugs, profound negativity and the progressing degradation of the Hippie movement anyone with any sense of dignity was driven out.
Suze must have been one of us for she left the scene behind. There are few today who choose to remember it. As for me, life is life, there it was and there was I. I was who I was; je ne regret rien. I hope Suze doesn’t either. Bob? He just stays on the bus and doesn’t get off. Reality can be such a drag.
Part 9 Tarzan And The Lion Man: A Review
May 24, 2008
A Review
Themes And Variations
The Tarzan Novels Of Edgar Rice Burroughs
#18 Tarzan And The Lion Man
No. 9 of 10 parts
by
R.E. Prindle
First published on the ezine, ERBzine
Conclusions And Prospectus
A careful reading of the output of the ’30s reveals a developing antagonism, war if you will, between the Communists, the Jews and ERB. The attempt to shut down non-Communist writers appears to have been extended to ERB, forcing him into self-publishing in 1930 with Tarzan The Invincible being the first title. this was followed by its sequel Tarzan Triumphant.
The two titles would seem to indicate he met that challenge successfully.
Then in a seemingly unrelated event MGM released the movie version of Trader Horn in 1931. Trader Horn seems to have led MGM to sign Burroughs on for his Tarzan character shortly after the movie’s release. MGM would then go on to film six Tarzan features over a ten or eleven year period from 1932 to 1942. All the movies were profitable yet after the release of Tarzan’s New York Adventure MGM sold a stellar property to the Sol Lesser Company even allowing Johnny Weissmuller and Sheffield to go with the sale. O’ Sullivan chose to abandon the series.
The entire MGM series used Trader Horn footage transferring it to the Tarzan series as Tarzan’s home base. Over the years they incorporated scenes relying on Tarzan And The Leopard Men and Tarzan And The Lion Man. It would appear they sudied the series closely. Compare this description of Lady Barbara Collis’s flight in Tarzan Triumphant with the scene used twice in MGM movies of the plane approaching the Escarpment. Triumphant, p. 10:
…and when there loomed suddenly close to the tip of her left wing a granite escarpment that was lost immediately above and below her in the all eveloping vapor…
There can be little doubt that the intent was to defame the character of Tarzan with the release of Tarzan, The Ape Man, first of the series. Ten years later in Tarzan’s New York Adventure he is still the ignorant lout he was as the feral boy of the first film after having been the ‘mate’ of the seemingly well bred, well read, intelligent Jane played by Maureen O’ Sullivan. After ‘finding’ a son in 1939, three years later, ‘Boy’, as he was generically named, speaks intelligently and is able to write a note telling his mother he will be gone for a day. At the same time Tarzan is still going around speaking pidgin English like ‘Tarzan kill’ or ‘Me Tarzan, you Jane.’ There’s a guy who isn’t even listening to Jane talk to him. I personally find this amazing. The question then is why didn’t MGM develop the character in a more intelligent manner.
Also, the question arises as to why the character wasn’t made a profit center for MGM as Charlie Chan was for Twentieth Century Fox. As Burroughs notes in ‘Writer’s Markets And Methods’ in 1938 in reference to the Chan movies, the public was hungry for the serialization of popular characters during the thirties. There were nearly fifty Charlie Chan films made, some years at a clip of four. The astonishingly strong and continuing appeal of Tarzan would certainly have justified the attept to produce two or more a year. Certainly an annual film. After assuming the license from MGM beginning in 1943 Lesser released a film a year in a very profitable manner. So, as he found plenty of ideas the argument that MGM exhausted the story potential of the character doesn’t hold up. Something else was going on.
That something else was the role of Burroughs as an anti-Communist and in Jewish eyes, an anti-Semite.
It is important to have an idea of the Jewish role in history as they are invariably in antagonism to the citizens of their host country. One need look no further for an explanation than the Old Testament story of Cain and Abel. The story encapsulates the Jewish attitude toward the other peoples of the world.
The story involves God or in other words, a higher authority, Abel who becomes the the higher authority’s favorite and Cain who is rejected by the higher authority. Abel presents his offering to God or the higher authority and Cain his. Abel’s offering is an exploitation of the natural increase of the flocks. In other words cattle do all the labor while Abel harvests them. Cain labors in the fields offering the produce of his labor which is rejected as unworthy.
Once the higher authority chooses the offering of Abel he makes him his favorite. Abel then lords it over Cain who quite naturally resents this. Cain then invites Abel into the field where he kills him. Eh voila! The origins of Semitism and anti-Semitism. The problem of anti-Semitism is solved.
Now, the Jews will compulsively repeat the story of Cain and Abel after the Freudian manner endlessly over the millennia as the story is encoded in their brains.
Now for the application. In 1995, BenZion Netanyahu published his mammoth volume titled, The Origins Of The Inquisition In Fifteenth Century Spain. BenZion is the father of Benyimin the former Prime Minister of Israel. Mr. Netanyahu’s large sized, eleven hundred pages, book investagates the problem in excruciating and verbose detail. Mr. Netanyahu chats on interminably in an attempt to deny the obvious. It’s as though he believes that if he talks long enough the truth will go away.
Mr. Netanyahu notes that in every instance over the last twenty-five hundred years the Jews have at first been warmly received by the host nation only to have this affection turn to such a hatred over a period of time that the Jews are either killed or thrown out. He examines the problem in fifteenth century Spain. His conclusion is that the cattle, or anti-Semites as he styles them, are at fault while his Jews are as blameless as Abel. Thus he avoids answering the question of why this is the invariable result of Jewish cohabitation in a society.
For Jewish historians there are two versions of Jewish history. One is the annals of the Jews and the other is the history of anti-Semites. This is how the Jews organize their story. Any thing critical of Judaism automatically falls into the category of the History of anti-Semitism. One of the most persistent objections to Judaism over the last twenty-five hundred years is that the Jews see the non-Jews or Cainites as cattle meant to contribute to Jewish welfare. Even though the idea is clearly contained in the story of Cain and Abel the Jews have always considered the charge what they call an anti-Semitic slur. However Mr. Netanyahu describes the system perfectly in his overlong essay. This isn’t history. This is one long whine.
Skipping a repetitious millennium or two let us skip along with Mr. Netanyahu to fifteenth century Spain.
Our author erroneously established the origins of anti-Semitism in the Hellenic and Roman periods of the Middle East. He chose to completely ignore the blueprint of Semitism and anit-Semitism as presented in the story of Cain and Abel in Genesis, the first book of the Bible. For him he has the inexplicable paradox of every people warmly receiving the Jews into their midst while after a period of time universally and brutally rejecting them. He appears to be genuinely so obtuse as to be unable to understand this.
The history of the Jews in Spain goes back at least to the Roman transportation to Spain after the destruction of Jerusalem in 70AD.
While the usual tradition of the Jewish historian, Heinrich Graetz and others, is to portray the Spain before the expulsion as an idyllic sojourn in ‘The Land Of The Three Religions,’ Mr. Netanyahu presents a picture of cultural conflict under the Visigothic kings down to the expulsion.
Of course the Moslems occupied Spain from c. 700AD until they were completely expelled in +1492. The Reconquest began almost immediately, while by c. +1100 when Mr. Netanyahu reaches the beginning of his central story was successful over most of Spain. Following the scenario of Cain and Abel the Jews were able to insinuate themselves into the role of middlemen between the kings of the various kingdoms, or higher authorities, and the indigenous Spaniards, or cattle who Mr. Netanyahu disparages as Christians as though the conflict were of a religious nature rather than a cultural one. Spain was a multi-cultural society that functioned as all multi-cultural societies must until one culture establishes itself as the Top Dog.
We have the classic situation of the Abelites farming their Cainites as a human herd of cattle. The cattle produce the wealth, the middlemen reap the harvest. Thus the kings appointed the Jews tax collectors and tax farmers.
There is no more vicious or unopular job than that of tax collector. Even today when governmental functions are institutionalized and no longer personal the resistance is still strong. The Jews had the advantage of segregating themselves as a distinct culture so that they escaped the opprobrium they would have felt if they had been native tax farmers living amongst their brethren.
In the nature of tax farming per se there is no reason to believe that the Jews were any more honest or gentle than any other tax farmers. Exploiting their human cattle as tax farmers the Jews then dug deeper by acting as loan sharks after having expropriated the wealth of the Spaniards as taxes. Interest or usury as it was called was forbidden the faithful by the Catholic Church so miraculously, almost, the loan sharks had the field to themselves, not ever a shard of competition. And they took advantage of it. So for roughly two or three hundred years the Jews exploited their human kine unmercifully. Mr. Netanyahu acknowledges this although with a different characterization.
As Abel exploited his position as favorite of God with Cain who, becoming exasperated, killed Abel so in 1391 driven past their endurance the Spanish cattle rose up, as Mr. Netanyahu puts it, to virtually exterminate the Jewish population. As exaggeration no doubt. Mr. Netanyahu virtually equates the uprising with the Stalin-Hitler period in Central and Eastern Europe.
In the interests of brevity we will now skip another four hundred years or so to the post-Revolutionary period of 1913 to the present. The story was the same in every society the Jews infiltrated; one of expulsion or slaughter during this intervening period. There is no aberration in history over the period from 1913 to 1945; it is all a continuation of the Abel and Cain story; Semitism and its inevitable reaction. Underline the word inevitable. The United States will not be immune to this reaction.
From 1300 to the French Revolution Jews had been expelled from every Western European country while being placed under civil disabilities in Central and Eastern Europe. The French Revolution reestablished opportunities for them. They quickly reestablished their role as middlemen.
By the time of the Revolution State functions had been depersonalized and institutionalized. The law of fiat by the king had been replaced by the ‘Rule of Law.’ Thus, while individual rulers who remained goyim were still important, they functioned under the higher authority of the ‘Law.’ The term Majesty indicates the concept of The Law had replaced the Royal authority.
Thus to regain their position of middlemen Jews had to subvert the Law. This has been all but completely accomplished in our own time. In the interim between 1913 and 1953, actually, the Jews fully exasperated their Central and Eastern European host States, thus during the Stalin-Hitler period from 1928 to 1953 Nazis and Communists took the psychological solution of inviting Abel out into the field and killing him. Both Stalin and Hitler began to systematically exterminate the Jews. This should surprise no one familiar with the Cain and Abel story and history.
Stalin was assassinated on the eve of the execution of the order to round up Eastern European Jews for transportation to the gulags in the far North. Not only a virtual but an actual death sentence. Thus the Jews in Europe would have been all but destroyed.
I hope this is suffiecient background for us to now return to the story of Burroughs, Tarzan, MGM and the Judaeo-Communists of Hollywood.
it is an accepted fact today that the various national CPs were all 50 to 60% Jewish. Insofar as Jewish Cultural ends coincided with Communist goals, which were not entirely synonymous, all Jews may be said to be Communist sympathizers. After the establishment of Israel in 1948 a rift occurred between the two cultural factions that resulted in a rejection of the Jews by the Communists.
We know that ERB became suspect as an anti-Semite after 1919 and I suspect a confirmed one in AJC/ADL eyes, at least by 1924’s Marcia Of The Doorstep, reinforced by Tarzan Triumphant a few years later. :Little is known of ERB’s attitude toward the Jews before 1919. He must have been aware of the Jewish presence in Chicago.
Gus Russo in his volume Supermob describes their arrival in Chicago in this manner. p. 4:
This community…was centered around the intersection of Halsted and Maxwell Streets, where the population was 90% Jewish. Over the next twenty years (after 1871) an estimated fifty-five thousand Eastern European Jewish immigrants crowded into this tiny locus. So dense had this ghetto become that one social scientist determined that if the rest of the city were similarly clotted, Chicago would boast, instead of two million residents, over thirty-two million people, half the population of the entire country.
We know that ERB was familiar with the area because Billy Byrne, the Mucker, came from the area, so ERB must have observed the Jewish community in this habitat. With further arrivals that brought the Jewish population of Chicago to 350,000 the area of Lawndale was colonized.
Hollywood in the thirties was rapidly changing. (When wasn’t Los Angeles rapidly changing?) Beginning in the thirties a remendous influx of revolutionary and conspiratorial Jews arrived from Germany, especially after 1933. At the same time the Outfit began to annex California as its own crime colony. As part of this organized crime influx came the generation of Jews from Lawndale in Chicago as the so-called financial wizards of the Chicago Outfit. Thus the whole charater of LA Burroughs knew from the teens and twenties changed much for the worse. It will be remembered that ERB was a neighbor of the Sicilian mobster Johnny Roselli in the late thirties while gangsters became prominent in his work beginning with Danny ‘Gunner’ Patrick of Tarzan Triumphant and the assassins of The Swords Of Mars.
As far as I know ERB was too discreet to discuss his opinions of Jews other than what can be gleaned fromt the novels. It does seem clear that he knows who he was dealing with.
We know he was an anti-Communist which was enough to have him shut down as an author, while it is probable that the Jews considered him an anti-Semite which is another reason for him to be brought into line. The means of doing this was to control him economically while subverting his character of Tarzan. It was a fairly easy matter to break him financially, but the strength of the appeal of Tarzan was such and the means applied so covert, that when MGM gave up after Tarzan’s New York Adventure the ape man had been too strong for them.
So, when the string of six MGM Tarzans began in 1932 the intent was to diminish Tarzan to a laughing stock, but the character was too much for them while the movies became extremely profitable. Even then the Studio abandoned the lucrative series in 1942. This is inexplicable unless something is going on behind the scenes.
For the next essay I am going to concentrate on the last of the MGM movies, Tarzan’s New York Adventure primarily because it seems to be directly related to the situation around Tarzan And The Lion Man. It is highly improbable that Lion Man was not read by those involved with this project at MGM. They must therefore have reacted to it. The novel very likely has concealed messages that escape us but which they would have picked up. The movies also have concealed messages which were directed at Burroughs. If I am right Tarzan’s New York Adventure is a lecture tha was directed at the old Lion Man, Edgar Rice Burroughs.
Go to part 10 of 10 Tarzan’s Excellent New York Adventure
Exhuming Bob IX: Chronicles I: Pensees 5
May 12, 2008
Exhuming Bob IX
Chronicles I
Pensee 5
by
R.E. Prindle
Larry Sloman has an interesting interview with Mike Bloomfield in his On The Road With Bob Dylan of 1978. It takes up twelve pages- 286-297- of the 2002 Revised Edition.
Mike Bloomfield was, or course, the White Southside Chicago Blues guitarist who rose to fame as the lead guitarist of the Paul Butterfield Blues Band. Butterfield’s LP East-West was one of the seminal records of the sixties. If you’re hip and don’t know the record, you should take care of that as soon as possible.
The interview is interesting in a number of ways. Bloomfield who was a Jew ‘hanging out with ‘the niggers’ on the Southside as he puts it, has a rather surprising attitude toward Blacks and opinions on Dylan.
Born in ’43 Bloomfield was two years younger than Dylan thus his mind was more malleable to the propaganda of the fifties as he turned fifteen only in ’58, graduating, if he did, in ’61. The tremendous persecution indoctrination and conditioning of the mid to late fifties in the Jewish community would likely have influenced his mental state more profoundly than Dylan’s.
The Jewish community has always been affected by the Negro mental situation. A low down Jew in his own community was frequently designated a ‘nigger’ often carrying the nickname of Nig or Big Nig. Sloman, also a Jew, repeatedly refers to himself as the ‘nigger’ of the tour while designating Ronee Blaklee as his female nigger counterpart.
While not having enough information to diagnose Bloomfield’s mental state nevertheless since he abjured the White world for the Black world of the Blues it would seem that he interpreted the intense Jewish indoctrination as meaning that since the world hated the Jews only because they were Jews that the Jews were no better than the ‘niggers’ and that he should go live with them. The psychological conditioning young Jews went through in the fifties was just horrid in the effects on their psyches. Really crazy stuff.
So, while feeling no better than the Blacks Bloomfield at the same time recognized his separateness, difference and apparent inferiority.
This was certainly different than the image being projected to the equally impressionable youth of America who through musicians like Bloomfield reverenced the Negro. In fact Bloomfield was a perfect catalogue of prejudices if one looks at it that way. Another way of looking at it is that having had close contact with the various cultures he had a clear idea of their characteristics as compared to the Jews and Whites.
Still, at Newport he was scandalized by Peter Seeger’s behavior. Quite clearly Bloomfield was not your typical White Liberal. p. 291-292:
To play with anyone at a folk festival, I would have plugged my guitar into Pete Seeger’s tuchus, really man, and put a fuzz tone on his peter. You know what fucking Pete Seeger was doing? He brought a whole bunch of schwartzes from a chain gain to beat on a log and sing schwartze songs, chain gang songs, and he was doing that, can you believe this guy? Here’s a white guy, got money, married to a Japanese woman, beating on a log with schwartzes singing ‘All I hate about lining track, whack, this old chain gang gwine break my back, actually saying ‘gwine’, whack and Seeger’s doing this and he’s pissed off at us for bringing electric guitars to the fucking folk festival! He brings murderers from a schwartze prison to beat on a log! Oh, I couldn’t believer how fucking crazy it was!
Schwartze italicized in the original, of course, is Yiddish for nigger. The above is terrific scene painting that represents about how probably 90% of America at the time would have perceived the scene. Seeger was a Liberal Commie Red American living this incredible fantasy life in which he was the star of his own movie in which there were no consequences while the plot is perpetually arranged to suit his convenience.
This was the beginning of the period when White Americans believed themselves in control of the destinies of the people of the world. Kennedy had just created the Peace Corps under whose auspices raw youths with no worldly experience were sent out into the world to supposedly tell forty and fifty year old men and women that they were doing everything wrong and these mere kids were going to tell them how to do it right. I can’t tell you how the concept boggled my mind. Seeger married to a Japanese while calling these Negros cons to Newport to play chain gang songs is actually treating these people as though they were his toys. The arrogance of this Liberal so-called peace-loving, people-loving creep is amazing.
As Bloomfield says, Seeger came unglued over the violation of his fantasy when electricity was introduced into his rural pre-Civil War fantasy while idolizing Negro murderers that he had had released from prison for the weekend. Imagine, for his convenience without any regard for the feelings of the prisoners he had done that. Then he has them perform a scenario where they are beating on a hollow log as caricatures of themselves of a century earlier singing railroad songs that hadn’t had any relevance for at least fifty years.
Obviously Bloomfield while he had some fantasy that he was a psychological nigger who was at home on the Southside still longed to be Uptown with the White folks. Hence he is so scandalized that Seeger, a man with money, in other words, while Seeger didn’t have to play with schwartzes was actually, and here Mike’s incredulity is palpable, singing Negro dialect like ‘gwine’ and going whack.
I mean, in Seeger’s incredible movie life he’s got a Japanese wife and everything, bank account. If he tires of that fantasy he dumps her and marries a – whatever, whoever the film running through the sprockets of his mind fancies. I mean, the guy’s got a long lead between second and third out on the grass and nobody’s even running him down. Bloomfield is completely flabbergasted.
And then Dylan is toying with him and he does know that. Dylan comes to Chicago right after the first album, Bloomfield grabs his guitar, just like in Crossroads, intending to cut Dylan down which he can do with ease and cutting is done everyday in Chicago so it is legit. Dylan must have blanched with fear knowing Mike could do it. Now, remember this is an intra-Jewish thing. Rather than risk embarrassment Bob abases himself and charms Mike into believing they are friends. Deceived, Mike lets Bob off.
Now safely back in New York Dylan calls Bloomfield to ask him if he wants to play on Highway 61, the most vengeful record ever recorded. Bloomfield accepts showing up in the enemy’s camp at Woodstock. Now Dylan insults Bloomfield and strips him of his dangerous skills. Bob says: ‘I don’t want you to play any of that B.B. King shit, none of that fucking blues I want you to play something else.’ so we fooled around and finally played something he liked, it was very weird…’
So Bob makes himself superior by taking away Bloomfield’s identity (I had to change their faces and give them all brand new names) but he takes the trouble to actually teach Bloomfield the songs because he is going to need him.
I have to give Bob credit for being an improvisational genius. At the Highway 61 session he and Mike are the only guys who know what they’re doing while the other musicians are keying to them. The result in my estimation is sensational. As a musician Bloomfield didn’t think much of it but as a listener without those kinds of professional prejudices the result is astonishing. To be sure the sound is not as tight as a Johnny Rivers record but that is its genius.
Bob assumes that Bloomfield knows he is now Bob’s shadow or guitar player. When Mike goes with Butterfield Bob feels rejected. When Bob’s feelings are hurt Bob gets revenge. A number of years later Bob asks Mike to play on Blood On The Tracks This time he doesn’t need Mike so harking back to their first encounter in Chicago he roars through the songs in one tuning so fast Bloomfield can’t keep up. Bob has cut Bloomfield as Mike had meant to cut him. Bob walks out, king of the Crossroads. Bob has ‘proved’ himself the better musician. End of that story. Bloomfield ODed a few years later.
At one point Sloman asks Mike ‘What was he like?’ pp. 286-287:
“There was this frozen guy there,” Bloomfield says. “It was very disconcerting. It leads you to think, if I hadn’t spent some time in the last ten or eleven years with Bob that were extremely pleasant, where I got the hippie intuition that this was a very, very special and, in some ways, an extremely warm and perceptive human being, I would now say that this dude is a stone prick.’
Bloomfield then describes Dylan in conjunction with Neuwirth and Albert Grossman holding themselves aloof from others while indulging in savage put downs of anyone and everyone. Bob in fact was a stone prick. The question is why?
After this introduction to the problem , in Pensee 6 I will return to the root of the problem built around Bob’s reverence for Mike Seeger.
Exhuming Bob IX: Chronicles I Pensees3
April 27, 2008
Exhuming Bob IX
Chronicles Vol. I
Pensees 3
by
R.E. Prindle
…I needed to get my own place, one with my own bed, stove and tables. It was about time. I guess it could have happened earlier, but I liked staying with others. It was a less of a hassle, easier, with little responsibility- places where i could freely come and go, sometimes even with a key, rooms with plenty of hardback books on shelves and stacks of phonograph records. When I wasn’t doing anything else, I’d thumb through the books and listen to records.
Not having a place of my own was beginning to affect my super-sensitive nature, so after being in town close to a year I rented a third floor walkup apartent…
Bob Dylan, Chronicles Vol. I
Yes. Bob’s super-sensitive nature needed his own bed. He and Suze Rotolo were an item soon after he met her in July of ’61. He had to give up the the comfort of other people’s books and records in other people’s digs. He needed his own privacy now.
Suze would be an important influence in his life. She came from a long line of Communist agitators. She was not only Red to the- but was working for- CORE there in New York City. Bob wasn’t writing much as yet since his major influences hadn’t come together. While Bob doesn’t mention all those old C&W records as a songwriting influence he nevertheless has always written within a Country and Western context. Guthrie, his first attested major influence rose from a C&W milieu.
From being an apparent pauper, one reason Suze’s mother didn’t like him, Bob suddenly had the affluence to rent an apartment while being able to furnish it, even buying a used TV. He and Suze moved in. Suze is putting out an autobiography this month (May, 2008) so we’ll see if we can see what Bob saw in the girl.
As a Communist lass working for CORE Suze must have talked up Civil Rights and other Reconstruction views a bit so we may probably accurately assume that she influenced Bob’s songwriting direction when he gets his songwriting attitude organized here in a paragraph or two.
Bob came from small town Mid-West Hibbing. I do know where that’s at. While he was interested in records there was no indication he was ever interested in any other cultural areas. He doesn’t seem to have evidenced any interest in the varied cultural life of New York City before he met Suze. He was no habitue of museums although he does tell us he haunted the library where he read newspapers- those from 1855 to 1865. No news like old news.
His mind had been little prepared for what Suze had to show him. Mid-West small towns can be stifling and that’s no joke.
As Bob says: I began to braoden my horizons, see a lot of what the world was like, especially the off-Broadway scene. Then he mentions Le Roi Jones’ (Amiri Baraka) and the Living Theatre play, The Brig. Bob may have seeen those plays with Suze but he didn’t see them within the time limits of his story so they could have had no influence on his songwriting development at this time. Dutchman and The Baptism of Jones that he mentions were first performed in 1964 as was the Living Theatre’s, The Brig. It is interesting that Jones’ The Bapstism is described as anti-religious when Jones turned Moslem and became Baraka shortly thereafter. Baptism must have been more anti-White.
Jack Gelber’s The Connection was made into a movie in ’62 so he could have seen the play within this time period. I couldn’t find any time period for the play but it ran for over two years. I didn’t come up with anything for the Comedia Del Arte.
The Brecht-Weil show drew a blank but as he seems to have been knocked out by the song Pirate Jenny that may have influenced his song When The Ship Comes In, while he gives it prime importance as an influence that formed his skills he must have seen that sometime in the Fall of ”61 or the Spring of ’62.
He and Suze did visit the artist hangouts she was familiar with while broadening Bob’s horizons by trips to MOMA and the Metropolitan. Bob probably saw Picasso’s Guernica at MOMA where it was on display at the time. Bob developed a real interest in painting during this period.
So, we have the book thumbings from his freeloading days, the records, Suze and her art influences and then when John Hammond signed him he gave Bob an acetate of the first Robert Johnson album, which didn’t sell for beans I might add. The first Robert Johnson LP was released in 1960 so I don’t understand why Bob was given an acetate unless it was just lying around and Hammond picked it up or else acetates were a sop to new signees who had just been contractually screwed. You think managers are bad, try record companies.
Johnson was a revelation for Bob. He saw something in the LP which only a few people ever have. I’ve listened to it a couple of times and I’m with Dave Van Ronk. So What? There’s nothing to the vocals and he’s obviously a beginner on guitar. It’s not that he’s inventive he just doesn’t know how to play.
The story Bob tells is that a teenage Johnson is hanging around some Blues heavies and they shoo him off. Johnson then meets a supposed guitar wizard nobody’s ever heard of who teaches this very receptive student mega volumes of guitar lore so that Johnson returns to the Blues heavies a year later to knock their socks off with his virtuosity. As Van Ronk says: ‘…oh that lick’s from here, this one’s from there; that song is a reworking of another and so on. Greil Marcus quotes Johnson’s lyrics extensively in his Mystery Train. Wow! I guess too much of nothing can be a good thing.
But anyway Bob learned three or four times as fast from Johnson as Johnson learned from the old coot who taught him. Bob was up and running within three months.
However Superbob the Songwriter wasn’t ready to step forth from the phone booth yet, there was something else lacking, what was it, something or other. That’s it, in French, l’ autre. Bob had discovered that he was someone else. I know where that’s at too; I’ve been called somethin’ else a couple times I can remember. So Bob was somewhere between Bob1 and Bob2. The transition from Bobby Zimmerman to Bob Dylan had to be completed. Bob picked up a copy of Arthur Rimbaud. The book fell open in his hands and the words ‘Je suis un autre’ floated up before his eyes and were sucked into his soul. Bob too realized that he had or was un autre. Now Bob was ready to rock and roll.
This is a pretty story and I like it. I like it a lot. It might even be true, I’m sure I don’t know and maybe Bob isn’t real positive. Anyway the songs began to roll out. John Hammond who had seen only a couple when he suspicioned there might be more in Bob’s head so he sent the underaged lad to be signed by Lou Levy. Songs were in the air I guess and Albert Grossman had his radio tuned to Bob’s brain and must have heard them. Like a vulture spotting a dying man from several thousand feet in the air the eagle eyed Albert, and that is not meant as an insult, descended on Bob and scooped him up. Wish I’d been there with the gift of gab, a shovelful of chutzpah. A dream of a life time and Albert split it in two to come up with Bob and Peter, Paul And Mary. The Fearsome Foursome.
Although Bob was to have difficulties with Albert in later years when Albert’s cut was growing larger than Bob’s he seemed to have been welcome at this time. Peter Yarrow says that without Albert Grossman there wouldn’t have been a Bob Dylan and this may be God’s own truth. So how much did Bob really owe Albert? But like The Colonel and Elvis a manager seems to inevitably believe the whole belongs to him. The manager’s cut just seems to get larger and larger while the artist he’s working over gets to lick the plate. But, those problems were in the future and as Bob’s songwriting skills matured Albert got him much more money than he could have gotten otherwise.









