Vol. I, Clip 4: The Vampyres Of New York
January 19, 2016
Vol. I
A Novel
The Vampyres Of New York
Clip 4
by
R.E. Prindle
Now, Gentlemen, to make myself intelligible I should clear up two things: one is the ages old conflict between the Aryans and the Semites that continues into the present, and second, the meaning of vampirism.
I find it necessary to set the stage for the first argument by a rather lengthy quote from the father of history, Herodotus. I use the Landmark Edition:
Quote:
Herodotus of Hallicarnassus here presents his research so that human events do not fade with time. May the great and wonderful deeds- some brought forth by the Hellenes, others by the barbarians- not go unsung; as well as the causes that led them to make war on each other.
Persian authorities of the past claim that the Phoenicians were responsible for the dispute. This is because, after they had come to and settled the land which they still inhabit from what is now called the Erythraean Sea, they at once undertook long sea voyages and brought back cargo from Egypt, Assyria, and elsewhere, but more importantly came to Argos.
At this time in the land we now call Hellas, Argos surpassed other places in all things, and when the Phoenicians reached Argos they set out their cargo for sale. On the fifth or sixth day after their arrival, when they had sold almost everything, many women came down to the sea, in particular, the king’s daughter. Her name, according to what the Hellenes also say, was Io daughter of Inarchos. The women were standing by the stern of the ship intent upon their purchases when the Phoenicians, inciting each other, rushed upon them. The greater part made their escape, but some were seized and carried off. Io herself was among the captives. The Phoencians put the women on board their vessel and set sail for Egypt.
This is how Io came to Egypt according to the Persians (thought the Hellenes disagree), and this was the beginning of grievances.
Unquote.
Then much later Jason abducted Medea followed by the Trojan abduction of Helen and so over the millennia the war between the East and West has continued as it does today. Egypt was not part of Asia but of the West.
Alexander followed by the Romans conquered Asia and so it remained until the Semitic Arabs annexed North Africa, Spain and most of the Middle East, that is Asia.
The Jewish diaspora began in far distant time taking definite shape in Roman times when using the diaspora the Jews attempted to subvert and conquer the Roman Empire. When that attempt broke into open war in the first and second centuries AD the Jews were crushed but the Roman Empire had been undermined by the Jewish War.
The Jews as a hostile alien element in Europe lived what was considered a parasitic life on the Europeans but in our term might be described as vampiric.
So, now, what is meant by vampiric. I’m sure we all agree that true or blood sucking vampires do not exist nor have they ever existed. As George Sylvester Viereck, the early nineteenth century American writer, put it in his novelette, The House Of The Vampire: Our gods are ourselves raised to the highest power. So our gods and demons are merely projection of our desires. By their deeds shall you know them.
God the highest on one hand and Satan his diametrical opposite but both are the products of our imaginations. Who you going to follow, your best or your basest desires?
The human mind personates those desires and expresses them. Previous to the emergence of the creator god, that in itself says something about human desires, the Earth was enchanted, filled with imaginary beings that personated nearly everything. As it was thought that nature abhorred a vacuum the very air was filled with spirits, nixies, pixies, elves, elementals abounded without limit and this was very satisfying to the human intellect. Then as Europeans evolved and reason took over from superstition all these imaginary beings could no longer be justified and vanished.
But, as nature abhors a vacuum, humanity missed its imaginary beings so they were bodied forth in another way. The very person this literary group was named after was present at the death of the old world and the birth of the new. That is essentially the context of his stories.
Even as Hoffman was straddling the two periods a band of the younger generation was summering in Switzerland, Byron, Mary and Percy Shelley and Polidori. Is it an amazing coincidence that the party bodied out two of the great myths of the modern world, that is Frankenstein and the Vampyre as its author John Polidori styled it. Thus the new scientific world was given its key myths while the Vampyre gave a presence to a psychological type. These two would later by joined by the great myths of Jekyll and Hyde, The Phantom Of The Opera, and Tarzan Of The Apes. The whole space opera epic as well as Flying Saucers and many other myths that while imaginary filled the mythological needs after the downfall of Napoleon.
No myth has been more fully explored than that of the Vampyre. Dracula, the actual bloodsucker who appeared in Bram Stoker’s 1897 novel of the same name is the most famous although the psychic Vampyre is best portrayed in George Sylvester Viereck’s House Of The Vampire and is the type of Vampyre I’m concerned with in this essay.
Perhaps the best example of this type of Vampyre is in the history of the Jews in Spain. Tax farming was the old style of collecting revenues. In this guise the kings, in this case in Spain, would lease out tax collecting. He would commit the tax farmers to return X amount of revenue and anything they could collect above that was theirs. This amounted to a license to steal.
Thus as the Spaniards forged their way from the French border to the Mediterranean against the Moors there was a constant need of revenues. Spanish citizens found it difficult to collect being one with the taxpayers so the Jews stepped forth and said that they could collect with no trouble as they were a different race.
And so a system of exploiting the Spanish that lasted for hundreds of years began. Every year at Harvest time the Jewish tax farmers descended on the Spanish farmers collecting not only the king’s quota but whatever they could extract leaving the Spanish near destitute.
As the farmers were now broke the Jews leant their own money to them against the next year’s crops thus insuring that the wealth of Spain should flow into their pockets, or purses as it was then.
This system was a great grievance to the Spaniards who would endure it as long as they could before attempting a revolt. Such revolts were styled anti-Semitism.
Now, as the Jews were properly resented they had to create fortified positions in which to remain unmolested. These were actual forts into which they retreated at night for their own safety. In later centuries these forts would be styled ghettoes in which Spaniards forced them to live.
When Spaniards assaulted these forts these assaults were naturally styled social disturbances. The Jews called on their employer the king to defend them. Spanish troops were then called out to disperse the Spanish ‘anti-Semites.’
This obnoxious system was ended by Ferdinand and Isabella in 1492 when the last Moorish enclave was expelled from Spain at which time the Jews (and Moors) were given the choice of being expelled or abandoning their Jewish identity and religion and ‘become’ Spaniards. Idle dream that.
As the Spanish method was characteristic of Jews everywhere they were nowhere welcome being expelled not only from Spain but from all other places.
It is impossible to act in their manner without being noticed and characterized. Before the rise of the Vampyre myth the Jews were called parasites as their wealth depended on exploiting others but after Emancipation by the French Revolution they were increasingly compared to Vampyres and the myth of the Vampyre become the dominant myth of Western civilization and that is how I will use the myth. It is real on the psychological level but not on the physical.
So, does that answer my use of the Vampyre figure?
Baron Cammell: I’m not familiar with your interpretation of the Jews in Spain. Do you have any authority for that?
Me: Ben-Zion Netanyahu tells the story in his History Of The Jews In Spain along with many other details.
Max Savings: Is Ben-Zion Netanyahu any relation to Bibi?
Me: Yes. He is Bibi’s father or was, he died about five years ago. Old man though, survived innumerable wars and death camps. Long winded book.
- If that’s it now that we have those two points cleared up let us advance.
As this is actually a brief history of the conflict between Jews and Europeans it is necessary to give some account of the period between the Spanish expulsion and the emancipation of the French Revolution. Contrary to current opinion that all people are one we are not all one. We do not all think alike, believe alike or act from the same motives seeking the same results nor is it likely we will in any conceivable future. Freud, who we will become very familiar with further along, posits the existence of group psychology. Group psychology posits that groups are at least subject to some motivation different from other groups. It is absolutely clear that Jews and Europeans have not and do not share the same motivations.
Nobody shares Jewish motivations hence they have been expelled from every society within whom they have settled. Hence they were expelled from England in 1290, France in 1307, various German States over the centuries and Russia. These expulsions completely exasperated the Jews instilling a deep and abiding hatred of Europeans to the point they wished to exterminate them. Remember the Amalekites.
The Catholic Church with whom the Jews were in competition kept them in check until the French Revolution and Emancipation. With Emancipation the woes of Europe began in earnest.
As an allegory of the situation the twentieth century US writer Charles Beaumont wrote a story entitled The Howling Man that was later used as an episode for The Twilight Zone. The story describes a monastery of monks that has captured Satan and imprisoned him. It is their duty to make sure he doesn’t escape to plague the world; hence they allow no one in the monastery. However a traveler having lost the way begs the monks to put him up for the night. There is a time for Christian charity and time for none. This was one of the latter times.
Over the night Satan howls and howls bringing the traveler to his prison door. Persuaded by Satan that he is being justly imprisoned the ignorant traveler releases him and Satan is once again loose on the world.
This is symbolic of the situation between the Jews, the Church and the Revolution. Within a little over a hundred years after Emancipation the European Holocaust of 1914-1950 began and European civilization was damaged beyond recovery.
While at the time of the Spanish expulsion society was considered static by the sixteenth and seventeenth centuries it became dynamic. That is the European mind evolved and from that evolution a scientific understanding of the world at last arrived.
Contrary to what everyone has been told the Jewish mind remained static. Over the centuries the majority of Jews occupied that stretch of land from Baltic to the Black Seas between Eastern Poland and Russia. That land became known as the Pale of Settlement. Its culture created by the Jews is the true face of Judaism. It was based on the Talmud and its commentaries hence it was essentially superstition unaffected by Western science.
In the West the English expulsion was rescinded during the time of Cromwell while the European emancipation began in France and spread East from there over the nineteenth century.
When Napoleon attacked Germany in 1806 the Landgrave of Hesse-Cassell gave the Jews an incomprehensible break when he entrusted his fortune to them rather than be looted by Napoleon. This was an immense fortune. The Landgrave had been renting out his male subjects as mercenaries, hence the Hessians of the American revolution.
He had converted these revenues into loans and mortgages on vast numbers of properties throughout Europe. The Landgrave entrusted this incredible fortune to the court jeweler Meyer Rothschild. Rothschild had five sons among which he distributed this fortune sending Nathan to England, James to France and the others to Berlin, Vienna and Naples. Situations were not so propitious for the others or they were not as capable but James and Nathan were able financiers who became preeminent in their countries while making the Rothschilds the richest family in the world. We no longer hear of the Landgrave of Hesse.
Remarkably within just a few years the Rothschilds had an organization that could manipulate the affairs of Europe. This would imply a preexisting organization. During the Peninsular War in Spain Wellington might have been defeated by Napoleon’s armies for the lack of money to carry on. Nathan whose immense fortune was then unaccounted for volunteered to loan the English government the gold and deliver it to Wellington in Spain.
This was done by smuggling the gold into France and transporting and delivering it overland to Wellington in Spain under the nose, as they say, of Napoleon.
No mean feat. How did they do it? Obviously in possession of the Landgrave’s wealth they were able to use a preexisting covert Jewish network.
Thus also after the Battle of Waterloo when the outcome was unknown in England Jewish couriers got the news of victory to Rothschild quicker than the authorities got it allowing him to speculate on securities and augment his fortune considerably. Thus the Jews became an autonomous, or nearly so, nation within the various European States.
With the rise of the Jews came the rise of the myth of the Vampyre. As noted Polidori’s story appeared in 1816. It was not long before vampire stories began to flood the market. Aiding the Vampyre idea was the discovery of hypnotism by the Viennese doctor or proto-scientist Anton Mesmer. Once that cat was let out of the bag the way was clear for the means to control whole societies and even civilizations. This fact has been insufficiently realized but it has been the main tool of Vampyres.
Once in the money led by the Rothschilds the Jews were able to control almost all the commodities while becoming important in railroading both in Europe and North America. They sent a very effective agent named August Belmont (assumed name) to manage their affairs in the US.
With emancipation and the vast wealth created by emerging technologies and the rise of modern financial institutions of course, what Jews call anti-Semitism arose in reaction to what Europeans called blood-sucking. Thus the Jews were perceived as sucking away the very vitality of Europe and Europeans.
It was necessary for the Jews to conceal what their intentions were which were, indeed, the destruction of Europe and ‘Christianity’ their term, or Europeans in ours. The hatred generated over the centuries only increased in virulence as, indeed, the Jews sank allegorical fangs into the neck of Europe.
As I said, the Jews were divided between the East and the West. Those of England, France and Germany were bowled over by the rise of Science. Scientific thinking invalidated all Jewish claims to supremacy over Christianity. Religion became irrelevant. It no longer served Jewish interests.
Long had Jews considered their vision of God, that is, themselves magnified to the highest power, as supreme while denigrating Europeans as Christians whose religion was grafted onto the main root of Judaism, following Ben Zion Netanyahu’s explication of the two peoples. Now, in one fell swoop those claims were negated to nothing while European Science stood incontrovertibly towering over Talmudic superstition. Yes, the Talmud, the rock of Judaism, was reduced to no more than possibly amusing nonsense.
The Eastern Jews sunk into barbaric forms of antiquated Jewish fictions was nearly oblivious to the rise of Science in the West and would remain so until those Jews in their millions emigrated to the United States.
As the Western Jews thrashed around trying to devise a religious answer to Science whole thousands abandoned the faith of their fathers for the rational West. The West made giant strides in the understanding of the world. What were the Jews to do? If Science couldn’t be overmatched, and it couldn’t, then it would have to be subordinated first to a level with ‘Jewish knowledge’, that is the Talmud, and then below. How was that to be done?
Here we have a first glimmer of the theory of relativity.
All systems would become relatively equal in value. Nothing would be better or worse, just different. It would be proposed that Jewish knowledge was equal to European knowledge; they would both stand on pedestals of equal height. Thus the Talmud was disguised as ‘Jewish knowledge.’ A mighty task to realize but the Jews have been equal to the task. How did they achieve it against seemingly impossible odds?
Baron Cammell: I’ve never heard anything like this. Do you have anything to substantiate your views?
Me: Baron! I thought this was a group brought together for discussion of lesser known issues, backstories. That’s what I am providing.
Here I had to suppress any reference to Cammell’s ridiculous co-called unified field of knowledge. I almost gagged when he’d mentioned it but in the spirit of fellowship I passed over it.
Baron: Well, yes, but all this conspiracy twaddle about the Jews! Come, come, haven’t these people suffered enough?
Lessing: The fellowship, Baron, the fellowship. Moderate your discussion.
Me: Thank you Lessing. Baron, do you deny that the Jews function as an autonomous people or, at least, a self-interested group?
Baron: I think that diversity is a key virtue of the American system. That’s the kind of people we are.
Me: That, in itself implies a distinct identity within a plurality, does it not?
Baron: Perhaps so, but…
Me: Then so. In the Freudian sense they are a cohesive group and can be examined as such and that is what I’m doing. On the other hand I’m dealing with what Freud would perhaps call meta-psychology. The creation of mental archetypes or myths, if you will, so how the human mind deals with ill understood or unpleasant ideas or those realities that can only be discussed allegorically and hence in mythological figures such as Vampyres. At this point in history that is the Mauve Nineties. This period, as you are aware I’m sure, was a very critical period in European history not least because it was a period of intense reaction to the disenchantment of society by Science as well as the rising threat of Semitism.
Baron: That’s what I mean! Is it necessary to consider the Jews a threat.
Me: Necessary or not, the Jews were considered a threat. Need I remind you that the intensely nationalistic creed of Zionism conquered the minds of the East Jews at this time. The Englishman George Du Maurier wrote his magnificent allegory of Trilby exposing it at this precise time.
The reaction to Science was also intense. All kinds of fantastic notions were relaeased. The esoteric ferment was expressed in the rise of the cult of the Golden Dawn that was taken over by the notorious Aleister Crowley that continues as a significant influence in Satanic thought to this day.
The Englishman George Du Maurier wrote his magnificent allegory Trilby at this precise time creating the menacing figure of Svengali who is still today nearly a household name. He is secondary perhaps to Dracula but on the same level. Indeed Svengali was a type of psychic Vampyre who is portrayed as Jewish and representing the Jewish people.
I don’t know how many of the fellowship have read Trilby but it is quite a landmark in literature.
Max Savings: I read your review of the book on your website and found it quite interesting. Lessing has also, haven’t you Lessing?
Me: Thank you for your reading. I feel compelled to go on. I don’t think Baron has and probably not Marc. Has anybody read Du Maurier or Trilby? No? Hmm.
Du Maurier wrote three books all in the nineties. Trilby is the most famous but his superb Peter Ibbotson is almost as well known as Trilby while his last The Martian may be unknown to most although I have more reads of my review of it than I imagined I would.
As you probably know the artist Whistler was caricatured by Du Maurier in Trilby who knew him during their Bohemian days in Paris. Whistler forced the excision of the caricature from the book version so most copies lack that literary portrayal however WH Allen issued a complete edition in 1983 including the excised parts under the title Svengali. I might add that the back cover blurb describes the book as ‘one of the great myths of fiction so, Baron, I am not alone in crediting these ideas to mythology.
Now, Du Maurier is clearly in reaction to the feared takeover of European civilization by the Jews. Remember the Dreyfus brouhaha was raging in France at the time and the result of the Dreyfus incident was the breakdown of French resistance to Semitism. Once again the rise of the Zionism that produced as its textbook The Protocols Of The Learned Elders Of Zion was written at or near 1900.
Trilby, or Svengali, then expresses a deep anxiety.
Du Maurier himself is a very interesting person. The end of the century was a period of the Neo-Romantics or a re-enchantment of Europe of which Du Maurier was central. He was a man who loved his life, every scrap of it. He was born in Paris in 1834, dying in 1896. Thus he became aware in France at the tail end of the Romantic period but its literature would have been and was a powerful influence on his intellectual development. Crucial to his development was his French and English experience that appears in all three of his books. He was destined by his father to be a chemist who set him up in business in London. At his father’s death he threw over chemistry returning to France to study art and living the Bohemian life as depicted by Henri Murger in his memoir of that golden age of Parisian Bohemia.
He eventually returned to England where he became an illustrator ultimately finding a place at Punch Magazine where he would become celebrated. He in turn celebrated the social milieu around him. The times where a high point, perhaps the high point, in English culture and Du Maurier loved it, as why not. In retrospect it looks like a wonderful period. He seemed to know how magical the period was and he gloried in being part of it. Sort of like our Sixties actually.
As the old guard at Punch shuffled off George was passed over for the editorship he thought he deserved and so he bid adieu to the magazine. While always comfortable, enjoying a genteel Bohemian existence. He was not rich but that would change in the last few years of his life when he found terrific success as a novelist, Trilby being the key to his financial success.
When he took up his pen he romanticized not only his own life but the whole history of his times from the Romantic period to the New Romantics of which he was a leading example. If the Enlightenment disenchanted Europe Du Maurier worked hard to reenchant it. He was in sync with the New Romantics.
Trilby was a rewrite of two Romantic novels. The first was the charming novelette by the French Romantic Charles Nodier also named Trilby and the second the Bohemian novel of Henri Murger. I find Nodier’s Trilby OK but it obviously entranced Du Maurier. In Nodier’s version Trilby is a Scot fairy just past the edge of belief in the Little People. He nevertheless appears to the heroine, a girl named Jeannie.
Jeannie mistakenly talks about Trilby who only she can see so that the more enlightened post-Romantics are alarmed. She is subjected to ‘re-education’ in the process losing her zest for life.
Du Maurier in emulation of Nodier takes the same story transposing it into post-Romantic terms. He transposes the sexes making Trilby female and Jeannie male. Thus the heroine Trilby O’Farrell is a sort of free spirit in the Bohemia of Paris. She is really sort of transvestite frequently appearing in men’s clothes while the hero ‘Little Billie’ is a fairly effeminate sort although with no taint of Homosexuality. He is the same character as William Makepeace Thackeray’s poem Little Billie. Du Maurier took him whole. Billie is pretty close with his two roommates while falling in love with Trilby.
As George’s story opens Billie and his two friends are a sort of Three Musketeers with Trilby being a sort of D’Artagnon. This is sort of relevant in explaining Du Maurier: He loved his memories and couldn’t believe that such wonderful memories disappeared after death. In a wonderful way he incorporates literary tribute memories in his work. He even mentions works by name that had a major influence on him.
Into this mix comes the arch villain the evil Jew, Svengali. He might be based on Lady of The Three Musketeers. DuMaurier doesn’t go into a lot of detail concerning Svengali’s background but he was an Eastern Jew, a wandering Jewish type known as a Schnorrer, that is an impoverished ne’er do well not too dissimilar from the American hobo of the period. You didn’t really want to see him coming. Svengali has all the arrogance of the Schnorrer. Even though penniless he arrogates the attitude of the Prince to himself. Chutzpah on a stick.
He himself is an accomplished musician familiar with qualities that could make a great vocalist. Prying Trilby’s jaws apart he examines Trilby’s oral cavity making the determination that the configuration of the cavity was the needful for a great vocalist. Unfortunately Trilby can’t find notes or melodies although she does render Sweet Alice, Ben Bolt for the amusement of the boys. Svengali is not to be deterred as we will learn.
Trilby and Little Billie hit it off so that he proposed marriage to her. However Trilby is an artist’s model and models were notoriously sexually lax even being thought of as a prototype of prostitute. Billie is of a higher social status so when his mother visits she is horrified at the prospect of the union drawing Billie back to England scotching the marriage. This might be compared to Jeannie’s reeducation in Nodier’s version.
Trilby suffers tribulations, just as Jeannie did, finally ending up on Svengali’s doorstep. He takes her in because of her marvelous oral cavity.
The pair disappear into the wilds of the East. Svengali is not only a great musician but an unscrupulous first rate hypnotist. Hypnotism was a hot topic at the end of the century. Du Maurier and a friend actually practiced the art on girls back in the 1850s.
There is no hope of teaching Trilby to sing in her natural state but Svengali discovers that he can, as it were, project his musical knowledge into Trilby while she is in a hypnotic state. Hypnotized she made Jenny Lind sound like an amateur. The only problem was that she could only sing when Svengali was making direct eye contact with her. Apparently George is indicating the supposed Mesmeric magnetic fluid of the hypnotist flowing to the hypnotized.
Having organized his repertoire Svengali creates a magnificent career for himself and Trilby taking Europe by storm. Thus we have an allegory of the Jewish exploitation of Europe while Svengali functions as a psychic Vampyre. While not drawing blood he usurps Trilby’s life force as we will see when she is in her death throes.
Svengali arrives in London for shows where Billie and his friends will see her. Svengali hates Billie with more than passion. Conducting Trilby he glances up to see Billie thus breaking eye contact while dying from an apoplectic fit. Trilby’s career is ended.
Svengali dead, Trilby who had been under total hypnosis for years can no long survive on her own. Thus while Little Billie sought to fill Svengali’s shoes he fails miserably; Trilby’s dying words are Svengali, Svengali, Svengali.
In this unassuming but amazing novel Du Maurier demonstrates Europe’s relationship with the Jews since Emancipation. He demonstrates perfectly psychic vampirism whereas others used terms to describe the Jews as bloodsuckers or parasites.
It is significant that DuMaurier uses the metaphor of hypnosis. Even as Trilby was taking the world by storm, it is described as the first modern bestseller, the ultimate Jewish Vampyre, the Great Satan himself was finding his future career in Vienna, Sigmund Freud. Freud was the West’s real Svengali.
After Anton Mesmer unleashed Mesmerism, also known as Animal Magnetism (meaning humans as magnets as opposed to iron) certain disciples improved on the principles while developing them into a system. As a new phenomenon Mesmerism was rejected by the academy. Hypnotism became a stage attraction used to amuse an audience. But then one of the first great psychiatrists, a Frenchman by the name of Jean Martin Charcot who presided at the Salpetriere women’s asylum in Paris associated hypnotism with hysteria in women and began using it thus legitimizing it.
About the time Du Maurier was putting Trilby in order Freud was visiting Charcot in France. Freud had begun as a research biologist. He was consumed by the ambition to be a great man; he soon learned there was no future for him in biology or medicine so he thrashed around to find a field more open to manipulation. He teamed up with a physician who dabbled in psychology, hysteria in female patients, Joseph Breuer from whom he saw the possibilities in the field that was in a nascent state thus being open to seizure. He made his pact with Satan.
Satan was of course a pre-enlightenment mythical figure like God and actually, the Vampyre. Unlike the God principle that sought the best in mankind Satanism indulged the worst passions. As Freud was as consumed with hatred of the European as his fellow Jews he set out to exalt the Jews and demean and destroy Europeans.
Freud made few if any original contributions purloining from Charcot and Charcot’s great student Pierre Janet among others. Guilty of what amounts to theft or psychic vampirism Freud then had to destroy Janet’s et al. reputation and bring them down and bury them which he did. He, for instance talks about his discovery of the unconscious. In a masterful way he hypnotized the world into believing that he had discovered the unconscious whereas Mesmer had exposed the concept and others had worked to develop it over the nineteenth century. Freud merely developed a pernicious version of the unconscious and managed to impose that version on the world.
Now, the Jews had been busy seeking to undermine Science in an effort to lower the value to that of the Talmud- what Barbara Spectre calls Jewish knowledge- to make Jewish phantasies equal to Aryan thought. Darwin’s concept of Evolution had been the intellectual Atom Bomb of the nineteenth century. Few ideas have been so stoutly resisted as that of Evolution. An Earth millions, even billions of years old, completely discredited the supposed creation of the universe less than six thousand years ago by the Jews. If science was right then the Jews were fantastics living a lie or at least fictional view of history. It is easy to understand their need to overturn Science.
Quite simply Jewish views were exploded. A tedious Jew by the name of Henri Bergson sought to inject creationism into Darwin’s biology. While this effort has never been an unqualified success it has strengthened the religious argument thus undermining science.
While Einstien’s reputation has been pumped up into amazing proportions his physics seem to have come from the back of his neck. Nevertheless he has confused the discipline while as a sainted Jew few wish to challenge his ‘thought experiments’. You all know that one about the elevator in space.
So Franz Boaz attacked the discipline of Anthropology injecting religion into it. To attack this notion could discredit one as an anti-Semite while losing your credibility and job. Blacklisted, as it were. And the keystone of the Jewish attack on Aryan Science has been Freud’s theories of psycho-analysis.
Freud was said to have abandoned the use of hypnosis very early by the year of 1900 presumably because he was an inept hypnotist. This is really throwing dust in our eyes. Freud abandoned the hocus-pocus of hypnotism because he found it wasn’t needed. He understood more perfectly the role of suggestion in influencing behavior. Thus it was possible to hypnotize whole crowds, even peoples, by suggestion, then indoctrination and finally conditioning. By 1915 he had his system worked out and from that date on was busy putting it into effect.
Part of his success was effected through the disorientation of Europeans through constant innovation and change. So-called common sense had been proven ridiculous by the overturning of not only long held beliefs but seemingly incontrovertible beliefs. The very notion of the Eternal God of Jewish legend had been proven false for those with eyes to see. Nothing challenged the notion of the Eternal God more than the theory of Evolution. Old beliefs die stubbornly and none more stubbornly than that of God the Father and Creator. Not surprisingly the search for proof of life after death, the most cherished of all beliefs, became of central importance. Those who could tolerate the absence of God also refuse to give up the belief in eternal life after death. Du Maurier was representative in supposing that his works proved life after death. With his ‘proofs’ he was content to die and disappear into the sun. That’s how The Martian ends.
Doubts about God gave impetus to other suppressed religious beliefs such as the occult science and Satanism. When God ‘died’ in our Sixties the son of Satan was born in the movie Rosemary’s Baby. It is not coincidental that Satanism after having been suppressed for millennia began its rise toward its current status of primary belief of today. Nor is it coincidence that Freud and his Jews would be primary propagators.
Equally unsettling to the psyche and as I believe as the importance of Evolution was the Wright brothers discovery of how to keep a heavier than air plane afloat in the ether. The achievement overturned all beliefs making anything believable. If men could fly than nothing was impossible or maybe even improbable.
And for the Jews their discovery of a New World in the nineteenth century was fortuitous indeed. Apart from a few Portuguese Jews in the seventeenth century the vanguard of the Jewish invasion arrived in the wake of the failed revolution of 1848. This contingent rapidly established itself quickly acclimating and taking advantage of all the fabulous technological achievements of nineteenth century Aryans while being aided by European Jewish fortunes.
Prior to the nineteenth century people’s clothes were hand made. Aided by the sewing machine and the development of cities a whole new industry of the needle trades developed. When Eastern Jewish immigration began in the 1870s the needle trades were appropriated by the Jews while large numbers of Eastern Jews were directed to this industry.
Thus the Eastern Jews found a relatively easy access to American life. There was no resistance to speak of in the United States while to the enterprising person opportunity to acquire wealth was nearly unbounded.
As most of the Jews chose to remain in New York City, then the commercial capital of the US, and as Jews comprised twenty-five to thirty percent of its population and therefore of the labor pool obviously Jewish infiltration of the cultural life of the US was immediate and pervasive.
New York City then became the Jewish capital of the US and, indeed, the world. New York City became a competitor of Washington DC as a governing body. The US was a safe haven from which Jews could direct the subjugation of Europe. Jewish hatred of the Russian Czars that led directly to WWI was managed from the US. Jewish machinations caused the diplomatic break with Russia. The idea was apparently to draw Germany into a war with Russia in an effort to destroy the Czar. Thus was achieved by the assassination of the Austrian Grand Duke at Sarajevo.
Research indicates that the assassination was planned and directed from the Grand Masonic Lodge in Paris which means the Jews.
Perhaps the War in the West was not in the planning but an inevitable result once the war began. In any event the Jewish hatred of Europeans resulted in the Great European Holocaust or what some call the Second Thirty Years War.
Continuation in Clip 5 continues.
Vol. I, Clip 3: The Vampyres Of New York
December 28, 2015
Book I, Clip 3
The Vampyres Of New York
A Novel
by
R.E. Prindle
If you haven’t experienced that kind of mental agony you don’t know. I tossed and turned all afternoon and into the night. My brain was racked but not with pain. It was like all the connections had come loose and I had no control of my mental processes. There was no way to concentrate, to organize my thoughts to possibly think or be rational. It was like three fevers without temperature racking around in my brain.
I was exhausted and then possibly at one in the morning I heard a knocking. I sat up in bed wondering who in the world it could be. Then I heard Gaines again: Hello, I’m back. Let’s talk.
Well, Gaines! Of course I knew what was happening then. I was at that level of experience and conditioning between the birth process and more conscious experience. I had already cleared out the most compelling of my childhood fixations at forty-two when I integrated my personality. That freed me from compulsions and inhibitions but I gradually learned that there was another layer of control or influence yet beyond my reach. Gaines had now shown up so it was possible to free myself from that psychological layer. Small comfort at eighty but then few if any become so clear. Freud and Jung certainly never attained it. I flattered myself that I could be unique. The first of the New Men. Don’t smile, it was a pleasant thought.
This wasn’t the first incident of interior dialogue my mind had spoken to itself. I heard what they call voices back in my early teens. Of course like St. Augustine I had been convinced that one could talk to God. Unlike Augustine I wasn’t crazy enough to persist when God couldn’t tell me anything I didn’t already know when I asked.
And then back then I heard voices telling me to do inappropriate things like Kill your mother and Chuckles but I shut them up; I wasn’t to going to jail for any reason. And now, here was Gaines a more or less rational entity who would try to convince me to do evil I was certain. As in primeval days I was attached to the God Principle while Gaines was representing the Satanic Principle.
He seemed to be lodged in the right hemisphere just behind and above that ear. This puzzled me somewhat as I would have thought he would have been part of my Animus or Ego that being the male side of the brain; instead he was on my female side.
Then I realized that when Gaines had taken up a primal position in my consciousness I was sitting on the back steps of the Orphanage. When my mother had put me in the Orphanage and had walked away she had created this space in my mind, this psychological layer. Gaines and his evil comic books was therefore associated with my mother. Oh yes, my mother. Sometimes I wish I had heeded those early voices and offed both her and Chuckles. Chuckles, that mean assed bastard, was her second husband. They married when I was ten and I then came out of the Orphanage.
Well, you know, as I always told myself, you have to play the hand you’re dealt. I think I can say without comment that I played that lousy hand well. Here I was in New York City, the capital of the world, in a thirty million dollar apartment. Gaines wasn’t going to be a problem, after all, he was me and I was him. I had the upper hand with the God Principle on my side while Gaines might as well have been Abe Goldbladder of the Satanic Principle. I will discuss that more in my presentation to the New Serapion Brethren.
I was inside my skull with Gaines but my mind had cleared up, I might as well get started.
‘So, Gaines, what brings you here?’ A silly question because I already knew the answer. Still, in order to extinguish him I had to play along. However I did think it necessary to call in my old psycho-analyst Dr. Anton Polarion as an assist.
Who is Dr. Anton? I’m embarrassed to say this because then you might think I really am crazy. But that’s alright, I may be.
Dr. Anton Polarion came around several years ago when I was deep in my psychological studies. I was working a number of fields of study and I needed someone to handle the psychology for me when I was working another field. It was then I thought up Dr. Anton giving him the responsibility for memorizing and developing psychology.
I know it sounds kind of crazy but it’s not. Dr. Anton was and is a memory aide. If you read up on the art of memory you will learn that in Greek and Roman times people constructed memory palaces of many rooms extensively furnished and then assigned memories to various rooms and objects in order to more conveniently record them, prodigious feats of memory are recorded. Oh alright, but I wasn’t going to wander around a Memory Palace trying to find various rooms and objects with their assigned memories so I just handed the job to an imagined Dr. Anton rather than a Memory Palace. You can understand that can’t you? Seems reasonable enough to me but you never know what other people will think. Anyway Dr. Anton knows whereof he speaks. So when it comes to hearing voices it was now two to one against Gaines and I had another Ace or two up my sleeve.
I was loaded for bear and I was sure I could kick Gaines’ ass. Still, I had to hear Gaines out.
‘So Gaines, as I said, what brings you here?’
‘I’ve got some good advice for you,’ said Gaines.
‘Knowing who you are Gaines I doubt it could be good.’
‘Oh ho, you think you know who I am do you? Who am I?’
‘This will take some time Gaines but you’ve got as much as I do. I’ve been waiting for you for a long time. Your showing up here, now, puts things in place. I’m going to call in Dr. Anton for support. You know who he is don’t you Gaines?’
‘Of course, of course. I know as well as you know me. Hello Anton, welcome to the conversation.’
Anton: Hello Gaines. Well, let’s get started.
Partly: The key here is the Orphanage and me sitting on the back step reading Tales From The Crypt. That was one sado-masochistic piece Gaines with a certain portrayal of women. Strangely that portrayal was reminiscent of my mother. It is between you and my mother that this psychology revolves around.
Anton: Yes, your mother transferred her hatred of your father to you after she had put him away and tried to destroy any happiness for you. It is no coincidence that after she had your father committed to the asylum she committed you to the Orphanage. Of course, she had ‘good reasons’ for doing so but they weren’t the real reasons. When you turned eighteen she thought she had you again, enlisting you in the Navy and having you shipped off somewhere where she would never have to see you to remind her of her crime against your father. Thus the association of your mother, sado-masochism and Gaines.
Gaines also provides your connection to the Jews although that application came later in life. The content of Gaines’ comics, the sado-masochism, is part of the Jewish Weltanschauung that Freud expressed so well and it is that that Judaicized you, making the Jewish culture part of your own. It is that part, this Satanic consciousness that drags your spirit down causing your chronic low depression. We’ll try to shake it here but it may now be integral to your mentality.
Leaving Gaines for a moment the pre-Gaines component was your mother’s extreme selfishness. Of course your mother was three months gone when she married your father. This didn’t create so much guilt as anger. She held your father responsible preventing her from doing whatever she thought she would be doing later. You were born in 1938 in the depths of the Great Depression.
Jobs were not easy to come by and although your father was a good provider, that is you had a roof over your head and a shack to live in, even so your father ran out of jobs so he joined the Civilian Conservation Corps and went to work planting forests. He was a good man; he sent most of his money to your mother. She unfortunately as you would learn was not a good woman.
It is difficult at this point to retrieve her motivation but she got laid in the back of a Chevrolet in the parking lot of a grocery store as you know well, Perry. She became pregnant with the little bastard palmed off to you as your brother. A child of sin he has always remained so. A point came where the pregnancy could no longer be concealed.
Needless to say the realization made your father angry. In an attempt to learn the culprit he began to punch her out. In the way of women she was stout refusing to give up his name. Your father said things like ‘I am out working CCC to provide for you and you’re out, words that were unintelligible to you. Do you remember that Partly?
Partly: Yes I do.
Anton: Less than two and half and you remember! What a memory Perry. The bastard was born, your father left and you saw him only once more several months later. Do you know what happened to him?
Me: No. Never saw him again after that last time.
Dr. Anton: Your mother had him committed to the insane asylum and he lived there all his life and died there.
Gaines: Wait a minute, wait a minute. You can’t know anything he doesn’t Anton. Where’s this coming from?
Dr. Anton: Just as you have been suppressed until now Gaines so has the knowledge I’m now revealing. It came in bits and pieces and I have put it all together. Partly is just now realizing it.
Where was I? Yes, committing him was a sadistic act on the part of a guilty woman. But it didn’t stop there Partly. To assuage her guilt while indulging her sadism she had removed her husband but you, a reminder of her crime, remained. She transferred her affection to her bastard and set out to torture and frustrate you. You remember the nightmares you had in high school where your mother was constantly betraying you? That was a subconscious recognition of what you wouldn’t allow yourself to acknowledge but still you knew.
The Orphanage was just four blocks from your grandparents house where you were living. She had to know the effect it would have on your mentality, you certainly did, but just as she had put her husband away in an asylum she put his memory away in another institution, the Orphanage.
Do you remember this Partly?
Me: Sure Anton, I remember but not as clearly and well organized as you do.
Dr. Anton: You’d be a better man for learning it although at eighty who gives a shit. You’ll take it to your grave soon enough.
Me: That’s alright Anton, I’ll die, as you say, a better man.
Anton: So your mother dropped you off and you were led away just like in prison or the asylum but with slightly better conditions. And thus you began to become who you used to be before your personality integration that introduced this current phase of your life at forty-two.
You became quite independent in that harrowing situation of the Orphanage. Fate left that copy of Tales From The Crypt lying on that little porch and a pain equal to your being abandoned seared your soul again striking through your subconscious to the structural level here. You were no longer a free man but controlled from, for lack of a better term, your subconscious. I don’t know how you made it through but here you are.
Your mother’s remarriage to the maniac Chuckles who was a match for your mother’s sadism nearly destroyed you during those eight long years until graduation. Enough of that for now. Let’s deal with Gaines here.
Me: Can we get rid of him?
Gaines: Hell no!
Dr. Anton: He is unfortunately part of the warp and woof of your personality but I’m pretty certain we can modify it and reduce his Satanic level considerably.
Gaines: Over my dead body.
Dr. Anton: Preferably Gaines, that is what we’re shooting for.
With that I collapsed back into my pillow exhausted but calmer with less of a feverish feeling. I was breathing somewhat heavily. I knew that this was a significant psychological event that had not yet achieved resolution and I was afraid to lose the thread. After about an hour Dr. Polarion returned. Anton was not an alter ego as Gaines but functioned more as a guardian angel, a good spirit so I welcomed him.
‘We’ve got to handle Gaines Partly.’
‘Yes. What is your suggestion Anton?’
‘This. It seems that Gaines is functioning as a node for a constellation of similar events. The two obvious strands of the constellation are he, that is your Jewish experience, and your mother. The first step must be to disentangle your mother and put her into her own constellation to be dealt with later. You already have a decent handle on her.
That leaves Gaines and your Jewish experience which is a distinct constellation which when knowledgeable about it you’ve done a lot a preparatory groundwork but certain resolutions are still necessary. That constellation has to be distended into its planetary elements so that each can be identified and dispensed with.
In addition there may be other elements concealed within or behind the constellation of which we have yet no knowledge. Time will tell.
And then there is what Gaines wants you to do which is why he’s made his appearance now. We’ll have to listen and go from there. You and I do understand that what he wants is going to be ridiculous and dangerous.
Me: OK Anton, your analysis is good and I do have a good idea what Gaines wants; I’ve also got my arguments ready and can direct him. But, God, this is painful.
Anton: Yes Partly, self-realization can be trying and I’m sure you’re in agony. You remember Hubert Selby the fellow who wrote his novel Last Exit To Brooklyn?
Me: Oh sure, Anton. Very interesting story. He was probing his mind to write his story. That once when he came up against a particularly painful remembrance it shattered him so that he had to take to his bed for a week writhing in agony. I can’t afford the time for that now. I have things to do and fields to plow.
Anton: You may have more than you think Partly. Get some rest and I’ll get Gaines back here in an hour or so. Control your feelings.
With images of Jekyll and Hyde in my fitful dreams was the titanic struggle of the Shadow with evil and the images of Superman and Clark Kent. Good must triumph over evil although it might not be as clear cut a victory as one might hope.
Just before dawn Dr. Polarion returned and shortly thereafter I heard Gaines’ Hello, I’m here.
Me: Alright Gaines. I’m ready.
Anton had already disentangled my mother from the constellational complex so he and I were dealing with just the Gaines/Jewish constellation. In that obscured constellation other traumas wouldn’t be clear at this time.
‘What’s up Gaines?’ Anton asked quietly with an implied menace that he wasn’t going to listen to nonsense.
Gaines: Why so hostile Doctor Polarion.
Anton: We know what you’re up to Gaines. I have to tell you that we know who you are and where you’ve come from so your Satanic power is negated.
Gaines: Oh, aren’t we clever. What is my pedigree Dr. Polarion?
Anton: Simply this: You infected Partly’s mind on that stoop of the Orphanage with your sado-masochistic claptrap. Partly only semi-consciously took in the sado-masochistic sexuality without knowledge of sex, he had to repress your Satanic influence and with some few exceptions he did. As he knew nothing of Jews and your own Jewishness that puzzling aspect of your Satanity was filed away for future reference. In the meantime following Jewish propaganda he was conditioned to revere Jews and did so.
Then in winter of nineteen fifty-eight in a fit of sado-masochistic lunacy the Jews pre-empted all TV channels at the same time on Saturday prime time and broadcast the most incredible pornographic sado-masochistic program imaginable. An hour of graphic snuff films depicting naked dead bodies being pushed about by bulldozers. The sexual implications were horrendous. While secretly fascinated Partly was resentful of the Jews for pushing this atrocity on him. Without articulating it to himself he was fatally disgusted. Also without noticing it he associated the ‘entertainment’ with you Gaines.
Gaines: I’m disgusting?
Anton: Eminently. Now, there comes an incident that was let slip by almost without recognition. Partly’s wife, now deceased, came from a Jewish background on her mother’s side; the father was nominally Catholic. The mother wanted a Jewish wedding while fearing that Partly would object. The venue was unimportant to Partly, in fact, with his Jewish conditioning he got a little thrill from it.
However to the Jews the notion that a Jewish girl would marry a, what they considered Christian boy, was anathema to them. Her parents approached all the synagogues in the East Bay but there was only one Rabbi in the East Bay that would consent to marry the couple. This was brought about by the intervention of his wife’s mother’s sister whose family was a prominent supporter of the synagogue. Even so the rabbi insisted on an interview with Partly.
As I say, Gaines, Partly had no religious scruples to marrying into a religious family, not quite true, he would never have married Catholic, and thought to be amiable with the rabbi. Both Partly and his wife were above religion despising them as relics from a primitive age. While Partly tried to be amiable the rabbi didn’t. Partly talked to the rabbi man to man while the rabbi as all rabbis do exalted his position believing as a Talmudic scholar that that worthless information placed him not only above Partly or his fellow Jews but all humanity and most of the angels. Resenting Partly’s familiarity he insulted Partly grievously as not worthy of a Jewish girl while being a Christian dog or words to that effect. At that point his respect for the Jews, intense conditioning or no, vanished.
This event was constellated with you Gaines and the TV atrocity to negate any positive feeling he had for the Jews. A couple decades of propaganda was wiped out in an instant. Partly’s future unpleasant relations with Jews will appear subsequently.
So that’s who you are Gaines. Satan on a stick.
Gaines: Yeah, well Dr. Polarion I know where Partly lives. I know he has suffered insults, injuries and indignities from many quarters including the ones you mentioned and I know this: He wants revenge. Who do you go to when you want revenge? Satan, baby, Satan. And here I am.
Anton: True, Partly?
Me: No. It’s true I have a lot of resentments but they’re from assholes and assholes can’t help being assholes; if they could they wouldn’t be assholes so one has to ignore them. It’s their cross to bear and I enjoy watching them be assholes. If Gaines thinks he’s going to lure me into criminal activity he’s not here.
Gaines: Kiss my ass Partly. Social unrest is developing rapidly, exponentially day to day. There are hundreds of racial and religious, what the authorities are pleased to call murders rather than the acts of war they are happening every week.
I know Partly that you were trained by your experiences to be a serial killer. You know it. I don’t know how you’ve resisted up to this time but now is the time to indulge those resentments. Not only are the cops overburdened trying to deal with all the killing and raping going on but they’re afraid to leave the station. Whole cities are no go zones for them. They’ll never identify you, never track you down. Come on buddy, let your inner Mr. Hyde see some light. Now’s the time for your revenge.
Me: I think you’re right about the time being the right time Gaines but remember that Vengeance is mine saith the Lord. I’ve learned that it is true.
Gaines: Vengeance is mine saith the Lord? Listen to this guy. Are you putting me on Partly?
Me: Certainly not Gaines, certainly not. Remember you were kicked out of heaven for the religious offence of chutzpah. God stuck his boot up your ass and down you came. You always tempt men to their destruction by exploiting their own weaknesses. If I were to act in revenge I would surely be caught. Even at eighty I don’t want to be thought of as a criminal.
Gaines: No, you don’t want to be thought of as a criminal. Here’s a tip for you Partly…
Anton: I…
Gaines: You stay out of this Anton, this is between Partly and me.
As above, so below, right Partly? God’s will is supposed to prevail on earth as in heaven, right?
Me: I’m not religious but the Bible does say so. What’s your point?
Gaines: As a lawbreaker I was kicked out of heaven, right. If so, then it is God’s will that I be persecuted on earth also, isn’t it?
Me: Well, you have to believe the Bible.
Gaines: No, you don’t. Freud replaced the Bible but as a Jew he follows the Bible’s rhetoric. Freud and I are one and not only am I part of your mind but Freud is too. That’s one of my attributes that Anton the so-called psychologist forgot to mention. So, if it is God’s will that it is to be on earth as it is in heaven then it is permissible to punish Satanic practices as he punished me isn’t it? As a God fearing person it is imperative that you do so.
Well, there was a thought. The Jews consider themselves God’s viceroys on Earth and that they are doing God’s will by forcing his, or theirs really on the rest of mankind, punishing those who resist, that is anti-Semites. It was a tough argument to counter while Gaines had cleverly appealed to my suppressed desires. Anton was no help at this point.
Me: To punish is vengeance Gaines and as I say Vengeance is the Lord’s. Therefore I cannot punish Gaines, however there is the question of justice, lawbreakers should not be allowed the fruit of their crimes with impunity.
As we know God has no temporal means to effect his will on earth so he must use intermediaries as his chosen vessels hence the Jews claim to be that vessel. However if God spoke to the Jews then he can speak to me. Thus if like Saint Augustine I were to hear his voice enjoining me to administer His justice on earth as he does in heaven, that is kicking Satan off the earth then I could obey his will and be judge, jury and executioner here on earth as the Jews consider themselves. Well, Gaines, that is a thought I will have to give consideration.
Gaines: Yes it is. Further…
Anton: Hold, hold it, stop Gaines. Be gone. Hold up Partly, we have to think about this. Later Gaines, later. Go.
And with a sly wink at me Gaines wandered away. He would be back, of course. But he had given me something to think about. I knew I was going to think about it too and as Gaines knew I would rationalize his suggestion into reality but only in a ‘legal’ manner.
Anton just looked at me and shook his head. He knew what was coming. So did I but neither of us could as yet admit it.
-IV-
Once again I lay back exhausted. Still I had to get to work. In an agitated state of mind I reviewed the correcting of my piece for the New Serapion Brethren that I was titling The Vampyres Of New York. I had put some preliminary thoughts up on the internet so I was searching Vampyres Of New York when I was startled to find that there was an actual group called The Vampyres Of New York that claimed to be a worldwide organization. Its spokesman was some guy calling himself Father Sebastian. He was a young guy who would have been further ahead claiming to be Brother Sebastian; in another thirty years he might pass for a father.
Anything associating itself with vampirism had to be Satanic while the guy was absolutely touting himself as a religion. The crude Satanism of the nineteen sixties was obviously morphing into an attempt at a universal religion. This was a far cry from the historian Arnold Toynbee’s cry for a new universal religion to replace Christianity. Gaines was obviously right about the Satanism in Freud being a part of me but apparently the drive was to make Freudianism the basis of a new religion. Thus as Christianity as a Jewish based religion had represented the Godly Principle so Freud as a Jewish based religion would represent the Satanic Principle.
This was a revelation to me that while new I would have to try to work into my essay. I had to think about it a little so while I was thinking I tinkered around working out disguises. Having seen street activity for a couple weeks now I was uneasy walking around in my own skin; I didn’t want to become that well known.
So, as I thought I tried out mustaches, wigs, glasses, different outfits, so I could walk the streets so as not to become obvious. But, time was passing and I was driven back to my writing desk. I wanted to avoid Gaines as long as possible so I put in some long sessions hoping I would be so tired when I went to sleep that that bastard Gaines wouldn’t be called up. I was successful for the week left before going to Farquhar’s.
I was a day ahead of the deadline so I went out to get a couple two or three bottles of wine to take along. Wanted to show I was a regular guy. I am a regular guy but usually not that regular. Boy, NYC is an alkie’s paradise. What a fabulous selection of spirits. I don’t drink much but in my earlier days I could do a limited justice to the bottle. In those days I favored brandy. Really good stuff if you’re going to drink. Oh lord, if I had known then what New York showed my now I might have been the man who never returned.
I wasn’t after liquor though I wanted wine so I asked for and got bottles of Ramey’s Claret. Ramey is a good Napa Valley vintner while his claret is moderately priced and more than good enough, excellent in fact. The vintage was 2014 that particularly dry year and of small berries. Excellent, I thought it should go over. I’d had it before and it really is a great vintage.
For dress I wore a 1960 vintage sport coat I bought at a second hand store. Nothing was ready at James Carter and I had tried Lord and Taylor and other stores but none was showing other than those idiotic short jackets cut small and I thought I looked a heck of a lot better. Charles Tyrwhitt shirt, one of their higher priced dark blue and white mini stripes, black in a low light. So what’s a boy to do? Ralph Lauren had turned ludicrous after he left.
Ragnar drove me and my bottles of wine up to fifty-second street off Madison to Farquhar’s condo, very good, twelfth floor. As I entered the building an explosion went off maybe three blocks away in some direction I couldn’t determine. Somebody was acting up, hard to tell who. It was beginning to happen fairly regularly. Cops weren’t catching anybody. So many people and organizations were claiming credit for these things it must have been a nightmare investigating these things using only electronics.
As these things were getting more frequent they didn’t even make the headlines in New York while except for certain sites on the internet the rest of the country was totally ignorant of them. The permanent Obama administration was still trying to explain them away as the work of domestic terrorists, actually by now the terrorists were domestic although not so-called White Supremacists. If by Global terrorists it was only just that we should be bombed as was said and that brought the thought of Gaines back as Lessing was rattling the locks on the other side of the door.
Once that ritual was completed I was admitted into a small foyer with a second door and a number of locks which were only locked at night or when Lessing was away. The door was now open for which I was grateful.
Through the second door one entered directly into a large living room, perhaps eight hundred square feet cutting straight through the apartment to the floor to ceiling windows that looked into the windows across the street unfortunately.
The room was comfortably decorated with expensive furniture but not the costliest. The usual New York abstracts, tasteful, were on the wall facing lovely floor to ceiling bookshelves admirably stocked. Books do furnish a room, don’t they?
I was the last to arrive. Seated, looking at me with expectant bemused expressions were Max Savings, Mark Giusty and Baron Cammell the other members of the New Serapion Brethren. Lessing was apparently a bachelor or, as I was to find, a widower.
As I could see I was the oldest of the four. Lessing was seventy-two but still in his prime. How well I remember being fourteen and finding the age of seventy incomprehensible as young people still do. While even people in their thirties and forties expect people of seventy or eighty to be decrepit. Most of us aren’t. Certainly Lessing and I were in full vigor. Diet helps, three or four years earlier I had been compelled to give up my sugar diet, and I mean I love sugar, and that and an improved diet recharged me considerably.
Lessing was more robust than I being taller, probably six-two and bigger boned. He was filled out but not fat or even heavy looking, his face like mine was unlined while he had a full head of white hair as did I although mine was removable and his wasn’t. He showed a little surprise as I was nearly bald at our two previous encounters.
Lessing introduced me to Max Savings who was small, perhaps five-six, and slight. Max was the youngest at sixty-two. He was dressed like an undertaker, had a slightly weasely face with a pointed nose. He had a sharp intelligence.
Marc Giusty was Italian standing a half inch or so below me, seventy years old, still athletic looking, spent a couple hours a day in the gym as I was to learn, lean and long headed in the Italian manner, thin mustache and good features.
Last to be introduced was Baron Cammell. Baron was his first name and not a title. He would prove to be the most difficult member of the group for me.
By the time I was finished with the introductions Max had a bottle of claret open and the glasses filled. Well, you know, two fingers. One sips, this was a cultured group no full water glasses at one gulp. We accepted our glasses and looking at each other took a sip.
Lessing: Oh, very nice.
Marc: Yes. Haven’t seen the label before.
Baron: (Sniffing slightly.) Yes, quite distinctive.
Max: (Smiling.) Enough said.
Me: Yes, well, Ramey apprenticed for many years in France before setting up in Napa. I like Bordeaux style blend and claret hits the spot for me after reading all those old English novels where claret and wine were synonymous. I like this one. So, we’re all ETA Hoffmann admirers, um?
Lessing: Yes, we are that. By way of curiosity Perry, how did you come to Hoffmann.
Me: Oh, you want my origin story as the comic books say? OK Lessing, I’ve got one. I’ll do this in the best comic book style. It was a dark and stormy day back in the middle of the last century when a thirty-six year man shoulders hunched against the cold and rain looked into a shop window. Perceiving it was a book store he being a bibliophile pushed the door open. A blast of warm air hit him as heads turned to look at the stranger. The man glanced casually about at the few inside, mostly help, with no particular object in mind. His attention was caught by a slip cased set of two. Always a sucker for so-called special editions he picked it up to examine it. ‘Hmm…’ he mused to himself, ‘Selected Writings Of Hoffmann? Hoffmann who?’ Extracted, Vol. I read from the title page, E.T.A. Hoffmann The Tales. The man had heard of ETA Hoffmann spoken of most highly and of course he knew of Offenbach’s opera Tales Of Hoffmann. Twelve dollars and fifty cents. OK.
Tucking the parcel under his arm under his coat and lowering his head against the blast he proceeded down the street. I was that man.
Me: There you go Lessing and an identical copy can be found on your bookshelf right over there.
Ha, ha, ha came as a chorus from the four men: Nicely done, Perry, nicely done.
‘The lad shows promise, doesn’t he?’ said Lessing.
Max Savings: This could prove interesting.
Me: And since then then I’ve added a dozen volumes filling out, I think, what’s available in English except for that magnificent nineteenth century volume you have on your shelf.’
Lessing: That one. I’m quite proud of that find. I tramped London looking for that one. But you have never reviewed Hoffmann on your site Perry, how come?
Me. I don’t feel adequately prepared Lessing. I have added a number of Romantic writers to my library in the last four years, Kleist, Tieck and like that but nothing in the way of critical reviews so I don’t think I’m prepared to speak authoritatively. And I still have to read Goethe, the key Romantic. If you’ve read my stuff you probably are aware that I speak without concern of contradiction. I can’t do that with Hoffmann yet. So, if I may ask, give me a thumbnail of yourselves.
Lessing: I’m host so I might as well go first. The salient point is that I spent my career practicing law, mainly real estate and financial issues. That is an area where much of the money sticks to the lawyer and I am in a comfortable situation as you can see having made my share or more of the money stick to me. Although remunerative I found the law and its cases fairly loathsome so as soon as I felt financially independent I left all that behind and turned my attention to what I loved much as you have Perry. Much more rewarding.
Max Savings: I’m not quite so financially independent as Lessing and still at my desk at Chase. I certainly am not so accomplished literarily as you and Lessing but I squeeze in time in an effort to keep up.
Marc Giusty: I was a university prof all my working life, loved it at Columbia uptown here. History was my subject. Unfortunately I was just a yeoman and not a star. I wrote a few papers for academic publications and a couple slim volumes that disappeared down the memory hole but allowed me to keep my position. By the way, this is a nice wine.
Me: Glad I chose to your taste. And you Baron.
Baron: I’m somewhat of a polymath, expert in several fields. I’m working on a unified field theory to arrange the liberal arts in a chronology with commentary. That’s all you need know of me.
Me: Quite so, quite so. Now that we’ve been introduced and had a little wine what say I begin my presentation? I’m anxious for your opinion and hope to please.
Lessing: That sounds right. What is the title of your presentation Perry?
Me: I call it The Vampyres Of New York.
I noticed a little uneasiness in the Brethren at the title. Lessing spoke:
Is this a vampire story, Perry? I thought the understanding was that we present historical essays.
Me: Exactly Lessing. But lesser known aspects, other sides so to speak and that is what mine is. Don’t let the title throw you. By the way as you’re not looking at the paper I spell vampire v-a-m-p-y-r-e. I chose the spelling to indicate a difference from a Dracula type blood vampire. My essay will concern what is known as psychic vampires. When I was searching Vampyres Of New York on the internet to see if my first couple of posts had registered yet I was surprised to find that there is actually an organization called The Vampyres Of New York, spelled with a Y.
I was further astonished that it claims to be worldwide although the claim seems a little dubious. At any rate the possible leader is a guy calling himself Father Sebastian who divides his time between New York and Paris.
As you know since the first Disney version of Star Wars a recent religion has sprung up based on the concept of the Force and whatever. It seems probable that the Vampyre organization is a type of Satanic religion too. This brings to mind that after the challenge to the Jewish religion in the West after the Scientific Revolution following the Enlightenment the Western Jewish religion under the Scientific challenge dissolved into a number of splinter religions seeking a center. The center of course came from the East and was called Zionism so that Judaism with some atavism and Zion are one.
Christianity has taken longer to find a new center but under the influence of nineteenth and twentieth century Satanism we may be seeing a jelling into some form of a universal Satanic religion. It is something to bear in mind. So my historical investigation is concerned with the Jewish and Christian religious disintegration of the previous two centuries under some sort of vampiric influence. Is that alright? It won’t offend any sensibilities?
Lessing: If it is historical we have no objections.
Me: Alright. I’m pretty sure this will be a different approach to what you’re used to so I have a prologue explaining the difference between a Dracula type Vampirism and psychic Vampyrism which will concern us. This is longish but not hugely long so fill your glasses and sit back. It is written out so feel free to interrupt at any time for explanations or comments, discussions or whatever.
OK? I begin: The Vampyres Of New York.
Clip 4 following contains the text of Vampyres Of New York.
Outsiders Like Trump And Carson
October 28, 2015
Outsiders Like Trump And Carson
by
R.E. Prindle
One expects the struggle between the Establishment and the political interlopers Trump and Carson to be continually evolving as the Es attempt to destroy Trump and Carson.
A dodge that seems to be gaining currency is to depict the interlopers as political and social outsiders. Naturally this will involve the age old concept of divide and destroy. Pit the one against the other.
One fears, fear is a big issue in this election as ‘outsiders’ are said to be devoured by fear and loathing while the insiders are healthy, strapping lads and lassies although uniformly on the fey side, hey Leslie?
The ‘insiders’ should tread lightly as they are a distinct minority compared to we ‘outsiders’. Insiders care nothing for those not inside their clique and none of us are close to being insiders. None us get thirty-five million dollar bonuses while the economy is circling the drain. None of us get tens of millions in salaries in addition while millions of outsiders go unemployed. Who do the Insiders think they are kidding?
Why should we vote for their candidate so we can be fleeced some more. And we are being fleeced. Trump has the courage to say so. Never forget, his life is now on the line. If he doesn’t succeed he is a dead man.
Actually the Insiders are condemning themselves as being more outside the voters than the Outsiders they condemn. We the people are all outsiders compared to the miniscule group of selfish Insiders. None of us are inside. None of the Insiders are our friends.
Why vote to be enslaved by Insiders for their profit when we have a perfectly good Outsider in Trump?
The Vampyres Of New York
October 26, 2015
The Vampyres Of New York
A NOVEL
by
R.E. Prindle
A Prospectus
I’ve been searching around for a more discursive format for a while now; I think I’ve finally found one. I have been a great admirer of the German Romantic writer E. T. A. Hoffmann for several decades now. He has been described as a prolific author of twenty volumes in German although most of that remains untranslated. Mostly there are collection of twenty or so from his tales.
Hoffmann was at one time very famous. The opera Tales Of Hoffman by Offenbach is based on his stories perpetuating his name better than he could himself. Then I got wind of a two volume work (a thousand pages) called The Serapion Brethren. On the off chance that it was available I searched specifically for the title on Amazon as it didn’t come up under the author’s name. And, lo! it turned up from some hidden corner of that giant book store. Why it isn’t up front with the various collections is beyond me. Having obtained my copy I am now half way through it. A fabulous book.
I don’t think Hoffman fans are legion but I know there are a lot of us; if any of them haven’t learned of the existence of The Serapion Brethren the way is now clear, two volumes, less than fifty dollars on Amazon. Not my point but I pass the info on.
The format Hoffman uses is perfect for what I want to do. The idea of The Brethren is that a group of writers (artists) get together to discuss their stories written according to a serapiontic point of view. Thus Hoffmann presents a couple dozen of his amazing stories within a framework of these meetings and discussions.
Hoffmann was an amazing psychologist far far ahead of his times. In a generation since the advent of Anton Mesmer’s discovery of the unconscious, while Mesmer was still living, Hoffman takes psychology to a level such as Sigmund Freud nearly a hundred years on was able to borrow from it wholesale. As Freud refers to Hoffmann by name it is certain that he read him while Freud a Jew brought up within German culture had access to all twenty volumes of his work. Hoffmann was current of psychological matters while making his own contributions. He refers to the Frenchman Phillipe Pinel of Paris’ Salpetriere Insane Asylum. Pinel was the first to remove the fetters with which inmates were chained thus beginning a more human and understanding treatment of inmate. Hoffmann himself visited insane asylums for study and reflection.
It was Pinel who first came up with the idea that the insane were afflicted with a Fixed Idea, the Idee Fixe of Pierre Janet who worked at the Salpetriere with the great Jean Martin Charcot in the last third of the nineteenth century. Freud also picked up on the notion incorporating it into his corpus as ‘fixation’ or reminiscences.
Hoffmann’s stories are examinations of various fixed ideas or phantoms. And what stories. Mademoiselle Scuderi is one of the greatest stories ever written. When I say stories, these are mainly novellas not short stories. They are mostly 50 to 100 pages thus giving the imagination greater latitude with superior character development.
Hoffman himself was a very accomplished individual. His first longing was to be a great composer hence music motifs abound. Teaming up with La Motte Fouque, another great German Romantic write he wrote the music to Fouque’s great novella Undine while Fouque wrote the libretto. Writing mainly after 1809 to about 1822 Hoffman was close in time to the great composers such as Beethoven, Mozart, Handel and others being very familiar with their work while being able to discuss it knowingly as a composer himself and in his early career a director of opera houses. His knowledge of European music and art from its origins is encyclopedic. He provides names you have never heard of that will send you scurrying to the internet to possibly find more info, view the pictures on images.
This is rich stuff for any artist/litterateur or musician. Don’t delay, enrich your life today.
Thus in my using Hoffmann’s format I hope it will be possible to examine and interrelate disparate historical elements into a unified whole relating to today’s events. While Hoffmann’s work is mainly fiction I intend to write accurate history that reads like fiction. Hoffman himself fictionalizes certain stories in a historical manner.
For instance his terrific story The Singers’ Contest deals with a historical or semi-historical event in thirteenth century Germany between various historical Master Singers including Wolfram von Eschenbach who wrote the great German version of the story of Percival.
As a Romantic in reaction to the Enlightenment Hoffmann blends the fantastic or spiritual with scientific reality. Indeed that is the point of his writing, identifying the religious side of the mind from the real or scientific. It is that aspect of his writing that attracts me.
He opens his treatise with the story of a contemporary mad monk Serapion who thought that he was Saint Anthony living in the Theban desert while actually being in Germany. Serapion insisted that he was in the Theban desert. Hoffmann was very sympathetic insisting that following his inner wishful thinking or delusion ‘Saint Serapion’ actually was who he believed and was actually living in the Theban desert.
Of course as Serapion was merely successful in denying reality, a quite common occurrence as Hoffmann will show, in his insane condition he was neither the saint nor in the Theban desert; however he was successfully living the saint’s life as a hermit in a wilderness. This conflict fascinates Hoffmann and it fascinates me. I find that in our own society people, society’s leaders, are living fixed ideas that have little or no relation to reality while trying to impose these fixed ideas on the entire population of the world. In other words as in Edgar Allan Poe’s great story, itself based on Hoffmann, the inmates are in control of the asylum. Thus Poe’s story The System Of Doctor Tarr and Professor Fether.
As I envision my work it will deal with the problems caused by inner wishful thinking as contrasted with reality. While the New York City of the Dylan period will be the central focus I see the work as wider ranging but closely related to the theme of Bob Dylan and the Vampyres Of New York.
As I envision it the work will be quite long and will be posted in chapters and sections as it is written. I have already dealt with most of the issues as posted on I, Dynamo and Contemporary Notes so that my progress should be steady and relatively quick. I expect to post one to two chapters or sections per month. Feel free to make comments or suggestions.
Jay Michaelson Talks The Talk To Ben Carson
October 11, 2015
Jay Michaelson Talks The Talk
To Ben Carson
by
R.E. Prindle
The redoubtable Jay Michaelson, spokesperson for the Jews, is at it again. This time his out of control rage is directed at a poor Negro, Ben Carson. Knowing that Negroes have suffered almost as much as Jews I was truly surprised at Jay’s hitherto concealed bigotry.
Ben, who as we know is running for president made some innocuous remark to set Jay off. Naturally Jay began spewing the usual ad hominem vitriol over the whole Republican Party that indirectly includes a little old domestic terrorist like me. Jay, I take personal offence at your comments.
Check this:
Carson’s exact argument has been made by morons as disparate as Matt Drudge, Ted Nugent, Fox News commentator Andrew Napolitano, racist ex-ballplayer John Rocker (now a favorite on the Tea Party circuit), current NRA president David Keene and former NRA president Wayne LaPierre.
Morons all says Jay, offending at least that bunch. Maybe, but Nugent is a great guitar player and that should count for something. Charlton Heston deserved at least an honorable mention even if he is dead. Oh, that’s right he was Jewish. Excuse me.
All Republicans aren’t bad according to Jay because:
There is a very decent Republican Party out there, that is…strong on Israel…’
Now we know what makes a good Republican, they’re Neo-cons.
Jay who looks to have been born around 1980 or so still considers himself a victim of the holocaust, you knew this was heading there, didn’t you? Jay rants on:
Second, Carson’s (the poor Black fellow) statement is so offensive as to beggar the imagination. [That is if you’re of Jay’s persuasion, my own imagination wasn’t beggared.] Most of my grandparents, and many of my grandparents generation, died when the Nazis and their Ukranian [Now you know why the US is assaulting the Ukraine.] collaborators rounded up entire villages and massacred them in the forest. So, Dr. Carson [Son of Dr. Mengele] what killed them was gun control?
No, what killed them was anti-Semitism, bigotry, hatred and extreme nationalism [All strong Jewish characteristics.] all of which, incidentally are far more prevalent on the right than on the left. In the ADL’s words, “Gun control did not cause the holocaust; Nazis and anti-Semitism did.”
Now, hold on there a minute Jay. Let’s examine that past passage a bit. you seem to imply that the Jews were totally innocent in this matter, innocent collateral damage. Yet it is absolutely clear that the Jews were first to declare war on Germany and not the other way around. In early 1933 before anything had been done to the Jews, they publicly declared war on Germany. True, check it out. As Roosevelt’s henchmen they instituted a worldwide boycott and blockade on shipments of food and medicines to Germany that got tighter and tighter as the thirties wore on. Germany depended on imported food Jay so what your Jews were doing was committing genocide on the German people. Be fair Jay, if you can, if you don’t eat you die. Yes, the Jews were using food as a weapon of mass destruction.
So, ask yourself a question Jay, would you leave an enemy sworn to your destruction behind your lines? Of course not. What would your own Jews do in a similar situation Jay? I’m asking you to remember the Amalekites now Jay. You know what you would do. And that’s what the Nazi’s did.
I think you’re right though Jay. Gun control had nothing to do with it.
Bob Dylan: Livin’ Life On The Fly
September 11, 2015
Bob Dylan: Livin’ Life On The Fly
by
R.E. Prindle
-I-
Bob Dylan created the character of Bob the Drifter back at the beginning of the Sixties. He has since done his best to live the life of the ultimate drifter. Early influences on the persona were probably Hank Williams musical alter ego Luke the Drifter and possibly Simon Crumb the alter ego the country singer Ferlin Husky. His immediate role model was definitely Ramblin’ Jack Elliot who was born Elliot Adnopos making his adopted goyish name a cover for his Jewish identity much as Bob Dylan was doing. Thus these two very Jewish guys have lived out their lives under assumed goyish identities.
Like Ramblin’ Jack Bob Dylan further patterned his life on the life of the goy drifter Woody Guthrie.
Bob learned Jack’s style when both men lived in the early sixties folk environment of Greenwich Village in New York City. When that particular bubble burst in the mid-sixties partly through the machinations of Dylan himself who introduced electricity into the Greenwich Village folk scene a dispersion took place.
I say partly because seemingly unnoticed by everyone while being completely overlooked today The Lovin’ Spoonful with the really legendary John Sebastian and Sol Yanovsky had used an electric guitar since early 1965 while also writing their own songs.
After leaving recording for a year or two after 1966 Dylan led a sedentary life in Woodstock New York with his wife Sara and a growing family. The call of his destiny on the road was too strong with Dylan gradually edging back to the role of the roving hobo.
Mentally adrift for most of the seventies and eighties Bob then devised the perfect drifter life. He became a drifting troubadour. He not only roved but he made it pay to the tune of a billion dollars or more. He got himself a couple buses and phased through several identity crises. He styled his drifting as The Never Ending Tour.
While living his early years in Hibbing Negro music appears to have made no impression on him. He does say that he listened to Black music over the radio on stations blasting up over the central plain from locations such as Shreveport but I don’t detect that influence in his music too much. Of course, once in New York he saw the necessity for Negro roots and reacted socially.
Dylan does however know all the great C&W tunes and artists. His first great plagiarism was from Hank Snow one of the absolute greats. C&W was however not mainstream. In the peculiar White mentality C&W was rejected as ignorant White hillbilly music and I mean rejected. You had to cover up your liking of C&W as though it was the original sin. On the other hand with that peculiar mentality of Whites they were able to embrace equally ignorant Negro ghetto music as their own. I could never figure it out.
Dylan didn’t try. Sometime before he got to UMinnesota in the Fall of ’59 he realized he wasn’t he wasn’t going to make it as a rocker so he switched to Folk from Fall ’59 to January of ’61 when he left for NYC. At UMinnesota he had listened to a few Folk records while someone gave him Woody Guthrie’s autobiography Bound For Glory so that in some mad burst of teen infatuation he came to the conclusion that he was the reincarnation of Woody Guthrie. He adopted the persona to the best of his ability beginning to create a hokey Oklahoma drifter’s accent and vocal style.
One gets the impression that his folk act in Minnesota was raw enough that he was merely tolerated. Bob, himself, knew he was a genius so he took his half-digested act East to New York City in that January of ’61. But he was wary. Cagey then as now he decided to scope the scene before he burst upon it.
While arriving in NYC in January he didn’t make his official appearance on the Village scene until late February. Dylan himself explains that missing period by claiming to have been hustling his buns in Times Square. People have refused to take him at his word but why would he say it if it wasn’t true? Why would he say it even if it were? Dylan had very low self-esteem at the time while being a very serious drunkard. At UMinnesota he had blottoed out and spread out on the ground at full noon in the main crossroads at the U. You have to glory in your shame to do that.
We don’t know how much money Dylan had when he stepped out of the car in NYC although he was never really broke when he buskered on the street; his Ace In The Hole was the folks back home. They did send him money.
Perhaps though Dylan was so down so low that he needed to debase himself in the worst possible way. He probably did stroll 42nd St. looking to be picked up. Perhaps receiving money picked him up a little; gave him value.
As he scoped the Folk scene and picked up the odd dollar he was devising a persona to splash into the scene. His persona was totally absurd and his Ten Weeks With The Circus story would be, or should have been, seen through before he got it out of his mouth. This was sophisticated NYC for Christ’s save, New Yorkers have seen and heard every hustle ever devised. You couldn’t fool them so they must have been humoring Dylan.
Nobody could have done all the things he said he’d done and graduated from high school two years or less earlier. He also tried to conceal that he was Jewish which seems ridiculous to me, but then Dylan didn’t see the obvious Jewishness of Jack Elliot so maybe it’s just me. Anyway it took these sharp New Yorkers a year or more to figure Dylan was a little Jewish kid.
Dylan had analyzed the scene well. He realized he couldn’t go in and do what everyone else was doing. Besides there were a lot of good guitarists in the Village and Dylan wasn’t one of them. He had to shake the scene up a little. At the time the Village Folk scene was a bore. Folk was on the down trend. The New Lost City Ramblers, one of the more formidable Village folk groups were so trite they were unlistenable. While not on the Village scene I was aware of the phonograph records made by the artists and quite frankly I was amazed that anyone would record those people. I mean, like Dylan, I was a hillbilly. There were many amazing records being made by real folk artists like the Carter Family. These pale Village imitations by middle class Jews aping the mountain people were far less than authentic.
So Dylan practiced this garish voice, blew harmonica in an incomprehensible way and banged the guitar in an equally noisy and unmusical way. Bud and Travis couldn’t play guitar either. It boggles your mind to watch them flail the instrument.
People that say they liked his first couple records may very well be telling the truth but the truth is virtually no one bought them. Fortunately Dylan soon learned to write songs. They too made little impression as sung by him; sung by others, such as Peter Paul and Mary they sounded good enough to become hits. Of course, Peter Paul and Mary had that religious sounding name and earnest style that opened a lot of doors for them.
Nevertheless by 1964 Dylan was beginning to make a name for himself as a songwriter so that people were more willing to accept his bizarre performances. Andy Warhol said that Dylan began by singing political protest songs then shifted to singing personal protest songs. That change began about 1964 with his Another Side Of Bob Dylan LP.
His friend and sometime road manager Victor Maymudes said that all Dylan’s songs were about his girl friends. If you read his lyics with that in mind they will make more sense. You still have to work at it though. The language he uses really obscures the content.
It was at this point that Dylan went electric and moved out from his folk cover (Dylan said that his folk music years were just a shuck.) and began his conversion to rock and roll. Dylan began performing in high school as a Little Richard clone so the move should come as no surprise knowing what we do today. When his rock and roll phase ended in 1966 Dylan then returned to his basal influence C&W.
As he shifted to personal protest on a rock and roll frame he made his impact as ‘a spokesman for his generation.’
Dylan was never a spokesman for the generation but he was a spokesman for people with the same psychosis as his. Dylan was unbalanced as were all the people who took his message. I was one of those who Dylan characterized as ‘abused, misused, strung out ones or worse.’ Dylan converted his angst into sexual frustration and his sexual frustration into lyrics. We weren’t able to understand the lyrics because we were looking in the wrong place but we understood the songs perfectly on the subliminal level. Dylan’s psychology matched ours.
Dylan’s last album as a New York folk singer, Blonde On Blonde, also expanded his audience while also confusing those who weren’t on his wavelength. That is, people who hated him, and largely for psychological reasons, were forced to acknowledge him. At the time the LP was so far outside our musical experience that we literally had heard nothing like it before. Little Richard redux.
On the other hand I realized that he had peaked in that style and would no longer be able to continue in the same vein. At the same time the pressures of the previous five years on Dylan were such that his mind was at the breaking point and actually broke. He probably had what was called a nervous breakdown. Shortly we heard that Dylan had been in a motorcycle accident and might be dead. He wasn’t, of course, and it has never been reliably determined that there ever had been an accident. His brother David just laughs it off while many others reduce it to the equivalent of a mere scratch. Dylan himself says that his manager Albert Grossman was driving him so hard that it was killing him. He had to stop and catch his breath or die.
Dylan hadn’t yet learned to live on the road; he would master that later.
At any rate he had married his Sad Eyed Lady Of The Lowlands, Sara in 1965 and needed time out to raise a family. He did do that.
Regardless of whether he had been hurt or not he was not musically idle. About a year and a half later in December of 1967 he released the awaited new LP John Wesley Harding. The LP was a total rejection of his first incarnation. He used a crooning voice backed by a C&W band. He returned, as they used to say, to his roots. He was no longer a trailblazer, just a C&W singer. While I knew he would not follow up in the same style I was stunned by the reversion to a conventional country style. At that time no one knew that his roots were C&W.
I loved the instrumental backing of his three big albums but had no interest in what seemed to be pseudo-country with rather ordinary lyrics. (Let Me Be Your Baby Tonight.) I abandoned him completely and never have gone back. This was 1967. The next wave of the British Invasion was in progress and it was astonishing. The music was all fresh and picked up where Dylan had left off. The sounds were all new like you’d never heard before. The lyrics were nearly as inscrutable as Dylan’s. Dylan was not missed by me nor a lot of his former fans.
As I said Dylan was not idle; he was busy. The evidence of that appeared six months after John Wesley Harding. Music From Big Pink by the Band. This was relatively sensational music and lyrics. Of course The Band was Dylan’s back up and his association with Big Pink buttressed his reputation a lot. And then the legend of the Basement Tapes appeared that was even more tantalizing than the actual music although the songs from it that appeared by other artists were remarkably good.
So while Dylan left the Sixties with a much diminished reputation it was on a positive note.
-II-
The Never Ending Tour
While talent such as Dylan’s was is important, talent will not out without good luck and a helping hand. Dylan undoubtedly had both. There has always been some mystery about how a half skilled musician could show up in Greenwich Village in March 1961 and be signed to a record contract with Columbia Records seven months later in October.
People who had been around the Village were just blown away when the news got out. Dylan’s talent was not that obvious to everyone. Many could not see it at all. He couldn’t play guitar and he couldn’t blow the harp. His voice, at the time, was so raw it grated, and still does for me. He hadn’t written a song in those seven months so his much vaunted songwriting skills weren’t in evidence. Yet Robert Shelton, the music reviewer for the ultra-prestigious New York Times gave him a rave review that amazed everyone. John Hammond of CBS signed him virtually without hearing him. Other CBS staffers had such a low opinion of Dylan’s talent that they called him Hammond’s Folly. Was there something going on behind the scenes, was something happening here that the Village couldn’t understand? Listen to Positively Fourth Street and Something Happening again closely.
Well, you know, I’ve thought about this and studied this and I’ve put together the following scenarios for your delectation. Granted it is highly conjectural yet based on facts.
Remember that Dylan is Jewish and New York City including the Village was and is a Jewish colony. Being Jewish in the Village did and does count.
Back in Hibbing Minnesota the Jewish community was three or four hundred strong while Dylan’s, or Bobby Zimmerman’s, as he then was, family was chief among them.
Both Dylan’s father, Abram Zimmerman, and his mother, Beatty Zimmerman were of the Frankish sect of Judaism. Dylan’s Jewish name, Sabtai, was derived from the last acknowledged human Jewish messiah. This undoubtedly indicated the high hopes Abram had for his son as a deliverer of the Jews; in other words, a messiah.
Father Abe was the Anti-Defamation League representative in Hibbing. That may have caused some friction between himself and the goy townsmen. There seems to be an undercurrent of resentment both to Abe and Bobby Zimmerman in Hibbing. As an Orthodox Jew Abram had connections back in New York probably with the Chabad Lubavitcher sect led by its chief rabbi, Menachem Schneerson. Abram traveled frequently on religious business including to NYC.
Abram wanted son Bobby to also embrace the Lubavitcher sect. Thus, as Bobby approached thirteen and his Bar Mitzvah Abram sent back to New York for a Lubavitcher Rabbi to come to Hibbing specifically to educate Bobby in the Lubavitcher belief system. This was the rabbi Reuben Meier. In full Lubavitcher gear he was an anomaly in Hibbing where according to Dylan he embarrassed the Jewish community.
As Dylan tells it he got off the bus one day, spent a year teaching Bobby ‘what he had to learn’ then got back on the bus presumably returning to NYC his mission accomplished.
Dylan has or had a messiah complex. Still, as he observed the fate of Jesus (look what they done to him, he said) he was unwilling to pick up the cross thus never declaring himself. Still Abe had connections in NYC that could be and probably were useful bumping Dylan’s career along.
I haven’t found any evidence that Dylan ever contacted the Lubavitchers once in NYC but then it can’t be ruled out and he didn’t have to. His father could have worked with them unknown to Dylan. Still, Dylan later in life did associate himself with the Lubavitchers. Could be coincidence, of course.
Shelton who wrote his glowing review of Dylan worked for the New York Times which was and is owned by the Jewish Sulzberger family. Thus in all probability Abram called in some favors from the Lubavitchers to forward Dylan’s career. Among them Abram had some position, and asked them to make sure that Dylan wasn’t overlooked. Thus within the synagogue, so to speak, Shelton wrote his actually preposterous review of Dylan.
Now, Shelton came to New York from Chicago in the late fifties. Dylan’s future Jewish manager Albert Grossman also came from Chicago where he had owned the seminal folk club The Gate Of Horn. Shelton knew Grossman in Chicago where he wrote reviews of the folk acts.
When Grossman went East for whatever reasons in 1959 he helped found the Newport Folk Festival with the Jew George Wein. Thus the Newport Folk Festival was a Jewish organization giving them the control over who could and could not make it. Grossman hung around the Village analyzing the talent as he had plans. He didn’t necessarily let the acts come to him but he went out and created them as in Peter Paul and Mary which was his total conception. Sensing the direction of things he realized that a trio of two men and a woman with the right lineup would succeed and spread the message. His final choices were two male Jews, Noel Stookey who became Paul and Peter Yarrow and a woman Mary Travers. He chose well.
Prodded by Shelton Grossman took a look at Dylan but could see no use for him until Dylan began to write. At that point he fit into Grossman’s plans who then created Bob Dylan as a commercial entity. Dylan justified the confidence in himself when he scored with the puerile Blowin’ In The Wind. Dylan was still unlistenable to most people but with the voices of the more musical Peter Paul And Mary he began to establish his reputation as a song writer.
The Synagogue was behind him so that coupled with his talent he was given maximum and incredible exposure. Now, Peter Yarrow who was very close to Grossman, one might say almost a collaborator, said that without Grossman there would have been no Peter Paul And Mary and more importantly no Bob Dylan. Yarrow believed that Dylan’s success was due to Grossman. Luck was with Dylan then when Grossman came to town a couple years before he did while Shelton was there at the Times. You must have that luck. Grossman definitely nurtured Dylan as a songwriter and put his career on track. Whether Grossman was connected to the Lubavitchers isn’t clear but I’m sure the religious connection was there. It was all within the Synagogue; strictly a Jewish affair.
Those who closely analyze Dylan’s songs love to point out the Biblical references with which his songs have always been replete. Indeed, when Dylan was writing John Wesley Harding his mother who was visiting him during the period says that he kept a large Bible open in his living room that he would jump up to consult it from time to time. Obviously the Bible informed his lyrics as he dealt with his injunction to be the new messiah, if I am correct in my analysis.
His religious training would surface in the seventies when he explored Jesus’ relationship to the Jews. Contrary to what people believe Dylan never turned to Christianity, he was interested in the Jewish Jesus cult. At the same time he was getting the Christian take on Jesus through the Vinyard Fellowship he was studying with the Jews For Jesus cult. Indeed, when he came out as a Jesus freak at the Warwick Theatre in San Francisco Jews For Jesus people were used to proselytize outside the theatre but not the Vinyard Fellowship.
Having satisfied his curiosity about Jesus he next showed up in full Lubavitcher gear in Jerusalem. The Christians were stunned at the seeming turnabout. Rabbi Reuben Meier had not failed the Lubavitchers back in the fifties in Hibbing. Dylan came home.
-III-
On The Barricades
Jewish self-confidence was ruined in the wake of WWII but began to resume with the establishment of Israel in 1948. A feeling of power began to revive after the 1956 war; then after the Six Day War of 1967 a feeling of invincibility seized the Jewish mind. Born in 1941 Dylan was 26 in 1967. In 1968 the aborted Paris insurrection took place.
As a result of the Six Day War the New York Rabbi Meir Kahane organized the Jewish Defense League (JDC) as a terrorist organization from which came the JDO or Jewish Defense Organization. The JDO was murderous. Both were terrorist groups who engaged in serious bomb attacks in NYC and assassinations. It was pretty nutty.
At roughly the same time the Weatherman group was formed that was a combined Goy and Jewish affair designed to bring down the US government. That group was headed by the Chicago terrorist nutcake Bomber Billy Ayers. The JDL, JDO and Weathermen traced their origins back to Dylan while including Dylan as one of them. Dylan had JDL members as bodyguards and possibly JDO so at one time he seems to have been a member. More regular Jews warned him to dissociate himself publicly from the JDL and JDO so that he did disassociate them from himself at least as far as one can see.
Dylan’s association with the Weathermen if it existed was more tenuous. It would be interesting to know if through Greil Marcus Dylan knew Ayers. All groups considered Dylan a revolutionary. This could easily be inferred from songs like Subterranean Homesick Blues and Ain’t Going To Work On Maggie’s Farm No More plus many of his Negro protest songs.
Now, when Dylan was awarded the French decoration, The Legion Of Honor, in 2015 he was commended for his contributions to the Paris insurrection of ’68. What those contribution were weren’t specified; it may only have been the moral support of his songs that the revolutionaries heard as a call to arms. Or perhaps Dylan functioned as a courier during his tours throughout the world. It wouldn’t be the first time entertainers were used as covers.
In 2007 when Sarkozy had been elected President of France one of the first things he did was to call a number of people to Paris to receive awards. Three relevant Americans made the trip, Dylan, Greil Marcus and David Lynch the filmmaker.
As it turns out Dylan and Greil Marcus are or were fairly closely associated. Marcus was ostensibly a music critic for Rolling Stone Magazine, another Jewish set up, but he was also a member of the French Jewish revolutionary group, the Situationist International led by Guy Debord. Debord and his SI claim to have been the moving force behind the Paris revolt thus tightening the connection between Marcus, Dylan, the SI and the Paris insurrection. Dylan was also associated with the revolutionary group centered around John Lennon and his widow Yoko Ono.
Now, in 2001 Dylan, Marcus and future president of the United States Barack Obama were in Chicago as associates at the time of 9/11. Dylan’s LP Love And Theft was released on that date that has references that seem applicable to the destruction while Marcus published an article shortly thereafter that seemed to celebrate the attack. So Dylan’s actions seem to point to revolutionary ends.
Now, as Dylan was touring the world from the Sixties through the present he may have been a courier connecting global revolutionary activity. It would not have been wise to communicate by phone or internet in later years as phones and electronics are easily tapped so it would be necessary to communicate by hand delivered messages. Such services would have been invaluable while coded messages in songs or interviews on radio and television appearances are possible. Eric Burdon formerly of the Animals was arrested by the German authorities on that suspicion.
You don’t get awards just for being cute.