Part 2 Something Of Value I

October 14, 2007

Something Of Value I

Part 2

by

R.E. Prindle

Back To Solid Ground, More Or Less

     At the same time Stevenson and Haggard appeared, another of the great mythographers made his appearance.  Arthur Conan Doyle brought his great psychological projection Sherlock Holmes onto the world stage.  Doyle listed Poe as his second most influential author with whom he had been familiar since his youth.  All the great mythographers were well acquainted with Poe.  He was the great originator.

     Holmes is the first great psychological projection of the Scientific Consciousness.   He fulfills the role of Mastermind.  His intellectual greatness fulfilled Poe’s dictum of the analytical mind.

     As the two Dupins fulfilled the roles of ego and alter ego so Doyle gave Holmes Dr. John H. Watson as alter ego and foil.  Holmes represented the future while Watson was a relic from the religious past.  As the evil Hydelike representative of the subconscious Doyle provided us with the infamous criminal mastermind Dr. Moriarty.

     With the introduction of Holmes the Scientific mythology began to take shape.

     The new mythology was based on the new discoveries of science.  The scientific mind was pouring out new technological wonders almost on a daily basis but it was the discoveries in the sciences of biology and psychology that would most undermine the Religious Consciousness.

     Darwin had organized biology along the new scientific lines when his Origin Of Species appeared in 1859.  There was no greater challenge to the orthodox belief system than this.  When a few years later Darwin issued The Descent Of Man things really erupted.  According to the religious viewpoint, since the origins of consciousness the notion had been that man was descended from the gods, later monotheistically amended to God.  In a really inept choice of words Darwin states, or his followers did, that man was descended from monkeys.  The idea of evolution might have met with less reistance had Darwin titled his book:  The Ascent Of Man since, properly speaking, Homo Sapiens is an advance on monkeys and all that has gone before.  Thus man could have been said to ascend the evolutionary scale from apes but descend from God meeting somewhere in the middle.  Darwin wasn’t so farsighted.

     At the same time great advances were being made in psychology.  The Frenchman, Jean Martin Charcot, was proving the effect of the subconscious on our minds in his studies of hysteria and hypnosis.  The sub or unconscious mind had been a topic of consideration since the days of the Enlightenment but discussion was carried on in vague terms.  In 1886 the English psychologist FWH Myers identified the subconscious by the name of the Unconscious preparing the way for Freud who would set the world on its psychological ear the way Darwin had its biological ear.

     The way was now prepared for one of the two greatest mythographers, H.G. Wells (1866-1946).  Wells had a split personality.  On the one hand he was a mythographer and on the other he was a Red/Liberal/Utopian.  In 1920 the Utopian side won out and he became a whole-hearted Revolutionist.

     Wells began writing about 1893.  His early work was in the genre of scientific fantasias, as they were called at the time, of which genre he is said to be the founder.  Wells noted quite correctly that about mid-century a new type of scientific man became increasingly apparent.

     Let there be no mistake but that a few centuries earlier these scientific disturbers of the peace would have been murdered.  The reaction by the beginning of the twentieth century was that science was evil and ought to be stopped.  George Griffith, himself writing a scientific fantasia for Pearson’s Magazine, Stories Of Other Worlds, put these words into his heroine Zaidie’s mouth as she was on the way to Mars:

     “They’re very ugly aren’t they?”  said Zaidie; “and really you can’t tell which are men and which are women.  I suppose they’ve civilized themselves out of everything that’s nice, and are just scientific and utilitarian and everything that’s horrid.”

     And Zaidie was a sweet thing too.  Against an even more hostile background Wells understood that tempers against science were running high but he came down on the side of the New Men.  In his interesting fantasia The Food Of The Gods he postulates that the new men had perhaps been fed some new synthetic food which made them intellectual and physical giants.

     Actually they had been around for centuries but had been suppressed by the Religious Consciousness in the form of the Judeo-Catholic religion.  As their forces gathered in the sixteenth and seventeenth centuries they became strong enough to defy the Judeo-Catholics.  Thus when the evidence of their emergence became evident in mid-nineteenth century they were already too numerous and too strong to be set aside.  The two consciousnesses came into conflict with the Religious Consciousness splitting into the reactionary Devout group and the other the more forward leaning Red/Liberals.

     Thus Wells on his Utopian side became the advocate of a form of the Religious Consciousness as he struggled with his Scientific Consciousness.  After the Russian Revolution he wholeheartedly went over to the revolution.

     While very influential on subsequent mythographers Wells was unable to create a psychological projection of his own while after 1920 he became a member of religious communism turning out politico-religious tracts.

     Emerging at about the same time as Wells the Irishman Bram Stoker contributed the master psychological projection of the twentieth century in his masterwork, Dracula  while E.W. Hornung (1866-1921) created the minor projection, the Amateur cracksman- A. J. Raffles.  A cracksman was a burglar; Raffles was the archetype of the gentleman thief.  While Raffles himself has virtually disappeared from the collective memory the notion of the gentleman criminal has taken hold on the mythological consciousness.  Raffles is not to be confused as a version of the earlier Robin Hood who ‘stole from the rich to give to the poor.’  No, Raffles unashamedly kept and spent all the proceeds.

     In the background all this time the greatest of the creative mythographers, Edgar Rice Burroughs (1875-1950) was waiting for his consciousness to mature.  It matured in 1911 when he first created John Carter of Mars then followed up  with the prodigious psychological projection of Tarzan Of The Apes.  Shew, bigger than an A-bomb.

     Burroughs was the plateau to which all other roads led and from which all other roads proceeded.  He managed to consolidate all the mythological trends of the previous decades into his work where he refined and perfected them sending them on to new heights.

     Edgar Rice Burroughs.  To coin a cliche, Burroughs was an enigmatic figure.  While himself a great original writer he managed to incorporate the various strands of the myth into his writing in such a way, either clumsy or tributary, as you wish, that he stands accused of being a plagiarist.  This is nonsense of course.  Like any mythographer he had to work with established materials.  Myths are not original– they are cooperative efforts.  The great Greek cycle, of which Homer is the center, was the work of many hands.  The fact does not diminish Homer’s contribution.

     Burroughs was able to incorporate the two most significant disciplines of psychology and evolution into his work in such an entertaining manner that the seriousness of his thought was lost in the glamour.

     While the sources of Burroughs’ evolutionary ideas which will be discussed in Part II, are relatively easy to trace his psychological sources are more difficult.  That he had already thought deeply on psychological matters before he began writing is obvious.  That he continually added to his learning in psychology as well as evolution is clear from the development of his thought throughout the corpus.

     Burroughs was especially concerned with the nature of the unconscious.  He was an intelligent man who knew that his own behavior was controlled from his subconscious.  I am certain that he was familiar with the 1886 work of FWH Myers, as well as Myers’ 1903 work Human Consciousness.  As Freud was not translated into English before 1912 it seems certain that he had not had direct contact with the man’s work before then, however, by 1916 in his short story ‘Tarzan’s First Nightmare’ it seems evident that he had read at least The Interpretations Of Dreams.

     Still, Burroughs had considerable contact with practicing psychologists as he indicated in The Gods Of Mars.

     As the notion of the unconscious  was discussed in various journals he very probably had read a number of articles, while as the notion of the Freudian slip was current in the second decade of the twentieth century he may have been familiar with Freud’s Psychopathology Of Everyday Life.

     At any rate his writing of that decade drove relentlessly toward the goal of integrating his personality which is to say unifying the subconscious and conscious minds which he succeeded in doing by 1917 when he published The Oakdale Affair or, as alternatively titled, Bridge And The Oskaloosa Kid.

     In his portrayal of the big Bwana, Tarzan has an integrated personality from his beginning in 1912.  In his other works Burroughs constantly offers many portrayals of the subconscious.

     The contrast between the conscious, or intelligent mind, and the unconscious, subconscious or ‘instinctive’ mind is one of the central tenets of the myth.

     For Burroughs the study of the subconscious was to liberate, for Freud it was to subjugate the human will.  Make no mistake, I consider Freud an evil presence while being the most destructive force of the twentieth century equal to any number of atomic bombs.  Freud’s notion of the subconscious as a Hydelike repository of horrid repressed criminal needs was very mistaken.

     One has the feeling that Freud learned much more about the human psyche than he told and that he told what he did with ulterior motives in mind.  Those ulterior  motives did not go unnoticed at the time.  As D.H. Lawrence expressed it is his Psychoanalysis And The Unconscius of 1911:

     And does it need a prophet to discern that Freud is on the brink of a Weltanschauung- or at least a Menschenschauung, which is a more risky affair?  What detains him?  Two things.  First and foremost the moral issue.  And next, but more vital, he can’t get down to the rock on which he must build his church.

     Actually the unconscious was the rock but another rock was how to turn the basis of psychoanalysis, which is emasculation, into something palatable.  Freud stumbled over his concept of castration which he was apparently sincerely unable to extend into the workable concept of Emasculation.  The Castration Complex is only a symbol for Emasculation.  And then there was the difficult moral issue.  Lawrence again, same work:

     First and foremost the issue is a moral issue.  It is not here a matter of reform, new moral values.  It is the life and death of all morality.  The leaders (Freud, Ferenczi, Abraham) among the psychoanalysts know what they have in hand.  Probably most of their followers are ignorant, and therefore pseudo-innocent.  But it all amounts to the same thing.  Psychoanalysis is out, under a therapeutic disguise, to do away entirely with the moral faculty in man. (My italics.)

     Lawrence put his finger on the criminal intent.  Freud was in fact running an Order in which one learned the true intent as one moved from initiate to adept.  Freud in fact did wish to destroy the concept of Christian, that is to say European morality, and he had his reasons.  But why the ‘unconscious’, why something which in his vision lies outside, even beyond, our minds, some alien evil force which controls our actions against our will.  Lawrence persists:

     It is obvious we cannot recover our moral footing until we can in some way determine the true nature of the unconscious (Percipient O!) The word unconscious itself is a mere definition by negation and has no positive meaning.  Freud no doubt prefers it for this reason.  He rejects subconscious and preconscious, because both of these would imply a sort of nascent consciousness, the shadowy half-consciousness which precedes mental realization.  And by his unconscious he intends no such thing.  He wishes rather to convey, we imagine, that which recoils from consciousness, that which reacts in the psyche away from mental consciousness.  His unconscious is, we take it, that part of the human consciousness which though mental, ideal in its nature, yet unwilling to expose itself to full recognition and so recoils back into the affective regions and acts there as a secret agent, unconfessed, unadmitted, potent, and usually destructive.  The whole body of repressions makes up our unconscious.

     Here Lawrence states the obvious, there is no such thing as the unconscious.  There is a subconscious that he rightly understands Freud to have rejected for ulterior motives.  A subconscious is part of us which can be dealt with while an unconscious which is metaphysical cannot, it therefore follows that there cannot be an unconscious which would be a religious symbol, or in other words, supernatural.

     However Lawrence while he scoffs seems to understand the function or a function that Freud gave to his unconscious which is in fact partially true of the subconscious.  ‘The whole body of repressions makes up our unconscious.’  Not a fact because when the personality is integrated  and fixations or what Freud call repressions disappear there is still a function to the subconscious which is unrelated to the fixations or repressions.  I believe repression to be an inaccurate term.  Rather what Freud calls repressions are fixations.  A Challenge that the mind finds overwhelming is received and perpetuated as a fixation in the subconscious that in its control of the personality appeared to Freud as repression.  Freud repeatedly reports the symbol as the fact whether through misconception or in intent to deceive is not always clear.

     What is clear is that as Lawrence perceived so clearly in 1911 was Freud’s intent to destroy morality in a Jekylllike intent to release the Hydelike repressions on the world.  In this he succeeded quite well.  Much to his own injury.  Just as Hyde brought destruction on himself so Freud brought destruction on the Jews in this Jewish millennial period.

     At this point it might be instructive to examine an aspect of the intellectual milieu in which Freud developed.  A large part of personal psychology is integral in one’s group psychology and general psychology as in, for instance, education.  By education I do not mean schooling per se, but all the influences which constitue character formation.

     Freud’s father came from the area of the Pale known as Galicia.  This area is very close to the homeland of the ecstatic variant of Judaism known as Hasidism, and in fact his father was a Hasid.  This sect arose out of the period of the last great messianic individual, Sabbatai Zevi.  This man was active during the period 1640-66.  As might be expected in group psychology when the Day approaches the faithful raise their expectations, growing elated, becoming forgetfull of niceties.  This is what happened to the Jews of the southern Pale in 1648.  As auxiliaries of the Poles who had conquered the Ukraine the Jews suffered the same fate as the Poles when the Ukrainians revolted.  this massacre occurred at the same time as the expected millennium which was a complete contradiction in terms, or in other words, how mysterious can the ways of God be?  Then in 1666 the whole millennial illusion collapsed when Zevi failed as a messiah.

     One result of the failure was the attempt to regenerate Judaism by means of ecstatic Hasidism.  By all rights Yahvey, not for the first time, having failed his people should have been renounced.  The Jews couldn’t do this.  There was also a second effect.  Out of the wreckage of Zevi a man named Jacob Frank evolved another strain of Judaism in which he said that the age of the millennium would never appear until the Jews had exhausted their proclivity for evil.  It was therefore necessary for Jews to indulge in whatever evil impulses they had to purge their systems to make way for the good or millennium.

     Here also is where the Jewish notion of good arising from evil finds its clearest expression.  Jewish ideas are never distinct from the ideas of the general community, in this case European.  A European reaction to Judaeo-Catholicism had been going on for centuries passing through many manifestations such as the Beggars, the Free Spirtis, Anabaptists and others.  All of these like the Frankists believed, like Freud, in the free expression of subconscious impulses.

     Now joined by the Frankist notions after the beginning of the eighteenth century the basis of the Revolution was formed.

     By mid-eighteenth century many of these groups, now styled Libertines, were functioning openly in England and on the Continent.  Perhaps the most famous organization representing these beliefs which were integral to the Revolution which had been developing for centuries were clubs like the Hell Fire Club of England.

     These groups of people were quite extreme.  Their credo was startlingly expressed in Tobias Smollett’s 1748 novel Roderick Random.  Note the date, which is just before the destruction of the notorious prisons, Newgate in England and the Bastille in France.  Smollett’s novel is forty-one years before the outbreak of the French Revolution which was supported in England by members of these clubs.

     Smollett’s hero, Roderick Random, was introduced into the home of one of these incendiaries to whom he attribute the following poem:

Thus have I sent the simple king to hell

Without or coffin, shroud or passing bell.

To me what are divine or human laws?

I court no sanction but my own applause!

Rapes, robb’ries, treasons, yield my soul delight;

And human carnage gratifies my sight;

I drag the hoary parent by the hair,

And toss the sprawling infant on my spear,

While the fond mother’s cries regale my ear.

I fight, I vanquish, murder friends and foes;

Nor dare the immortal gods my rage oppose.

     Sound like any two revolutions you may have heard of?  The above pretty much defines Freud’s intent in his use of the subconscious while forming the framework of his personal Weltanschauung.  Whether Freud was consciously aware of these notions or whether they were part of his subconscious is open to question.  Much of the education of this sort is absorbed on the subliminal level perhaps never being or becoming conscious.  Most of this primal education is buried so deep that one is never aware of its source.  I scoff at Freud’s claim that he was able to analyze himself in just one year at the turn of the century.

     Now, the majority of Freud’s thought was completed by the time he published his Introductory Lectures In Psycho-Analysis in 1917 just before the Bolshevik Revolution.  In order to explain the results of the Freudian ideas of the ‘unconscious’ let me provide a framework by moving ahead a little.

     What we are talking about here is the context of Freud’s notion of the castration complex.  Castration is a specific symbol while the generalized concept is Emasculation.  the Castration Complex is not even an affect but only a symbol.  If Freud was aware of the generalized Emasculation concept he nowhere lets us know.  Emasculation is caused by an unresolved affront to the Ego from which all men and women suffer to some degree.

     The scapegoat for our sins or arch-villain of all time as some would have it was and remains Adolf Hitler.  Hitler was seriously emasculated.  Having read all the major Hitler biographies while delving is some detail into the hisory of post-Great War Germany I was at a loss to explain the man and his time down to the Rock of his Church.  Having folowed through on Freud’s notion of the Castration Complex exlucidating it into the Emasculation theory I came across the novels of that most horribly emasculated and repulsive figure in modern literature, Jean Genet.

     For those not familiar with Genet, he wrote plays which I have not read and five novels I have which I list:  Our Lady Of The Flowers, The Miracle Of The Rose, Funeral Rites, The Thief’s Journal and Querelle Of Brest.

     Genet was a vicious homosexual and criminal which is to say he was completely emasculated.  He wore women’s dresses but not as a transvestite.  Any self-respect he had was totally negative.  However, it is possible to recognize something of oneself in his hurt.  He knew how to universalize his anguish.  His degradation gave him some insight into his times and its personalities.  He traveled in Nazi Germany between 1930 and 1940.

     While not using these terms he understood and applauded the criminal annexation of Law and government to the uses of Freud’s concept of the unconscious or, in another word, criminality.  The criminal nature of the regime was so in accord with his own perversions that he had no desire to thieve as such crimes seemed to him to be no insult to society in Germany.

     It seemed to him that Hitler was one with himself in his desires.

     I don’t believe Hitler was a practicing homosexual but he was emasculated to the point of deformity.  Which is what I suppose revolted his contemporaries so.  However, as all emasculation is expressed in a variant homosexual manner, self hatred being a form of homosexuality, one may believe that he was a ‘latent’ homosexual.  One wonders about his relationship with Hindenburg; what exaggerated respect and smoldering resentment must have been there.

     In may ways Genet forms a link between the ante and post WWII worlds.  In his own goals and aims he was peculiarly related to Freud.

     Shortly after the Great War Freud wrote ‘Group Psychology And The Analysis Of The Ego.’  The essay is applied Freudianism; it doesn’t do you any good to have the scientific knowledge if you don’t apply it.  Man has his individual ego while sharing it in one or more group egos.  The question then becomes how does one engineer the individual ego into a group ego so that the individual within an artificial group can achieve your desired political ends will he nil he, hypnotized as it were.

     Freud tackles this problem in Group Ego.  The book raises several interesting questions.  Freud based this work on an 1895 study by the Frenchman Gustave Le Bon titled: The Crowd: A Study Of The Popular Mind.  Le Bon’s was a seminal work still in print after 110 years.  He might be said to have originated the concept of group psychology which Freud appropriated.

     ‘Group Psychology And The Analysis Of The Ego’ is virtually the Crowd rewritten with better organization and definition.  At the risk of quoting too extensively I have abstracted several quotes from Le Bon used by Freud in Group Ego which form the basis of Freud’s essay.  Le Bon’s book may be illustrative of the manner in which Freud built several of his

     The most striking peculiarity presented by a psychological group is the following.  Whoever be the individuals who compose it, however like or unlike be their mode of life, their occupations, their character, or their intelligence, the fact that they have been transformed into a group puts them in possession of a sort of collective mind which makes them feel, think and act in manner quite different from that in which each individual of them would feel, think and act were he in a state of isolation.  There are certain ideas and feelings which do not come into being, or do not transform themselves into acts except in the case of individuals forming a group.  The psychological group is a provisional being formed of heterogeneous elements, which for a moment are combined, exactly as the cells which constitute a living body form by their reunion a new being which displays characteristics very different from those possessed by each of the cells singly. (p. 29)

     It is easy to prove how much the individual forming part of a group differs from the isolated individual but it is less easy to discover the causes of this difference.

     To obtain at any rate a glimpse of them it is necessary in the first place to call to mind the truth established by modern psychology, (1895) that unconscious phenomena play an altogether preponderating part  not only in organic life, but also in the operations of intelligence.  The conscious life of the mind is of small importance in comparison with its unconscious life.  The most subtle analyst, the most acute observer, is scarcely successful in discovering more than a very small number of the conscious motives that determine his conduct.  Our conscious acts are the outcome of an unconscious stratum created in the mind mainly by hereditary influences.  The substratum consists of the innumerable common characteristics handed down from generation to generation, which constitute the genius of a race.  Behind the avowed causes of our acts there undoubtedly lie secret causes that we do not avow, (The issue is not issue, Mark Rudd) but behind these secret causes there are many others more secret still, of which we ourselves are ignorant.  The greater part of our daily actions are the result of hidden motives which escape our observation. (Ibid. 30

      A necessary transition note from Freud. (Page 8, Group Psychology).  ‘Le Bon thinks that the particular acquirements of individuals become obliterated in a group, and that in this way their distinctiveness  vanishes.  The racial unconscious emerges, what is heterogeneous is submerged in what is homgeneous.  As we should say, the mental superstructure, the development of which in individuals shows such dissimilarities  is removed, and the unconscious foundations, which are similar in everyone, stand exposed to view.

     In this way individuals in a group would come to show an average character.  But Le Bon believes that they also show new characteristics which they have previously not possessed, and he seeks the reason for this in three different factors.’

     Freud quoting Le Bon again:

     The first is that the individual forming part of a group acquires, solely from numerical considerations, a sentiment of invincible power which allows him to yield to interests which, had he been alone, he would perforce have kept under restraint.  He will be the less disposed to check himself, from the consideration that, a group being anonymous and in consequence irresponsible, the sentiment of responsibility which always controls individuals disappears entirely.  (Ibid. 33)

     The second cause, which is contagion, also intervenes to determine the manifestations in groups of their special characteristics, and at the same time the trend they are to take.  Contagion is a phenomenon of which it is easy to establish the presence but which it is not easy to explain.  It must be classed among those phenomena of a hypnotic order, which we shall shortly study.  In a group every sentiment and act is contagious, and cantagious to such a degree that an individual readily sacrifices his personal interest to the collective interest.  this is an aptitude very contrary to his nature, and of which a man is scarcely capable, except when he makes part of a group.  (Ibid. 33)

     A third case and by far the most important, determines in the individuals of a group special characteristics which are quite contrary at times to those presented by their isolated individual.  I allude to that suggestibility of which, moreover, the contagion mentioned above is also an effect.

     To understand this phenomenon it is necessary to bear in mind certain recent physiological discoveries.  We know today that by various processes an individual may be brought into such a condition that, having entirely lost his conscious personality, he obeys all the suggestions of the operator who has deprived him of it, and commits acts in utter contradiction with his character and habits.  The most careful investigations seem to prove than an individual immersed for some length of time in a group in action soon finds himself– whether in consequence of the magnetic influence given out by the group, or from some other cause of which we are ignorant– in a special stae, which much resembles the state of ‘fascination’ in which the hypnotized individual finds himself in the hands of the hypnotizer.

     …The conscious personality has entirely vanished; will and discernment are lost.  All feelings and thoughts are bent in the direction determined by the hypnotizer.

     Such also is approximately the state of the individual forming part of a psychological group.  He is no longer conscious of his acts.  In his case, as in the case of the hypnotized subject, at the same time that certain faculties are destroyed, other may be brought to a high degree of exaltation.  Under the influence of a suggestion, he will undertake the accomplishment of certain acts with irresistible impetuosity.  This impetuosity is the more irresistible in the case of groups than in that of the hypnotized subject, from the fact that, the suggestion being the same for all individuals in the group, it gains in strength by reciprocity.  (Ibid. 34)

     We see, then, that the disappearnce of the conscious personality, the predominance of the unconscious personality, the turning by means of suggestion and contagion of feelings and ideas in the identical direction, the tendency to immediately transform the suggested idea into acts; these, we see, are the principal characteristics of the individual forming part of a group.  He is no longer himself, but has become an automaton who has ceased to be guided by his will. (Ibid. 35)

     The remainder of Freud’s Group Psychology is the application of Le Bon’s observations as a manual for psychologically manipulated groups through hypnosis and suggestion to achieve an agenda.  I will repeatedly refer to Group Psychology in Freud’s plan hereafter.  While it is clear that Freud read Le Bon’s 1895 book absorbing much, the book was immediately translated into English in 1896 where it became accesible to a world public, it is therefore probable that a number of other people read the book taking what they needed for their purposes.

     One of these may very well have been Edgar Rice Burroughs.  I know of no way of determining the fact that he read the book but one asks is there any evidence in his novels that would indicate that he had.  I’ll be darned, there is.  As I said, because of the frivolous nature of the novels one dismisses Burroughs as an uneducated fantasist.  He himself said that he would take a political or social idea and highly fictionalize it into something else.  If one reads his 1914 novel Thuvia, Maid Of Mars one finds a story suspiciously like Le Bon’s ideas in The Crowd but highly fictionalized.

     Burroughs’ psychological ideas are difficult to trace but well developed.  Throughout his corpus Burroughs is well informed about hypnosis.  It appears to be a subject he gave special attention to.  Le Bon’s ideas are based on group hypnosis.  In Thuvia the hero finds his way to the Martian kingdom of Lothar.  He engages his invaders in a battle with the Lotharians.  The city walls of Lothar are manned by innumerable bowmen firing arrows on the Green Men of Mars.  The field is strewn with dead Green men killed by the arrows of he phantom bowmen.

     The fight ending the hero looks away for an instant breaking eye contact with Lothar.  When he looks back the field is strewn with dead Green Men but the arrows are gone.  Wondering about this he looks back at Lothar to find the bowmen are gone too.

     As it turn out the Lotharians no longer exist in physical form but are merely psychological projections who have learned to mass hypnotize their enemies into believing that they do exist and are shooting real arrows.  Their enemies believe they are real arrows and so die by them.

     Thus it is quite possible that in Thuvia we have a fictionalization of Le Bon’s ideas which Burroughs must have picked up from the 1895 book converting them into fiction in 1914 well ahead of Freud and Hitler.

     Oh yes. Him again.  Hitler.  Whether historians would agree that Germany was ‘stabbed in the back’ or not, it was universally believed by Germans, especially by Hitler, and they and he acted on that belief.  Thus the psychic injury suffered by the privations of war, the loss of the war, and the belief that victory had been taken from them by traitorous means made a curious form of group emasculation  of the collective ego shared by each individual creating the conditions for a group psychology which under the influence of a hypnotizer they would not be responsible for their acts.  The group ego is where the emasculation occurs being then relegated to the group subconscious where it surfaces under various names and impulses.  As the American Jew Mark Rudd was to say in respect to his group’s post-WWII emasculation:  The issue is not the issue.  In other words, their complaint was the disguise for their emasculation which is what they were really trying to address.

     Jean Genet was not a philosopher or a politician so that he did not understand that Hitler was not the protagonist but the antagonist.  He was not acting but reacting.  What was he reacting to?  Let’s go back to Freud.

     End of Part 2.  Go To Part 3

Something Of Value I

October 1, 2007

Something Of Value I

by

R.E. Prindle

If a man does away

With his traditional way of living

And throws away his good customs,

He had better first make certain

That he has something of value to replace them.

–Basuto proverb as quoted by Robert Ruark

Dedicated to

Greil Marcus

 

Part One

One Hundred Years In The Sewers Of Paris

With Jean Valjean.

Edgar Rice Burroughs, Sigmund Freud

And The Myth Of The Twentieth Century

1.

The Concepts Of The Unconscious And Emasculation

 

     It has been truly said that man does not live by bread alone.  He also requires a mythic foundation on which to base his actions.  In the neolithic era his mythology was governed by a Matriarchal vision of reality.  In the subsequent Egypto-Greco-Mesopotamian mythology the Matriarchal series went through a revision being replaced by an advanced Patriarchal mythological consciousness.  This system was followed by the Judaeo-Christian mythological system which endured as the basis of mythological belief until the seventeenth and eighteenth centuries when the belief system was subverted by the emergence of the Scientific Consciousness.

     Unlike the mythopoeic consciousness which preceded it the Scientific Consciousness left no place for supernatural explanations; all had to be explained within a rational scientific framework.  This placed a great strain on a significant portion of the population which did not have the intellectual equipment to evolve.  Thus the basis of psychological comfort provided by religion was destroyed.  The code of behavior seemingly sent down from the sky had lost its validity.

     In place of an apparent unified consciousness it now became noticeable that EuroAmerican man had an unconscious or subconscious mind as well as a conscious mind.  Thus another evolutionary degree of differentiation unfolded that separated the advanced Scientific Consciousness  from the anterior Religious Conciousness.  A struggle has ensued in which advanced people are compelled to reintegrate their conscious and subconscious minds while the Religious Consciousness divided into the two camps of the Devout and the Reds resist.

     The discovery of what was known as the Unconscious began with the emergence from the Religious Consciousness during and  after the Enlightenment.  Anton Mesmer with his discovery of Animal Magnetism or hypnotism may have been the first stage.  Goethe and others carried the discussion forward until the Englishman FWH Myers isolated or identified the subconscious by the name of the unconscius in 1886.

     The notion of the unconscious as known during the twentieth century was formulated by Sigmund Freud during the twentieth century’s first decade.  Both Myers and Freud misconceived the nature of the sub or unconscious.  Myers’ conception was more generous than Freud’s and more in accordance with proto-scientific Patriarchal Greek mythological conceptions which were also mistaken but visionary.

     In Myers’ vision of the unconscious it had two aspects: the destructive aspect which he gave the Greek name of Ate and the constructive aspect he termed Menos.  Thus he recognized that the unconcious could be good or bad.

     Myers’ vision may have been based in Greek mythology.  It will be remembered that the creative god, Hephaestus, was married to the emotional goddess, Aphrodite.  Hephaestus and Aphrodite had their digs at the bottom of the sea which is to say the symbol of the unconscious which corresponds to the seeming location of the unconscious at the bottom of the mind or, in other words, the brain stem.

     Thus it is said that Aphrodite, the goddess of love, which is to say irrationality, emerged from the sea on the half shell.

     So, I suppose, love, being never rational is a subconscious decision which is one sided or a half shell.  Love may be either constructive or destructive.

     Thus also good ideas, a la Hephaestus, seem to rise unbidden from the subconscious or the depths.

     Hephaestus and Aphrodite were ancient gods dating back to the Matriarchy.  The incoming Patriarchal god, Zeus, had no part in their creation; they were solely a part of Hera the great goddess of the Matriarchy.  She was much older than Zeus but the youthful Zeus united with her in the form of a cuckoo bird who as she clutched it to her breast slipped down her dress and ravaged her.  So the Patriachy subsumed the Matriarchy.

     When Hephaestus later sided with his mother against Zeus, the great Olympian threw him from heaven laming him.  Then Aphrodite was given to him to wife.  Unbridled lust combined with creative activity, Ate and Menos.

     Aphrodite was not happy with the lamed god.  While Hephaestus was on trips to Olympus she dallied with another Matriarchal god, Ares, the symbol of uncontrollable desire or rage.  Hephaestus having been informed of Aphrodite’s infidelity set a trap for her and Ares.  He constructed a finely meshed net of gold which he suspended over his bed.

     Aphrodite, unbridled lust, and Ares, uncontrollable rage, were literally caught in the act being unable to disengage.  Thus we have two aspects of Ate, lust and rage, caught by the efforts of creativity in the depths of the sea or the unconscious

     Hephaestus called the other gods to witness.  Athene, a new Patriarchal goddess who was the counterpart and antithesis of Ares and Aphrodite turned away in disgust.  Apollo, another new Patriarchal god and the antithesis of Hermes just laughed.  Hermes, the patron god of thieves, a Matriarchal god, said he would change places with Ares in a second.  Thus, lust, rage and dishonesty are combined in one figure of Ate in the subconscious.

     The image of Ate and Menos is what Myers meant by his idea of the unconscious.  Freud, on the other hand, understood the unconscious as pure Ate.

     Both the Greeks and Myers attempted scientific explanations while Freud gave the unconscious a religious and supernatural twist.  He seemed to believe that the unconscious has an independent existence outside the mind of man which is beyond man’s control while being wholly evil.

     Opposed to morality, Freud then wished to unleash this conception of the unconscious on the world.  He was uniquely prepared to do so.  All he had to do was manipulate the symbols of psychoanalysis of which he had full control.  The question then is did Freud have deeper understandings that he concealed in order to bring about his desired ends?

     Such is the case with his conceptions of sexuality.  There is no need for him to have had deeper understanding, after all he was a pioneer opening a new field of inquiry.  On the other hand…

     Defining the unconscious was done by many men preceding Freud so that his is only one of many understandings, not necessarily the best, although today in  common belief he invented the concept of the unconscious.

     Next he chose to define the concepts of sex.  He was equally successful in this field as far as the public was concerned, although I differ in understanding the matter as I do with the unconscious.

     In analyses with patients Freud discovered that there was a fear of castration out of all proportion to actual incidents of sexual mutilation.  It follows then that castration symbolizes something other than the removal of the genitals.  I contend that it was impossible for Freud to have missed the signficance of castration as a symbol.

     Castration as a symbol represents the broader concept of Emasculation, in this case psychological emasculation.  This does occur in everyone’s life in many different manifestations while being something to really fear or avoid.  Unless I am mistaken all neuroses and psychoses depend from it.

     Understanding Emasculation is as much a ‘royal road to the unconscious’ as dreams.

     I do not accept Freud’s map of the mind but we both agree that the Ego or Animus is the key to identity.  Freud fully understood the significance of the Ego.  Thus when the Ego is challenged with an affront or insult to which it is either unable or doesn’t know how to respond to successfully emascualtion to some degree takes place.  There is no unconscious, just as there are no instincts so that a fixation is suppressed in the subconscious as a result of the affront.  These fixations produce effects, which can be grouped in categories such as hysteria, paranoia, obsessive-compulsiveness and the whole panoply of general affects.  The affects then find expression physically and psychologically, or in another word, psychosomatically.  The mind and the body is one unit.  These affects answer to what Freud called neuroses and psychoses.

     When the Ego or Animus is denied its right to assertion the denial is frequently espressed in a hysterically sexual manner corresponding to the the insult.  If the victim feels he has been taken from behind he will undoubtedly resort to anal intercourse as one type of underhanded response in an attempt to get back his own as in the case with homosexuality.  Homosexuality is Emasculation par excellence.

     The human mind is very limited in its inventiveness so all these affects can be catalogued and matched with the insult so that, absent resistance under analysis, they can easily be addressed and exorcised.  The problem is not as complicated as it has been made out.

     Freud understood so much more than he was willing to tell the goys but then he was not a scientist but a Jewish prophet.  In his Group Psychology And The Analysis Of The Ego to which we will return he gave the game away.

     The individual can and does submerge his own ego into a, or at various times, many group egos.  Prominent among these group egos are ethnic, national and religious group egos.

     Just as the individual can be emascualted so can ethnic, national or religious groups be emasculated which the individual will share.  I mention the Jews only as the most obvious case although Negroes, American Indians or any defeated people suffer emasculation to one degree or another.

     Thus I will discuss the unconscious from a general point of view with Freud’s concept prominent while the concept of Emascultion will be discussed by my understanding based on the studies of Freud on the castration complex and group psychology.

     Bear in mind that I think Freud criminally distorted scientific knowledge for ethnic, national and religious ends.

2.

Quo Vadis?

     Born with an integrated mind, circumstances soon disintegrate the personality so that the mind must be reintegrated  to return to a state of psychic wholeness.  A sort of personal mythology is created by one’s early disintegrative experiences which form one’s dreamscape in an attempt to deal with an overwhelming reality.  However, when a person gains some control over external reality when the personality is integrated and the initial  dreamscape based on early memories is eliminated  a sort of distressing vacuum ensues that exists until a new dreamscape is formed which, while sufficient to ease the discomfort lacks the depth and substance of the fully mythologized dreamscape of childhood.  One had reached a scientific consciousness.  It may not be as satisfying but it fills the space while not controlling one’s behavior.

     Western man, Euroamerican man, as the only segment of mankind so differentiated had then to begin to work out a new mythology based on rational scientific ideas.  In other words he had to create a comfortable basis from which to understand and interpret the world.

     Thus after a couple proto-mythographies in the early nineteenth century a cluster of writers or neo-mythographers began to create a mythology for the Scientific Consciousness.

     The destruction of the Religious Consciousness began to become obvious after the eighteenth century Industrial Revolution in  England.  With the advent of steam the problem began to become acute.

     The proto-mythologers may be Walter Scott, Byron, Peacock and the Shelleys.  There is a departure in feel and style with these writers.  Mary Shelley’s Frankenstein posits the scientific problem laying a foundation for the new mythology but does not itself deal with the psychological effects.

     The first mythographer to make an attempt to explain the split consciousness from my own researches was the American, Edgar Allan Poe, 1801-49.

     Poe began his writing career as a psychologically troubled man ending it insane.  Along the way he wrestled with the problem of the void in the subconscious created by the elimination of the supernatural.  His message was received by the later group of mythographers who read him without exception all being influenced by his work.

     Poe caught the great intellectual change as it emerged.  The period from 1830-1880 was the period of the great initial scientific advances that would change the world.  From Poe’s death in 1849 to the emergence of the new breed of mythographers beginning in the 1880s was a period of literary quiescence.

     Poe began his influential masterpiece The Murders In The Rue Morgue with the paragraph:

     Quote:

      As the strong man exhibits his physical ability, delighting in such excercises as call his muscles into action, so glories the analyst in the moral activity which disentangles.  He derives pleasure from even the most trivial occupations bringing his intellect into play.  He is fond of enigmas, conundrums, hieroglyphics; exhibiting in his solutions of each a degree of acumen which appears to the ordinary apprehension as praeternatural.  His results brought about by the very soul and essence of method, have in truth the whole air of intuition.

     Unquote.

     By analysis Poe didn’t mean the sort of educated guesswork that had passed for analysis in the pre-scientific consciousness.  No, this was scientific analysis that disassembled a problem into the component parts revealing the secret than reassembling the problem to its original state.

     In doing so Poe revealed himself as a master mythographer as well as a scientist.  In C. August Dupin, the initials spell cad, Poe created the archetype of the eccentric madman who would be the here of countless novels.  As a projection of Poe’s own mentality Dupin and his unnamed alter ego live in a dilapidated house.  The house is the psychological symbol for self which Poe used almost to exhaustion.  As the Fall of the House of Usher prefigured Poe’s own descent into insanity as to a number of alter egos representing his sane side figure in the House of Usher, William Wilson, Rue Morgue and most notably in the System of Dr. Tarr And Professor Fether in which his sane alter ego drops his other half off at the door of an insane asylum.

     The two Dupins live in a darkened house during the day, creaking not unlike the House Of Usher, going out only into the depressed asylum of the night.

     Poe thus presents the separation of the conscious and subconscious modern man in the riddle of the murders in the Rue Morgue.  In the Rue Morgue the subconscious is represented by the Orang u tang or animal side of human nature while the conscious is represented by the sailor owner.  From Poe to at least Freud the subconscious was popularly considered a dangerous wild side of man.

     In Dupin and his alter ego versus the sailor and the Orang, Poe may have perceived the emergence of a new species much as H.G. Wells was to do at the end of the century.  Thus both men perceived that the antecedent consciousness and the Scientific Consciousness were not just matters of learning but a genetic difference although they didn’t put it that way that couldn’t be bridged.

     Both aspects were brought out brilliantly by Robert Louis Stevenson (1850-94) in his 1880 novel: The Strange Case Of Dr. Jekyll And Mr. Hyde.  This book may properly be said to be the first true represention of the scientific myth.

     In this case the good Dr. Jekyll is the disciplined, self-controlled scientist committed to doing good in the world.  Beneath his intelligent exterior he feels the primitive wild man lurking.  The primitive of what is in fact a predecessor Homo Sapiens is very very appealing to him.  Unable to bring this aspect of his psychology to the surface by conventional means he resorts to drugs.

     Having once freed his wild side, who he names Mr. Hyde, he is unable to put Hyde back into the bottle or syringe, whichever the case may be.  Hyde assumes control of the personality which leads both aspects of the personality to destruction.  This is not unlike Freud’s notion of the unconscious.

     Thus Stevenson brilliantly prefigured the twentieth century future in which the scientist is dragged back to the level of the predecessor species through a psychological inability to take the great leap forward and turn his back on his past.

     The same sense of the alienation from a predecessor existence was evidenced in the work of a great transitional figure, H. Rider Haggard (1856-1925).  Let me say that Haggard is a much neglected literary figure.  As his topics concerned Esoterica and Africa, the former which is scorned and the latter ignored, his literary reputation has been allowed to virtually disappear.  Having read a large part of his work in the pursuit of these studies I would rank Haggard very highly, certainly among the top ten authors, possibly as high as number five.  one and two are Walter Scott and Balzac, while Dumas holds down third and possibly Trollope in the fourth spot.  Haggard is a writer of genius.

     He spent his late teens and early twenties in the South African provinces of Natal and Zululand where he acquired a vision of the difference between the first Homo Sapiens, the Negro, and the current scientific man.  As the saying goes, there’s something to be lost and something gained when you move up the ladder.

     Haggard never made it to scientific man himself being stuck in the Religious Consciousness.  He belonged to the Esoteric side rather than the Christian.  In the third novel of his great African trilogy, Allan Quatermain, Haggard examined the difference between the African and European in this manner.

     Quote:

     Ah! this civilization what does it all come to?  Full forty years and more I spent among savages, and studied them and their ways; and now for several years I have lived here in England, and in my own stupid manner have done my best to learn the ways of the children of light; and what do I find?  A great gulf fixed?  No, only a very little one, that a plain man’s thought may spring across.  I say that as the savage is, so is the white man, only the latter is more inventive, and possesses a faculty of combination…but in all essential the savage and child of civilization are identical.

     Unquote.

      In the same book Haggard also put the problem more poetically:

…he dreams of the sight

of Zulu impis

breaking on the foe

like surf upon the rocks

and his heart rises in rebellion

against the strict limits

of the civilized life.

      Here Haggard states the central thesis of Stevenson’s Jekyll and Hyde.  In the evolution of the species there is always a small gulf between two adjacent species: nature does not take great leaps, it moves in small increments.  Thus it may be a small leap between the two, expecially when the next transition creates not only a new variety but a new species, but the leap is backwards as in Jekyll’s case while it is impossible for Hyde to make the leap forward, nor is he capable of adjusting to the new strict limits.  Wasn’t Stevenson precocious?

     Haggard who was not of the Scientific Consciousness was left behind while his work formed the basis of the greatest of the scientific mythographers.

     Before moving on let us here consider the patron saint of the future Red/Liberal aspect of the Religious Consciousness, the Frenchman, Victor Hugo (1802-85).

Paris Is A Leaky Basket

Paris has another Paris under herself; a Paris of sewers; which has its streets, its crossings, its squares, its blind alleys, its arteries and its circulation, which is slime minus its human form.

~Victor Hugo- Les Miserables

     As Haggard was a transitional figure for the mythographers one might say that Victor Hugo created the literary foundation for the Red/Liberal faction of the Religious Consciousness.  His Les Miserables with its tragi-comic format forms the bedrock of Revolutionary beliefs.  Hugo was himself a Revolutionary.  His novel Les Miserables is the account, so he says, of the apotheosis of Jean Valjean from bestiality to salvation.  Along the way to his apotheosis Valjean makes a detour through the sewers of Paris.

     Hugo was a poet; his account of the sewers of paris is, shall we say, poetic.  In fact a scatalogical masterpiece worthy of our own Lenny Bruce.  If Lenny had studied Vic a little he would have been able to say everything he wanted to say while staying out of jail at the same time.

     One wonders whether Freud read Hugo.  There are certain similarities in style.  Certainly they both seem to have had the same notion of the unconscious.  Valjean’s trip through the sewers of Paris, he with the bleeding Marius on his back must have been intended as a representation of the unconscious.  And a very funny one at that.

     Freud would certainly have agreed with Hugo when the latter wrote:  The history of men is the history of cloacae.  From Hugo’s description of the sewers of Paris it is clear that Paris was not anal retentive.

     Freud was no less scatological in his approach to psychology than this astonishing  section of Hugo’s book.  Who wouldn’t be miserable down in a sewer; miserable enough if only your mind was in the sewer.  In Hugo one gets the same macabre, morbid sense of humor Freud exhibits in his own work.  Oh yes, read properly Freud tells a lot of jokes.  Didn’t he write a book titled: Jokes And Their Relation To The Unconscious?  Sure he did.  Knew what he was talking about too.

     The first chapter of the section of Hugo’s book, The Intestines Of Leviathan is a series of morbid one liners which are as funny as anything Lenny Bruce came up with.  Double entendre?  To say Paris is a leaky basket!  In the underworld homosexual argot of Jean Genet the term basket refers to a man’s crotch and penis.  Undoubtedly the same argot was current in Hugo’s time.  He was a student of criminal argot.  So Paris being a leaky basket is equivalent to saying Paris was incontinent, pissing all over itself.  Don’t you think that’s funny?

     And then: “The sewer is the conscience of the city.” Hm?  ‘This can be said for the garbage dump, that it is no liar.”  I ask you, does Victor Hugo know how to get down and boogie?  Let us follow Jean Valjean into the “Conscience of Paris” “which is no liar” from which Hugo says Villon talks to Rabelais.  Fabulous funny images, morbid but fabulous and funny.

     To be sure, psychology in 1862 when Les Miserables was published, had not been developed, yet notice how closely Hugo’s tongue-in-cheek, laughing in his sleeve, description of Jean Valjean’s journey through the pitch black maze of this subterranean worker’s paradise into which from time to time faint glimmerings of light enter answers to the images of Freudian Depth Psychology.  Depth psychology?  Was that a pun or play on words?

     Just imagine Jean Valjean as he enters the sewer.  Take time to construct concrete images in your mind.  After this, shall we say, harrowing of hell not unlike that of Theseus and Peirithous, from which Perithous never returned, Valjean receives his apotheosis not unlike Hercules.  One might also compare this scene with the temptation of Christ.

     Valjean is carrying the bleeding Marius on his back who might or might not be dead.  Hugo doesn’t let us know.  This might be compared to one’s old self before or during the integration of the personality.  In fact Valjean sheds Marius after emerging from the sewer from which the gatekeeper of Hell, Thenardier, allows him to emerge after being paid his obol.

     The sewer is certainly a symbol of the unconscious for the scatological Freud who seems to revel in such fecal images.  Amidst a chatty history of the sewers of Paris which Hugo keeps up as Valjean plods through the darkness always intuitively heading in the right direction, down.  He evades the thought police who are searching for him or someone just like him in the sewers.  A shot sent blindly down his gallery grazes his cheek.  Jesus!  Isn’t a man safe from harassment in the depths of his own mind?  If you think Paris is dangerous, try the sewers.

     Valjean is exhausted from his long walk carrying Marius on his back, poor suffering humanity, the sign of the cross, nevertheless with the heart of a lion he plods on.  He moves forward through deepening fluids as his bare feet sink into fecal matter “which does not lie” while Hugo carries on a charming separate conversation with we readers about little known facts of the Paris sewers.  No, the fecal matter, as well as Hugo, tells the truth however hard that may be to decipher from the material at hand as well as underfoot.

      As the fluid (also however that may be composed as Hugo is writing scatologically) rises, his feet sink up to his knees into “the conscience of the city.”  Get this!  Valjean is one of the great strongmen, he lifts the dead weight of Marius above his head on his extended arms still sucking his feet from the muck.  Hugo does not reveal whether Valjean lost his shoes during this ordeal or not but surely a while back.  Perhaps of all the details Hugo records this particular item which consumes my interest had none for him.

     Nevertheless, heedless of the the danger to her shoes, Valjean plods on.  Plod, plod.

     Now, here’s a detail of interest Hugo does record.  Feet and legs deep in the conscience of paris, Marius held above his head visualize this, the fecal fluid had risen above Valjean’s mouth and nose so that he has to tip his head back, I’m not sure this would have been effective, until only a mask can be seen rising eerily above the surface, as well as two arms and Marius.  He ain’t heavy, he’s my other self.  Seen in Stygian darkness that is.

     If we’re all in the same sewer here imagine particles of the conscience of Paris, scatologically know as turds, bumping up against the mask probably trailing behind Our Man Of The Sewer in a wake of fetid glory.

     Even in the pitch black Thenardier is watching this spectacle.  Fortunately the psychic crisis is past.  Valjean leaves the conscience of Paris which does not lie, you can say that about it, behind striking solid, er, ground.

     A striking vision of Freud’s and the Revolution’s reality.  Had Valjean been given the name Spartacus the Revolutionary vision would have been complete.  The Red/Liberals had spent a hundred years or more in the sewers of Paris before they turned this primary text of theirs into the Broadway musical of Les Miserables.  Next time you see it put it into this context of the sewers of Paris.  The songs will take on new meaning.

Part II of Something Of Value I follows.

Springtime For Edgar Rice Burroughs

3.

In The Beginning:

The Renascent Burroughs

a.

         The psychological release Burroughs experienced when he began to realize the potential he had always felt must have been especially gratifying.  In all likelihood he believed he was beginning a new life, born again, as it were.  It wouldn’t have been unusual in this circumstance that he wished to dissociate himself from his entire past of failure.

     For this reason it is possible that California loomed as the destination in which his new life would unfold.  Making the change was difficult and would take him six years to consummate.  One asks, why California?  Why not Florida, for instance.  I think the answer may be in his three most favorite novels:  Mark Twain’s Prince And The Pauper, Little Lord Fauntleroy and Owen Wister’s The Virginian.  Wister posits the West as a place of redemption and fulfillment while Burroughs youthful visit to Idaho may have had that effect on him.  Hence Waldo the consumptive lands on an island as primitive as Idaho was to Chicago and becomes a man.  So Burroughs may have viewed his visits in the West.

     In the Prince And The Pauper a Prince becomes a Pauper and a Pauper becomes a Prince.  In Fauntleroy the unknown princeling discovered his true identity thus exchanging the role of Pauper for a Prince while his alter ego the pauper Dick The Shoeshine Boy is transformed as well  and through luck and pluck assumes a role of success in California as a rancher at the end of the story.

     The Burroughs born a princeling then disinherited to a Pauper reassumed his role as a Prince but he had been inefaceably declassed hence though now a Prince as Fauntleroy he retains the psychology of the declasse as in the character of Dick The Shoeshine Boy.  Dick at the end of Fautleroy moves to California where he finds work on a rach eventually becoming a success as a rancher himself.

     It seem obvious that burroughs considered Little Lord Fauntleroy a book of destiny.  Thus California would appear as his destiny.  I believe that the reason for the six year delay in the actual move was necessitated by a need to combine the Fauntleroy and Dick the Shoe Shine Boy or The Prince and the Pauper into one identity.  He had to have enough money to support the appearance of the Prince.  I haven’t figured out why he wanted to raise hogs as yet but when he moved he anticipated only buying 20-40 acres which was well within his means, but when he arrived there Colonel Otis’ magnificent estate presented an opportunity to realize both identities in a property he couldn’t resist although he may have known he was acting in an unwise manner.

     Even then it may have been possible to sustain the property if his economic situation hadn’t come under attack by the Judaeo/Red/Liberal Coalition in the early twenties.

     A second very major p;roblem for him was Emma who now definitely became unwanted baggage.  But, he also had the three children who were also as definitely wanted baggage.  It is possible that for their sake he didn’t abandon Emma until they were grown.

     His Anima ideal was foreshadowed in Dejah Thoris while in Tarzan Of The Apes he creates the stodgy but beautiful Jane Porter as a flesh and blood woman but not an Anima ideal.

     The actual split begins to occur in The Return Of Tarzan when Burroughs bursting with confidence realizes that he is about to realize his visions of self-worth.  At that point the past and all related to it becomes hateful to him.  As might be expected he wanted to put all that behind him.  Thus in creating a land of his fossilized past in Opar he also creates a vision of the ideal woman he would like to have in La of Opar.  In Return the conflict between Jane and La becomes apparent when La is about to sacrifice Jane on the altar of the Flaming God.  That she doesn’t means that Burroughs has elected to stay with Emma undoubtedly for the children’s sake.

     But he begins to toy with ideal images in resolution of his sexual dilemma.  Another woman becomes a possiblity that didn’t exist before.  It would seem apparent that as Burroughs fame grew and he became a desirable sex object to women that opportunities for philandering would present themselves.  At one time I believed for certain that he didn’t.  Now I am less certain but there is nothing to indicate he did.

     Nevertheless he does begin to explore other ideal possibilities.  Nadara of Cave Girl can be seen as one of those explorations.  Having created other possibilities in La of Opar Burroughs begins to develop the idea with the cave girl, Nadara.  She is perhaps the most human of all of Burroughs’ Anima ideals.  She is the daughter of civilized French aristocrats raised by a caveman to be a primitive woman.  Thus she has none of the civilized inhibitions especially toward sex.  Burroughs will now begin a series of novels concerning the sexual relationship well in advance of what he may have heard about Freud.

     Once Nadara has accepted Waldo as her mate she is ready to cohabit.  Burroughs seems to be advocating this as a sociological ideal; a revolt against the strict limits of  civilization.  However in a clash of cultures Waldo who is subject to the strict limits of civilization finds it impossible to establish sexual relations unless they have married according to civilized rites and customs.  As  there is no one in this stone age society to perform these rites Waldo keeps putting consummation off until such an opportunity arises, if it ever shall.

     Bearing the psycho-sexual situation in mind an interpretation of The Cave Girl is possible on a number of levels.  The story is set in motion with a variation of what will become the familiar ship wreck motif.  In this case the Prince, Waldo, is washed off the deck of the ship by a huge wave that deposits him  on the strand of a large stone age island in the South Seas.  Thus Waldo has to begin life without any survival skills, born again as it were as a new born babe.  He has become the Pauper.

     At this point it might be best to introduce the major sources for the story that I have found.  As usual there are several.

     And then I received an email a day or so before this writing from Mr. Caz Cazedessus of Pulpdom Magazine.  Having read the first couple sections he pointed out that Mr. J.G. Huckenpohler had written an article in the first Pulpdom issue relating Cave Girl to Zane Grey’s Heritage Of The Desert.  I haven’t read Huck’s essay but I have read The Heritage Of The Desert which I have just reviewed.  I can see a possible line of argument that shows a number of similarities in the plotting of the two novels.

     Heritage was published at some point in 1910 while Cave Girl was written in February-March of 1913.  That does leave a sufficient window for Burroughs to have read Grey’s book but it seems a little light especially as Grey was a newish author at the time without a definite reputation.  However whether or not he may have read the book earlier it is possible that he read the book shortly before writing Cave Girl having elements of his plot suggested to him.

     Thus both Waldo and John Hale, the hero of Heritage, are consumptives or ‘lungers’ as they say Out West.  Waldo is from Boston, Hare from Connecticut.  Hare goes West to Mormon Country to begin his regeneration while Waldo lands on his island.  In both cases a woman is involved and two enemies are overcome by their respective heroes.  So, as I say, I don’t know Huck’s argument but I’m sure it’s a good one.  There are good reasons to believe that the plot line was an influence, an additional influence, on Cave Girl.  Thus Heritage would be another influence on Cave Girl.  OK, Caz?

     As Burroughs was beginning life over there is also a definite influence from the first eleven chapters of Genesis from the Bible which I will make apparent in my essay.

     Another very major influence seems to be the King Arthur mythology.  I will make this apparent as I go along.  While there is no doubt that Burroughs would have been familiar with Genesis it might do to try the root out his possible Arthurian influences.

     While we have at least a portion of Burroughs’ library listed here on ERBzine we should never gorget that while growing up ERB would have had access to the libraries of his brothers as well as that of his father.  George T.’s library would have gone back to the 1840s and probably earlier not including the then English classics such as Milton’s Paradise Lost, Bunyan’s Pilgrim’s Progress et al.

     One imagines that there were Arthurian titles in the collections, at least Mallory’s Arthur.  If the young Burroughs didn’t read the volumes through he would at least have handled them, browsed them and looked at the pictures, if any.  We know his brothers recommended the related Greek mythology to him.

     Certainly the medieval world was more often discussed in papers and magazines then than in our day.  And then Burroughs did like Tennyson having his collected poems in his library.  Thus ERB was likely familiar with the poet’s Idyls Of The King dealing with Arthurian stories.  And those not following Mallory.  Perhaps the most important Arthurian influence was Howard Pyle’s four volume retelling that while similar to Mallory’s differs significantly while Pyle adjusts the story to his own perceptions and moral concepts.

     The reputation of Pyle would have loomed large to ERB.  There is one Pyle title in his library, Stolen Treasure, but Pyle’s reputation as an illustrator would have drawn ERB’s attention to him.  Pyle was the most influential illustrator of his time and perhaps in US history.  His disciples were legion including Burroughs’ own illustrator, St. John.  Pyle founded what is known as the Brandywine school of illustration.

     It should be borne in mind that Burroughs had an aborted career as an illustrator before he began his successful career as writer.  Burroughs was very proud of the time he spent at the Chicago Art Institute.  So it would seem that ERB would have kept up on Pyle, Maxfield Parrish and others.

     Pyle began rewriting the Arthurian story in 1903 completing the last volume in 1910 so Burroughs had plenty of time to ingest and digest the work before he began to egest it.  Nor would Pyle and Tennyson be his only Arthurian influences.

     I didn’t catch this in time to include the idea in my review of The Lad And The Lion but that story seems to be highly influenced by Pyle’s telling of the story of Percival from Pyle’s second volume, The Champions Of The Round Table.  Naturally Burroughs borrows elements rather than the complete story.

     Percival, I follow Pyle, was an orphan living in the forest with his mother far from the haunts of men.  P. 263, prologue to Percival.

     Quote:

     Nor did he ever see anyone from the outside world, saving only an old man who was a deaf mute.

     Unquote.

     So Burroughs took the hint of the deaf mute and elaborated the idea.

     The Lad’s entry into the world follows that of Percival.  So also the Lad’s first sight of the desert horsemen replicates Percival’s first view of the ‘angelic’ knights.

     As I did mention in my review there is a similarity between lad’s being named Aziz, translated as Beloved, by Nakhla and Percival’s thinking his name was ‘Darling Boy’ as his mother referred to him.  If this last connection is valid then Burroughs also read some other Arthurian story as Pyle doesn’t tell his version in that way.

     So, as usual, Burroughs mines the literature of the world to tell his story.  Just as I was not aware of the influence of Grey’s Heritage Of The Desert I’m sure there are more I haven’t noticed.  I may even find more as my essay unfolds.

     Across the strand at no great distance is a forest representing the search for self-discovery and realization.  On the mragin of the forest at dusk a figure appears.  As we will learn this is the beautiful Nadara but Waldo in his hyper-fear and cowardice imagines the form to be some kind of monster of which he is terrified.  The monster stands between him and the food and water he needs.  In a metaphoric way then he is between the devil and the deep blue sea.  He cannot go back and he is afraid to go forward. 

     In Burroughs own situation as he is making the fateful decision to quit his day job to devote his life to full time writing the meaning of the metaphor is quite clear.

     There is also a way of looking at the tale as retelling of the Biblical Genesis.  This opening scene may be represented as the Biblical chaos in which nothing is differentiated  with the upper and lower firmaments resting on each other.  Then a divine wind arose which separated the upper and lower firmaments.

     Waldo is a comic figure while the novel itself is intended to be a comic or satiric novel.  Thus Waldo who can stand the tension between the devil and the deep blue sea no more runs howling and screaming into the forest to do or die against the monster.

     The shrieking may be seen as a humorous representation of the divine wind.  Man having been created first as it seems pursues the phantom who turns out to be a woman.  Thus Waldo and Nadara represent Adam and Eve.

      Waldo’s charge into the wood can also be seen as a representation of Burroughs’ decision to become a full time writer.  This must have been as stressful a decision for him as was Waldo’s charge against the demon.  Once through the wood Waldo is presented with a sheer cliff that appears to be inpenetrable.  So, another barrier presents itself. 

     Having traversed the forest that was after all fairly narrow Waldo had seen a woman scrambling up the barrier.  Rather than pursue her directly Waldo reenters the wood to pick fruit and refresh himself.

     This can be seen as Burroughs’ desperate attempt to become a writer.  Another view of the strand and the demon of the forest- between the devil and the deep blue sea- is that Burroughs had to make the desperate attempt to redeem his life by writing.  Thus that original difficult decision  that might possibly be compared to Waldo’s being washed off deck by the wave while now Burroughs is faced with the even more difficult decision of working at it full time.  Thus the charge through the woods might represent his giving up his day job.

     It would be interesting to know at what point in the story’s composition his father died.  What is even more interesting is that his father’s death did not interrupt his writing schedule.   In fact in a year packed with traumatic occurrences nothing did; Burroughs continued to turn out his stories at two month intervals no matter what.  It is true that he had several incomplete stories in this year which means he hadn’t thought the stories through so that it is possible that while he averted severe writer’s block when he reached the end of his chain of thought he just stopped, resuming the story when he had thought it out.

     A prime example would be The Girl From Farris’s that he began about this time finishing it nearly a year later.  The Cave Girl was completed at this point while The Cave Man its other half and sequel was completed the following July and August of 1914.  It is possible Burroughs was trying to double his monetary return but I think it more probable that he was writing so fast with such a tight schedule that he didn’t have time to worry over completion so he just terminated his story at a convenient point and moved on to the next one that was also only half thought out.

     As all this stuff is based on autobiography I am truly astonished that Burroughs was so undisturbed by the happenings in his life that he had so little reaction.  I have read of authors who found writing personal stuff so difficult that they were driven to bed for a week or two at a stretch.  I have never faced a long stretch like that but I have sought refuge in bed for a day or two a couple times.  So Burroughs writing achievement here over 1913, ’14 and ’15 is fairly remarkable.

     At any rate having made the decision to become a full time writer as symbolized by the charge through the wood.  Burroughs if faced with an unforeseen barrier so he goes back to pick fruit.  This could possibly be seen as having written his intial ideas out, that is John Carter and Tarzan, he had to organize his second crop of stories none of which had the impact of Carter or the Jungle God.  Grey’s Heritage may fit in here as Burroughs searching for ideas and plot lines may have the read Grey’s stories at this time or just previously. 

     Led on by the woman Waldo had mistaken for a demon he now faces the new barrier seeking a way through.  He has difficulty finding the path but once on  it he discovers the opening through the wall.  This is a motif Burroughs will use a number of times most notably in The Land That Time Forgot and Tarzan Triumphant, not to mention the entrance to Opar.

     Now, all these openings resemble the birth canal or being born again.  In the instance of The Cave Girl the result of the rebirth is self-evident as well as perhaps Tarzan Triumphant when he is about to leave Emma for Florence.  The Oparian episodes would have to be examined more closely from that point of view especially as the four episodes occur at critical points in Burroughs’ life while involving sexual conflict between himself and Jane/Emma and another woman represented by his Anima ideal La. Thus, in Golden Lion when Tarzan leaves Opar with La to enter the Valley of Diamonds is it possible that he had a dalliance with another woman?    One wonders.

     At any rate Waldo squeezed through the opening to come out on a wonderland on the other side.  There is never a thought of going back.  In fact a cave man places himself between Waldo and the opening driving him forward.  This could correspond to the flaming sword protecting the entrance to the Garden of Eden which would continue the biblical motif.

     At the same time we have a clear reference to Alice In Wonderland or down the rabbit hole.  We know Burroughs was familiar with the two Lewis Carroll stories.

     Yet another barrier presents itself.  Another cliff is before Waldo this one of cave dwellers another favorite motif of Burroughs especially during this period.   Burroughs would have been familiar with actual cliff houses from his sojourn in Arizona with the Army while he would have been fascinated with the replica built for the Columbian Expo of ’93.  At this point God created Woman as Waldo pairs up with nadara.  Thus Waldo’s fears on the strand when he projected the character of a demon on this beautiful and compliant female were totally unjustified.  But if Nadara represents the success that had eluded him for so long then his fears born of hysteria were warranted by his past.  This is a comic novel at least at the beginning when Waldo begins his transition from the skinny, consumptive academic bookworm  to that of a man of Tarzanic proportions.  Thus at this stage of the book Waldo is a bumbling buffoon.

     Burroughs is obviously ridiculing the Boston Transcendalist school of Ralph Waldo Emerson as Waldo’s name merely leaves off the Ralph and adds the ridiculous hyphenated Smith-Jones.  The latter of course has pretensions to nobility but is compounded of the two most plebeian and common English names.  Waldo’s name is as comic as Burroughs could make it.  Worth a laugh or two on its own. 

     He may also be making a snub at his fellow students of Phillips Academy when he went East.  It is well known that Easterners of the time, if not still, deprecated Westerners.  Burroughs would have had to put up with much jesting and ridicule while there so perhaps he is now ridiculing those who ridiculed him.

Also he may be ridiculing his own former self.

     Burroughs is fairly hostile to New England throughout his writing.  He is positive on the South having more than one hero from Virginia while he is considerate of the middle states.  Thus Waldo beginning as an effete New Englander will turn into something resembling John Carter/Tarzan or the Virginian of Owen Wister’s strange novel.  Thus if one views Waldo in light of Burroughs three most favorite novels, The Prince And The Pauper, Little Lord Fauntleroy and The Virginian the basic tenor of all the stories is made apparent.

     Waldo being pursued toward the cliff dwellings by the cave men with his legs pumping up to his chin and the stick twirling in his hand resembles a scene from a newspaper comic strip.  It would seem that Burroughs was an ardent reader of the newspaper Funnies.  David Innes Earth Borer was undoubtedly taken from a newspaper comic strip also.  This incessant modeling or borrowing may explain a bit of the contempt for his work by contemporaries.  ERB comes real close from time to time.

     Having paired up with Nadara she and Waldo hold off the cave men slipping away in the night to Chapter 3, The Little Eden, which is a key chapter.

4b.

It’s A Lover’s Question

      This chapter is so compacted I find it difficult to find a starting point.  If Burroughs’ marriage with Emma had not run smoothly from 1900 to 1913 their relationship would become even more stressed from 1913 to 1920.  The marriage apparently barely survived a major crisis c. 1918-20 finally being terminated in 1934.

     The relationship of ERB and Emma is very difficult to comprehend.  It seems clear that ERB had no intention of actually marrying her but wished to keep her on a string.  This arrangement was doing well until Frank Martin entered the scene in 1897 or ’98.  Martin forced Burroughs’ hand who was then compelled to marry Emma in 1900.

     Over the years from 1900 on Burroughs developed an intense antipathy to Emma which expressed itself in its most naked form at the time of her death when ERB did everything but desecrate her grave.  There must have been some deep psychological cause for this that isn’t apparent from what we know for sure of the relationship.

     Perhaps the most critical event in their lives occurred on that streetcorner on the way to Brown School in the fifth grade when ERB was emasculated by John the Bully.  Burroughs was then removed to the girl’s school a few months later.  I have no evidence that ERB and Emma were walking to school together on that the fateful day but subsequent literary evidence points in that direction.

     As a result of his emasculation it would appear that ERB was fixated in such a manner that he was unable to form relationships with women after that date and that Emma was the only female with whom he retained one.  But as she reminded him of that fateful day he both rejected her and couldn’t do without her.  Thus he refused to marry her yet didn’t want her to marry anyone else.  When circumstances forced him to marry her this may have begun his irrational resentment toward her.  As there was no other woman possible for him until the beginning of his psychological liberation in 1913 he may have tolerated her, but just.

     Success seemed to liberate repressed areas of his personality and we find him dreaming of an ideal mate quite different from Jane/Emma.  If one assumes that John Carter is an idealized Edgar Rice Burroughs although Burroughs projects the role of uncle on him while maintaining a dissociation from him until the end then Carter’s affiliation with Dejah Thoris on Mars would be ERB’s first Anima projection.  However Dejah Thoris is more closely related to Jane.  In La of Opar and Nadara Burroughs’ Anima ideal shifts more toward a wild or nature woman.  This aspect of the ideal is realized in Balza, The Golden Girl of 1933 who is also represented by Florence.

     So, in Cave Girl an emaciated, consumptive, over intellectualized Waldo Emerson Smith-Jones mates with the primitive Nadara who still retains the imprint of her civilized parents down by the river in the Little Eden.  Thus we have Adam and Eve in the Garden before they leave never to return.

     The problem of male-female relations is a dominant theme in Burroughs’ writing.  Indeed the theme is one that preoccupies all writers of fiction in one degree or another.  In this aspect Freud is merely a prominent writer on the sexual condition of men and women.  He is perhaps more systematic but not necessarily more profound.

     For instance Freud asked in a title to one of his essays What Does Woman Want and gives neither a profound nor very thoughtful answer.  If he had read E.M. Hull’s 1921 novel, The Sheik, he would have have had somthing of an answer written by a woman.  Burroughs did read the Sheik.  He understood what Hull was saying.  His answer was the major burlesque of the Alalus people of the Tarzan And The Ant Men of 1922.  In this charming story of the The Cave Girl he give his 1913 answer to the question of what woman wants in a credible manner.

     The answer in this case is age old.  The answer was clear from ancient times to E.M. Hull’s clear story.  Mostly it would appear what woman wants is a powerful protector willing to perform her will when a problem  exceeds her own powers thus recompensing her for the missing X and more especially the missing y chromosome.  The latter what Freud called Penis Envy.  One can only conclude that woman wants to be whole, to be chomosomally undivided.  Thus as a famed LA procuress once said:  A woman is only as powerful as the man beside her.

     Now, Nadara projects a character on Waldo as her fierce and powerful protector.  As love begins in Waldo’s heart the spectre of sex arises in their little Eden in the form of the Black Panther Nagoola.  Is it a coincidence that the first syllable of both names is the smae while both end in a long A?  Nadara the sexual temptress.

     Prompting Waldo she demands whether he could kill Nagoola.  That may have a couple meanings.  It may mean could he despatch the animal and it may mean can he conquer or control the sexual urge.  In Waldo’s case the anwer will be yes to both questions.

     He does kill Nagoola in a comedy of errors in this comic novel.  In its sequel The Cave Man he will adorn Nadara with the pelt of Nagoola thus making her the physical incarnation of sexual desire.  Who says Burroughs wasn’t subtle.

     Too desirous of impressing Nadara as a man of prowess he allows her to think he has already killed several Nagoolas.

     Very pleased to hear this she says:  ‘Good.  When we get to my village I want you to kill Korth and Flatfoot.’  Well now, there was a committment that Waldo had no intention of honoring, at least in his present condition.

     Thus, we have a demonstration of the thesis that women are responsible for conflict.  Woman proposes, man imposes.

     As they can’t stay in their little Eden forever they make the trek to Nadara’s people.  Waldo is committed to killing the fearsome Korth and Flatfoot.  He is terrified to confront them as well he might be.  As they approach the village Waldo sends Nadara ahead then legs it out of there.

     Thus we have the flight or fight dilemma that is another major theme of Burroughs.  At this point in his career he isn’t ready to articulate his feelings as he will later.  The dilemma relates to his confrontation with John the Bully in the fifth grade.  At that time as Waldo in this story Burroughs elected to run.  Now, you will notice that Waldo is with Nadara which is a pretty sure indication that ERB was with Emma that fateful morning on the way to school.

     In point of fact either Korth or Flatfoot would easily have killed Waldo at this stage in his career as John would have cremated the much younger Burroughs.  When he would later rationalize it there is no dishonor if fleeing overwhelming force which is surely true but has its consequences.

     Thus Waldo like Burroughs was sent into the Wasteland.  His problem now will be to figure out how to return to kill Korth and Flatfoot to reclaim Nadara.

4c.

How Waldo Became A Man

 

 

A Mother’s Eyes

by

R.E. Prindle

Part IV

The Hand That Rocks the Cradle

     In Part I, Huxley’s Eyes, I showed the Structural Psychology of the Male.  I hope I made the consequences of the X and y chromosomes clear.

     In our day the drive by women is to establish the notion that the differences between the sexes are superficial or cosmetic rather than substantial and genetic.  The notion began to have an effect on society in the late nineteenth century.  The consequences for society have been disastrous.  H.G. Wells may not have known to what he was referring in his autobiography of 1934 when he says that of the nineties:  In those gentle days before the return toward primitive violence begam…

     Edgar Allan Poe may be considered to be a presage of that return.  The return toward primitive violence is now nearly complete.  At the bottom the cause of this primitive violence which women claim to abhor is Woman’s refusal to either accept or understand her Structural Psychology.  She refuses to acknowledge

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The Female role in relation to the Male in an attempt to create some fantasy in which she is actually dual sexual enjoying the best of both sexes while avoiding the worst of the Male.

     Before the evolution of sexuality at some time in the past there existed a unisexual organism that contained all four chromosomes, XXXy.  This notion was well understood in ancient times.  Although sexual identity began long before the evolution of man the ancients understood that the first organism must have been unisexual and male in character.  They didn’t know that the y chromosome was the reason but they did know that the first organism logically had to have a male identity.

     Thus before either the egg or chicken there existed a unisexual organism of a male character.  The y chromosome is the essence of the matter.

     When sexual identity evolved, as there were three X chromosomes and only one y chromosome, of necessity one sex received two Xs and one an X and a y.  The y like it or not is the critical chromosome.  It is what the female lacks and misses.  It is what makes the male intellectually and physically dominant.

     This was recognized in Greek mythology as after the subordination of Hera to Zeus she acknowledged his physical superiority and what Homer refers to as his mind of infinite power.  Hera was left with physical inferiority and a low intellectual cunning to achieve her ends.

     As above, so below.

     Just as the X side of the body is weaker and more passive so the Female with a double X is smaller and less assertive.  This is not to say less significant or important.  The species cannot exist without all four chromosomes.  The y chromosome is not deteriorating and on the verge of extinction as some emasculates claim.  Indeed, as the animal mother of the race Woman has a significance out of proportion to her share of the division of sexual spoils.

     Because the sexual division of spoils has denied the Female the very powerful y chromosome she has a longing for it to complete herself.  This was expressed in ancient times by the female adoration of the bull and then the horse.  Sigmund Freud picked this up in his usual smutty sexual way by characterizing the longing as Penis Envy which while

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it gratified his vanity rather missed the point.  Nevertheless he was correct.  On a brainstem level the Female recognizes her incompleteness.

    While the Male clothes his Anima with Female role models, the Female clothes both her X chromosomes with Female role models of two different types; a passive feminine set for the Anima and an aggressive male oriented for the Animus.  The longing for the Male rests between the two.

     Now, while the Female has been denied the y chromosome she has been gifted with the ability to give birth to a man child or son.  Hence the ancient symbol of the Great Mother seated on the Throne beholding the Son in her lap while the Father stands ineffectually behind her gazing down.  This scene is replicated in the birth of Jesus, the Savior of Man, in the manger or eating trough.

     It is a shame that the present day refuses to understand the significance of the story of Christ for the psychic well being of mankind.  The avant garde among us have now passed to the Scientific Consciousness and the way of the future but the main body is still mired in the Religious Consciousness.

     Just as Evolution is replicated in the development of the physical organism so one must replicate the evolutionary development of consciousness in the individual.  To cut out any part or parts is to do oneself irreparable damage.  One should learn to separate the symbols from the scourge of human religious and political activities.

     There never was a single person killed in the name of Christ, blasphemers merely used the name to cover their own vile passions.  Bear in mind that neither Polarion nor myself are nominal Christians.  We hold no brief for Churches.  We just know where to look for the sun shining through the clouds.

     While Evolution has denied the Female physical strength and aggression it has awarded her the Throne on which society rests.  She has the power to make or break her men.

     Several adages which are not taken as seriously as

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they should be attest to this fact.  It is said that a man’s wife is his luck.  Nothing could be truer.  As another adage says:  Behind every successful man stands a woman.  Thus the character of a man’s wife will either build him up and push him forward or drag him down and push him under.  It can equally be said that behind every failure stands a woman.  that woman will be the man’s mother or her reflection that he married.

     Women since Wells’ ‘gentle days’ fail to recognize their dual role.  They tend to see themselves only in the positive light with no negatives.

     So it is in the matter of her son.  The true role of the Mother is as ‘cow-eyed’ Hera.  Now, in the myth of Heracles and Eurystheus the ancient Greeks make this abundantly clear.  The Matriarchal Heracles as consort of Hera must have represented the perfect symbiotical relationship between man and woman.  The Sun blesses the Earth and the Earth bursts forth in productivity.  The Patriarchate turned Hera into Heracles’ enemy.  In the Patriarchal myth Hera blessed Eurystheus and cursed Heracles.  Indeed when Heracles was a little, tiny baby Hera sent two snakes to kill him in the cradle.  Cut ahead to to Jesus in the manger when Herod decreed the death of the firstborn.  To show the power of the Patriarchy over the Matriarchy the sweet baby Heracles strangled a snake in each hand.

     The power of the Matriarchy was in no way nullified.  In ‘Hera and Poe’ I indicated that the longer a mother nurses a child the better his chances of success in life.  Indeed, the act of early weaning may have a profound negative effect on the child with or without abandonment.  The very act of weaing may be interpreted by the mind of the boy child as rejection.

     So with the Mother’s blessing Hera’s favorite, Eurystheus was a weak chicken livered man who dominated both society and Heracles while Heracles the strongest and best man who ever lived was relegated to a role of dependency and the frustration of his superior abilities because of the animosity of the Mother.  The most powerfull Male figure in the universe couldn’t rescue him from this ignominy.

     Hera achieved this end even though she was physically weaker and intellectually inferior to her lord, Zeus, through mere cunning.

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     Heracles was indentured to the weak Eurystheus for whom he was compelled to perform twelve of the most impossible labors imaginable.  Each one would have been enough to baffle an ordinary man.

     After completing the first labor he reported back to Eurystheus who was so terrified in Heracles’ presence that he retreated into a bronze vessel half buried in the Earth which represents the womb of the Great Mother.  Thus the Mother’s influence is such as to make a despicable man rule and make an admirable man serve.

     So, if it is true that behind every successful man is his mother it is also true that behind every axe murderer is his mother.  It may be said that the Hand That Rocks The Cradle makes or wrecks the world.  Check out the story of Ma Barker.

     The last problem is the crux of the period from ‘those gentle days’ before the return of primitive violence to these latter days when primitive violence rules.

     Woman complains about the claimed increasing violence of men toward women.   Women’s solution is to punish men for their lack of ‘respect’ for women.  Actually the increasing violence is caused by women’s lack of respect for both themselves and their sons.

     If only the rules of Structural Psychology were applied women would undoubtedly be better mothers; but women have been given very active brains that function on the everyday level as well as those of men.  In fact, since women are more single minded because of their child bearing faculty their brains may function better on the everyday level.  However on the speculative or creative or scientific level Structural Psychology favors the Male.

     Moreover her intelligence makes the Female unsatisfied with her role as perpetuator of the species.  She want all that belongs to the female and because of what Freud called Penis Envy all that appertains to the Male.   You begin to see what either the possession or lack of the potent y chromosome means.

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     Because of both her child bearing capabilities and her inferior size in relation to the Male Woman has acquired a superior will characterized by low cunning.  Unfortunately for her undisciplined intelligence and will to thwart her role as Mother of the Species she chafes at the responsibility of motherhood.

     In the case of Huxley his mother willfully rejected him to start her girl’s school.  In both Huxley’s and Poe’s cases the death of their mothers was unpreventable but disastrous  to them and the women associated with them by the nature of things.  In Ted Bundy’s case his mother willfully abandoned him giving him to his grandparents to rear.  Speck’s mother denied him everything.

     The result in all these cases was disastrous.  Huxley sought out a woman who would allow herself to be persecuted for his mother’s sins; Poe was driven mad while it is almost certain judging from his writings that he became a killer of women; in Bundy’s case there is no doubt he avenged his mother’s abandonment of him on dozens of young women; Speck uncorked one day to slaughter a number of girls; not only girls but nurses who are known as ‘angels of mercy.’  Would Speck have murdered them if his mother hadn’t betrayed her role as an ‘angel of mercy?’  Look for the symbolism.

     Women condemn these acts as representative of the Male character but they are not representative of the Male character; they are the result of unavoidable disruptions in the mother/son relationships: of Huxley and Poe and the completely avoidable disruptions in the cases of Bundy and Speck.

     If Bundy’s mother had been stronger in resisting her seducer or had accepted the consequences of her weakness by keeping her son with her it is a certain fact that Ted Bundy would never have killed those girls.

     The number of mutilators, stranglers and serial killers seems to increase on a daily basis.  Women demand more jails and tougher punishment to stem this rising tide of brutality against women because of ‘horrid men.’

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     I suggest that because of the high divorce rate, day care schools and the number of unwed mothers that the crimes against women will continue to escalate.  What has been done in the past few decades cannot be undone.  Domestic violence will in all probability continue to increase as sons visit their maternal resentment on their wives, daughters and other women.

     Unless educated to the reason for their rage they will never know why they are reacting as they do nor will they be able to control or change their actions.  Nor, are they any more responsible for their actions which arise from Structural Psychology of the brainstem than their mothers.

     Whether the female of the species likes it or not the fault lies with them more than with their sons.  A well nurtured son of a loving mother will seldom if ever visit violence on women.

    The Hand That Rocks The Cradle can either build or wreck the world.  What’s it going to be, Mom?

The end of A Mother’s Eyes.

 

 

 

 

 

 

 

 

 

 

 

 

 

A Mother’s Eyes

Part III

Cow Eyed Hera And Edgar Allan Poe

by

R.E. Prindle

Stories under consideration:

Metzengerstein  1832

Berenice March 1835

Morella April 1835

Ligeia  1838

Fall Of The House Of Usher 1839

William Wilson 1840

Eleonora 1842

…Men have called me mad; but the question is not yet settled, whether madness is not the loftiest intelligence- whether much that is glorious- whether all that is profound- does not spring from disease of thought- from MOODS of mind exalted at the expense of the general intellect…In their visions they obtain glimpses of eternity, and thrill…to find that they have been on the verge of the great secret.

-Eleonora  1842

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Sonnet- To My Mother

Because I feel that, in the heavens above,

The angels, whispering to one another,

Can find, among their burning terms of love,

None so devotional as that of ‘Mother’,

Therefore by that dear name I long have called you,

You who are more than mother unto me,

And fill my heart of hearts, where Death installed you,

In setting my Virginia’s spirit free.

For mother- my own mother, who died early,

Was but the mother of myself, but you

Are mother to the one I loved so dearly,

And thus are dearer than the mother I knew

By that infinity with which my wife

Was dearer to my soul than its soul-life.

-1849

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     As we study Poe keep in mind Dali’s picture: The Temptation Of St. Anthony.  Keep those symbols in the forefront of your mind.

     Edgar Allan Poe is a classic study on the effect of abandonment by the mother on the psyche, specifically affecting the brain stem as part of Structural Psychology.  Poe exhibits the classic symptoms of the eyes, the horse and the female substitute for the Mother as well as adding several other twists due to his extremely analytical mind.

     As the opening quote from his story Eleonora indicates Poe understood that he was quite mad.  Although he was able to describe quite clearly in symbolical language the source of his madness his intelligence was unable to sift below the psychological barriers which would have cleared his mind of his madness.

     In five really remarkable stories with extreme clarity he delineates his problem.  They are the first story he wrote, Metzengerstein of 1832, Berenice of March 1835, Morella of April 1835, Ligeia of 1838 and Eleonora of 1842.

     The Fall Of The House Of Usher and William Wilson demonstrate his inability to deal with the problem adequately.  Under stress his personality begins to disintegrate. 

     Poe lived a short life of forty years from 1809 to 1849.  His first story, Metzengerstein, was written when he was only twenty-three.  It would have been interesting if he had lived long enough to consolidate his stories into at least one full length novel, other than Arthur Gordon Pym. 

     His own mother died in 1811 when he was only two.  Thus the connection between his and his mother’s eyes was disrupted very early.  He was then adopted by a Mrs. John Allan for whom he had the greatest respect and love.  Mrs. Allan died February 28, 1829 when Poe was twenty years old.  The horror of the death of this second mother festered in his mind for three years until his feelings began to find expression for him in 1832 with Metzengerstein.

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     The woman he refers to in his rather confused poem- Sonnet- To My Mother- was the mother of his wife Virginia, a Mrs. Clemm.  This poem was written shortly before his own death two years after the death of his wife Virginia in 1847.  As the poem says, Mrs. Clemm, his mother-in-law filled ‘his heart of hearts’ where Death had placed her when her daughter Virginia died.

     Clearly Poe was having mother figure after mother figure taken from him by death.  His response apart from his literary outpourings was to drug and drink himself to death in 1849 two years after Virginia’s demise.

     The Mother Archetype is truly a very powerful figure.  In giving the figure prime importance Sigmund Freud was absolutely correct.  What does that Mother figure mean to a man?

     In ancient Greece the Great Mother goddess was ofter referred to by Homer as ‘Cow-eyed’ Hera.  This image has been difficult for subsequent generations to understand.  Many current translators of the Iliad drop ‘cow eyed’ in favor of euphemisms they can understand.  If we would understand Homer this is a very serious mistake.  Hera as the Great Mother is associated with the cow for good reason.

     Whether she was ‘cow-eyed’ before she caught Zeus philandering with Io is unclear.  Caught in the act Zeus attempted evasion by turning Io into a cow.  Hera retaliated by having Io tormented by a vicious gad-fly.  The gad-fly drove Io in the form of a cow from Greece to India to Egypt.  In Egypt Io was transformed back into human shape as the goddess Isis.  Formerly the Egyptians had depicted Earth and Sky, or the sources of plenty, in the form of a woman arching over with her feet on one horizon and her fingers on the other.  After Io was introduced to Egypt the image of the woman was replaced by that of the cow.

page 4.

     In nearly every country Io visited the cow has been considered a sacred animal.  Whether in India, Egypt or the cattle raising tribes of Africa the cow was never killed.  This miraculous animal was so beneficial live that its life became sacred.  The cow was not only wealth but a symbol of wealth.  One imagines that the first coin might have been called the ‘cow.’

     Cattle lifting or rustling has been a way of life since perhaps the time of Io if she represents when the cow was domesticated.  To lift a man’s cattle was to strip him of all social significance while making the lifter significant in his place.

     Thus in Greek Mythology and history men and gods are stripped of significance by the lifting of their cattle.  When the god Hermes was born his first act was to lift the cattle of Apollo thus assimilating himself with that god. Apollo tracked Hermes down but was so pleased with the little trickster that they established an accord, became blood brothers so to speak.  Both sides of the coin.

     In the Odyssey the Cattle Of The Sun were inviolable.  Odysseus incurred the wrath of the Sun when his men after having been warned not to, killed a single cow.  As the Sun sees all from his heavenly abode retaliation was quick and sure.  Obviously that was a reason the Sun’s cattle were inviolable.

page 5.

     The story of the lifting of Geryon’s cattle by Heracles is also significant.  In former times before the advent of the Patriarchy Heracles as Hera’s consort had been the Sun God.  When the Patriarchy replaced the Matriarchy Hera was assigned to Zeus while Heracles was demoted to a human and made an enemy of Hera.

     Now, prior to the end of the Ice Age before the Mediterranean Basin was flooded, Hera and Heracles, by whatever names they were then known, must have been the chief gods of  the pre-flood peoples of the Mediterranean.  Thus two cults of Heracles grew up as the Western Mediterranean became separated from the Eastern Mediterrean in the post-flood Basin.  One cult in the East in Greece and the Levant and another in the West of Spain.

     The two cults must have come in conflict as the Greeks colonised Sicily, Sardinia, Corsica, Marseilles and the northern Spanish Coast around Barcelona.  It became necessary for the Spanish cult to be suppressed or co-opted in favor of the Greeks.  Thus, in myth the Greek Heracles is sent West to lift the cattle of the Spanish Heracles or Geryon.  Relieved of his cattle the Spanish Heracles became a non-entity while all the glory accrued to the Greek Heracles.

     Such was the poltical and social significance of cows.

page 6.

     The economic importance of cattle was equally great which, of course, led to their social importance.  Cows produced offspring.  Fifty percent bulls and fifty percent cows.  So one’s social importance increased every Spring if you could hold onto your cattle.  The bulls being superfluous in large numbers, there being no reason to waste valuable feed on them, were used as sacrifices in the ancient Mediterranean.  The gods were given the bones and fat while the flesh was consumed by the human votaries of the holocaust.  Thus cows, without killing them, provided an abundance of meat.  They also provided milk and its various by-products including butter and cheese.  The African tribes bled their cattle to acquire nourishment from the blood so it is not unlikely that the Greeks and others did the same.  The Africans never did figure out butter and cheese.

     The cow being female was naturally related to the Mother Archetype.  Hence we have ‘cow-eyed’ Hera.  The mother is to her son, like a cow to mankind, a source of superabundance or should be.  She sacrifices her own happiness, or should, to supply all his needs, she feeds him from her own body.  She psychologically nourishes him with the love pouring from her eyes.  It seems to be a fact that the longer a son nurses from his mother the better his chances for success in life are.  Sons who nurse for two years or more are assured of the best chances.

     Thus to be abandoned by your mother, death being a form of abandonment, is the greatest tragedy that can befall a son.

     In Poe’s case he was abandoned by his mothers, once at two and once at twenty and by his wife-mother surrogate at forty-seven.  The unconscious strain was simply too much for him so he drank and drugged himself to death succeeding in 1849 at the age of forty.

     Fortunately he recorded all the classic symptoms plus some in his series of magnificent short stories.  They are or should be a treasure trove for the analyst.

page 7.

     As noted above, when his adoptive mother died in 1829 his reaction was intense.  Poe began his inquiry into his anguish in a raging examination of the effect on his Ego or Animus in Metzengerstein.  The story culminates in the destruction of Metzengerstein’s house or castle by fire.  Fire is a purifying agent.  The house is a psychological symbol for the self just as a room in the house is a symbol for the mind.  As his house was being consumed the smoke gathered above to form the shape of– a horse.  Thus as with Aldous Huxley and my other examples the mother is related in the male to the horse and more especially the eyes.  It is not improbable that if Hera had come into existence after the introduction of the horse into Greece that she would have been known as horse-eyed Hera.  As it was Athene who may have been a Patriarchal attempt at superseding Hera was depicted on occasion theriomorphically with a horse’s head and hence horse’s eyes.

     I can’t say for certain, as I am not a clinical psychologist, but I am reasonably sure this symbolism is not true for the female although the female retains a need for the masculinity expressed by the strength, force and grace of the male horse.  This need was transferred from the bull.  As women their symbolism is probably relative to the cow as in ‘cow-eyed’ Hera.

     Indeed, many men derogatively refer to women as cows.  To do so may refer to a hatred of women and mothers in these men.  The significance of all this symbolism has been ignored far too long.

     Poe knew he was distaught or mad.  Madness may indeed be a road to intelligence or self-discovery.  Duller intelligences are usually quite satisfied, seeing no reason to question or investigate.  Another madman, the poet and singer Roger Miller, put it as that he had too much water for his land.  In other words his intelligence was bubbling out all over the place drowning his land or stability.  When land and water are in balance in Miller’s scheme one has normality.  When land is more prevalent than water one has a desert and a pretty nasty fellow.  According to Miller too much water made one hep while a balance of land and water made one square.  His moral was that squares made the world go round.

page 8.

     He was certainly correct.  Stolidity leads to solidity.  Society needs a solid basis to exist as a beneficial organism.  The mad, bad or sad in the proper proportions either leaven society or destroy it as at present when the Bohemian and Libertine influence is so dominant.  The influence of all three has to be controlled or monitored or their intrinsic evil destroys any equitable basis for society.

     But to return to an analysis of Poe’s stories.

     Oppressed by his psyche the dam began to burst shortly after the death of Poe’s adoptive mother.  First his own mother died when he was two and then his adoptive mother when he was twenty.  The effect on his psyche must have been unbearable to cause such a violent irruption as Metzengerstein when he was twenty-three.

     The story of Metzengerstein centers around what appears to be a flesh eating horse.  There is only a brief significant mention of the horse’s teeth as the horse pictured on a tapestry in the attic or mind turned to look at M. with a baleful eye.

     The same horse is then given to him by his grooms who capture it fleeing from the burning stables of M.’s rival Berlifitzing.  They claim the horse is M.’s even though it was seen coming out of the burning stables and is branded with this rival’s initials W.V.B. in a rather unusual place for a horse, the forehead.  No missing that brand, sort of reminds you of a wedding ring.

page 9.

     Now, the horse with eyes and teeth is part of the Structural Psychology located in the brain stem.  This one represents his dead adoptive mother.  Poe had become estranged from his adoptive father, John Allan after receiving marked benefits from him as a child.  The cause of the disruption is attributed to drinking and gambling but the literary evidence of Metzengerstein would indicate an intense sexual rivalry.

     B. is the older man as was Allan.  M. had just come of age following a course of action not too different from Poe’s.  The horse, representing Poe’s adoptive mother, has B.’s brand on her.  Or in other words the horse represents Mrs. Allan, B.’s wife.  Disregarding all the evidence to the contrary M. is given the horse as belonging to him.  Seems fairly clear on the surface of it.

     She is a difficult flesh eating horse of firery temperament which only M. can ride.  As Mrs. Allan was no relationship to Poe there can be no question of incest so that he could ‘ride’ or have sex with Mrs. Allan without incestuous guilt.  In fact M. frequently rides off on her into the forest at night.  Night is the usual time for love making while the forest is a symbol for the lost soul who cannot find his way.

     The tapestry on which the horse is pictured is located in a very large room at the top of M.’s castle or house.  Psychologically the house represents the self.  The room represents one’s mind.  The tapestry functions as memory.

page 10.

     Having left on a night ride of some duration into the forest, as M.’s servants are anxiously awaiting his return M.’s house or castle myteriously bursts into flame.  This must represent the death of Mrs. Allan or Poe’s being caught by Mr. Allan in flagrante dilecto.  The horse returns at a mad gallop out of control bearing a screaming M. to rush straight into the burning house, up the stairs to the upper chamber and one assumes onto the tapestry.  Then in a supernatural manner the violence of the flames subsides while the rising smoke forms the image of– a horse.

     Forgive me for saying so if you are a Poe fan but the story qua story is stupid.  Only as an allegory of Poe’s relationship to the Allans does it make sense, specifically the relationship of the Mother Archetype with the Son.

     Metzengerstein was merely the first bursting of the dam; the next four stories on our list named for women develop the horror of Poe’s fixation on the Mother Figure.  Let me say here that I do not believe that Poe’s adoption of the name of Allan refers in any way to John Allan; it is rather in memory and tribute to Mrs. Allan.  The death of Mrs. Allan seared Poe’s mind.  The trauma was so intense that his mind did become rather disordered.

     Those teeth, those teeth which got such a brief mention in Metzengerstein form the focal point of his next story dealing with his horrible fixation.  As with Huxley those teeth could bite you.

page 11.

     Berenice is the story of the teeth of the flesh eating mare.  In the story, in an abortive attempt to exorcise the demon of Mrs. Allan, Poe abandons the omniscient observer of M. for the first person.  Berenice and Morella are now written in the first person.  They are attempts to violently dispose of the horrifying losses of his Mother Figure.  Always an astute psychologist Poe now creates an image of monomania.  He knows he is quite distraught, men have called mad.  The mania is centered around the teeth so briefly mentioned in Metzengerstein.  All Poe can think about now is those teeth.

     As noted in Huxley, the Mother Figure is always exempt from retribution so that one’s obsession is transferred to another woman usually a beloved but not necessarily.

     Most of the violent so-called crimes against women by men can be traced directly to the man’s relationship with his mother.  In other words, crimes are not against women per se but against mother surrogates.  One has to look behind the symbolic victim to the source of the discomfort.  The hand that rocks the cradle is at fault.

     Ted Bundy, all the various stranglers and mutilators, Richard Speck, they are all retaliating the crimes of their mothers against them on other women.  Bundy is an exceptionally interesting case when viewed from this perspective.  His symbolism is quite astonishing.

page 12.

     Extreme violence is only an extreme response to what the perpetrator considers an extreme crime against himself.  One may assume that the way a man treats his wife or lovers is a reflection on the way he interprets his mother treated him.

     The drive and push since the turn of the nineteenth century for the destruction of the family by Reds, Communists and Fellow Travelers can have only the most dire consequences.  One can hardly consider the Reds well intentioned in their obtuseness.  One might begin by examining their relationships to their mothers.  In disrupting the eye to eye relationship of the infant with his mother they are in essence condemning the world to a reign of terror, and against women, unparelleled since the beginning of time.

     On the score of rejection and abandonment one can only shudder at what the results of these idiotic infant day care centers the Reds favor will be.

     A woman’s preoccupation with sex condemns her offspring.

     One has to assume from Poe’s writing that he found his relationship with his adoptive mother of the most troubling nature.  Whether he actually had sexual relations with her or only fantasized them the result is the same.

     As I say, in attempting to exorcise or control her memory he concentrated on the man eating quality of her teeth.  In the story Berenice the narrator becomes quite conscious of what he is doing.

     In a fugue state he attacks the living Berenice restraining her in some way while he pulls every tooth from her screaming terror stricken head and then buries her alive keeping the teeth as souvenirs.  When he is discovered coated in mud after having buried her he is horrified at this evidence that proves his guilt of which he is unaware.

page 13.

    

     This, shall we say, is psychotic behavior.

     Poe may have fantasized the whole incident but one wonders if somewhere he had not actually committed such a crime burying the woman’s body where it wouldn’t be retrieved.  One has visions of Ted Bundy.

     Imagine if Ted Bundy had written a series of ‘imaginative’ stories centered around his murders or if Richard Speck had written a novel about the murder of those nurses.  Could the descriptions of the killings have been more realistic or chilling than Berenice?

     Then turning quickly from the writing of Berenice Poe promptly followed with his story of yet another woman, Morella.  Probably emotionally drained from the excessive violence of Berenice Poe is more subdued in Morella as he struggles to bring his agony under control.  In Morella he is attached to a woman who he does not kill by burying alive.  Instead Morella sickens and dies from neglect as the first person narrator subtly spurns her.  Thus if he couldn’t defang and bury his mother alive from which she would only return to haunt him perhaps he could just sort of forget her.  Really?

     Morella is determined that he will not rid himself of her so easily.  On her deathbed she gives birth to a daughter who is in reality herself.  The narrator cannot help loving and devoting himself to this child although he never gives her a name.  Still, necessity compels him when she is fourteen to have her baptized.  Asked for the name compulsion makes him whisper the name ‘Morella.’  The child answers, ‘I am here’ and expires.  Upon taking the child to the tomb to be buried beside its mother he finds the tomb empty.  He just can’t pull those teeth.

page 14.

    

     It was some three years after Berenice and Morella in 1838 that he returns to the theme in Ligeia.  Here he tries to marry once again.  The dominant theme of Ligeia is her eyes.  A subordinate theme is her teeth.  Once again after expatiating on Ligeia’s eyes for some two or three pages Ligeia sickens and dies but she warns that she will not go quietly into the beyond but that she intends to will herself back into life.  Ye gods.  Poe’s mother fixation does torment him.  Why don’t you read Poes’  Sonnet- To My Mother again.

     The first person narrator remarries but his memories of Ligeia remain so prominent that he disgusts his new wife.  She in turn sickens and dies, in fact, she is murdered by Ligeia from beyond the grave in a supernatural manner.  By some process of metempsychosis Ligeia as a mature woman gains possession of the corpse.  The narrator is able to recognize the revivified body as Ligeia from her eyes and teeth.  Definitely brain stem stuff.

     Now, up to this point Poe is dealing with this intense stress in his own persona.  This is an intolerable situation that cannot go on.  Thus his ego or Animus splits in two as he creates a doppelganger who can deal more directly with the problem while he watches.  In other words he remains himself as the narrator while creating a Ted Bundy like double.

page 15.

     In 1839 he wrote ‘The Fall Of The House Of Usher’

While being more comfortable for himself, Poe’s personality enters a critical stage.  The narrator visits the doppelganger, Roderick Usher, and his sister in their castle which is quite reminiscent of the castle of Metzengerstein.

     During his stay Usher’s sister sickens and is thought to be dead.  She is sealed in a coffin.  The narrator helps Usher carry the coffin to a cell at the bottom of the castle.  At this point Poe has passed the responsibility from himself to his doppelganger a la  Bundy or Speck.  Unlike Berenice in which the narrator personally tore out Bernice’s teeth while burying her alive the crime is now performed, albeit unintentionally, by a split off personality.  Poe in essence watches deeds performed by someone else relieving him of guilt although in this instance he participates in carrying the coffin to the cell.

     Significantly the cell is directly beneath his own chamber in the castle, from which cell he hears mysterious sounds as though the sister were stirring in her coffin.  The two rooms answer to the brain and brainstem so that he is still unable to escape the specter of the Mother Figure.

     Eventually the sister frees herself going to the same room in which Usher and the narrator are chatting.  They are naturally together as dopplegangers must be.  Usher throws open the door to discover his sister covered in blood.  To his and the narrator’s horror they discover that they have buried her alive.  She collapses on Usher and they both fall down dead.

page 16.

     There is a correspondence here with Poe’s poem The Raven in which he hears a tapping on the door.  Opening the door he finds no one there.  The tapping transfers to his window.  When the narrator opens the window the Raven enters to sit on a bust of Athene above his chamber door.  Athene in one guise is the goddess of wisdom, her bird is the owl, so the Raven, an omen of death, replaces wisdom as the symbol of Athene.  When the narrator leaves through that  door he passes to the Land Of No Return.

     As the narrator leaves the house or Usher, once again representing himself, great rents appear in the stone walls.  The house collapses just as the castle of Metzengerstein burned to the ground.  Perhaps Poe thinks he has solved his problem by dissociation but he is still not dealing directly with it.  By killing off his doppelganger, Usher, and his sister he still has only an ineffective solution.

     However he has now moved from intense first hand suffering to a suffering once removed in the creation of a doppelganger.  He may believe that in killing the doppelganger as well as the Mother Figure he has disposed of his problem but once again he is deceived.

     In William Wilson that directly followed Usher in 1840 the doppelganger has truly become an alternate persona.  To punish himself for his inability to resolve the Mother Figure dilemma the double goes around defeating Wilson in all his criminal schemes.  In the story the narrator leads a life of crime while the doppelganger functions as his conscience.

     In a rather silly ending Wilson confronts himself in a duel realizing that it is he himself who is hurting himself.  Thus he kills not only his doppelganger but himself.   On the streets of Baltimore.

page 17.

     This theme was examined well in the movie:  Who Is Harry Kellerman And Why Is He Saying Those Terrible Things About Me.  Certainly Poe in his own life, this man of talent, is botching his own career.  This of course begs the question would he have had the talent if he hadn’t been mad?  If he had been one of Roger Miller’s squares who make the world go round no more notice would have been taken of him than any other square, whose name is Legion.

     From Wilson, Poe moves to the last of his woman stories, Eleonora of 1842, only seven years from his death.

     In this story  his demon seems to be laid to rest as Eleonora finally gives her consent for the narrator to marry.  One imagines that Poe’s union with Virginia receives the blessing of the Mother Figure.  The question is why would she?  What ulterior motive does Poe have?  This brings us back to Poe’s Sonnet- To My Mother.  Looked at closely this poem is evidence of a seriously deranged mind.  This is not a poem to Poe’s mother or even Mrs. Allan.

    ‘My mother- my own mother’, he says, ‘who died early, was but the mother of myself; but you (Mrs. Clemm) are mother to the one I loved so dearly, and thus are dearer than the mother I knew…’   He mentions his own mother who died early while one presumes that Mrs. Allan was the mother he knew.  Both previous mothers are now dismissed in favor of his mother-in-law because of what must have been a mother surrogate in his beloved Virginia.

page 18.

     Now, what Virginia has in common with Morella and Ligeia is that she is sickly and dies while his beloved mother-in-law, who is more than a mother to him, whatever that might mean, is healthy and lives.  Even then she is Poe’s ‘heart of hearts’ where DEATH installed her in setting Virginia’s SPIRIT free.  No real murder in Poe’s mind.  He rationalizes Virginia’s murder as that her soul was set free.

     Can one find any similarities with Morella and Ligeia?

     The appearance is that he married Virginia to obtain a mother.  This may have been the only way he could assuage the pain in his brainstem caused by the loss of the mother he didn’t know and the mother he knew.

     Now, Poe’s personality split back in 1839 or, at least, Usher was the first record of it.  One imagines that Virginia was superfluous and possibly an impediment to enjoying his relationship with this latter day mother who Poe says is dearer than the mother he knew by that infinity with which ‘my wife was dearer to my soul than its own soul-life.’  Was his real mother his soul-life?  If so that is quite some distance between the mother he knew, Mrs. Allan, Virginia, Mrs. Clemm and his own mother or soul-life.  Certainly his deeply proclaimed affection for Mrs. Clemm was of very recent origin.  Why this intense depth of affection so quickly?  Thus when Eleonora released him to be married the conclusion is that Virginia replaced his real mother in his brainstem.  She became a surrogate mother who had to die so he could resume a relationship with a true mother figure.  Very possibly a sexual one or an attempted sexual one.

     Once again, it is absolutely forbidden for a man to avenge himself on his mother’s person.  Impossible in this case since Poe’s own mother died when he was two and the mother he knew when he was twenty.  Nevertheless Hera’s great cow-eyes have seared his soul.  His mother’s eyes appear again in the face of Ligeia and hence Virginia.

page 19.

     A person may not be able to recall infantile impressions or memories clearly but they survive in Structural Psychology or what Jung called the ‘collective unconscious.’  As the infant mind has no way to put the experience into words or clear images the adult transforms them into metaphors which control his life but against which he has no defence as he cannot ‘remember’ in the sense of recalling them.

     Poe could not punish his mother but he could select a mother surrogate and punish her while transferring his affections to the mother of she who was dearer to his soul than its own soul-life.  All of Poe’s fictional heroines sickened and died except Berenice who the narrator actually mutilated and buried alive.

     Poe himself had created a persona which would never murder a wife but he had also created a double who would and did inadvertantly in the character of Roderick Usher.  Certainly Poe’s doppelganger was capable of doing what he could voyeuristically observe but still feel free of participation and, hence, guilt.

     Which brings to  mind the ‘Mystery Of Marie Roget’.  Just as Ted Bundy rigidly created an amiable trustworthy everyday persona to live his life and a doppelganger who avenged himself on his mother by killing girl substitutes it is possible, I don’t say that it is so, that Poe himself killed Mary Rogers and possibly some others.

page 20.

     It may have been a display of his genius in demonstrating that Mary Rogers was killed by a single person rather than a gang but on the other hand he created a doppelganger of Mary Rogers in the character of Marie Roget to demonstrate his reasoning.  Perhaps he was so clever because he had actually committed the murder.   It is not impossible that Poe split off a doppelganger of Mary Rogers in Marie Roget who was killed by Poe’s own doppelganger while Poe killed Mary Rogers.

     That was a pretty neat trick for a deranged mind.  He not only demonstrated a murder, he did it but no one caught on.  Compare the idea behind the Purloined Letter.

     There can be little question that Poe suffered severely in his Structural Psychology which was reflected in his personal psychology.

     Here we may raise the question of what effect the balance of Menos and Ate has on a man’s actions.  There must obviously be degrees of imbalance.  For people like Huxley, Poe, Freud, Jung, Polarion and myself there is the creative outlet of Menos.  Those like Ted Bundy and Richard Speck have insufficient Menos but are all Ate.  Without a creative outlet they may be condemned to commit murders to express their anguish at their treatment by their mothers.

     In Huxley’s case he was, on the Menos side, able to express himself in novels thus relieving the pressure while on the Ate side he appears to have become his mother while marrying a woman who would willingly compensate him for his mother’s neglect.

     I hesitate to review my own behavior in that respect.

     Poe who was much more deeply troubled seems to have had correspondingly greater gifts on the Menos side than Huxley while on the Ate side the pressure appears to have been so intense that he may have resorted to murder of unrelated women while he may surely have caused the death of Virginia by a combination of neglect on the one hand as evidenced by the examples of Morella and Ligeia or even willful poisoning as in the case of Ligeia and the narrator’s wife.  The negative actions would have been caused by his doppelganger while Poe himself looked on.

page 21.

     Jung and Freud, who while not abandoned by their mothers had troubled relationships with them, applied the Menos to make significant contributions to the understanding of psychology while their expression of Ate was either minor or extremely well hidden in Jung’s case and not exposed in Freud’s case.

     I hope that Polarion and I are making our contribution to psychological understanding while on the Ate side we merely express indifference to externals.

     All of us probably are or were introverts.

     The solution of the problem is completely out of the hands of men.  The solution, if there can be one, rests with The Hand That Rocks The Cradle.

     End of Cow-Eyed Hera And Edgar Allan Poe.  Go to Part IV,  The Hand That Rocks The Cradle