Vol. I, Clip 3: The Vampyres Of New York
December 28, 2015
Book I, Clip 3
The Vampyres Of New York
A Novel
by
R.E. Prindle
If you haven’t experienced that kind of mental agony you don’t know. I tossed and turned all afternoon and into the night. My brain was racked but not with pain. It was like all the connections had come loose and I had no control of my mental processes. There was no way to concentrate, to organize my thoughts to possibly think or be rational. It was like three fevers without temperature racking around in my brain.
I was exhausted and then possibly at one in the morning I heard a knocking. I sat up in bed wondering who in the world it could be. Then I heard Gaines again: Hello, I’m back. Let’s talk.
Well, Gaines! Of course I knew what was happening then. I was at that level of experience and conditioning between the birth process and more conscious experience. I had already cleared out the most compelling of my childhood fixations at forty-two when I integrated my personality. That freed me from compulsions and inhibitions but I gradually learned that there was another layer of control or influence yet beyond my reach. Gaines had now shown up so it was possible to free myself from that psychological layer. Small comfort at eighty but then few if any become so clear. Freud and Jung certainly never attained it. I flattered myself that I could be unique. The first of the New Men. Don’t smile, it was a pleasant thought.
This wasn’t the first incident of interior dialogue my mind had spoken to itself. I heard what they call voices back in my early teens. Of course like St. Augustine I had been convinced that one could talk to God. Unlike Augustine I wasn’t crazy enough to persist when God couldn’t tell me anything I didn’t already know when I asked.
And then back then I heard voices telling me to do inappropriate things like Kill your mother and Chuckles but I shut them up; I wasn’t to going to jail for any reason. And now, here was Gaines a more or less rational entity who would try to convince me to do evil I was certain. As in primeval days I was attached to the God Principle while Gaines was representing the Satanic Principle.
He seemed to be lodged in the right hemisphere just behind and above that ear. This puzzled me somewhat as I would have thought he would have been part of my Animus or Ego that being the male side of the brain; instead he was on my female side.
Then I realized that when Gaines had taken up a primal position in my consciousness I was sitting on the back steps of the Orphanage. When my mother had put me in the Orphanage and had walked away she had created this space in my mind, this psychological layer. Gaines and his evil comic books was therefore associated with my mother. Oh yes, my mother. Sometimes I wish I had heeded those early voices and offed both her and Chuckles. Chuckles, that mean assed bastard, was her second husband. They married when I was ten and I then came out of the Orphanage.
Well, you know, as I always told myself, you have to play the hand you’re dealt. I think I can say without comment that I played that lousy hand well. Here I was in New York City, the capital of the world, in a thirty million dollar apartment. Gaines wasn’t going to be a problem, after all, he was me and I was him. I had the upper hand with the God Principle on my side while Gaines might as well have been Abe Goldbladder of the Satanic Principle. I will discuss that more in my presentation to the New Serapion Brethren.
I was inside my skull with Gaines but my mind had cleared up, I might as well get started.
‘So, Gaines, what brings you here?’ A silly question because I already knew the answer. Still, in order to extinguish him I had to play along. However I did think it necessary to call in my old psycho-analyst Dr. Anton Polarion as an assist.
Who is Dr. Anton? I’m embarrassed to say this because then you might think I really am crazy. But that’s alright, I may be.
Dr. Anton Polarion came around several years ago when I was deep in my psychological studies. I was working a number of fields of study and I needed someone to handle the psychology for me when I was working another field. It was then I thought up Dr. Anton giving him the responsibility for memorizing and developing psychology.
I know it sounds kind of crazy but it’s not. Dr. Anton was and is a memory aide. If you read up on the art of memory you will learn that in Greek and Roman times people constructed memory palaces of many rooms extensively furnished and then assigned memories to various rooms and objects in order to more conveniently record them, prodigious feats of memory are recorded. Oh alright, but I wasn’t going to wander around a Memory Palace trying to find various rooms and objects with their assigned memories so I just handed the job to an imagined Dr. Anton rather than a Memory Palace. You can understand that can’t you? Seems reasonable enough to me but you never know what other people will think. Anyway Dr. Anton knows whereof he speaks. So when it comes to hearing voices it was now two to one against Gaines and I had another Ace or two up my sleeve.
I was loaded for bear and I was sure I could kick Gaines’ ass. Still, I had to hear Gaines out.
‘So Gaines, as I said, what brings you here?’
‘I’ve got some good advice for you,’ said Gaines.
‘Knowing who you are Gaines I doubt it could be good.’
‘Oh ho, you think you know who I am do you? Who am I?’
‘This will take some time Gaines but you’ve got as much as I do. I’ve been waiting for you for a long time. Your showing up here, now, puts things in place. I’m going to call in Dr. Anton for support. You know who he is don’t you Gaines?’
‘Of course, of course. I know as well as you know me. Hello Anton, welcome to the conversation.’
Anton: Hello Gaines. Well, let’s get started.
Partly: The key here is the Orphanage and me sitting on the back step reading Tales From The Crypt. That was one sado-masochistic piece Gaines with a certain portrayal of women. Strangely that portrayal was reminiscent of my mother. It is between you and my mother that this psychology revolves around.
Anton: Yes, your mother transferred her hatred of your father to you after she had put him away and tried to destroy any happiness for you. It is no coincidence that after she had your father committed to the asylum she committed you to the Orphanage. Of course, she had ‘good reasons’ for doing so but they weren’t the real reasons. When you turned eighteen she thought she had you again, enlisting you in the Navy and having you shipped off somewhere where she would never have to see you to remind her of her crime against your father. Thus the association of your mother, sado-masochism and Gaines.
Gaines also provides your connection to the Jews although that application came later in life. The content of Gaines’ comics, the sado-masochism, is part of the Jewish Weltanschauung that Freud expressed so well and it is that that Judaicized you, making the Jewish culture part of your own. It is that part, this Satanic consciousness that drags your spirit down causing your chronic low depression. We’ll try to shake it here but it may now be integral to your mentality.
Leaving Gaines for a moment the pre-Gaines component was your mother’s extreme selfishness. Of course your mother was three months gone when she married your father. This didn’t create so much guilt as anger. She held your father responsible preventing her from doing whatever she thought she would be doing later. You were born in 1938 in the depths of the Great Depression.
Jobs were not easy to come by and although your father was a good provider, that is you had a roof over your head and a shack to live in, even so your father ran out of jobs so he joined the Civilian Conservation Corps and went to work planting forests. He was a good man; he sent most of his money to your mother. She unfortunately as you would learn was not a good woman.
It is difficult at this point to retrieve her motivation but she got laid in the back of a Chevrolet in the parking lot of a grocery store as you know well, Perry. She became pregnant with the little bastard palmed off to you as your brother. A child of sin he has always remained so. A point came where the pregnancy could no longer be concealed.
Needless to say the realization made your father angry. In an attempt to learn the culprit he began to punch her out. In the way of women she was stout refusing to give up his name. Your father said things like ‘I am out working CCC to provide for you and you’re out, words that were unintelligible to you. Do you remember that Partly?
Partly: Yes I do.
Anton: Less than two and half and you remember! What a memory Perry. The bastard was born, your father left and you saw him only once more several months later. Do you know what happened to him?
Me: No. Never saw him again after that last time.
Dr. Anton: Your mother had him committed to the insane asylum and he lived there all his life and died there.
Gaines: Wait a minute, wait a minute. You can’t know anything he doesn’t Anton. Where’s this coming from?
Dr. Anton: Just as you have been suppressed until now Gaines so has the knowledge I’m now revealing. It came in bits and pieces and I have put it all together. Partly is just now realizing it.
Where was I? Yes, committing him was a sadistic act on the part of a guilty woman. But it didn’t stop there Partly. To assuage her guilt while indulging her sadism she had removed her husband but you, a reminder of her crime, remained. She transferred her affection to her bastard and set out to torture and frustrate you. You remember the nightmares you had in high school where your mother was constantly betraying you? That was a subconscious recognition of what you wouldn’t allow yourself to acknowledge but still you knew.
The Orphanage was just four blocks from your grandparents house where you were living. She had to know the effect it would have on your mentality, you certainly did, but just as she had put her husband away in an asylum she put his memory away in another institution, the Orphanage.
Do you remember this Partly?
Me: Sure Anton, I remember but not as clearly and well organized as you do.
Dr. Anton: You’d be a better man for learning it although at eighty who gives a shit. You’ll take it to your grave soon enough.
Me: That’s alright Anton, I’ll die, as you say, a better man.
Anton: So your mother dropped you off and you were led away just like in prison or the asylum but with slightly better conditions. And thus you began to become who you used to be before your personality integration that introduced this current phase of your life at forty-two.
You became quite independent in that harrowing situation of the Orphanage. Fate left that copy of Tales From The Crypt lying on that little porch and a pain equal to your being abandoned seared your soul again striking through your subconscious to the structural level here. You were no longer a free man but controlled from, for lack of a better term, your subconscious. I don’t know how you made it through but here you are.
Your mother’s remarriage to the maniac Chuckles who was a match for your mother’s sadism nearly destroyed you during those eight long years until graduation. Enough of that for now. Let’s deal with Gaines here.
Me: Can we get rid of him?
Gaines: Hell no!
Dr. Anton: He is unfortunately part of the warp and woof of your personality but I’m pretty certain we can modify it and reduce his Satanic level considerably.
Gaines: Over my dead body.
Dr. Anton: Preferably Gaines, that is what we’re shooting for.
With that I collapsed back into my pillow exhausted but calmer with less of a feverish feeling. I was breathing somewhat heavily. I knew that this was a significant psychological event that had not yet achieved resolution and I was afraid to lose the thread. After about an hour Dr. Polarion returned. Anton was not an alter ego as Gaines but functioned more as a guardian angel, a good spirit so I welcomed him.
‘We’ve got to handle Gaines Partly.’
‘Yes. What is your suggestion Anton?’
‘This. It seems that Gaines is functioning as a node for a constellation of similar events. The two obvious strands of the constellation are he, that is your Jewish experience, and your mother. The first step must be to disentangle your mother and put her into her own constellation to be dealt with later. You already have a decent handle on her.
That leaves Gaines and your Jewish experience which is a distinct constellation which when knowledgeable about it you’ve done a lot a preparatory groundwork but certain resolutions are still necessary. That constellation has to be distended into its planetary elements so that each can be identified and dispensed with.
In addition there may be other elements concealed within or behind the constellation of which we have yet no knowledge. Time will tell.
And then there is what Gaines wants you to do which is why he’s made his appearance now. We’ll have to listen and go from there. You and I do understand that what he wants is going to be ridiculous and dangerous.
Me: OK Anton, your analysis is good and I do have a good idea what Gaines wants; I’ve also got my arguments ready and can direct him. But, God, this is painful.
Anton: Yes Partly, self-realization can be trying and I’m sure you’re in agony. You remember Hubert Selby the fellow who wrote his novel Last Exit To Brooklyn?
Me: Oh sure, Anton. Very interesting story. He was probing his mind to write his story. That once when he came up against a particularly painful remembrance it shattered him so that he had to take to his bed for a week writhing in agony. I can’t afford the time for that now. I have things to do and fields to plow.
Anton: You may have more than you think Partly. Get some rest and I’ll get Gaines back here in an hour or so. Control your feelings.
With images of Jekyll and Hyde in my fitful dreams was the titanic struggle of the Shadow with evil and the images of Superman and Clark Kent. Good must triumph over evil although it might not be as clear cut a victory as one might hope.
Just before dawn Dr. Polarion returned and shortly thereafter I heard Gaines’ Hello, I’m here.
Me: Alright Gaines. I’m ready.
Anton had already disentangled my mother from the constellational complex so he and I were dealing with just the Gaines/Jewish constellation. In that obscured constellation other traumas wouldn’t be clear at this time.
‘What’s up Gaines?’ Anton asked quietly with an implied menace that he wasn’t going to listen to nonsense.
Gaines: Why so hostile Doctor Polarion.
Anton: We know what you’re up to Gaines. I have to tell you that we know who you are and where you’ve come from so your Satanic power is negated.
Gaines: Oh, aren’t we clever. What is my pedigree Dr. Polarion?
Anton: Simply this: You infected Partly’s mind on that stoop of the Orphanage with your sado-masochistic claptrap. Partly only semi-consciously took in the sado-masochistic sexuality without knowledge of sex, he had to repress your Satanic influence and with some few exceptions he did. As he knew nothing of Jews and your own Jewishness that puzzling aspect of your Satanity was filed away for future reference. In the meantime following Jewish propaganda he was conditioned to revere Jews and did so.
Then in winter of nineteen fifty-eight in a fit of sado-masochistic lunacy the Jews pre-empted all TV channels at the same time on Saturday prime time and broadcast the most incredible pornographic sado-masochistic program imaginable. An hour of graphic snuff films depicting naked dead bodies being pushed about by bulldozers. The sexual implications were horrendous. While secretly fascinated Partly was resentful of the Jews for pushing this atrocity on him. Without articulating it to himself he was fatally disgusted. Also without noticing it he associated the ‘entertainment’ with you Gaines.
Gaines: I’m disgusting?
Anton: Eminently. Now, there comes an incident that was let slip by almost without recognition. Partly’s wife, now deceased, came from a Jewish background on her mother’s side; the father was nominally Catholic. The mother wanted a Jewish wedding while fearing that Partly would object. The venue was unimportant to Partly, in fact, with his Jewish conditioning he got a little thrill from it.
However to the Jews the notion that a Jewish girl would marry a, what they considered Christian boy, was anathema to them. Her parents approached all the synagogues in the East Bay but there was only one Rabbi in the East Bay that would consent to marry the couple. This was brought about by the intervention of his wife’s mother’s sister whose family was a prominent supporter of the synagogue. Even so the rabbi insisted on an interview with Partly.
As I say, Gaines, Partly had no religious scruples to marrying into a religious family, not quite true, he would never have married Catholic, and thought to be amiable with the rabbi. Both Partly and his wife were above religion despising them as relics from a primitive age. While Partly tried to be amiable the rabbi didn’t. Partly talked to the rabbi man to man while the rabbi as all rabbis do exalted his position believing as a Talmudic scholar that that worthless information placed him not only above Partly or his fellow Jews but all humanity and most of the angels. Resenting Partly’s familiarity he insulted Partly grievously as not worthy of a Jewish girl while being a Christian dog or words to that effect. At that point his respect for the Jews, intense conditioning or no, vanished.
This event was constellated with you Gaines and the TV atrocity to negate any positive feeling he had for the Jews. A couple decades of propaganda was wiped out in an instant. Partly’s future unpleasant relations with Jews will appear subsequently.
So that’s who you are Gaines. Satan on a stick.
Gaines: Yeah, well Dr. Polarion I know where Partly lives. I know he has suffered insults, injuries and indignities from many quarters including the ones you mentioned and I know this: He wants revenge. Who do you go to when you want revenge? Satan, baby, Satan. And here I am.
Anton: True, Partly?
Me: No. It’s true I have a lot of resentments but they’re from assholes and assholes can’t help being assholes; if they could they wouldn’t be assholes so one has to ignore them. It’s their cross to bear and I enjoy watching them be assholes. If Gaines thinks he’s going to lure me into criminal activity he’s not here.
Gaines: Kiss my ass Partly. Social unrest is developing rapidly, exponentially day to day. There are hundreds of racial and religious, what the authorities are pleased to call murders rather than the acts of war they are happening every week.
I know Partly that you were trained by your experiences to be a serial killer. You know it. I don’t know how you’ve resisted up to this time but now is the time to indulge those resentments. Not only are the cops overburdened trying to deal with all the killing and raping going on but they’re afraid to leave the station. Whole cities are no go zones for them. They’ll never identify you, never track you down. Come on buddy, let your inner Mr. Hyde see some light. Now’s the time for your revenge.
Me: I think you’re right about the time being the right time Gaines but remember that Vengeance is mine saith the Lord. I’ve learned that it is true.
Gaines: Vengeance is mine saith the Lord? Listen to this guy. Are you putting me on Partly?
Me: Certainly not Gaines, certainly not. Remember you were kicked out of heaven for the religious offence of chutzpah. God stuck his boot up your ass and down you came. You always tempt men to their destruction by exploiting their own weaknesses. If I were to act in revenge I would surely be caught. Even at eighty I don’t want to be thought of as a criminal.
Gaines: No, you don’t want to be thought of as a criminal. Here’s a tip for you Partly…
Anton: I…
Gaines: You stay out of this Anton, this is between Partly and me.
As above, so below, right Partly? God’s will is supposed to prevail on earth as in heaven, right?
Me: I’m not religious but the Bible does say so. What’s your point?
Gaines: As a lawbreaker I was kicked out of heaven, right. If so, then it is God’s will that I be persecuted on earth also, isn’t it?
Me: Well, you have to believe the Bible.
Gaines: No, you don’t. Freud replaced the Bible but as a Jew he follows the Bible’s rhetoric. Freud and I are one and not only am I part of your mind but Freud is too. That’s one of my attributes that Anton the so-called psychologist forgot to mention. So, if it is God’s will that it is to be on earth as it is in heaven then it is permissible to punish Satanic practices as he punished me isn’t it? As a God fearing person it is imperative that you do so.
Well, there was a thought. The Jews consider themselves God’s viceroys on Earth and that they are doing God’s will by forcing his, or theirs really on the rest of mankind, punishing those who resist, that is anti-Semites. It was a tough argument to counter while Gaines had cleverly appealed to my suppressed desires. Anton was no help at this point.
Me: To punish is vengeance Gaines and as I say Vengeance is the Lord’s. Therefore I cannot punish Gaines, however there is the question of justice, lawbreakers should not be allowed the fruit of their crimes with impunity.
As we know God has no temporal means to effect his will on earth so he must use intermediaries as his chosen vessels hence the Jews claim to be that vessel. However if God spoke to the Jews then he can speak to me. Thus if like Saint Augustine I were to hear his voice enjoining me to administer His justice on earth as he does in heaven, that is kicking Satan off the earth then I could obey his will and be judge, jury and executioner here on earth as the Jews consider themselves. Well, Gaines, that is a thought I will have to give consideration.
Gaines: Yes it is. Further…
Anton: Hold, hold it, stop Gaines. Be gone. Hold up Partly, we have to think about this. Later Gaines, later. Go.
And with a sly wink at me Gaines wandered away. He would be back, of course. But he had given me something to think about. I knew I was going to think about it too and as Gaines knew I would rationalize his suggestion into reality but only in a ‘legal’ manner.
Anton just looked at me and shook his head. He knew what was coming. So did I but neither of us could as yet admit it.
-IV-
Once again I lay back exhausted. Still I had to get to work. In an agitated state of mind I reviewed the correcting of my piece for the New Serapion Brethren that I was titling The Vampyres Of New York. I had put some preliminary thoughts up on the internet so I was searching Vampyres Of New York when I was startled to find that there was an actual group called The Vampyres Of New York that claimed to be a worldwide organization. Its spokesman was some guy calling himself Father Sebastian. He was a young guy who would have been further ahead claiming to be Brother Sebastian; in another thirty years he might pass for a father.
Anything associating itself with vampirism had to be Satanic while the guy was absolutely touting himself as a religion. The crude Satanism of the nineteen sixties was obviously morphing into an attempt at a universal religion. This was a far cry from the historian Arnold Toynbee’s cry for a new universal religion to replace Christianity. Gaines was obviously right about the Satanism in Freud being a part of me but apparently the drive was to make Freudianism the basis of a new religion. Thus as Christianity as a Jewish based religion had represented the Godly Principle so Freud as a Jewish based religion would represent the Satanic Principle.
This was a revelation to me that while new I would have to try to work into my essay. I had to think about it a little so while I was thinking I tinkered around working out disguises. Having seen street activity for a couple weeks now I was uneasy walking around in my own skin; I didn’t want to become that well known.
So, as I thought I tried out mustaches, wigs, glasses, different outfits, so I could walk the streets so as not to become obvious. But, time was passing and I was driven back to my writing desk. I wanted to avoid Gaines as long as possible so I put in some long sessions hoping I would be so tired when I went to sleep that that bastard Gaines wouldn’t be called up. I was successful for the week left before going to Farquhar’s.
I was a day ahead of the deadline so I went out to get a couple two or three bottles of wine to take along. Wanted to show I was a regular guy. I am a regular guy but usually not that regular. Boy, NYC is an alkie’s paradise. What a fabulous selection of spirits. I don’t drink much but in my earlier days I could do a limited justice to the bottle. In those days I favored brandy. Really good stuff if you’re going to drink. Oh lord, if I had known then what New York showed my now I might have been the man who never returned.
I wasn’t after liquor though I wanted wine so I asked for and got bottles of Ramey’s Claret. Ramey is a good Napa Valley vintner while his claret is moderately priced and more than good enough, excellent in fact. The vintage was 2014 that particularly dry year and of small berries. Excellent, I thought it should go over. I’d had it before and it really is a great vintage.
For dress I wore a 1960 vintage sport coat I bought at a second hand store. Nothing was ready at James Carter and I had tried Lord and Taylor and other stores but none was showing other than those idiotic short jackets cut small and I thought I looked a heck of a lot better. Charles Tyrwhitt shirt, one of their higher priced dark blue and white mini stripes, black in a low light. So what’s a boy to do? Ralph Lauren had turned ludicrous after he left.
Ragnar drove me and my bottles of wine up to fifty-second street off Madison to Farquhar’s condo, very good, twelfth floor. As I entered the building an explosion went off maybe three blocks away in some direction I couldn’t determine. Somebody was acting up, hard to tell who. It was beginning to happen fairly regularly. Cops weren’t catching anybody. So many people and organizations were claiming credit for these things it must have been a nightmare investigating these things using only electronics.
As these things were getting more frequent they didn’t even make the headlines in New York while except for certain sites on the internet the rest of the country was totally ignorant of them. The permanent Obama administration was still trying to explain them away as the work of domestic terrorists, actually by now the terrorists were domestic although not so-called White Supremacists. If by Global terrorists it was only just that we should be bombed as was said and that brought the thought of Gaines back as Lessing was rattling the locks on the other side of the door.
Once that ritual was completed I was admitted into a small foyer with a second door and a number of locks which were only locked at night or when Lessing was away. The door was now open for which I was grateful.
Through the second door one entered directly into a large living room, perhaps eight hundred square feet cutting straight through the apartment to the floor to ceiling windows that looked into the windows across the street unfortunately.
The room was comfortably decorated with expensive furniture but not the costliest. The usual New York abstracts, tasteful, were on the wall facing lovely floor to ceiling bookshelves admirably stocked. Books do furnish a room, don’t they?
I was the last to arrive. Seated, looking at me with expectant bemused expressions were Max Savings, Mark Giusty and Baron Cammell the other members of the New Serapion Brethren. Lessing was apparently a bachelor or, as I was to find, a widower.
As I could see I was the oldest of the four. Lessing was seventy-two but still in his prime. How well I remember being fourteen and finding the age of seventy incomprehensible as young people still do. While even people in their thirties and forties expect people of seventy or eighty to be decrepit. Most of us aren’t. Certainly Lessing and I were in full vigor. Diet helps, three or four years earlier I had been compelled to give up my sugar diet, and I mean I love sugar, and that and an improved diet recharged me considerably.
Lessing was more robust than I being taller, probably six-two and bigger boned. He was filled out but not fat or even heavy looking, his face like mine was unlined while he had a full head of white hair as did I although mine was removable and his wasn’t. He showed a little surprise as I was nearly bald at our two previous encounters.
Lessing introduced me to Max Savings who was small, perhaps five-six, and slight. Max was the youngest at sixty-two. He was dressed like an undertaker, had a slightly weasely face with a pointed nose. He had a sharp intelligence.
Marc Giusty was Italian standing a half inch or so below me, seventy years old, still athletic looking, spent a couple hours a day in the gym as I was to learn, lean and long headed in the Italian manner, thin mustache and good features.
Last to be introduced was Baron Cammell. Baron was his first name and not a title. He would prove to be the most difficult member of the group for me.
By the time I was finished with the introductions Max had a bottle of claret open and the glasses filled. Well, you know, two fingers. One sips, this was a cultured group no full water glasses at one gulp. We accepted our glasses and looking at each other took a sip.
Lessing: Oh, very nice.
Marc: Yes. Haven’t seen the label before.
Baron: (Sniffing slightly.) Yes, quite distinctive.
Max: (Smiling.) Enough said.
Me: Yes, well, Ramey apprenticed for many years in France before setting up in Napa. I like Bordeaux style blend and claret hits the spot for me after reading all those old English novels where claret and wine were synonymous. I like this one. So, we’re all ETA Hoffmann admirers, um?
Lessing: Yes, we are that. By way of curiosity Perry, how did you come to Hoffmann.
Me: Oh, you want my origin story as the comic books say? OK Lessing, I’ve got one. I’ll do this in the best comic book style. It was a dark and stormy day back in the middle of the last century when a thirty-six year man shoulders hunched against the cold and rain looked into a shop window. Perceiving it was a book store he being a bibliophile pushed the door open. A blast of warm air hit him as heads turned to look at the stranger. The man glanced casually about at the few inside, mostly help, with no particular object in mind. His attention was caught by a slip cased set of two. Always a sucker for so-called special editions he picked it up to examine it. ‘Hmm…’ he mused to himself, ‘Selected Writings Of Hoffmann? Hoffmann who?’ Extracted, Vol. I read from the title page, E.T.A. Hoffmann The Tales. The man had heard of ETA Hoffmann spoken of most highly and of course he knew of Offenbach’s opera Tales Of Hoffmann. Twelve dollars and fifty cents. OK.
Tucking the parcel under his arm under his coat and lowering his head against the blast he proceeded down the street. I was that man.
Me: There you go Lessing and an identical copy can be found on your bookshelf right over there.
Ha, ha, ha came as a chorus from the four men: Nicely done, Perry, nicely done.
‘The lad shows promise, doesn’t he?’ said Lessing.
Max Savings: This could prove interesting.
Me: And since then then I’ve added a dozen volumes filling out, I think, what’s available in English except for that magnificent nineteenth century volume you have on your shelf.’
Lessing: That one. I’m quite proud of that find. I tramped London looking for that one. But you have never reviewed Hoffmann on your site Perry, how come?
Me. I don’t feel adequately prepared Lessing. I have added a number of Romantic writers to my library in the last four years, Kleist, Tieck and like that but nothing in the way of critical reviews so I don’t think I’m prepared to speak authoritatively. And I still have to read Goethe, the key Romantic. If you’ve read my stuff you probably are aware that I speak without concern of contradiction. I can’t do that with Hoffmann yet. So, if I may ask, give me a thumbnail of yourselves.
Lessing: I’m host so I might as well go first. The salient point is that I spent my career practicing law, mainly real estate and financial issues. That is an area where much of the money sticks to the lawyer and I am in a comfortable situation as you can see having made my share or more of the money stick to me. Although remunerative I found the law and its cases fairly loathsome so as soon as I felt financially independent I left all that behind and turned my attention to what I loved much as you have Perry. Much more rewarding.
Max Savings: I’m not quite so financially independent as Lessing and still at my desk at Chase. I certainly am not so accomplished literarily as you and Lessing but I squeeze in time in an effort to keep up.
Marc Giusty: I was a university prof all my working life, loved it at Columbia uptown here. History was my subject. Unfortunately I was just a yeoman and not a star. I wrote a few papers for academic publications and a couple slim volumes that disappeared down the memory hole but allowed me to keep my position. By the way, this is a nice wine.
Me: Glad I chose to your taste. And you Baron.
Baron: I’m somewhat of a polymath, expert in several fields. I’m working on a unified field theory to arrange the liberal arts in a chronology with commentary. That’s all you need know of me.
Me: Quite so, quite so. Now that we’ve been introduced and had a little wine what say I begin my presentation? I’m anxious for your opinion and hope to please.
Lessing: That sounds right. What is the title of your presentation Perry?
Me: I call it The Vampyres Of New York.
I noticed a little uneasiness in the Brethren at the title. Lessing spoke:
Is this a vampire story, Perry? I thought the understanding was that we present historical essays.
Me: Exactly Lessing. But lesser known aspects, other sides so to speak and that is what mine is. Don’t let the title throw you. By the way as you’re not looking at the paper I spell vampire v-a-m-p-y-r-e. I chose the spelling to indicate a difference from a Dracula type blood vampire. My essay will concern what is known as psychic vampires. When I was searching Vampyres Of New York on the internet to see if my first couple of posts had registered yet I was surprised to find that there is actually an organization called The Vampyres Of New York, spelled with a Y.
I was further astonished that it claims to be worldwide although the claim seems a little dubious. At any rate the possible leader is a guy calling himself Father Sebastian who divides his time between New York and Paris.
As you know since the first Disney version of Star Wars a recent religion has sprung up based on the concept of the Force and whatever. It seems probable that the Vampyre organization is a type of Satanic religion too. This brings to mind that after the challenge to the Jewish religion in the West after the Scientific Revolution following the Enlightenment the Western Jewish religion under the Scientific challenge dissolved into a number of splinter religions seeking a center. The center of course came from the East and was called Zionism so that Judaism with some atavism and Zion are one.
Christianity has taken longer to find a new center but under the influence of nineteenth and twentieth century Satanism we may be seeing a jelling into some form of a universal Satanic religion. It is something to bear in mind. So my historical investigation is concerned with the Jewish and Christian religious disintegration of the previous two centuries under some sort of vampiric influence. Is that alright? It won’t offend any sensibilities?
Lessing: If it is historical we have no objections.
Me: Alright. I’m pretty sure this will be a different approach to what you’re used to so I have a prologue explaining the difference between a Dracula type Vampirism and psychic Vampyrism which will concern us. This is longish but not hugely long so fill your glasses and sit back. It is written out so feel free to interrupt at any time for explanations or comments, discussions or whatever.
OK? I begin: The Vampyres Of New York.
Clip 4 following contains the text of Vampyres Of New York.
Bob Dylan: Livin’ Life On The Fly
September 11, 2015
Bob Dylan: Livin’ Life On The Fly
by
R.E. Prindle
-I-
Bob Dylan created the character of Bob the Drifter back at the beginning of the Sixties. He has since done his best to live the life of the ultimate drifter. Early influences on the persona were probably Hank Williams musical alter ego Luke the Drifter and possibly Simon Crumb the alter ego the country singer Ferlin Husky. His immediate role model was definitely Ramblin’ Jack Elliot who was born Elliot Adnopos making his adopted goyish name a cover for his Jewish identity much as Bob Dylan was doing. Thus these two very Jewish guys have lived out their lives under assumed goyish identities.
Like Ramblin’ Jack Bob Dylan further patterned his life on the life of the goy drifter Woody Guthrie.
Bob learned Jack’s style when both men lived in the early sixties folk environment of Greenwich Village in New York City. When that particular bubble burst in the mid-sixties partly through the machinations of Dylan himself who introduced electricity into the Greenwich Village folk scene a dispersion took place.
I say partly because seemingly unnoticed by everyone while being completely overlooked today The Lovin’ Spoonful with the really legendary John Sebastian and Sol Yanovsky had used an electric guitar since early 1965 while also writing their own songs.
After leaving recording for a year or two after 1966 Dylan led a sedentary life in Woodstock New York with his wife Sara and a growing family. The call of his destiny on the road was too strong with Dylan gradually edging back to the role of the roving hobo.
Mentally adrift for most of the seventies and eighties Bob then devised the perfect drifter life. He became a drifting troubadour. He not only roved but he made it pay to the tune of a billion dollars or more. He got himself a couple buses and phased through several identity crises. He styled his drifting as The Never Ending Tour.
While living his early years in Hibbing Negro music appears to have made no impression on him. He does say that he listened to Black music over the radio on stations blasting up over the central plain from locations such as Shreveport but I don’t detect that influence in his music too much. Of course, once in New York he saw the necessity for Negro roots and reacted socially.
Dylan does however know all the great C&W tunes and artists. His first great plagiarism was from Hank Snow one of the absolute greats. C&W was however not mainstream. In the peculiar White mentality C&W was rejected as ignorant White hillbilly music and I mean rejected. You had to cover up your liking of C&W as though it was the original sin. On the other hand with that peculiar mentality of Whites they were able to embrace equally ignorant Negro ghetto music as their own. I could never figure it out.
Dylan didn’t try. Sometime before he got to UMinnesota in the Fall of ’59 he realized he wasn’t he wasn’t going to make it as a rocker so he switched to Folk from Fall ’59 to January of ’61 when he left for NYC. At UMinnesota he had listened to a few Folk records while someone gave him Woody Guthrie’s autobiography Bound For Glory so that in some mad burst of teen infatuation he came to the conclusion that he was the reincarnation of Woody Guthrie. He adopted the persona to the best of his ability beginning to create a hokey Oklahoma drifter’s accent and vocal style.
One gets the impression that his folk act in Minnesota was raw enough that he was merely tolerated. Bob, himself, knew he was a genius so he took his half-digested act East to New York City in that January of ’61. But he was wary. Cagey then as now he decided to scope the scene before he burst upon it.
While arriving in NYC in January he didn’t make his official appearance on the Village scene until late February. Dylan himself explains that missing period by claiming to have been hustling his buns in Times Square. People have refused to take him at his word but why would he say it if it wasn’t true? Why would he say it even if it were? Dylan had very low self-esteem at the time while being a very serious drunkard. At UMinnesota he had blottoed out and spread out on the ground at full noon in the main crossroads at the U. You have to glory in your shame to do that.
We don’t know how much money Dylan had when he stepped out of the car in NYC although he was never really broke when he buskered on the street; his Ace In The Hole was the folks back home. They did send him money.
Perhaps though Dylan was so down so low that he needed to debase himself in the worst possible way. He probably did stroll 42nd St. looking to be picked up. Perhaps receiving money picked him up a little; gave him value.
As he scoped the Folk scene and picked up the odd dollar he was devising a persona to splash into the scene. His persona was totally absurd and his Ten Weeks With The Circus story would be, or should have been, seen through before he got it out of his mouth. This was sophisticated NYC for Christ’s save, New Yorkers have seen and heard every hustle ever devised. You couldn’t fool them so they must have been humoring Dylan.
Nobody could have done all the things he said he’d done and graduated from high school two years or less earlier. He also tried to conceal that he was Jewish which seems ridiculous to me, but then Dylan didn’t see the obvious Jewishness of Jack Elliot so maybe it’s just me. Anyway it took these sharp New Yorkers a year or more to figure Dylan was a little Jewish kid.
Dylan had analyzed the scene well. He realized he couldn’t go in and do what everyone else was doing. Besides there were a lot of good guitarists in the Village and Dylan wasn’t one of them. He had to shake the scene up a little. At the time the Village Folk scene was a bore. Folk was on the down trend. The New Lost City Ramblers, one of the more formidable Village folk groups were so trite they were unlistenable. While not on the Village scene I was aware of the phonograph records made by the artists and quite frankly I was amazed that anyone would record those people. I mean, like Dylan, I was a hillbilly. There were many amazing records being made by real folk artists like the Carter Family. These pale Village imitations by middle class Jews aping the mountain people were far less than authentic.
So Dylan practiced this garish voice, blew harmonica in an incomprehensible way and banged the guitar in an equally noisy and unmusical way. Bud and Travis couldn’t play guitar either. It boggles your mind to watch them flail the instrument.
People that say they liked his first couple records may very well be telling the truth but the truth is virtually no one bought them. Fortunately Dylan soon learned to write songs. They too made little impression as sung by him; sung by others, such as Peter Paul and Mary they sounded good enough to become hits. Of course, Peter Paul and Mary had that religious sounding name and earnest style that opened a lot of doors for them.
Nevertheless by 1964 Dylan was beginning to make a name for himself as a songwriter so that people were more willing to accept his bizarre performances. Andy Warhol said that Dylan began by singing political protest songs then shifted to singing personal protest songs. That change began about 1964 with his Another Side Of Bob Dylan LP.
His friend and sometime road manager Victor Maymudes said that all Dylan’s songs were about his girl friends. If you read his lyics with that in mind they will make more sense. You still have to work at it though. The language he uses really obscures the content.
It was at this point that Dylan went electric and moved out from his folk cover (Dylan said that his folk music years were just a shuck.) and began his conversion to rock and roll. Dylan began performing in high school as a Little Richard clone so the move should come as no surprise knowing what we do today. When his rock and roll phase ended in 1966 Dylan then returned to his basal influence C&W.
As he shifted to personal protest on a rock and roll frame he made his impact as ‘a spokesman for his generation.’
Dylan was never a spokesman for the generation but he was a spokesman for people with the same psychosis as his. Dylan was unbalanced as were all the people who took his message. I was one of those who Dylan characterized as ‘abused, misused, strung out ones or worse.’ Dylan converted his angst into sexual frustration and his sexual frustration into lyrics. We weren’t able to understand the lyrics because we were looking in the wrong place but we understood the songs perfectly on the subliminal level. Dylan’s psychology matched ours.
Dylan’s last album as a New York folk singer, Blonde On Blonde, also expanded his audience while also confusing those who weren’t on his wavelength. That is, people who hated him, and largely for psychological reasons, were forced to acknowledge him. At the time the LP was so far outside our musical experience that we literally had heard nothing like it before. Little Richard redux.
On the other hand I realized that he had peaked in that style and would no longer be able to continue in the same vein. At the same time the pressures of the previous five years on Dylan were such that his mind was at the breaking point and actually broke. He probably had what was called a nervous breakdown. Shortly we heard that Dylan had been in a motorcycle accident and might be dead. He wasn’t, of course, and it has never been reliably determined that there ever had been an accident. His brother David just laughs it off while many others reduce it to the equivalent of a mere scratch. Dylan himself says that his manager Albert Grossman was driving him so hard that it was killing him. He had to stop and catch his breath or die.
Dylan hadn’t yet learned to live on the road; he would master that later.
At any rate he had married his Sad Eyed Lady Of The Lowlands, Sara in 1965 and needed time out to raise a family. He did do that.
Regardless of whether he had been hurt or not he was not musically idle. About a year and a half later in December of 1967 he released the awaited new LP John Wesley Harding. The LP was a total rejection of his first incarnation. He used a crooning voice backed by a C&W band. He returned, as they used to say, to his roots. He was no longer a trailblazer, just a C&W singer. While I knew he would not follow up in the same style I was stunned by the reversion to a conventional country style. At that time no one knew that his roots were C&W.
I loved the instrumental backing of his three big albums but had no interest in what seemed to be pseudo-country with rather ordinary lyrics. (Let Me Be Your Baby Tonight.) I abandoned him completely and never have gone back. This was 1967. The next wave of the British Invasion was in progress and it was astonishing. The music was all fresh and picked up where Dylan had left off. The sounds were all new like you’d never heard before. The lyrics were nearly as inscrutable as Dylan’s. Dylan was not missed by me nor a lot of his former fans.
As I said Dylan was not idle; he was busy. The evidence of that appeared six months after John Wesley Harding. Music From Big Pink by the Band. This was relatively sensational music and lyrics. Of course The Band was Dylan’s back up and his association with Big Pink buttressed his reputation a lot. And then the legend of the Basement Tapes appeared that was even more tantalizing than the actual music although the songs from it that appeared by other artists were remarkably good.
So while Dylan left the Sixties with a much diminished reputation it was on a positive note.
-II-
The Never Ending Tour
While talent such as Dylan’s was is important, talent will not out without good luck and a helping hand. Dylan undoubtedly had both. There has always been some mystery about how a half skilled musician could show up in Greenwich Village in March 1961 and be signed to a record contract with Columbia Records seven months later in October.
People who had been around the Village were just blown away when the news got out. Dylan’s talent was not that obvious to everyone. Many could not see it at all. He couldn’t play guitar and he couldn’t blow the harp. His voice, at the time, was so raw it grated, and still does for me. He hadn’t written a song in those seven months so his much vaunted songwriting skills weren’t in evidence. Yet Robert Shelton, the music reviewer for the ultra-prestigious New York Times gave him a rave review that amazed everyone. John Hammond of CBS signed him virtually without hearing him. Other CBS staffers had such a low opinion of Dylan’s talent that they called him Hammond’s Folly. Was there something going on behind the scenes, was something happening here that the Village couldn’t understand? Listen to Positively Fourth Street and Something Happening again closely.
Well, you know, I’ve thought about this and studied this and I’ve put together the following scenarios for your delectation. Granted it is highly conjectural yet based on facts.
Remember that Dylan is Jewish and New York City including the Village was and is a Jewish colony. Being Jewish in the Village did and does count.
Back in Hibbing Minnesota the Jewish community was three or four hundred strong while Dylan’s, or Bobby Zimmerman’s, as he then was, family was chief among them.
Both Dylan’s father, Abram Zimmerman, and his mother, Beatty Zimmerman were of the Frankish sect of Judaism. Dylan’s Jewish name, Sabtai, was derived from the last acknowledged human Jewish messiah. This undoubtedly indicated the high hopes Abram had for his son as a deliverer of the Jews; in other words, a messiah.
Father Abe was the Anti-Defamation League representative in Hibbing. That may have caused some friction between himself and the goy townsmen. There seems to be an undercurrent of resentment both to Abe and Bobby Zimmerman in Hibbing. As an Orthodox Jew Abram had connections back in New York probably with the Chabad Lubavitcher sect led by its chief rabbi, Menachem Schneerson. Abram traveled frequently on religious business including to NYC.
Abram wanted son Bobby to also embrace the Lubavitcher sect. Thus, as Bobby approached thirteen and his Bar Mitzvah Abram sent back to New York for a Lubavitcher Rabbi to come to Hibbing specifically to educate Bobby in the Lubavitcher belief system. This was the rabbi Reuben Meier. In full Lubavitcher gear he was an anomaly in Hibbing where according to Dylan he embarrassed the Jewish community.
As Dylan tells it he got off the bus one day, spent a year teaching Bobby ‘what he had to learn’ then got back on the bus presumably returning to NYC his mission accomplished.
Dylan has or had a messiah complex. Still, as he observed the fate of Jesus (look what they done to him, he said) he was unwilling to pick up the cross thus never declaring himself. Still Abe had connections in NYC that could be and probably were useful bumping Dylan’s career along.
I haven’t found any evidence that Dylan ever contacted the Lubavitchers once in NYC but then it can’t be ruled out and he didn’t have to. His father could have worked with them unknown to Dylan. Still, Dylan later in life did associate himself with the Lubavitchers. Could be coincidence, of course.
Shelton who wrote his glowing review of Dylan worked for the New York Times which was and is owned by the Jewish Sulzberger family. Thus in all probability Abram called in some favors from the Lubavitchers to forward Dylan’s career. Among them Abram had some position, and asked them to make sure that Dylan wasn’t overlooked. Thus within the synagogue, so to speak, Shelton wrote his actually preposterous review of Dylan.
Now, Shelton came to New York from Chicago in the late fifties. Dylan’s future Jewish manager Albert Grossman also came from Chicago where he had owned the seminal folk club The Gate Of Horn. Shelton knew Grossman in Chicago where he wrote reviews of the folk acts.
When Grossman went East for whatever reasons in 1959 he helped found the Newport Folk Festival with the Jew George Wein. Thus the Newport Folk Festival was a Jewish organization giving them the control over who could and could not make it. Grossman hung around the Village analyzing the talent as he had plans. He didn’t necessarily let the acts come to him but he went out and created them as in Peter Paul and Mary which was his total conception. Sensing the direction of things he realized that a trio of two men and a woman with the right lineup would succeed and spread the message. His final choices were two male Jews, Noel Stookey who became Paul and Peter Yarrow and a woman Mary Travers. He chose well.
Prodded by Shelton Grossman took a look at Dylan but could see no use for him until Dylan began to write. At that point he fit into Grossman’s plans who then created Bob Dylan as a commercial entity. Dylan justified the confidence in himself when he scored with the puerile Blowin’ In The Wind. Dylan was still unlistenable to most people but with the voices of the more musical Peter Paul And Mary he began to establish his reputation as a song writer.
The Synagogue was behind him so that coupled with his talent he was given maximum and incredible exposure. Now, Peter Yarrow who was very close to Grossman, one might say almost a collaborator, said that without Grossman there would have been no Peter Paul And Mary and more importantly no Bob Dylan. Yarrow believed that Dylan’s success was due to Grossman. Luck was with Dylan then when Grossman came to town a couple years before he did while Shelton was there at the Times. You must have that luck. Grossman definitely nurtured Dylan as a songwriter and put his career on track. Whether Grossman was connected to the Lubavitchers isn’t clear but I’m sure the religious connection was there. It was all within the Synagogue; strictly a Jewish affair.
Those who closely analyze Dylan’s songs love to point out the Biblical references with which his songs have always been replete. Indeed, when Dylan was writing John Wesley Harding his mother who was visiting him during the period says that he kept a large Bible open in his living room that he would jump up to consult it from time to time. Obviously the Bible informed his lyrics as he dealt with his injunction to be the new messiah, if I am correct in my analysis.
His religious training would surface in the seventies when he explored Jesus’ relationship to the Jews. Contrary to what people believe Dylan never turned to Christianity, he was interested in the Jewish Jesus cult. At the same time he was getting the Christian take on Jesus through the Vinyard Fellowship he was studying with the Jews For Jesus cult. Indeed, when he came out as a Jesus freak at the Warwick Theatre in San Francisco Jews For Jesus people were used to proselytize outside the theatre but not the Vinyard Fellowship.
Having satisfied his curiosity about Jesus he next showed up in full Lubavitcher gear in Jerusalem. The Christians were stunned at the seeming turnabout. Rabbi Reuben Meier had not failed the Lubavitchers back in the fifties in Hibbing. Dylan came home.
-III-
On The Barricades
Jewish self-confidence was ruined in the wake of WWII but began to resume with the establishment of Israel in 1948. A feeling of power began to revive after the 1956 war; then after the Six Day War of 1967 a feeling of invincibility seized the Jewish mind. Born in 1941 Dylan was 26 in 1967. In 1968 the aborted Paris insurrection took place.
As a result of the Six Day War the New York Rabbi Meir Kahane organized the Jewish Defense League (JDC) as a terrorist organization from which came the JDO or Jewish Defense Organization. The JDO was murderous. Both were terrorist groups who engaged in serious bomb attacks in NYC and assassinations. It was pretty nutty.
At roughly the same time the Weatherman group was formed that was a combined Goy and Jewish affair designed to bring down the US government. That group was headed by the Chicago terrorist nutcake Bomber Billy Ayers. The JDL, JDO and Weathermen traced their origins back to Dylan while including Dylan as one of them. Dylan had JDL members as bodyguards and possibly JDO so at one time he seems to have been a member. More regular Jews warned him to dissociate himself publicly from the JDL and JDO so that he did disassociate them from himself at least as far as one can see.
Dylan’s association with the Weathermen if it existed was more tenuous. It would be interesting to know if through Greil Marcus Dylan knew Ayers. All groups considered Dylan a revolutionary. This could easily be inferred from songs like Subterranean Homesick Blues and Ain’t Going To Work On Maggie’s Farm No More plus many of his Negro protest songs.
Now, when Dylan was awarded the French decoration, The Legion Of Honor, in 2015 he was commended for his contributions to the Paris insurrection of ’68. What those contribution were weren’t specified; it may only have been the moral support of his songs that the revolutionaries heard as a call to arms. Or perhaps Dylan functioned as a courier during his tours throughout the world. It wouldn’t be the first time entertainers were used as covers.
In 2007 when Sarkozy had been elected President of France one of the first things he did was to call a number of people to Paris to receive awards. Three relevant Americans made the trip, Dylan, Greil Marcus and David Lynch the filmmaker.
As it turns out Dylan and Greil Marcus are or were fairly closely associated. Marcus was ostensibly a music critic for Rolling Stone Magazine, another Jewish set up, but he was also a member of the French Jewish revolutionary group, the Situationist International led by Guy Debord. Debord and his SI claim to have been the moving force behind the Paris revolt thus tightening the connection between Marcus, Dylan, the SI and the Paris insurrection. Dylan was also associated with the revolutionary group centered around John Lennon and his widow Yoko Ono.
Now, in 2001 Dylan, Marcus and future president of the United States Barack Obama were in Chicago as associates at the time of 9/11. Dylan’s LP Love And Theft was released on that date that has references that seem applicable to the destruction while Marcus published an article shortly thereafter that seemed to celebrate the attack. So Dylan’s actions seem to point to revolutionary ends.
Now, as Dylan was touring the world from the Sixties through the present he may have been a courier connecting global revolutionary activity. It would not have been wise to communicate by phone or internet in later years as phones and electronics are easily tapped so it would be necessary to communicate by hand delivered messages. Such services would have been invaluable while coded messages in songs or interviews on radio and television appearances are possible. Eric Burdon formerly of the Animals was arrested by the German authorities on that suspicion.
You don’t get awards just for being cute.